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Conceptual Diagrams<br />

A tool for science communication<br />

Bill Dennison & Tim Carruthers<br />

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Conceptual diagrams<br />

• Conceptual diagrams have proven useful for<br />

science integration <strong>and</strong> applications<br />

• Technological advances have made it possible to<br />

‘click & drag’ using symbol libraries (you don’t need<br />

to be an artist)<br />

• An easy to use system that can ‘grow’ (updated<br />

with additional symbols <strong>and</strong> bases) will encourage<br />

more scientists to use conceptual diagrams <strong>and</strong><br />

communicate more effectively<br />

"Make everything as simple as possible, but not<br />

simpler." A. Einstein<br />

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What is a conceptual diagram?<br />

• “Concept” from Latin conceptus (meaning thought);<br />

something conceived in the mind<br />

• “Diagram” from Greek diagramma (meaning to mark out<br />

by lines);<br />

• a graphic design that explains rather than represents, a<br />

drawing that shows arrangement <strong>and</strong> relations<br />

• THOUGHT DRAWING<br />

• Conceptual diagram = A diagram using symbols that<br />

depicts the essential attributes of a system<br />

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Conceptual diagrams provide an interface<br />

Science<br />

Conceptual<br />

Diagram<br />

Community<br />

Current<br />

underst<strong>and</strong>ing<br />

Priorities &<br />

environmental<br />

values<br />

Credibility &<br />

support<br />

Shared vision<br />

Commitment &<br />

resources<br />

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Good conceptual diagrams are used extensively<br />

Z scheme of photosynthesis<br />

Plate tectonics<br />

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Darwin used conceptual diagrams to<br />

explain his theory of coral reef<br />

formation<br />

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Conceptual diagrams use symbols: an ancient<br />

technique to depict unequivocal messages<br />

Darwin’s conceptual diagram<br />

Cave drawing (Australian<br />

aborigines)<br />

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Symbols (icons) are a key element of conceptual diagrams<br />

• Symbol: from Greek symbolon (token of identity) <strong>and</strong> Latin symbolum (token, sign)<br />

• Symbol: A sign that signifies by virtue of sharing a property with what it represents<br />

–a. something that st<strong>and</strong>s for or suggests something else<br />

–b. a visible thing that st<strong>and</strong>s for something invisible or intangible<br />

• Symbols used in mathematics (e.g., p), chemistry (e.g., 210 Pb), music<br />

(e.g., ) weather (e.g., ), religion (e.g., ), corporations<br />

(e.g., ), <strong>and</strong> organizations (e.g., )<br />

• Symbols can be universal; language independent<br />

• Symbols are scalable; size of symbol can represent relative importance--<br />

vs.<br />

• Symbols can be information-rich; size, shape, color <strong>and</strong> position of symbols can convey<br />

information<br />

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Both shape <strong>and</strong> color of symbols<br />

can be important for recognition<br />

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Symbols are an important feature of<br />

everyday life<br />

Shape, color <strong>and</strong> images used for traffic signs<br />

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In conceptual diagrams, as in maps,<br />

symbols need to be explained in a legend<br />

Map legend:<br />

Conceptual diagram legend:<br />

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Conceptual diagrams can capture the<br />

increasing underst<strong>and</strong>ing of a system…<br />

1995 1998<br />

2001<br />

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Conceptual diagrams can depict<br />

processes at different scales…<br />

kilometers<br />

meters<br />

centimeters<br />

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Conceptual diagrams can be nested<br />

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Conceptual diagrams are not…<br />

…cartoons<br />

…model relationships<br />

… colored box & arrow diagrams<br />

… a replacement for good, wellinterpreted<br />

data<br />

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Conceptual diagrams can augment<br />

the effective communication of<br />

scientific underst<strong>and</strong>ing<br />

Conceptual diagram<br />

that uses 2 pp. of<br />

text for explanation<br />

Conceptual diagram with<br />

‘st<strong>and</strong>-alone’ legend<br />

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Literature citations can be added…<br />

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Why use conceptual diagrams?<br />

Seagrass loss in Moreton Bay<br />

• Helps to clarify<br />

thinking<br />

(words can be ambiguous, an<br />

image commits to the message<br />

being portrayed)<br />

• Communication<br />

(one way <strong>and</strong> two way –idea<br />

presentation <strong>and</strong> idea<br />

development)<br />

• Identify gaps /<br />

priorities / essential<br />

elements<br />

• Develop syntheses (or<br />

present synthesis)<br />

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Use of conceptual models facilitates<br />

hybrid diagrams of data<br />

Journal<br />

articles<br />

Books<br />

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Symbols can be used on maps <strong>and</strong> linked<br />

to species identification guides<br />

Distribution<br />

map<br />

Identification<br />

guide<br />

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Who develops/uses conceptual<br />

diagrams?<br />

Scientists<br />

Teachers<br />

Resource Managers<br />

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Various applications of conceptual<br />

diagrams<br />

Research<br />

Synthesis<br />

Monitoring<br />

Management<br />

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Conceptual diagrams can be incorporated<br />

into various publications<br />

Books<br />

Newsletters<br />

Journal<br />

publications<br />

Posters<br />

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Conceptual diagrams can be used in<br />

powerpoint presentations<br />

Overall summary<br />

Component diagrams (nested)<br />

Problem statement<br />

Problem resolution<br />

(Burford et al.)<br />

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Conceptual diagrams can be produced in<br />

real time to synthesize main messages<br />

Result of one day meeting into seagrass loss in Western Port<br />

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The Ten Comm<strong>and</strong>ments of<br />

conceptual diagrams…<br />

1. Thou shalt honor thy audience<br />

2. Thou shalt simplify<br />

3. Thou shalt not use garish colors or apply colors inconsistently<br />

4. Thou shalt not produce a diagram without a complete legend<br />

5. Thou shalt not covet a single style<br />

6. Thou shalt not be constrained by geometry<br />

7. Thou shalt not use arrows indiscriminately<br />

8. Thou shalt not be afraid of making new symbols<br />

9. Thou shalt not publish diagrams without significant editing<br />

10. Thou shalt not confine use of diagrams to scientific peers<br />

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Drawing Programs<br />

Program Web Site Price<br />

Adobe Illustrator<br />

(PC, MAC)<br />

Corel Draw<br />

(PC)<br />

Macromedia Freeh<strong>and</strong><br />

(PC,MAC)<br />

Deneba Canvas<br />

(PC, MAC)<br />

www.adobe.com * $ 45<br />

www.corel.com * $165<br />

www.macromedia.com ** $ 99<br />

www.deneba.com ** $199<br />

* ~ USM Site License<br />

** ~ Educational Price (not though USM site license)<br />

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Copyright issues<br />

http://www.copyright.gov http://www.benedict.com/homepage.htm<br />

/<br />

• © Dennison 2000 <strong>and</strong> /or add logo; but this does NOT<br />

connote any real proprietary value<br />

• Right click to grab image from web site—public<br />

supported web sites do not need permission, but<br />

permission <strong>and</strong>/or acknowledgement is<br />

recommended<br />

• Ideas not copyrightable “Copyright does not protect<br />

ideas, concepts, systems, or methods of doing<br />

something.”<br />

• Universal symbols, lists <strong>and</strong> tables from public<br />

documents are not copyrighted<br />

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Resolution issues<br />

Print/Publication<br />

300 Dots per inch (DPI)<br />

CYMK palette<br />

cyan, yellow,magenta, black<br />

Drawing files, bitmap images-<br />

May be large files (size)<br />

Monitor/Web<br />

72 DPI (also called PPI-Pixels<br />

per inch)<br />

RGB palette<br />

Red, green, blue<br />

Compressed images, small files<br />

(size)<br />

Pixel = Picture Element<br />

Text scanned in as line art at 600 DPI<br />

Paste Special when inserting image > smaller image size<br />

72 dpi 150 dpi 250 dpi<br />

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Transferring images to Powerpoint..<br />

• From the ‘edit menu’:<br />

choose ‘paste special’<br />

• For diagrams <strong>and</strong> figures use<br />

Enhanced Metafile, GIF or<br />

PNG<br />

• For photos use JPEG<br />

• This can reduce a 70Mb<br />

powerpoint file to 2Mb !!<br />

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File Types<br />

— determined by the way they<br />

represent graphic information<br />

vector<br />

raster<br />

File Name Type Primary Use<br />

*.ai Adobe Illustrator vector art work<br />

*.cdr Corel Draw vector art work<br />

*.bmp Windows bitmap format raster photographs, art work<br />

*.tif Tagged-Image Format raster, vector scanned images<br />

*.eps Encapsulated Postscript vector, raster art work<br />

*.jpg<br />

(jpeg)<br />

Joint Photographic Experts<br />

Group<br />

compressed<br />

raster<br />

photographs (web)<br />

*.gif<br />

Graphics Interchange<br />

Format<br />

compressed<br />

raster<br />

art work (web)<br />

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Creating conceptual diagrams<br />

• Define overall message (e.g., what story or stories<br />

to tell)<br />

• Identify audience (e.g., scientific peers, general<br />

audience)<br />

• List key structural & functional aspects<br />

– major processes (e.g., biogeochemical pathways,<br />

food web)<br />

– biota/habitats (e.g., forest types, wetl<strong>and</strong>s)<br />

• Experiment with ways to depict system (2D vs. 3D;<br />

mirror images; nested)<br />

• Start drawing (white boards are useful)<br />

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Layering simplifies the diagram<br />

Layer 1 (background panels)<br />

Layer 2 (Icons <strong>and</strong> Keys)<br />

Layer 3 (window dressing)<br />

Priority is assigned within layers<br />

: a ‘sent to back’ icon will be in front<br />

of the ‘sent to front’ background panel<br />

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The ‘layers’ window<br />

Creates new layers<br />

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The ‘layers’ window<br />

The currently active layer is highlighted,<br />

anything drawn or imported will be in this layer<br />

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The ‘layers’ window<br />

This locks entire layers (for eg base of model) –<br />

to work on other layers (eg icons)<br />

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The ‘layers’ window<br />

Layers are indicated by different highlight colors<br />

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Bases can be 2 or 3 dimensional<br />

• Forming Bases – Filled <strong>and</strong> Clear arrow tools<br />

• Line <strong>and</strong> Fill colors – the color/stroke/gradient menus<br />

• Textures – the swatch menu<br />

Bases<br />

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Click <strong>and</strong> drag bases…<br />

Import the<br />

‘bases palette’<br />

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Click <strong>and</strong> drag bases…<br />

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Click <strong>and</strong> drag bases…<br />

To edit base,<br />

right click &<br />

‘break link<br />

to symbol<br />

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Replicating a base fill/style<br />

Open the Style library<br />

‘Environmental..<br />

Physical Styles’<br />

Then highlight the object<br />

to receive a fill style<br />

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Replicating a base fill/style<br />

Changes fill, in this<br />

case to ‘mud’<br />

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Gradient palette<br />

Custom gradients<br />

can be found in<br />

the swatch palette<br />

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Gradient palette<br />

Useful to indicate<br />

gradual changes<br />

in water quality etc<br />

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Gradient palette<br />

Adjust mid point<br />

of gradient<br />

Create new<br />

color points<br />

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Drawing palette<br />

Pen tools (selection tools)<br />

Left click <strong>and</strong> hold on pen tool gives four options..<br />

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Pen tools (selection tools)<br />

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Pen tools (selection tools)<br />

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Pen tools (selection tools)<br />

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Pen tools (selection tools)<br />

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Pen tools (selection tools)<br />

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Outlines <strong>and</strong> Fills<br />

Fill<br />

Outline<br />

Line is defined as black <strong>and</strong> a stroke weight of 1 pt<br />

Fill is transparent (turned off)<br />

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Outlines <strong>and</strong> Fills<br />

Line is transparent (turned off)<br />

Fill is defined as light blue<br />

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Libraries<br />

Window:<br />

symbol libraries<br />

choose required<br />

library<br />

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Libraries<br />

3<br />

1<br />

2<br />

1. Create new layer<br />

2. Choose symbol<br />

3. Insert into model<br />

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Creating new symbols<br />

Find a photograph of<br />

object <strong>and</strong> import into<br />

Illustrator<br />

Lock the image<br />

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Creating new symbols<br />

Choose the st<strong>and</strong>ard<br />

pen tool<br />

Set line thickness <strong>and</strong><br />

choose an easily visible<br />

color<br />

Start tracing areas of<br />

uniform color<br />

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Creating new symbols<br />

Use the curve pen<br />

tool to smooth lines<br />

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Creating new symbols<br />

Adjust color <strong>and</strong> fill<br />

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Grouping <strong>and</strong> transforming<br />

Having created a<br />

symbol group the<br />

elements<br />

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Grouping <strong>and</strong> transforming<br />

Symbols or elements can<br />

be rotated, scaled <strong>and</strong><br />

reflected<br />

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Grouping <strong>and</strong> transforming<br />

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A range of currently available<br />

symbols<br />

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www.ian.umces.edu/conceptualdiagrams.htm<br />

Please visit our website to download the symbol libraries for<br />

Illustrator for FREE<br />

Be sure to click the “Register for FREE Instant Access” link<br />

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Acknowledgements…<br />

Eva Abal<br />

Catherine Collier<br />

Karen Holloway<br />

Diana Kleine<br />

Kate Moore<br />

Judy O’Neil<br />

Francis Pantus<br />

Dieter Tracey<br />

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Future possibilities:<br />

• Develop Stella-like functionality with conceptual diagram ‘frontend’<br />

(quantitative representations, scenario runs)?<br />

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