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Lauriston Castle <strong>2013</strong><br />
Lectures<br />
and Tours
Lauriston Castle invites you to a series <strong>of</strong> special talks and <strong>lectures</strong><br />
Lauriston Castle <strong>2013</strong><br />
Lectures and Tours<br />
Booking information<br />
Unless o<strong>the</strong>rwise stated lecture mornings cost £8<br />
and include a special tour <strong>of</strong> <strong>the</strong> Castle and c<strong>of</strong>fee<br />
and cakes. Our lecture experiences are truly unique<br />
and intimate, and you <strong>of</strong>ten get a chance to see<br />
parts <strong>of</strong> <strong>the</strong> Castle not on <strong>the</strong> guided tours. We also<br />
have special events where different pricing applies<br />
and this is clearly noted.<br />
Our <strong>lectures</strong> are hugely popular. Pre booking and<br />
advance payment are essential. To secure your<br />
place, call Margaret Findlay on 0131-529-3963.<br />
Please note that people do book very early for events<br />
much later in <strong>the</strong> year, so if you fancy a particular<br />
event book as soon as <strong>the</strong> programme comes out.<br />
After booking your place, please send a cheque for<br />
payment to Lauriston Castle, 2a Cramond Road<br />
South, <strong>Edinburgh</strong> EH4 5QD. Please make cheques<br />
payable to City <strong>of</strong> <strong>Edinburgh</strong> Council and include a<br />
note <strong>of</strong> <strong>the</strong> lecture that you are booking.<br />
Free car parking is available within <strong>the</strong> Castle<br />
grounds <strong>of</strong>f Cramond Road South.<br />
Lauriston Castle is easy to reach and is just minutes<br />
from <strong>the</strong> City Bypass. It sits between Davidson’s<br />
Mains and Cramond. You can take buses to<br />
Davidson’s Mains, or Silverknowes Terminus; both<br />
are around 10 minutes walk from Lauriston Castle.<br />
The lecture mornings last approximately 2 hours.<br />
Lauriston Castle Tours<br />
Visit Lauriston Castle and see one <strong>of</strong> <strong>the</strong> most<br />
extraordinary Edwardian interiors in Scotland.<br />
Tour times:<br />
From 1st April – 31st October 2.00pm Saturday -<br />
Thursday (closed Friday)<br />
Winter from 1st November – 31st March 2.00pm<br />
Saturday and Sunday only<br />
Admission charges:<br />
Adult £5.00<br />
Concession £3.00<br />
Family £12.50 (2 Adults + 3 Children under 16)<br />
Group rate £3.00 (for groups <strong>of</strong> 10 and over)<br />
Out <strong>of</strong> hours £8 Adult and £5 Concession<br />
group visits<br />
Refreshments can be provided for group visits.<br />
Special Tours and Events<br />
We have one daily ‘no need to book’ guided tour at<br />
Lauriston. Just turn up at <strong>the</strong> times outlined above.<br />
You can however book group tours at o<strong>the</strong>r times by<br />
phoning Lauriston Castle. We <strong>of</strong>fer a range <strong>of</strong> prebookable<br />
<strong>the</strong>med tours on subjects like; Edwardian<br />
Social History, <strong>the</strong> Furniture <strong>of</strong> Lauriston, <strong>the</strong> History<br />
<strong>of</strong> <strong>the</strong> Gardens and Servants’ Lives.<br />
Lauriston Castle is also <strong>the</strong> home <strong>of</strong> <strong>the</strong> <strong>Edinburgh</strong><br />
Croquet Club. Free croquet taster sessions can<br />
be arranged by request. Why not combine a game<br />
<strong>of</strong> croquet with your visit to <strong>the</strong> Castle, along with<br />
afternoon tea? For croquet alone, phone 0131 443<br />
1410 or go online at www.edinburghcroquetclub.<br />
com.<br />
For more information about <strong>the</strong> Castle, or to<br />
book a place on any <strong>of</strong> our regular organised<br />
tours: telephone 0131 336 2060 or email:<br />
lauristoncastle@edinburgh.gov.uk<br />
Lauriston Castle, 2a Cramond Road South,<br />
Davidson’s Mains, <strong>Edinburgh</strong> EH4 5QD<br />
New Recruits Needed for Living<br />
Lauriston<br />
Living Lauriston is a group <strong>of</strong> volunteers who use<br />
‘Living History’ to assist in <strong>the</strong> interpretation <strong>of</strong><br />
<strong>the</strong> collection and history <strong>of</strong> Lauriston Castle.<br />
We are on <strong>the</strong> lookout for some new people!<br />
We need costume makers, props makers,<br />
history enthusiasts, people who would like to do<br />
some research and budding actors. For fur<strong>the</strong>r<br />
information please contact 0131 336 2060.<br />
Renaissance Extravaganza<br />
Friday 17 May, 6 pm – 8 pm<br />
For Everyone FREE<br />
Celebrating <strong>the</strong> early period <strong>of</strong> <strong>the</strong> house, join us for<br />
an evening celebrating <strong>the</strong> early history <strong>of</strong> Lauriston<br />
Castle. <strong>Edinburgh</strong> Renaissance Band will perform,<br />
our Living Lauriston group will perform short<br />
sketches and <strong>the</strong>re will be Medieval-inspired food.<br />
<strong>Edinburgh</strong>’s Telford College will perform a fashion<br />
show inspired by headgear <strong>of</strong> <strong>the</strong> period.<br />
Vintage Cars at <strong>the</strong> Castle<br />
Sunday 19 May, 1 pm – 4 pm<br />
For Everyone FREE<br />
Come and look at vintage cars against <strong>the</strong> magnificent<br />
backdrop <strong>of</strong> Lauriston Castle. With additional crafts<br />
for children. Make little crafted wooden cars, mobiles<br />
and stained glass panels. Hear magical stories about<br />
special cars and <strong>the</strong>ir journeys.<br />
Scottish All Rover Rally<br />
Sunday 26 May 10 am - 4 pm<br />
All Car Lovers Welcome! The Scottish All Rover Rally<br />
Committee present a display <strong>of</strong> Classic Rover Cars<br />
in <strong>the</strong> stunning Lauriston Castle grounds. Cars on<br />
display will feature some early pre-war models and<br />
cars from <strong>the</strong> 50s 60s and 70s - right up to <strong>the</strong><br />
latest models from Land Rover and Range Rover.<br />
Visit www.sarr.co.uk<br />
Skin Care and Beauty Naturally<br />
Saturday 1 June, 10 am – 4 pm<br />
May–June<br />
£30 includes lunch<br />
Do you ever worry about what you’re putting on your<br />
skin? Learn traditional, sustainable ways <strong>of</strong> keeping<br />
your skin healthy and create fabulous skin care<br />
treats to take home using simple kitchen cupboard<br />
ingredients and wild local plants from <strong>the</strong> grounds<br />
<strong>of</strong> Lauriston Castle. Easy on your body, your pocket<br />
and <strong>the</strong> planet! Facilitated by qualified medical<br />
herbalist Anna Canning.<br />
Since qualifying as a medical herbalist in 2007,<br />
Anna has focused increasingly on community education.<br />
Her key aims are to give people <strong>of</strong> all ages practical skills<br />
and confidence in <strong>the</strong> use <strong>of</strong> plants and foods for health<br />
and wellbeing, and to re-connect people in meaningful<br />
and healthful ways with <strong>the</strong>ir local green spaces.
June–July<br />
July–August<br />
China Dogs and Teacups – Collecting<br />
Victoriana<br />
Monday 3 June, 10.30 am<br />
The everyday household and decorative objects<br />
<strong>of</strong> <strong>the</strong> Victorian age are now treasured antiques,<br />
but what do <strong>the</strong>y say about <strong>the</strong> popular taste <strong>of</strong><br />
<strong>the</strong>ir own time? This illustrated lecture will explore<br />
common and not so common objects from <strong>the</strong><br />
personal collection <strong>of</strong> artist Tessa Asquith-Lamb,<br />
and also illustrate how she uses <strong>the</strong>m in her own<br />
artwork. Tessa will also be bringing along favourite<br />
items for you to see after <strong>the</strong> lecture.<br />
The Orkney Chair Revival in Britain and<br />
<strong>the</strong> Ne<strong>the</strong>rlands<br />
Monday 17 June, 10.30 am<br />
One <strong>of</strong> Orkney’s best-known products is <strong>the</strong> strawbacked<br />
chair which in <strong>the</strong> 19th century was to<br />
be found in every farm house on <strong>the</strong> islands. This<br />
talk will discuss <strong>the</strong> revival <strong>of</strong> <strong>the</strong> Orkney chair<br />
in <strong>the</strong> 1890s, which took it from its rural origins<br />
to Liberty <strong>of</strong> London and <strong>the</strong> drawing rooms <strong>of</strong><br />
<strong>the</strong> aristocracy, and its intriguing appearance in<br />
<strong>the</strong> stock <strong>of</strong> a Dutch entrepreneur in The Hague.<br />
Annette Carru<strong>the</strong>rs is a Senior Lecturer in <strong>the</strong> School <strong>of</strong> Art<br />
History at <strong>the</strong> University <strong>of</strong> St Andrews, where she teaches<br />
courses on British decorative arts and design and Museum<br />
and Gallery Studies. Her book on <strong>the</strong> Arts and Crafts<br />
Movement in Scotland will be published later in <strong>the</strong> year.<br />
Ill-Charted and Unlighted Seas<br />
Friday 28 June, 10.30 am<br />
In 1888, Robert Louis Stevenson undertook a<br />
photo-literary tour <strong>of</strong> Polynesia and Micronesia, <strong>the</strong><br />
result <strong>of</strong> which was a substantial literary corpus as<br />
well as four photograph albums. Carla Manfredi<br />
will explore this overlooked, but substantial<br />
photographic collection and examine it in relation to<br />
In <strong>the</strong> South Seas (1896).<br />
Carla Manfredi is currently a fourth year doctoral<br />
candidate at Queen’s University (Canada). Carla began<br />
research at The Writers’ Museum on Stevenson’s South<br />
Seas photo albums last summer, and with <strong>the</strong> support<br />
<strong>of</strong> UCL’s Institute <strong>of</strong> Historical Research and an Andrew<br />
Mellon Fellowship is currently undertaking fur<strong>the</strong>r<br />
research.<br />
The Lost Garden <strong>of</strong> Penicuik<br />
Friday 5 July, 10.30 am<br />
In 1873 plans were drawn up for a magnificent<br />
new garden south <strong>of</strong> <strong>Edinburgh</strong> with an immense<br />
range <strong>of</strong> glasshouses. Roger Kelly’s very personal<br />
presentation follows <strong>the</strong> growing tradition that led up<br />
to <strong>the</strong> garden, what became <strong>of</strong> <strong>the</strong> place, its heyday<br />
and its decline, and today’s community efforts to<br />
pull it back to productive life. Along <strong>the</strong> way he picks<br />
up links with Japan, New Zealand, and Portobello,<br />
with Prime Minister Gladstone and Patrick Geddes,<br />
with <strong>the</strong> influence <strong>of</strong> journalism, <strong>the</strong> Soil Association<br />
and Rudolf Steiner, with businesses like Mackenzie<br />
& Moncur, John Dennis, and Saracen Foundry, and<br />
major historical events like <strong>the</strong> Second World War,<br />
and <strong>the</strong> housing boom <strong>of</strong> <strong>the</strong> sixties and seventies.<br />
Roger Kelly helps lead Penicuik Community<br />
Development Trust and <strong>the</strong> Campaign to Restore<br />
<strong>the</strong> Great Polish Map <strong>of</strong> Scotland. An advisor to <strong>the</strong><br />
Government’s Climate Challenge fund and awards, judge<br />
for The Patrick Geddes Trust , he is vice-convener <strong>of</strong> The<br />
Saltire Society and a former convener <strong>of</strong> <strong>the</strong> Royal Town<br />
Planning Institute in Scotland.<br />
Shake, Rattle, Roll and Sheer Terror<br />
Thursday 25 July, 10.30 am<br />
An illustrated talk on how <strong>the</strong> public, press and<br />
medical pr<strong>of</strong>essions viewed train travel in <strong>the</strong><br />
19th century, and at how well <strong>the</strong> traveller was<br />
looked after by <strong>the</strong> railway companies and <strong>the</strong>ir<br />
servants. Robin Barnes discusses <strong>the</strong> highs and <strong>the</strong><br />
lows, based on <strong>the</strong> contemporary observations <strong>of</strong><br />
both regular and occasional travellers, <strong>the</strong> wealthy<br />
and <strong>the</strong> poor, and <strong>the</strong> medical advice given to <strong>the</strong>m,<br />
well-founded and o<strong>the</strong>rwise.<br />
<strong>Edinburgh</strong>’s Sistine Chapel: Creation and<br />
Restoration<br />
Friday 26 July, 10.30 am<br />
The Catholic Apostolic Church, now known as <strong>the</strong><br />
Mansfield Traquair Centre, was designed in 1872<br />
by Sir Robert Rowand Anderson. The building was a<br />
milestone in Anderson’s career and is a key building<br />
in <strong>the</strong> New Town <strong>of</strong> <strong>Edinburgh</strong>. The building is <strong>of</strong><br />
great architectural merit, but what makes it extra<br />
special is that it contains a vast mural painting<br />
cycle by Phoebe Anna Traquair which was executed<br />
in <strong>the</strong> 1890s. This has led to <strong>the</strong> building being<br />
called ‘<strong>Edinburgh</strong>’s Sistine Chapel’. The Catholic<br />
Apostolic Church ceased worship in <strong>the</strong> building<br />
in 1958, since when <strong>the</strong> building suffered from<br />
lack <strong>of</strong> maintenance and <strong>the</strong> murals from water<br />
penetration, salt efflorescence and deposits left by<br />
invasive pigeons. Rosemary Mann tells <strong>the</strong> story <strong>of</strong><br />
<strong>the</strong> building and its rescue by a charitable trust, its<br />
renovation and <strong>the</strong> restoration <strong>of</strong> <strong>the</strong> murals.<br />
Rosemary Mann is Secretary <strong>of</strong> <strong>the</strong> Mansfield Traquair<br />
Trust and was involved in <strong>the</strong> restoration <strong>of</strong> <strong>the</strong> building<br />
and murals from start to finish.<br />
Enter <strong>the</strong> World <strong>of</strong> Jane Austen: History in<br />
<strong>the</strong> Making<br />
Saturday 27 July, 2 pm<br />
£20 with a special buffet afternoon tea - A talk about <strong>the</strong> design<br />
and construction <strong>of</strong> gowns worn during <strong>the</strong> Regency period.<br />
Julia Soares-McCormick creates fabulous <strong>the</strong>atrical<br />
costumes along with masks, headdresses and<br />
jewellery. She will present a very interesting,<br />
lively and informative talk about <strong>the</strong> design and<br />
construction <strong>of</strong> her gowns. Beautifully costumed<br />
mannequins will accompany <strong>the</strong> talk. Included<br />
are an ornate gold-encrusted Court Gown inspired<br />
by clo<strong>the</strong>s worn by Empress Josephine wife <strong>of</strong><br />
Napoleon Bonaparte and a beautiful Regency<br />
gown in <strong>the</strong> style <strong>of</strong> Jane Austen. Underwear and<br />
accessories worn during this period will also be<br />
included.<br />
Julia has a BA Hons Theatre Design; she presents<br />
Renaissance fashion shows and costume displays and<br />
talks to schools, groups, libraries and stately homes.<br />
She has appeared on <strong>the</strong> BBC wearing her Gowns at<br />
a stately home and has also been featured on radio.<br />
Julia worked in a number <strong>of</strong> <strong>the</strong>atres before going on to<br />
design costumes privately.<br />
www.tudortalkandcatwalk.com<br />
The History <strong>of</strong> Cramond Island<br />
Monday 5 August, 10.30 am<br />
Cramond Island is easily accessible at low tide from<br />
<strong>the</strong> promenade at Cramond. On <strong>the</strong> island <strong>the</strong> most<br />
obvious structures are <strong>the</strong> remains <strong>of</strong> a number <strong>of</strong><br />
military installations from <strong>the</strong> Second World War.<br />
This lecture covers island life from its early history<br />
when it was owned by <strong>the</strong> Bishops <strong>of</strong> Dunkeld,<br />
through <strong>the</strong> middle ages, to its short-lived period as<br />
a smallholding in <strong>the</strong> 1950’s.<br />
John Dods is a retired Electronics Engineer and has<br />
been involved with <strong>the</strong> Cramond Heritage Trust since<br />
his retirement.<br />
The Arts and Crafts Movement in Scotland<br />
Wednesday 7 August, 10.30 am<br />
At <strong>the</strong> turn <strong>of</strong> <strong>the</strong> 19th and 20th century artists,<br />
architects and designers all over Britain contributed<br />
to a movement which aimed to improve <strong>the</strong> design<br />
<strong>of</strong> everyday life - from houses and churches to<br />
interior furnishings and items for personal use such<br />
as jewellery and books. In Scotland <strong>the</strong> Arts and<br />
Crafts Movement had a distinctive character <strong>of</strong> its<br />
own, which will be explored in this talk.<br />
Annette Carru<strong>the</strong>rs is a Senior Lecturer in <strong>the</strong> School <strong>of</strong><br />
Art History at <strong>the</strong> University <strong>of</strong> St Andrews, where she<br />
teaches courses on British decorative arts and design<br />
and Museum and Gallery Studies. Her book on <strong>the</strong> Arts<br />
and Crafts Movement in Scotland will be published<br />
later in <strong>the</strong> year.
August<br />
August–September<br />
Bartholomew’s Maps: A Cartographic<br />
Window Into <strong>Edinburgh</strong>’s Past<br />
Kings And Queens In Costume: History In<br />
The Making<br />
The Peculiarity Of Scottish Witchcraft:<br />
The Napier Family And The North Berwick<br />
Witches<br />
Monday 26 August, 10.30 am<br />
For <strong>the</strong> Europeans <strong>of</strong> <strong>the</strong> 16th and 17th centuries,<br />
witchcraft was a very real thing. This lecture aims to<br />
look at <strong>the</strong> ways in which Scottish witchcraft can be<br />
seen as peculiar when compared to <strong>the</strong> trends found<br />
in <strong>the</strong> rest <strong>of</strong> Europe, as Scottish witchcraft had<br />
a darker and more sinister nature. The witchcraft<br />
trials in North Berwick <strong>of</strong> <strong>the</strong> 1590s are <strong>the</strong> perfect<br />
example <strong>of</strong> witchcraft persecution in Scotland, and<br />
this lecture will also uncover Lauriston Castle’s<br />
family connection with this dark art.<br />
Charlotte Johnson is a recent graduate from <strong>the</strong><br />
University <strong>of</strong> <strong>Edinburgh</strong>, having studied MA History and<br />
Scottish history. She now works as a Visitor Assistant<br />
for <strong>Edinburgh</strong> <strong>Museums</strong> and Galleries.<br />
Decimus Burton Architect Of Many Facets<br />
Monday 2 September, 10.30 am<br />
Of Scottish descent, Decimus Burton had a career<br />
that spanned <strong>the</strong> Regency period to well into<br />
Victoria’s reign. His buildings range from <strong>the</strong> well<br />
known Arch and Screen, to London’s Hyde Park,<br />
to <strong>the</strong> <strong>the</strong>n cutting edge hi-tech Palm House at<br />
Kew Gardens. Unlike o<strong>the</strong>r Victorian architects he<br />
refused to take part in “<strong>the</strong> Battle <strong>of</strong> <strong>the</strong> Styles” and<br />
was happy to work in ei<strong>the</strong>r <strong>the</strong> Classical, Gothic, or<br />
Vernacular. His aim was to provide his client with <strong>the</strong><br />
building that best suited his taste and needs.<br />
Philip Miller organized <strong>the</strong> successful travelling<br />
exhibition that celebrated <strong>the</strong> centenary <strong>of</strong> Decimus<br />
Burton’s death in 1981, and has just revamped this<br />
to celebrate <strong>the</strong> 150th anniversary <strong>of</strong> <strong>the</strong> Burton<br />
designed Lancashire town <strong>of</strong> Fleetwood in 2011. It is<br />
now available online.<br />
Thirty Years Of Collecting Rugs In The<br />
Middle East: A Travellers Account<br />
Wednesday 4 September, 10.30 am<br />
Monday 19 August, 10.30 am<br />
This well-illustrated talk will provide an overview <strong>of</strong> <strong>the</strong><br />
extensive archives and maps <strong>of</strong> John Bartholomew &<br />
Son, and <strong>the</strong> special insight <strong>the</strong>y give into <strong>the</strong> history <strong>of</strong><br />
<strong>Edinburgh</strong> over <strong>the</strong> last two centuries. Bartholomew’s<br />
history spans six generations <strong>of</strong> family heads from<br />
<strong>the</strong> 1820s to <strong>the</strong> 1980s, and <strong>the</strong>ir maps were justly<br />
famous all over <strong>the</strong> world - many <strong>of</strong> <strong>the</strong>ir innovative<br />
techniques and publications still influence map-making<br />
today. Whilst <strong>the</strong> firm moved several times in <strong>the</strong><br />
city, <strong>Edinburgh</strong> was always <strong>the</strong>ir family and business<br />
home, and Bartholomew produced many unusual and<br />
distinctive maps <strong>of</strong> <strong>Edinburgh</strong>. The firm also kept an a<br />
very detailed archive <strong>of</strong> <strong>the</strong>ir work, which survives today<br />
in <strong>the</strong> National Library <strong>of</strong> Scotland. This allows a unique<br />
insight into practical map-making work.<br />
Chris Fleet is Senior Map Curator at <strong>the</strong> National<br />
Library <strong>of</strong> Scotland. His particular responsibilities<br />
relate to digital mapping and <strong>the</strong> NLS maps website,<br />
but he has had a long-standing interest in researching<br />
<strong>the</strong> history <strong>of</strong> Scottish maps and map-makers. In<br />
2011 he co-authored <strong>the</strong> book Scotland: Mapping <strong>the</strong><br />
Nation, published by Birlinn in association with <strong>the</strong><br />
National Library <strong>of</strong> Scotland.<br />
Saturday 24 August,2 pm<br />
£20 with a special buffet afternoon tea - A talk about <strong>the</strong> design<br />
and construction <strong>of</strong> costumes for Kings and Queens<br />
Julia Soares-McCormick creates fabulous <strong>the</strong>atrical<br />
costumes along with masks, headdresses,<br />
underwear and jewellery - she will present a very<br />
interesting, lively and informative talk about <strong>the</strong>ir<br />
design and construction. Costumes on display<br />
include a glittering gold outfit for Cleopatra Queen<br />
<strong>of</strong> <strong>the</strong> Nile, an elegant pink silk gown for Henry VIII’s<br />
fifth wife Queen Ka<strong>the</strong>rine Howard, a new French silk<br />
gown for Mary Queen <strong>of</strong> Scots and a court gown for<br />
Empress Josephine. Due to popular demand Julia’s<br />
husband will again accompany her in full regalia as<br />
Henry VIII.<br />
Julia has a BA Hons Theatre Design; she presents<br />
Renaissance fashion shows, costume displays and<br />
talks to schools, groups, libraries and stately homes.<br />
She has appeared on <strong>the</strong> BBC wearing her gowns at<br />
a Stately Home and has also been featured on radio.<br />
Julia worked in a number <strong>of</strong> <strong>the</strong>atres before going on to<br />
design costumes privately.<br />
www.tudortalkandcatwalk.com<br />
Rufus Reade has been importing rugs into <strong>Edinburgh</strong><br />
since 1983. He has travelled huge distances in<br />
search <strong>of</strong> <strong>the</strong> unusual and <strong>the</strong> interesting, <strong>of</strong>ten<br />
diverting along <strong>the</strong> way to see a remote mosque,<br />
monastery or ruin. In this illustrated talk he takes<br />
us along some <strong>of</strong> <strong>the</strong>se byways, and gives <strong>the</strong><br />
background to running an unusual business, The<br />
Nomads Tent, here in <strong>Edinburgh</strong>. He will bring along<br />
some <strong>of</strong> his favourite rugs.<br />
Rufus Reade was born in Kenya, and grew up in Cyprus<br />
speaking English and Greek. He worked as a social<br />
worker, latterly running a refugee centre in Carnwath for<br />
Vietnamese Boat People. It was during <strong>the</strong> recession<br />
<strong>of</strong> <strong>the</strong> early 1980s, and he became intrigued by <strong>the</strong><br />
possibilities <strong>of</strong> <strong>the</strong>ir self-employment. This proved<br />
an unsuccessful goal but it galvanized him to give up<br />
teaching social workers at Stevenson College, and to<br />
start his own business, The Nomads Tent, importing<br />
and selling oriental rugs from Turkey.<br />
Corstorphine Old And New<br />
Friday 6 September, 10.30 am<br />
This lecture will cover <strong>the</strong> history <strong>of</strong> Corstorphine<br />
from <strong>the</strong> medieval stone-ro<strong>of</strong>ed church and
September<br />
September–October<br />
dovecot right through to <strong>the</strong> 20th century changes<br />
when old cottages were swept away for shopping<br />
developments. There are many illustrations <strong>of</strong><br />
buildings and times that are gone. The photographs<br />
and anecdotes will inform and entertain <strong>the</strong><br />
audience whilst illustrating <strong>the</strong> fate <strong>of</strong> villages that<br />
were overtaken by <strong>the</strong> spread <strong>of</strong> a city.<br />
Ian Anderson is Vice-Chairman <strong>of</strong> Corstorphine<br />
Trust, a retired investment manager, who has lived in<br />
Corstorphine for almost 50 years. He is passionate<br />
about recording <strong>the</strong> history <strong>of</strong> <strong>the</strong> village in <strong>the</strong><br />
Trust’s museum and archive in <strong>the</strong> listed building that<br />
<strong>the</strong>y occupy in <strong>the</strong> corner <strong>of</strong> St. Margaret’s Park on<br />
Corstorphine High Street.<br />
Rooted In Royalty: North Queensferry<br />
Monday 9 September, 10.30 am<br />
An exploration <strong>of</strong> <strong>the</strong> timeline <strong>of</strong> <strong>the</strong> development <strong>of</strong><br />
<strong>the</strong> Queensferry Passage from <strong>the</strong> early ferry system<br />
1000AD up to <strong>the</strong> 2 bridges today, and its effect on<br />
a village community.<br />
James Lawson is retired and has lived in North<br />
Queensferry for 17 years and is currently chairman<br />
<strong>of</strong> NQ Heritage Trust. James is also involved with <strong>the</strong><br />
development <strong>of</strong> <strong>the</strong> new Forth Bridges Tourist Group<br />
involving a more ‘pr<strong>of</strong>essional’ welcome for all cruise liner<br />
passengers coming to ei<strong>the</strong>r Rosyth or South Queensferry.<br />
Our Famous Caravan Holiday’, Elsie<br />
Jollyman’s Visit To Scotland Of 1909<br />
Wednesday 11 September, 10.30am<br />
Scotland was well-established as a tourist destination<br />
by 1909 when Elsie Jollyman toured <strong>the</strong> west <strong>of</strong><br />
Scotland in a horse-drawn caravan. By this time,<br />
seasoned travellers had begun to react to <strong>the</strong><br />
commercialism <strong>of</strong> organised tours and simple<br />
holidays in <strong>the</strong> fresh air became popular. This talk will<br />
explore <strong>the</strong> development <strong>of</strong> tourism in Scotland with<br />
particular reference to this delightful journal <strong>of</strong> a visit<br />
to Scotland by a group <strong>of</strong> friends in search <strong>of</strong> novelty.<br />
Olive Geddes, Senior Curator in <strong>the</strong> Manuscript<br />
Collections Division <strong>of</strong> <strong>the</strong> National Library <strong>of</strong> Scotland.<br />
Musing The News<br />
June 1903: Breakfast With WR Reid<br />
Saturday 21 September, 11 am – 1.30 pm<br />
£20 with a buffet brunch<br />
It’s June 1903 and William Robert Reid and his wife<br />
Margaret have taken occupancy <strong>of</strong> Lauriston Castle.<br />
A man <strong>of</strong> regular habits, Mr Reid has ordered <strong>the</strong><br />
Scotsman newspaper to be delivered to Lauriston<br />
every day and to be placed in <strong>the</strong> Oak Room <strong>of</strong> <strong>the</strong><br />
Castle, which he has renovated as his <strong>of</strong>fice. Due<br />
to <strong>the</strong> distractions <strong>of</strong> moving, however, Mr Reid has<br />
fallen behind with <strong>the</strong> news. He invites you to join<br />
him as he catches up with <strong>the</strong> events, local and<br />
global, <strong>of</strong> June 1903. Afterwards brunch will be<br />
served in <strong>the</strong> old Castle kitchen.<br />
A Dish Of Tea<br />
Monday 23 September, 10.30 am (with some very<br />
interesting teas to sample)<br />
What is now regarded as Britain’s national drink<br />
was unknown before <strong>the</strong> mid 17th century,<br />
in fact its first mention was in <strong>the</strong> newspaper<br />
announcing <strong>the</strong> death <strong>of</strong> Oliver Cromwell. At first<br />
it was fabulously expensive and was regarded for<br />
its cure-all properties, but soon it became part <strong>of</strong><br />
<strong>the</strong> ritual <strong>of</strong> <strong>the</strong> drawing room, <strong>the</strong> mistress <strong>of</strong> <strong>the</strong><br />
house presiding over <strong>the</strong> locked tea chest. The 19th<br />
century saw <strong>the</strong> invention <strong>of</strong> that British institution<br />
“afternoon tea”, by <strong>the</strong> Duchess <strong>of</strong> Bedford.<br />
Tea had previously been <strong>the</strong> monopoly <strong>of</strong> China<br />
but Scottish botanist Robert Fortune pioneered <strong>the</strong><br />
establishment <strong>of</strong> tea plantations in India and Ceylon<br />
making <strong>the</strong> leaf more available to <strong>the</strong> less wealthy<br />
classes and providing an alternative to stronger<br />
drinks and thus encouraging <strong>the</strong> teetotal movement.<br />
Philip Miller organized a record-breaking exhibition at<br />
London’s Building Centre based upon his collection <strong>of</strong><br />
tea ephemera and his vast collection <strong>of</strong> teapots, 2000<br />
<strong>of</strong> which are now in <strong>the</strong> Norwich museum. Although he<br />
still has over 1000, <strong>the</strong> most interesting <strong>of</strong> which he<br />
will use to illustrate his talk.<br />
Granton’s Industrial Past<br />
Wednesday 25 September, 10.30 am<br />
Granton used to be an industrial area. It had one <strong>of</strong><br />
<strong>the</strong> first car factories, wireworks, fishing, coal and a<br />
lot more. It also had one <strong>of</strong> <strong>the</strong> first train ferries. This<br />
lecture will explore some <strong>of</strong> <strong>the</strong> industries and <strong>the</strong><br />
area in general and also give an account <strong>of</strong> growing<br />
up in Granton.<br />
Kenneth Williamson, born in 1951, has lived in Granton<br />
all his life, and has extensive knowledge <strong>of</strong> <strong>the</strong> local<br />
area. He played rugby for Leith Accies and Broughton<br />
and plays bowls at Maitland Bowling Club, Davidson’s<br />
Mains. Kenneth is a railway enthusiast, and has had<br />
several articles and pictures published in national<br />
railway magazines.<br />
The Glasgow Boys<br />
Tuesday 1 October, 10.30 am<br />
The Glasgow Boys were a group <strong>of</strong> artists whose<br />
emergence in <strong>the</strong> 1880s led to a radical shift in<br />
Scottish art. Crawhall, Guthrie, Henry, Hornel, Lavery,<br />
Melville, Paterson and Walton were young, talented<br />
and ambitious, producing work that was new and<br />
challenging and which rapidly gained international<br />
recognition. This lecture looks at <strong>the</strong> work <strong>of</strong> <strong>the</strong> Boys,<br />
including examples from <strong>the</strong> City Art Centre’s collection<br />
<strong>of</strong> Scottish art, as well as placing <strong>the</strong>m in <strong>the</strong> context<br />
<strong>of</strong> parallel contemporary developments at Newlyn<br />
in Cornwall and Skagen in Denmark. Ian O’Riordan<br />
is Senior Curator <strong>of</strong> Art, <strong>Edinburgh</strong> <strong>Museums</strong> and<br />
Galleries.<br />
The Poetry Of Motion: The Motor Car In<br />
Edwardian Literature<br />
Thursday 3 October, 10.30 am<br />
The emergence <strong>of</strong> <strong>the</strong> motor car was greeted with an<br />
equal measure <strong>of</strong> elation and despair in Edwardian<br />
writing. While some writers such as Rudyard Kipling<br />
embraced <strong>the</strong> car as a wonderful and exciting<br />
example <strong>of</strong> modernity, o<strong>the</strong>rs imagined <strong>the</strong> motorist<br />
as Mr Toad, throwing up dust and defiling <strong>the</strong><br />
countryside as he sped by. This lecture will delve deep<br />
into <strong>the</strong> Edwardian literary scene to suggest how early<br />
motor cars were introduced to <strong>the</strong> reading public.<br />
Jonathan Wild is Senior Lecturer in Victorian Literature<br />
at <strong>the</strong> University <strong>of</strong> <strong>Edinburgh</strong>. He is completing a<br />
book entitled The Great Edwardian Emporium which<br />
examines <strong>the</strong> literary culture <strong>of</strong> <strong>the</strong> Edwardian period.<br />
William Robert Reid & The Luxury Train<br />
Monday 7 October, 10.30 am<br />
The superb quality <strong>of</strong> furniture and interior design<br />
produced by Morison & Company <strong>of</strong> <strong>Edinburgh</strong><br />
under <strong>the</strong> direction <strong>of</strong> W.R.Reid is widely<br />
recognised. Not so is <strong>the</strong> fact that Mr Reid and his<br />
company designed and produced luxury railway<br />
carriage interiors which ranked amongst <strong>the</strong> finest<br />
<strong>of</strong> <strong>the</strong>ir kind in <strong>the</strong> late 19th to early 20th century,<br />
establishing a truly international reputation.<br />
Robin Barnes takes an illustrated look at this work,<br />
which Mr. Reid continued to undertake on behalf <strong>of</strong> his<br />
former company for a decade following his ‘retirement’<br />
to Lauriston Castle in April 1903.
October-November<br />
November<br />
Medicines From The Mud<br />
Tuesday 8 October, 10.30 am<br />
Since 1986, <strong>the</strong> Soutra Research Project has<br />
been exploring <strong>the</strong> medieval hospital, south-east<br />
<strong>of</strong> <strong>Edinburgh</strong>. Modifying traditional archaeology<br />
– itself silent on medical practice – techniques<br />
from geophysics, forensics, medical diagnostics,<br />
toxicology et al. have been applied. This has allowed<br />
precise study <strong>of</strong> ‘medical waste’, including medicinal<br />
recipes selected for use – with interpretation through<br />
medieval recipe collections. Evaluate this new<br />
science for yourself – and see what archaeologists<br />
and historians overlook.<br />
Dr Brian M<strong>of</strong>fat has been <strong>the</strong> Director <strong>of</strong> Investigations<br />
throughout. By background, he is a biogeographer/<br />
ecologist. He is known as <strong>the</strong> ‘Hermit <strong>of</strong> Soutra Aisle’<br />
The Scottish Home In The 16th Century<br />
Wednesday 23 October, 10.30 am<br />
Michael Pearce explores <strong>the</strong> furnishings <strong>of</strong> <strong>the</strong><br />
homes <strong>of</strong> <strong>the</strong> wealthier classes from a survey<br />
<strong>of</strong> 16th century inventories and court records,<br />
uncovering what must have been essential and<br />
what seems exotic. He is researching furnishing in<br />
Scotland (1500-1700) as a PhD with <strong>the</strong> National<br />
<strong>Museums</strong> and <strong>the</strong> University <strong>of</strong> Dundee, an interest<br />
sparked by his work with Historic Scotland and <strong>the</strong><br />
re-instatement <strong>of</strong> interiors at Stirling Palace. The<br />
comparison <strong>of</strong> inventory and artefact evidence is<br />
intended to help <strong>the</strong> interpretation <strong>of</strong> <strong>the</strong> museum’s<br />
collection and built heritage in Scotland.<br />
Michael Pearce has been Historic Scotland’s<br />
Conservation Group “Historic Interiors Researcher”<br />
since 2000, after training as a conservator in Lincoln.<br />
He contributed to <strong>the</strong> restoration <strong>of</strong> <strong>the</strong> interior<br />
<strong>of</strong> General Register House and <strong>the</strong> Stirling Castle<br />
palace project. Currently he is researching domestic<br />
furnishings as an AHRC funded PhD with <strong>the</strong> National<br />
<strong>Museums</strong> and Charles McKean at Dundee Unversity.<br />
Buying New Art In Edwardian Britain: The<br />
Case Of The Rowats Of Paisley<br />
Monday 4 November, 10.30 am<br />
The best work <strong>of</strong> designers such as Charles Rennie<br />
Mackintosh and George Walton depended on <strong>the</strong><br />
patronage <strong>of</strong> a very small number <strong>of</strong> committed<br />
enthusiasts. The Rowat family commissioned work<br />
from Mackintosh on four occasions, <strong>the</strong> starting<br />
point for a talk which will examine <strong>the</strong> place <strong>of</strong><br />
avant-garde taste among Edwardian entrepreneurs.<br />
Stephen Jackson is Senior Curator, Applied Art and<br />
Design at National <strong>Museums</strong> Scotland.<br />
A Millennium Of Scottish Wheel Thrown<br />
Pottery: A 21st Century Perspective<br />
Wednesday 6 November, 10.30 am<br />
Just over a decade ago a small a small group <strong>of</strong><br />
Scottish archaeologists and medieval ceramic<br />
researchers decided that developer driven<br />
archaeology was in <strong>the</strong> main doing little to support<br />
ceramic studies. They <strong>the</strong>refore convened a<br />
meeting <strong>of</strong> interested parties, formed <strong>the</strong> Medieval<br />
Archaeology Group (MARG) in a bid to try and<br />
change its direction. At <strong>the</strong> same time <strong>the</strong> speaker,<br />
with help from a small group <strong>of</strong> volunteers, decided<br />
in what has become known as <strong>the</strong> National<br />
<strong>Museums</strong> Scotland shard project, that <strong>the</strong>y would<br />
try and put into <strong>the</strong> public domain <strong>the</strong> entire corpus<br />
<strong>of</strong> excavated and unpublished ceramic material from<br />
Scottish 18th and 19th century pottery production<br />
sites. As <strong>the</strong> result <strong>of</strong> all this work, which had<br />
invaluable support from Historic Scotland, we have<br />
begun to see <strong>the</strong> benefits <strong>of</strong> a unified approach at a<br />
national level. Scotland, now almost certainly has a<br />
better grip than most countries on its wheel thrown<br />
ceramic heritage.<br />
George R. Haggarty FSA, FSA Scot is a Research<br />
Associate: National <strong>Museums</strong> Scotland.<br />
Medical Care: Intervention By The State<br />
Monday 18 November, 10.30 am<br />
This lecture will explore <strong>the</strong> part played by <strong>the</strong> state<br />
in <strong>the</strong> development <strong>of</strong> medicine in Scotland in <strong>the</strong><br />
hundred years before 1948.<br />
Morrice McCrae graduated in medicine at<br />
Glasgow. After service in <strong>the</strong> army he returned to<br />
Glasgow University as Hall Fellow in Medicine. He<br />
was <strong>the</strong>n a lecturer in medicine at Glasgow before<br />
becoming a consultant physician <strong>the</strong> Royal Hospital for<br />
Sick Children in <strong>Edinburgh</strong>. After retiring from medical<br />
practice he studied history at <strong>Edinburgh</strong>. Since <strong>the</strong>n<br />
he has written a number <strong>of</strong> books including Physicians<br />
in Society, Sir James Simpson: The Turbulent Life <strong>of</strong> a<br />
Medical Pioneer and Scottish Medicine: An Illustrated<br />
History.<br />
The Laird’s Kitchen: Three Hundred Years<br />
Of Food In Scotland<br />
Monday 25 November, 10.30 am<br />
Sheep’s heid broth, haggis, crappit heids; <strong>the</strong>se<br />
are <strong>the</strong> images conjured up by traditional Scottish<br />
food. But what did our ancestors really eat? Using<br />
diet books, household accounts, inventories and<br />
manuscript recipe books from <strong>the</strong> collections <strong>of</strong> <strong>the</strong><br />
National Library <strong>of</strong> Scotland, this talk explores <strong>the</strong><br />
eating habits <strong>of</strong> <strong>the</strong> wealthier members <strong>of</strong> society<br />
from <strong>the</strong> early 1600s to Edwardian times.<br />
Olive Geddes is Senior Curator in <strong>the</strong> Manuscript<br />
Collections Division <strong>of</strong> <strong>the</strong> National Library <strong>of</strong> Scotland.<br />
You Must Never Travel Without One:<br />
Advice For The Lady Traveller At Home<br />
And Abroad<br />
Thursday 28 November, 10.30 am<br />
At a time when manufacturers produced a huge<br />
range <strong>of</strong> travel paraphernalia what were <strong>the</strong><br />
essentials for <strong>the</strong> Victorian and Edwardian lady<br />
travellers? What should you take and what could you<br />
safely leave behind? This lecture will look at some <strong>of</strong><br />
<strong>the</strong> range <strong>of</strong> goods on <strong>of</strong>fer to travellers, hints and<br />
tips for lady travellers, as well as some <strong>of</strong> <strong>the</strong>ir reallife<br />
experiences.<br />
Helen Edwards is Curator <strong>of</strong> Applied Art at <strong>the</strong> Museum<br />
<strong>of</strong> <strong>Edinburgh</strong> and Lauriston Castle<br />
Musing The News<br />
Christmas 1918: Breakfast With WR Reid<br />
Saturday 30 November, 11 am – 1.30 pm<br />
£20 with a buffet brunch<br />
It’s 24 December 1918 and William Robert Reid<br />
and his wife Margaret prepare for Christmas at<br />
Lauriston Castle, <strong>the</strong>ir last Christmas toge<strong>the</strong>r. Mr<br />
Reid has ordered <strong>the</strong> Scotsman newspaper to be<br />
delivered and placed in <strong>the</strong> Oak Room <strong>of</strong> <strong>the</strong> Castle.<br />
We welcome you to join him as he catches up with<br />
events local and global, <strong>of</strong> Christmas 1918, just<br />
months before his death. A brunch will be served<br />
afterwards in <strong>the</strong> old Castle Kitchen.
Living Lauriston<br />
Living Lauriston<br />
1910<br />
Be transported back to <strong>the</strong> Edwardian period and<br />
meet Mr and Mrs Reid and <strong>the</strong>ir staff as <strong>the</strong>y go<br />
about <strong>the</strong>ir daily lives at Lauriston Castle. Living<br />
Lauriston is a group <strong>of</strong> volunteers who work with <strong>the</strong><br />
City <strong>of</strong> <strong>Edinburgh</strong> Museum staff to assist with <strong>the</strong><br />
interpretation <strong>of</strong> <strong>the</strong> collections at Lauriston Castle.<br />
To book and for fur<strong>the</strong>r information, please<br />
telephone 0131 336 2060 or email<br />
lauristoncastle@edinburgh.gov.uk (events only)<br />
Spick And Span<br />
Sunday 7 April, 2 pm, 3 pm or 4 pm<br />
Adult £5, Child £3, Family £12.50<br />
With refreshments: Adult £6.50, Child £4.50, Family £17<br />
Visit Lauriston Castle and meet <strong>the</strong> owners and<br />
servants as <strong>the</strong>y begin <strong>the</strong>ir big spring clean. Find<br />
out what <strong>the</strong>y think about new cleaning methods<br />
and how <strong>the</strong>y spend <strong>the</strong>ir leisure time.<br />
At Home<br />
Sunday 26 May, 2 pm, 3 pm or 4 pm<br />
Adult £5, Child £3, Family £12.50<br />
With refreshments: Adult £6.50, Child £4.50, Family £17<br />
Meet Mr and Mrs Reid as <strong>the</strong>y welcome friends to<br />
<strong>the</strong>ir home. Join <strong>the</strong> servants downstairs as <strong>the</strong>y<br />
prepare tea and go about <strong>the</strong>ir duties.<br />
A Summer Day<br />
Sunday 8 September, 2 pm, 3 pm or 4 pm<br />
Adult £5, Child £3, Family £12.50<br />
With refreshments: Adult £6.50, Child £4.50, Family £17<br />
The end <strong>of</strong> summer is approaching as Mr and Mrs<br />
Reid prepare to travel abroad. However, <strong>the</strong>y still<br />
have visitors in <strong>the</strong> house and must entertain <strong>the</strong>m.<br />
Eavesdrop on <strong>the</strong>ir plans.<br />
The 5 Ghosts At Halloween<br />
Thursday 31 October 7 pm<br />
£20 with wine and canapés<br />
On this Halloween night meet five ghosts <strong>of</strong><br />
Lauriston from each century <strong>of</strong> <strong>the</strong> house’s history<br />
and hear <strong>the</strong>ir tales in <strong>the</strong> atmospheric setting <strong>of</strong><br />
Lauriston Castle.<br />
Murder Mysteries<br />
Death Pays A Visit<br />
Saturday 15 June, 7 pm<br />
£30 with wine and canapés<br />
Friends ga<strong>the</strong>r at <strong>the</strong> Laurels to celebrate <strong>the</strong><br />
birthday <strong>of</strong> Alice Oliver. However, events take a turn<br />
for <strong>the</strong> worse when a body is discovered. Join us<br />
to find out whodunit! Exercise your grey cells and<br />
decide for yourself who is guilty and who may be<br />
innocent.<br />
Deep and Crisp and… Dead!<br />
Friday 6 December, 7 pm<br />
£30 with wine and canapés<br />
Christmas at <strong>the</strong> Laurels – an idyllic setting in a crisp<br />
snowy landscape…… until a body is discovered!<br />
Everyone is presumed guilty unless <strong>the</strong>y prove<br />
o<strong>the</strong>rwise. Can you unwrap <strong>the</strong> mystery? Can you<br />
work out whodunit and what <strong>the</strong>ir motives are?<br />
You can get this document on tape, in Braille,<br />
large print and various computer formats if you<br />
ask us. Please contact <strong>the</strong> Interpretation and<br />
Translation Service (ITS) on 0131 242 8181<br />
and quote reference number 12-1041. ITS can<br />
also give information on community language<br />
translations.<br />
You can get more copies <strong>of</strong> this document by calling<br />
0131 529 3963<br />
Illustration by Mairi Crighton<br />
Designed by <strong>the</strong> City <strong>of</strong> <strong>Edinburgh</strong> Council Corporate<br />
Governance 12.359/CG/DW/February <strong>2013</strong>