November/December 2009 - Riverside Studios
November/December 2009 - Riverside Studios
November/December 2009 - Riverside Studios
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<strong>November</strong>/<strong>December</strong> <strong>2009</strong><br />
Box Office 020 8237 1111<br />
riversidestudios.co.uk<br />
WHAT'S ON CINEMA / THEATRE / EXHIBITIONS / BAR & KITCHEN<br />
Simon Callow<br />
Dr Marigold & Mr Chops
THEATRE<br />
Theatre<br />
<strong>Riverside</strong> <strong>Studios</strong> presents<br />
Simon Callow<br />
in<br />
Dr Marigold & Mr Chops<br />
“Callow is an absolute master...<br />
at once touching, painful,<br />
tearful and heart-warming.”<br />
The Daily Mirror<br />
“Callow (...) holds the audience<br />
spellbound... the classic story-teller<br />
is at his best here... a hot ticket.”<br />
The Independent<br />
The List<br />
The Metro<br />
2 one-man plays by Charles Dickens<br />
Two delightful stories that have everything required for the perfect<br />
Callow show: dwarves, giants, toffs... even a walk-on appearance by<br />
the Prince of Wales. This is pure Dickensian gold from this celebrated<br />
British actor who recently starred as Pozzo in the Theatre Royal’s<br />
production of Waiting for Godot, and in Oscar winning films<br />
A Room with a View, Howard's End and Shakespeare in Love.<br />
Dates + Times<br />
9 <strong>December</strong> – 31 January,<br />
Tue – Sat 8pm,<br />
Sat Mats 2pm, Suns 6pm,<br />
Mon 21 & 28 Dec 8pm,<br />
Thu 24 Dec 2.30pm only<br />
No show 25, 26, 31 Dec, 1 Jan<br />
Studio 2<br />
Tickets<br />
£18 – £22.50 (£16 – £20 concs.)<br />
Groups 8+ £15<br />
Previews<br />
9 –13 Dec £15 (£12.50 concs.)<br />
Groups 8+ £12.50
PERFORMANCE<br />
Tête à Tête presents<br />
Salad Days<br />
By Julian Slade and Dorothy Reynolds<br />
Cast includes Richard Stuart<br />
In one of the happiest and best-loved classic musicals<br />
ever, Timothy and Jane leave university to enter an<br />
enchanted, sunny, happy 1954 where a street piano<br />
makes everyone dance, uncorks our inner glee and<br />
turns all of our lives around for the better.<br />
With its celebrated theatrical flair, Tête à Tête creates<br />
a magical park where you can absorb this delicious<br />
comedy, delectable singing and breathtaking dancing<br />
from a Café table, a theatre seat or lolling on the<br />
stepped grassy banks.<br />
Dates + Times<br />
12 – 14, 17 – 21 <strong>November</strong><br />
7.45pm<br />
Matinées<br />
14, 15, 21, 22 <strong>November</strong><br />
3pm<br />
Studio 2<br />
Tickets<br />
£15 – £35<br />
(£10 – £15 concs.)<br />
Preview 12 <strong>November</strong><br />
pay what you can<br />
(please be generous)<br />
Michelle Francis (Jane),<br />
Sam Harrison (Timothy),<br />
photo by Hugo Glendinning<br />
Yellow Earth presents<br />
Boom<br />
By Jay Tay. Director Philippe Cherbonnier<br />
Singapore 2008. With the economy booming and the demand for land<br />
intense, the young, the old – and the dead – are forced to jostle for a<br />
space to call their own.<br />
A charmingly off-beat and very funny exploration of what makes us so<br />
attached to a home once we’ve made the perfect one.<br />
Boom was created by Singapore Repertory Theatre in 2008. Boom was developed through<br />
the Royal Court Theatre’s International Programme in London.<br />
Dates + Times<br />
12, 13 & 15 <strong>November</strong> at 7.30pm<br />
Studio 3<br />
Tickets for Boom & wAve<br />
£15 (£12.50 concs.)<br />
Groups 10+ £10 each<br />
Yellow Earth presents<br />
wAve<br />
By Sung Rno. Director Jonathan Man<br />
Loosely inspired by the Medea myth and with a chorus of comic<br />
characters, this dysfunctional love story veers from madcap farce to<br />
tragedy as an isolated Korean immigrant’s dream of a perfect life as<br />
an American housewife turns sour.<br />
A passionate and satirical play exploring the collision of cultures from<br />
an award-winning American playwright.<br />
“generously inventive” New York Times<br />
wAve was commissioned by Center<br />
Theater Group / Mark Taper Forum’s<br />
Asian Theater Project and premiered at<br />
Ma-Yi Theater Company<br />
Dates + Times<br />
10, 11 & 14 <strong>November</strong> at 7.30pm<br />
Studio 3
THEATRE<br />
Kidbrooke School in association with Greenwich Theatre presents<br />
Romeo and Juliet by<br />
William Shakespeare<br />
Directed by Lucy Cuthbertson. Lighting by Natasha Chivers<br />
Verona 1595. Knife-crime. Gang violence. Stabbings. Social<br />
disorder. Celebrity politicians. Disaffected youth. Teenage<br />
suicide... and love.<br />
Fresh from a sell-out run at Greenwich Theatre, this is a fast<br />
moving, physical production from one of the most talented school<br />
companies in the country. Winners of the Fringe Report Award for<br />
Best Play for their world premiere adaptation of Hotel World.<br />
“Remarkable, moving and powerful”<br />
Julia Potts, ATG<br />
Dates + Times<br />
17 – 21 <strong>November</strong> at 7.30pm<br />
Wed – Sat Mats 2pm<br />
Studio 3<br />
Tickets<br />
£15 (£12.50 concs.)<br />
School groups £8<br />
Preview 17 Nov £10<br />
Prague Chamber Theatre and the Czech Centre London present<br />
Heroes Like Us<br />
World Premiere<br />
Klaus Uhltzscht, the son of a secret police officer was never expected<br />
to make a significant contribution to the fall of socialism. An adaptable<br />
supporter of the State, he follows in his father’s footsteps until the Wall<br />
comes along. Now his past is haunting him and he wants to talk about it.<br />
Part of FeEast 09 and<br />
Velvet ®Evolution 1989 – <strong>2009</strong> season.<br />
Thomas Brussig’s award winning novel adapted and directed by<br />
Kamila Polivkova. With Jiri Strebl and Tereza Hofova.<br />
In Czech with English surtitles.<br />
Dates + Times<br />
24 <strong>November</strong> at 7.30 pm<br />
Studio 3<br />
Tickets<br />
£12 (£9 concs.)
THEATRE<br />
The Outside Edge presents<br />
Thriving at The Edge<br />
10th year Birthday Celebration and Fundraiser<br />
A great night to mark to the day when The Outside Edge Theatre<br />
company was formed 10 years ago. Special guest performances from<br />
the world of music and theatre introduced by The Outside Edge<br />
Theatre Company patron Jimmy Page.<br />
The Outside Edge, founded by director/writer Phil Fox, is the only<br />
professional theatre company in the UK working with people affected<br />
by drug and alcohol addiction.<br />
Dates + Times<br />
25 <strong>November</strong> at 7.30pm<br />
Studio 3<br />
Tickets<br />
£35<br />
OutWest present<br />
Rent<br />
Dates + Times<br />
26 – 28 <strong>November</strong> at 8pm<br />
Studio 3<br />
Tickets<br />
£10<br />
Book, Music and Lyrics by Jonathan Larson. Directed by Daniel Cox<br />
Based on Puccini’s La Bohème, Rent follows the lives of eight friends living<br />
under the shadow of AIDS in New York’s Lower East Side in the 1990s<br />
and their struggles with love, poverty, drugs, life and death under their<br />
mantra of “no day but today”.<br />
OutWest are very proud to be staging Jonathan Larson’s Pulitzer Prize<br />
winning work as part of its annual marking of World AIDS Day.<br />
An amateur production by arrangement with Josef Weinberger Limited on behalf<br />
of Music Theater International of New York.
PERFORMANCE<br />
Opera<br />
W11 Opera for Young People presents<br />
The Whale Savers<br />
Music by Martin Ward,<br />
Libretto by Phil Porter<br />
Smell the salt spray! Hear the crash of the<br />
waves on the rocks! Listen to the sea shanties<br />
of the fishermen and the song of the whale…<br />
A stranded whale brings excitement to the forgotten<br />
fishing village of Farnaway, turning it into the centre<br />
of a frenzied media circus. The bored youngsters of<br />
the village gain a new sense of purpose from the<br />
mission to save the whale, but their elders are<br />
tempted by greed to take a deadlier path. Unless<br />
Farnaway can heal its generation divide, the whale<br />
will die.<br />
Dates + Times<br />
5 - 6 <strong>December</strong><br />
3.30pm & 7pm<br />
Studio 2<br />
Tickets<br />
£15 (£10 under 12s)<br />
Sun 7pm £15<br />
Circus<br />
<strong>Riverside</strong> <strong>Studios</strong> and<br />
Albert & Friends Instant Circus present<br />
Babes in the Bayou<br />
An Albert & Friends Instant Circus Pantomime<br />
London’s famous youth circus presents the<br />
cream of West London’s acrobats and clowns<br />
in an hilarious New Year's panto.<br />
Dates + Times<br />
8 – 10 January 2010<br />
Fri 7pm, Sat 3pm & 7pm<br />
Sun 3pm<br />
Studio 3<br />
Tickets<br />
£10 (£8 children & concs.)<br />
£30 Family Ticket (max 2 adults)
EXHIBITIONS<br />
Illustration by Peter Sís<br />
Peter Sís<br />
The Wall; Growing Up Behind<br />
the Iron Curtain<br />
9 – 29 <strong>November</strong><br />
An exhibition of illustrations from an award-winning book by Peter Sís,<br />
a Czech illustrator based in New York, providing a highly personal and<br />
imaginative account of life behind the Iron Curtain during the Cold War.<br />
Through annotated illustrations, journals, maps, and dreamscapes, Peter<br />
Sís shows what life was like for a child who loved to draw, proudly wore<br />
the red scarf of a Young Pioneer and believed whatever he was told<br />
to believe.<br />
Part of Velvet ®Evolution 1989 – <strong>2009</strong> season<br />
presented by the Czech Centre.<br />
See www.czechcentre.org.uk for details.<br />
“I was born at the<br />
beginning of it all, on<br />
the Red side – the<br />
Communist side – of<br />
the Iron Curtain.”<br />
Peter Sís<br />
Heidi Adnum<br />
Wildlife Photography<br />
30 <strong>November</strong> <strong>2009</strong> – 3 January 2010<br />
Local photographer and semi-finalist in The Natural<br />
History Museum’s Wildlife Photographer of the Year<br />
Competition 2008, Heidi Adnum presents a selection<br />
of her limited-edition prints. The prints showcase some<br />
of the captivating wildlife and breathtaking landscapes<br />
of Kenya. 10% of the proceeds go to a selected charity.<br />
www.heidiadnum.com<br />
Morning Feed
CINEMA<br />
Cinema<br />
<strong>November</strong><br />
Sunday 1 <strong>November</strong><br />
DocHouse Presents Double Bill<br />
The Gleaners and I (U) 1.30pm<br />
(Les glaneurs et la glaneuse)<br />
Agnès Varda, France, 2000, 90m subtitles<br />
Bodan Litnanski, Agnès Varda, François Wertheimer<br />
A delightful and personal diary/<br />
documentary of people who exist by<br />
utilising the things others regard as<br />
useless in modern society. This is a<br />
witty and gently humanist film from a<br />
veteran of the 60s French new wave.<br />
The Beaches of Agnès (18) 3.20pm<br />
(Les plages d’ Agnès)<br />
Agnès Varda, France, 2008, 110m subtitles<br />
Agnès Varda, André Lubrano, Blaise Fournier<br />
Returning to the beaches which have<br />
been part of her life Agnès stages<br />
herself amongst excerpts of her films’<br />
images and reportages. She shares<br />
her story with humour and emotion<br />
from her early days as an independent<br />
filmmaker, and her life with Jacques<br />
Demy through to the present day.<br />
www.dochouse.org.<br />
The Beaches<br />
of Agnès<br />
Sunday 1 <strong>November</strong><br />
DocHouse Presents Double Bill<br />
The Gleaners and I (U) 7.00pm<br />
The Beaches of Agnès (18) 8.50pm<br />
Please see above for details.<br />
Monday 2 <strong>November</strong><br />
DocHouse Presents Double Bill<br />
The Gleaners and I (U) 7.00pm<br />
The Beaches of Agnès (18) 8.50pm<br />
Please see Sunday 1 <strong>November</strong> for details.<br />
Tuesday 3 <strong>November</strong><br />
<strong>Riverside</strong> Classic Double Bill<br />
Jean de Florette (PG) 6.15pm<br />
Claude Berri, France, 1986, 122m subtitles<br />
Yves Montand, Daniel Auteuil, Gerard Depardieu<br />
The first of two parts of the classic<br />
Marcel Papnol story set in South<br />
East France in the mid-1920s which<br />
begins when hunchback tax collector<br />
(Depardieu) inherits a farm in Provence.<br />
Manon des Sources (PG) 8.40pm<br />
Claude Berri, France, 1987, 120m subtitles<br />
Yves Montand, Emmanuelle Beart, Daniel Auteuil<br />
A sequel to “Jean de Florette” which<br />
begins ten years after Jean’s death and<br />
centres around his eighteen-year-old<br />
daughter, Manon (Beart).<br />
Wednesday 4 <strong>November</strong><br />
Polish Double Bill<br />
Katyn (15) 6.30pm<br />
Andrzej Wajda, Poland, 2007, 118m subtitles<br />
Artur Zmijewski, Maja Ostaszewska, Andrzej Chyra<br />
This devastating film addresses one<br />
of the last major World War II crimes<br />
to be acknowledged – the secret<br />
massacre of thousands of Polish<br />
officers by Soviet forces in the forests<br />
of Katyn. Wajda’s own father was<br />
murdered here.<br />
Tricks (12A) 8.50pm<br />
(Sztuczki)<br />
Andrzej Jakimowski, Poland, 2008, 95m subtitles<br />
Damian Ul, Ewelina Walendziak, Rafal Guzniczak<br />
Set in a sleepy provincial town<br />
at the height of summer the film<br />
revolves around a boy, Stefek, his<br />
sister, Elka, their mother who has a<br />
grocers, a photo of their father and a<br />
train station. From this the director<br />
manages to create a personal universe<br />
and a bittersweet and comic film.<br />
Thursday 5 <strong>November</strong> Double Bill<br />
Ten Canoes (15) 7.00pm<br />
Rolf de Heer/Peter Djigirr, Australia, 2006, 90m<br />
Crusoe Kurddal, Peter Minygululu,<br />
Richard Birrinbirrin<br />
“A unique collaboration between filmmaker<br />
de Heer and the Aboriginal community<br />
of Ramingining in Australia’s Northern<br />
Territory. It is at once a wry fable about<br />
jealousy, a fascinating ethnographic<br />
document and a highly enjoyable nudge-inthe-ribs<br />
shaggy dog story.” Time Out<br />
Birdwatchers (15) 8.50pm<br />
(La terra degli uomini rossi)<br />
Marco Bechis, Brazil/Italy, 2008, 103m subtitles<br />
Claudio Santamaria, Alicélia Batista Cabreira, Chiara Caselli<br />
A tribe of indigenous Guarani Indians<br />
attempts to re-inhabit their ancestral<br />
land, which lies on the border of<br />
a wealthy landowner’s. Tensions<br />
escalate. “Emotionally engaging,<br />
thought-provoking and informed.”<br />
Time Out<br />
Friday 6 <strong>November</strong> Latin American<br />
Film Festival <strong>2009</strong> Double Bill<br />
Escorbo (15) 6.30pm<br />
Diego Rougier, Chile, <strong>2009</strong>, 14m subtitles<br />
Carolina Varleta, Inigo Urrutia, Gustavo Becerra<br />
An achingly funny and brilliantly<br />
choreographed dance between characters<br />
and camera, in which the complex<br />
relationships of an extended family are<br />
laid bare through their reactions to the<br />
mysterious ‘Escorbo’. Witty and inspired<br />
filmmaking, cleverly exploiting the full<br />
potential of digital production.<br />
Children of the Amazon (15) 6.45pm<br />
Denise Zmekhol, Brazil/USA, 2008, 72m subtitles<br />
documentary<br />
The overwhelming sensuality of the<br />
Amazonian rainforest is vividly evoked<br />
as award-winning Brazilian filmmaker<br />
Denise Zmekhol returns to visit the<br />
tribes she photographed fifteen years<br />
ago. She is shocked to see the destruction<br />
which has ensued, as foretold by the late<br />
Chico Mendes many years before.<br />
Birdwatchers<br />
Friday 6 <strong>November</strong> Latin American<br />
Film Festival <strong>2009</strong> Single Bill<br />
Crossing (15) 8.30pm<br />
(Cruzando)<br />
Mando Alvarado/Michael Ray Escamilla,<br />
Mexico/USA, <strong>2009</strong>, 94m subtitles<br />
Mando Alvarado, Michael Ray Escamilla, David Barrera<br />
Manuel needs to cross into the USA,<br />
but not for economic reasons. This<br />
clever, stylish feature portrays a delicately<br />
shaded rites of passage and a deeply<br />
moving exploration of the relationship<br />
between place and personal identity.<br />
The film will be followed by a<br />
Q & A with Pete Miller, Executive<br />
Producer, and David Barrera.<br />
Saturday 7 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Double Bill<br />
Crossing Borders (15) 2.00pm<br />
(Cruzando Fronteras)<br />
Sofia Buchuck, UK, 2007, 20m<br />
The complex experience of being a<br />
Latin American in the UK is explored<br />
in a kaleidoscope of words and music,<br />
evoking the sense of joy and cultural<br />
pride, tinged with the pain of separation,<br />
common to this great, diverse diaspora.<br />
The film will be followed by a Q & A<br />
with the director, Sofia Buchuck.
Dilettante (15) 2.20pm<br />
Kris Niklison, Argentina, <strong>2009</strong>, 75m subtitles<br />
Cesar Gonzalez, Bela Jordan, Cata Pereira<br />
An outstanding film-poem capturing<br />
the essence of a remarkable woman,<br />
Bela, who embodies the wild beauty<br />
of her homeland, the Argentinean<br />
Litoral. She is the epicentre of an<br />
inspiring story of life and motherhood<br />
spanning eighty years.<br />
Saturday 7 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Our Disappeared (15) 4.00pm<br />
Juan Mandelbaum, USA, 2008, 99m documentary<br />
Argentinean documentary maker Juan<br />
Mandelbaum returns from exile after<br />
he discovers that his former girlfriend<br />
was among the thousands murdered by<br />
the junta in the 1970s. In a painfully<br />
personal exposé, he uncovers her story<br />
and that of a whole lost generation.<br />
This month<br />
19th London Latin<br />
American Film Festival<br />
6 – 11 <strong>November</strong><br />
This year’s edition celebrates the 50th<br />
anniversary of the Cuban revolution<br />
of Fidel Castro, Che Guevara, et al,<br />
as well as 200 years of independence<br />
for Ecuador. We’re looking forward to<br />
new films from Cuba, Ecuador, Mexico,<br />
Peru, Chile, Bolivia, Argentina, Brazil<br />
as well as the UK and USA. Plus plenty<br />
of unmissable parties, special events,<br />
talks and Q & As with directors to get<br />
involved in.<br />
Bella<br />
Saturday 7 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Amor en Transito (15) 6.15pm<br />
Lucas Blanco, Argentina, <strong>2009</strong>, 91m subtitles<br />
Sabina Garciarena, Veronica Palaccini, Lucas Crespi<br />
Time twists and turns as the individual<br />
paths of Mercedes, Ariel, Juan and<br />
Micaela cross in the seething city of<br />
Buenos Aires. Music and image form<br />
an iridescent hall of mirrors in which<br />
the preconceptions of the characters<br />
are transformed.<br />
Saturday 7 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Bella (15) 8.15pm<br />
Alejandro Gomez Monteverde, Mexico/USA, 2006,<br />
91m subtitles<br />
Eduardo Verastegui, Tammy Blanchard, Manny Perez<br />
An international football star faces an<br />
abrupt end to his career. A beautiful<br />
waitress in New York City discovers<br />
something unexpected about herself.<br />
Their lives are turned upside down<br />
until a simple gesture leads to an<br />
unforgettable conclusion. Magical.<br />
The film will be followed by a<br />
Q & A with actor Eduardo<br />
Verastegui (tbc).<br />
Crossing<br />
Sunday 8 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Shorts Programme<br />
Through the Fear (15) 2.00pm<br />
Joaquim Haickel, Brazil, 2008, 18m subtitles<br />
Amanda Acosta, Eucir de Souza, Gustavo Brandao<br />
Charlie, deprived of his senses in an<br />
accident, retains a primordial bond<br />
of love with Katie which keeps her<br />
hopes alive: but, something is still<br />
missing until passion re-emerges in<br />
an extraordinary way. An exquisitely<br />
crafted fable of survival and rebirth.<br />
It’s Popular (15)<br />
(Es Popular)<br />
Carlos Osuna, Colombia, <strong>2009</strong>, 3m subtitles<br />
Youthful, vibrant and witty animation to<br />
an original soundtrack, combining great<br />
visual panache with brilliant technique.<br />
Stop! Father<br />
Stop! Father (15)<br />
(Padre…Pare!)<br />
Jose Andres Nieto Galvis, Colombia, <strong>2009</strong>, 9m subtitles<br />
Juan Fernando Galindo, Lorena Bueno,<br />
Esperanza Cifuentes Ruiz<br />
A young priest faces perils, as well as<br />
temptations, during his bus journey<br />
through bandit country in Colombia,<br />
unaware that one passenger harbours<br />
a dangerous secret. A charming, funny<br />
and sexy short drama with an ending<br />
that will surprise everyone.<br />
Debut and Farewell (15)<br />
Diego Rougier, Chile, 2008, 19m subtitles<br />
Javiera Contador, Francisco Perez Bannen,<br />
Carmen Gloria Bresky<br />
Where does performance end and life<br />
begin? Theatre, cinema and relationships<br />
become entangled in this intriguing and<br />
exquisitely crafted short drama.<br />
Quiroga (15)<br />
Amilcar Machado, Argentina, 2008, 13m subtitles<br />
Angel Angelucci, Edith Frydman, Luis Carlos Echeverry<br />
A lyrical and sonorous lament for the<br />
passing of a way of life, told through a<br />
portrait of Don Jaime, one of the last<br />
remaining inhabitants of the hamlet of<br />
Quiroga in rural Argentina. A gem of<br />
social realist filmmaking.<br />
Crossing Borders (15)<br />
(Cruzando Fronteras)<br />
Sofia Buchuck, UK, 2007, 20m<br />
See Saturday 7 <strong>November</strong> for details.<br />
Approximate running time: 80m<br />
Sunday 8 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Double Bill<br />
Santiago Tiene una Pena (15) 4.15pm<br />
Diego Riquelme Davidson/Felipe Orellana Pena,<br />
Chile, 2008, 40m subtitles documentary<br />
The unparalleled power of music to<br />
touch the soul amidst the alienation<br />
of city life is brilliantly delineated<br />
in this documentary which follows<br />
three young musicians, Claudio,<br />
Angelina and Esteban who make ends<br />
meet busking on Santiago’s gigantic<br />
transport system.
CINEMA<br />
I am Happy (15) 4.55pm<br />
Soraya Umewaka, Brazil/USA, 2008<br />
66m subtitles documentary<br />
Far from just another example of<br />
‘poverty porn’, this beautiful<br />
documentary reveals the vivacious<br />
culture of Rio’s slum communities<br />
in the face of the prejudice and<br />
deprivation suffered by the poor.<br />
A joyous celebration of the power<br />
of human creativity.<br />
I am Happy<br />
Sunday 8 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
The Beginning was in Warisata (15)<br />
6.30pm<br />
David Busto Izquierdo, Bolivia/Spain/Venezuela,<br />
2008, 75m subtitles documentary<br />
A unique and moving oral history<br />
document of the Grand Chaco war<br />
of the 30s against Paraguay in the<br />
words of the few surviving indigenous<br />
agricultural workers forced to fight<br />
for Bolivia by the unbending feudal<br />
system of the time.<br />
Sunday 8 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Viva Mexico! (15) 8.15pm<br />
Nicolas Defosee, Mexico, <strong>2009</strong>, 120m subtitles<br />
documentary<br />
A devastating indictment of<br />
globalisation which is marginalising the<br />
indigenous peoples of Mexico, their<br />
culture destroyed or commoditised<br />
by central government. Through this<br />
documentary the people cry out for<br />
peaceful resistance to the racism and<br />
poverty being imposed on them.<br />
Monday 9 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Crossing (15) 6.30pm<br />
(Cruzando)<br />
Mando Alvarado/Michael Ray Escamilla, Mexico/<br />
USA, <strong>2009</strong>, 94m subtitles<br />
Please see Friday 6 <strong>November</strong> for details.<br />
Monday 9 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
The Gift of the Pachamama (15)<br />
8.30pm<br />
Toshifumi Matsushita, Bolivia/Japan, <strong>2009</strong>, 102m<br />
subtitles<br />
Christian Huaygua, Fanny Mosques, Francisco Gutierrz<br />
Kunturi, from the Quechua people of<br />
Bolivia, travels the ancient salt trail<br />
with a llama caravan, imbibing the<br />
spirit of the Andes (the life affirming<br />
gift of Pachamama, the Earth Goddess)<br />
in this spectacularly photographed<br />
tribute to the ancient culture.<br />
Tuesday 10 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Amor en Transito (15) 6.30pm<br />
Lucas Blanco, Argentina, <strong>2009</strong>, 91m subtitles<br />
Please see Saturday 7 <strong>November</strong> for details.<br />
Tuesday 10 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Bella (15) 8.30pm<br />
Alejandro Gomez Monteverde, Mexico/USA, 2006,<br />
91m subtitles<br />
Please see Saturday 7 <strong>November</strong> for details.<br />
Wednesday 11 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Five Shorts<br />
It’s Popular (15) 6.30pm<br />
(Es Popular)<br />
Stop! Father (15)<br />
(Padre…Pare!)<br />
Debut and Farewell (15)<br />
Quiroga (15)<br />
Crossing Borders (15)<br />
(Cruzando Fronteras)<br />
Please see Sunday 8 <strong>November</strong> for details.<br />
Approximate running time: 60m<br />
Wednesday 11 <strong>November</strong><br />
Latin American Film Festival <strong>2009</strong><br />
Single Bill<br />
Sons of Cuba (15) 8.00pm<br />
(Hijos de Cuba)<br />
Andrew Lang, UK, <strong>2009</strong>, 88m, documentary<br />
An utterly extraordinary and unflinching<br />
documentary insight into the lives<br />
of young men training for Cuba’s<br />
national boxing squad, their hopes for<br />
themselves, the rigours of their lives<br />
and their unwavering patriotism, even<br />
after recent defections of top fighters.<br />
Essential viewing.<br />
Thursday 12 <strong>November</strong><br />
Velvet ®Evolution<br />
Single Bill<br />
Loners (15) 6.25pm<br />
(Samotari)<br />
David Ondricek, Czech Republic/Slovenia, 2000,<br />
104m subtitles<br />
Mikulas Kren, Jiri Machacek, Labina Mitevska<br />
Seven Prague-based characters looking<br />
for love find themselves alone in this<br />
offbeat, engaging tragi-comedy. A very<br />
fresh and spontaneous film focussing<br />
on an absurd world is enhanced by<br />
the haze of marijuana and supported<br />
by stylised music. A Czech cult movie.<br />
Thursday 12 <strong>November</strong><br />
Velvet ®Evolution<br />
Single Bill<br />
Country Teacher (15) 8.30pm<br />
(Venkovsky ucitel)<br />
Bohdan Slama, Czech Republic/France/Germany,<br />
2008, 120m subtitles<br />
Pavel Liska, Zuzana Bydzovska, Ladislav Sedy<br />
A young teacher looking for love<br />
takes a job in a village. He befriends<br />
a woman but falls in love with her<br />
seventeen-year old son and chooses<br />
not to tell her. Then, his jealous<br />
ex-boyfriend turns up.<br />
The film will be followed by a Q & A<br />
with the director, Bohdan Slama.<br />
If you buy a ticket for this screening,<br />
you are entitled to a free beer<br />
provided by Bernard.<br />
Country Teacher<br />
Friday 13 <strong>November</strong><br />
Velvet ®Evolution<br />
Single Bill<br />
Buttoners (15) 6.25pm<br />
(Knoflikari)<br />
Petr Zelenka, Czech Republic, 1998, 104m subtitles<br />
Jiri Kodet, Rudolf Hrusinsky, Eva Holubova<br />
A black comedy about spitting on<br />
trains, bad weather, the atom bomb,<br />
shooting human sperm into space<br />
and people who have killed other<br />
people. This picture of a world where<br />
everything is connected and events<br />
repeat themselves is a Czech classic.
Friday 13 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Something Like Happiness (15)<br />
8.30pm<br />
(Stesti)<br />
Bohdan Slama, Czech Republic, 2005, 102m subtitles<br />
Anna Geislerova, Tatiana Vilhelmova, Pavel Liska<br />
Intertwining stories of three friends<br />
trying to find their place in life.<br />
Monika plans to emigrate to the USA,<br />
Tonik lives on a rundown farm and<br />
Dasa has two children.<br />
The film will be followed by a Q & A<br />
with the director, Bohdan Slama.<br />
Saturday 14 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Bohemia Docta or The Labyrinth<br />
of the World and the Paradise of<br />
the Heart (Divine Comedy) (18)<br />
1.30pm<br />
(Bohemia Docta aneb Labyrint<br />
sveta a lusthauz srdce (Bozska<br />
komedie)<br />
Karel Vachek, Czech Republic, 2000, 254m subtitles<br />
Egon Bondy, Vratislav Brabenec, Ivan Martin Jirous<br />
The fringes of politics and mushrooms<br />
feature in this portrait of ‘national<br />
character and soul’ reflecting the<br />
shifts in Czech democracy after 1989.<br />
Handheld cinema vérité is combined<br />
with staged sections. The third part of<br />
an extraordinary philosophical tetralogy.<br />
Saturday 14 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Bored in Brno (15) 6.30pm<br />
(Nuda v Brne)<br />
Vladimir Moravek, Czech Republic, 2003, 104m<br />
subtitles<br />
Jan Budar, Miroslav Donutil, Katerina Holanova<br />
Four couples plan to make love on<br />
Saturday night. Standa prepares to<br />
lose his virginity while a middle-aged<br />
psychologist meets an actor no longer<br />
in his sexual prime. Honza secretly<br />
loves his friend Pavel and there is<br />
also unlucky Jaroslava. Hilarious.<br />
Saturday 14 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Return of the Idiot (15) 8.35pm<br />
(Navrat idiota)<br />
Sasa Gedeon, Czech Republic, 1999, 99m subtitles<br />
Pavel Liska, Anna Geislerova, Tatiana Vilhelmova<br />
Frantisek (loosely based on<br />
Dostoyevsky’s character) has been<br />
released from a mental hospital<br />
to live with distant relatives. He<br />
soon becomes entangled in conflicts<br />
and revelations between lovers,<br />
siblings and parents and lands in<br />
many awkward, funny and<br />
embarrassing situations.<br />
This month<br />
Velvet ®Evolution<br />
The Best of Czech Cinema 1989 – <strong>2009</strong><br />
12 – 15 <strong>November</strong><br />
To mark the 20th anniversary of Velvet<br />
Revolution, the 13th annual Czech Film<br />
Festival presents an overview of the last<br />
twenty years of Czech cinematography<br />
cherry-picking the best films from the<br />
‘Velvet Generation’ of filmmakers as well<br />
as the older generation of filmmakers.<br />
We’re excited to be welcoming film<br />
directors for Q & As after some of the<br />
screenings. Part of Velvet ®Evolution<br />
season presented by the Czech Centre<br />
London. See www.czechcentre.org.uk<br />
One film £7.50 (£6.50 concs), two<br />
films £10 (£8 concs). Except “Hell<br />
with the Princess”.<br />
Sunday 15 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Hell with the Princess (U) 2.00pm<br />
(Peklo s princeznou)<br />
Miloslav Smidmajer, Czech Republic, <strong>2009</strong>, 96m<br />
In Czech only<br />
Tereza Voriskova, Jiri Madl, Petr Narozny<br />
To prevent a war with the kingdom of a<br />
rejected suitor, King Leopold claims his<br />
daughter is being courted by Lucifer.<br />
All hell breaks loose but Prince Jeronym<br />
gets a chance to show his mettle.<br />
Fancy dress event and workshop<br />
for children. All tickets: £3.50<br />
Little Otik<br />
Sunday 15 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Autumn Spring (15) 3.55pm<br />
(Babi leto)<br />
Vladimir Michalek, Czech Republic, 2001, 98m<br />
subtitles<br />
Vlastimil Brodsky, Stella Zazvorkova, Stanislav Zindulka<br />
Retired Fanda plays practical jokes and<br />
enjoys life while Emily thinks of a<br />
retirement home saving for their funerals.<br />
When Fanda robs their funeral fund to<br />
pay off his debts, a clash is inevitable.<br />
An uplifting comedy with brilliant<br />
central performances.<br />
Divided We Fall<br />
Sunday 15 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Divided We Fall (PG) 6.00pm<br />
(Musime si pomahat)<br />
Jan Hrebejk, Czech Republic, 2000, 117m subtitles<br />
Bolek Polivka, Anna Siskova, Jaroslav Dusek<br />
A Czech couple tries to survive WWII<br />
but a Jew in hiding, and visits from<br />
a collaborator friend complicate<br />
matters. When they try to conform<br />
they are accused of collaborating.<br />
A black comedy based on a true story.<br />
Nominated for an Oscar.<br />
Sunday 15 <strong>November</strong><br />
Velvet ®Evolution Single Bill<br />
Little Otik (15) 8.20pm<br />
(Otesanek)<br />
Jan Svankmajer, Czech Republic/UK/Japan, 2000,<br />
132m subtitles<br />
Kristina Adamcova, Jan Hartl, Veronika Zilkova<br />
A desperate, childless couple adopt a<br />
tree stump as their baby. When ‘Otik’<br />
comes to life he develops a lethal<br />
appetite. A deliciously dark satire<br />
on parental love by surrealist Jan<br />
Svankmajer based on a Czech fairytale<br />
and full of nightmare visions.<br />
Monday 16 <strong>November</strong><br />
Forbidden Love Double Bill<br />
The End of the Affair (18) 6.00pm<br />
Neil Jordan, USA, 1999, 108m<br />
Ralph Fiennes, Julianne Moore, Stephen Rea<br />
A writer conducts a passionate affair<br />
with the wife of a civil servant, who<br />
cravenly looks on. She is stricken<br />
with Catholic guilt and the writer<br />
remains a horrified sceptic throughout<br />
the affair.
CINEMA<br />
Lust, Caution (18) 8.10pm<br />
Ang Lee, USA/China/Taiwan/Hong Kong, 2007, 158m<br />
Tony Leung Chiu Wai, Wei Tang, Joan Chen<br />
An espionage thriller set in WWII<br />
Shanghai where a young woman gets<br />
swept up in a dangerous game of<br />
emotional intrigue with a powerful<br />
political figure.<br />
Tuesday 17 <strong>November</strong> Double Bill<br />
Shine (15) 6.45pm<br />
Scott Hicks, Australia, 1996, 106m<br />
Geoffrey Rush, Armin Mueller-Stahl, Lynn Redgrave<br />
This acclaimed film paints a wrenching<br />
portrait of the life of Australian piano<br />
virtuoso David Helfgott. It follows his<br />
struggle with his demanding father,<br />
mental illness and Rachmaninoff.<br />
Geoffrey Rush won an Oscar for Best<br />
Actor for his performance.<br />
The Soloist<br />
The Soloist (12A) 8.50pm<br />
Joe Wright, USA/UK/France, <strong>2009</strong>, 116m<br />
Robert Downey Jr., Jamie Foxx, Tom Hollander<br />
Los Angeles Times columnist Steve<br />
Lopez (Downey Jr.) discovers<br />
Nathaniel Ayers (Foxx), a homeless,<br />
schizophrenic street musician with<br />
an extraordinary talent and begins<br />
a series of articles about him in an<br />
attempt to help him.<br />
Wednesday 18 <strong>November</strong><br />
<strong>Riverside</strong> Classic Double Bill<br />
In the Mood for Love (18) 6.45pm<br />
(Fa yeung nin wa)<br />
Wong Kar-Wai, Hong Kong, 2000, 97m subtitles<br />
Maggie Cheung, Tony Leung, Ping Lam Siu<br />
The editor of a newspaper moves with<br />
his wife into an apartment at the same<br />
time as a woman with a businessman<br />
husband. When they realise their<br />
partners are having an affair, they<br />
comfort each other.<br />
2046 (12A) 8.45pm<br />
Wong Kar-Wai, Hong Kong/France, 2004, 119m subtitles<br />
Tony Leung, Li Gong, Maggie Cheung<br />
The follow-up to “In the Mood for<br />
Love”. Writer Leung’s novel takes<br />
place in 2046 where people time<br />
travel to recapture lost memories. It’s<br />
his lament to a previous relationship<br />
which affects all his new ones.<br />
Thursday 19 <strong>November</strong><br />
Mesrine Double Bill<br />
Mesrine: Killer Instinct (15) 6.15pm<br />
(L’instinct de mort)<br />
Jean-Francois Richet, France, <strong>2009</strong>, 113m subtitles<br />
Vincent Cassel, Gérard Depardieu, Ludivine Sagnier<br />
Mesrine: Public Enemy No.1<br />
(15) 8.30pm (L’ennemi public no.1)<br />
Jean-Francois Richet, France, <strong>2009</strong>, 133m subtitles<br />
Vincent Cassell, Gérard Depardieu, Ludivine Sagnier<br />
Inspired by the life of France’s most<br />
notorious criminals, the films chart the<br />
rise and fall of the often marvelled,<br />
yet utterly ruthless, gangster Jacques<br />
Mesrine. The films follow the<br />
incredible series of hold-ups, prison<br />
breaks and kidnappings throughout<br />
the 60 and 70s. Not to be missed.<br />
Friday 20 <strong>November</strong><br />
Oscar Wilde Double Bill<br />
The Importance of Being Earnest<br />
(U) 6.45pm<br />
Anthony Asquith, UK, 1952, 95m<br />
Michael Redgrave, Michael Denison, Edith Evans,<br />
Margaret Rutherford<br />
A fine technicolour record of Oscar<br />
Wilde’s famous play. Two wealthy<br />
bachelors encounter problems with<br />
their prospects of marriage.<br />
Dorian Gray (15) 8.40pm<br />
Oliver Parker, UK, <strong>2009</strong>, 112m<br />
Ben Barnes, Colin Firth, Rebecca Hall<br />
Based on Oscar Wilde’s novel. A young<br />
Dorian Gray arrives in London to the<br />
house he has inherited and falls under<br />
the influence of the calculating Lord<br />
Henry Woton, who leads him into a<br />
life of debauchery. Over the years<br />
Gray looks as young as ever while a<br />
portrait of him painted as he arrived<br />
in London shows him getting older.<br />
A striking piece of vintage horror.<br />
Dorian Gray<br />
Saturday 21 <strong>November</strong><br />
Death and the Devil Single Bill<br />
FAB Fest 5 – Death and the Devil is an<br />
all day film festival, live performance<br />
and book launch event to celebrate<br />
the publication of “The Gospel of<br />
Filth”, written by Gavin Baddeley<br />
and Dani Filth.<br />
Race with the Devil (18) 12.30pm<br />
Jack Starrett, USA, 1975, 88m<br />
Peter Fonda, Warren Oates, Loretta Swit<br />
Two couples far from home witness<br />
a witches Sabbath during which a<br />
young girl is sacrificed. The Satanists<br />
spot the intruders and proceed to<br />
hunt them down remorselessly in this<br />
classic chase film that is part road<br />
movie and part occult horror flick.<br />
Saturday 21 <strong>November</strong><br />
Death and the Devil Triple Bill:<br />
Doug Bradley<br />
On Edge (18) 2.30pm<br />
Frazer Lee, UK, 2001, 15m<br />
Doug Bradley, Charley Boorman<br />
An angry businessman arrives at the dentist<br />
without an appointment. He gets more<br />
than he bargained for in the surgery when<br />
he encounters the mysterious Dr. Matthews.<br />
Red Lines (18)<br />
Frazer Lee, UK, 2002, 7m<br />
Doug Bradley, Kirsty Levett<br />
A schoolgirl is kept in detention and is<br />
forced to write lines by her teacher.<br />
All alone in the eerily quiet classroom,<br />
Emily’s night becomes a nightmare<br />
when she discovers the mystery of<br />
the “Red Lines”.<br />
The Tell Tale Heart (18)<br />
Doug Bradley, UK, <strong>2009</strong>, 18m<br />
Doug Bradley<br />
Following last year’s award-winning<br />
adaptation of H.P. Lovecraft’s “The<br />
Outsider”, the second film in Doug<br />
Bradley’s Spine Chillers Series is<br />
Edgar Allan Poe’s classic tale of murder<br />
and madness.<br />
Total running time: 40m<br />
Saturday 21 <strong>November</strong><br />
Death and the Devil Single Bill<br />
The Devil’s Rain (18) 4.15pm<br />
Robert Fuest, USA, 1975, 86m<br />
Ernest Borgnine, Tom Skeritt, William Shatner<br />
This incredible Satanic curse movie<br />
is famed for its scenes of melting cult<br />
members and for its intriguing cast,<br />
including established thesps such as<br />
John Travolta and William Shatner. Best<br />
of all, Church of Satan founder Anton<br />
LaVey appears as the Devil himself!<br />
The Devil’s Rain
Death and the Devil: Live Performance<br />
An Evening with Death 7.00pm<br />
Death. Shakespeare called it: “the<br />
undiscovere’d country, from those bourn<br />
no traveller returns”... but then he never<br />
saw “Night of the Living Dead”.<br />
For the first time ever in London horror<br />
star Doug Bradley, famous for his portrayal<br />
of Pinhead from the “Hellraiser” films<br />
and as the narrator on the four most<br />
recent albums from Cradle of Filth,<br />
will be performing his one-man live<br />
show, “An Evening with Death”.<br />
Running time: 75m<br />
Saturday 21 <strong>November</strong><br />
Death and the Devil Single Bill<br />
Black Sabbath (15) 9.20pm<br />
Mario Bava, Italy, 1964, 95m subtitles<br />
Boris Karloff, Michele Mercier, Lidia Alfonsi<br />
A stunning anthology of supernatural<br />
chills, Bava’s classic is not only one of<br />
the greatest Gothic horror movies ever<br />
made, but also the film that inspired the<br />
name of the first heavy metal band!<br />
Otherwise only available on DVD in<br />
Italian, this is a very rare chance to see the<br />
English language version, complete with<br />
Boris Karloff’s voice on the soundtrack.<br />
Tickets are priced at £30 in advance,<br />
and are available to over-18s only<br />
on a strictly first-come-first-served<br />
basis, initially on sale only from<br />
the FAB Press website:<br />
www.fabpress.com<br />
Sunday 22 <strong>November</strong><br />
Double Bill<br />
Far From Heaven (12A) 2.30pm<br />
Todd Haynes, USA, 2002, 107m<br />
Julianne Moore, Dennis Quaid, Dennis Haysbert<br />
Cathy (Moore) is the perfect 50s<br />
housewife living the perfect 50s life,<br />
healthy kids, successful husband, social<br />
prominence. Then one night she catches<br />
her husband (Quaid) kissing another<br />
man. Her world begins to unravel.<br />
Suture (15) 4.40pm<br />
Scott McGehee/David Siegel, USA, 1993, 96m<br />
Dennis Haysbert, Mel Harris, Sab Shimono<br />
In this whip smart, post-modernist thriller<br />
in which nothing is what it seems “Suture”<br />
examines the relationship between two<br />
recently re-united brothers. Utterly<br />
intoxicating, the film is rarely screened<br />
in the UK and has been presented<br />
courtesy of the filmmakers themselves.<br />
Sunday 22 <strong>November</strong><br />
Oscar Wilde Double Bill<br />
The Importance of Being Earnest<br />
(U) 6.45pm<br />
Dorian Gray (15) 8.40pm<br />
Please see Friday 20 <strong>November</strong> for details.<br />
This month<br />
Music & Film Geoff Dyer<br />
and Talvin Singh: From<br />
Venice to Varanasi<br />
26 <strong>November</strong><br />
Acclaimed writer Geoff Dyer<br />
reads from his latest novel,<br />
“Jeff in Venice, Death in<br />
Varanasi” as virtuoso multiinstrumentalist<br />
Talvin Singh<br />
improvises live on the tabla<br />
to a rare screening of the epic<br />
ambient documentary “Forest<br />
of Bliss”. Plus Visconti’s<br />
masterful adaptation of<br />
Thomas Mann’s novella on<br />
the big screen. Tickets £15<br />
(£12 concs.).<br />
Monday 23 <strong>November</strong> Double Bill<br />
The Hurt Locker (15) 6.30pm<br />
Kathryn Bigelow, USA, 2008, 131m<br />
Jeremy Renner, Anthony Mackie, Brian Geraghty<br />
A riveting, suspenseful portrait<br />
of the courage under fire of the<br />
military’s most unrecognised heroes:<br />
the technicians of the bomb squad.<br />
Sharply written and superbly directed,<br />
with a great central performance<br />
by Renner.<br />
Heart of Fire (15) 9.00pm<br />
(Feuerherz)<br />
Luigi Falorni, Germany/Italy/Austria/France, 2008,<br />
92m subtitles<br />
Based on the autobiography of Senait<br />
Mehari, the film is the true story of a<br />
young female soldier who comes of<br />
age during the Eritrean Civil War.<br />
Tuesday 24 <strong>November</strong> Double Bill<br />
28 Days Later (18) 6.30pm<br />
Danny Boyle, UK, 2002, 113m<br />
Gillian Murphy, Naomie Harris, Christopher Eccleston<br />
Four weeks after a mysterious, incurable<br />
virus spreads throughout the UK, a<br />
handful of survivors try to find sanctuary.<br />
District 9 (15) 8.45pm<br />
Neill Blomkamp, South Africa/New Zealand,<br />
<strong>2009</strong>, 112m<br />
Sharlto Copley, Jason Cope, Nathalie Boltt<br />
An extraterrestrial race forced to<br />
live in slum-like conditions on Earth<br />
suddenly finds a kindred spirit in a<br />
government agent that is exposed<br />
to their biotechnology. “A stunningly<br />
impressive debut.” Time Out<br />
Photo courtesy of Documentary<br />
Educational Resources<br />
The Lost World of Tibet<br />
Wednesday 25 <strong>November</strong><br />
We the Peoples Festival Single Bill<br />
The Lost World of Tibet (PG) 7.00pm<br />
Emma Hindley, India/Tibet/China, 2006, 60m<br />
subtitles documentary<br />
A recently restored treasure-trove of<br />
colour films from the 1940s and 1950s<br />
provides the core of this astonishing<br />
film, which allows us to see what<br />
Tibet was like before its brutal<br />
occupation by China.<br />
The screening will be followed<br />
by a Q & A with the director,<br />
Emma Hindley.<br />
Thursday 26 <strong>November</strong><br />
Special Event Double Bill<br />
Geoff Dyer and Talvin Singh:<br />
From Venice to Varanasi<br />
Death in Venice (12) 6.30pm<br />
(Morte a Venezia)<br />
Luchino Visconti, Italy, 1971, 130m subtitles<br />
Dirk Bogarde, Romolo Valli, Mark Burns<br />
Mahler, Mann, Visconti – an A-list<br />
trinity for this often under-rated<br />
take on the classic tale of impossible<br />
attraction. Here, Bogarde’s obsession<br />
with a beautiful young boy in a<br />
funereal Venice hotel is set against<br />
a city of sickness and decay.
CINEMA<br />
Forest of Bliss 9.15pm<br />
Robert Gardner, USA, 1986, 90m documentary<br />
An unsparing yet redemptive<br />
account of the griefs, passions and<br />
frequent joys that punctuate daily<br />
life in Varanasi, India’s holiest Hindu<br />
city, from one sunrise to the next,<br />
creating a wholly authentic sense<br />
of participation in the experiences<br />
examined by the film.<br />
Presented in association with<br />
Canongate Books. Thanks to<br />
Sukhdev Sandhu, Gareth Evans<br />
and Vinod Gadher.<br />
Friday 27 <strong>November</strong><br />
Double Bill<br />
Female Agents (15) 6.00pm<br />
(Les Femmes de l’ombre)<br />
Jean-Paul Salome, France, 2008, 120m subtitles<br />
Sophie Marceau, Julie Depardieu, Marie Gillain<br />
It’s May 1944. A fire-woman commando<br />
unit parachutes into occupied France<br />
on a daring and dangerous mission<br />
to protect the secret of the D-Day<br />
landings and eliminate the head of<br />
Germany counter-intelligence. An<br />
action-packed tribute to the real-life<br />
espionage operatives whose exploits<br />
inspired the film.<br />
Army of Crime<br />
Army of Crime (15) 8.20pm<br />
(L'armee du crime)<br />
Robert Guediguian, France, <strong>2009</strong>, 138m subtitles<br />
Simon Abkarian, Virginie Ledoyen, Robinson Stevenin<br />
Set in Paris in 1941. The film follows<br />
poet Missak Manouchian as he leads<br />
a group of youngsters and immigrants<br />
in a clandestine battle against the<br />
Nazi occupation.<br />
Saturday 28 <strong>November</strong><br />
Double Bill<br />
Female Agents (15) 1.00pm<br />
Army of Crime (15) 3.20pm<br />
Female Agents (15) 6.00pm<br />
Army of Crime (15) 8.20pm<br />
Please see Friday 27 <strong>November</strong> for details.<br />
Sunday 29 <strong>November</strong><br />
6th London Kurdish Film Festival<br />
Short Film Programme (PG) 12 noon<br />
A selection of short films by Kurdish<br />
directors from around the world will<br />
open the event. For the complete list<br />
of films please check www.lkff.co.uk<br />
and look for the <strong>Riverside</strong> link.<br />
Sunday 29 <strong>November</strong><br />
6th London Kurdish Film Festival<br />
Single Bill<br />
Hope (PG) 1.00pm<br />
(Hevî)<br />
Petter Næss, Sweden/Norway/Germany, 2007,<br />
88m subtitles<br />
Ali Abdulsalam, Mehmet Aras, Kajsa Bergqvist<br />
A young Kurdish boy, Azad, mistakenly<br />
arrives in Sweden on his way to<br />
Germany. Surrounded by a strange<br />
new culture and a language he cannot<br />
understand he is isolated and lonely.<br />
However, with help from a spaced-out<br />
hot dog vendor, the coolest guy in<br />
school and world athletics champion<br />
Kajsa Bergqvist, he sets out to be<br />
reunited with his family.<br />
Sunday 29 <strong>November</strong><br />
6th Kurdish Film Festival Single Bill<br />
The Legend of Kawa the<br />
Blacksmith (PG) 2.50pm<br />
(Efsaneya Kawayê Hesinkar)<br />
Havi Ibrahim/Stuart Palmer, UK, 2008, 54m<br />
with Kurdish subtitles, animation<br />
This film is one of the most famous<br />
Kurdish legends and tells the story of<br />
the Kurdish New Year (Newroz) and<br />
the birth of a nation. King Zohak, ruler<br />
of Mesopotamia, is tricked by the evil<br />
demon Ahriman and cursed. Two large<br />
black snakes grow from his shoulders<br />
and he is wracked with terrible pain,<br />
a pain that will only go away if the<br />
snakes are fed the brains of children.<br />
Sunday 29 <strong>November</strong><br />
6th Kurdish Film Festival Single Bill<br />
No One Knows About the Persian<br />
Cats (PG) 4.10pm<br />
(Haya tu kesî ji Pisikên Iranî nîn e)<br />
Bahman Ghobadi, Iran, <strong>2009</strong>, 106m subtitles<br />
Negar Shaghaghi, Ashkan Koushanejad,<br />
Hamed Behdad Babak Mirzakhani<br />
Winner of the Cannes Film Festival<br />
Special Jury Prize in <strong>2009</strong>, this film<br />
by internationally renowned Kurdish<br />
director Bahman Ghobadi was shot<br />
in just seventeen days. It follows two<br />
teenage underground band members<br />
as they attempt to leave Iran to<br />
perform in Europe.<br />
Sunday 29 <strong>November</strong><br />
6th Kurdish Film Festival Single Bill<br />
Whisper with the Wind (15) 6.20pm<br />
(Pisepiskirina digel ba)<br />
Shahram Alidi, Kurdistan/Iraq, <strong>2009</strong>, 77m subtitles<br />
Fakher Mohammad Barzani, Maryam Boubani,<br />
Omer Chawshin<br />
This film won numerous awards at<br />
Cannes in <strong>2009</strong>. It tells the story<br />
of an old man, Mam Baldar, who for<br />
many years travelled between the<br />
mountainous villages in Kurdish Iraq,<br />
recording and delivering people’s<br />
messages. One day he gets a request<br />
from a high-ranking commander and<br />
his journey to a far-off valley begins.<br />
Sunday 29 <strong>November</strong><br />
6th Kurdish Film Festival Single Bill<br />
Storm (12) 7.40pm<br />
(Bahoz)<br />
Kazım Öz, Turkey, 2008, 156m subtitles<br />
Cahit Gök, Havin Funda Saç, Selim Akgül<br />
Cemal passes his university entrance<br />
exam and moves from his remote village<br />
to the bustle of Istanbul. Here, his<br />
experiences allow him to realize his own<br />
identity and he becomes involved with a<br />
Kurdish youth group. These young Kurdish<br />
people begin to dream of huge changes<br />
within the world around them. When the<br />
seeds of “revolution” appear, this youthful<br />
and dynamic energy turns into action.<br />
Monday 30 <strong>November</strong> Single Bill<br />
Katalin Varga (15) 9.00pm<br />
Peter Strickland, Romania/UK/Hungary, 54m subtitles<br />
Hilda Péter, Tibor Pálffy, Norbert Tankó<br />
Banished by her husband and her<br />
village after being raped, Katalin Varga<br />
is left with no other choice but to set<br />
out on a quest to find the real father of<br />
her son. “The atmosphere and execution is<br />
nothing short of remarkable.” Little White Lies<br />
<strong>December</strong><br />
Tuesday 1 <strong>December</strong> Double Bill<br />
Inherit the Wind (PG) 6.30pm<br />
Stanley Kramer, USA, 1960, 128m<br />
Spencer Tracy, Frederick March, Gene Kelly<br />
Based on a real life case in 1925; two<br />
great lawyers argue the case for and<br />
against a science teacher accused of the<br />
crime of teaching evolution. A classic.<br />
Creation (PG) 9.00pm<br />
Jon Amiel, UK, <strong>2009</strong>, 108m<br />
Jennifer Connelly, Paul Bettany, Jeremy Northam<br />
A screen adaptation of Randal Keyne’s<br />
book “Alice’s Box”. The film focuses on<br />
the Charles Darwin moral dilemmas as he<br />
forms his ideas to his book “The Origin of<br />
Species”. He tries to find a balance between<br />
his revolutionary theories on evolution and<br />
the relationship with his religious wife.
Wednesday 2 <strong>December</strong><br />
Shane Meadows Double Bill<br />
A Room for Romeo Brass (15) 7.15pm<br />
Shane Meadows, UK, 1999, 90m<br />
Andrew Shim, Ben Marshall, Paddy Considine<br />
Romeo (Shim) is a jolly lad who lives<br />
next door to his best friend Knocks<br />
(Marshall). The boys are inseparable<br />
until the dynamics are upset by<br />
Morrell (Considine) who takes Romeo<br />
under his wing.<br />
Le Donk & Scor-zay-zee (15) 9.05pm<br />
Shane Meadows, UK, <strong>2009</strong>, 71m<br />
Paddy Considine, Scor-zay-zee, The Arctic Monkeys<br />
Fifteen years ago a roadie named Donk<br />
seemed to have it all. Now his life is<br />
shit so he decides to take rapper Scorzay-zee<br />
with him on a road trip that he<br />
hopes will change their lives forever.<br />
“A monumental mockumentary from Brit<br />
cinema’s premier director/actor double act.<br />
True, daft, emotional, hilarious.” Empire<br />
Thursday 3 <strong>December</strong><br />
Bulgarian Double Bill<br />
Wagner (15) 6.45pm<br />
Andrei Slabakov, Bulgaria, 1998, 100m subtitles<br />
Ernestina Shinova, Naum Shopov, Julia Ognjanova<br />
Elena’s job is working on the percussion<br />
press Wagner built in 1933. This is a tragic<br />
comedy about the absurdity of one day in<br />
her life, in which her dream comes true.<br />
Wagner<br />
This month<br />
6th London<br />
Kurdish Film Festival<br />
29 <strong>November</strong><br />
Launched in 2001 by a group of volunteers, this first ever Kurdish<br />
Film Festival to be established worldwide showcases a selection of<br />
the best Kurdish films of all genres from Turkey, Iran, Iraq, Syria<br />
and the rest of the world. Between 2001 and <strong>2009</strong> the Festival<br />
has been attended by thousands of people from extremely diverse<br />
ethnic and social backgrounds. This year the Festival has grown<br />
significantly and will now<br />
take place in six venues<br />
across London in order to<br />
reach a wider audience.<br />
Thirst (18) 8.30pm<br />
(Bakjwi)<br />
Chan-wook Park, Korea, <strong>2009</strong>, 133m subtitles<br />
Kang-ho Song, Ok-vin Kim, Hae-sook Kim<br />
A devoted priest from a small town<br />
volunteers for a medical experiment<br />
which fails and turns him into a vampire.<br />
Struggling with his newfound carnal<br />
desire for blood he begins an affair with<br />
the wife of a childhood friend.<br />
Thirst<br />
Whisper with the Wind<br />
It’s A Wonderful Life (U) 3.45pm<br />
Frank Capra, USA, 1946, 129m<br />
James Stewart, Donna Reed, Lionel Barrymore<br />
The Christmas classic. A man is<br />
prevented from committing suicide by<br />
an elderly angel who takes him back<br />
through his life to show him what<br />
good he has done.<br />
Meet Me in St. Louis (U) 6.15pm<br />
It’s A Wonderful Life (U) 8.30pm<br />
Please see above for details.<br />
Hindemith (15) 8.45pm<br />
Andrei Slabakov, Bulgaria, 2006, 100m subtitles<br />
Ernestina Shinova, Dejan Dejanov, Peter Slabakov<br />
Two very similar families are settling in<br />
two identical houses in a new fashionable<br />
neighbourhood built near a complex of<br />
panel-apartment buildings. Step by step<br />
they find out how similar they are and<br />
step by step they come to hate each other.<br />
Friday 4 <strong>December</strong><br />
Chan-wook Park Double Bill<br />
Sympathy for Lady Vengeance (18)<br />
6.15pm<br />
(Chinjeolhan geumjassi)<br />
Chan-wook Park, Korea, 2005, 112m subtitles<br />
Lee Young-ae, Choi Min-sik, Anne Cordiner<br />
Lee Geum-ja goes to prison for the<br />
murder and abduction of a child on behalf<br />
of her accomplice, only to find out that<br />
he has betrayed her. Upon her release she<br />
finally sets out to seek revenge.<br />
Saturday 5 <strong>December</strong><br />
Chan-wook Park Double Bill<br />
Sympathy for Lady Vengeance<br />
(18) 1.15pm<br />
Thirst (18) 3.30pm<br />
Sympathy for Lady Vengeance<br />
(18) 6.15pm<br />
Thirst (18) 8.30pm<br />
Please see Friday 4 <strong>December</strong> for details.<br />
Sunday 6 <strong>December</strong><br />
<strong>Riverside</strong> Classic Double Bill<br />
Meet Me in St. Louis (U) 1.30pm<br />
Vincente Minnelli, USA, 1944, 113m<br />
Judy Garland, Margaret O’Brien, Mary Astor<br />
A story of family life set in turn-of-the<br />
century America when society was<br />
about to change. This is one of cinema’s<br />
most delightful exercises in nostalgia<br />
and one of the greatest musicals.<br />
Monday 7 <strong>December</strong><br />
<strong>Riverside</strong> Classic Double Bill<br />
Meet Me in St. Louis (U) 6.15pm<br />
It’s A Wonderful Life (U) 8.30pm<br />
Please see Sunday 6 <strong>December</strong> for details.<br />
Tuesday 8 <strong>December</strong> Single Bill<br />
Born in 68 (15) 7.30pm<br />
(Nés en 68)<br />
Jacques Martineau/Olivier Ducastel, France, 2008,<br />
173m subtitles<br />
Laetitia Casta, Yannick Renier, Yann Trégouët<br />
The film follows a band of young<br />
Parisians from the May 68 student<br />
riots. Over the years we see their Left<br />
Wing ideals slowly chipped away.<br />
Wednesday 9 <strong>December</strong><br />
<strong>Riverside</strong> Classic Double Bill<br />
The Third Man (15) 6.45pm<br />
Carol Reed, UK, 1949, 103m<br />
Orson Welles, Joseph Cotton, Alida Valli<br />
War-torn Vienna and an American writer<br />
arrives looking for his friend Harry<br />
Lime. An irresistible romantic thriller.
CINEMA<br />
Citizen Kane (PG) 8.50pm<br />
Orson Welles, USA, 119m black and white<br />
Orson Welles, Joseph Cotton, Dorothy Camingore<br />
A meditation on power. Welles’<br />
groundbreaking studio film is a<br />
recreation of the activities of a press<br />
baron and a search for the clues to his<br />
life and actions. Fresher than ever on<br />
the big screen. Revived in a new print.<br />
Thursday 10 <strong>December</strong><br />
Che Double Bill<br />
Che: Part 1 (15) 6.15pm<br />
Steven Soderbergh, France/Spain/USA, 126m<br />
some subtitles<br />
Benico Del Toro, Édgar Ramírez, Julia Ormond<br />
A chronicle of the successful uprising<br />
in Cuba tracking Che’s rise from doctor<br />
to commander to revolutionary hero.<br />
It follows Fidel Castro, Che and their<br />
comrades during the years 1956 to 1959.<br />
Che: Part 2 (15) 8.40pm<br />
Steven Soderbergh, Spain/France/USA, 2008, 131m<br />
some subtitles<br />
Benicio Del Toro, Franka Potente, Carlos Bardem<br />
Ernesto “Che” Guevara (Del Toro) has<br />
abandoned his post as a bureaucrat in<br />
Cuba in order to start an even more<br />
daunting revolution in the Bolivian jungle.<br />
This time around, however, the odds are<br />
stacked much higher against him.<br />
Friday 11 <strong>December</strong><br />
Terry Gilliam Double Bill<br />
Brazil (15) 6.00pm<br />
Terry Gilliam, UK, 1984, 142m<br />
Bob Hoskins, Robert De Niro, Jonathan Pryce<br />
Gilliam’s version of the bureaucratic<br />
future. Comic and nasty by turns,<br />
it’s an extraordinary vision of a<br />
world overcome by paper, ducts and<br />
plumbing. Bob Hoskins and Robert<br />
De Niro steal the film as two versions<br />
of the plumbing trade – one state and<br />
the other freelance.<br />
The Imaginarium of Doctor<br />
Parnassus (12A) 8.45pm<br />
Terry Gilliam, UK/France/Canada, <strong>2009</strong>, 122m<br />
Heath Ledger, Johnny Depp, Lily Cole<br />
A fantastical morality tale set in the<br />
present day which tells the story of<br />
Dr. Parnassus and his travelling show<br />
where members of the audience get an<br />
irresistible opportunity to choose between<br />
light and joy, or darkness and gloom.<br />
Saturday 12 <strong>December</strong><br />
Terry Gilliam Double Bill<br />
Brazil (15) 12 noon<br />
The Imaginarium of Doctor<br />
Parnassus (12A) 2.45pm<br />
Brazil (15) 6.00pm<br />
The Imaginarium of Doctor<br />
Parnassus (12A) 8.45pm<br />
Please see Friday 11 <strong>December</strong> for details.<br />
Sunday 13 <strong>December</strong><br />
<strong>Riverside</strong> Classic Triple Bill<br />
The Lord of the Rings:<br />
The Fellowship of the Ring<br />
(PG) 12.30pm<br />
Peter Jackson, USA/New Zealand, 2001, 178m<br />
Elijah Wood, Ian McKellen, Liv Tyler<br />
“The first instalment of the film based on<br />
J.R.R. Tolkien’s Middle Earth trilogy. A<br />
young hobbit, Frodo Baggins, comes into<br />
possession of the ring of power.”<br />
Time Out Film Guide<br />
The Two Towers (12A) 4.00pm<br />
Peter Jackson, USA, 2002, 179m<br />
Cate Blanchett, Orlando Bloom, Elijah Wood<br />
Picking up where “The Fellowship<br />
of the Ring” ended, Frodo and his<br />
companion Sam continue their<br />
quest in this, the centrepiece of<br />
the Tolkien trilogy.<br />
Return of the King (12A) 7.30pm<br />
Peter Jackson, USA/New Zealand, 2003, 200m<br />
Elijah Wood, Ian McKellen, Viggo Mortensen<br />
With this final instalment of the<br />
fantasy trilogy ends one of the<br />
cinematic achievements of<br />
movie history.<br />
Monday 14 <strong>December</strong><br />
<strong>Riverside</strong> Classic Double Bill<br />
Before Sunrise (15) 6.45pm<br />
Richard Linklater, USA, 1995, 101m<br />
Julie Delpy, Ethan Hawke, Andrea Eckert<br />
A French graduate student, Celine<br />
(Delpy), meets a young American,<br />
Jesse (Hawke) on the Budapest-Vienna<br />
train. The two seize the moment<br />
and spend the next fourteen hours<br />
together in Vienna where they<br />
discover a powerful meeting of<br />
hearts and minds.<br />
Before Sunset (15) 8.45pm<br />
Richard Linklater, USA, 2004, 81m<br />
Julie Delpy.Ethan Hawke, Vernon Dobtcheff<br />
The two meet again in Paris nine years<br />
later. They only have a few hours together<br />
to re-evaluate longing and lost time.<br />
“A romantic gem.” Time Out<br />
Tuesday 15 <strong>December</strong> Double Bill<br />
Goodbye Lenin! (15) 6.15pm<br />
Wolfgang Becker, Germany, 2003, 121m subtitles<br />
Daniel Bruhl, Katrin Sass, Maria Simon<br />
A communist mother goes into a coma<br />
days before the Berlin Wall comes down.<br />
When she awakens eight months<br />
later the world has changed beyond<br />
recognition and her son tries to convince<br />
her communist Germany is still alive.<br />
Tales from the Golden Age<br />
(12A) 8.35pm<br />
Christian Mungiu/Hanno Höfer/Razvan<br />
Marculescu, Romania, <strong>2009</strong>, 158m subtitles<br />
Tania Popa, Lilianne Mocanu, Alexandru Potocean<br />
“A fine example of the recent trend for<br />
East European directors to re-explore the<br />
Communist histories of their countries. It<br />
is made by five Romanian directors. Each<br />
segment is based around an urban legend.<br />
Funny, sharp-eyed and hugely revealing.”<br />
Daily Telegraph<br />
Wednesday 16 <strong>December</strong><br />
Penélope Cruz Double Bill<br />
Volver (15) 6.30pm<br />
Pedro Almodóvar, Spain, 2006, 120m subtitles<br />
Penélope Cruz, Carmen Maura, Lola Duenas<br />
After her death a mother (Maura)<br />
returns to her home town in order to<br />
fix the situations she couldn’t resolve<br />
during her life. Of her family left<br />
in the town, her ghost slowly<br />
becomes a comfort to her daughters<br />
(Cruz, Duenas).<br />
Broken Embraces (15) 8.50pm<br />
(Los abrazos rotos)<br />
Pedro Almodóvar, Spain, <strong>2009</strong>, 127m subtitles<br />
Penélope Cruz, Lluis Homar, Blanca Portillo<br />
A man (Homar) with dual identities<br />
tries to compartmentalise his life after<br />
he loses his love (Cruz) and his sight<br />
in a car crash. “I defy anybody to watch<br />
it without a tingle of pure movie-going<br />
pleasure.” The Guardian<br />
Broken Embraces<br />
Thursday 17 <strong>December</strong> Double Bill<br />
March of the Penguins (U) 7.00pm<br />
Luc Jacquet, France/USA, 2005, 80m documentary<br />
Voiceover: Morgan Freeman<br />
The worldwide hit following the<br />
remarkable journey of a group of<br />
emperor penguins as they travel<br />
100 miles from home to breed. Part<br />
survival story, part love story, this is an<br />
epic tale of triumph against the odds.
The Cove (12A) 8.40pm<br />
Louie Psihoyos, USA, 2002, 90m<br />
Louie Psihoyos, Hayden Panettiere, Joe Chisholm<br />
A group of activists, led by the respected<br />
dolphin trainer Ric O’Barry, infiltrate<br />
a cove near Taiji, Japan to expose a<br />
shocking instance of animal abuse.<br />
Compelling and convincing viewing.<br />
Friday 18 <strong>December</strong><br />
Lone Scherfig Double Bill<br />
Italian for Beginners (18) 7.00pm<br />
(Italienski for begyndere)<br />
Lone Scherfig, Denmark, 2001, 99m subtitles<br />
Anders W. Berthelsen, Anette Støvelbæk,<br />
Ann Eleonora Jørgensen<br />
Small-town Denmark. The story of a<br />
group of lonely students who meet for<br />
Italian lessons trying to master this<br />
warm language in order to thaw their<br />
love lives.<br />
An Education (12A) 9.00pm<br />
Lone Scherfig, UK, <strong>2009</strong>, 99m<br />
Carey Mulligan, Peter Sarsgaard, Alfred Molina<br />
Based on writer Lynn Barber’s memoirs<br />
and a screenplay by Nick Hornby the<br />
film is a coming-of-age story about a<br />
teenage academic girl in the 60s<br />
whose life changes with the arrival<br />
of a playboy nearly twice her age.<br />
An Education<br />
This month<br />
<strong>Riverside</strong> Classic Triple Bill:<br />
The Lord of the Rings<br />
13 <strong>December</strong><br />
Middle Earth at <strong>Riverside</strong> <strong>Studios</strong> as we screen the three 3-hour<br />
epics in one day. If you want to spend the entire day in Frodoland<br />
with Aragorn, Gandalf, Arwen Evenstar and the rest, the<br />
restaurant will serve up Hobbit potatoes and drinks between<br />
the screenings. Tickets: £15 (£12 concs.) Hobbit Ticket<br />
(inc. snacks & drinks); £10 (£8 concs.) films only.<br />
<strong>Riverside</strong> Christmas Films<br />
6, 7, 21, 22, 23 <strong>December</strong><br />
As always, we’re screening old time<br />
favourites to conjure up festive vibes<br />
in the run up to Christmas. We hope<br />
you’ll come and enjoy the classic<br />
double bills “Meet Me in St. Louis”<br />
and “It’s A Wonderful Life” (6 & 7<br />
Dec) “White Christmas”, and “The<br />
Bishop’s Wife” (21 Dec). For the<br />
children of West London, we’ve got<br />
“Fantastic Mr. Fox” coming to the big<br />
screen on 22 and 23 <strong>December</strong>.<br />
It’s A Wonderful Life<br />
Saturday 19 <strong>December</strong><br />
Lone Scherfig Double Bill<br />
Italian for Beginners (18) 2.00pm<br />
An Education (12A) 4.00pm<br />
Italian for Beginners (18) 7.00pm<br />
An Education (12A) 9.00pm<br />
Please see Friday 18 <strong>December</strong> for details.<br />
The Bishop's Wife<br />
Sunday 20 <strong>December</strong><br />
War and Peace Double Bill<br />
War and Peace: Parts 1 and 2 (12)<br />
1.45pm and 4.30pm<br />
(Voina I Mir)<br />
Sergei Bondarchuk, USSR, 1967, 146m and 99m<br />
subtitles<br />
Lyudmila Savelyeva, Vyacheslav Tikhonov,<br />
Gennadi Ivanov<br />
War and Peace: Parts 3 and 4 (12)<br />
7.10pm and 8.55pm<br />
(Voina I Mir)<br />
Sergei Bondarchuk, USSR, 1967, 84m and 100m<br />
subtitles<br />
A unique cinematic experience which<br />
is based on Leo Tolstoy’s famous<br />
novel. Originally filmed in 70mm and<br />
made in four parts, the film cost $100<br />
million and received the Best Foreign<br />
Film Oscar in 1968. The story centres<br />
around the lives of two families and<br />
the effect on their lives of Napoleon’s<br />
1812 invasion of Russia. The spectacle<br />
is breathtaking, particularly in the<br />
battle sequences, and uses overhead<br />
tracking shots, split screen and<br />
subjective camera to bring this epic<br />
love story to life.<br />
White Christmas<br />
Monday 21 <strong>December</strong> Single Bill<br />
White Christmas (U) 6.30pm<br />
Michael Curtiz, USA, 1954, 120m<br />
Bing Crosby, Danny Kaye, Vera Ellen<br />
The film houses a treasury of Irving<br />
Berlin classics, among them “Count<br />
Your Blessings” and “Blue Skies”. Two<br />
talented song-and-dance men team up<br />
with a sister-act and trek to Vermont<br />
for a white Christmas. Things don’t go<br />
according to plan.<br />
Monday 21 <strong>December</strong> Single Bill<br />
The Bishop’s Wife (U) 8.50pm<br />
Henry Koster, USA, 1947, 108m<br />
Cary Grant, Loretta Young, David Niven<br />
A Christmas fantasy about a debonair<br />
angel who comes to earth to help a<br />
bishop and his wife in their quest to<br />
raise money for a new church.
INFO<br />
Fantastic Mr. Fox<br />
Tuesday 22 <strong>December</strong> Single Bill<br />
Fantastic Mr. Fox (PG) 7.00pm<br />
Wes Anderson, USA, <strong>2009</strong>, 87m<br />
Voices: George Clooney, Meryl Streep, Bill Murray<br />
Anderson’s animated adaptation of the<br />
Roald Dahl classic. Angry farmers, tired<br />
of sharing their chickens with a sly fox,<br />
look to get rid of him and his family.<br />
Tuesday 22 <strong>December</strong> Single Bill<br />
The Men Who Stare at Goats (15)<br />
8.50pm<br />
Grant Heslov, USA/UK, <strong>2009</strong>, 90m<br />
George Clooney, Jeff Bridges, Ewan McGregor<br />
A reporter in Iraq thinks he has the<br />
story of a lifetime when he meets Lyn<br />
Cassady (Clooney) who claims to be a<br />
former member of the US Army’s First<br />
Earth Battalion, a unit that employs<br />
paranormal power in their missions.<br />
“Light-hearted and highly entertaining.”<br />
Screen International<br />
Wednesday 23 <strong>December</strong> Single Bills<br />
Fantastic Mr. Fox (PG) 7.00pm<br />
The Men Who Stare at Goats (15)<br />
8.50pm<br />
Please see Tuesday 22 <strong>December</strong><br />
for details.<br />
Thursday 24 – Saturday 26<br />
<strong>December</strong><br />
Cinema Closed<br />
Sunday 27 <strong>December</strong><br />
Jane Campion Double Bill<br />
Sweetie (15) 2.30pm<br />
Jane Campion, Australia, 1989, 100m<br />
Geneviève Lemon, Karen Colston, Tom Lycos<br />
The story of two sisters, one introspective<br />
and hypersensitive, the other extrovert,<br />
insensitive, child-like and garrulous. Its<br />
off-beat sense of humour makes for a<br />
film of some originality. The director’s<br />
first feature film.<br />
Bright Star (PG) 4.30pm<br />
Jane Campion, UK/Australia/France, <strong>2009</strong>, 118m<br />
Abbie Cornish, Ben Wishaw, Paul Schneider<br />
London 1818: a secret love affair<br />
begins between 23-year-old English<br />
poet John Keats and the girl next door,<br />
Fanny Brawne, which is to have<br />
a significant impact on their lives.<br />
“An affecting and deeply considered<br />
study of the last years in the short life<br />
of John Keats.” The Guardian<br />
Sweetie (15) 6.50pm<br />
Bright Star (PG) 8.50pm<br />
Please see above for details.<br />
Monday 28 <strong>December</strong><br />
Jane Campion Double Bill<br />
Sweetie (15) 6.45pm<br />
Bright Star (PG) 8.45pm<br />
Please see Sunday 27 <strong>December</strong><br />
for details.<br />
Tuesday 29 <strong>December</strong><br />
Jane Campion Double Bill<br />
Sweetie (15) 6.45pm<br />
Bright Star (PG) 8.45pm<br />
Please see Sunday 27 <strong>December</strong><br />
for details.<br />
Bright Star<br />
Wednesday 30 <strong>December</strong><br />
Double Bill<br />
Milk (15) 6.20pm<br />
Gus van Sant, USA, 2008, 128m<br />
Sean Penn, Emile Hirsch, Josh Brolin<br />
The powerful and inspiring story of<br />
California’s first openly gay elected<br />
official, Harvey Milk. The film charts<br />
the last eight years of Harvey’s life.<br />
“A briskly-told, warmly humanistic and<br />
stirring portrait.” Screen International<br />
Taking Woodstock (15) 8.50pm<br />
Ang Lee, USA, <strong>2009</strong>, 120m<br />
Demetri Martin, Imelda Staunton, Emile Hirsh<br />
A comedy inspired by the true story<br />
of Elliot Tiber (Martin) and his family<br />
who inadvertently played a pivotal role<br />
in the making of Woodstock Music<br />
and Arts Festival into the happening<br />
that it was.<br />
Thursday 31 <strong>December</strong><br />
Cinema Closed<br />
Info<br />
<strong>Riverside</strong> Bar<br />
and Kitchen<br />
<strong>Riverside</strong> Bar and Kitchen<br />
The atmospheric space at the<br />
heart of the building is a vibrant<br />
and contemporary setting for<br />
lunch, pre-show dinner and<br />
drinks. The <strong>Riverside</strong> Terrace is<br />
a stunning spot for entertaining.<br />
Bookings and enquiries<br />
020 8237 1009<br />
<strong>Riverside</strong> Kitchen<br />
Seasonal daily specials with an<br />
emphasis on freshly prepared<br />
ingredients available for lunch<br />
and dinner every day.<br />
Film Café<br />
Located in the foyer and open<br />
throughout the day serving fresh<br />
sandwiches, smoothies, salads<br />
and mozzo organic and fair<br />
trade coffee.<br />
Food served<br />
Monday – Saturday<br />
Sunday<br />
Midday – 3pm<br />
4pm – 9pm<br />
11am – 3pm Brunch<br />
4pm – 9pm
This brochure is available in<br />
large print, please call 020 8237 1010 or<br />
email marketing@riversidestudios.co.uk<br />
to receive a copy.<br />
Visitors to<br />
<strong>Riverside</strong> <strong>Studios</strong><br />
Box Office<br />
Closed from 4pm 24 Dec until 26 Dec & 31 Dec.<br />
Open daily 12 – 9pm<br />
(closed Bank Holidays)<br />
Telephone 020 8237 1111<br />
Fax 020 8237 1001<br />
Web riversidestudios.co.uk<br />
Ticket discounts<br />
Concessions are usually available for students,<br />
unemployed, disabled plus companion, 60+, under<br />
16s, Ciné lumière, BFI members (cinema). Valid cards<br />
must be shown. For Friends and Groups discounts<br />
please check with the Box Office or online at<br />
riversidestudios.co.uk.<br />
Payment<br />
We accept Visa, MasterCard, Switch, Solo,<br />
Maestro, Delta, cash and cheques made payable<br />
to <strong>Riverside</strong> Trust.<br />
Mailing List<br />
If you would like to join our mailing list, please call the<br />
Box Office or email online@riversidestudios.co.uk.<br />
Refunds and Exchanges<br />
<strong>Riverside</strong> is unable to offer refunds or exchanges<br />
on tickets.<br />
Age Ratings<br />
Where a film programme contains films with different<br />
age ratings, the highest rating applies. <strong>Riverside</strong><br />
<strong>Studios</strong> reserves the right to ask for proof of age.<br />
Latecomers<br />
Cinema: All films start at the advertised time and<br />
latecomers will only be admitted during the first 15<br />
minutes of screening.<br />
Theatre: Latecomers may not be admitted.<br />
Access<br />
There are ramps throughout the building and a lift<br />
to our cinema.<br />
We advise our wheelchair user patrons to book in<br />
advance to guarantee their seats. An induction loop<br />
is available in the cinema only.<br />
How to get here<br />
Tube and foot from Hammersmith<br />
Piccadilly Line, District Line: From Broadway<br />
Shopping Centre, use south exit, pass Hammersmith<br />
Apollo, follow Queen Caroline Street and turn left into<br />
Crisp Road.<br />
Hammersmith & City Line: walk towards<br />
Hammersmith Apollo, follow Queen Caroline Street<br />
and turn left into Crisp Road.<br />
Public transport info on tfl.gov.uk or 020 7222 1234.<br />
Bus<br />
Buses to Hammersmith Broadway station<br />
9, 10, 27, 33, 72, 190, 209, 211, 220, 266, 267, 283, 295,<br />
391, 419, H91.<br />
Road<br />
From Hammersmith Broadway roundabout turn left<br />
at Hammersmith Apollo into Queen Caroline Street,<br />
turn left into Crisp Road.<br />
Parking<br />
Pay and Display street parking until 6.30pm.<br />
Free from 6.30pm and all day Sunday.<br />
APOLLO<br />
<strong>Riverside</strong> <strong>Studios</strong><br />
Crisp Road . Hammersmith . London . W6 9RL
CINEMA<br />
Cinema Diary<br />
<strong>November</strong> <strong>2009</strong><br />
Sun 1<br />
Mon 2<br />
Tue 3<br />
Wed 4<br />
Thu 5<br />
DocHouse Presents<br />
The Gleaners and I (U) 1.30pm<br />
+ The Beaches of Agnès (18) 3.20pm<br />
DocHouse Presents<br />
The Gleaners and I (U) 7.00pm<br />
+ The Beaches of Agnès (18) 8.50pm<br />
DocHouse Presents<br />
The Gleaners and I (U) 7.00pm<br />
+ The Beaches of Agnès (18) 8.50pm<br />
Jean de Florette (PG) 6.15pm<br />
+ Manon des Sources (PG) 8.40pm<br />
Katyn (15) 6.30pm<br />
+ Tricks (12A) 8.50pm<br />
Ten Canoes (15) 7.00pm<br />
+ Birdwatchers (15) 8.50pm<br />
Fri 6 Latin American Film Festival <strong>2009</strong><br />
Escorbo (15) 6.30pm<br />
+ Children of the Amazon (15) 6.45pm<br />
Crossing (15) 8.30pm<br />
Sat 7 Latin American Film Festival <strong>2009</strong><br />
Crossing Borders (15) 2.00pm<br />
+ Dilettante (15) 2.20pm<br />
Our Disappeared (15) 4.00pm<br />
Amor en Transito (15) 6.15pm<br />
Bella (15) 8.15pm<br />
Sun 8 Latin American Film Festival <strong>2009</strong><br />
Shorts Programme (15) 2.00pm<br />
Santiago Tiene una Pena (15) 4.15pm<br />
+ I am Happy (15) 4.55pm<br />
The Beginning was in Warisata (15)<br />
6.30pm<br />
Viva Mexico! (15) 8.15pm<br />
Mon 9 Latin American Film Festival <strong>2009</strong><br />
Crossing (15) 6.30pm<br />
The Gift of Pachamama (15) 8.30pm<br />
Tue 10 Latin American Film Festival <strong>2009</strong><br />
Amor en Transito (15) 6.30pm<br />
Bella (15) 8.30pm<br />
Wed 11 Latin American Film Festival <strong>2009</strong><br />
Shorts Programme (15) 6.30pm<br />
Sons of Cuba (15) 8.00pm<br />
Thu 12<br />
Fri 13<br />
Sat 14<br />
Sun 15<br />
Velvet ®Evolution<br />
Loners (15) 6.25pm<br />
Country Teacher (15) 8.30pm<br />
Velvet ®Evolution<br />
Buttoners (15) 6.25pm<br />
Something Like Happiness (15) 8.30pm<br />
Velvet ®Evolution<br />
Bohemia Docta or The Labyrinth<br />
of the World and the Paradise of the<br />
Heart (Divine Comedy) (18) 1.30pm<br />
Bored in Brno (15) 6.30pm<br />
Return of the Idiot (15) 8.35pm<br />
Velvet ®Evolution<br />
Hell with the Princess (U) 2.00pm<br />
Autumn Spring (15) 3.55pm<br />
Divided We Fall (PG) 6.00pm<br />
Little Otik (15) 8.20pm<br />
Mon 16 The End of the Affair (18) 6.00pm<br />
+ Lust, Caution (18) 8.10pm<br />
Tue 17<br />
Shine (15) 6.45pm<br />
+ The Soloist (12A) 8.50pm<br />
Wed 18 In the Mood for Love (18) 6.45pm<br />
+ 2046 (12A) 8.45pm<br />
designed by socialuk.com<br />
Thu 19<br />
Fri 20<br />
Sat 21<br />
Sun 22<br />
Mesrine Killer Instinct (15) 6.15pm<br />
+ Mesrine: Public Enemy No. 1 (15)<br />
8.30pm<br />
The Importance of Being Earnest<br />
(U) 6.45pm<br />
+ Dorian Gray (15) 8.40pm<br />
Death and the Devil<br />
Race with the Devil (18) 12.30pm<br />
Doug Bradley Triple Bill (18) 2.30pm<br />
The Devil’s Rain (18) 4.15pm<br />
An Evening with Death 7.00pm<br />
Black Sabbath (15) 9.20pm<br />
Far From Heaven (12A) 2.30pm<br />
+ Suture (15) 4.40pm<br />
The Importance of Being Earnest<br />
(U) 6.45pm<br />
+ Dorian Gray (15) 8.40pm<br />
Mon 23 The Hurt Locker (15) 6.30pm<br />
+ Heart of Fire (15) 9.00pm<br />
Tue 24<br />
28 Days Later (18) 6.30pm<br />
+ District 9 (15) 8.45pm<br />
Wed 25 We the Peoples Festival<br />
The Lost World of Tibet (PG) 7.00pm<br />
Thu 26<br />
Fri 27<br />
Sat 28<br />
Sun 29<br />
Death in Venice (12) 6.30pm<br />
+ Forest of Bliss 9.15pm<br />
Female Agents (15) 6.00pm<br />
+ Army of Crime (15) 8.20pm<br />
Female Agents (15) 1.00pm<br />
+ Army of Crime (15) 3.20pm<br />
Female Agents (15) 6.00pm<br />
+ Army of Crime (15) 8.20pm<br />
6th London Kurdish Film Festival<br />
Short Film Programme (PG) 12 noon<br />
Hope (PG) 1.00pm<br />
The Legend of Kawa the Blacksmith<br />
(PG) 2.50pm<br />
No One Knows About the Persian<br />
Cats (PG) 4.10pm<br />
Whisper with the Wind (15) 6.20pm<br />
Storm (12) 7.40pm<br />
Mon 30 Katalin Varga (15) 9.00pm<br />
<strong>December</strong> <strong>2009</strong><br />
Tue 1<br />
Wed 2<br />
Thu 3<br />
Fri 4<br />
Sat 5<br />
Sun 6<br />
Mon 7<br />
Tue 8<br />
Wed 9<br />
Thu 10<br />
Inherit the Wind (PG) 6.30pm<br />
+ Creation (PG) 9.00pm<br />
Shane Meadows’<br />
A Room for Romeo Brass (15) 7.15pm<br />
+ Le Donk & Scor-zay-zee (15) 9.05pm<br />
Bulgarian Double Bill<br />
Wagner (15) 6.45pm<br />
+ Hindemith (15) 8.45pm<br />
Chan-wook Park’s<br />
Sympathy for Lady Vengeance (18)<br />
6.15pm<br />
+ Thirst (18) 8.30pm<br />
Chan-wook Park’s<br />
Sympathy for Lady Vengeance (18)<br />
1.15pm<br />
+ Thirst (18) 3.30pm<br />
Chan-wook Park’s<br />
Sympathy for Lady Vengeance (18)<br />
6.15pm<br />
+ Thirst (18) 8.30pm<br />
Meet Me in St. Louis (U) 1.30pm<br />
+ It’s A Wonderful Life (U) 3.45pm<br />
Meet Me in St. Louis (U) 6.15pm<br />
+ It’s A Wonderful Life (U) 8.30pm<br />
Meet Me in St. Louis (U) 6.15pm<br />
+ It’s A Wonderful Life (U) 8.30pm<br />
Born in 68 (15) 7.30pm<br />
The Third Man (15) 6.45pm<br />
+ Citizen Kane (PG) 8.50pm<br />
Che: Part 1 (15) 6.15pm<br />
+ Che: Part 2 (15) 8.40pm<br />
Fri 11<br />
Sat 12<br />
Sun 13<br />
Terry Gilliam’s Brazil (15) 6.00pm<br />
+ The Imaginarium of Doctor<br />
Parnassus (12A) 8.45pm<br />
Terry Gilliam’s Brazil (15) 12 noon<br />
+ The Imaginarium of Doctor<br />
Parnassus (12A) 2.45pm<br />
Terry Gilliam’s Brazil (15) 6.00pm<br />
+ The Imaginarium of Doctor<br />
Parnassus (12A) 8.45pm<br />
The Lord of the Rings<br />
The Fellowship of the Ring (PG)<br />
12.30pm<br />
+ The Two Towers (12A) 4.00pm<br />
+ Return of the King (12A) 7.30pm<br />
Mon 14 Richard Linklater’s<br />
Before Sunrise (15) 6.45pm<br />
+ Before Sunset (15) 8.45pm<br />
Tue 15<br />
Goodbye Lenin! (15) 6.15pm<br />
+ Tales from the Golden Age (12A)<br />
8.35pm<br />
Wed 16 Penélope Cruz<br />
Volver (15) 6.30pm<br />
+ Broken Embraces (15) 8.50pm<br />
Thu 17<br />
Fri 18<br />
Sat 19<br />
March of the Penguins (U) 7.00pm<br />
+ The Cove (12A) 8.40pm<br />
Lone Scherfig’s<br />
Italian for Beginners (18) 7.00pm<br />
+ An Education (12A) 9.00pm<br />
Lone Scherfig’s<br />
Italian for Beginners (18) 2.00pm<br />
+ An Education (12A) 4.00pm<br />
Lone Scherfig’s<br />
Italian for Beginners (18) 7.00pm<br />
+ An Education (12A) 9.00pm<br />
Sun 20 War and Peace: Parts 1 and 2 (12)<br />
1.45pm and 4.30pm<br />
War and Peace: Parts 3 and 4 (12)<br />
7.10pm and 8.55pm<br />
Mon 21 White Christmas (U) 6.30pm<br />
The Bishop’s Wife (U) 8.50pm<br />
Tue 22<br />
Fantastic Mr. Fox (PG) 7.00pm<br />
The Men Who Stare at Goats (15)<br />
8.50pm<br />
Wed 23 Fantastic Mr. Fox (PG) 7.00pm<br />
The Men Who Stare at Goats (15)<br />
8.50pm<br />
Thu 24<br />
Fri 25<br />
Sat 26<br />
Sun 27<br />
CINEMA CLOSED<br />
CINEMA CLOSED<br />
CINEMA CLOSED<br />
Jane Campion’s<br />
Sweetie (15) 2.30pm<br />
+ Bright Star (PG) 4.30pm<br />
Sweetie (15) 6.50pm<br />
+ Bright Star (PG) 8.50pm<br />
Mon 28 Jane Campion’s<br />
Sweetie (15) 6.45pm<br />
+ Bright Star (PG) 8.45pm<br />
Tue 29<br />
Jane Campion’s<br />
Sweetie (15) 6.45pm<br />
+ Bright Star (PG) 8.45pm<br />
Wed 30 Milk (15) 6.20pm<br />
+ Taking Woodstock (15) 8.50pm<br />
Thu 31<br />
CINEMA CLOSED<br />
Cinema tickets are £7.50<br />
(£6.50 concs.) unless<br />
otherwise stated.<br />
Where a programme contains films with different<br />
age ratings, the highest rating applies. <strong>Riverside</strong><br />
<strong>Studios</strong> reserves the right to ask for proof of age.