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The Rigors and Rewards of Being a Teacher - CSUSB Magazine ...

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S t u d e n t<br />

S c a p e s<br />

“When you listen, you can really phrase<br />

things, you can really balance things, you can<br />

really say, ‘More <strong>of</strong> this, less <strong>of</strong> that,’” Manny<br />

says. “You are the only one that has all <strong>of</strong> the<br />

music in front <strong>of</strong> you. A violin player only has<br />

his part. A flute player only has her part. So<br />

you know what should be going on. … I like<br />

the definition <strong>of</strong> a conductor in the sense <strong>of</strong><br />

electricity — that it flows through you <strong>and</strong><br />

it spreads out. I remember reading that the<br />

conductor is like the umbilical chord for the<br />

orchestra, because he or she needs to be<br />

connected to<br />

every single<br />

player.”<br />

<strong>The</strong> audience<br />

that<br />

afternoon at<br />

Royal Albert<br />

Hall was small,<br />

<strong>and</strong> besides<br />

the usual artists<br />

<strong>and</strong> agents<br />

in attendance<br />

there was John<br />

Boyden, head<br />

<strong>of</strong> the London<br />

Symphony,<br />

<strong>and</strong> acclaimed composer Joseph Lewistein.<br />

Backstage, Manny couldn’t sit still. But walking<br />

out on stage, arriving at the podium <strong>and</strong><br />

facing the orchestra put him at ease. He<br />

knew what he had to do, <strong>and</strong> he knew he<br />

could do it.<br />

“Conducting is about body language,<br />

<strong>and</strong> there were two rules I learned from this<br />

experience,” he’d say later. “One, conductor<br />

do no harm, do not do anything that gets in<br />

the way <strong>of</strong> the music or the orchestra, <strong>and</strong><br />

two, the ability to express color <strong>and</strong> emotion<br />

in music without words.”<br />

Manny would conduct the Haydn<br />

Variations by Brahms. <strong>The</strong> piece was large<br />

<strong>and</strong> — more than any other piece in the program<br />

— it had an “architectural” feel to it. In<br />

the beginning, the orchestra winds presented<br />

the theme, <strong>and</strong> then restated it in variations<br />

as they built upon it, adding layer upon layer,<br />

finishing with a nice passacaglia. In the end,<br />

the audience enjoyed the performance. <strong>The</strong><br />

orchestra had responded well to the Proms,<br />

it had responded well to Manny.<br />

24<br />

<strong>CSUSB</strong><br />

Fall/Winter<br />

Modified Searches<br />

for Intelligent Life<br />

It seems logical that the search for signs<br />

<strong>of</strong> intelligent life in the universe would<br />

begin on a college campus. And who better<br />

to navigate that search, than one <strong>of</strong><br />

America’s foremost comediennes, Lily<br />

Tomlin.<br />

From the “West Wing” to “A Prairie<br />

Home Companion,” Ms. Tomlin has captured<br />

the hearts <strong>of</strong> the American public<br />

with witty characters, clever acting <strong>and</strong> creative<br />

comedy. On June 2, 2007, Coussoulis<br />

Arena at Cal State San Bernardino will host<br />

Tomlin for a one-woman show, where she<br />

will talk about her life <strong>and</strong> career in a performance<br />

that may well include a “modified<br />

search.”<br />

Born in Detroit, Tomlin grew up in a<br />

working-class neighborhood on the outskirts<br />

<strong>of</strong> the city. Her role models included<br />

Lucille Ball, Bea Lillie, Imogene Coca <strong>and</strong><br />

Jean Carroll. Originally Tomlin enrolled at<br />

Wayne State University to study medicine,<br />

but her elective courses in theater arts<br />

compelled her to leave college to perform<br />

in local c<strong>of</strong>fee houses. She moved to<br />

New York in 1965, where she soon built<br />

a strong following with appearances at the<br />

Improvisation, Café Au Go Go <strong>and</strong> the<br />

Leader <strong>of</strong><br />

the Pack<br />

Human communications<br />

major Anthony<br />

Conley, Cal State San<br />

Bernardino’s newly<br />

elected Associated<br />

Students, Inc. president,<br />

has set some high goals<br />

for his <strong>of</strong>fice <strong>and</strong> himself.<br />

As he begins his term, Conley plans to<br />

develop new ways to involve students, bring<br />

awareness to ASI, <strong>and</strong> to generate positive publicity<br />

by <strong>of</strong>fering popular events.<br />

But as he pursues his degree with minors<br />

in pre-law <strong>and</strong> recording arts, he hopes to<br />

Upstairs at the Downstairs.<br />

In 1969 Tomlin joined<br />

the cast <strong>of</strong> the television<br />

show “Laugh-In” <strong>and</strong> rose<br />

to national prominence with<br />

her characterizations <strong>of</strong><br />

Ernestine, the irascible telephone<br />

operator, <strong>and</strong> Edith<br />

Ann, the devilish 6-year-old<br />

who coined the phrase,<br />

“And that’s the truth.” She<br />

went on to co-write <strong>and</strong> star<br />

in several television shows,<br />

such as the “X-Files” <strong>and</strong><br />

“Murphy Brown,” <strong>and</strong> she<br />

played President Bartlett’s<br />

assistant Debbie Fiderer on<br />

the “West Wing.”<br />

Tomlin has received six<br />

Emmys, two Tony awards, a<br />

Drama Desk Award, Outer<br />

Critics’ Circle Award, a<br />

CableAce Award, a Grammy<br />

<strong>and</strong> many other recognitions.<br />

Her Broadway credits<br />

include “Appearing Nitely” <strong>and</strong> “<strong>The</strong> Search<br />

for Signs <strong>of</strong> Intelligent Life in the Universe.”<br />

Tomlin’s motion picture career includes<br />

become a lawyer. After graduating<br />

from <strong>CSUSB</strong>, Conley plans to<br />

enroll in Loyola Marymount’s law<br />

program.<br />

Conley chose <strong>CSUSB</strong>, in<br />

part, because <strong>of</strong> its location. And<br />

although he debated between<br />

entering the Air Force, community<br />

college <strong>and</strong> <strong>CSUSB</strong>, he settled on<br />

Cal State San Bernardino because<br />

his parents recommended it. He<br />

has been involved in the California State Student<br />

Association, serving as vice president, university<br />

affairs. <strong>The</strong> organization advocates for students<br />

within the CSU system <strong>and</strong> has representatives<br />

from all CSU campuses. He has been a member<br />

<strong>of</strong> Circle K International <strong>and</strong> has served as vice<br />

president. He will be serving as the organization’s<br />

secretary this year.<br />

Anthony Conley, ASI president

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