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Perception in Communication

Perception in Communication

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‘<strong>Perception</strong> as a process which <strong>in</strong>dividuals organize<br />

and <strong>in</strong>terpret their sensory impressions <strong>in</strong> order to<br />

give mean<strong>in</strong>g to their environment’<br />

Or<br />

‘The process by which an <strong>in</strong>dividual ma<strong>in</strong>ta<strong>in</strong>s<br />

contact with the environment’<br />

Or<br />

‘The process whereby an <strong>in</strong>dividual receives stimuli<br />

through the various senses and <strong>in</strong>terprets them’


• <strong>Perception</strong> is a mental process to get sensory<br />

impressions and attribut<strong>in</strong>g mean<strong>in</strong>g<br />

• What one perceives is generally different from<br />

objective reality<br />

• People see, read, hear and understand th<strong>in</strong>gs<br />

differently<br />

• Th<strong>in</strong>gs / words that satisfy or are expected to<br />

satisfy / fulfil needs and expectations are<br />

perceived quickly, others not.<br />

,


• One day a father of a very wealthy family took his son on a trip<br />

to the country with the firm purpose of show<strong>in</strong>g his son how<br />

poor people live.<br />

They spent a couple of days and nights on the farm of what<br />

would be considered a very poor family. On their return from<br />

the trip, the father asked his son, "How was the trip?" "It was<br />

great, Dad".<br />

"Did you see how poor people live?" the father asked.<br />

"Oh yes", said the son. "So, tell me, what did you learn from<br />

the trip?" asked the father.<br />

The son answered, "I saw that we have one dog and they had<br />

four. We have a pool that reaches to the middle of the garden<br />

and they have a creek that has no end. We have imported<br />

lanterns <strong>in</strong> our garden and they have the stars at night.


• Our patio reaches to the front yard and they have the<br />

whole horizon. We have a small piece of land to live<br />

on and they have fields that go beyond our sight. We<br />

have servants to serve us, but they serve others.<br />

We buy our food, but they grow theirs. We have walls<br />

around our property to protect us, they have friends<br />

to protect them."<br />

The boy's father was speechless. Then his son<br />

added, "Thanks, Dad for show<strong>in</strong>g me how poor we<br />

are."<br />

Isn't perspective a wonderful th<strong>in</strong>g ? Makes you<br />

wonder what would happen if we all gave thanks for<br />

everyth<strong>in</strong>g we have, <strong>in</strong>stead of worry<strong>in</strong>g about what<br />

we don't have.*********


‣ People’s understand<strong>in</strong>g of the ideas, facts,<br />

impulses are based on their perception<br />

‣ What reality is not reality itself.<br />

‣ Number of factors operate to shape and at times<br />

filter and distort understand<strong>in</strong>g<br />

‣ Factors reside <strong>in</strong> speaker and receiver<br />

‣ When a reader/ receiver <strong>in</strong>terprets what he<br />

reads or listens the <strong>in</strong>terpretation is <strong>in</strong>fluenced<br />

by personal characteristics I.e., attitude,<br />

experience, <strong>in</strong>terest and so on.


• A word has different mean<strong>in</strong>gs<br />

• Divergent <strong>in</strong>tention to use a word / jargon<br />

• Unsatisfied needs – strong <strong>in</strong>fluences.<br />

• Experience – boss dictatorial / autocratic –<br />

change <strong>in</strong> behaviour – changed perception


• Our perception of reality is less important than<br />

reality itself.<br />

• It may be argued that there is no ultimate reality,<br />

only the illusion of our perceptions.<br />

• Our perceptions are <strong>in</strong>fluenced by:<br />

<br />

<br />

<br />

Physical elements -- what <strong>in</strong>formation your eye or<br />

ear can actually take <strong>in</strong>, how your bra<strong>in</strong> processes it.<br />

Environmental elements -- what <strong>in</strong>formation is out<br />

there to receive, its context.<br />

Learned elements -- culture, personality, habit: what<br />

filters we use to select what we take <strong>in</strong> and how we<br />

react to it.


• Colour bl<strong>in</strong>d people will not perceive ‘Red’ the way<br />

as other people do.<br />

• Those with normal vision may physically see ‘Red’<br />

similarly, but will <strong>in</strong>terpret it differently<br />

<br />

<br />

<br />

Red mean<strong>in</strong>g "stop" or "anger" or "excitement" or "<strong>in</strong><br />

debt" (US)<br />

Red mean<strong>in</strong>g "good fortune" (Ch<strong>in</strong>a)<br />

Red mean<strong>in</strong>g your school's colours


• The world deluges us with sensory<br />

<strong>in</strong>formation every second.<br />

• Our m<strong>in</strong>d produces <strong>in</strong>terpretations,<br />

images / models and perceptions to<br />

survive,<br />

• Need to select what <strong>in</strong>formation we<br />

attend to and what we remember.


• Sends out strong physical stimulus: contrast, bl<strong>in</strong>k<strong>in</strong>g,<br />

loudness, etc.<br />

• Elicits emotion -- TV dramas, memory aid: when tak<strong>in</strong>g notes<br />

on an article, write your emotional response to it<br />

• Is unexpected? (This may draw your attention or conversely,<br />

you may miss it entirely with your m<strong>in</strong>d fill<strong>in</strong>g <strong>in</strong> the miss<strong>in</strong>g<br />

pieces you expected to receive.)<br />

• Fits a pattern<br />

• Previous knowledge that gives it context<br />

• Interests you<br />

• Connects to basic needs (belong<strong>in</strong>g, sex, danger, hunger...)<br />

Cultural filters will be determ<strong>in</strong><strong>in</strong>g the answers to these<br />

questions—<br />

> What hooks your emotions?<br />

> What is "normal" and what is "unexpected", etc.


Stimulus Conditions<br />

• Intensity<br />

• Size<br />

• Message language<br />

• Novelty<br />

• Position / status<br />

• Context


Audience Conditions<br />

• Information needs<br />

• Attitude<br />

• Values<br />

• Interests<br />

• Confidence<br />

• Social context


• Noise is a physical disturbance <strong>in</strong> the signal (such<br />

as static, a torn page <strong>in</strong> a magaz<strong>in</strong>e, glare, channel<br />

overload).<br />

• ‘Noise’ describes anyth<strong>in</strong>g that might distort or<br />

<strong>in</strong>terrupt communication, e.g :-<br />

Mental distraction--your attention is elsewhere<br />

Relationship between those who are communicat<strong>in</strong>g<br />

Language gap<br />

Emotional reactions<br />

Differences <strong>in</strong> <strong>in</strong>terpretation, <strong>in</strong> knowledge


1. Every person <strong>in</strong>volved <strong>in</strong> the<br />

communication has perceptions and<br />

filters which structure how they<br />

send or receive a message.<br />

2. A message is content PLUS form --<br />

both convey mean<strong>in</strong>g.

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