Y - June 14, 2011 - Issue 174 - Y-oman.com
Y - June 14, 2011 - Issue 174 - Y-oman.com
Y - June 14, 2011 - Issue 174 - Y-oman.com
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www.radiomerge.fm<br />
So long, farewell. It has been an interesting experience<br />
sitting at the helm of Y, and it would not have been nearly as<br />
exciting as it was without the friendship, support and kindness of the<br />
following people:<br />
James Armstrong, Claudio Piretti, Malcolm Garner, Penny Destro,<br />
Ghita Mejdi, Anja Wood, Paul Varley, Nicholas Braxton-Abery, Julia<br />
Rowley, Peni Wilson and all the volunteers at Animal Adoption and<br />
Fostering, Dr. Elke at Qurum Vet Clinic, Dr. Lousie at Tafani Vet Clinic,<br />
Rasheno Nejad, Sheikh Nizar Shanfari, Tarik Al Zadjali, Peter Keage,<br />
Syed Sohraab Hasnain, Dave Pender, Kevin Hasler, Eihab Attia,<br />
Mohammed Qassim, Diya Al Tamari, Hussein Al Abdullatif, Makino and<br />
the team at the Japanese Embassy, Anne Otari… just to name a few!<br />
And thank you to Oman for an extraordinary set of experiences<br />
and memories.<br />
Enjoy Merge 104.8 and get your daily<br />
dose of the freshest tunes, news and<br />
entertainment with Merge 104.8.<br />
Rock, pop, R’n’B, house – all your<br />
favorite hits –on the road, at home,<br />
at work and at play. All the latest<br />
sounds from around the world,<br />
and angular roof; the crease lines taper towards the rear haunches, where<br />
exaggerated arches beef out the rear end. From some angles there is a clear<br />
connect to a 1950’s R-Type Continental, and the pinched lines across the side<br />
and over the front arches bolster that connect.<br />
delivered with local flavour and style.<br />
Popping in Lee Ritenour’s Harlequin album on CD – my<br />
preferred disc for testing high-end audio systems - I was<br />
immediately transported to an auditorium, where I could<br />
probably identify the particular brand of strings used in<br />
the grand piano parts on the 90’s Jazz fusion classic’s title<br />
track. I heard more detail in this Bentley than I have done<br />
with a pair of AKG-K701 headphones on! Magnificent.<br />
So much so that I called an audiophile friend of mine in<br />
Vietnam, and proceeded to blast the track to him down my<br />
cellphone, whilst racing along the Sultan Qaboos Highway.<br />
“Quem terá esse vício bendito - Quem terá o ofício bonito -<br />
Pra fazer minha gente feliz novamente?”<br />
Succulent seasonal fresh fruit. The<br />
flowing lines and low roofline of the GT make it robust<br />
yet regal, with a slightly butch, almost ‘chopped’ appeal.<br />
An enormous chrome grille rises steeply to a long bonnet<br />
It’s almost inconceivable to picture any Bentley Continental GT owner getting<br />
into another car and being truly satisfied. They’d be left wanting for the fine work<br />
of artisans and master craftsmen. The bespoke appeal of this Bentley sits at its<br />
core. And remember: this is a car that can thunder past any vehicle obstructing<br />
it, only to leave deflated egos and sections of tortured tarmac in its wake.<br />
It was Hans Urs von Balthasar who said, “Beauty is the disinterested one,<br />
without which the ancient world refused to understand itself, a world which both<br />
imperceptibly and yet unmistakably has bid farewell to our new world…” Well,<br />
it is indeed a shame that old Balthasar never got behind the wheel of Bentley’s<br />
new Continental GT. It is the most beautifully crafted and most electrifying<br />
motor vehicle on the planet. It is the stuff of dreams. It sits in a modern world,<br />
with undiluted purpose and ‘engineering resolve’; it is now the only car that<br />
creeps into my imaginary world when I sleep and the first thing on my mind<br />
when I wake. For an enthusiast such as myself, the Bentley Continental GT is<br />
an archetype of the ‘automobile collective unconscious’, from which every other<br />
modern supercar merely pays homage.