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March/April 2010 - Riverside Studios

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<strong>March</strong>/<strong>April</strong> <strong>2010</strong><br />

Box Office 020 8237 1111<br />

riversidestudios.co.uk<br />

WHAT'S ON CINEMA / THEATRE / EXHIBITIONS / BAR & KITCHEN<br />

Soap


THEATRE<br />

Theatre<br />

LOVE&MADNESS Ensemble and <strong>Riverside</strong> <strong>Studios</strong> present<br />

The Desire&Destruction<br />

Season<br />

Designed by Annette Sumption, Lighting by Paul Green, Casting by Irene East<br />

Exploring human desires at their most extreme, the LOVE&MADNESS<br />

Ensemble has dedicated a season of three plays to investigate how<br />

throughout history, we have turned Desire for revenge and the wish to<br />

control into Destruction.<br />

Fool For Love<br />

By Sam Shepard.<br />

Directed by Neil Sheppeck.<br />

Starring Sadie Frost as May and<br />

Carl Barat as Eddie<br />

Set in a desolate motel room on<br />

the edge of the Mojave Desert,<br />

May and Eddie's tragic love-hate<br />

relationship plays out over this<br />

intense, cathartic play, which looks<br />

at the desires of one generation<br />

and the destruction it wreaks in<br />

the next. A bleak but savagely<br />

funny drama.<br />

Dates + Times<br />

Showing until 21 <strong>March</strong><br />

Tuesday - Sunday 7.30pm<br />

Matinees 2pm<br />

Evening Performances:<br />

Fool for Love<br />

4-7, 11-14, 18-21 Mar<br />

Richard III<br />

3, 10, 16 Mar<br />

Demi-Monde<br />

2, 9, 17 Mar<br />

Matinees:<br />

Fool for Love<br />

6, 13, 20 Mar<br />

Richard III<br />

3, 10, 16, 21 Mar<br />

Richard III<br />

By William Shakespeare.<br />

Directed by Ben Kidd.<br />

Starring Carl Prekopp as Richard,<br />

with Sadie Frost as Lady Anne<br />

Shakespeare’s celebrated drama<br />

follows Richard III’s desire for the<br />

crown which ultimately leads to<br />

the loss of innocent lives and the<br />

destruction of the country.<br />

Demi-Monde:<br />

The Half World of<br />

William Morris<br />

A new piece devised by<br />

Love&Madness with Associate<br />

Artist Jack Shepherd. Born of<br />

the Ensemble's experience of<br />

the season and the characters of<br />

Hammersmith's history, comes<br />

a new work inspired by local<br />

socialist and designer,<br />

William Morris.<br />

loveandmadness.org<br />

Tickets<br />

£18.50 (£14 concs.)<br />

School Groups 10+ £9<br />

Demi-Monde £12 (£10 concs.)<br />

School Groups 10+ £9<br />

Studio 3<br />

Fool For Love<br />

Image Luke Varley


PERFORMANCE<br />

Performance<br />

Circle of Eleven and <strong>Riverside</strong> <strong>Studios</strong> present<br />

Sexy, funny and dangerous, Soap features aerial<br />

acrobats performing in, on, and around bathtubs<br />

in a show that leaves the audience breathless in<br />

admiration. These awe-inspiring aerial acts are a onceseen,<br />

never-forgotten experience. Prepare to watch<br />

something exquisite!<br />

Straight from Berlin, created by Markus Pabst<br />

(Bath Boy, Ceasar Twins of La Clique) and produced by<br />

Gregg Parks (Les 7 doigts de la main / the 7 fingers) Soap is<br />

a fusion of circus, cabaret and comedy with remarkable<br />

artists from around the world.<br />

Dates + Times<br />

5 <strong>March</strong> – 25 <strong>April</strong><br />

Tue – Sat 8pm<br />

Sun 6pm<br />

Matinees<br />

Sat 20, 27 Mar,<br />

3, 10, 17, 24 Apr<br />

3pm<br />

Tickets<br />

Fri & Sat £25<br />

Groups 10+ £22.50<br />

Tue -Thu, Sat & Sun Mat<br />

£20 (£20 concs.)<br />

Groups 10+ £17.50<br />

Previews 3-7 Mar £15<br />

Groups 10+ £12.50<br />

Studio 2<br />

A production of


CABARET<br />

Cabaret<br />

<strong>Riverside</strong> <strong>Studios</strong> presents<br />

Alistair McGowan<br />

and Charlotte Page in<br />

Cocktails With Coward<br />

Musical arrangements by Warren Wills.<br />

Directed by Brendan O’Hea.<br />

BAFTA winner Alistair McGowan (The Big Impression)<br />

and actress and singer Charlotte Page perform the<br />

hidden gems among Noël Coward’s songs and poems<br />

in this 2009 Edinburgh Fringe hit. Expect a lot of<br />

laughter, and a few tears – proof positive that Coward<br />

was an unsurpassed observer of language, character<br />

and the human heart.<br />

Dates + Times<br />

26 <strong>March</strong> - 4 <strong>April</strong> 7.30pm<br />

No show<br />

Mon 29 Mar and Fri 2 Apr<br />

Tickets<br />

£16 (£14 concs.)


THEATRE<br />

Theatre<br />

Supporting Wall presents the professional world premiere of<br />

Moonfleece<br />

“Ridley is the master<br />

of modern myths”<br />

The Guardian<br />

“David Mercatali is<br />

clearly one to watch”<br />

Time Out<br />

By Philip Ridley. Directed by David Mercatali<br />

In the run up to elections in May and following the<br />

rise of the BNP, this is a vital and compelling story for<br />

Britain today by Time Out and Evening Standard<br />

Award-winner Philip Ridley. Returning to London<br />

after national tour, the play’s electric ensemble cast<br />

features Sean Verey (Skins), Beru Tessema<br />

(The Frontline, Shakespeare's Globe) and Reece Noi<br />

(Waterloo Road, Paradox).<br />

moonfleece.co.uk<br />

Dates + Times<br />

8-11 <strong>April</strong><br />

Thu – Sat 7.30pm<br />

Sun 6.30pm<br />

Post show talk 10 <strong>April</strong><br />

Tickets<br />

£15 (£12 concs.)<br />

Theatre Lab Company presents<br />

Antigone<br />

By Sophocles. Directed by Anastasia Revi<br />

In a city devastated by war, two brothers slay each other – one to<br />

be given a hero’s burial, the other to be left unburied and exposed<br />

to the vultures. Creon, the king and his young niece, Antigone,<br />

both wilful and passionate, are determined to be faithful to their<br />

individual causes; duty to the State for one, duty to love and<br />

morality for the other. This visual performance transcends all<br />

boundaries in a tragedy that resonates in contemporary culture<br />

and politics.<br />

Dates + Times<br />

14 <strong>April</strong> - 2 May<br />

Tuesday to Sunday<br />

7.30pm<br />

Matinees<br />

Thu 22 Apr<br />

& Sat 1 May 2pm<br />

Studio 3<br />

Tickets<br />

£15 (£12 concs.)<br />

Groups of 10+ £10<br />

Schools groups<br />

£10<br />

Post show talks<br />

Tue 20 Apr<br />

with director and<br />

performers<br />

Tue 27 Apr<br />

“Aspects of the<br />

ancient Greek<br />

tragedy”


THEATRE<br />

Theatre<br />

Hurts Given<br />

And Received<br />

By Howard Barker. Directed by Gerrard McArthur<br />

Does the creation of a great masterwork require a<br />

compulsion to cruelty?<br />

Inspired cruelties.<br />

Dazzling compulsions.<br />

And sexual transgressions.<br />

Howard Barker re-examines the creative life of the<br />

artist through one of his most fascinating and appalling<br />

characters. Provocative ideas, pungent poetic language,<br />

and savage wit build a thought-provoking allegory<br />

of the artist and society. The price is not just in the<br />

metaphorical blood of the poet…<br />

Slowly<br />

By Howard Barker. Directed by Hanna Berrigan<br />

As barbarians approach the palace of a decaying<br />

culture, four princesses debate their fate. Decorum<br />

demands suicide. But, for some, the possibility of life<br />

is all too compelling. In a culture of conformity, it may<br />

not be up to the individual to decide...<br />

Dates + Times<br />

1 – 9 May<br />

Tue-Sat 6.30pm<br />

Sun 5pm<br />

Tickets<br />

£10 (£8 concs.)<br />

Double bill with Hurts<br />

Given £22 (£12 concs.)<br />

Dates + Times<br />

29 <strong>April</strong> – 9 May<br />

Tue-Sat 8pm<br />

Sun 6.30pm<br />

Studio 2<br />

thewrestlingschool.co.uk<br />

Image Eduado Houth<br />

Tickets<br />

£15 (£10 concs.)<br />

Preview Thu 29 <strong>April</strong><br />

all tickets £10<br />

Double bill with Slowly<br />

£22 (£12 concs.)<br />

Wonder And Worship<br />

In The Dying Ward<br />

A rehearsed reading of Howard Barker’s latest work,<br />

directed by Howard Barker. Sun 2 May 2.30pm,<br />

Tickets £5.<br />

Howard Barker Day<br />

Sun 2 May<br />

See all three plays for £24 (£15 concs.)


EXHIBITION<br />

Kinoteka<br />

Exhibition<br />

Kinoteka: 8th Polish<br />

Film Festiwal<br />

4 – 27 <strong>March</strong><br />

A retrospective dedicated to Roman Polanski’s early films<br />

during the festival is accompanied by this fascinating display<br />

of posters selected from Roman Polanski, Actor, Director,<br />

an exhibition assembled and presented by the Museum of<br />

Cinematography in Lodz in 2009. The exhibition will be<br />

showing film posters from all over the world from Roman<br />

Polanski’s films, which he directed and in which he<br />

appeared as an actor.<br />

Travels with Infra-red<br />

Photographs by<br />

Ryszard Szydlo<br />

Travels with Infra-red<br />

28 <strong>March</strong> – 15 <strong>April</strong><br />

Having the opportunity to travel, and to<br />

photograph, for me to share the experience is an<br />

extension of the journey. Taking infra-red black<br />

and white photographs removes the distraction<br />

of aesthetic beauty that colour provides,<br />

replacing it with a fantastical interpretation.<br />

This exhibition thus conjures an alternative<br />

vision, revealing hidden aspects of some<br />

European, African and American scenes.<br />

Sergio Strizzi<br />

Portraits from the Set<br />

Sergio Strizzi<br />

16 – 25 <strong>April</strong><br />

Sergio Strizzi began his career as a photo journalist and moved into the<br />

film business as a stills photographer in 1952. Since then, he has worked<br />

with Italy’s finest directors:<br />

Antonioni, Blasetti, De Sica, Germi, Monicelli, Petri, Rosi and Soldati,<br />

as well as Benigni, Tornatore, Scola, and Cavani. His work with non-<br />

Italian directors includes some of the James Bond films and projects<br />

with directors such as Jospeh Losey, John Huston, Peter Yates and<br />

Terry Gilliam. Strizzi was Audrey Hepburn’s photographer of choice and<br />

is considered to be one of still photography’s greatest exponents. The<br />

exhibition coincides with the Italian Film Festival at <strong>Riverside</strong> <strong>Studios</strong>.


CINEMA<br />

Cinema<br />

<strong>March</strong><br />

Monday 1 <strong>March</strong> Double Bill<br />

The 400 Blows (15) 7.00pm<br />

(Le Quatre Cents Coups)<br />

Francois Truffaut, France, 1959, 94m subtitles<br />

Jean-Pierre Leaud, Albert Remy, Claire Maurier<br />

Truffaut’s first feature was based on his<br />

own deprived childhood. A twelve year<br />

old boy, neglected by his mother and<br />

stepfather, plays truant and takes to<br />

crime. The film was awarded the Best<br />

Director prize at Cannes in 1959 and<br />

helped launch the “nouvelle vague”.<br />

Treeless Mountain (PG) 8.55pm<br />

So Yong Kim, USA/Korea, 89m subtitles<br />

Kim Hee-yeon, Kim Song-hee, Chae Gil Byung<br />

When their mother needs to leave in<br />

order to find their estranged father,<br />

seven-year-old Jin and her younger<br />

sister, Bin, are left to live with their<br />

callous aunt for the summer with only<br />

a small piggybank and their mother’s<br />

promise to return when it is full. The<br />

two girls are forced to adapt.<br />

Treeless Mountain<br />

Tuesday 2 <strong>March</strong><br />

Meryl Streep Single Bill<br />

Julie & Julia (12A) 6.30pm<br />

Nora Ephron, USA, 2009, 123m<br />

Meryl Streep, Amy Adams, Stanley Tucci<br />

Based on two true stories the film<br />

focuses on the lives of two women.<br />

Celebrated chef Julia Child’s (Streep)<br />

story of her start in the cooking<br />

profession is intertwined with blogger,<br />

Julie Powell’s (Adams) 2002 challenge to<br />

cook all the recipes in Child’s first book.<br />

Nominated for <strong>2010</strong> BAFTA.<br />

Winner of Golden Globe for<br />

Best Actress.<br />

Tuesday 2 <strong>March</strong><br />

Meryl Streep Single Bill<br />

It’s Complicated (15) 8.55pm<br />

Nancy Meyers, USA, 2007, 120m<br />

Meryl Streep, Alec Baldwin, Steve Martin<br />

Jane (Streep) owns a thriving bakery/<br />

restaurant and has three kids. As a<br />

long time divorcee she has an amicable<br />

relationship with her ex-husband<br />

(Baldwin). Things get complicated<br />

when they both find themselves out of<br />

town for their son’s college graduation.<br />

One film: £7.50 (£6.50 concs.)<br />

Two films: £12 (£10 concs.)<br />

It’s Complicated<br />

Wednesday 3 <strong>March</strong> Double Bill<br />

The Last King of Scotland (15) 6.30pm<br />

Kevin Macdonald, UK, 2006, 123m<br />

Forest Whitaker, James McAvoy, Kerry Washington<br />

In an incredible twist of fate a young<br />

Scottish doctor, Nicholas Garrigan<br />

(McAvoy), on a Ugandan medical<br />

mission becomes irreversibly entangled<br />

with one of the world’s most barbaric<br />

figures and becomes his closest advisor.<br />

Mugabe and the White African<br />

(TBC) 8.55pm<br />

Lucy Bailey/Andrew Thompson, UK, 2009, 90m<br />

documentary<br />

“A very local and often suffocating portrait of<br />

a disappearing way of life in Zimbabwe filmed<br />

in secret and under the threat of violence. The<br />

filmmakers spent time with the Campbells<br />

who are fighting to keep their property in the<br />

face of the Zanu PF Government’s decision to<br />

redistribute land.” Time Out<br />

Thursday 4 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal Double Bill<br />

Kinematograph (15) 7.00pm<br />

Tomasz Baginski, Poland, 2009, 12m subtitles<br />

Francis is an inventor. He hopes his new<br />

invention will change the world, but he<br />

has forgotten about one thing: dreams<br />

always cost too much. He has focused only<br />

on himself and his work and realizes the<br />

gravity of the situation when it is too late.<br />

Reverse (15) 7.15pm<br />

Borys Lankosz, Poland, 2009, 101m subtitles<br />

Agata Buzek, Marcin Dorocinski, Krystyna Janda<br />

A darkly comic story of three<br />

generations of Polish women and the<br />

mysterious young man whose presence<br />

sparks a series of surprising events that<br />

change all of their lives.<br />

Followed by a Q & A with director<br />

Borys Lankosz and producer Jerzy<br />

Kapuscinski.<br />

Reverse<br />

Mugabe and the<br />

White African<br />

Friday 5 <strong>March</strong> Kinoteka 8th Polish<br />

Film Festiwal Double Bill<br />

Hanoi-Warsaw (15) 6.15pm<br />

Katarzyna Klimkiewicz, Poland, 2009, 30m subtitles<br />

A young Vietnamese woman, Mai Anh,<br />

illegally enters Poland through the<br />

border with Ukraine. Now she has to<br />

reach Warsaw, where she is to join her<br />

boyfriend and start her dream life.<br />

My Flesh, My Blood (18) 6.45pm<br />

Marcin Wrona, Poland, 2009 91m subtitles<br />

Eryk Lubosz, Luu De Ly<br />

Igor is a boxer who has quit the ring<br />

because of serious brain damage from<br />

repeated blows to the head. Yien Ha<br />

is a Vietnamese immigrant who works<br />

in a small ethnic restaurant. He wants<br />

to have a child so that he can leave<br />

something of himself behind; she needs<br />

a work permit to stay in Poland. They<br />

come to an understanding.


My Flesh, My Blood<br />

This month<br />

Kinoteka: 8th Polish<br />

Film Festiwal<br />

4 – 21 <strong>March</strong><br />

Zero<br />

Friday 5 <strong>March</strong> Kinoteka 8th Polish<br />

Film Festiwal Double Bill<br />

A Story of a Missing Car (15) 8.45pm<br />

Grzegorz Jaroszuk, Poland, 2008, 12m subtitles<br />

At first it’s loud. Then it’s really quiet.<br />

This is a film about a strange family.<br />

Zero (18) 9.00pm<br />

Pawel Borowski, Poland, 2009, 110m subtitles<br />

Robert Wieckiewicz, Kamila Baar<br />

A business man does not suspect that his<br />

answer to a phone call will set in motion<br />

a stream of incidents which would affect<br />

the fate of others. This is the beginning<br />

of a multi-plot story, where the fortunes<br />

of several characters are interlaced as a<br />

consequence of their decisions.<br />

Saturday 6 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal<br />

Roman Polanski: Shorts (15) 3.00pm<br />

Break Up the Dance<br />

Roman Polanski, Poland, 1957, 9m subtitles<br />

Elaborate party preparations are made<br />

in time for the arrival of the guests.<br />

Everyone is having a good time, until a<br />

group of hooligans decide to enter the<br />

party uninvited.<br />

Two Men and a Wardrobe<br />

Roman Polanski, Poland, 1958, 15m subtitles<br />

Two men come out of the sea carrying<br />

a large wardrobe. Lugging the furniture<br />

through town, they find that not only is<br />

help difficult to come by, but that the<br />

townspeople are aggressively hostile.<br />

When Angels Fall<br />

Roman Polanski, Poland, 1959, 21m subtitles<br />

An old woman works in the men’s<br />

lavatory in the basement of a public<br />

building. The sound of footsteps on the<br />

floor above brings back memories.<br />

Mammal<br />

Roman Polanski, Poland, 1963, 10m subtitles<br />

In a barren landscape of ice and snow,<br />

two men and a sleigh set out on an<br />

absurd voyage.<br />

Approximate running time: 55m<br />

The Festiwal returns to the capital with<br />

a stellar line up, offering the cream of<br />

contemporary fiction features as well as<br />

illuminating documentaries, innovative<br />

shorts and animation. Special treats<br />

are a Roman Polanski retrospective –<br />

accompanied by an exhibition of film<br />

posters – and live music plus Q & As.<br />

Organised by the Polish Cultural Institute.<br />

kinoteka.org.uk<br />

Saturday 6 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal - Roman<br />

Polanski Documentary<br />

Roman Polanski: Wanted and<br />

Desired (15) 4.20pm<br />

Marina Zenovich, Poland, 2008, 99m subtitles<br />

Thirty years ago, Roman Polanski was<br />

convicted of unlawful sexual intercourse<br />

with a minor. After serving forty-two<br />

days in prison, he fled the US and has<br />

never returned. Zenovich’s documentary<br />

reopens this complex and controversial<br />

case and challenges many of the myths<br />

which have built up around it.<br />

Roman Polanski:<br />

Wanted and Desired<br />

Saturday 6 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal Single Bill<br />

Operation Danube (15) 6.10pm<br />

Jacek Glomb, Poland, 2009, 104m subtitles<br />

Zbigniew Zamachowski, Jiri Menzel<br />

A comic tale of a tank squadron<br />

separated behind enemy lines from<br />

its troops during the Russian invasion<br />

of Czechoslovakia in 1968. A team<br />

of idealistic, but incompetent,<br />

soldiers set out proudly in their tank<br />

“Ladybug” only to end up crashing<br />

into a beer tavern in a small Czech<br />

town. A fantastic cast including some<br />

of Poland’s best actors and the famous<br />

Czech New Wave director, Jiri Menzel.<br />

Saturday 6 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal Single Bill<br />

All That I Love (15) 8.20pm<br />

Jacek Borcuch, Poland, 2009, 95m subtitles<br />

Mariusz Kosciukiewicz, Olga Frycz, Andrzej Chyra<br />

Poland 1981. Behind the Iron Curtain,<br />

Janek forms ATIL (“All That I Love”),<br />

a punk-rock band whose songs express<br />

frustration with socialism and a desire<br />

for freedom. He finds love with Basia,<br />

whose father is part of the Solidarity<br />

movement and disapproves of Janek’s<br />

military family. When growing social<br />

turmoil leads to martial law, ATIL’s<br />

music has serious repercussions for his<br />

family members, lovers, and friends.<br />

The film will be followed by a Q & A<br />

with the director Jacek Borcuch.<br />

All That I Love<br />

Case Unknown<br />

Sunday 7 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal Single Bill<br />

Before Twilight (15) 2.00pm<br />

Jacek Blawut, Poland, 2008, 100m subtitles<br />

Jan Nowicki, Beata Tyszkiewicz, Nina Andrycz<br />

This heartwarming tale follows the<br />

residents of the Retirement Home for<br />

Actors as they are awakened by the<br />

vitality and enthusiasm of actor and<br />

elderly gallant Jerzy, and his ambitious<br />

plan to stage Goethe’s “Faust”. It is a<br />

film about love, the passage of time, and<br />

actors – their eccentricities and their<br />

dreams about appearing on the stage for<br />

one, albeit probably, last time.


CINEMA<br />

Sunday 7 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal Double Bill<br />

Scratch (15) 4.00pm<br />

Michal Rosa, Poland, 2008, 89m subtitles<br />

Jadwiga Jankowska-Cieslak, Krzysztof Stroinski<br />

When their forty-year-old marriage is<br />

threatened by a shocking revelation<br />

Joanna and Jan find themselves<br />

suddenly estranged. Torn by the politics,<br />

secrets and ghosts of the past, their once<br />

solid relationship gradually begins to fall<br />

apart. This tender and touching drama<br />

is frequently compared to the German<br />

“The Lives of Others” and provides an<br />

equally moving insight into the personal<br />

impact of recent history.<br />

Case Unknown (15) 5.50pm<br />

Feliks Falk, Poland, 2009, 105m subtitles<br />

Borys Szyc, Krzysztof Stroinski<br />

Work is everything to young<br />

psychiatrist Konstanty Grot –<br />

something his wife often teases him<br />

about. But when he brings his patient<br />

Pawel home for treatment, Konstanty<br />

discovers hidden secrets in Pawel’s<br />

past. This thoughtful thriller paints<br />

a portrait of a man who risks his<br />

professional and personal life in the<br />

search for justice.<br />

The film will be followed by a Q & A<br />

with director Feliks Falk.<br />

Sunday 7 <strong>March</strong><br />

Kinoteka 8th Polish Film Festiwal<br />

Polish Masters Double Bill<br />

Poste Restante (15) 8.40pm<br />

Marcel Lozinski, Poland, 2008, 14m subtitles<br />

The film tells the story of letters whose<br />

addresses are impossible to find and so<br />

end up at the Undeliverable Letters<br />

Department of the Post Office in<br />

Koluszki. There are around a million of<br />

them in Poland each year, among them<br />

are some addressed to God.<br />

Sweet Rush (15) 8.55pm<br />

Andrzej Wajda, Poland, 2009, 83m subtitles<br />

Krystyna Janda, Pawel Szajda<br />

Wajda’s film tells the story of Marta<br />

who searches for happiness in the arms<br />

of a much younger man, Bogus. Fiction<br />

is confronted with reality in heartrending<br />

monologues from the main<br />

actress Krystyna Janda on the death<br />

of her real-life husband, acclaimed<br />

cinematographer Edward Klosinski, to<br />

whom the film is dedicated.<br />

Monday 8 <strong>March</strong> Single Bill<br />

Up (U) 6.30pm<br />

Pete Docter/Bob Peterson, USA, 2009, 96m animation<br />

Voices: Edward Asner, Jordan Nagai,<br />

Christopher Plummer<br />

By tying thousands of balloons to his<br />

home seventy-eight-year-old Carl<br />

(Asner) sets out to fulfil his dream of<br />

seeing South America. He discovers,<br />

however, that he has a very young<br />

stowaway on board.<br />

Monday 8 <strong>March</strong> Single Bill<br />

The Hurt Locker (15) 8.25pm<br />

Kathryn Bigelow, USA, 2008, 131m<br />

Jeremy Renner, Anthony Mackie, Brian Geraghty<br />

A riveting, suspenseful portrait of the<br />

courage under fire of the military’s most<br />

unrecognised heroes: the technicians of<br />

the bomb squad. Sharply written and<br />

superbly directed, with a great central<br />

performance by Renner.<br />

Tuesday 9 <strong>March</strong> Single Bill<br />

A Prophet (18) 8.00pm<br />

(Un prophète)<br />

Jacques Audiard, France, 2009, 155m subtitles<br />

Tahar Rahim, Niels Arestrup, Adel Bencherif<br />

When Malik (Rahim), a young French<br />

Arab, finds himself in prison with no<br />

friends or allies he attaches himself to a<br />

dominant Corsican gang and its leader.<br />

After a rites-of-passage murder of a new<br />

friend he slowly builds a power base<br />

of his own. An extraordinary, powerful<br />

crime drama from the director of “The<br />

Beat My Heart Skipped”.<br />

Wednesday 10 <strong>March</strong> Double Bill<br />

Control (15) 6.45pm<br />

Anton Corbijn, UK, 2007, 121m<br />

Sam Riley, Samantha Morton, Toby Kebbell<br />

A profile of Ian Curtis, the enigmatic<br />

singer of Joy Division, based on<br />

memoirs written by his wife in the<br />

book “Touching from a Distance”.<br />

A profoundly affecting music biopic<br />

with an outstanding performance from<br />

newcomer Sam Riley.<br />

Sweet Rush<br />

Nowhere Boy (15) 9.05pm<br />

Sam Taylor Wood, UK, 2009, 97m<br />

Aaron Johnson, Kristin Scott Thomas,<br />

Anne-Marie Duff<br />

An astute biopic focussing on the teenage<br />

years of John Lennon. “Rather than<br />

dwelling on the unique circumstances that<br />

produced a musical genius, it’s an affecting<br />

movie about coming of age and leaving home<br />

and about the radical changes in British life<br />

since the Second World War.” Observer<br />

Nowhere Boy<br />

Thursday 11 <strong>March</strong> Double Bill<br />

Control (15) 6.45pm<br />

Nowhere Boy (15) 9.05pm<br />

Please see Wednesday 10 <strong>March</strong> for details.<br />

Friday 12 <strong>March</strong><br />

George Clooney Double Bill<br />

Good Night and Good Luck (PG)<br />

7.00pm<br />

George Clooney, USA, 2005, 90m<br />

David Strathairn, George Clooney, Patricia Clarkson<br />

A skilful reconstruction of the<br />

confrontation between renowned<br />

newscaster Edward R. Murrow and<br />

Senator Joe McCarthy during the 1950s,<br />

presented in a tense political thriller.<br />

Up in the Air (15) 8.50pm<br />

Jason Reitman, USA, 2009, 109m<br />

George Clooney, Vera Farmiga, Anna Kendrick<br />

Ryan Bingham (Clooney) is a<br />

downsizing expert on the verge of<br />

reaching his frequent flyer miles target<br />

when his company decides to cut back<br />

on travel. This jeopardises his chances<br />

of seeing a fellow frequent traveller<br />

(Farmiga) who has caught his eye.<br />

“One of those rare mainstream Hollywood<br />

pictures that addresses contemporary issues<br />

gracefully.” Screen International<br />

Saturday 13 <strong>March</strong><br />

George Clooney Double Bill<br />

Good Night and Good Luck (PG)<br />

2.00pm<br />

Up in the Air (15) 3.50pm<br />

Good Night and Good Luck (PG)<br />

7.00pm<br />

Up in the Air (15) 8.50pm<br />

Please see Friday 12 <strong>March</strong> for details.


Sunday 14 <strong>March</strong> Kinoteka 8th<br />

Polish Film Festiwal<br />

Polish Documentaries:<br />

Part 1 (15) 2.30pm<br />

Family Man<br />

Wladyslaw Slesicki, Poland, 1966, 24m subtitles<br />

A day in the life of a peasant family<br />

from the lake in Northeast Poland.<br />

They toil from dusk till dawn but, at<br />

the same time are very happy. The film<br />

was inspired by a famous photographic<br />

exhibition “Family of Man”. Golden<br />

Lion winner at the Venice Film<br />

Festival in 1966.<br />

Portrait of a Conductor<br />

Ludwik Perski, Poland, 1965, 11m subtitles<br />

A portrait of Witold Rowicki, the eminent<br />

conductor who died in 1989, illustrated<br />

with Franciszek Fuchs’ photographs.<br />

Flood<br />

Jerzy Bossak, Poland, 1947, 14m subtitles<br />

A special edition of the Polish newsreel<br />

coverage of the Great Flood in Poland<br />

during the spring of 1947.<br />

Boys and Waves<br />

Wladyslaw Slesicki, Poland, 1962, 18m subtitles<br />

An eighteen-year-old boy lives<br />

surrounded by nature in the lake district<br />

near Augustow, north-eastern Poland. He<br />

works floating timber and falls in love<br />

for the first time. The story, told without<br />

commentary, was enthusiastically<br />

received as a new proposal for<br />

documentary narration. Golden Lion at<br />

the 1962 Venice Film Festival.<br />

People from the Road<br />

Kazimierz Karabasz, Poland, 1960, 10m subtitles<br />

A depiction of the life of circus artists<br />

outside the arena.<br />

Musicians<br />

Kazimierz Karabasz, Poland, 1960, 9m subtitles<br />

A film about a brass band’s rehearsal.<br />

Portraits of people, for whom close contact<br />

with music is something so important that<br />

they devote their spare time to it.<br />

Reminiscence of Calvary<br />

Jerzy Hoffman/Edward Skorzynski, Poland, 1958,<br />

13m subtitles<br />

Reportage from Kalwaria<br />

Zebrzydowska – the site of Poland’s<br />

biggest and oldest Passion.<br />

Approximate running time: 100m<br />

Sunday 14 <strong>March</strong><br />

Patricia Highsmith Double Bill<br />

Plein Soleil (15) 6.00pm<br />

René Clément, France, 1959, 115m subtitles<br />

Alain Delon, Maurice Ronet, Marie Laforêt<br />

Based on Patricia Highsmith’s “The<br />

Talented Mr. Ripley”. An indolent and<br />

impecunious friend of a rich playboy<br />

takes his friend’s clothes, yacht,<br />

girlfriend and life.<br />

This month<br />

Taiwan Cinefest<br />

London 2nd Edition<br />

17, 18 & 21 <strong>March</strong><br />

Europe’s largest independent Taiwanese<br />

Film Festival showcases the latest awardwinning<br />

cinema from around the island.<br />

From feature length films to documentaries<br />

and shorts, the Festival provides a rich<br />

snapshot of Taiwanese storytelling, set<br />

against the bustling neon glitz of Taipei in<br />

the north all the way to the stunning harbor<br />

panoramas of Kaohsiung city in the south.<br />

The Festival includes UK premiere’s of Lou<br />

Yi-an’s stunning debut “A Place of One’s<br />

Own”, award-winning “Sorry, I Love You” by<br />

rising young filmmaker Yu-Hsien Lin and<br />

the charming dance comedy Step by Step.<br />

taiwancinefest.com<br />

The American Friend (15) 8.15pm<br />

Wim Wenders, France/Germany, 1977, 123m subtitles<br />

Bruno Ganz, Dennis Hopper, Lisa Kreuzer<br />

Adapted from Patricia Highsmith’s<br />

thriller, “Ripley’s Game”. A terminally<br />

ill picture framer is lured into<br />

committing a series of murders. One of<br />

the key films of the 70s.<br />

Monday 15 <strong>March</strong> Double Bill<br />

The Beaches of Agnès (18) 6.30pm<br />

(Les plages d’ Agnès)<br />

Agnès Varda, France, 2008, 110m subtitles<br />

Agnès Varda, André Lubrano, Blaise Fournier<br />

Returning to the beaches which have<br />

been part of her life Agnès stages<br />

herself amongst excerpts of her films’<br />

images and reportages. She shares<br />

her story with humour and emotion<br />

from her early days as an independent<br />

filmmaker, and her life with Jacques<br />

Demy through to the present day.<br />

Crude (TBC) 8.40pm<br />

Joe Berlinger, USA, 2009, 105m subtitles documentary<br />

The epic story of one of the largest<br />

and most controversial environmental<br />

lawsuits on the planet, known as the<br />

“Amazon Chernobyl”. “A small-town<br />

rural advocate and a New York legal eagle<br />

try to bring class-action lawsuits against oil<br />

giant Texaco for a series of alleged ecological<br />

crimes against the land and people of<br />

Amazonia, Ecuador.” Time Out<br />

Crude<br />

Tuesday 16 <strong>March</strong><br />

Ray Winstone Double Bill<br />

Nil by Mouth (18) 6.30pm<br />

Gary Oldman, UK/France, 1997 128m<br />

Ray Winstone, Kathy Burke, Steve Sweeney<br />

Raymond, his wife and her drug-addict<br />

brother Billy try to cope at the bottom of<br />

the social hierarchy. A rough and violent<br />

person, Raymond eventually kicks Billy<br />

out of the house to fend for himself.<br />

44 Inch Chest (18) 9.00pm<br />

Malcolm Venville, UK, 2009, 94m<br />

Ray Winstone, John Hurt, Ian McShane<br />

A visceral exploration of the masculine ego<br />

at its breaking point. A jealous husband<br />

(Winstone) kidnaps his wife’s lover with<br />

the intention of restoring his wounded ego.<br />

44 Inch Chest


CINEMA<br />

Wednesday 17 <strong>March</strong><br />

Taiwanese Film Festival Single Bill<br />

Sorry, I Love You (12) 8.00pm<br />

UK Premiere<br />

Yu-Hsien Lin, Taiwan, 2009, 75m subtitles<br />

Chie Tanaka, Wu Huai-Chung<br />

A charming romance set in Taiwan’s<br />

southern port of Kaohsiung finds Chie<br />

Tanaka (of last year’s Taiwan hit “Cape<br />

No. 7”) playing a disillusioned actress<br />

struggling to find meaning and love.<br />

Directed by Yu-Hsien Lin, one of the<br />

region’s most popular ‘new generation’<br />

filmmakers.<br />

The film will be followed by a Q & A<br />

with the director – tbc.<br />

Thursday 18 <strong>March</strong><br />

Taiwanese Film Festival Single Bill<br />

Island Etude (12) 6.30pm<br />

En Chen, Taiwan, 2007, 108m subtitles<br />

Ming-hsiang Tung, Saya, Li-Yin Yang<br />

Taiwan’s entry for the best foreign<br />

language Oscar (2008) follows guitar<br />

playing and hearing-impaired Ming as<br />

he cycles around Taiwan on a journey<br />

to discover the Island, and himself.<br />

Perfectly captured cinematography of<br />

Taiwan’s tropical landscape adds to this<br />

uplifting story of one man’s adventure.<br />

A Place of One’s Own<br />

Thursday 18 <strong>March</strong><br />

Taiwanese Film Festival Single Bill<br />

A Place of One’s Own (15) 8.40pm<br />

UK Premiere<br />

Lou Yi-an, Taiwan, 2009, 123m subtitles<br />

Mo Tzu-Yi, Jack Kao, Lu Yi-Jing, Lu Jia-Xin<br />

Dark comedy of struggling musician<br />

Mozi, once famous – now forgotten<br />

– and an origami artist (Kao) and his<br />

family who work frantically to earn<br />

the money he needs for a lifesaving<br />

operation. As unexpected events bring<br />

their lives together they are both forced<br />

to question their most closely held<br />

beliefs that, quite literally, will mean<br />

the difference between life and death.<br />

Visually stunning and impressive debut<br />

film from Lou Yi-an.<br />

Friday 19 <strong>March</strong><br />

Rob Marshall Double Bill<br />

Chicago (12A) 6.15pm<br />

Rob Marshall, USA, 2002, 116m<br />

Richard Gere, Renee Zellweger, Catherine Zeta-Jones<br />

Oscar-winning musical which celebrates<br />

the Roaring Twenties. Zellweger<br />

and Zeta-Jones play antagonistic<br />

murderesses Roxie Hart and Velna Kelly<br />

respectively who, through the cunning<br />

mechanisms of lawyer Gere, literally<br />

find fame and get away with murder.<br />

Nine (12A) 8.30pm<br />

Rob Marshall, USA, 2009, 118m<br />

Daniel Day-Lewis, Marion Cotillard, Penelope Cruz<br />

A famous film director struggles to<br />

find harmony in his professional and<br />

personal lives as he engages in dramatic<br />

relationships with his wife, his mistress,<br />

his muse, his agent and his mother.<br />

Enjoyable, light entertainment from a<br />

screenplay by Anthony Minghella and<br />

Michael Tolkin.<br />

DocHouse & The<br />

Grierson Trust<br />

present<br />

Award-winning<br />

documentaries<br />

Saturday 20 <strong>March</strong><br />

DocHouse Single Bill<br />

Burma VJ (12A) 12.30pm<br />

Anders Østergaard, Norway/Sweden/Denmark,<br />

2009, 84m subtitles<br />

Going beyond the occasional news clip<br />

from Burma the acclaimed filmmaker,<br />

Anders Østergaard, brings us close to<br />

Burma’s video journalists who insist on<br />

keeping up the flow of news from their<br />

closed country despite risking torture<br />

and life in jail. Armed with small<br />

handycams they make their undercover<br />

reportages, smuggle the material out of<br />

the country, have it broadcast back into<br />

Burma via satellite and offer it as free<br />

usage for international media.<br />

Burma VJ<br />

Thriller in Manila<br />

Saturday 20 <strong>March</strong><br />

DocHouse Single Bill<br />

Thriller in Manila (15) 2.15pm<br />

John Dower, UK, 2008, 91m<br />

Joe Frazier, now sixty-three, takes<br />

British filmmaker John Dower back<br />

thirty-three years to the most hyped<br />

boxing match in history, and beyond.<br />

Frazier has never forgiven Ali for the<br />

racial taunting leading up to the fight<br />

in which he called Frazier ‘gorilla’<br />

and ‘Uncle Tom’. Although Ali beat<br />

Frazier in Manila in 1975 in their<br />

third and final fight, Frazier says, “I<br />

clearly won the fight. The proof is in<br />

the pudding. I’m walkin’, I’m talkin’,<br />

I’m still havin’ fun at sixty-three.” His<br />

meaning is clear.<br />

The film will be followed by a Q & A<br />

with John Dower.<br />

Saturday 20 <strong>March</strong><br />

DocHouse Single Bill<br />

The Mona Lisa Curse (15) 4.30pm<br />

Mandy Chang, UK, 2009, 75m<br />

“The Mona Lisa Curse” is a timely<br />

polemic by internationally renowned<br />

art critic Robert Hughes which<br />

examines how the world’s most<br />

famous painting came to influence<br />

the art world. With his trademark<br />

style Hughes explores how museums,<br />

the production of art and the way we<br />

experience it, have radically changed<br />

in the last fifty years.<br />

The film will be followed by a Q & A<br />

with director Mandy Chang.<br />

Afghan Star


Saturday 20 <strong>March</strong><br />

DocHouse Single Bill<br />

Afghan Star (15) 7.00pm<br />

Havana Marking, UK/Afghanistan, 2009, 87m<br />

“Afghan Star” was watched by a third<br />

of the population of Afghanistan. Over<br />

eleven million people, in voting for<br />

their favourites, experienced a taste<br />

of democracy. “Afghan Star” is a small<br />

but significant unifying force for the<br />

country’s diverse ethnic groups; as the<br />

programme’s presenter Daod Sediqi<br />

says: “The aim is to take the people’s hand<br />

from weapons to music”.<br />

The film will be followed by a Q & A<br />

with Havana Marking.<br />

Saturday 20 <strong>March</strong><br />

DocHouse Single Bill<br />

The Yes Men: Fix the World (TBC)<br />

9.00pm<br />

Andy Bichlbaum/Mike Bonanno, France/USA/UK,<br />

2009, 87m<br />

Andy Bichlbaum and Mike Bonanno are<br />

two guys who just can’t take “no” for an<br />

answer. They have an unusual hobby,<br />

posing as top executives of Corporations<br />

they hate. Armed with nothing but<br />

thrift-store suits, they lie their way into<br />

business conferences and parody their<br />

corporate nemeses in ever more extreme<br />

ways – basically doing everything they<br />

can to wake up their audiences to the<br />

danger of letting greed run our world.<br />

The Yes Men:<br />

Fix the World<br />

Sunday 21 <strong>March</strong><br />

Kinoteka 8th Polish Film Festiwal<br />

Polish Documentaries:<br />

Part 2 (15) 2.00pm<br />

Before Leaves Fall<br />

Wladyslaw Slesicki, Poland, 1964, 27m subtitles<br />

A result of long-term observation, this<br />

documentary depicting Polish Gypsies<br />

is also an ethnographic record. Exotic<br />

life in the caravan and specific genre<br />

scenes are combined with the picture<br />

of everyday life.<br />

The Warsaw Old Town Walk<br />

Andrzej Munk, 1958, 18m subtitles<br />

A docu-drama presenting Warsaw<br />

Old Town from the perspective of a<br />

ten-year old student of a music school<br />

located in this part of town.<br />

This month<br />

DocHouse & The Grierson<br />

Trust present<br />

A day of<br />

Award-winning<br />

documentaries<br />

20 <strong>March</strong> from 12.30pm<br />

The most prestigious documentary awards<br />

in the UK are the Grierson Awards and this<br />

year was an exceptional and exciting crop.<br />

We have pleasure in presenting a day of<br />

the best. In between screenings and Q &<br />

A’s with filmmakers, you can lunch or chat<br />

over a coffee in the Café/Bar. It's a unique<br />

opportunity to see the best award-winning<br />

2009 documentaries on the big screen.<br />

Tickets: £5 per film, £18 day pass<br />

Hospital<br />

Krzysztof Kieslowski, Poland, 1976, 20m subtitles<br />

The film deals with Warsaw orthopaedic<br />

surgeons, portrayed working thirty-twohour<br />

shifts. The camera follows them in<br />

the operating theatre, admittance room<br />

and smoky offices.<br />

Birth of a Boat<br />

Jan Lomnicki, Poland, 1961, 9m subtitles<br />

The film follows the assembly of a boat<br />

and its launch at the Gdansk Shipyard.<br />

Competition<br />

Janusz Majewski, Poland, 1963, 6m subtitles<br />

Report from the shot-put competition<br />

between David Davis and Alfred<br />

Sosgornik.<br />

This is An Egg<br />

Andrzej Brzozowski, Poland, 1965, 13m subtitles<br />

A portrayal of blind children learning<br />

about the outside world through touch.<br />

Approximate running time: 94m<br />

Sunday 21 <strong>March</strong><br />

Taiwanese Film Festival Single Bill<br />

Step by Step (12) 8.30pm<br />

UK Premiere<br />

Chen-ti Kuo, Taiwan, 2009, 93m subtitles<br />

Joseph Chang, Janel Tsai<br />

An off-the-wall comedy following a group<br />

of retirees who attempt to overcome age<br />

by taking part in a tango competition. As<br />

a dashing male nurse (Chang) oversees<br />

the effort alongside a beautiful dance<br />

instructor (Tsai) their plan is threatened<br />

by the impending closure of the<br />

retirement home. A moving comedy that<br />

shows dancing can bring out the best in<br />

all of us, young and old alike.<br />

Step by Step<br />

Burma VJ<br />

Afghan Star<br />

Monday 22 <strong>March</strong><br />

Cormac McCarthy Double Bill<br />

No Country for Old Men (15) 6.30pm<br />

Ethan Coen/Joel Coen, USA, 2007, 122m<br />

Tommy Lee Jones, Javier Bardem, Kelly Macdonald<br />

Based on a novel by Cormac McCarthy.<br />

Violence and mayhem ensue after<br />

a hunter stumbles upon some dead<br />

bodies, a stash of heroin and more than<br />

$2m near the Rio Grande. “An intense,<br />

nihilistic thriller as well as a model of<br />

implacable storytelling.” Los Angeles Times<br />

The Road (15) 8.55pm<br />

John Hillcoat, USA, 2009, 111m<br />

Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron<br />

An uncompromising adaptation of Cormac<br />

McCarthy’s Pulitzer Prize-winning novel.<br />

A post-apocalyptic tale of a family trying<br />

to survive by any means possible. “One of<br />

the most chillingly effective visions of the world’s<br />

end ever put on screen.” Empire<br />

The Road


CINEMA<br />

Tuesday 23 <strong>March</strong><br />

Cormac McCarthy Double Bill<br />

No Country for Old Men (15) 6.30pm<br />

The Road (15) 8.55pm<br />

Please see Monday 22 <strong>March</strong> for details.<br />

Wednesday 24 <strong>March</strong><br />

Clint Eastwood Double Bill<br />

Gran Torino (15) 6.00pm<br />

Clint Eastwood, USA, 2008, 116m<br />

Clint Eastwood, Bee Vang, Ahney Her<br />

The film focuses on a Korean War<br />

vet’s reluctant friendship with a<br />

Hmong teenage boy and his immigrant<br />

family in contemporary Detroit. “An<br />

unpretentious, often very funny humanist<br />

drama which is a small jewel in Eastwood’s<br />

canon of work as a director and a<br />

highpoint in his career as an actor.” Screen<br />

International<br />

Invictus (12A) 8.15pm<br />

Clint Eastwood, USA, 2009, 133m<br />

Morgan Freeman, Matt Damon, Tony Kgaroge<br />

Nelson Mandela (Freeman), in his last<br />

term as the South African President,<br />

initiates a unique venture to unite<br />

the apartheid-torn land: enlist the<br />

national rugby team on a mission to<br />

win the 1995 Rugby World Cup. Based<br />

on a true story. “A rousing sports movie<br />

and a testament to the nobility of Nelson<br />

Mandela.” Screen International<br />

Thursday 25 <strong>March</strong><br />

Clint Eastwood Double Bill<br />

Gran Torino (15) 6.00pm<br />

Invictus (12A) 8.15pm<br />

Please see Wednesday 24 <strong>March</strong> for details.<br />

Invictus<br />

Friday 26 <strong>March</strong> Double Bill<br />

Killer of Sheep (12A) 7.00pm<br />

Charles Burnett, USA, 2008, 83m<br />

Henry G. Sanders, Kaycee Moore, Charles Bracy<br />

The film examines the Los Angeles<br />

ghetto of Watts in the mid-1970s<br />

through the eyes of Stan, a sensitive<br />

dreamer who is increasingly<br />

disillusioned by his work at the<br />

slaughterhouse. “A masterpiece of unforced,<br />

vernacular movie-making.” The Guardian<br />

Precious: Based on the Novel Push<br />

by Sapphire (15) 8.45pm<br />

Lee Daniels, USA, 2009, 110m<br />

Gabourey Sidibe, Mo’Nique, Paula Patton<br />

An extraordinary cinema experience.<br />

The film tells the story of a young black<br />

teenager’s attempt to escape her abusive<br />

background. ““Precious” simply cannot be<br />

missed, for under its tough skin the film is an<br />

unabashedly inspirational anthem, it offers<br />

the rare ecstasy of human regeneration and<br />

the discovery, on Harlem’s mean streets, of a<br />

precious gem.” Time Magazine<br />

Precious<br />

Saturday 27 <strong>March</strong> Double Bill<br />

Killer of Sheep (12A) 2.00pm<br />

Precious: Based on the Novel Push<br />

by Sapphire (15) 3.45pm<br />

Killer of Sheep (12A) 7.00pm<br />

Precious: Based on the Novel Push<br />

by Sapphire (15) 8.45pm<br />

Please see Friday 26 <strong>March</strong> for details.<br />

Sunday 28 <strong>March</strong><br />

Orson Welles Double Bill<br />

The Magnificent Ambersons (U)<br />

2.30pm<br />

Orson Welles, USA, 1942, 88m<br />

Joseph Cotton, Dolores Costello, Anne Baxter<br />

Based on a novel by Booth Tarkington,<br />

this is the story of the slow decline<br />

of the proud and imperious<br />

Amberson Family. Loving period<br />

reconstruction, superior performances<br />

from Welles’ repertory of actors and<br />

the fine cinematography make this a<br />

magnificent film.<br />

Touch of Evil (PG) 4.20pm<br />

Orson Welles, USA, 1958, 108m<br />

Charlton Heston, Orson Welles, Janet Leigh<br />

Original 1958 release version of Welles’<br />

final masterwork. A Mexican cop goes<br />

up against a corrupt detective after an<br />

incident at a border town.<br />

Sunday 28 <strong>March</strong><br />

Rob Marshall Double Bill<br />

Chicago (12A) 6.15pm<br />

Nine (12A) 8.30pm<br />

Please see Friday 19 <strong>March</strong> for details.<br />

Monday 29 <strong>March</strong><br />

Coen Brothers Double Bill<br />

Blood Simple (18) 7.00pm<br />

Joel Coen, USA, 1983, 99m<br />

John Getz, Frances McDormand, Dan Hedaya<br />

The Coen Brothers’ assured first<br />

feature tells the tale of a bar owner<br />

who hires a seedy private detective to<br />

kill his wife and her lover. When he<br />

changes the plan a chain of violent and<br />

comic misunderstandings ensue.<br />

A Serious Man (15) 9.00pm<br />

Ethan Coen/Joel Coen, USA, 2009, 105m<br />

Michael Stuhlbarg, Richard Kind, Simon Helberg<br />

Larry (Stuhlbarg) is a good husband,<br />

father and a conscientious professor at a<br />

university. One day everything starts to<br />

go wrong. The film blends black humour<br />

with profoundly personal themes. “The<br />

Coen Brothers may just have made their<br />

masterpiece with this.” The Guardian<br />

Tuesday 30 <strong>March</strong> Double Bill<br />

I’m Not There (15) 6.00pm<br />

Todd Haynes, USA, 2007, 135m<br />

Cate Blanchett, Christian Bale, Heath Ledger<br />

“A dazzling, experimental take on the life<br />

of one of popular music’s greatest enigmas,<br />

Bob Dylan. Six different actors portray<br />

several incarnations of the ground-breaking<br />

troubadour.” Rotten Tomatoes<br />

Sex & Drugs & Rock & Roll (15)<br />

8.35pm<br />

Mat Whitecross, UK, <strong>2010</strong>, 115m<br />

Andy Serkis, Olivia Williams, Naomie Harris<br />

A fictionalised look at the life of Ian<br />

Drury who was stricken with polio as a<br />

child and defied expectations becoming<br />

a founder member of Britain’s punkrock<br />

scene. “Gorgeous, celebratory cinema,<br />

unfettered and courageous.” Time Out<br />

Sex & Drugs<br />

& Rock & Roll<br />

Wednesday 31 <strong>March</strong> Double Bill<br />

When A Woman Ascends the Stairs<br />

(PG) 6.30pm<br />

(Onna ga kaidan wo agaru toki)<br />

Mikio Naruse, Japan, 1960, 111m subtitles<br />

Hideko Takamine, Tatsuya Nakadai, Masayuki Mori<br />

A stunning drama about a ginza bar<br />

hostess as she approaches thirty. “An<br />

exquisitely understated study of the plight of<br />

a young woman in an unforgiving society.”<br />

The Times


Still Walking (U) 8.40pm<br />

Hirokazu Koreeda, Japan, 2009, 114m subtitles<br />

Hiroshi Abe, Yoshio Harada, Yui Natsukawa<br />

The Yokoyama family come together to<br />

celebrate the memory of their youngest<br />

son who died while rescuing a boy from<br />

drowning some years before. Over the<br />

course of one beautiful day we follow<br />

the family as new relatives become<br />

acquainted and old stories are retold.<br />

Still Walking<br />

This month<br />

Eric Rohmer Tribute<br />

1 & 8 <strong>April</strong><br />

An arthouse director with a career that spans more than 50 years<br />

and a string of awards, Rohmer’s poetic films are known and loved<br />

for their fiercely honest characterisations and long, philosophical<br />

conversations. He was awarded the Golden Lion at the Venice<br />

Film Festival in 2001 in recognition of his outstanding lifetime<br />

achievements and contribution to world cinema. We celebrate his<br />

oeuvre with the four films that make up his Four Seasons cycle.<br />

Tickets:<br />

One double bill £7.50 (£ 6.50 concs.)<br />

Two double bills £12 (£10 concs.)<br />

<strong>April</strong><br />

Thursday 1 <strong>April</strong><br />

Eric Rohmer Tribute Double Bill<br />

A Winter’s Tale (12) 6.30pm<br />

(Conte d’hiver)<br />

Eric Rohmer, France, 1992, 114m subtitles<br />

Charlotte Véry, Frédéric van den Driessche,<br />

Michel Voletti<br />

Hairdresser, Felicie, has an idyllic<br />

romance but loses the home address of<br />

the father of her child. Four years later,<br />

her love still burning, she finds herself<br />

with choices to make.<br />

A Winter’s Tale<br />

A Tale of Springtime (12) 8.45pm<br />

(Conte de printemps)<br />

Eric Rohmer, France, 1989, 112m subtitles<br />

Anne Teyssèdre, Hugues Quester, Florence Darel<br />

A young philosophy graduate attends a<br />

party, meets another young girl and is<br />

invited to move into her flat. She finds<br />

herself witnessing recriminatory scenes<br />

between various associated lovers. As<br />

ever, Rohmer’s observations of human<br />

behaviour are spot on.<br />

Double Bill: £7.50 (£6.50)<br />

All four films on 1 and 8 <strong>April</strong>:<br />

£12 (£10 concs.)<br />

A Tale of<br />

Springtime<br />

Friday 2 <strong>April</strong><br />

Cinema Closed<br />

Saturday 3 <strong>April</strong><br />

Helen Mirren Double Bill<br />

The Queen (12A) 2.00pm<br />

Stephen Frears, UK, 2006, 99m<br />

Helen Mirren, Michael Sheen, James Cromwell<br />

An intimate glimpse of the interaction<br />

between HM Queen Elizabeth II and<br />

Prime Minister Tony Blair during their<br />

struggle following the death of Princess<br />

Diana to reach a compromise between<br />

what was a private tragedy for the<br />

Royal Family and the public’s demand<br />

for an overt display of mourning.<br />

The Last Station (15) 4.00pm<br />

Michael Hoffman, UK, 2009, 112m<br />

Helen Mirren, Christopher Plummer, James McAvoy<br />

A film based on Jay Parini’s novel<br />

about Leo Tolstoy. Focussing on the<br />

marriage between Tolstoy (Plummer)<br />

and his wife Sofya (Mirren) it illustrates<br />

Tolstoy’s struggle to balance fame and<br />

wealth with his commitment to his<br />

beliefs and a life devoid of material<br />

things. Helen Mirren gives a tour de<br />

force performance.<br />

The Queen (12A) 7.00pm<br />

The Last Station (15) 9.00pm<br />

Please see above for details.<br />

Sunday 4 <strong>April</strong><br />

Helen Mirren Double Bill<br />

The Queen (12A) 2.00pm<br />

The Last Station (15) 4.00pm<br />

The Queen (12A) 7.00pm<br />

The Last Station (15) 9.00pm<br />

Please see Saturday 3 <strong>April</strong> for details.<br />

The Last Station<br />

Monday 5 <strong>April</strong><br />

Cinema Closed<br />

Tuesday 6 <strong>April</strong> Double Bill<br />

The End of the Line (PG) 7.00pm<br />

Rupert Murray, UK, 2009, 86m documentary<br />

A thought-provoking and insightful<br />

documentary about the changes of<br />

commercial fishing which has brought<br />

about change in restaurants and<br />

supermarkets.<br />

Food Inc. (PG) 8.45pm<br />

Robert Kenner, USA, 2009, 93m documentary<br />

Eric Schlosser, Michael Pollan, Gary Hirschberg<br />

Filmmaker Robert Kenner lifts the<br />

veil on our food industry, exposing<br />

the highly mechanised underbelly<br />

that’s been hidden from the consumer.<br />

He looks at how our food supply<br />

is now controlled by a handful of<br />

corporations who put profit ahead of<br />

consumer health, the livelihood of the<br />

farmer, the safety of workers and our<br />

own environment. The film reveals<br />

surprising and often shocking truths.


CINEMA<br />

Food Inc.<br />

Wednesday 7 <strong>April</strong> Double Bill<br />

The Kite Runner (12A) 6.00pm<br />

Marc Forster, USA, 2007, 127m<br />

Khalid Abdalla, Ehsan Aman, Vsevolod Bardashev<br />

After spending years in California, Amir<br />

returns to his homeland in Afghanistan<br />

to help his old friend Hassan, whose<br />

son is in trouble. An epic tale of fathers<br />

and sons, friendship and betrayal.<br />

The Lovely Bones (12A) 8.30pm<br />

Peter Jackson, USA/UK/New Zealand, 2009, 135m<br />

Saoirse Ronan, Mark Wahlberg, Rachel Weisz<br />

The film is based on the novel by Alice<br />

Sebold. A young girl (Ronan) who has<br />

been murdered watches over her family<br />

and her killer from heaven. She weighs<br />

up her desire for vengeance against her<br />

desire for her family to heal.<br />

Thursday 8 <strong>April</strong><br />

Eric Rohmer Tribute Double Bill<br />

A Summer’s Tale (12) 6.45pm<br />

(Conte d’ete)<br />

Eric Rohmer, France, 1996, 113m subtitles<br />

Melvil Poupard, Amanda Langlet, Gwenaëlle Simon<br />

A young student is lent an apartment at<br />

the seaside in Brittany for the summer.<br />

Here he faces the dilemma of choosing<br />

between three women. Rohmer uses<br />

the plot to explore chance, coincidence,<br />

manipulation, love and friendship.<br />

An Autumn Tale (12) 9.00pm<br />

(Conte d’automne)<br />

Eric Rohmer, France, 1998, 111m subtitles<br />

Marie Rivière, Béatrice Romand, Alain Libolt<br />

A middle-aged woman, who grows<br />

grapes for wine, is lonely. Her two<br />

female friends try to arrange matters<br />

for her, but she has her own plans. A<br />

leisurely comedy of manners.<br />

Double Bill: £7.50 (£6.50)<br />

All four films on 1 and 8 <strong>April</strong>:<br />

£12 (£10 concs.)<br />

Friday 9 <strong>April</strong><br />

Julianne Moore Double Bill<br />

Far From Heaven (12A) 6.30pm<br />

Todd Haynes, USA, 2002, 107m<br />

Julianne Moore, Dennis Quaid, Dennis Haysbert<br />

Cathy (Moore) is the perfect 50s<br />

housewife living the perfect 50s life,<br />

healthy kids, successful husband,<br />

social prominence. Then one night she<br />

catches her husband (Quaid) kissing a<br />

man. Her world begins to unravel.<br />

A Single Man (12A) 8.40pm<br />

Tom Ford, USA, 2009, 100m<br />

Colin Firth, Julianne Moore, Matthew Goode<br />

Set in Los Angeles in 1962 the film<br />

tells the story of George Falconer<br />

(Firth), a British college professor, who<br />

is struggling to find meaning to his life<br />

after the death of his long-term partner.<br />

We follow him through a single day<br />

where a series of events and encounters<br />

are to have a profound affect. A<br />

romantic tale of love interrupted.<br />

“A thing of heart-stopping beauty. Colin<br />

Firth gives one of the finest, most affecting<br />

performances of his career.” The Times<br />

Saturday 10 <strong>April</strong><br />

Julianne Moore Double Bill<br />

Far From Heaven (12A) 2.30pm<br />

A Single Man (12A) 4.30pm<br />

Far From Heaven (12A) 6.30pm<br />

A Single Man (12A) 8.40pm<br />

Please see Friday 9 <strong>April</strong> for details.<br />

A Single Man<br />

Sunday 11 <strong>April</strong><br />

Hayao Miyazaki Double Bill<br />

Spirited Away (PG) 2.30pm<br />

Hayao Miyazaki, Japan, 2000, 125m animation<br />

Voices: Daveigh Chase, Michael Chiklis, Lauren Holly<br />

When her parents are transformed into<br />

pigs a ten-year-old girl takes a job in a<br />

bath house belonging to a wizened old<br />

crone and vows to deliver her family<br />

from its plight. A film that gets you<br />

dreaming again.<br />

Ponyo (U) 4.55pm<br />

Hayao Miyazaki, Japan, 2009, 100m animation<br />

Voices: Cate Blanchett, Matt Damon, Tina Fey<br />

“Ponyo places Hans Christian Anderson’s<br />

“Little Mermaid” in a contemporary<br />

Japanese setting. It is a tale of childhood<br />

love and adventure.” Hayao Miyazaki<br />

All tickets: £5<br />

Sunday 11 <strong>April</strong> Double Bill<br />

Brief Encounter (PG) 7.00pm<br />

David Lean, UK, 1945, 86m<br />

Celia Johnson, Trevor Howard, Stanley Holloway<br />

Celia Johnson and Trevor Howard are<br />

the respectable middle-class couple<br />

who fall deeply in love but, ultimately,<br />

agree not to meet again and to return<br />

to their real lives. A rightly celebrated<br />

tear-jerker.<br />

Letter from an Unknown Woman<br />

(U) 8.45pm<br />

Max Ophuls, USA, 1948, 90m<br />

Joan Fontaine, Louis Jourdan, Mady Christians<br />

Of all cinema’s fables of doomed<br />

love, none is more piercing than this.<br />

Joan Fontaine nurses an undeclared<br />

childhood crush on a concert pianist<br />

(Jourdan). Years later, he adds her to<br />

his long list of conquests and forgets all<br />

about her. Revived in a new print.<br />

Letter from an<br />

Unknown Woman<br />

Monday 12 <strong>April</strong> Double Bill<br />

Spirited Away (PG) 6.00pm<br />

Ponyo (TBC) 8.25pm<br />

All tickets: £5<br />

Please see Sunday 11 <strong>April</strong> for details.<br />

Tuesday 13 <strong>April</strong> Cuba Double Bill<br />

Memories of Underdevelopment<br />

(15) 7.00pm<br />

Tomas Gutierrez Alea, Cuba, 1968, 97m subtitles<br />

Sergio Corrieri, Daisy Granados<br />

An insightful portrait of a bourgeois<br />

intellectual struggling to define his role<br />

as a Cuban citizen in the wake of the<br />

Revolution. This masterpiece of Third<br />

World cinema mixes documentary footage,<br />

still photography and narrative action.<br />

Sons of Cuba (15) 9.00pm<br />

(Hijos de Cuba)<br />

Andrew Lang, UK, 2009, 88m documentary<br />

An utterly extraordinary and<br />

unflinching documentary insight into<br />

the lives of young men training for<br />

Cuba’s national boxing squad, their<br />

hopes for themselves, the rigours<br />

of their lives and their unwavering<br />

patriotism, even after recent defections<br />

of top fighters. Essential viewing.<br />

Sons of<br />

Cuba


Wednesday 14 <strong>April</strong><br />

Clive Owen Double Bill<br />

Croupier (15) 7.00pm<br />

Mike Hodges, UK, 1997, 89m<br />

Clive Owen, Gina McKee, Nick Reding<br />

The setting is the sleazy world of<br />

London’s casinos and after-hours<br />

drinking clubs. Jack wants to be a<br />

writer, but it is only when he falls back<br />

on previous skills as a croupier that a<br />

theme and a plot for his story emerge.<br />

Played and directed with consummate,<br />

compelling skill, this is a film to cherish.<br />

The Boys Are Back (12A) 8.50pm<br />

Scott Hicks, Australia/UK, 2009, 104m<br />

Clive Owen, Laura Fraser, George MacKay<br />

Joe (Owen), a British sports journalist<br />

living in Australia, finds himself having<br />

to renew his relationship with his sixyear-old<br />

son when his wife Katy (Fraser)<br />

dies suddenly. He also has to repair his<br />

bond with another son from a previous<br />

marriage. A moving examination of fatherson<br />

relations told with much humour.<br />

Thursday 15 <strong>April</strong> Double Bill<br />

Walk the Line (12A) 6.15pm<br />

James Mangold, USA, 2005, 135m<br />

Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin<br />

The Oscar winning chronicle of country<br />

music legend Johnny Cash’s life, from his<br />

early days on an Arkansas cotton farm to his<br />

rise to fame with Sun Records in Memphis.<br />

Crazy Heart (15) 8.50pm<br />

Scott Cooper, USA, 2009, 111m<br />

Jeff Bridges, Maggie Gyllenhaal, Robert Duval<br />

Bad Blake (Bridges) is a broken-down,<br />

hard living country music singer who finds<br />

himself ready for salvation with the help<br />

of Jean (Gyllenhaal), a journalist who sees<br />

the real man behind the musician. The<br />

path to redemption is not easy, however.<br />

Crazy Heart<br />

Friday 16 – Sunday 25 <strong>April</strong><br />

Italian Cinema London<br />

Please see riversidestudios.co.uk<br />

for more information<br />

Monday 26 <strong>April</strong><br />

Max Färberböck Double Bill<br />

Aimee & Jaguar (15) 6.15pm<br />

Max Färberböck, Germany, 1999, 125m subtitles<br />

Maria Schrader, Juliane Köhler, Johanna Wokalek<br />

Berlin 1943. A Jewish woman hides<br />

her identity by working for a Nazi<br />

newspaper. It seems she might survive<br />

until she falls for a woman who is the<br />

wife of an army officer. This is the<br />

record of a fascinating, dangerous<br />

existence hardly even covered by the<br />

phrase “amour fou” (mad love).<br />

Anonyma – A Woman in Berlin (15)<br />

8.40pm<br />

(Anonyma – Eine Frau in Berlin)<br />

Max Färberböck, Germany/Poland, 2008, 131m<br />

subtitles<br />

Nina Hoss, Yevgeni Sidikhin, Irm Hermann<br />

A film based on an anonymously<br />

written memoir of the same name<br />

which tells the morally complex tale of<br />

a group of German women’s endurance<br />

in WWII when Berlin was invaded by<br />

Soviet troops.<br />

Tuesday 27 <strong>April</strong> Double Bill<br />

No Man’s Land (15) 6.30pm<br />

(Nicija zemlja)<br />

Danis Tanovic, Bosnia-Herzegovina/Slovenia/Italy/<br />

France/UK/Belgium, 2001, 98m subtitles<br />

Three Bosnian soldiers, divided by<br />

politics and war, find themselves united<br />

in a battle for survival in a trench in<br />

no man’s land. The international press<br />

corps descends on the scene while<br />

UN forces try to carry out damage<br />

limitation when the situation threatens<br />

to spiral out of control. A darkly comic<br />

satire that won the 2002 Oscar for Best<br />

Foreign Language Film.<br />

Storm (15) 8.30pm<br />

Hans-Christian Schmid, Germany/Denmark/<br />

Netherlands, 2009, 105m subtitles<br />

Kerry Fox, Stephen Dillane, Anamaria Marinca<br />

A political thriller inspired by the<br />

Serbian War crimes trials. Hannah<br />

Maynard (Fox), a prosecutor at the<br />

Tribunal in The Hague, manages to<br />

convince a young Bosnian woman to<br />

testify against an alleged war criminal.<br />

This is to profoundly affect her life.<br />

Wednesday 28 <strong>April</strong><br />

Michael Moore Double Bill<br />

Sicko (12A) 6.15pm<br />

Michael Moore, USA, 2007, 113m documentary<br />

Michael Moore, George W. Bush, Richard Nixon<br />

A devastating, convincing and very<br />

entertaining documentary about the<br />

state of America’s health care. Moore<br />

smartly allows stories of ordinary<br />

Americans to be told with little or<br />

no interference.<br />

Capitalism: A Love Story (12A) 8.35pm<br />

Michael Moore, USA, 2009, 127m documentary<br />

Jimmy Carter, Ronald Reagan, Sarah Palin<br />

Moore explores the issue he has been<br />

examining throughout his career:<br />

the disastrous impact of corporate<br />

dominance on the everyday lives of<br />

Americans and the rest of the world. It<br />

explores what price Americans pay for<br />

their love of capitalisation. “Intelligent<br />

and compulsively entertaining.”<br />

Screen International<br />

Thursday 29 <strong>April</strong><br />

Michael Moore Double Bill<br />

Sicko (12A) 6.15pm<br />

Capitalism: A Love Story (12A) 8.35pm<br />

Please see Wednesday 28 <strong>April</strong> for details.<br />

Friday 30 <strong>April</strong><br />

Jean-Pierre Jeunet Double Bill<br />

Amelie (15) 6.30pm<br />

(Le fabuleux destin d'Amelie Poulain)<br />

Jean-Pierre Jeunet, France, 2001, 120m subtitles<br />

Audrey Tautou, Matthieu Kassovitz<br />

A young woman’s fate changes when<br />

she attempts to discover the owner of a<br />

face in a strange photo album. This is<br />

an inventive, charming and funny film.<br />

Micmacs (12A) 8.50pm<br />

(Micmacs à Tire-Larigot)<br />

Jean-Pierre Jeunet, France, 2009, 104m subtitles<br />

Dany Boon, André Dussollier, Omar Sy<br />

Bazil (Boon), whose father was killed<br />

by a land mine, gets even as he and<br />

a group of friends come up with an<br />

intricate and original plan to destroy<br />

two big weapons manufacturers.<br />

Storm<br />

Micmacs


INFO<br />

Information<br />

Bar and Kitchen at <strong>Riverside</strong><br />

<strong>Riverside</strong> Bar and Kitchen<br />

The atmospheric space at the heart of the building is a vibrant and<br />

contemporary setting for lunch, pre-show dinner and drinks.<br />

The <strong>Riverside</strong> Terrace is a stunning spot for entertaining.<br />

Bookings and enquiries 020 8237 1009<br />

<strong>Riverside</strong> Kitchen<br />

Seasonal daily specials with an emphasis on freshly prepared<br />

ingredients available for lunch and dinner every day.<br />

Sunday Brunch is served from 10.30am.<br />

Film Café<br />

Located in the foyer and open throughout the day serving fresh<br />

sandwiches, smoothies, salads and mozzo organic and fair trade coffee.<br />

Food served<br />

Monday – Friday<br />

Saturday<br />

Sunday<br />

Midday – 3pm<br />

4pm – 9pm<br />

12pm – 9pm<br />

10.30am – 9pm<br />

<strong>Riverside</strong> Friends<br />

Live life on the <strong>Riverside</strong>, become a Friend and enjoy<br />

our vibrant and inspirational programme of films and<br />

theatre for less. As a Friend you’ll receive invites to<br />

exclusive events and private views and you can enjoy<br />

a discounted ticket rate at BFI Southbank and Ciné<br />

lumière too.<br />

For more information and to become a Friend, please<br />

call 020 8237 1027. You can also join by sending the<br />

form below in the post; cheques should be made<br />

payable to <strong>Riverside</strong> Trust.<br />

Discounts may be subject to availability, selected events may be<br />

excluded. Full details online at riversidestudios.co.uk/friends<br />

Please cut out this page and send it to us:<br />

<strong>Riverside</strong> <strong>Studios</strong> Friends, Crisp Rd<br />

Hammersmith, London W6 9RL<br />

Your details<br />

NAME<br />

ADDRESS<br />

EMAIL<br />

TELEPHONE<br />

riversidestudios.co.uk<br />

Being a <strong>Riverside</strong> Friend entitles you to<br />

the following...<br />

Concessions price cinema tickets<br />

Concessions price theatre tickets<br />

Discount on coffee and tea<br />

Discount on food from the kitchen<br />

Discounted ticket price at Ciné lumière<br />

£1 off for screenings at BFI Southbank<br />

Invites to selected press nights and special events<br />

Email notification of special offers<br />

<strong>Riverside</strong> Friends / £30 per year / £20 concs.


This brochure is available in<br />

large print, please call 020 8237 1010 or<br />

email marketing@riversidestudios.co.uk<br />

to receive a copy.<br />

Visitors to <strong>Riverside</strong> <strong>Studios</strong><br />

Box Office<br />

Open daily<br />

12 – 9pm<br />

(closed Bank Holidays)<br />

Telephone 020 8237 1111<br />

Fax 020 8237 1001<br />

Web riversidestudios.co.uk<br />

Ticket discounts<br />

Concessions are usually available for students,<br />

unemployed, disabled plus companion, 60+, under<br />

16s, Ciné lumière, BFI members (cinema). Valid cards<br />

must be shown. For Friends and Groups discounts<br />

please check with the Box Office or online at<br />

riversidestudios.co.uk.<br />

Payment<br />

We accept Visa, MasterCard, Switch, Solo,<br />

Maestro, Delta, cash and cheques made payable<br />

to <strong>Riverside</strong> Trust.<br />

Mailing List<br />

If you would like to join our mailing list, please call the<br />

Box Office or email online@riversidestudios.co.uk.<br />

Refunds and Exchanges<br />

<strong>Riverside</strong> is unable to offer refunds or exchanges<br />

on tickets.<br />

Age Ratings<br />

Where a film programme contains films with different<br />

age ratings, the highest rating applies. <strong>Riverside</strong><br />

<strong>Studios</strong> reserves the right to ask for proof of age.<br />

Latecomers<br />

Cinema: All films start at the advertised time and<br />

latecomers will only be admitted during the first 15<br />

minutes of screening.<br />

Theatre: Latecomers may not be admitted.<br />

Access<br />

There are ramps throughout the building and a lift to<br />

our cinema.<br />

We advise our wheelchair user patrons to book in<br />

advance to guarantee their seats. An induction loop is<br />

available in the cinema only.<br />

How to get here<br />

Tube and foot from Hammersmith<br />

Piccadilly Line, District Line: From Broadway<br />

Shopping Centre, use south exit, pass Hammersmith<br />

Apollo, follow Queen Caroline Street and turn left into<br />

Crisp Road.<br />

Hammersmith & City Line: walk towards<br />

Hammersmith Apollo, follow Queen Caroline Street<br />

and turn left into Crisp Road.<br />

Public transport info on tfl.gov.uk or 020 7222 1234.<br />

Bus<br />

Buses to Hammersmith Broadway station<br />

9, 10, 27, 33, 72, 190, 209, 211, 220, 266, 267, 283, 295,<br />

391, 419, H91.<br />

Road<br />

From Hammersmith Broadway roundabout turn left<br />

at Hammersmith Apollo into Queen Caroline Street,<br />

turn left into Crisp Road.<br />

Parking<br />

Pay and Display street parking until 6.30pm.<br />

Free from 6.30pm and all day Sunday.<br />

APOLLO<br />

<strong>Riverside</strong> <strong>Studios</strong><br />

Crisp Road . Hammersmith . London . W6 9RL


CINEMA<br />

Cinema Diary<br />

<strong>March</strong> <strong>2010</strong><br />

Mon 1<br />

Tue 2<br />

Wed 3<br />

Thu 4<br />

Fri 5<br />

Sat 6<br />

Sun 7<br />

Mon 8<br />

Tue 9<br />

400 Blows (15) 7.00pm<br />

+ Treeless Mountain (PG) 8.55pm<br />

Meryl Streep in<br />

Julie & Julia (12A) 6.30pm<br />

It’s Complicated (15) 8.55pm<br />

The Last King of Scotland (15) 6.30pm<br />

+ Mugabe and the White African<br />

(TBC) 8.55pm<br />

Kinoteka 8th Polish Film Festiwal<br />

Kinematograph (15) 7.00pm<br />

+ Reverse (15) 7.15pm<br />

Kinoteka 8th Polish Film Festiwal<br />

Hanoi-Warsaw (15) 6.15pm<br />

+ My Flesh, My Blood (18) 6.45pm<br />

A Story of a Missing Car (15) 8.45pm<br />

+ Zero (18) 9.00pm<br />

Kinoteka 8th Polish Film Festiwal<br />

Roman Polanski: Shorts (15) 3.00pm<br />

Roman Polanski: Wanted and<br />

Desired (15) 4.20pm<br />

Operation Danube (15) 6.10pm<br />

All That I Love (15) 8.20pm<br />

Kinoteka 8th Polish Film Festiwal<br />

Before Twlight (15) 2.00pm<br />

Scratch (15) 4.00pm<br />

+ Case Unknown (15) 5.50pm<br />

Poste Restante (15) 8.40pm<br />

+ Sweet Rush (15) 8.55pm<br />

Up (U) 6.30pm<br />

The Hurt Locker (15) 8.25pm<br />

A Prophet (18) 8.00pm<br />

Wed 10 Control (15) 6.45pm<br />

+ Nowhere Boy (15) 9.05pm<br />

Thu 11<br />

Fri 12<br />

Sat 13<br />

Sun 14<br />

Control (15) 6.45pm<br />

+ Nowhere Boy (15) 9.05pm<br />

George Clooney in<br />

Good Night and Good Luck (PG) 7.00pm<br />

+ Up in the Air (15) 8.50pm<br />

George Clooney in<br />

Good Night and Good Luck (PG) 2.00pm<br />

+ Up in the Air (15) 3.50pm<br />

George Clooney in<br />

Good Night and Good Luck (PG) 7.00pm<br />

+ Up in the Air (15) 8.50pm<br />

Kinoteka 8th Polish Film Festiwal<br />

Polish Documentaries:<br />

Part 1 (15) 2.30pm<br />

Patricia Highsmith’s<br />

Plein Soleil (15) 6.00pm<br />

+ The American Friend (15) 8.15pm<br />

Mon 15 The Beaches of Agnès (18) 6.30pm<br />

+ Crude (TBC) 8.40pm<br />

Tue 16<br />

Ray Winstone in<br />

Nil by Mouth (18) 6.30pm<br />

+ 44 Inch Chest (18) 9.00pm<br />

Wed 17 Taiwanese Film Festival<br />

Sorry, I Love You (12) 8.00pm<br />

Thu 18<br />

Fri 19<br />

Taiwanese Film Festival<br />

Island Etude (12) 6.30pm<br />

A Place of One’s Own (15) 8.40pm<br />

Rob Marshall’s<br />

Chicago (12A) 6.15pm<br />

+ Nine (12A) 8.30pm<br />

Sat 20<br />

Sun 21<br />

DocHouse<br />

Burma VJ (12A) 12.30pm<br />

Thriller in Manila (15) 2.15pm<br />

The Mona Lisa Curse (15) 4.30pm<br />

Afghan Star (15) 7.00pm<br />

The Yes Men: Fix the World (TBC)<br />

9.00pm<br />

Kinoteka 8th Polish Film Festiwal<br />

Documentaries: Part 2 (15) 2.00pm<br />

Taiwanese Film Festival<br />

Step by Step (12) 8.30pm<br />

Mon 22 No Country for Old Men (15) 6.30pm<br />

+ The Road (15) 8.55pm<br />

Tue 23<br />

No Country for Old Men (15) 6.30pm<br />

+ The Road (15) 8.55pm<br />

Wed 24 Clint Eastwood’s<br />

Gran Torino (15) 6.00pm<br />

+ Invictus (12A) 8.15pm<br />

Thu 25<br />

Fri 26<br />

Sat 27<br />

Sun 28<br />

Clint Eastwood’s<br />

Gran Troino (15) 6.00pm<br />

+ Invictus (12A) 8.15pm<br />

Killer of Sheep (12A) 7.00pm<br />

+ Precious: Based on the Novel<br />

Push by Sapphire (15) 8.45pm<br />

Killer of Sheep (12A) 2.00pm<br />

+ Precious: Based on the Novel<br />

Push by Sapphire (15) 3.45pm<br />

Killer of Sheep (12A) 7.00pm<br />

+ Precious: Based on the Novel<br />

Push by Sapphire (15) 8.45pm<br />

Orson Welles’<br />

The Magnificent Ambersons (U) 2.30pm<br />

+ Touch of Evil (PG) 4.20pm<br />

Rob Marshall’s<br />

Chicago (12A) 6.15pm<br />

+ Nine (12A) 8.30pm<br />

Mon 29 Coen Brother’s<br />

Blood Simple (18) 7.00pm<br />

+ A Serious Man (15) 9.00pm<br />

Tue 30<br />

I’m Not There (15) 6.00pm<br />

+ Sex & Drugs & Rock & Roll (15)<br />

8.35pm<br />

Wed 31 When A Woman Ascends the Stairs<br />

(PG) 6.30pm<br />

+ Still Walking (U) 8.40pm<br />

<strong>April</strong> <strong>2010</strong><br />

Thu 1<br />

Fri 2<br />

Sat 3<br />

Sun 4<br />

Mon 5<br />

Eric Rohmer’s<br />

A Winter’s Tale (12) 6.30pm<br />

+ A Tale of Springtime (12) 8.45pm<br />

CINEMA CLOSED<br />

Helen Mirren in<br />

The Queen (12A) 2.00pm<br />

+ The Last Station (15) 4.00pm<br />

The Queen (12A) 7.00pm<br />

+ The Last Station (15) 9.00pm<br />

Helen Mirren in<br />

The Queen (12A) 2.00pm<br />

+ The Last Station (15) 4.00pm<br />

The Queen (12A) 7.00pm<br />

+ The Last Station (15) 9.00pm<br />

CINEMA CLOSED<br />

Tue 6<br />

Wed 7<br />

Thu 8<br />

Fri 9<br />

Sat 10<br />

Sun 11<br />

End of the Line (PG) 7.00pm<br />

+ Food Inc. (PG) 8.45pm<br />

The Kite Runner (12A) 6.00pm<br />

+ The Lovely Bones (12A) 8.30pm<br />

Eric Rohmer’s<br />

A Summer’s Tale (12) 6.45pm<br />

+ An Autumn Tale (12) 9.00pm<br />

Julianne Moore in<br />

Far From Heaven (12A) 6.30pm<br />

+ A Single Man (12A) 8.40pm<br />

Julianne Moore in<br />

Far From Heaven (12A) 2.30pm<br />

+ A Single Man (12A) 4.30pm<br />

Far From Heaven (12A) 6.30pm<br />

+ A Single Man (12A) 8.40pm<br />

Spirited Away (PG) 2.30pm<br />

+ Ponyo (U) 4.55pm<br />

Brief Encounter (PG) 7.00pm<br />

+ Letter from an Unknown Woman<br />

(U) 8.45pm<br />

Mon 12 Spirited Away (PG) 6.00pm<br />

+ Ponyo (U) 8.25pm<br />

Tue 13 Memories of Underdevelopment (15)<br />

7.00pm<br />

+ Sons of Cuba (15) 9.00pm<br />

Wed 14 Clive Owen in<br />

Croupier (15) 7.00pm<br />

+ The Boys Are Back (12A) 8.50pm<br />

Thu 15<br />

Walk the Line (12A) 6.15pm<br />

+ Crazy Heart (15) 8.50pm<br />

Fri 16 – Italian Cinema London<br />

Sun 25 riversidestudios.co.uk<br />

Mon 26 Max Färberböck<br />

Aimee & Jaguar (15) 6.15pm<br />

+ Anonyma – A Women in Berlin<br />

(15) 8.40pm<br />

Tue 27<br />

No Man’s Land (15) 6.30pm<br />

+ Storm (15) 8.30pm<br />

Wed 28 Michael Moore’s<br />

Sicko (12A) 6.15pm<br />

+ Capitalism: A Love Story (12A) 8.35pm<br />

Thu 29<br />

Fri 30<br />

Michael Moore’s<br />

Sicko (12A) 6.15pm<br />

+ Capitalism: A Love Story (12A)<br />

8.35pm<br />

Jean-Pierre Jeunet’s<br />

Amelie (15) 6.30pm<br />

+ Micmacs (12A) 8.50pm<br />

Cinema tickets are £7.50<br />

(£6.50 concs.) unless<br />

otherwise stated.<br />

Where a programme contains films with<br />

different age ratings, the highest rating<br />

applies. <strong>Riverside</strong> <strong>Studios</strong> reserves the<br />

right to ask for proof of age.

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