March/April 2010 - Riverside Studios
March/April 2010 - Riverside Studios
March/April 2010 - Riverside Studios
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Wednesday 14 <strong>April</strong><br />
Clive Owen Double Bill<br />
Croupier (15) 7.00pm<br />
Mike Hodges, UK, 1997, 89m<br />
Clive Owen, Gina McKee, Nick Reding<br />
The setting is the sleazy world of<br />
London’s casinos and after-hours<br />
drinking clubs. Jack wants to be a<br />
writer, but it is only when he falls back<br />
on previous skills as a croupier that a<br />
theme and a plot for his story emerge.<br />
Played and directed with consummate,<br />
compelling skill, this is a film to cherish.<br />
The Boys Are Back (12A) 8.50pm<br />
Scott Hicks, Australia/UK, 2009, 104m<br />
Clive Owen, Laura Fraser, George MacKay<br />
Joe (Owen), a British sports journalist<br />
living in Australia, finds himself having<br />
to renew his relationship with his sixyear-old<br />
son when his wife Katy (Fraser)<br />
dies suddenly. He also has to repair his<br />
bond with another son from a previous<br />
marriage. A moving examination of fatherson<br />
relations told with much humour.<br />
Thursday 15 <strong>April</strong> Double Bill<br />
Walk the Line (12A) 6.15pm<br />
James Mangold, USA, 2005, 135m<br />
Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin<br />
The Oscar winning chronicle of country<br />
music legend Johnny Cash’s life, from his<br />
early days on an Arkansas cotton farm to his<br />
rise to fame with Sun Records in Memphis.<br />
Crazy Heart (15) 8.50pm<br />
Scott Cooper, USA, 2009, 111m<br />
Jeff Bridges, Maggie Gyllenhaal, Robert Duval<br />
Bad Blake (Bridges) is a broken-down,<br />
hard living country music singer who finds<br />
himself ready for salvation with the help<br />
of Jean (Gyllenhaal), a journalist who sees<br />
the real man behind the musician. The<br />
path to redemption is not easy, however.<br />
Crazy Heart<br />
Friday 16 – Sunday 25 <strong>April</strong><br />
Italian Cinema London<br />
Please see riversidestudios.co.uk<br />
for more information<br />
Monday 26 <strong>April</strong><br />
Max Färberböck Double Bill<br />
Aimee & Jaguar (15) 6.15pm<br />
Max Färberböck, Germany, 1999, 125m subtitles<br />
Maria Schrader, Juliane Köhler, Johanna Wokalek<br />
Berlin 1943. A Jewish woman hides<br />
her identity by working for a Nazi<br />
newspaper. It seems she might survive<br />
until she falls for a woman who is the<br />
wife of an army officer. This is the<br />
record of a fascinating, dangerous<br />
existence hardly even covered by the<br />
phrase “amour fou” (mad love).<br />
Anonyma – A Woman in Berlin (15)<br />
8.40pm<br />
(Anonyma – Eine Frau in Berlin)<br />
Max Färberböck, Germany/Poland, 2008, 131m<br />
subtitles<br />
Nina Hoss, Yevgeni Sidikhin, Irm Hermann<br />
A film based on an anonymously<br />
written memoir of the same name<br />
which tells the morally complex tale of<br />
a group of German women’s endurance<br />
in WWII when Berlin was invaded by<br />
Soviet troops.<br />
Tuesday 27 <strong>April</strong> Double Bill<br />
No Man’s Land (15) 6.30pm<br />
(Nicija zemlja)<br />
Danis Tanovic, Bosnia-Herzegovina/Slovenia/Italy/<br />
France/UK/Belgium, 2001, 98m subtitles<br />
Three Bosnian soldiers, divided by<br />
politics and war, find themselves united<br />
in a battle for survival in a trench in<br />
no man’s land. The international press<br />
corps descends on the scene while<br />
UN forces try to carry out damage<br />
limitation when the situation threatens<br />
to spiral out of control. A darkly comic<br />
satire that won the 2002 Oscar for Best<br />
Foreign Language Film.<br />
Storm (15) 8.30pm<br />
Hans-Christian Schmid, Germany/Denmark/<br />
Netherlands, 2009, 105m subtitles<br />
Kerry Fox, Stephen Dillane, Anamaria Marinca<br />
A political thriller inspired by the<br />
Serbian War crimes trials. Hannah<br />
Maynard (Fox), a prosecutor at the<br />
Tribunal in The Hague, manages to<br />
convince a young Bosnian woman to<br />
testify against an alleged war criminal.<br />
This is to profoundly affect her life.<br />
Wednesday 28 <strong>April</strong><br />
Michael Moore Double Bill<br />
Sicko (12A) 6.15pm<br />
Michael Moore, USA, 2007, 113m documentary<br />
Michael Moore, George W. Bush, Richard Nixon<br />
A devastating, convincing and very<br />
entertaining documentary about the<br />
state of America’s health care. Moore<br />
smartly allows stories of ordinary<br />
Americans to be told with little or<br />
no interference.<br />
Capitalism: A Love Story (12A) 8.35pm<br />
Michael Moore, USA, 2009, 127m documentary<br />
Jimmy Carter, Ronald Reagan, Sarah Palin<br />
Moore explores the issue he has been<br />
examining throughout his career:<br />
the disastrous impact of corporate<br />
dominance on the everyday lives of<br />
Americans and the rest of the world. It<br />
explores what price Americans pay for<br />
their love of capitalisation. “Intelligent<br />
and compulsively entertaining.”<br />
Screen International<br />
Thursday 29 <strong>April</strong><br />
Michael Moore Double Bill<br />
Sicko (12A) 6.15pm<br />
Capitalism: A Love Story (12A) 8.35pm<br />
Please see Wednesday 28 <strong>April</strong> for details.<br />
Friday 30 <strong>April</strong><br />
Jean-Pierre Jeunet Double Bill<br />
Amelie (15) 6.30pm<br />
(Le fabuleux destin d'Amelie Poulain)<br />
Jean-Pierre Jeunet, France, 2001, 120m subtitles<br />
Audrey Tautou, Matthieu Kassovitz<br />
A young woman’s fate changes when<br />
she attempts to discover the owner of a<br />
face in a strange photo album. This is<br />
an inventive, charming and funny film.<br />
Micmacs (12A) 8.50pm<br />
(Micmacs à Tire-Larigot)<br />
Jean-Pierre Jeunet, France, 2009, 104m subtitles<br />
Dany Boon, André Dussollier, Omar Sy<br />
Bazil (Boon), whose father was killed<br />
by a land mine, gets even as he and<br />
a group of friends come up with an<br />
intricate and original plan to destroy<br />
two big weapons manufacturers.<br />
Storm<br />
Micmacs