Teaching Gender in Social Work - MailChimp
Teaching Gender in Social Work - MailChimp
Teaching Gender in Social Work - MailChimp
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We have used these ideas <strong>in</strong> classes on social work history and on social<br />
work theory and practice and research methods. All types of students found<br />
it a very valuable experience, which reveals the constructed nature of social<br />
problems and the ideology that has always been embedded <strong>in</strong> social policy and<br />
social work. Photos represent<strong>in</strong>g various activities of orphans <strong>in</strong> <strong>in</strong>stitutions<br />
are viewed <strong>in</strong> our study 10 as messages <strong>in</strong> the wider ideological and cultural context<br />
of the 1930–1940s, echo<strong>in</strong>g professional media discourse created around<br />
the pr<strong>in</strong>ciples and values of Soviet upbr<strong>in</strong>g<strong>in</strong>g and presented <strong>in</strong> chronicles and<br />
children’s c<strong>in</strong>ematography. We exam<strong>in</strong>e and discuss with students the pictures<br />
from the orphanages’ albums, which manifest such pr<strong>in</strong>ciples as social hygiene,<br />
collectivity, ‘cultureness’, and labour participation, all of which are cornerstones<br />
of the concept of <strong>in</strong>stitutional upbr<strong>in</strong>g<strong>in</strong>g (Figure 1).<br />
The political-ideological context <strong>in</strong>fluenc<strong>in</strong>g the selection of materials, def<strong>in</strong>es<br />
the limits of <strong>in</strong>dividual freedoms and the subjectivity of the figures, which tend to<br />
be represented <strong>in</strong> a social rather than <strong>in</strong>dividual dimension. Some visual units of<br />
analysis that we have considered as texts, are subjected to deconstruction, <strong>in</strong> order<br />
to show the <strong>in</strong>terconnectedness between consumption and production <strong>in</strong> the practice<br />
of photography. Welfare policy is considered a contextual background for the<br />
understand<strong>in</strong>g of ideology and specific social practices of care and control, embedded<br />
<strong>in</strong> the images themselves and <strong>in</strong> their own histories of creation and use.<br />
Figure 1. Photo from<br />
the album of a children’s<br />
orphanage <strong>in</strong> 1947.<br />
This image portrays<br />
social hygiene and<br />
collectivity as elements<br />
of socialist upbr<strong>in</strong>g<strong>in</strong>g<br />
– the children are depicted<br />
as self-sufficient,<br />
discipl<strong>in</strong>ed, clean and<br />
happy.<br />
10<br />
Pavel Romanov and Elena Iarskaia-Smirnova, “Landscapes of memory: read<strong>in</strong>g photo albums” <strong>in</strong> Visual Anthropology:<br />
new visions of social reality, ed. E. Iarskaia-Smirnova, P. Romanov and V. Krutk<strong>in</strong> (Saratov: Nauchnaia<br />
kniga, 2007): 146-168 (<strong>in</strong> Russian).<br />
63