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March/April 2010 - Riverside Studios

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CINEMA<br />

Tuesday 23 <strong>March</strong><br />

Cormac McCarthy Double Bill<br />

No Country for Old Men (15) 6.30pm<br />

The Road (15) 8.55pm<br />

Please see Monday 22 <strong>March</strong> for details.<br />

Wednesday 24 <strong>March</strong><br />

Clint Eastwood Double Bill<br />

Gran Torino (15) 6.00pm<br />

Clint Eastwood, USA, 2008, 116m<br />

Clint Eastwood, Bee Vang, Ahney Her<br />

The film focuses on a Korean War<br />

vet’s reluctant friendship with a<br />

Hmong teenage boy and his immigrant<br />

family in contemporary Detroit. “An<br />

unpretentious, often very funny humanist<br />

drama which is a small jewel in Eastwood’s<br />

canon of work as a director and a<br />

highpoint in his career as an actor.” Screen<br />

International<br />

Invictus (12A) 8.15pm<br />

Clint Eastwood, USA, 2009, 133m<br />

Morgan Freeman, Matt Damon, Tony Kgaroge<br />

Nelson Mandela (Freeman), in his last<br />

term as the South African President,<br />

initiates a unique venture to unite<br />

the apartheid-torn land: enlist the<br />

national rugby team on a mission to<br />

win the 1995 Rugby World Cup. Based<br />

on a true story. “A rousing sports movie<br />

and a testament to the nobility of Nelson<br />

Mandela.” Screen International<br />

Thursday 25 <strong>March</strong><br />

Clint Eastwood Double Bill<br />

Gran Torino (15) 6.00pm<br />

Invictus (12A) 8.15pm<br />

Please see Wednesday 24 <strong>March</strong> for details.<br />

Invictus<br />

Friday 26 <strong>March</strong> Double Bill<br />

Killer of Sheep (12A) 7.00pm<br />

Charles Burnett, USA, 2008, 83m<br />

Henry G. Sanders, Kaycee Moore, Charles Bracy<br />

The film examines the Los Angeles<br />

ghetto of Watts in the mid-1970s<br />

through the eyes of Stan, a sensitive<br />

dreamer who is increasingly<br />

disillusioned by his work at the<br />

slaughterhouse. “A masterpiece of unforced,<br />

vernacular movie-making.” The Guardian<br />

Precious: Based on the Novel Push<br />

by Sapphire (15) 8.45pm<br />

Lee Daniels, USA, 2009, 110m<br />

Gabourey Sidibe, Mo’Nique, Paula Patton<br />

An extraordinary cinema experience.<br />

The film tells the story of a young black<br />

teenager’s attempt to escape her abusive<br />

background. ““Precious” simply cannot be<br />

missed, for under its tough skin the film is an<br />

unabashedly inspirational anthem, it offers<br />

the rare ecstasy of human regeneration and<br />

the discovery, on Harlem’s mean streets, of a<br />

precious gem.” Time Magazine<br />

Precious<br />

Saturday 27 <strong>March</strong> Double Bill<br />

Killer of Sheep (12A) 2.00pm<br />

Precious: Based on the Novel Push<br />

by Sapphire (15) 3.45pm<br />

Killer of Sheep (12A) 7.00pm<br />

Precious: Based on the Novel Push<br />

by Sapphire (15) 8.45pm<br />

Please see Friday 26 <strong>March</strong> for details.<br />

Sunday 28 <strong>March</strong><br />

Orson Welles Double Bill<br />

The Magnificent Ambersons (U)<br />

2.30pm<br />

Orson Welles, USA, 1942, 88m<br />

Joseph Cotton, Dolores Costello, Anne Baxter<br />

Based on a novel by Booth Tarkington,<br />

this is the story of the slow decline<br />

of the proud and imperious<br />

Amberson Family. Loving period<br />

reconstruction, superior performances<br />

from Welles’ repertory of actors and<br />

the fine cinematography make this a<br />

magnificent film.<br />

Touch of Evil (PG) 4.20pm<br />

Orson Welles, USA, 1958, 108m<br />

Charlton Heston, Orson Welles, Janet Leigh<br />

Original 1958 release version of Welles’<br />

final masterwork. A Mexican cop goes<br />

up against a corrupt detective after an<br />

incident at a border town.<br />

Sunday 28 <strong>March</strong><br />

Rob Marshall Double Bill<br />

Chicago (12A) 6.15pm<br />

Nine (12A) 8.30pm<br />

Please see Friday 19 <strong>March</strong> for details.<br />

Monday 29 <strong>March</strong><br />

Coen Brothers Double Bill<br />

Blood Simple (18) 7.00pm<br />

Joel Coen, USA, 1983, 99m<br />

John Getz, Frances McDormand, Dan Hedaya<br />

The Coen Brothers’ assured first<br />

feature tells the tale of a bar owner<br />

who hires a seedy private detective to<br />

kill his wife and her lover. When he<br />

changes the plan a chain of violent and<br />

comic misunderstandings ensue.<br />

A Serious Man (15) 9.00pm<br />

Ethan Coen/Joel Coen, USA, 2009, 105m<br />

Michael Stuhlbarg, Richard Kind, Simon Helberg<br />

Larry (Stuhlbarg) is a good husband,<br />

father and a conscientious professor at a<br />

university. One day everything starts to<br />

go wrong. The film blends black humour<br />

with profoundly personal themes. “The<br />

Coen Brothers may just have made their<br />

masterpiece with this.” The Guardian<br />

Tuesday 30 <strong>March</strong> Double Bill<br />

I’m Not There (15) 6.00pm<br />

Todd Haynes, USA, 2007, 135m<br />

Cate Blanchett, Christian Bale, Heath Ledger<br />

“A dazzling, experimental take on the life<br />

of one of popular music’s greatest enigmas,<br />

Bob Dylan. Six different actors portray<br />

several incarnations of the ground-breaking<br />

troubadour.” Rotten Tomatoes<br />

Sex & Drugs & Rock & Roll (15)<br />

8.35pm<br />

Mat Whitecross, UK, <strong>2010</strong>, 115m<br />

Andy Serkis, Olivia Williams, Naomie Harris<br />

A fictionalised look at the life of Ian<br />

Drury who was stricken with polio as a<br />

child and defied expectations becoming<br />

a founder member of Britain’s punkrock<br />

scene. “Gorgeous, celebratory cinema,<br />

unfettered and courageous.” Time Out<br />

Sex & Drugs<br />

& Rock & Roll<br />

Wednesday 31 <strong>March</strong> Double Bill<br />

When A Woman Ascends the Stairs<br />

(PG) 6.30pm<br />

(Onna ga kaidan wo agaru toki)<br />

Mikio Naruse, Japan, 1960, 111m subtitles<br />

Hideko Takamine, Tatsuya Nakadai, Masayuki Mori<br />

A stunning drama about a ginza bar<br />

hostess as she approaches thirty. “An<br />

exquisitely understated study of the plight of<br />

a young woman in an unforgiving society.”<br />

The Times

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