March/April 2010 - Riverside Studios
March/April 2010 - Riverside Studios
March/April 2010 - Riverside Studios
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<strong>March</strong>/<strong>April</strong> <strong>2010</strong><br />
Box Office 020 8237 1111<br />
riversidestudios.co.uk<br />
WHAT'S ON CINEMA / THEATRE / EXHIBITIONS / BAR & KITCHEN<br />
Soap
THEATRE<br />
Theatre<br />
LOVE&MADNESS Ensemble and <strong>Riverside</strong> <strong>Studios</strong> present<br />
The Desire&Destruction<br />
Season<br />
Designed by Annette Sumption, Lighting by Paul Green, Casting by Irene East<br />
Exploring human desires at their most extreme, the LOVE&MADNESS<br />
Ensemble has dedicated a season of three plays to investigate how<br />
throughout history, we have turned Desire for revenge and the wish to<br />
control into Destruction.<br />
Fool For Love<br />
By Sam Shepard.<br />
Directed by Neil Sheppeck.<br />
Starring Sadie Frost as May and<br />
Carl Barat as Eddie<br />
Set in a desolate motel room on<br />
the edge of the Mojave Desert,<br />
May and Eddie's tragic love-hate<br />
relationship plays out over this<br />
intense, cathartic play, which looks<br />
at the desires of one generation<br />
and the destruction it wreaks in<br />
the next. A bleak but savagely<br />
funny drama.<br />
Dates + Times<br />
Showing until 21 <strong>March</strong><br />
Tuesday - Sunday 7.30pm<br />
Matinees 2pm<br />
Evening Performances:<br />
Fool for Love<br />
4-7, 11-14, 18-21 Mar<br />
Richard III<br />
3, 10, 16 Mar<br />
Demi-Monde<br />
2, 9, 17 Mar<br />
Matinees:<br />
Fool for Love<br />
6, 13, 20 Mar<br />
Richard III<br />
3, 10, 16, 21 Mar<br />
Richard III<br />
By William Shakespeare.<br />
Directed by Ben Kidd.<br />
Starring Carl Prekopp as Richard,<br />
with Sadie Frost as Lady Anne<br />
Shakespeare’s celebrated drama<br />
follows Richard III’s desire for the<br />
crown which ultimately leads to<br />
the loss of innocent lives and the<br />
destruction of the country.<br />
Demi-Monde:<br />
The Half World of<br />
William Morris<br />
A new piece devised by<br />
Love&Madness with Associate<br />
Artist Jack Shepherd. Born of<br />
the Ensemble's experience of<br />
the season and the characters of<br />
Hammersmith's history, comes<br />
a new work inspired by local<br />
socialist and designer,<br />
William Morris.<br />
loveandmadness.org<br />
Tickets<br />
£18.50 (£14 concs.)<br />
School Groups 10+ £9<br />
Demi-Monde £12 (£10 concs.)<br />
School Groups 10+ £9<br />
Studio 3<br />
Fool For Love<br />
Image Luke Varley
PERFORMANCE<br />
Performance<br />
Circle of Eleven and <strong>Riverside</strong> <strong>Studios</strong> present<br />
Sexy, funny and dangerous, Soap features aerial<br />
acrobats performing in, on, and around bathtubs<br />
in a show that leaves the audience breathless in<br />
admiration. These awe-inspiring aerial acts are a onceseen,<br />
never-forgotten experience. Prepare to watch<br />
something exquisite!<br />
Straight from Berlin, created by Markus Pabst<br />
(Bath Boy, Ceasar Twins of La Clique) and produced by<br />
Gregg Parks (Les 7 doigts de la main / the 7 fingers) Soap is<br />
a fusion of circus, cabaret and comedy with remarkable<br />
artists from around the world.<br />
Dates + Times<br />
5 <strong>March</strong> – 25 <strong>April</strong><br />
Tue – Sat 8pm<br />
Sun 6pm<br />
Matinees<br />
Sat 20, 27 Mar,<br />
3, 10, 17, 24 Apr<br />
3pm<br />
Tickets<br />
Fri & Sat £25<br />
Groups 10+ £22.50<br />
Tue -Thu, Sat & Sun Mat<br />
£20 (£20 concs.)<br />
Groups 10+ £17.50<br />
Previews 3-7 Mar £15<br />
Groups 10+ £12.50<br />
Studio 2<br />
A production of
CABARET<br />
Cabaret<br />
<strong>Riverside</strong> <strong>Studios</strong> presents<br />
Alistair McGowan<br />
and Charlotte Page in<br />
Cocktails With Coward<br />
Musical arrangements by Warren Wills.<br />
Directed by Brendan O’Hea.<br />
BAFTA winner Alistair McGowan (The Big Impression)<br />
and actress and singer Charlotte Page perform the<br />
hidden gems among Noël Coward’s songs and poems<br />
in this 2009 Edinburgh Fringe hit. Expect a lot of<br />
laughter, and a few tears – proof positive that Coward<br />
was an unsurpassed observer of language, character<br />
and the human heart.<br />
Dates + Times<br />
26 <strong>March</strong> - 4 <strong>April</strong> 7.30pm<br />
No show<br />
Mon 29 Mar and Fri 2 Apr<br />
Tickets<br />
£16 (£14 concs.)
THEATRE<br />
Theatre<br />
Supporting Wall presents the professional world premiere of<br />
Moonfleece<br />
“Ridley is the master<br />
of modern myths”<br />
The Guardian<br />
“David Mercatali is<br />
clearly one to watch”<br />
Time Out<br />
By Philip Ridley. Directed by David Mercatali<br />
In the run up to elections in May and following the<br />
rise of the BNP, this is a vital and compelling story for<br />
Britain today by Time Out and Evening Standard<br />
Award-winner Philip Ridley. Returning to London<br />
after national tour, the play’s electric ensemble cast<br />
features Sean Verey (Skins), Beru Tessema<br />
(The Frontline, Shakespeare's Globe) and Reece Noi<br />
(Waterloo Road, Paradox).<br />
moonfleece.co.uk<br />
Dates + Times<br />
8-11 <strong>April</strong><br />
Thu – Sat 7.30pm<br />
Sun 6.30pm<br />
Post show talk 10 <strong>April</strong><br />
Tickets<br />
£15 (£12 concs.)<br />
Theatre Lab Company presents<br />
Antigone<br />
By Sophocles. Directed by Anastasia Revi<br />
In a city devastated by war, two brothers slay each other – one to<br />
be given a hero’s burial, the other to be left unburied and exposed<br />
to the vultures. Creon, the king and his young niece, Antigone,<br />
both wilful and passionate, are determined to be faithful to their<br />
individual causes; duty to the State for one, duty to love and<br />
morality for the other. This visual performance transcends all<br />
boundaries in a tragedy that resonates in contemporary culture<br />
and politics.<br />
Dates + Times<br />
14 <strong>April</strong> - 2 May<br />
Tuesday to Sunday<br />
7.30pm<br />
Matinees<br />
Thu 22 Apr<br />
& Sat 1 May 2pm<br />
Studio 3<br />
Tickets<br />
£15 (£12 concs.)<br />
Groups of 10+ £10<br />
Schools groups<br />
£10<br />
Post show talks<br />
Tue 20 Apr<br />
with director and<br />
performers<br />
Tue 27 Apr<br />
“Aspects of the<br />
ancient Greek<br />
tragedy”
THEATRE<br />
Theatre<br />
Hurts Given<br />
And Received<br />
By Howard Barker. Directed by Gerrard McArthur<br />
Does the creation of a great masterwork require a<br />
compulsion to cruelty?<br />
Inspired cruelties.<br />
Dazzling compulsions.<br />
And sexual transgressions.<br />
Howard Barker re-examines the creative life of the<br />
artist through one of his most fascinating and appalling<br />
characters. Provocative ideas, pungent poetic language,<br />
and savage wit build a thought-provoking allegory<br />
of the artist and society. The price is not just in the<br />
metaphorical blood of the poet…<br />
Slowly<br />
By Howard Barker. Directed by Hanna Berrigan<br />
As barbarians approach the palace of a decaying<br />
culture, four princesses debate their fate. Decorum<br />
demands suicide. But, for some, the possibility of life<br />
is all too compelling. In a culture of conformity, it may<br />
not be up to the individual to decide...<br />
Dates + Times<br />
1 – 9 May<br />
Tue-Sat 6.30pm<br />
Sun 5pm<br />
Tickets<br />
£10 (£8 concs.)<br />
Double bill with Hurts<br />
Given £22 (£12 concs.)<br />
Dates + Times<br />
29 <strong>April</strong> – 9 May<br />
Tue-Sat 8pm<br />
Sun 6.30pm<br />
Studio 2<br />
thewrestlingschool.co.uk<br />
Image Eduado Houth<br />
Tickets<br />
£15 (£10 concs.)<br />
Preview Thu 29 <strong>April</strong><br />
all tickets £10<br />
Double bill with Slowly<br />
£22 (£12 concs.)<br />
Wonder And Worship<br />
In The Dying Ward<br />
A rehearsed reading of Howard Barker’s latest work,<br />
directed by Howard Barker. Sun 2 May 2.30pm,<br />
Tickets £5.<br />
Howard Barker Day<br />
Sun 2 May<br />
See all three plays for £24 (£15 concs.)
EXHIBITION<br />
Kinoteka<br />
Exhibition<br />
Kinoteka: 8th Polish<br />
Film Festiwal<br />
4 – 27 <strong>March</strong><br />
A retrospective dedicated to Roman Polanski’s early films<br />
during the festival is accompanied by this fascinating display<br />
of posters selected from Roman Polanski, Actor, Director,<br />
an exhibition assembled and presented by the Museum of<br />
Cinematography in Lodz in 2009. The exhibition will be<br />
showing film posters from all over the world from Roman<br />
Polanski’s films, which he directed and in which he<br />
appeared as an actor.<br />
Travels with Infra-red<br />
Photographs by<br />
Ryszard Szydlo<br />
Travels with Infra-red<br />
28 <strong>March</strong> – 15 <strong>April</strong><br />
Having the opportunity to travel, and to<br />
photograph, for me to share the experience is an<br />
extension of the journey. Taking infra-red black<br />
and white photographs removes the distraction<br />
of aesthetic beauty that colour provides,<br />
replacing it with a fantastical interpretation.<br />
This exhibition thus conjures an alternative<br />
vision, revealing hidden aspects of some<br />
European, African and American scenes.<br />
Sergio Strizzi<br />
Portraits from the Set<br />
Sergio Strizzi<br />
16 – 25 <strong>April</strong><br />
Sergio Strizzi began his career as a photo journalist and moved into the<br />
film business as a stills photographer in 1952. Since then, he has worked<br />
with Italy’s finest directors:<br />
Antonioni, Blasetti, De Sica, Germi, Monicelli, Petri, Rosi and Soldati,<br />
as well as Benigni, Tornatore, Scola, and Cavani. His work with non-<br />
Italian directors includes some of the James Bond films and projects<br />
with directors such as Jospeh Losey, John Huston, Peter Yates and<br />
Terry Gilliam. Strizzi was Audrey Hepburn’s photographer of choice and<br />
is considered to be one of still photography’s greatest exponents. The<br />
exhibition coincides with the Italian Film Festival at <strong>Riverside</strong> <strong>Studios</strong>.
CINEMA<br />
Cinema<br />
<strong>March</strong><br />
Monday 1 <strong>March</strong> Double Bill<br />
The 400 Blows (15) 7.00pm<br />
(Le Quatre Cents Coups)<br />
Francois Truffaut, France, 1959, 94m subtitles<br />
Jean-Pierre Leaud, Albert Remy, Claire Maurier<br />
Truffaut’s first feature was based on his<br />
own deprived childhood. A twelve year<br />
old boy, neglected by his mother and<br />
stepfather, plays truant and takes to<br />
crime. The film was awarded the Best<br />
Director prize at Cannes in 1959 and<br />
helped launch the “nouvelle vague”.<br />
Treeless Mountain (PG) 8.55pm<br />
So Yong Kim, USA/Korea, 89m subtitles<br />
Kim Hee-yeon, Kim Song-hee, Chae Gil Byung<br />
When their mother needs to leave in<br />
order to find their estranged father,<br />
seven-year-old Jin and her younger<br />
sister, Bin, are left to live with their<br />
callous aunt for the summer with only<br />
a small piggybank and their mother’s<br />
promise to return when it is full. The<br />
two girls are forced to adapt.<br />
Treeless Mountain<br />
Tuesday 2 <strong>March</strong><br />
Meryl Streep Single Bill<br />
Julie & Julia (12A) 6.30pm<br />
Nora Ephron, USA, 2009, 123m<br />
Meryl Streep, Amy Adams, Stanley Tucci<br />
Based on two true stories the film<br />
focuses on the lives of two women.<br />
Celebrated chef Julia Child’s (Streep)<br />
story of her start in the cooking<br />
profession is intertwined with blogger,<br />
Julie Powell’s (Adams) 2002 challenge to<br />
cook all the recipes in Child’s first book.<br />
Nominated for <strong>2010</strong> BAFTA.<br />
Winner of Golden Globe for<br />
Best Actress.<br />
Tuesday 2 <strong>March</strong><br />
Meryl Streep Single Bill<br />
It’s Complicated (15) 8.55pm<br />
Nancy Meyers, USA, 2007, 120m<br />
Meryl Streep, Alec Baldwin, Steve Martin<br />
Jane (Streep) owns a thriving bakery/<br />
restaurant and has three kids. As a<br />
long time divorcee she has an amicable<br />
relationship with her ex-husband<br />
(Baldwin). Things get complicated<br />
when they both find themselves out of<br />
town for their son’s college graduation.<br />
One film: £7.50 (£6.50 concs.)<br />
Two films: £12 (£10 concs.)<br />
It’s Complicated<br />
Wednesday 3 <strong>March</strong> Double Bill<br />
The Last King of Scotland (15) 6.30pm<br />
Kevin Macdonald, UK, 2006, 123m<br />
Forest Whitaker, James McAvoy, Kerry Washington<br />
In an incredible twist of fate a young<br />
Scottish doctor, Nicholas Garrigan<br />
(McAvoy), on a Ugandan medical<br />
mission becomes irreversibly entangled<br />
with one of the world’s most barbaric<br />
figures and becomes his closest advisor.<br />
Mugabe and the White African<br />
(TBC) 8.55pm<br />
Lucy Bailey/Andrew Thompson, UK, 2009, 90m<br />
documentary<br />
“A very local and often suffocating portrait of<br />
a disappearing way of life in Zimbabwe filmed<br />
in secret and under the threat of violence. The<br />
filmmakers spent time with the Campbells<br />
who are fighting to keep their property in the<br />
face of the Zanu PF Government’s decision to<br />
redistribute land.” Time Out<br />
Thursday 4 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal Double Bill<br />
Kinematograph (15) 7.00pm<br />
Tomasz Baginski, Poland, 2009, 12m subtitles<br />
Francis is an inventor. He hopes his new<br />
invention will change the world, but he<br />
has forgotten about one thing: dreams<br />
always cost too much. He has focused only<br />
on himself and his work and realizes the<br />
gravity of the situation when it is too late.<br />
Reverse (15) 7.15pm<br />
Borys Lankosz, Poland, 2009, 101m subtitles<br />
Agata Buzek, Marcin Dorocinski, Krystyna Janda<br />
A darkly comic story of three<br />
generations of Polish women and the<br />
mysterious young man whose presence<br />
sparks a series of surprising events that<br />
change all of their lives.<br />
Followed by a Q & A with director<br />
Borys Lankosz and producer Jerzy<br />
Kapuscinski.<br />
Reverse<br />
Mugabe and the<br />
White African<br />
Friday 5 <strong>March</strong> Kinoteka 8th Polish<br />
Film Festiwal Double Bill<br />
Hanoi-Warsaw (15) 6.15pm<br />
Katarzyna Klimkiewicz, Poland, 2009, 30m subtitles<br />
A young Vietnamese woman, Mai Anh,<br />
illegally enters Poland through the<br />
border with Ukraine. Now she has to<br />
reach Warsaw, where she is to join her<br />
boyfriend and start her dream life.<br />
My Flesh, My Blood (18) 6.45pm<br />
Marcin Wrona, Poland, 2009 91m subtitles<br />
Eryk Lubosz, Luu De Ly<br />
Igor is a boxer who has quit the ring<br />
because of serious brain damage from<br />
repeated blows to the head. Yien Ha<br />
is a Vietnamese immigrant who works<br />
in a small ethnic restaurant. He wants<br />
to have a child so that he can leave<br />
something of himself behind; she needs<br />
a work permit to stay in Poland. They<br />
come to an understanding.
My Flesh, My Blood<br />
This month<br />
Kinoteka: 8th Polish<br />
Film Festiwal<br />
4 – 21 <strong>March</strong><br />
Zero<br />
Friday 5 <strong>March</strong> Kinoteka 8th Polish<br />
Film Festiwal Double Bill<br />
A Story of a Missing Car (15) 8.45pm<br />
Grzegorz Jaroszuk, Poland, 2008, 12m subtitles<br />
At first it’s loud. Then it’s really quiet.<br />
This is a film about a strange family.<br />
Zero (18) 9.00pm<br />
Pawel Borowski, Poland, 2009, 110m subtitles<br />
Robert Wieckiewicz, Kamila Baar<br />
A business man does not suspect that his<br />
answer to a phone call will set in motion<br />
a stream of incidents which would affect<br />
the fate of others. This is the beginning<br />
of a multi-plot story, where the fortunes<br />
of several characters are interlaced as a<br />
consequence of their decisions.<br />
Saturday 6 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal<br />
Roman Polanski: Shorts (15) 3.00pm<br />
Break Up the Dance<br />
Roman Polanski, Poland, 1957, 9m subtitles<br />
Elaborate party preparations are made<br />
in time for the arrival of the guests.<br />
Everyone is having a good time, until a<br />
group of hooligans decide to enter the<br />
party uninvited.<br />
Two Men and a Wardrobe<br />
Roman Polanski, Poland, 1958, 15m subtitles<br />
Two men come out of the sea carrying<br />
a large wardrobe. Lugging the furniture<br />
through town, they find that not only is<br />
help difficult to come by, but that the<br />
townspeople are aggressively hostile.<br />
When Angels Fall<br />
Roman Polanski, Poland, 1959, 21m subtitles<br />
An old woman works in the men’s<br />
lavatory in the basement of a public<br />
building. The sound of footsteps on the<br />
floor above brings back memories.<br />
Mammal<br />
Roman Polanski, Poland, 1963, 10m subtitles<br />
In a barren landscape of ice and snow,<br />
two men and a sleigh set out on an<br />
absurd voyage.<br />
Approximate running time: 55m<br />
The Festiwal returns to the capital with<br />
a stellar line up, offering the cream of<br />
contemporary fiction features as well as<br />
illuminating documentaries, innovative<br />
shorts and animation. Special treats<br />
are a Roman Polanski retrospective –<br />
accompanied by an exhibition of film<br />
posters – and live music plus Q & As.<br />
Organised by the Polish Cultural Institute.<br />
kinoteka.org.uk<br />
Saturday 6 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal - Roman<br />
Polanski Documentary<br />
Roman Polanski: Wanted and<br />
Desired (15) 4.20pm<br />
Marina Zenovich, Poland, 2008, 99m subtitles<br />
Thirty years ago, Roman Polanski was<br />
convicted of unlawful sexual intercourse<br />
with a minor. After serving forty-two<br />
days in prison, he fled the US and has<br />
never returned. Zenovich’s documentary<br />
reopens this complex and controversial<br />
case and challenges many of the myths<br />
which have built up around it.<br />
Roman Polanski:<br />
Wanted and Desired<br />
Saturday 6 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal Single Bill<br />
Operation Danube (15) 6.10pm<br />
Jacek Glomb, Poland, 2009, 104m subtitles<br />
Zbigniew Zamachowski, Jiri Menzel<br />
A comic tale of a tank squadron<br />
separated behind enemy lines from<br />
its troops during the Russian invasion<br />
of Czechoslovakia in 1968. A team<br />
of idealistic, but incompetent,<br />
soldiers set out proudly in their tank<br />
“Ladybug” only to end up crashing<br />
into a beer tavern in a small Czech<br />
town. A fantastic cast including some<br />
of Poland’s best actors and the famous<br />
Czech New Wave director, Jiri Menzel.<br />
Saturday 6 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal Single Bill<br />
All That I Love (15) 8.20pm<br />
Jacek Borcuch, Poland, 2009, 95m subtitles<br />
Mariusz Kosciukiewicz, Olga Frycz, Andrzej Chyra<br />
Poland 1981. Behind the Iron Curtain,<br />
Janek forms ATIL (“All That I Love”),<br />
a punk-rock band whose songs express<br />
frustration with socialism and a desire<br />
for freedom. He finds love with Basia,<br />
whose father is part of the Solidarity<br />
movement and disapproves of Janek’s<br />
military family. When growing social<br />
turmoil leads to martial law, ATIL’s<br />
music has serious repercussions for his<br />
family members, lovers, and friends.<br />
The film will be followed by a Q & A<br />
with the director Jacek Borcuch.<br />
All That I Love<br />
Case Unknown<br />
Sunday 7 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal Single Bill<br />
Before Twilight (15) 2.00pm<br />
Jacek Blawut, Poland, 2008, 100m subtitles<br />
Jan Nowicki, Beata Tyszkiewicz, Nina Andrycz<br />
This heartwarming tale follows the<br />
residents of the Retirement Home for<br />
Actors as they are awakened by the<br />
vitality and enthusiasm of actor and<br />
elderly gallant Jerzy, and his ambitious<br />
plan to stage Goethe’s “Faust”. It is a<br />
film about love, the passage of time, and<br />
actors – their eccentricities and their<br />
dreams about appearing on the stage for<br />
one, albeit probably, last time.
CINEMA<br />
Sunday 7 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal Double Bill<br />
Scratch (15) 4.00pm<br />
Michal Rosa, Poland, 2008, 89m subtitles<br />
Jadwiga Jankowska-Cieslak, Krzysztof Stroinski<br />
When their forty-year-old marriage is<br />
threatened by a shocking revelation<br />
Joanna and Jan find themselves<br />
suddenly estranged. Torn by the politics,<br />
secrets and ghosts of the past, their once<br />
solid relationship gradually begins to fall<br />
apart. This tender and touching drama<br />
is frequently compared to the German<br />
“The Lives of Others” and provides an<br />
equally moving insight into the personal<br />
impact of recent history.<br />
Case Unknown (15) 5.50pm<br />
Feliks Falk, Poland, 2009, 105m subtitles<br />
Borys Szyc, Krzysztof Stroinski<br />
Work is everything to young<br />
psychiatrist Konstanty Grot –<br />
something his wife often teases him<br />
about. But when he brings his patient<br />
Pawel home for treatment, Konstanty<br />
discovers hidden secrets in Pawel’s<br />
past. This thoughtful thriller paints<br />
a portrait of a man who risks his<br />
professional and personal life in the<br />
search for justice.<br />
The film will be followed by a Q & A<br />
with director Feliks Falk.<br />
Sunday 7 <strong>March</strong><br />
Kinoteka 8th Polish Film Festiwal<br />
Polish Masters Double Bill<br />
Poste Restante (15) 8.40pm<br />
Marcel Lozinski, Poland, 2008, 14m subtitles<br />
The film tells the story of letters whose<br />
addresses are impossible to find and so<br />
end up at the Undeliverable Letters<br />
Department of the Post Office in<br />
Koluszki. There are around a million of<br />
them in Poland each year, among them<br />
are some addressed to God.<br />
Sweet Rush (15) 8.55pm<br />
Andrzej Wajda, Poland, 2009, 83m subtitles<br />
Krystyna Janda, Pawel Szajda<br />
Wajda’s film tells the story of Marta<br />
who searches for happiness in the arms<br />
of a much younger man, Bogus. Fiction<br />
is confronted with reality in heartrending<br />
monologues from the main<br />
actress Krystyna Janda on the death<br />
of her real-life husband, acclaimed<br />
cinematographer Edward Klosinski, to<br />
whom the film is dedicated.<br />
Monday 8 <strong>March</strong> Single Bill<br />
Up (U) 6.30pm<br />
Pete Docter/Bob Peterson, USA, 2009, 96m animation<br />
Voices: Edward Asner, Jordan Nagai,<br />
Christopher Plummer<br />
By tying thousands of balloons to his<br />
home seventy-eight-year-old Carl<br />
(Asner) sets out to fulfil his dream of<br />
seeing South America. He discovers,<br />
however, that he has a very young<br />
stowaway on board.<br />
Monday 8 <strong>March</strong> Single Bill<br />
The Hurt Locker (15) 8.25pm<br />
Kathryn Bigelow, USA, 2008, 131m<br />
Jeremy Renner, Anthony Mackie, Brian Geraghty<br />
A riveting, suspenseful portrait of the<br />
courage under fire of the military’s most<br />
unrecognised heroes: the technicians of<br />
the bomb squad. Sharply written and<br />
superbly directed, with a great central<br />
performance by Renner.<br />
Tuesday 9 <strong>March</strong> Single Bill<br />
A Prophet (18) 8.00pm<br />
(Un prophète)<br />
Jacques Audiard, France, 2009, 155m subtitles<br />
Tahar Rahim, Niels Arestrup, Adel Bencherif<br />
When Malik (Rahim), a young French<br />
Arab, finds himself in prison with no<br />
friends or allies he attaches himself to a<br />
dominant Corsican gang and its leader.<br />
After a rites-of-passage murder of a new<br />
friend he slowly builds a power base<br />
of his own. An extraordinary, powerful<br />
crime drama from the director of “The<br />
Beat My Heart Skipped”.<br />
Wednesday 10 <strong>March</strong> Double Bill<br />
Control (15) 6.45pm<br />
Anton Corbijn, UK, 2007, 121m<br />
Sam Riley, Samantha Morton, Toby Kebbell<br />
A profile of Ian Curtis, the enigmatic<br />
singer of Joy Division, based on<br />
memoirs written by his wife in the<br />
book “Touching from a Distance”.<br />
A profoundly affecting music biopic<br />
with an outstanding performance from<br />
newcomer Sam Riley.<br />
Sweet Rush<br />
Nowhere Boy (15) 9.05pm<br />
Sam Taylor Wood, UK, 2009, 97m<br />
Aaron Johnson, Kristin Scott Thomas,<br />
Anne-Marie Duff<br />
An astute biopic focussing on the teenage<br />
years of John Lennon. “Rather than<br />
dwelling on the unique circumstances that<br />
produced a musical genius, it’s an affecting<br />
movie about coming of age and leaving home<br />
and about the radical changes in British life<br />
since the Second World War.” Observer<br />
Nowhere Boy<br />
Thursday 11 <strong>March</strong> Double Bill<br />
Control (15) 6.45pm<br />
Nowhere Boy (15) 9.05pm<br />
Please see Wednesday 10 <strong>March</strong> for details.<br />
Friday 12 <strong>March</strong><br />
George Clooney Double Bill<br />
Good Night and Good Luck (PG)<br />
7.00pm<br />
George Clooney, USA, 2005, 90m<br />
David Strathairn, George Clooney, Patricia Clarkson<br />
A skilful reconstruction of the<br />
confrontation between renowned<br />
newscaster Edward R. Murrow and<br />
Senator Joe McCarthy during the 1950s,<br />
presented in a tense political thriller.<br />
Up in the Air (15) 8.50pm<br />
Jason Reitman, USA, 2009, 109m<br />
George Clooney, Vera Farmiga, Anna Kendrick<br />
Ryan Bingham (Clooney) is a<br />
downsizing expert on the verge of<br />
reaching his frequent flyer miles target<br />
when his company decides to cut back<br />
on travel. This jeopardises his chances<br />
of seeing a fellow frequent traveller<br />
(Farmiga) who has caught his eye.<br />
“One of those rare mainstream Hollywood<br />
pictures that addresses contemporary issues<br />
gracefully.” Screen International<br />
Saturday 13 <strong>March</strong><br />
George Clooney Double Bill<br />
Good Night and Good Luck (PG)<br />
2.00pm<br />
Up in the Air (15) 3.50pm<br />
Good Night and Good Luck (PG)<br />
7.00pm<br />
Up in the Air (15) 8.50pm<br />
Please see Friday 12 <strong>March</strong> for details.
Sunday 14 <strong>March</strong> Kinoteka 8th<br />
Polish Film Festiwal<br />
Polish Documentaries:<br />
Part 1 (15) 2.30pm<br />
Family Man<br />
Wladyslaw Slesicki, Poland, 1966, 24m subtitles<br />
A day in the life of a peasant family<br />
from the lake in Northeast Poland.<br />
They toil from dusk till dawn but, at<br />
the same time are very happy. The film<br />
was inspired by a famous photographic<br />
exhibition “Family of Man”. Golden<br />
Lion winner at the Venice Film<br />
Festival in 1966.<br />
Portrait of a Conductor<br />
Ludwik Perski, Poland, 1965, 11m subtitles<br />
A portrait of Witold Rowicki, the eminent<br />
conductor who died in 1989, illustrated<br />
with Franciszek Fuchs’ photographs.<br />
Flood<br />
Jerzy Bossak, Poland, 1947, 14m subtitles<br />
A special edition of the Polish newsreel<br />
coverage of the Great Flood in Poland<br />
during the spring of 1947.<br />
Boys and Waves<br />
Wladyslaw Slesicki, Poland, 1962, 18m subtitles<br />
An eighteen-year-old boy lives<br />
surrounded by nature in the lake district<br />
near Augustow, north-eastern Poland. He<br />
works floating timber and falls in love<br />
for the first time. The story, told without<br />
commentary, was enthusiastically<br />
received as a new proposal for<br />
documentary narration. Golden Lion at<br />
the 1962 Venice Film Festival.<br />
People from the Road<br />
Kazimierz Karabasz, Poland, 1960, 10m subtitles<br />
A depiction of the life of circus artists<br />
outside the arena.<br />
Musicians<br />
Kazimierz Karabasz, Poland, 1960, 9m subtitles<br />
A film about a brass band’s rehearsal.<br />
Portraits of people, for whom close contact<br />
with music is something so important that<br />
they devote their spare time to it.<br />
Reminiscence of Calvary<br />
Jerzy Hoffman/Edward Skorzynski, Poland, 1958,<br />
13m subtitles<br />
Reportage from Kalwaria<br />
Zebrzydowska – the site of Poland’s<br />
biggest and oldest Passion.<br />
Approximate running time: 100m<br />
Sunday 14 <strong>March</strong><br />
Patricia Highsmith Double Bill<br />
Plein Soleil (15) 6.00pm<br />
René Clément, France, 1959, 115m subtitles<br />
Alain Delon, Maurice Ronet, Marie Laforêt<br />
Based on Patricia Highsmith’s “The<br />
Talented Mr. Ripley”. An indolent and<br />
impecunious friend of a rich playboy<br />
takes his friend’s clothes, yacht,<br />
girlfriend and life.<br />
This month<br />
Taiwan Cinefest<br />
London 2nd Edition<br />
17, 18 & 21 <strong>March</strong><br />
Europe’s largest independent Taiwanese<br />
Film Festival showcases the latest awardwinning<br />
cinema from around the island.<br />
From feature length films to documentaries<br />
and shorts, the Festival provides a rich<br />
snapshot of Taiwanese storytelling, set<br />
against the bustling neon glitz of Taipei in<br />
the north all the way to the stunning harbor<br />
panoramas of Kaohsiung city in the south.<br />
The Festival includes UK premiere’s of Lou<br />
Yi-an’s stunning debut “A Place of One’s<br />
Own”, award-winning “Sorry, I Love You” by<br />
rising young filmmaker Yu-Hsien Lin and<br />
the charming dance comedy Step by Step.<br />
taiwancinefest.com<br />
The American Friend (15) 8.15pm<br />
Wim Wenders, France/Germany, 1977, 123m subtitles<br />
Bruno Ganz, Dennis Hopper, Lisa Kreuzer<br />
Adapted from Patricia Highsmith’s<br />
thriller, “Ripley’s Game”. A terminally<br />
ill picture framer is lured into<br />
committing a series of murders. One of<br />
the key films of the 70s.<br />
Monday 15 <strong>March</strong> Double Bill<br />
The Beaches of Agnès (18) 6.30pm<br />
(Les plages d’ Agnès)<br />
Agnès Varda, France, 2008, 110m subtitles<br />
Agnès Varda, André Lubrano, Blaise Fournier<br />
Returning to the beaches which have<br />
been part of her life Agnès stages<br />
herself amongst excerpts of her films’<br />
images and reportages. She shares<br />
her story with humour and emotion<br />
from her early days as an independent<br />
filmmaker, and her life with Jacques<br />
Demy through to the present day.<br />
Crude (TBC) 8.40pm<br />
Joe Berlinger, USA, 2009, 105m subtitles documentary<br />
The epic story of one of the largest<br />
and most controversial environmental<br />
lawsuits on the planet, known as the<br />
“Amazon Chernobyl”. “A small-town<br />
rural advocate and a New York legal eagle<br />
try to bring class-action lawsuits against oil<br />
giant Texaco for a series of alleged ecological<br />
crimes against the land and people of<br />
Amazonia, Ecuador.” Time Out<br />
Crude<br />
Tuesday 16 <strong>March</strong><br />
Ray Winstone Double Bill<br />
Nil by Mouth (18) 6.30pm<br />
Gary Oldman, UK/France, 1997 128m<br />
Ray Winstone, Kathy Burke, Steve Sweeney<br />
Raymond, his wife and her drug-addict<br />
brother Billy try to cope at the bottom of<br />
the social hierarchy. A rough and violent<br />
person, Raymond eventually kicks Billy<br />
out of the house to fend for himself.<br />
44 Inch Chest (18) 9.00pm<br />
Malcolm Venville, UK, 2009, 94m<br />
Ray Winstone, John Hurt, Ian McShane<br />
A visceral exploration of the masculine ego<br />
at its breaking point. A jealous husband<br />
(Winstone) kidnaps his wife’s lover with<br />
the intention of restoring his wounded ego.<br />
44 Inch Chest
CINEMA<br />
Wednesday 17 <strong>March</strong><br />
Taiwanese Film Festival Single Bill<br />
Sorry, I Love You (12) 8.00pm<br />
UK Premiere<br />
Yu-Hsien Lin, Taiwan, 2009, 75m subtitles<br />
Chie Tanaka, Wu Huai-Chung<br />
A charming romance set in Taiwan’s<br />
southern port of Kaohsiung finds Chie<br />
Tanaka (of last year’s Taiwan hit “Cape<br />
No. 7”) playing a disillusioned actress<br />
struggling to find meaning and love.<br />
Directed by Yu-Hsien Lin, one of the<br />
region’s most popular ‘new generation’<br />
filmmakers.<br />
The film will be followed by a Q & A<br />
with the director – tbc.<br />
Thursday 18 <strong>March</strong><br />
Taiwanese Film Festival Single Bill<br />
Island Etude (12) 6.30pm<br />
En Chen, Taiwan, 2007, 108m subtitles<br />
Ming-hsiang Tung, Saya, Li-Yin Yang<br />
Taiwan’s entry for the best foreign<br />
language Oscar (2008) follows guitar<br />
playing and hearing-impaired Ming as<br />
he cycles around Taiwan on a journey<br />
to discover the Island, and himself.<br />
Perfectly captured cinematography of<br />
Taiwan’s tropical landscape adds to this<br />
uplifting story of one man’s adventure.<br />
A Place of One’s Own<br />
Thursday 18 <strong>March</strong><br />
Taiwanese Film Festival Single Bill<br />
A Place of One’s Own (15) 8.40pm<br />
UK Premiere<br />
Lou Yi-an, Taiwan, 2009, 123m subtitles<br />
Mo Tzu-Yi, Jack Kao, Lu Yi-Jing, Lu Jia-Xin<br />
Dark comedy of struggling musician<br />
Mozi, once famous – now forgotten<br />
– and an origami artist (Kao) and his<br />
family who work frantically to earn<br />
the money he needs for a lifesaving<br />
operation. As unexpected events bring<br />
their lives together they are both forced<br />
to question their most closely held<br />
beliefs that, quite literally, will mean<br />
the difference between life and death.<br />
Visually stunning and impressive debut<br />
film from Lou Yi-an.<br />
Friday 19 <strong>March</strong><br />
Rob Marshall Double Bill<br />
Chicago (12A) 6.15pm<br />
Rob Marshall, USA, 2002, 116m<br />
Richard Gere, Renee Zellweger, Catherine Zeta-Jones<br />
Oscar-winning musical which celebrates<br />
the Roaring Twenties. Zellweger<br />
and Zeta-Jones play antagonistic<br />
murderesses Roxie Hart and Velna Kelly<br />
respectively who, through the cunning<br />
mechanisms of lawyer Gere, literally<br />
find fame and get away with murder.<br />
Nine (12A) 8.30pm<br />
Rob Marshall, USA, 2009, 118m<br />
Daniel Day-Lewis, Marion Cotillard, Penelope Cruz<br />
A famous film director struggles to<br />
find harmony in his professional and<br />
personal lives as he engages in dramatic<br />
relationships with his wife, his mistress,<br />
his muse, his agent and his mother.<br />
Enjoyable, light entertainment from a<br />
screenplay by Anthony Minghella and<br />
Michael Tolkin.<br />
DocHouse & The<br />
Grierson Trust<br />
present<br />
Award-winning<br />
documentaries<br />
Saturday 20 <strong>March</strong><br />
DocHouse Single Bill<br />
Burma VJ (12A) 12.30pm<br />
Anders Østergaard, Norway/Sweden/Denmark,<br />
2009, 84m subtitles<br />
Going beyond the occasional news clip<br />
from Burma the acclaimed filmmaker,<br />
Anders Østergaard, brings us close to<br />
Burma’s video journalists who insist on<br />
keeping up the flow of news from their<br />
closed country despite risking torture<br />
and life in jail. Armed with small<br />
handycams they make their undercover<br />
reportages, smuggle the material out of<br />
the country, have it broadcast back into<br />
Burma via satellite and offer it as free<br />
usage for international media.<br />
Burma VJ<br />
Thriller in Manila<br />
Saturday 20 <strong>March</strong><br />
DocHouse Single Bill<br />
Thriller in Manila (15) 2.15pm<br />
John Dower, UK, 2008, 91m<br />
Joe Frazier, now sixty-three, takes<br />
British filmmaker John Dower back<br />
thirty-three years to the most hyped<br />
boxing match in history, and beyond.<br />
Frazier has never forgiven Ali for the<br />
racial taunting leading up to the fight<br />
in which he called Frazier ‘gorilla’<br />
and ‘Uncle Tom’. Although Ali beat<br />
Frazier in Manila in 1975 in their<br />
third and final fight, Frazier says, “I<br />
clearly won the fight. The proof is in<br />
the pudding. I’m walkin’, I’m talkin’,<br />
I’m still havin’ fun at sixty-three.” His<br />
meaning is clear.<br />
The film will be followed by a Q & A<br />
with John Dower.<br />
Saturday 20 <strong>March</strong><br />
DocHouse Single Bill<br />
The Mona Lisa Curse (15) 4.30pm<br />
Mandy Chang, UK, 2009, 75m<br />
“The Mona Lisa Curse” is a timely<br />
polemic by internationally renowned<br />
art critic Robert Hughes which<br />
examines how the world’s most<br />
famous painting came to influence<br />
the art world. With his trademark<br />
style Hughes explores how museums,<br />
the production of art and the way we<br />
experience it, have radically changed<br />
in the last fifty years.<br />
The film will be followed by a Q & A<br />
with director Mandy Chang.<br />
Afghan Star
Saturday 20 <strong>March</strong><br />
DocHouse Single Bill<br />
Afghan Star (15) 7.00pm<br />
Havana Marking, UK/Afghanistan, 2009, 87m<br />
“Afghan Star” was watched by a third<br />
of the population of Afghanistan. Over<br />
eleven million people, in voting for<br />
their favourites, experienced a taste<br />
of democracy. “Afghan Star” is a small<br />
but significant unifying force for the<br />
country’s diverse ethnic groups; as the<br />
programme’s presenter Daod Sediqi<br />
says: “The aim is to take the people’s hand<br />
from weapons to music”.<br />
The film will be followed by a Q & A<br />
with Havana Marking.<br />
Saturday 20 <strong>March</strong><br />
DocHouse Single Bill<br />
The Yes Men: Fix the World (TBC)<br />
9.00pm<br />
Andy Bichlbaum/Mike Bonanno, France/USA/UK,<br />
2009, 87m<br />
Andy Bichlbaum and Mike Bonanno are<br />
two guys who just can’t take “no” for an<br />
answer. They have an unusual hobby,<br />
posing as top executives of Corporations<br />
they hate. Armed with nothing but<br />
thrift-store suits, they lie their way into<br />
business conferences and parody their<br />
corporate nemeses in ever more extreme<br />
ways – basically doing everything they<br />
can to wake up their audiences to the<br />
danger of letting greed run our world.<br />
The Yes Men:<br />
Fix the World<br />
Sunday 21 <strong>March</strong><br />
Kinoteka 8th Polish Film Festiwal<br />
Polish Documentaries:<br />
Part 2 (15) 2.00pm<br />
Before Leaves Fall<br />
Wladyslaw Slesicki, Poland, 1964, 27m subtitles<br />
A result of long-term observation, this<br />
documentary depicting Polish Gypsies<br />
is also an ethnographic record. Exotic<br />
life in the caravan and specific genre<br />
scenes are combined with the picture<br />
of everyday life.<br />
The Warsaw Old Town Walk<br />
Andrzej Munk, 1958, 18m subtitles<br />
A docu-drama presenting Warsaw<br />
Old Town from the perspective of a<br />
ten-year old student of a music school<br />
located in this part of town.<br />
This month<br />
DocHouse & The Grierson<br />
Trust present<br />
A day of<br />
Award-winning<br />
documentaries<br />
20 <strong>March</strong> from 12.30pm<br />
The most prestigious documentary awards<br />
in the UK are the Grierson Awards and this<br />
year was an exceptional and exciting crop.<br />
We have pleasure in presenting a day of<br />
the best. In between screenings and Q &<br />
A’s with filmmakers, you can lunch or chat<br />
over a coffee in the Café/Bar. It's a unique<br />
opportunity to see the best award-winning<br />
2009 documentaries on the big screen.<br />
Tickets: £5 per film, £18 day pass<br />
Hospital<br />
Krzysztof Kieslowski, Poland, 1976, 20m subtitles<br />
The film deals with Warsaw orthopaedic<br />
surgeons, portrayed working thirty-twohour<br />
shifts. The camera follows them in<br />
the operating theatre, admittance room<br />
and smoky offices.<br />
Birth of a Boat<br />
Jan Lomnicki, Poland, 1961, 9m subtitles<br />
The film follows the assembly of a boat<br />
and its launch at the Gdansk Shipyard.<br />
Competition<br />
Janusz Majewski, Poland, 1963, 6m subtitles<br />
Report from the shot-put competition<br />
between David Davis and Alfred<br />
Sosgornik.<br />
This is An Egg<br />
Andrzej Brzozowski, Poland, 1965, 13m subtitles<br />
A portrayal of blind children learning<br />
about the outside world through touch.<br />
Approximate running time: 94m<br />
Sunday 21 <strong>March</strong><br />
Taiwanese Film Festival Single Bill<br />
Step by Step (12) 8.30pm<br />
UK Premiere<br />
Chen-ti Kuo, Taiwan, 2009, 93m subtitles<br />
Joseph Chang, Janel Tsai<br />
An off-the-wall comedy following a group<br />
of retirees who attempt to overcome age<br />
by taking part in a tango competition. As<br />
a dashing male nurse (Chang) oversees<br />
the effort alongside a beautiful dance<br />
instructor (Tsai) their plan is threatened<br />
by the impending closure of the<br />
retirement home. A moving comedy that<br />
shows dancing can bring out the best in<br />
all of us, young and old alike.<br />
Step by Step<br />
Burma VJ<br />
Afghan Star<br />
Monday 22 <strong>March</strong><br />
Cormac McCarthy Double Bill<br />
No Country for Old Men (15) 6.30pm<br />
Ethan Coen/Joel Coen, USA, 2007, 122m<br />
Tommy Lee Jones, Javier Bardem, Kelly Macdonald<br />
Based on a novel by Cormac McCarthy.<br />
Violence and mayhem ensue after<br />
a hunter stumbles upon some dead<br />
bodies, a stash of heroin and more than<br />
$2m near the Rio Grande. “An intense,<br />
nihilistic thriller as well as a model of<br />
implacable storytelling.” Los Angeles Times<br />
The Road (15) 8.55pm<br />
John Hillcoat, USA, 2009, 111m<br />
Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron<br />
An uncompromising adaptation of Cormac<br />
McCarthy’s Pulitzer Prize-winning novel.<br />
A post-apocalyptic tale of a family trying<br />
to survive by any means possible. “One of<br />
the most chillingly effective visions of the world’s<br />
end ever put on screen.” Empire<br />
The Road
CINEMA<br />
Tuesday 23 <strong>March</strong><br />
Cormac McCarthy Double Bill<br />
No Country for Old Men (15) 6.30pm<br />
The Road (15) 8.55pm<br />
Please see Monday 22 <strong>March</strong> for details.<br />
Wednesday 24 <strong>March</strong><br />
Clint Eastwood Double Bill<br />
Gran Torino (15) 6.00pm<br />
Clint Eastwood, USA, 2008, 116m<br />
Clint Eastwood, Bee Vang, Ahney Her<br />
The film focuses on a Korean War<br />
vet’s reluctant friendship with a<br />
Hmong teenage boy and his immigrant<br />
family in contemporary Detroit. “An<br />
unpretentious, often very funny humanist<br />
drama which is a small jewel in Eastwood’s<br />
canon of work as a director and a<br />
highpoint in his career as an actor.” Screen<br />
International<br />
Invictus (12A) 8.15pm<br />
Clint Eastwood, USA, 2009, 133m<br />
Morgan Freeman, Matt Damon, Tony Kgaroge<br />
Nelson Mandela (Freeman), in his last<br />
term as the South African President,<br />
initiates a unique venture to unite<br />
the apartheid-torn land: enlist the<br />
national rugby team on a mission to<br />
win the 1995 Rugby World Cup. Based<br />
on a true story. “A rousing sports movie<br />
and a testament to the nobility of Nelson<br />
Mandela.” Screen International<br />
Thursday 25 <strong>March</strong><br />
Clint Eastwood Double Bill<br />
Gran Torino (15) 6.00pm<br />
Invictus (12A) 8.15pm<br />
Please see Wednesday 24 <strong>March</strong> for details.<br />
Invictus<br />
Friday 26 <strong>March</strong> Double Bill<br />
Killer of Sheep (12A) 7.00pm<br />
Charles Burnett, USA, 2008, 83m<br />
Henry G. Sanders, Kaycee Moore, Charles Bracy<br />
The film examines the Los Angeles<br />
ghetto of Watts in the mid-1970s<br />
through the eyes of Stan, a sensitive<br />
dreamer who is increasingly<br />
disillusioned by his work at the<br />
slaughterhouse. “A masterpiece of unforced,<br />
vernacular movie-making.” The Guardian<br />
Precious: Based on the Novel Push<br />
by Sapphire (15) 8.45pm<br />
Lee Daniels, USA, 2009, 110m<br />
Gabourey Sidibe, Mo’Nique, Paula Patton<br />
An extraordinary cinema experience.<br />
The film tells the story of a young black<br />
teenager’s attempt to escape her abusive<br />
background. ““Precious” simply cannot be<br />
missed, for under its tough skin the film is an<br />
unabashedly inspirational anthem, it offers<br />
the rare ecstasy of human regeneration and<br />
the discovery, on Harlem’s mean streets, of a<br />
precious gem.” Time Magazine<br />
Precious<br />
Saturday 27 <strong>March</strong> Double Bill<br />
Killer of Sheep (12A) 2.00pm<br />
Precious: Based on the Novel Push<br />
by Sapphire (15) 3.45pm<br />
Killer of Sheep (12A) 7.00pm<br />
Precious: Based on the Novel Push<br />
by Sapphire (15) 8.45pm<br />
Please see Friday 26 <strong>March</strong> for details.<br />
Sunday 28 <strong>March</strong><br />
Orson Welles Double Bill<br />
The Magnificent Ambersons (U)<br />
2.30pm<br />
Orson Welles, USA, 1942, 88m<br />
Joseph Cotton, Dolores Costello, Anne Baxter<br />
Based on a novel by Booth Tarkington,<br />
this is the story of the slow decline<br />
of the proud and imperious<br />
Amberson Family. Loving period<br />
reconstruction, superior performances<br />
from Welles’ repertory of actors and<br />
the fine cinematography make this a<br />
magnificent film.<br />
Touch of Evil (PG) 4.20pm<br />
Orson Welles, USA, 1958, 108m<br />
Charlton Heston, Orson Welles, Janet Leigh<br />
Original 1958 release version of Welles’<br />
final masterwork. A Mexican cop goes<br />
up against a corrupt detective after an<br />
incident at a border town.<br />
Sunday 28 <strong>March</strong><br />
Rob Marshall Double Bill<br />
Chicago (12A) 6.15pm<br />
Nine (12A) 8.30pm<br />
Please see Friday 19 <strong>March</strong> for details.<br />
Monday 29 <strong>March</strong><br />
Coen Brothers Double Bill<br />
Blood Simple (18) 7.00pm<br />
Joel Coen, USA, 1983, 99m<br />
John Getz, Frances McDormand, Dan Hedaya<br />
The Coen Brothers’ assured first<br />
feature tells the tale of a bar owner<br />
who hires a seedy private detective to<br />
kill his wife and her lover. When he<br />
changes the plan a chain of violent and<br />
comic misunderstandings ensue.<br />
A Serious Man (15) 9.00pm<br />
Ethan Coen/Joel Coen, USA, 2009, 105m<br />
Michael Stuhlbarg, Richard Kind, Simon Helberg<br />
Larry (Stuhlbarg) is a good husband,<br />
father and a conscientious professor at a<br />
university. One day everything starts to<br />
go wrong. The film blends black humour<br />
with profoundly personal themes. “The<br />
Coen Brothers may just have made their<br />
masterpiece with this.” The Guardian<br />
Tuesday 30 <strong>March</strong> Double Bill<br />
I’m Not There (15) 6.00pm<br />
Todd Haynes, USA, 2007, 135m<br />
Cate Blanchett, Christian Bale, Heath Ledger<br />
“A dazzling, experimental take on the life<br />
of one of popular music’s greatest enigmas,<br />
Bob Dylan. Six different actors portray<br />
several incarnations of the ground-breaking<br />
troubadour.” Rotten Tomatoes<br />
Sex & Drugs & Rock & Roll (15)<br />
8.35pm<br />
Mat Whitecross, UK, <strong>2010</strong>, 115m<br />
Andy Serkis, Olivia Williams, Naomie Harris<br />
A fictionalised look at the life of Ian<br />
Drury who was stricken with polio as a<br />
child and defied expectations becoming<br />
a founder member of Britain’s punkrock<br />
scene. “Gorgeous, celebratory cinema,<br />
unfettered and courageous.” Time Out<br />
Sex & Drugs<br />
& Rock & Roll<br />
Wednesday 31 <strong>March</strong> Double Bill<br />
When A Woman Ascends the Stairs<br />
(PG) 6.30pm<br />
(Onna ga kaidan wo agaru toki)<br />
Mikio Naruse, Japan, 1960, 111m subtitles<br />
Hideko Takamine, Tatsuya Nakadai, Masayuki Mori<br />
A stunning drama about a ginza bar<br />
hostess as she approaches thirty. “An<br />
exquisitely understated study of the plight of<br />
a young woman in an unforgiving society.”<br />
The Times
Still Walking (U) 8.40pm<br />
Hirokazu Koreeda, Japan, 2009, 114m subtitles<br />
Hiroshi Abe, Yoshio Harada, Yui Natsukawa<br />
The Yokoyama family come together to<br />
celebrate the memory of their youngest<br />
son who died while rescuing a boy from<br />
drowning some years before. Over the<br />
course of one beautiful day we follow<br />
the family as new relatives become<br />
acquainted and old stories are retold.<br />
Still Walking<br />
This month<br />
Eric Rohmer Tribute<br />
1 & 8 <strong>April</strong><br />
An arthouse director with a career that spans more than 50 years<br />
and a string of awards, Rohmer’s poetic films are known and loved<br />
for their fiercely honest characterisations and long, philosophical<br />
conversations. He was awarded the Golden Lion at the Venice<br />
Film Festival in 2001 in recognition of his outstanding lifetime<br />
achievements and contribution to world cinema. We celebrate his<br />
oeuvre with the four films that make up his Four Seasons cycle.<br />
Tickets:<br />
One double bill £7.50 (£ 6.50 concs.)<br />
Two double bills £12 (£10 concs.)<br />
<strong>April</strong><br />
Thursday 1 <strong>April</strong><br />
Eric Rohmer Tribute Double Bill<br />
A Winter’s Tale (12) 6.30pm<br />
(Conte d’hiver)<br />
Eric Rohmer, France, 1992, 114m subtitles<br />
Charlotte Véry, Frédéric van den Driessche,<br />
Michel Voletti<br />
Hairdresser, Felicie, has an idyllic<br />
romance but loses the home address of<br />
the father of her child. Four years later,<br />
her love still burning, she finds herself<br />
with choices to make.<br />
A Winter’s Tale<br />
A Tale of Springtime (12) 8.45pm<br />
(Conte de printemps)<br />
Eric Rohmer, France, 1989, 112m subtitles<br />
Anne Teyssèdre, Hugues Quester, Florence Darel<br />
A young philosophy graduate attends a<br />
party, meets another young girl and is<br />
invited to move into her flat. She finds<br />
herself witnessing recriminatory scenes<br />
between various associated lovers. As<br />
ever, Rohmer’s observations of human<br />
behaviour are spot on.<br />
Double Bill: £7.50 (£6.50)<br />
All four films on 1 and 8 <strong>April</strong>:<br />
£12 (£10 concs.)<br />
A Tale of<br />
Springtime<br />
Friday 2 <strong>April</strong><br />
Cinema Closed<br />
Saturday 3 <strong>April</strong><br />
Helen Mirren Double Bill<br />
The Queen (12A) 2.00pm<br />
Stephen Frears, UK, 2006, 99m<br />
Helen Mirren, Michael Sheen, James Cromwell<br />
An intimate glimpse of the interaction<br />
between HM Queen Elizabeth II and<br />
Prime Minister Tony Blair during their<br />
struggle following the death of Princess<br />
Diana to reach a compromise between<br />
what was a private tragedy for the<br />
Royal Family and the public’s demand<br />
for an overt display of mourning.<br />
The Last Station (15) 4.00pm<br />
Michael Hoffman, UK, 2009, 112m<br />
Helen Mirren, Christopher Plummer, James McAvoy<br />
A film based on Jay Parini’s novel<br />
about Leo Tolstoy. Focussing on the<br />
marriage between Tolstoy (Plummer)<br />
and his wife Sofya (Mirren) it illustrates<br />
Tolstoy’s struggle to balance fame and<br />
wealth with his commitment to his<br />
beliefs and a life devoid of material<br />
things. Helen Mirren gives a tour de<br />
force performance.<br />
The Queen (12A) 7.00pm<br />
The Last Station (15) 9.00pm<br />
Please see above for details.<br />
Sunday 4 <strong>April</strong><br />
Helen Mirren Double Bill<br />
The Queen (12A) 2.00pm<br />
The Last Station (15) 4.00pm<br />
The Queen (12A) 7.00pm<br />
The Last Station (15) 9.00pm<br />
Please see Saturday 3 <strong>April</strong> for details.<br />
The Last Station<br />
Monday 5 <strong>April</strong><br />
Cinema Closed<br />
Tuesday 6 <strong>April</strong> Double Bill<br />
The End of the Line (PG) 7.00pm<br />
Rupert Murray, UK, 2009, 86m documentary<br />
A thought-provoking and insightful<br />
documentary about the changes of<br />
commercial fishing which has brought<br />
about change in restaurants and<br />
supermarkets.<br />
Food Inc. (PG) 8.45pm<br />
Robert Kenner, USA, 2009, 93m documentary<br />
Eric Schlosser, Michael Pollan, Gary Hirschberg<br />
Filmmaker Robert Kenner lifts the<br />
veil on our food industry, exposing<br />
the highly mechanised underbelly<br />
that’s been hidden from the consumer.<br />
He looks at how our food supply<br />
is now controlled by a handful of<br />
corporations who put profit ahead of<br />
consumer health, the livelihood of the<br />
farmer, the safety of workers and our<br />
own environment. The film reveals<br />
surprising and often shocking truths.
CINEMA<br />
Food Inc.<br />
Wednesday 7 <strong>April</strong> Double Bill<br />
The Kite Runner (12A) 6.00pm<br />
Marc Forster, USA, 2007, 127m<br />
Khalid Abdalla, Ehsan Aman, Vsevolod Bardashev<br />
After spending years in California, Amir<br />
returns to his homeland in Afghanistan<br />
to help his old friend Hassan, whose<br />
son is in trouble. An epic tale of fathers<br />
and sons, friendship and betrayal.<br />
The Lovely Bones (12A) 8.30pm<br />
Peter Jackson, USA/UK/New Zealand, 2009, 135m<br />
Saoirse Ronan, Mark Wahlberg, Rachel Weisz<br />
The film is based on the novel by Alice<br />
Sebold. A young girl (Ronan) who has<br />
been murdered watches over her family<br />
and her killer from heaven. She weighs<br />
up her desire for vengeance against her<br />
desire for her family to heal.<br />
Thursday 8 <strong>April</strong><br />
Eric Rohmer Tribute Double Bill<br />
A Summer’s Tale (12) 6.45pm<br />
(Conte d’ete)<br />
Eric Rohmer, France, 1996, 113m subtitles<br />
Melvil Poupard, Amanda Langlet, Gwenaëlle Simon<br />
A young student is lent an apartment at<br />
the seaside in Brittany for the summer.<br />
Here he faces the dilemma of choosing<br />
between three women. Rohmer uses<br />
the plot to explore chance, coincidence,<br />
manipulation, love and friendship.<br />
An Autumn Tale (12) 9.00pm<br />
(Conte d’automne)<br />
Eric Rohmer, France, 1998, 111m subtitles<br />
Marie Rivière, Béatrice Romand, Alain Libolt<br />
A middle-aged woman, who grows<br />
grapes for wine, is lonely. Her two<br />
female friends try to arrange matters<br />
for her, but she has her own plans. A<br />
leisurely comedy of manners.<br />
Double Bill: £7.50 (£6.50)<br />
All four films on 1 and 8 <strong>April</strong>:<br />
£12 (£10 concs.)<br />
Friday 9 <strong>April</strong><br />
Julianne Moore Double Bill<br />
Far From Heaven (12A) 6.30pm<br />
Todd Haynes, USA, 2002, 107m<br />
Julianne Moore, Dennis Quaid, Dennis Haysbert<br />
Cathy (Moore) is the perfect 50s<br />
housewife living the perfect 50s life,<br />
healthy kids, successful husband,<br />
social prominence. Then one night she<br />
catches her husband (Quaid) kissing a<br />
man. Her world begins to unravel.<br />
A Single Man (12A) 8.40pm<br />
Tom Ford, USA, 2009, 100m<br />
Colin Firth, Julianne Moore, Matthew Goode<br />
Set in Los Angeles in 1962 the film<br />
tells the story of George Falconer<br />
(Firth), a British college professor, who<br />
is struggling to find meaning to his life<br />
after the death of his long-term partner.<br />
We follow him through a single day<br />
where a series of events and encounters<br />
are to have a profound affect. A<br />
romantic tale of love interrupted.<br />
“A thing of heart-stopping beauty. Colin<br />
Firth gives one of the finest, most affecting<br />
performances of his career.” The Times<br />
Saturday 10 <strong>April</strong><br />
Julianne Moore Double Bill<br />
Far From Heaven (12A) 2.30pm<br />
A Single Man (12A) 4.30pm<br />
Far From Heaven (12A) 6.30pm<br />
A Single Man (12A) 8.40pm<br />
Please see Friday 9 <strong>April</strong> for details.<br />
A Single Man<br />
Sunday 11 <strong>April</strong><br />
Hayao Miyazaki Double Bill<br />
Spirited Away (PG) 2.30pm<br />
Hayao Miyazaki, Japan, 2000, 125m animation<br />
Voices: Daveigh Chase, Michael Chiklis, Lauren Holly<br />
When her parents are transformed into<br />
pigs a ten-year-old girl takes a job in a<br />
bath house belonging to a wizened old<br />
crone and vows to deliver her family<br />
from its plight. A film that gets you<br />
dreaming again.<br />
Ponyo (U) 4.55pm<br />
Hayao Miyazaki, Japan, 2009, 100m animation<br />
Voices: Cate Blanchett, Matt Damon, Tina Fey<br />
“Ponyo places Hans Christian Anderson’s<br />
“Little Mermaid” in a contemporary<br />
Japanese setting. It is a tale of childhood<br />
love and adventure.” Hayao Miyazaki<br />
All tickets: £5<br />
Sunday 11 <strong>April</strong> Double Bill<br />
Brief Encounter (PG) 7.00pm<br />
David Lean, UK, 1945, 86m<br />
Celia Johnson, Trevor Howard, Stanley Holloway<br />
Celia Johnson and Trevor Howard are<br />
the respectable middle-class couple<br />
who fall deeply in love but, ultimately,<br />
agree not to meet again and to return<br />
to their real lives. A rightly celebrated<br />
tear-jerker.<br />
Letter from an Unknown Woman<br />
(U) 8.45pm<br />
Max Ophuls, USA, 1948, 90m<br />
Joan Fontaine, Louis Jourdan, Mady Christians<br />
Of all cinema’s fables of doomed<br />
love, none is more piercing than this.<br />
Joan Fontaine nurses an undeclared<br />
childhood crush on a concert pianist<br />
(Jourdan). Years later, he adds her to<br />
his long list of conquests and forgets all<br />
about her. Revived in a new print.<br />
Letter from an<br />
Unknown Woman<br />
Monday 12 <strong>April</strong> Double Bill<br />
Spirited Away (PG) 6.00pm<br />
Ponyo (TBC) 8.25pm<br />
All tickets: £5<br />
Please see Sunday 11 <strong>April</strong> for details.<br />
Tuesday 13 <strong>April</strong> Cuba Double Bill<br />
Memories of Underdevelopment<br />
(15) 7.00pm<br />
Tomas Gutierrez Alea, Cuba, 1968, 97m subtitles<br />
Sergio Corrieri, Daisy Granados<br />
An insightful portrait of a bourgeois<br />
intellectual struggling to define his role<br />
as a Cuban citizen in the wake of the<br />
Revolution. This masterpiece of Third<br />
World cinema mixes documentary footage,<br />
still photography and narrative action.<br />
Sons of Cuba (15) 9.00pm<br />
(Hijos de Cuba)<br />
Andrew Lang, UK, 2009, 88m documentary<br />
An utterly extraordinary and<br />
unflinching documentary insight into<br />
the lives of young men training for<br />
Cuba’s national boxing squad, their<br />
hopes for themselves, the rigours<br />
of their lives and their unwavering<br />
patriotism, even after recent defections<br />
of top fighters. Essential viewing.<br />
Sons of<br />
Cuba
Wednesday 14 <strong>April</strong><br />
Clive Owen Double Bill<br />
Croupier (15) 7.00pm<br />
Mike Hodges, UK, 1997, 89m<br />
Clive Owen, Gina McKee, Nick Reding<br />
The setting is the sleazy world of<br />
London’s casinos and after-hours<br />
drinking clubs. Jack wants to be a<br />
writer, but it is only when he falls back<br />
on previous skills as a croupier that a<br />
theme and a plot for his story emerge.<br />
Played and directed with consummate,<br />
compelling skill, this is a film to cherish.<br />
The Boys Are Back (12A) 8.50pm<br />
Scott Hicks, Australia/UK, 2009, 104m<br />
Clive Owen, Laura Fraser, George MacKay<br />
Joe (Owen), a British sports journalist<br />
living in Australia, finds himself having<br />
to renew his relationship with his sixyear-old<br />
son when his wife Katy (Fraser)<br />
dies suddenly. He also has to repair his<br />
bond with another son from a previous<br />
marriage. A moving examination of fatherson<br />
relations told with much humour.<br />
Thursday 15 <strong>April</strong> Double Bill<br />
Walk the Line (12A) 6.15pm<br />
James Mangold, USA, 2005, 135m<br />
Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin<br />
The Oscar winning chronicle of country<br />
music legend Johnny Cash’s life, from his<br />
early days on an Arkansas cotton farm to his<br />
rise to fame with Sun Records in Memphis.<br />
Crazy Heart (15) 8.50pm<br />
Scott Cooper, USA, 2009, 111m<br />
Jeff Bridges, Maggie Gyllenhaal, Robert Duval<br />
Bad Blake (Bridges) is a broken-down,<br />
hard living country music singer who finds<br />
himself ready for salvation with the help<br />
of Jean (Gyllenhaal), a journalist who sees<br />
the real man behind the musician. The<br />
path to redemption is not easy, however.<br />
Crazy Heart<br />
Friday 16 – Sunday 25 <strong>April</strong><br />
Italian Cinema London<br />
Please see riversidestudios.co.uk<br />
for more information<br />
Monday 26 <strong>April</strong><br />
Max Färberböck Double Bill<br />
Aimee & Jaguar (15) 6.15pm<br />
Max Färberböck, Germany, 1999, 125m subtitles<br />
Maria Schrader, Juliane Köhler, Johanna Wokalek<br />
Berlin 1943. A Jewish woman hides<br />
her identity by working for a Nazi<br />
newspaper. It seems she might survive<br />
until she falls for a woman who is the<br />
wife of an army officer. This is the<br />
record of a fascinating, dangerous<br />
existence hardly even covered by the<br />
phrase “amour fou” (mad love).<br />
Anonyma – A Woman in Berlin (15)<br />
8.40pm<br />
(Anonyma – Eine Frau in Berlin)<br />
Max Färberböck, Germany/Poland, 2008, 131m<br />
subtitles<br />
Nina Hoss, Yevgeni Sidikhin, Irm Hermann<br />
A film based on an anonymously<br />
written memoir of the same name<br />
which tells the morally complex tale of<br />
a group of German women’s endurance<br />
in WWII when Berlin was invaded by<br />
Soviet troops.<br />
Tuesday 27 <strong>April</strong> Double Bill<br />
No Man’s Land (15) 6.30pm<br />
(Nicija zemlja)<br />
Danis Tanovic, Bosnia-Herzegovina/Slovenia/Italy/<br />
France/UK/Belgium, 2001, 98m subtitles<br />
Three Bosnian soldiers, divided by<br />
politics and war, find themselves united<br />
in a battle for survival in a trench in<br />
no man’s land. The international press<br />
corps descends on the scene while<br />
UN forces try to carry out damage<br />
limitation when the situation threatens<br />
to spiral out of control. A darkly comic<br />
satire that won the 2002 Oscar for Best<br />
Foreign Language Film.<br />
Storm (15) 8.30pm<br />
Hans-Christian Schmid, Germany/Denmark/<br />
Netherlands, 2009, 105m subtitles<br />
Kerry Fox, Stephen Dillane, Anamaria Marinca<br />
A political thriller inspired by the<br />
Serbian War crimes trials. Hannah<br />
Maynard (Fox), a prosecutor at the<br />
Tribunal in The Hague, manages to<br />
convince a young Bosnian woman to<br />
testify against an alleged war criminal.<br />
This is to profoundly affect her life.<br />
Wednesday 28 <strong>April</strong><br />
Michael Moore Double Bill<br />
Sicko (12A) 6.15pm<br />
Michael Moore, USA, 2007, 113m documentary<br />
Michael Moore, George W. Bush, Richard Nixon<br />
A devastating, convincing and very<br />
entertaining documentary about the<br />
state of America’s health care. Moore<br />
smartly allows stories of ordinary<br />
Americans to be told with little or<br />
no interference.<br />
Capitalism: A Love Story (12A) 8.35pm<br />
Michael Moore, USA, 2009, 127m documentary<br />
Jimmy Carter, Ronald Reagan, Sarah Palin<br />
Moore explores the issue he has been<br />
examining throughout his career:<br />
the disastrous impact of corporate<br />
dominance on the everyday lives of<br />
Americans and the rest of the world. It<br />
explores what price Americans pay for<br />
their love of capitalisation. “Intelligent<br />
and compulsively entertaining.”<br />
Screen International<br />
Thursday 29 <strong>April</strong><br />
Michael Moore Double Bill<br />
Sicko (12A) 6.15pm<br />
Capitalism: A Love Story (12A) 8.35pm<br />
Please see Wednesday 28 <strong>April</strong> for details.<br />
Friday 30 <strong>April</strong><br />
Jean-Pierre Jeunet Double Bill<br />
Amelie (15) 6.30pm<br />
(Le fabuleux destin d'Amelie Poulain)<br />
Jean-Pierre Jeunet, France, 2001, 120m subtitles<br />
Audrey Tautou, Matthieu Kassovitz<br />
A young woman’s fate changes when<br />
she attempts to discover the owner of a<br />
face in a strange photo album. This is<br />
an inventive, charming and funny film.<br />
Micmacs (12A) 8.50pm<br />
(Micmacs à Tire-Larigot)<br />
Jean-Pierre Jeunet, France, 2009, 104m subtitles<br />
Dany Boon, André Dussollier, Omar Sy<br />
Bazil (Boon), whose father was killed<br />
by a land mine, gets even as he and<br />
a group of friends come up with an<br />
intricate and original plan to destroy<br />
two big weapons manufacturers.<br />
Storm<br />
Micmacs
INFO<br />
Information<br />
Bar and Kitchen at <strong>Riverside</strong><br />
<strong>Riverside</strong> Bar and Kitchen<br />
The atmospheric space at the heart of the building is a vibrant and<br />
contemporary setting for lunch, pre-show dinner and drinks.<br />
The <strong>Riverside</strong> Terrace is a stunning spot for entertaining.<br />
Bookings and enquiries 020 8237 1009<br />
<strong>Riverside</strong> Kitchen<br />
Seasonal daily specials with an emphasis on freshly prepared<br />
ingredients available for lunch and dinner every day.<br />
Sunday Brunch is served from 10.30am.<br />
Film Café<br />
Located in the foyer and open throughout the day serving fresh<br />
sandwiches, smoothies, salads and mozzo organic and fair trade coffee.<br />
Food served<br />
Monday – Friday<br />
Saturday<br />
Sunday<br />
Midday – 3pm<br />
4pm – 9pm<br />
12pm – 9pm<br />
10.30am – 9pm<br />
<strong>Riverside</strong> Friends<br />
Live life on the <strong>Riverside</strong>, become a Friend and enjoy<br />
our vibrant and inspirational programme of films and<br />
theatre for less. As a Friend you’ll receive invites to<br />
exclusive events and private views and you can enjoy<br />
a discounted ticket rate at BFI Southbank and Ciné<br />
lumière too.<br />
For more information and to become a Friend, please<br />
call 020 8237 1027. You can also join by sending the<br />
form below in the post; cheques should be made<br />
payable to <strong>Riverside</strong> Trust.<br />
Discounts may be subject to availability, selected events may be<br />
excluded. Full details online at riversidestudios.co.uk/friends<br />
Please cut out this page and send it to us:<br />
<strong>Riverside</strong> <strong>Studios</strong> Friends, Crisp Rd<br />
Hammersmith, London W6 9RL<br />
Your details<br />
NAME<br />
ADDRESS<br />
EMAIL<br />
TELEPHONE<br />
riversidestudios.co.uk<br />
Being a <strong>Riverside</strong> Friend entitles you to<br />
the following...<br />
Concessions price cinema tickets<br />
Concessions price theatre tickets<br />
Discount on coffee and tea<br />
Discount on food from the kitchen<br />
Discounted ticket price at Ciné lumière<br />
£1 off for screenings at BFI Southbank<br />
Invites to selected press nights and special events<br />
Email notification of special offers<br />
<strong>Riverside</strong> Friends / £30 per year / £20 concs.
This brochure is available in<br />
large print, please call 020 8237 1010 or<br />
email marketing@riversidestudios.co.uk<br />
to receive a copy.<br />
Visitors to <strong>Riverside</strong> <strong>Studios</strong><br />
Box Office<br />
Open daily<br />
12 – 9pm<br />
(closed Bank Holidays)<br />
Telephone 020 8237 1111<br />
Fax 020 8237 1001<br />
Web riversidestudios.co.uk<br />
Ticket discounts<br />
Concessions are usually available for students,<br />
unemployed, disabled plus companion, 60+, under<br />
16s, Ciné lumière, BFI members (cinema). Valid cards<br />
must be shown. For Friends and Groups discounts<br />
please check with the Box Office or online at<br />
riversidestudios.co.uk.<br />
Payment<br />
We accept Visa, MasterCard, Switch, Solo,<br />
Maestro, Delta, cash and cheques made payable<br />
to <strong>Riverside</strong> Trust.<br />
Mailing List<br />
If you would like to join our mailing list, please call the<br />
Box Office or email online@riversidestudios.co.uk.<br />
Refunds and Exchanges<br />
<strong>Riverside</strong> is unable to offer refunds or exchanges<br />
on tickets.<br />
Age Ratings<br />
Where a film programme contains films with different<br />
age ratings, the highest rating applies. <strong>Riverside</strong><br />
<strong>Studios</strong> reserves the right to ask for proof of age.<br />
Latecomers<br />
Cinema: All films start at the advertised time and<br />
latecomers will only be admitted during the first 15<br />
minutes of screening.<br />
Theatre: Latecomers may not be admitted.<br />
Access<br />
There are ramps throughout the building and a lift to<br />
our cinema.<br />
We advise our wheelchair user patrons to book in<br />
advance to guarantee their seats. An induction loop is<br />
available in the cinema only.<br />
How to get here<br />
Tube and foot from Hammersmith<br />
Piccadilly Line, District Line: From Broadway<br />
Shopping Centre, use south exit, pass Hammersmith<br />
Apollo, follow Queen Caroline Street and turn left into<br />
Crisp Road.<br />
Hammersmith & City Line: walk towards<br />
Hammersmith Apollo, follow Queen Caroline Street<br />
and turn left into Crisp Road.<br />
Public transport info on tfl.gov.uk or 020 7222 1234.<br />
Bus<br />
Buses to Hammersmith Broadway station<br />
9, 10, 27, 33, 72, 190, 209, 211, 220, 266, 267, 283, 295,<br />
391, 419, H91.<br />
Road<br />
From Hammersmith Broadway roundabout turn left<br />
at Hammersmith Apollo into Queen Caroline Street,<br />
turn left into Crisp Road.<br />
Parking<br />
Pay and Display street parking until 6.30pm.<br />
Free from 6.30pm and all day Sunday.<br />
APOLLO<br />
<strong>Riverside</strong> <strong>Studios</strong><br />
Crisp Road . Hammersmith . London . W6 9RL
CINEMA<br />
Cinema Diary<br />
<strong>March</strong> <strong>2010</strong><br />
Mon 1<br />
Tue 2<br />
Wed 3<br />
Thu 4<br />
Fri 5<br />
Sat 6<br />
Sun 7<br />
Mon 8<br />
Tue 9<br />
400 Blows (15) 7.00pm<br />
+ Treeless Mountain (PG) 8.55pm<br />
Meryl Streep in<br />
Julie & Julia (12A) 6.30pm<br />
It’s Complicated (15) 8.55pm<br />
The Last King of Scotland (15) 6.30pm<br />
+ Mugabe and the White African<br />
(TBC) 8.55pm<br />
Kinoteka 8th Polish Film Festiwal<br />
Kinematograph (15) 7.00pm<br />
+ Reverse (15) 7.15pm<br />
Kinoteka 8th Polish Film Festiwal<br />
Hanoi-Warsaw (15) 6.15pm<br />
+ My Flesh, My Blood (18) 6.45pm<br />
A Story of a Missing Car (15) 8.45pm<br />
+ Zero (18) 9.00pm<br />
Kinoteka 8th Polish Film Festiwal<br />
Roman Polanski: Shorts (15) 3.00pm<br />
Roman Polanski: Wanted and<br />
Desired (15) 4.20pm<br />
Operation Danube (15) 6.10pm<br />
All That I Love (15) 8.20pm<br />
Kinoteka 8th Polish Film Festiwal<br />
Before Twlight (15) 2.00pm<br />
Scratch (15) 4.00pm<br />
+ Case Unknown (15) 5.50pm<br />
Poste Restante (15) 8.40pm<br />
+ Sweet Rush (15) 8.55pm<br />
Up (U) 6.30pm<br />
The Hurt Locker (15) 8.25pm<br />
A Prophet (18) 8.00pm<br />
Wed 10 Control (15) 6.45pm<br />
+ Nowhere Boy (15) 9.05pm<br />
Thu 11<br />
Fri 12<br />
Sat 13<br />
Sun 14<br />
Control (15) 6.45pm<br />
+ Nowhere Boy (15) 9.05pm<br />
George Clooney in<br />
Good Night and Good Luck (PG) 7.00pm<br />
+ Up in the Air (15) 8.50pm<br />
George Clooney in<br />
Good Night and Good Luck (PG) 2.00pm<br />
+ Up in the Air (15) 3.50pm<br />
George Clooney in<br />
Good Night and Good Luck (PG) 7.00pm<br />
+ Up in the Air (15) 8.50pm<br />
Kinoteka 8th Polish Film Festiwal<br />
Polish Documentaries:<br />
Part 1 (15) 2.30pm<br />
Patricia Highsmith’s<br />
Plein Soleil (15) 6.00pm<br />
+ The American Friend (15) 8.15pm<br />
Mon 15 The Beaches of Agnès (18) 6.30pm<br />
+ Crude (TBC) 8.40pm<br />
Tue 16<br />
Ray Winstone in<br />
Nil by Mouth (18) 6.30pm<br />
+ 44 Inch Chest (18) 9.00pm<br />
Wed 17 Taiwanese Film Festival<br />
Sorry, I Love You (12) 8.00pm<br />
Thu 18<br />
Fri 19<br />
Taiwanese Film Festival<br />
Island Etude (12) 6.30pm<br />
A Place of One’s Own (15) 8.40pm<br />
Rob Marshall’s<br />
Chicago (12A) 6.15pm<br />
+ Nine (12A) 8.30pm<br />
Sat 20<br />
Sun 21<br />
DocHouse<br />
Burma VJ (12A) 12.30pm<br />
Thriller in Manila (15) 2.15pm<br />
The Mona Lisa Curse (15) 4.30pm<br />
Afghan Star (15) 7.00pm<br />
The Yes Men: Fix the World (TBC)<br />
9.00pm<br />
Kinoteka 8th Polish Film Festiwal<br />
Documentaries: Part 2 (15) 2.00pm<br />
Taiwanese Film Festival<br />
Step by Step (12) 8.30pm<br />
Mon 22 No Country for Old Men (15) 6.30pm<br />
+ The Road (15) 8.55pm<br />
Tue 23<br />
No Country for Old Men (15) 6.30pm<br />
+ The Road (15) 8.55pm<br />
Wed 24 Clint Eastwood’s<br />
Gran Torino (15) 6.00pm<br />
+ Invictus (12A) 8.15pm<br />
Thu 25<br />
Fri 26<br />
Sat 27<br />
Sun 28<br />
Clint Eastwood’s<br />
Gran Troino (15) 6.00pm<br />
+ Invictus (12A) 8.15pm<br />
Killer of Sheep (12A) 7.00pm<br />
+ Precious: Based on the Novel<br />
Push by Sapphire (15) 8.45pm<br />
Killer of Sheep (12A) 2.00pm<br />
+ Precious: Based on the Novel<br />
Push by Sapphire (15) 3.45pm<br />
Killer of Sheep (12A) 7.00pm<br />
+ Precious: Based on the Novel<br />
Push by Sapphire (15) 8.45pm<br />
Orson Welles’<br />
The Magnificent Ambersons (U) 2.30pm<br />
+ Touch of Evil (PG) 4.20pm<br />
Rob Marshall’s<br />
Chicago (12A) 6.15pm<br />
+ Nine (12A) 8.30pm<br />
Mon 29 Coen Brother’s<br />
Blood Simple (18) 7.00pm<br />
+ A Serious Man (15) 9.00pm<br />
Tue 30<br />
I’m Not There (15) 6.00pm<br />
+ Sex & Drugs & Rock & Roll (15)<br />
8.35pm<br />
Wed 31 When A Woman Ascends the Stairs<br />
(PG) 6.30pm<br />
+ Still Walking (U) 8.40pm<br />
<strong>April</strong> <strong>2010</strong><br />
Thu 1<br />
Fri 2<br />
Sat 3<br />
Sun 4<br />
Mon 5<br />
Eric Rohmer’s<br />
A Winter’s Tale (12) 6.30pm<br />
+ A Tale of Springtime (12) 8.45pm<br />
CINEMA CLOSED<br />
Helen Mirren in<br />
The Queen (12A) 2.00pm<br />
+ The Last Station (15) 4.00pm<br />
The Queen (12A) 7.00pm<br />
+ The Last Station (15) 9.00pm<br />
Helen Mirren in<br />
The Queen (12A) 2.00pm<br />
+ The Last Station (15) 4.00pm<br />
The Queen (12A) 7.00pm<br />
+ The Last Station (15) 9.00pm<br />
CINEMA CLOSED<br />
Tue 6<br />
Wed 7<br />
Thu 8<br />
Fri 9<br />
Sat 10<br />
Sun 11<br />
End of the Line (PG) 7.00pm<br />
+ Food Inc. (PG) 8.45pm<br />
The Kite Runner (12A) 6.00pm<br />
+ The Lovely Bones (12A) 8.30pm<br />
Eric Rohmer’s<br />
A Summer’s Tale (12) 6.45pm<br />
+ An Autumn Tale (12) 9.00pm<br />
Julianne Moore in<br />
Far From Heaven (12A) 6.30pm<br />
+ A Single Man (12A) 8.40pm<br />
Julianne Moore in<br />
Far From Heaven (12A) 2.30pm<br />
+ A Single Man (12A) 4.30pm<br />
Far From Heaven (12A) 6.30pm<br />
+ A Single Man (12A) 8.40pm<br />
Spirited Away (PG) 2.30pm<br />
+ Ponyo (U) 4.55pm<br />
Brief Encounter (PG) 7.00pm<br />
+ Letter from an Unknown Woman<br />
(U) 8.45pm<br />
Mon 12 Spirited Away (PG) 6.00pm<br />
+ Ponyo (U) 8.25pm<br />
Tue 13 Memories of Underdevelopment (15)<br />
7.00pm<br />
+ Sons of Cuba (15) 9.00pm<br />
Wed 14 Clive Owen in<br />
Croupier (15) 7.00pm<br />
+ The Boys Are Back (12A) 8.50pm<br />
Thu 15<br />
Walk the Line (12A) 6.15pm<br />
+ Crazy Heart (15) 8.50pm<br />
Fri 16 – Italian Cinema London<br />
Sun 25 riversidestudios.co.uk<br />
Mon 26 Max Färberböck<br />
Aimee & Jaguar (15) 6.15pm<br />
+ Anonyma – A Women in Berlin<br />
(15) 8.40pm<br />
Tue 27<br />
No Man’s Land (15) 6.30pm<br />
+ Storm (15) 8.30pm<br />
Wed 28 Michael Moore’s<br />
Sicko (12A) 6.15pm<br />
+ Capitalism: A Love Story (12A) 8.35pm<br />
Thu 29<br />
Fri 30<br />
Michael Moore’s<br />
Sicko (12A) 6.15pm<br />
+ Capitalism: A Love Story (12A)<br />
8.35pm<br />
Jean-Pierre Jeunet’s<br />
Amelie (15) 6.30pm<br />
+ Micmacs (12A) 8.50pm<br />
Cinema tickets are £7.50<br />
(£6.50 concs.) unless<br />
otherwise stated.<br />
Where a programme contains films with<br />
different age ratings, the highest rating<br />
applies. <strong>Riverside</strong> <strong>Studios</strong> reserves the<br />
right to ask for proof of age.