Musical Semiotics in Growth - SemioticSigns.com

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Contents rO Copyright 1996 by 'l'he International Semiotics Institute & Contributors All rights reserved Forewords by Eero Tarasti xi No pad oIthis book may be reproduced or utilized in any {irrm or by any means, clectronic or mechanical, including photocopying and recording, or hy any inlbrnration storage and retrieval system. without permission in writing from the puhlishcr. 'fhc Association o1'American lJniversity Presscs' Resolution on Permissions corrstitutes the or,ly exceplion to this prohibition. Printed by Gummerus Printing. .lyviiskylii, Finland. 1996 Library of Congress Cataloging-in-Publication Data tusical scmiotics in growth / edited by liero -larasti ; assistant editors. Paul f;t'rrsell chard I-ittlefield. p. cnr. - (Acta semiotica Fennica, ISSN 1235-497X : 4) Includes bibl iographical references. ISBN 0-253-32949-3 (alk. paper). - ISIIN 0-253-21009-7 (pbk.; alk. paper) l. Music-Semiotics. 2. Music-Philosophy ancl aesthetics. 3. Musical analysis. 'l'arasti. I..ero. IL Forsell, Paul. IIL Littlcfield. Richard. IV. Series. L384_5.M9755 1996 |'. I dc20 96-21230 Philosophical approaches Eero Tarasti Music history revisited (by a semiotician) Raymond Monelle The postmodern project in music theory Cynthia M. Grund Jeremy Bentham's theory of fictions: some reflections on its implications for musical semiosis and ontology Danuta Mirka Some semiotic problems of Krzysztof Penderecki's sonoristic style . Maciei Jabtoiski Values and their cognitlon in the semiotic theory of Charles S. Peirce 3t 5l 13 83 1345 01 00 99 e8 97 96 MN Josd Luiz Martinez, Musical semiosis and the rasa theory 99
vi Corttenls Content,\ vii Principles and concepts of music analysis Affitnso Padilla Vers une conccption pluraliste de l'analyse musicale 129 .lurmiIa Doubravova Analysis and fantasy fronr the viewpoint of the interpersonal hypothesis of tnusical semantics: An attempt at analysis . . . . . 28-5 Michele lgnelz,i and Paolo Ro.sato Senriotic processes in music: Systemics and nrodelization in paradigmatic analysis Thomas NolL Musicasasubjectof sernioticanalysis ...... 163 Mdrta Grubdcz. Senriotical terminology in musical analysis 195 Rtlthni;l Brtrnner Mod6lisation ostensive-inf6rentielle de I'cuvre musicale modernc: la r6sistance au langag et au texte . . 2lg Ru.t'mond Monella Whatisamusical text'/. ... ..245 Semiotics as '(social psychology" Jean-Marie .lacono Quclles perspectives sociologiques pour une s6miotique delamusique'l ... .....263 I5r Electro-acoustics and computers Marta Grabocz. Survie ori renouveau? Imagination structurelle dans la cr6aticln 6lectroacoustique r6cente . . . 295 Francesco Giomi and Marco Ligabue A semiotic approach to computer assisted composition . . . . . . 321 Interrelationships of arts Michael Spitz.er Narratives of self-consciousness in Proust and Beethoven ' . . . 329 Ennio Simeon Some Greimasian concepts as applied to the analysis of filmrnusic """ 34'7 Sarah Menin Spatial soundings: Aalto and Sibelius - - 357 O. Danilova and Ye. Pokorskaya A nrodel of developnrent of the socio-cultural sphere . . 27j
Page 2 and 3: Musical Semiotics in Growth Edired
Page 6 and 7: viii Contents Conlents lx Vocal mus
Page 8 and 9: Maciej .lalt*tri,ski thc conncction
Page 10 and 11: 88 Mocit'i .lttlslrtri,skr Values o
Page 12 and 13: 92 Maciej .lubktilski Norv. conting
Page 14 and 15: 96 Maciej Jabloiski aesthetically t

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