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March/April 2010 - Riverside Studios

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Wednesday 14 <strong>April</strong><br />

Clive Owen Double Bill<br />

Croupier (15) 7.00pm<br />

Mike Hodges, UK, 1997, 89m<br />

Clive Owen, Gina McKee, Nick Reding<br />

The setting is the sleazy world of<br />

London’s casinos and after-hours<br />

drinking clubs. Jack wants to be a<br />

writer, but it is only when he falls back<br />

on previous skills as a croupier that a<br />

theme and a plot for his story emerge.<br />

Played and directed with consummate,<br />

compelling skill, this is a film to cherish.<br />

The Boys Are Back (12A) 8.50pm<br />

Scott Hicks, Australia/UK, 2009, 104m<br />

Clive Owen, Laura Fraser, George MacKay<br />

Joe (Owen), a British sports journalist<br />

living in Australia, finds himself having<br />

to renew his relationship with his sixyear-old<br />

son when his wife Katy (Fraser)<br />

dies suddenly. He also has to repair his<br />

bond with another son from a previous<br />

marriage. A moving examination of fatherson<br />

relations told with much humour.<br />

Thursday 15 <strong>April</strong> Double Bill<br />

Walk the Line (12A) 6.15pm<br />

James Mangold, USA, 2005, 135m<br />

Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin<br />

The Oscar winning chronicle of country<br />

music legend Johnny Cash’s life, from his<br />

early days on an Arkansas cotton farm to his<br />

rise to fame with Sun Records in Memphis.<br />

Crazy Heart (15) 8.50pm<br />

Scott Cooper, USA, 2009, 111m<br />

Jeff Bridges, Maggie Gyllenhaal, Robert Duval<br />

Bad Blake (Bridges) is a broken-down,<br />

hard living country music singer who finds<br />

himself ready for salvation with the help<br />

of Jean (Gyllenhaal), a journalist who sees<br />

the real man behind the musician. The<br />

path to redemption is not easy, however.<br />

Crazy Heart<br />

Friday 16 – Sunday 25 <strong>April</strong><br />

Italian Cinema London<br />

Please see riversidestudios.co.uk<br />

for more information<br />

Monday 26 <strong>April</strong><br />

Max Färberböck Double Bill<br />

Aimee & Jaguar (15) 6.15pm<br />

Max Färberböck, Germany, 1999, 125m subtitles<br />

Maria Schrader, Juliane Köhler, Johanna Wokalek<br />

Berlin 1943. A Jewish woman hides<br />

her identity by working for a Nazi<br />

newspaper. It seems she might survive<br />

until she falls for a woman who is the<br />

wife of an army officer. This is the<br />

record of a fascinating, dangerous<br />

existence hardly even covered by the<br />

phrase “amour fou” (mad love).<br />

Anonyma – A Woman in Berlin (15)<br />

8.40pm<br />

(Anonyma – Eine Frau in Berlin)<br />

Max Färberböck, Germany/Poland, 2008, 131m<br />

subtitles<br />

Nina Hoss, Yevgeni Sidikhin, Irm Hermann<br />

A film based on an anonymously<br />

written memoir of the same name<br />

which tells the morally complex tale of<br />

a group of German women’s endurance<br />

in WWII when Berlin was invaded by<br />

Soviet troops.<br />

Tuesday 27 <strong>April</strong> Double Bill<br />

No Man’s Land (15) 6.30pm<br />

(Nicija zemlja)<br />

Danis Tanovic, Bosnia-Herzegovina/Slovenia/Italy/<br />

France/UK/Belgium, 2001, 98m subtitles<br />

Three Bosnian soldiers, divided by<br />

politics and war, find themselves united<br />

in a battle for survival in a trench in<br />

no man’s land. The international press<br />

corps descends on the scene while<br />

UN forces try to carry out damage<br />

limitation when the situation threatens<br />

to spiral out of control. A darkly comic<br />

satire that won the 2002 Oscar for Best<br />

Foreign Language Film.<br />

Storm (15) 8.30pm<br />

Hans-Christian Schmid, Germany/Denmark/<br />

Netherlands, 2009, 105m subtitles<br />

Kerry Fox, Stephen Dillane, Anamaria Marinca<br />

A political thriller inspired by the<br />

Serbian War crimes trials. Hannah<br />

Maynard (Fox), a prosecutor at the<br />

Tribunal in The Hague, manages to<br />

convince a young Bosnian woman to<br />

testify against an alleged war criminal.<br />

This is to profoundly affect her life.<br />

Wednesday 28 <strong>April</strong><br />

Michael Moore Double Bill<br />

Sicko (12A) 6.15pm<br />

Michael Moore, USA, 2007, 113m documentary<br />

Michael Moore, George W. Bush, Richard Nixon<br />

A devastating, convincing and very<br />

entertaining documentary about the<br />

state of America’s health care. Moore<br />

smartly allows stories of ordinary<br />

Americans to be told with little or<br />

no interference.<br />

Capitalism: A Love Story (12A) 8.35pm<br />

Michael Moore, USA, 2009, 127m documentary<br />

Jimmy Carter, Ronald Reagan, Sarah Palin<br />

Moore explores the issue he has been<br />

examining throughout his career:<br />

the disastrous impact of corporate<br />

dominance on the everyday lives of<br />

Americans and the rest of the world. It<br />

explores what price Americans pay for<br />

their love of capitalisation. “Intelligent<br />

and compulsively entertaining.”<br />

Screen International<br />

Thursday 29 <strong>April</strong><br />

Michael Moore Double Bill<br />

Sicko (12A) 6.15pm<br />

Capitalism: A Love Story (12A) 8.35pm<br />

Please see Wednesday 28 <strong>April</strong> for details.<br />

Friday 30 <strong>April</strong><br />

Jean-Pierre Jeunet Double Bill<br />

Amelie (15) 6.30pm<br />

(Le fabuleux destin d'Amelie Poulain)<br />

Jean-Pierre Jeunet, France, 2001, 120m subtitles<br />

Audrey Tautou, Matthieu Kassovitz<br />

A young woman’s fate changes when<br />

she attempts to discover the owner of a<br />

face in a strange photo album. This is<br />

an inventive, charming and funny film.<br />

Micmacs (12A) 8.50pm<br />

(Micmacs à Tire-Larigot)<br />

Jean-Pierre Jeunet, France, 2009, 104m subtitles<br />

Dany Boon, André Dussollier, Omar Sy<br />

Bazil (Boon), whose father was killed<br />

by a land mine, gets even as he and<br />

a group of friends come up with an<br />

intricate and original plan to destroy<br />

two big weapons manufacturers.<br />

Storm<br />

Micmacs

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