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6 nov 09 3 dec 09 3 cinemas cafe bar - Filmhouse Cinema Edinburgh

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22 French Film Festival UK (continued)/FFF UK: Totally Tati<br />

CRIME IS OUR BUSINESS<br />

Crime is Our Business<br />

Le crime est notre affaire<br />

Wed 2 Dec at 8.45pm<br />

Pascal Thomas • France 2008 • 1h49m • 35mm<br />

French with English subtitles • 15<br />

Cast: Catherine Frot, André Dussollier, Claude Rich, Chiara<br />

Mastroianni, Melvil Poupaud.<br />

Pascal Thomas’ third Agatha Christie adaptation in three<br />

years resurrects the adorable, culprit-seeking Beresfords<br />

– Prudence (Catherine Frot) and Bélisaire (André Dussollier)<br />

– who this time try to nab the killer among a clan of wicked<br />

siblings visiting their family’s snow-filled chateau for<br />

Christmas. With Bélisaire now retired from the secret service,<br />

bored Prudence is just dying for a new crime to solve. Her<br />

wish is soon granted when visiting Auntie Babette arrives on<br />

a train, on which she claims to have witnessed a murder...<br />

Eldorado<br />

Thu 3 Dec at 8.45pm<br />

Bouli Lanners • Belgium/France 2008 • 1h25m • 35mm<br />

French with English subtitles • 15<br />

Cast: Bouli Lanners, Fabrice Adde, Phillipe Nahon, Didier Toupy.<br />

Stroppy Belgian car dealer Yvan (Bouli Lanners) comes<br />

home one night to find scrawny Elie (Fabrice Adde)<br />

robbing him. Instead of calling the cops, Yvan becomes<br />

oddly protective of the pathetic felon and offers to<br />

drive him to his parents’ house near the French border.<br />

The voyage provides both lovely shots of low-country<br />

landscapes – which suggest not the starker palette of<br />

Dardenne Brothers’ territory, but magic-hour prairie<br />

heartland – and genuinely funny encounters with various<br />

characters they encounter along the way.<br />

PLUS SHORT: Vanille Mark Sloss, UK 20<strong>09</strong>, 17 min, Beta SP<br />

ELDORADO<br />

Totally Tati<br />

The French Film Festival UK’s special tribute<br />

celebrates the genius of one of cinema’s most<br />

celebrated comedians and influential icons,<br />

Jacques Tati (1907-1982) who worked as actor,<br />

writer and director.<br />

With the participation of: La Fondation Groupama Gan pour le<br />

Cinéma, la Fondation Thomson pour le Patrimoine du Cinéma et de<br />

la Télévision, les Films de Mon Oncle, la Cinémathèque française,<br />

the British Film Institute and TV5Monde.<br />

Traffic Trafic<br />

Sun 15 Nov at 3.30pm<br />

Jacques Tati • France/Italy 1971 • 1h36m • 35mm<br />

French, Dutch and English with English subtitles • U<br />

Cast: Jacques Tati, Marcel Fraval, Honoré Bostel, François<br />

Maisongrosse, Tony Knepper.<br />

Traffic rivals Playtime in terms of being both beautifully<br />

designed and wildly funny. Monsieur Hulot is a car<br />

designer whose company sends his latest creation, a<br />

camper car <strong>dec</strong>ked out with all manner of ridiculous<br />

gadgetry, in a convoy from Paris to the Amsterdam<br />

Motor Show. Pursued by the company’s brash American<br />

publicist, Hulot heads north into an endless series of<br />

hilarious accidents and misfortunes. Though Tati intends<br />

the automobile to signify the impersonality of modern<br />

life, he is obviously transfixed by the dream-like stream of<br />

traffic on the highway, or by a gleaming acre of chrome on<br />

a parking lot.<br />

TRAFFIC<br />

Playtime<br />

Wed 25 Nov at 8.45pm<br />

Jacques Tati • France 1967 • 2h4m • 70mm • U<br />

Cast: Jacques Tati, Bar<strong>bar</strong>a Dennek, Jacqueline Lecomte.<br />

Tati’s spectacular cinematic art reached its peak in the<br />

gargantuan achievement of this film. Playtime takes as its<br />

subject modern technology and its sometimes disastrous<br />

and always hilarious effects on the people living within<br />

it. As in most Tati films, a minimal plot (the parallel paths<br />

of Monsieur Hulot and a group of American tourists) is<br />

held together by a seamless ballet of visual, aural, and<br />

conceptual gags. Tati constructed an enormous set, Tativille,<br />

rendering a high modern contemporary Paris <strong>dec</strong>ked<br />

in chrome, mirrors, and glass within which the surreal<br />

slapstick of Playtime unfolds. Objects, people and sounds<br />

vie for the viewer’s attention and all exert equal fascination<br />

and comedic power in the circus of Tati’s modern life. From<br />

the airport to the high rise to the nightclub, Hulot weaves in<br />

and out of view, leaving a trail of bumped heads, offended<br />

sensibilities and curious glances in his wake.<br />

Please note that this is a special screening from a restored<br />

70mm print. It has no subtitles, but the film has a minimal<br />

amount of dialogue and can be easily understood without<br />

them.<br />

TICKETDEALS<br />

See any three (or more) films in this season and get 15% off<br />

See any six (or more) films in this season and get 25% off<br />

See any nine (or more) films in this season and get 35% off<br />

These packages are available online, in person and on the<br />

phone, on both full price and concession price tickets. They<br />

include the main FFF UK programme and the Tati and Eustache<br />

retrospectives. Tickets must all be bought at the same time.

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