Musical Semiotics in Growth - SemioticSigns.com

96 Maciej Jabloiski
aesthetically the fundarnental role of direct experience. yet according to
Peirce's epistemological pansemiotism, in order to become "final and
valid" the experience must be mediatecl by a sigrr (cancellation of the
nx)ment of dircctness). This gives in eft'ect a c()nception of cognition as
a continuum whose stages, inseparably co'nected with each other. create
.n the one hand the "horizontal" tlimension in compliance with the
syncrgistic nature of any cognition: and on the other hand, they.form the
"vertical" dimension "createcl" by the overlapping but "holistic,'
Values and tlteir cognition in the serniotic theory of C.S.peirce 97
Quine, W. V. (1986)._"The place of pragmaticisrs in empiricism,' [in
Polishl, Limits of science and other philosophic Essayi r, rrans. B.
Stanosz. Warsaw: n.o.
zeman, J. (1988)."Peirce's theory of sign". ,4 perfusiott of signs, Thomas
A. Sebeok (ed.). Bloomington, IN: Indiana L/niversity ijr.rr.
cognitive acts and their semantic "effects" (interpretants), having at their
tirundation the aesthetic cognition (emotional interpretant respectively)
understood lrere as the nrost ruclimentary and prereflexive form of
cogn i tiorr-experience.
Note
L
Buczynska re{ers to the
rnterpretant" ( 1975. | 32\.
logical interprerant as the "intellectual
Refe rences
Bense. M. (1980). World as the prism of Silns lin polishl, rrans. .f.
Garcwicz. Warsaw
Bucz-yriska, H. (1970). Vttlue.s and Fac't; Considerations about pragma.ttsm
lin Polishl. Warsaw.
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Dewey, John (1934). Art as Ex.pericrce. New york.
(193-5). "Peirce's theory of quality" , Journal of philosophy.
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Llill. W.t{. (1930). Peirce's pragmatic Merhotl (: philosophy of Science).
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Ildwards (ed.).76-77.
Peirce, Charles S. (1931-1935). Collected papers of Cltctrles S. pejrce. Vols
I 6. C. Harrshore ancl p. Weiss (eds.). Cinrbridge. MA: Harvard
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