Celebrating 160 years & beyond! - Moore College of Art and Design
Celebrating 160 years & beyond! - Moore College of Art and Design
Celebrating 160 years & beyond! - Moore College of Art and Design
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Issue XXXI<br />
Fall 2008<br />
<strong>Celebrating</strong> <strong>160</strong> <strong>years</strong> & <strong>beyond</strong>!<br />
Inside: <strong>Moore</strong> at <strong>160</strong> Seidman Receives Visionary Woman e Bond ’96 Kresge<br />
Pew Grant Award Challenge
C O N T E N T S<br />
From the President 2<br />
Focus: <strong>Moore</strong> at <strong>160</strong> 3<br />
O N C A M P U S<br />
VisionaryWoman Award 9<br />
In the Galleries 10<br />
Commencement Highlights 12<br />
Emerging <strong>Art</strong>ists: Senior Show 14<br />
Fashion Show 16<br />
<strong>College</strong> News 18<br />
Beyond the Classroom 22<br />
Faculty: In Studio 24<br />
Faculty & Staff Notes 26<br />
A L U M N A E<br />
Cover Image:<br />
Let Them Eat Cake, 2007<br />
Laura Graham ’03<br />
Career Pr<strong>of</strong>ile 28<br />
Alumnae Notes 32<br />
Shop Style 39<br />
Portfolio 40<br />
“I think <strong>of</strong> my images as stills from dreams,” says artist <strong>and</strong><br />
photographer Laura Graham.“The seeds for my images<br />
come from experience, things I see or read, that then evolve<br />
into a strange stylized world. This piece was a reaction to<br />
consumerism <strong>and</strong> decadence in our ’developed’ culture. I see<br />
my work as sculpture as well as photography. I build each<br />
image <strong>and</strong> work with a view camera both for the quality <strong>of</strong><br />
the negative <strong>and</strong> because it creates a need to slow down <strong>and</strong><br />
set up a shot with precision.” Graham currently works as a<br />
prop manager in New York.<br />
Mission Statement:<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> prepares students for<br />
lifelong learning <strong>and</strong> leadership in fine arts, design arts,<br />
art history, curatorial studies <strong>and</strong> art education. As a<br />
college founded for women in 1848, <strong>Moore</strong> continues<br />
to advance the role <strong>of</strong> women in the visual arts <strong>and</strong> to<br />
ensure their success by bridging the worlds <strong>of</strong> education<br />
<strong>and</strong> work. As a leader in the arts <strong>and</strong> cultural<br />
communities, <strong>Moore</strong> promotes the visual arts through<br />
distinctive education <strong>and</strong> gallery programs.
Fall 2008<br />
<strong>Moore</strong> at<br />
<strong>160</strong><br />
3 This overview <strong>of</strong> the yearlong anniversary<br />
celebration takes a look at <strong>Moore</strong>’s beginning<br />
in 1848 <strong>and</strong> <strong>beyond</strong> the present to its future.<br />
Visionary<br />
Woman<br />
Award<br />
In Studio<br />
9 Fashion icon Mary McFadden is considered a<br />
“design archeologist” with far reaching impact in the<br />
areas <strong>of</strong> fashion, textiles, jewelry <strong>and</strong> home interiors.<br />
24 2008 Pew Fellowship recipient Pr<strong>of</strong>essor<br />
Anne Seidman talks about her drawing, her painting<br />
<strong>and</strong> her process.<br />
1
F R O M T H E P R E S I D E N T<br />
Changing Times<br />
Changing Lives<br />
Changing <strong>Art</strong><br />
As Philadelphia enters<br />
a new renaissance as<br />
an international city<br />
with vibrant cultural <strong>and</strong><br />
educational resources,<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong><strong>Art</strong> &<br />
<strong>Design</strong> is enriched by its<br />
<strong>160</strong>-year legacy <strong>and</strong> is<br />
poised to embrace <strong>and</strong><br />
shape the future <strong>and</strong><br />
the creative economy.<br />
We are delighted to bring you the first <strong>of</strong> three issues <strong>of</strong><br />
<strong>Moore</strong> News that will mark the <strong>160</strong>th anniversary year<br />
at <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong>. You’ll see some<br />
changes with a fresh new look <strong>and</strong> exp<strong>and</strong>ed content<br />
that demonstrates the way <strong>Moore</strong> is changing with the<br />
times, changing lives <strong>and</strong> changing art.<br />
This is going to be an exciting year. Our <strong>160</strong>th<br />
celebrations include exhibitions <strong>of</strong> the work <strong>of</strong> <strong>Moore</strong><br />
alumna Alice Neel ’25, <strong>and</strong> the fashion <strong>and</strong> textile<br />
collection <strong>of</strong> this year’s Visionary Woman Mary McFadden, a new lecture <strong>and</strong> film series,<br />
a commemorative student-designed tie <strong>and</strong> scarf, a special WHYY broadcast <strong>and</strong> a newly<br />
published pictorial history <strong>of</strong> the <strong>College</strong>.<br />
<strong>160</strong> <strong>years</strong> <strong>of</strong> educating women for careers in art <strong>and</strong> design is the amazing legacy <strong>of</strong><br />
founder Sarah Peter. I first became aware <strong>of</strong> Sarah Worthington Peter as the new President<br />
<strong>of</strong> <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> in 1999. With a background in history, education <strong>and</strong><br />
politics, I marvel at what Peter accomplished as a woman living in Philadelphia in 1848.<br />
Her story <strong>and</strong> the history <strong>of</strong> the college is powerful evidence that education <strong>and</strong> art can<br />
change lives, transforming individuals <strong>and</strong> society.<br />
It is extraordinary that Peter’s school, the first arts school for women in the nation,<br />
continues to thrive in the City <strong>of</strong> Philadelphia after <strong>160</strong> <strong>years</strong>. It is a tribute to the unique<br />
mission <strong>of</strong> the <strong>College</strong> <strong>and</strong> to the innovations <strong>and</strong> accomplishments <strong>of</strong> its faculty, leaders<br />
<strong>and</strong> graduates. Spanning three centuries, the <strong>College</strong> has embraced <strong>and</strong> adapted to the<br />
changing times.<br />
At this milestone in <strong>Moore</strong>’s history, we are in a strong position, nearing the completion<br />
<strong>of</strong> a historic $30 million capital campaign that has doubled our studio, classroom <strong>and</strong> public<br />
spaces <strong>and</strong> renovated all <strong>of</strong> our 60’s era buildings. A final phase <strong>of</strong> the capital campaign is<br />
adding climate <strong>and</strong> temperature control for The Galleries <strong>and</strong> exp<strong>and</strong>ing the capacity <strong>of</strong> the<br />
Archives, securing an important collection <strong>of</strong> records <strong>and</strong> original artwork documenting the<br />
history <strong>of</strong> the <strong>College</strong>. Preserving <strong>and</strong> honoring the past while focusing on the future is the<br />
core theme for this year: “Excellence in the <strong>Art</strong>s: <strong>160</strong> Years <strong>and</strong> Beyond.”<br />
Today, the BFA program for women, the co-educational Young <strong>Art</strong>ists Workshop <strong>and</strong><br />
adult continuing education programs prepare students to meet the highest st<strong>and</strong>ards in<br />
the arts. Three new <strong>and</strong> unique co-educational graduate programs begin next summer. As<br />
Philadelphia enters a new renaissance as an international city with vibrant cultural <strong>and</strong><br />
educational resources, <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> is enriched by its <strong>160</strong>-year legacy <strong>and</strong><br />
is poised to embrace <strong>and</strong> shape the future <strong>and</strong> the creative economy.<br />
Happy Craven Fern<strong>and</strong>ez,<br />
President<br />
2
Fall 2008<br />
<strong>Moore</strong> at <strong>160</strong> 1848-2008<br />
ChangingTimes<br />
Above left, a portrait <strong>of</strong> SarahWorthington Peter, 1854,<br />
by Jean Aubrey; Courtesy <strong>of</strong> the Ohio Historical Society.<br />
Above, <strong>Moore</strong> today at its location onThe Benjamin<br />
Franklin Parkway.<br />
For <strong>160</strong> <strong>years</strong>, <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong>, the nation’s<br />
first <strong>and</strong> only arts college for women, has led the way in<br />
educating women for careers in art <strong>and</strong> design. The roots<br />
<strong>of</strong> <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> begin with founder Sarah<br />
Worthington Peter. The well-educated wife <strong>of</strong> the British<br />
Consul arrived in Philadelphia in 1841. At the time, the<br />
City was the hub <strong>of</strong> the American Industrial Revolution.<br />
New industries, inventions <strong>and</strong> mass production meant<br />
growing consumerism <strong>and</strong> a dem<strong>and</strong> for American<br />
decorative design. The booming textile, iron <strong>and</strong> printing<br />
industries brought overcrowding. Sarah Peter was<br />
distressed over the growing poverty <strong>and</strong> despair ––<br />
especially among women <strong>and</strong> children.<br />
3
M O O R E AT 1 6 0<br />
ChangingTimes<br />
In the 1840’s, the movements for<br />
Abolition <strong>and</strong> Women’s Rights further<br />
fueled the air <strong>of</strong> ferment, change <strong>and</strong><br />
innovation. Sarah Peter believed in a<br />
woman’s right to education <strong>and</strong> economic<br />
equality. In 1848, she founded a school to<br />
educate women to become wage-earners in<br />
the emerging textile <strong>and</strong> print industries.<br />
The school, which began in her home at<br />
320 South Third Street, became the<br />
Philadelphia School <strong>of</strong> <strong>Design</strong> for Women.<br />
By 1850, however, the School’s popularity<br />
led Peter to seek broader management<br />
<strong>and</strong> support. Before moving to its<br />
current home on the Benjamin Franklin<br />
Parkway the School had at least five<br />
known addresses.<br />
The School was the first art school<br />
in the nation to emphasize commercial<br />
design in its curriculum. Peter built<br />
alliances with leaders <strong>of</strong> industry <strong>and</strong> the<br />
City to back her school. She also endorsed<br />
changes in the curriculum that kept up<br />
with industrial <strong>and</strong> market needs. In<br />
1858, the School was the first to <strong>of</strong>fer<br />
courses in teaching art in the public<br />
schools. Following Peter’s early model,<br />
classes in jacquard weaving, china<br />
painting <strong>and</strong> wood engraving gave way<br />
to those in fashion design, photography<br />
<strong>and</strong> advertising.<br />
1848,Peter’s friend<br />
Lucretia Mott gathered<br />
with women leaders in<br />
Seneca falls NewYork<br />
for the first National<br />
Woman’s Rights<br />
Convention calling for a<br />
women’s right to<br />
vote—a privilege not<br />
granted until 1920.<br />
Above, student at a Dobby loom, Philadelphia School <strong>of</strong> <strong>Design</strong> forWomen, c. 1902.<br />
Kimi Kaplowitz, <strong>Moore</strong> class <strong>of</strong> 2006, in the metals studio.<br />
4
Fall 2008<br />
<strong>Moore</strong><br />
First<br />
1848,first art school<br />
to emphasize commercial<br />
design in its<br />
curriculum.<br />
Changing Lives<br />
At age 16, Charlotte Harding, the<br />
daughter <strong>of</strong> an invalid mother <strong>and</strong> a<br />
skilled iron molder, enrolled in the School<br />
in 1889. Harding became one <strong>of</strong> several<br />
celebrated illustrators whose work appeared<br />
in Harper’s, Ladies’ Home Journal <strong>and</strong> Colliers.<br />
Anna Russell, the daughter <strong>of</strong> a Pullman<br />
porter, arrived at the School on a city<br />
scholarship <strong>and</strong> graduated as the School’s<br />
first African-American student in 1925.<br />
Russell had a successful career in several<br />
fields including rug, wallpaper <strong>and</strong><br />
graphic design. Pulitzer-Prize winning<br />
photographer, Sharon Wohlmuth, class<br />
<strong>of</strong> 1975, credits <strong>Moore</strong> <strong>and</strong> its faculty<br />
with her success.<br />
The School <strong>and</strong> faculty have had immeasurable<br />
impact on the lives <strong>of</strong> Harding,<br />
Russell, Wohlmuth <strong>and</strong> all its graduates.<br />
By 1919 the <strong>College</strong> catalog boasted <strong>of</strong><br />
having graduated, “more than 11,000<br />
women trained in the fine <strong>and</strong> applied<br />
arts.” This number has reached nearly<br />
50,000 today, <strong>and</strong> each graduate has in<br />
turn made her mark on the world.<br />
<strong>Moore</strong> got its name in 1932,when<br />
Joseph <strong>Moore</strong> Jr.,wanting to honor<br />
his parents’ memory by funding a<br />
“practical women’s school,” left a<br />
$3 million bequest.The endowment<br />
created <strong>Moore</strong> Institute <strong>of</strong><strong>Art</strong>,<br />
Science <strong>and</strong> Industry when it<br />
merged with the Philadelphia<br />
School <strong>of</strong> <strong>Design</strong> forWomen.<br />
Subsequently the name was<br />
changed to <strong>Moore</strong> <strong>College</strong> <strong>of</strong><strong>Art</strong><br />
in 1963 <strong>and</strong> then to <strong>Moore</strong><br />
<strong>College</strong> <strong>of</strong><strong>Art</strong> & <strong>Design</strong> in 1988.<br />
Anna Russell, c. 1930.<br />
Top, students painting inWilson Hall, 2007. Above, drawing class, c. 1918.<br />
For more images <strong>of</strong> <strong>Moore</strong>'s history visit www.moore.edu.<br />
5
O N C A M P U S<br />
Changing<strong>Art</strong><br />
The school’s influence on early-<br />
American art <strong>and</strong> design was realized by<br />
graduates such as members <strong>of</strong> the Red<br />
Rose Girls <strong>and</strong> the Philadelphia Ten.<br />
Other <strong>Moore</strong> alumnae include the first<br />
women to master the art <strong>of</strong> mezzotype,<br />
to serve as art director <strong>of</strong> an American<br />
advertising agency, to design fabric for<br />
an automobile interior, to design a US<br />
postage stamp <strong>and</strong> to be registered as a<br />
general contractor with the Carpenters<br />
Union. This innovation <strong>and</strong> influence<br />
continues today through <strong>Moore</strong>’s Bachelor<br />
<strong>of</strong> Fine <strong>Art</strong>s degree for women, Young<br />
<strong>Art</strong>ists Workshop, continuing education<br />
programs <strong>and</strong> The Galleries at <strong>Moore</strong>.<br />
Today, <strong>Moore</strong> graduates work in a<br />
wide range <strong>of</strong> fields as fine artists <strong>and</strong><br />
designers. They can be found in top<br />
fashion houses such as Diane von<br />
Furstenberg, designing textiles <strong>and</strong><br />
products for Target <strong>and</strong> Urban Outfitters,<br />
owning their own businesses, teaching<br />
art in the public schools, leading their<br />
own graphic design <strong>and</strong> interior design<br />
firms or exhibiting in Galleries nationally<br />
<strong>and</strong> internationally.<br />
Anniversary Oral History Project<br />
Making Their Mark: <strong>Moore</strong> Women in Their Own Words<br />
Making Their Mark: <strong>Moore</strong> Women in Their Own Words documents through extensive<br />
individual interviews <strong>Moore</strong>’s contribution to preparing women<br />
for leadership in the arts.The result is a collection <strong>of</strong> engaging<br />
stories <strong>of</strong> accomplishments <strong>and</strong> challenges from a sampling <strong>of</strong><br />
<strong>Moore</strong> alumnae, faculty <strong>and</strong> Board members. Interviews were<br />
conducted by Allison Weiss, an experienced oral historian, <strong>and</strong><br />
filmed by Matt Suib, a Philadelphia-based artist <strong>and</strong> videographer.<br />
Those interviewed include alumnae Mindy Glassman ’72,<br />
Fran Graham ’66, Janie Gross ’74, Lynne Horoschak ’66,<br />
Rochelle “Cissie” Levy ’79, Louise Zimmerman Stahl ’42, Miriam<br />
Troop ’38, Jane Walentas ’66, Deborah Warner ’69; Pr<strong>of</strong>essor<br />
Alice Oh, Dean <strong>of</strong> Students Joan Stevens <strong>and</strong> Board member Penny Wilson.<br />
Renowned illustrator MiriamTroop,<br />
class <strong>of</strong> 1938.<br />
6
Celebrate!<br />
<strong>Moore</strong>’s <strong>160</strong>thAnniversary<br />
Fall 2008<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong><strong>Art</strong> & <strong>Design</strong> will commemorate its <strong>160</strong>th anniversary with<br />
nine months <strong>of</strong> special events,exhibitions <strong>and</strong> activities inviting the <strong>Moore</strong><br />
community <strong>and</strong> the public to learn more about the School,its celebrated graduates<br />
<strong>and</strong> its integral role in the cultural life <strong>of</strong> Philadelphia.<strong>Moore</strong> is the first <strong>and</strong> only<br />
women’s art college in the nation.The <strong>College</strong> is committed to educating confident<br />
women for careers in art <strong>and</strong> design. In addition,the School continues to further open<br />
its doors to the community through a wide range <strong>of</strong> art-related opportunities<br />
available throughout the year for all ages.<br />
<strong>Moore</strong> on<br />
<strong>Moore</strong> at <strong>160</strong>: <strong>Celebrating</strong> Visionary Women in the <strong>Art</strong>s<br />
Thursday, September 18 at 9 pm<br />
Sunday, September 21 at 3 pm<br />
<strong>Moore</strong> at <strong>160</strong>: <strong>Celebrating</strong> Visionary Women in the <strong>Art</strong>s is an hour-long tribute<br />
to founder Sarah Peter, <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> <strong>and</strong> <strong>Moore</strong>’s 13<br />
Visionary Woman Awardees.The film tells the stories <strong>of</strong> these important<br />
contributors to American art: Amalia Mesa-Bains, Dorrit Bern, Denise<br />
Scott Brown, Judy Chicago, Jane Golden,Wilhelmina Cole Holladay,Thora<br />
Jacobson, Mary Ellen Mark, Mary McFadden, Linda Nochlin, Faith Ringgold,<br />
Elizabeth A. Sackler, <strong>and</strong> Adrienne Vittadini.Watch the LIVE Broadcast <strong>of</strong><br />
WHYY’s television special on <strong>Moore</strong>’s Visionary Women at home or join<br />
us on Thursday, September 18 in Stewart Auditorium for the screening.<br />
Co-hosted by The Galleries at <strong>Moore</strong> <strong>and</strong> Student Government. During<br />
the fall,WHYY will also air 13 individual short pr<strong>of</strong>iles, sponsored by<br />
Blank Rome LLP.<br />
<strong>160</strong>th Sponsors<br />
PRESENTING SPONSOR<br />
Marguerite <strong>and</strong> Gerry Lenfest<br />
GALLERIES SPONSOR<br />
Brian Tierney <strong>and</strong><br />
The Philadelphia Inquirer<br />
MOORE FOOTSTEPS SPONSOR<br />
Fran Graham ’66 <strong>and</strong> Bill Graham<br />
FASHION SHOW SPONSOR<br />
Charming Shoppes, Inc.<br />
13 VISIONARY WOMEN SPONSOR<br />
Blank Rome LLP<br />
LECTURE SERIES SPONSOR<br />
Wilmington Trust<br />
SENIOR SHOW SPONSOR<br />
Comcast Family <strong>of</strong> Companies<br />
SPECIAL SPONSORS<br />
Phoebe W. Haas Charitable Trust B<br />
as recommended by David Haas<br />
Phoebe W. Haas Charitable Trust A<br />
as recommended by Carol Haas Gravagno<br />
David's Bridal<br />
Frances <strong>and</strong> Bayard Storey<br />
Michael Fell <strong>and</strong> M&M Displays, Inc.<br />
Four Seasons Hotel<br />
Chair <strong>of</strong> the <strong>160</strong>th Anniversary Committee<br />
Frances Robertson Graham ’66, left, with<br />
Convocation speaker Federal Judge Marjorie<br />
(Midge) Rendell. Photo 2005<br />
Welcoming the Class <strong>of</strong> 2012<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> will <strong>of</strong>ficially welcome the Class <strong>of</strong> 2012 at Convocation<br />
2008. The <strong>of</strong>ficial kick <strong>of</strong>f to an exciting <strong>160</strong>th Anniversary year for the <strong>College</strong>, the ceremony will<br />
feature Federal Judge Marjorie (Midge) Rendell, wife <strong>of</strong> Pennsylvania Governor Ed Rendell, as the<br />
speaker.<br />
This year’s diverse group <strong>of</strong> incoming students hails from around the US <strong>and</strong> across the globe.<br />
They represent 14 different states, including California, Kansas,Texas,Virginia, Illinois <strong>and</strong> Minnesota.<br />
Joining <strong>Moore</strong>’s community also are international students coming from as far as South Korea,<br />
China <strong>and</strong> Nigeria.<br />
Student leaders will be on h<strong>and</strong> to welcome incoming students <strong>and</strong> make the transition to<br />
<strong>College</strong> life a smooth one. Convocation highlights include a <strong>160</strong>th Celebration Battle <strong>of</strong> the B<strong>and</strong>s,<br />
as well as a theatrical welcome presentation by <strong>Moore</strong> Student Leaders <strong>and</strong> Student Orientation<br />
Staff in conjunction with Philadelphia’s Spiral Q PuppetTheater.<br />
7
M O O R E AT 1 6 0<br />
New Lecture <strong>and</strong> Film series<br />
VisionaryVoices:Conversations on<strong>Art</strong> & Culture<br />
This fall <strong>Moore</strong> kicks <strong>of</strong>f a new program series titledVisionaryVoices: Conversations on <strong>Art</strong> <strong>and</strong><br />
Culture. Focusing on engaging <strong>and</strong> timely topics, programs feature creative thinkers from a range<br />
<strong>of</strong> disciplines in art <strong>and</strong> design.<br />
Wednesday, September 24, 2:00 – 3:30 pm<br />
Zeidman Lecture featuring Mary McFadden<br />
<strong>Art</strong> <strong>and</strong> Ancient Civilizations in Contemporary <strong>Design</strong><br />
Talk features <strong>Moore</strong>’s 2008 Visionary Woman Award recipient in dialogue with Jill Furst, Pr<strong>of</strong>essor, Liberal <strong>Art</strong>s<br />
<strong>and</strong> Michael Olszewski, Pr<strong>of</strong>essor, Textile <strong>Design</strong>. Moderated by Lorie Mertes, Rochelle F. Levy director <strong>and</strong> chief<br />
curator, The Galleries at <strong>Moore</strong>.<br />
Tuesday, October 28, 6:30 – 8:30 pm<br />
Conversation with Lowery Stokes Sims <strong>and</strong> DianneV<strong>and</strong>erlip<br />
Changing Roles <strong>of</strong> Women in Cultural Institutions<br />
Sims <strong>and</strong> V<strong>and</strong>erlip, arts pr<strong>of</strong>essionals with more than 30 <strong>years</strong> each working in museums, will talk about the evolution<br />
<strong>of</strong> their careers.<br />
Wednesday, November 12, 6:00 – 8:30 pm<br />
Screening <strong>of</strong> award-winning documentary on Alice Neel<br />
<strong>and</strong> conversation with Director Andrew Neel<br />
In conjunction with the exhibition, Alice Neel: Drawing from Life, <strong>Moore</strong> presents the Philadelphia premiere <strong>of</strong><br />
Alice Neel (2007) by Director Andrew Neel, Alice Neel’s gr<strong>and</strong>son.<br />
Tuesday, November 18, 6:30 – 8:30 pm<br />
Lecture by Mary McFadden – Goddesses, Symbols <strong>and</strong> AncientTextiles<br />
The renowned fashion designer returns to <strong>Moore</strong> for an illustrated lecture <strong>and</strong> book signing.<br />
The Zeidman Lecture is endowed by the Albert M. Greenfield Foundation.<br />
Visionary Voices is made possible through the generous support <strong>of</strong> Wilmington Trust.<br />
<strong>College</strong> History Published<br />
Available starting August 28 will be the <strong>College</strong>’s<br />
<strong>160</strong>th commemorative history, <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong><br />
& <strong>Design</strong>. Published by Arcadia Publishing. This book<br />
captures through photographs <strong>and</strong> historical<br />
narrative many <strong>of</strong> the School’s significant<br />
moments, as well as milestones that have<br />
impacted the education <strong>of</strong> women <strong>beyond</strong><br />
the School’s campus.The book is available<br />
for sale inThe <strong>Art</strong> Shop at <strong>Moore</strong>, online<br />
<strong>and</strong> in major bookstores.<br />
ALUMNAE CELEBRATE<br />
MOORE AT <strong>160</strong><br />
<strong>Moore</strong> alumnae have planned several<br />
events in celebration <strong>of</strong> the <strong>160</strong>th<br />
Anniversary. <strong>Moore</strong> Footsteps, six-foottall<br />
boots, will be placed in indoor<br />
spaces throughout the city, each<br />
uniquely designed by <strong>Moore</strong> alumnae.<br />
Read more on page 30.<br />
For a complete listing <strong>of</strong> <strong>160</strong>th<br />
programs,events <strong>and</strong> exhibitions<br />
visit www.moore.edu.<br />
8
Fall 2008<br />
Mary McFadden<br />
VISIONARY WOMAN AWARD<br />
SPONSORS<br />
FOUNDING SPONSOR<br />
The Albert M. Greenfield Foundation<br />
VISIONARY<br />
Penelope P. Wilson<br />
INNOVATORS<br />
Comcast Family <strong>of</strong> Companies<br />
LEADERS<br />
Blank Rome LLP<br />
Frances R. Graham ’66 <strong>and</strong> William Graham<br />
PNC Bank<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> is<br />
honoring world-renowned fashion designer<br />
Mary McFadden as the 2008 recipient <strong>of</strong><br />
its annual Visionary Woman Award. She<br />
will receive the award on September 24.<br />
Proceeds from the gala go to the Visionary<br />
Woman Award Scholarship Fund.<br />
Mary McFadden is known for her<br />
exquisite personal style <strong>and</strong> unique<br />
creative design talent, which she brought<br />
to life most notably through women’s<br />
fashion, but also through textile design,<br />
jewelry, costume crafting <strong>and</strong> interior<br />
styling. Influenced by her global travel,<br />
McFadden is considered a “design<br />
archeologist.” Her signature look was<br />
admired <strong>and</strong> adopted by women such as<br />
Jacqueline Kennedy Onassis.<br />
“We are honored to have Mary<br />
McFadden – a true creative icon – as<br />
a central part <strong>of</strong> our <strong>160</strong>th anniversary<br />
celebration,” says <strong>Moore</strong> President<br />
Dr. Happy Craven Fern<strong>and</strong>ez. “She<br />
embodies the possibilities <strong>of</strong> what a<br />
talented, determined <strong>and</strong> confident<br />
woman can achieve in the world <strong>of</strong> art a<br />
nd design.”<br />
As part <strong>of</strong> <strong>Moore</strong>’s <strong>160</strong>th anniversary,<br />
McFadden will install Goddesses, an<br />
exhibition <strong>of</strong> her designs <strong>and</strong> personal<br />
textile collection in The Galleries at<br />
<strong>Moore</strong>, which will run August 28 to<br />
December 6, 2008. She will also present<br />
two free public lectures: the Zeidman<br />
Lecture with <strong>Moore</strong> Pr<strong>of</strong>essors Jill Furst<br />
<strong>and</strong> Michael Olszewski moderated by<br />
Gallery Director Lories Mertes on<br />
September 24, <strong>and</strong> a second Goddesses,<br />
Symbols <strong>and</strong> Ancient Textiles on November<br />
18, 2008. She will return to Philadelphia<br />
on May 16, 2009, when she will be a guest<br />
judge at <strong>Moore</strong>’s Spring Fashion Show.<br />
PACESETTERS<br />
American International Group, Inc.<br />
The Bank <strong>of</strong> New York Mellon<br />
Janice <strong>and</strong> <strong>Art</strong> Block<br />
Campbell Soup Company<br />
Chubb Group <strong>of</strong> Insurance Companies<br />
Drinker, Biddle & Reath LLP<br />
L. F. Driscoll Co.<br />
Happy <strong>and</strong> Dick Fern<strong>and</strong>ez<br />
Fox Rothschild<br />
Penny <strong>and</strong> Bob Fox<br />
Sis <strong>and</strong> Ray Grenald<br />
Hangley,Aronchik, Segal & Pudlin<br />
Bonnie <strong>and</strong> David Joseph<br />
Keystone Outdoor Advertising Company, Inc.<br />
Rochelle Levy ’79 <strong>and</strong> Robert Levy<br />
McDonald's Philadelphia Region<br />
McFadden, Pilkington & Ward LLP<br />
McGinn Security<br />
Elizabeth <strong>and</strong> Colin Oerton<br />
PECO<br />
Pepper Hamilton LLP<br />
Philadelphia Eagles<br />
Adele K. <strong>and</strong> Harold Schaeffer<br />
Wm. A.J. Shaeffer Sons, Inc<br />
Spring Garden Construction<br />
Frances <strong>and</strong> Bayard Storey<br />
Verizon<br />
Dimitri J.Ververelli, Inc.<br />
FRIENDS<br />
Dr. Carolyn T. Adams<br />
Add Gerry <strong>and</strong> Dick Fox<br />
Mindy Glassman ’72<br />
Graboyes Commercial Window Co.<br />
INTECH Construction, Inc.<br />
Deborah Larkin ’70<br />
Leslie <strong>and</strong> Andrew Price<br />
Saul Ewing LLP<br />
List as <strong>of</strong> August 1, 2008<br />
9
O N C A M P U S<br />
Mary McFadden, Dress from the “Etruscan” collection 1987. Photo: Angelo Caggiano, courtesy Mary McFadden.<br />
InThe Galleries<br />
The Galleries at <strong>Moore</strong> Kick Off the<br />
<strong>160</strong>th Anniversary with Two Major Exhibitions<br />
Mary McFadden: Goddesses<br />
Goldie Paley Gallery <strong>and</strong> Window on Race<br />
August 28 – December 6, 2008<br />
Inspired by the art <strong>and</strong> culture <strong>of</strong> ancient Egyptian, Greek, Celtic,<br />
Byzantine, Pre-Columbian, Indian <strong>and</strong> African civilizations, renowned<br />
fashion designer Mary McFadden has assembled a pantheon <strong>of</strong> creations<br />
for the adornment <strong>of</strong> the feminine form. Gowns, clothing ensembles<br />
<strong>and</strong> jewelry spanning the designer’s thirty-five year career, as well as<br />
McFadden’s personal collection <strong>of</strong> textiles, are featured in this exhibition<br />
curated by Lorie Mertes, Rochelle F. Levy director <strong>and</strong> chief curator.<br />
Presented with assistance from the Allentown <strong>Art</strong> Museum.<br />
Alice Neel, Marilyn Symmes, 1981, oil on canvas, 40 x 30 inches.<br />
Courtesy The Estate <strong>of</strong> Alice Neel.<br />
Alice Neel – Drawing from Life<br />
Levy Gallery for the <strong>Art</strong>s in Philadelphia<br />
August 28 – December 6, 2008<br />
Alice Neel (1900 - 1984), a Philadelphia native <strong>and</strong><br />
1925 alumna <strong>of</strong> <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong>, is<br />
known for psychologically penetrating works that<br />
chronicle her life <strong>and</strong> times. The exhibition features a<br />
selection <strong>of</strong> portraits <strong>and</strong> still lifes, spanning more than<br />
fifty <strong>years</strong>, that examine drawing as the primary process<br />
in both her works on paper <strong>and</strong> paintings. A self-proclaimed<br />
“collector <strong>of</strong> souls,” Neel’s bold, drawing-based<br />
approach reflects the artist’s lifelong commitment to<br />
the individual <strong>and</strong> the moment. Curated by Lorie<br />
Mertes, Rochelle F. Levy director <strong>and</strong> chief curator.<br />
Upcoming Exhibitions in The Galleries:<br />
Women Through the Lens <strong>of</strong> Time: Students Select from<br />
180 Years <strong>of</strong> Photojournalism at The Philadelphia Inquirer<br />
Levy Gallery for the <strong>Art</strong>s in Philadelphia<br />
January 23 – March 14, 2009<br />
The exhibition is drawn from the archives <strong>of</strong> The Philadelphia Inquirer,<br />
in print for nearly 180 <strong>years</strong>, <strong>and</strong> organized <strong>and</strong> curated by <strong>Moore</strong><br />
students from various majors participating in an Independent Study<br />
project with the Galleries. The photographs in the exhibition feature<br />
people, subjects, issues <strong>and</strong> events from around the world that the<br />
student curators feel have reflected or shaped women’s lives: in the past,<br />
in the present, <strong>and</strong> future.<br />
Brian Tierney & The Philadelphia Inquirer is the Galleries Presenting Sponsor for the <strong>160</strong>th Anniversary Year<br />
Footsteps – Annual Alumnae Exhibition<br />
January 23 – March 14, 2009<br />
Yumi Kori<br />
Goldie Paley Gallery<br />
January 30 – March 14, 2009<br />
InSights: Devon Dikeou – Marilyn Monroe<br />
wanted to be Buried in Pucci<br />
Window on Race Street<br />
January 30 – February 28, 2009<br />
For a complete listing <strong>of</strong> exhibitions<br />
visit www.moore.edu.<br />
10
Fall 2008<br />
Gallery News<br />
2nd Annual Curating &<br />
Education Luncheon<br />
The 2nd Annual Curating & Education Luncheon<br />
was presented by The Galleries at <strong>Moore</strong> <strong>and</strong><br />
Janet Kaplan, director <strong>of</strong> <strong>Moore</strong>’s Curatorial<br />
Studies major, on March 20. The program drew<br />
more than 60 area artists, arts pr<strong>of</strong>essionals <strong>and</strong><br />
curators from galleries, museums <strong>and</strong> other<br />
not-for-pr<strong>of</strong>it organizations, as well as <strong>Moore</strong><br />
faculty <strong>and</strong> students. The Curating & Education<br />
programs are made possible through the generous<br />
support <strong>of</strong> Frances <strong>and</strong> Bayard Storey.<br />
Summer fun at <strong>Moore</strong> –<br />
Pamela Deitrich ’70 Circus Time<br />
<strong>and</strong> Family Fun Day<br />
Circus Time, presented in the Graham Gallery June 6 through<br />
August 9, featured bright, colorful drawings <strong>of</strong> clowns, tigers <strong>and</strong><br />
tightrope walkers created by <strong>Moore</strong> alumna Pamela Deitrich ’70<br />
during live performances at Big Apple Circus. The drawings<br />
are the basis <strong>of</strong> a forthcoming children’s book. In addition to an<br />
artist’s talk, The Galleries presented a Family Fun Day on July 12 in<br />
conjunction with the exhibition. More than 50 children <strong>and</strong> their<br />
families enjoyed making their own Circus Storybooks <strong>and</strong><br />
listening to circus tales told by storytellers from the Free Library<br />
<strong>of</strong> Philadelphia.<br />
A lunchtime series <strong>of</strong> artist talks,<br />
tours <strong>and</strong> film screenings designed to fit<br />
everyone’s hectic schedule so you can<br />
simultaneously fuel your body while you<br />
feed your mind.<br />
Friday, October 10 <strong>and</strong> Tuesday,<br />
October 21, 11:45 am – 12:45 pm<br />
Film screening <strong>of</strong> The Powers <strong>of</strong> Ten<br />
Charles <strong>and</strong> Ray Eames’ 1977 acclaimed film is<br />
presented in conjunction with <strong>Design</strong>Philadelphia<br />
<strong>and</strong> the October celebrations <strong>of</strong> The Powers <strong>of</strong> Ten<br />
held nationwide to promote awareness, underst<strong>and</strong>ing<br />
<strong>and</strong> tolerance.<br />
Wednesday, October 15,<br />
11:45 am – 12:45 pm<br />
Gallery Talk on Alice Neel<br />
Author <strong>and</strong> art historian Sarah Powers talks about the<br />
life <strong>and</strong> work <strong>of</strong> Alice Neel.<br />
Thursday, October 16,<br />
11:45 am – 12:45 pm<br />
Film screening <strong>of</strong> Green:<br />
The New Red, White <strong>and</strong> Blue<br />
Screening <strong>of</strong> New York Times columnist <strong>and</strong> three-time<br />
Pulitzer Prize-Winner Thomas Friedman’s film about<br />
the other inconvenient truth, the unprecedented scale<br />
<strong>of</strong> changes that need to be made in the world<br />
to combat global warming. Presented in<br />
conjunction with <strong>Design</strong>Philadelphia.<br />
11
O N C A M P U S<br />
Commencement 2008<br />
On Monday, May 19, President Happy<br />
Fern<strong>and</strong>ez <strong>of</strong>ficiated at <strong>Moore</strong> <strong>College</strong> <strong>of</strong><br />
<strong>Art</strong> & <strong>Design</strong>’s 159th Commencement<br />
Ceremony, held at Philadelphia’s historic<br />
Academy <strong>of</strong> Music. With pr<strong>of</strong>essors,<br />
family <strong>and</strong> friends cheering them on, 103<br />
seniors matriculated.<br />
Commencement speaker, Philadelphia<br />
Mayor Michael A. Nutter encouraged<br />
graduates to contribute to the cultural life<br />
<strong>of</strong> the city by staying <strong>and</strong> working in<br />
Philadelphia. Pr<strong>of</strong>essing an appreciation <strong>of</strong><br />
art, but a lack <strong>of</strong> talent, the mayor invited<br />
interior design grad Kristina Horyn<br />
to decorate his <strong>of</strong>fice in<br />
City Hall.<br />
Valedictorian Roseanne D’Andrea,<br />
fine arts: 3D, acknowledged, “We can’t<br />
help but be a little sad. Leaving behind a<br />
wonderful place like <strong>Moore</strong> won’t be<br />
easy.” Then she added, “But we’re ready.<br />
We’ve been preparing for <strong>years</strong> <strong>and</strong> now<br />
it’s our turn to go out there <strong>and</strong> make a<br />
mark, contribute to society <strong>and</strong> find<br />
2<br />
what makes us happy.”<br />
1<br />
“We’ve been preparing<br />
for <strong>years</strong> <strong>and</strong> now it’s<br />
our turn to go out<br />
there <strong>and</strong> make a mark,<br />
contribute to society <strong>and</strong> find<br />
what makes us happy.”<br />
2<br />
12
Fall 2008<br />
4<br />
3 5<br />
1. Fashion design grads left to right, Vanessa Ewing, Teresa<br />
Frydrych <strong>and</strong> Jakia H<strong>and</strong>y cheering fellow graduates at<br />
this year’s Commencement Ceremony.<br />
2. Left to right, interior design majors Kristina Horyn <strong>and</strong><br />
Annemarie Casino.<br />
3. Valedictorian Roseanne D’Andrea following her speech.<br />
4. Commencement Speaker Mayor Michael A. Nutter.<br />
5. Left to right, graphic design major Raquel James with<br />
illustration major Ebony Segers.<br />
6. <strong>Art</strong>bloggers Roberta Fallon <strong>and</strong> Libby Ros<strong>of</strong> receiving<br />
honorary Doctorates <strong>of</strong> Fine <strong>Art</strong>s from President<br />
Happy Fern<strong>and</strong>ez, far left, as well as Chair <strong>of</strong> the Board<br />
<strong>of</strong> Trustees Penny Fox <strong>and</strong> Chair <strong>of</strong> the Board <strong>of</strong><br />
Managers John J. Donnelly.<br />
6<br />
Bloggers Honored –– Roberta Fallon <strong>and</strong><br />
Libby Ros<strong>of</strong>, artists <strong>and</strong> writers who created the<br />
internationally acclaimed <strong>Art</strong>blog, received<br />
honorary Doctorates <strong>of</strong> Fine <strong>Art</strong>s from <strong>Moore</strong> at<br />
Commencement 2008. This may be another first<br />
for <strong>Moore</strong>, as the two become perhaps the first<br />
bloggers to be awarded honorary degrees in the<br />
US. Founded in 2003, <strong>Art</strong>blog grew out <strong>of</strong><br />
Fallon <strong>and</strong> Ros<strong>of</strong>’s 18-year collaboration as artists<br />
<strong>and</strong> gallery-goers. With over 55,000 hits a month<br />
from all over the world, <strong>Art</strong>blog was named one <strong>of</strong><br />
the top five art blogs by <strong>Art</strong> in America (2007).<br />
Graduation, 1915<br />
13
O N C A M P U S<br />
Senior Show 2008<br />
Emerging <strong>Art</strong>ists <strong>and</strong> <strong>Design</strong>ers: Senior Show<br />
2008 opened with a VIP reception for design<br />
pr<strong>of</strong>essionals, collectors <strong>and</strong> curators presented<br />
by Locks Career Center for Women in the<br />
<strong>Art</strong>s. On view from April 23 – May 18, the<br />
exhibition showcased artwork from 48 <strong>of</strong> the<br />
<strong>College</strong>’s seniors, representing the Fine <strong>Art</strong>s,<br />
Graphic <strong>Design</strong>, Interior <strong>Design</strong>, Textile<br />
<strong>Design</strong>, Illustration, <strong>Art</strong> Education <strong>and</strong> <strong>Art</strong><br />
History, along with fashion sketches by the<br />
Fashion <strong>Design</strong> seniors.<br />
The exhibition drew excellent reviews from<br />
Philadelphia arts media. “The exhibition at<br />
<strong>Moore</strong> is by far the best student show that I’ve<br />
seen in <strong>years</strong>,” wrote art critic F. Lennox<br />
Campello for Broad Street Review. He singled<br />
out several seniors for praise, including<br />
Valedictorian Roseanne D’Andrea, describing<br />
the fine arts: 3D major’s installation as “a<br />
triumphant achievement for both the artist<br />
<strong>and</strong> for <strong>Moore</strong>.” The <strong>College</strong>’s illustration<br />
majors received kudos from <strong>Art</strong>blog. Libby<br />
Ros<strong>of</strong>, <strong>Art</strong>blog co-creator <strong>and</strong> editor, wrote,<br />
“<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong>’s graduating<br />
seniors show is great, <strong>and</strong> the illustration<br />
students rock the gallery. I admired every<br />
one <strong>of</strong> them.”<br />
Above, An installation view <strong>of</strong> The Goldie<br />
Paley Gallery, Emerging <strong>Art</strong>ists <strong>and</strong><br />
<strong>Design</strong>ers: Senior Show 2008, showing<br />
work by textile design majors <strong>and</strong> fine<br />
arts 3:D majors.<br />
Right, textile design major Deanna<br />
Campisi’s Stripped Fleur 2008, h<strong>and</strong><br />
<strong>and</strong> digitally rendered, digitally printed,<br />
18 x 18 inches.<br />
Illustration major Kirsten Travers’ Marge Discovers the Open Fridge 2008, a spread from<br />
the book Winston <strong>and</strong> the Magical Refrigerator, marker <strong>and</strong> colored pencil on paper.<br />
14<br />
Final critique <strong>of</strong> senior Samantha Hill’s<br />
installation, The Family Room 2008.
Fall 2008<br />
Synthetic Experience 2008, a mixed media installation by fine arts: 3D major Stacia Eve Paul.<br />
“The exhibition at<br />
<strong>Moore</strong> is by far the best<br />
student show that I’ve<br />
seen in <strong>years</strong>.”<br />
Fine arts: 3D major Am<strong>and</strong>a<br />
Ferraro’s Bracelet 2008,<br />
nickel silver.<br />
Fine arts: 2D major Am<strong>and</strong>a Oropallo’s Untitled 2008 (detail),<br />
acrylic on MDF, 64.5 x 49 inches.<br />
Fine arts: 3D major Roseanne D’Andrea’s three-part installation (left to right)<br />
VI. Veronica Wipes The Face <strong>of</strong> Jesus 2008, poplar, walnut, Kozo paper, Gampi<br />
paper, pastel on linen, 96 x 48 x 24 inches; VII. Jesus Falls for the Second Time<br />
2008, poplar, walnut, paulownia, nails, 96 x 48 x 36 inches; <strong>and</strong> VIII. Jesus Meets<br />
the Women 2008, poplar, styrene, fabric, found objects, 96 x 48 x 24 inches.<br />
Haas Fine <strong>Art</strong>s Achievement Award<br />
Textile design senior Melanie Bergwall received the<br />
29th Annual Rohm & Haas Fine <strong>Art</strong>s Achievement<br />
Award. John C. Haas, former Rohm & Haas director,<br />
personally presented Bergwall with the award during<br />
a ceremony at the company’s headquarters. The<br />
Haas Award is a purchase prize, <strong>and</strong> Bergwall’s work,<br />
Untitled 2008, digital print on acetate, will be on<br />
display at the company’s <strong>of</strong>fices in the Delaware Valley.<br />
15
O N C A M P U S<br />
Fashion Show<br />
<strong>Moore</strong>’s Fashion <strong>Design</strong> Department<br />
invites critics <strong>and</strong> judges who are industry<br />
pr<strong>of</strong>essionals from around the nation,<br />
including many <strong>Moore</strong> alumnae who<br />
return to participate. This year’s swimwear<br />
critic Toby Markulin ’89 has a relationship<br />
with <strong>Moore</strong> that spans 20 <strong>years</strong>.<br />
The two biggest awards <strong>of</strong> the night<br />
were “Most Saleable Award” <strong>and</strong> “Best <strong>of</strong><br />
Show.” <strong>Moore</strong> Board \-member Anthony<br />
DeSabato, Executive VP, Corporate <strong>and</strong><br />
Labor Relations, Charming Shoppes, Inc.,<br />
presented the “Most Saleable Award” to<br />
senior Laine Henry for her childrenswear<br />
collection inspired by Maruice Sendak’s<br />
Where the Wild Things Are.<br />
“Best <strong>of</strong> Show” went to senior Jakia<br />
H<strong>and</strong>y for her womenswear collection.<br />
H<strong>and</strong>y used <strong>Moore</strong> Basics Chair <strong>and</strong> Fine<br />
<strong>Art</strong>s Pr<strong>of</strong>essor Moe Brooker’s original art<br />
printed on silk for some <strong>of</strong> her collection.<br />
Dawn Mohr, Director <strong>of</strong> Product<br />
Development at David’s Bridal, presented<br />
the award.<br />
1<br />
Last-minute preparations gave way to<br />
lights, music <strong>and</strong> dramatic fashions, as<br />
models took to the runway at <strong>Moore</strong>’s<br />
Fashion Show 2008, May 18. Funded by<br />
presenting sponsor David’s Bridal <strong>and</strong><br />
corporate patron Charming Shoppes,<br />
Inc., the program was held at the Society<br />
Hill Sheraton. The Show started with<br />
two collections by junior fashion design<br />
students: swimwear <strong>and</strong> menswear.<br />
Swimwear took inspiration from the<br />
flags <strong>of</strong> particular countries, while<br />
menswear was inspired by men’s hat<br />
styles. The juniors worked in teams<br />
for menswear. For the childrenswear<br />
collections by sophomores, the theme<br />
was Strike a Posy.<br />
The spotlight then shone on the<br />
eighteen senior fashion design collections.<br />
Many <strong>of</strong> the collections included<br />
h<strong>and</strong>work <strong>and</strong> original fabrics. The<br />
seniors each did a collection in a<br />
category <strong>of</strong> their choice.<br />
The Show finale, eveningwear,<br />
highlighted the theme Bon Voyage:<br />
Decked Out in Navy <strong>and</strong> White. The critic<br />
for the eveningwear segment was<br />
Alex<strong>and</strong>ra de Yonge ’02, a designer<br />
with Diane Von Furstenberg in NY.<br />
16<br />
2
Fall 2008<br />
2008 Critic Award Winners:<br />
Chilldrenswear: sophomore Dominique Streater<br />
Critic: Anna Gusinde ’01, Delta Galil, Ltd., NY<br />
Swimwear: junior Lauren Lafey<br />
Critic Toby Markulin ’89, Stargate, Inc., NY<br />
Menswear: junior Sarah Tonemah<br />
Critics: Lynette Kirk ’91, LL Bean <strong>and</strong> Lisa Parmer<br />
Ditti ’91, freelancer<br />
Fashion Show fitting, c. 1920<br />
Senior Collection: senior Lauren Orlogg<br />
Critic: Frank Agostino, Agostino, Bryn Mawr<br />
Eveningwear: senior Diva Borelli<br />
Critic: Alex<strong>and</strong>ra de Yonge, designer with<br />
Diane Von Furstenburg, NY<br />
Judges<br />
Rebecca Allred ’95, <strong>Design</strong>er, Lily Pulitzer<br />
Rebecca Jordan ’03, Charming Shoppes, Inc.<br />
Rob Lehmann, Philadelphia University<br />
Dawn Mohr, David’s Bridal<br />
Sarah Rodowicz, Bloomingdale’s<br />
Kia Gamburg ’01, Lion’s Crest, LLC<br />
1. A bathing suit design by junior Ashley Banning<br />
inspired by the Japanese flag.<br />
2. Dress by senior Inanna Jessup.<br />
3. This year’s “Best <strong>of</strong> Show” award winner Jakia<br />
H<strong>and</strong>y (left) with a model wearing one <strong>of</strong> her<br />
designs.<br />
4. Left to right, fashion design senior Carol Lukasik<br />
<strong>and</strong> junior Lauren Lafey make final behind-thescenes<br />
preparations.<br />
5. Laine Henry (left) receives the “Most Saleable<br />
Collection” award from <strong>Moore</strong> Board-member<br />
Anthony DeSabato, VP, Corporate <strong>and</strong> Labor<br />
Relations, Charming Shoppes, Inc.<br />
4<br />
5<br />
3<br />
Sponsors<br />
Presenting Sponsor<br />
David’s Bridal<br />
Corporate Patron<br />
Charming Shoppes, Inc.<br />
Corporate Friends<br />
Lilly Pulitzer<br />
NAMSB Foundation, Inc.<br />
Palmer Waterpro<strong>of</strong>ing<br />
And individual supporters <strong>and</strong> friends.<br />
5<br />
17
C O L L E G E N E W S<br />
The Kresge Challenge<br />
In March, the Kresge<br />
Foundation approved a<br />
prestigious Kresge Challenge<br />
Grant <strong>of</strong> $400,000 to the<br />
<strong>College</strong>. The highly competitive<br />
grant is a strong endorsement<br />
<strong>of</strong> <strong>Moore</strong>’s mission <strong>and</strong><br />
vision as a premier center<br />
for visual arts education.<br />
The $400,000 grant challenges <strong>Moore</strong><br />
alumnae <strong>and</strong> friends to raise $1.66 million<br />
toward the completion <strong>of</strong> the $30 million<br />
Capital Campaign. To do so, the <strong>College</strong><br />
needs to bring in 400 new gifts by<br />
January 1, 2009.<br />
“As we celebrate the <strong>160</strong>th anniversary<br />
year, we are close to completing our $30<br />
million campaign,” says President Fern<strong>and</strong>ez.<br />
“With the generous gifts already made,<br />
we have transformed the campus with: air<br />
conditioning <strong>and</strong> 250 new windows in<br />
Sarah Peter Hall, full accessibility, up-to-date<br />
student services <strong>of</strong>fices <strong>and</strong> renovated<br />
residence halls. These improvements continue<br />
to enhance the student experience<br />
at <strong>Moore</strong> <strong>and</strong> <strong>Moore</strong>’s role as one <strong>of</strong><br />
Philadelphia’s leading cultural institutions.”<br />
The final phase <strong>of</strong> the campaign will:<br />
• Complete climate control <strong>and</strong> lighting in The<br />
Galleries, creating state-<strong>of</strong>-the-art Spaces<br />
• Exp<strong>and</strong> <strong>Moore</strong>’s Archives to protect <strong>and</strong> secure<br />
important documents, artifacts <strong>and</strong> artworks.<br />
• Complete improvements to the Locks Career<br />
Center <strong>and</strong> Stewart Auditorium.<br />
Everyone is invited to help! Look for the<br />
special envelope in this issue <strong>of</strong> <strong>Moore</strong> News!<br />
Summer Improvements at <strong>Moore</strong><br />
Summer means vacation<br />
breaks for some, but at<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong><br />
& <strong>Design</strong> a host <strong>of</strong><br />
renovation<br />
projects kept<br />
construction<br />
crews busy<br />
throughout June,<br />
July <strong>and</strong> August.<br />
energy-efficient insulated windows were<br />
installed in The <strong>Art</strong> Shop at <strong>Moore</strong>, Locks<br />
Career Center for Women in the <strong>Art</strong>s, the<br />
Admissions Department <strong>and</strong> Stewart<br />
Auditorium. In all, the <strong>College</strong> made $1.4<br />
million in climate control improvements.<br />
New <strong>and</strong> returning students will<br />
benefit from upgraded lighting in the<br />
painting <strong>and</strong> drawing studios in Wilson<br />
Hall. And in anticipation <strong>of</strong> the summer<br />
2009 launch <strong>of</strong> the <strong>College</strong>’s new graduate<br />
programs, space redesign exp<strong>and</strong>s classrooms<br />
for the new programs <strong>and</strong> <strong>of</strong>fice<br />
space for graduate staff. Interior design<br />
firm jBH3, owned by <strong>Moore</strong> alumna Lisa<br />
Hibberd ’91, has been instrumental in<br />
the process.<br />
A crane visible through the windows <strong>of</strong> Wilson Hall, delivers a new HVAC system.<br />
Major improvements were completed in<br />
The Galleries at <strong>Moore</strong>, Sarah Peter Hall<br />
<strong>and</strong> Wilson Hall over the summer. The<br />
facility upgrades are part <strong>of</strong> the plan laid out<br />
in 1999 <strong>and</strong> made possible through the $30<br />
million capital campaign.<br />
Renovations <strong>of</strong> The Galleries included<br />
the installation <strong>of</strong> a new HVAC system in<br />
the Goldie Paley Gallery <strong>and</strong> Levy Gallery<br />
for the <strong>Art</strong>s in Philadelphia. The Galleries<br />
at <strong>Moore</strong> now have state-<strong>of</strong>-the-art climate<br />
control. New HVAC systems as well as<br />
18
Fall 2008<br />
Seidman Named 2008 Pew Fellow<br />
Graphic <strong>Design</strong> Pr<strong>of</strong>essor Anne Seidman<br />
has been awarded a prestigious Pew Fellowship<br />
in the <strong>Art</strong>s for painting. Seidman, who<br />
also teaches in the Illustration Department,<br />
is one <strong>of</strong> twelve Philadelphia-area artists to<br />
receive a Pew Fellowship for 2008. The<br />
$60,000 grant is the largest in the country<br />
for which individual artists can apply. This<br />
year’s fellows were selected from a pool <strong>of</strong><br />
323 applicants.<br />
“I think it is fantastic,” says Academic<br />
Dean Dona Lantz.“Anne is the third faculty<br />
member at <strong>Moore</strong> to receive a Pew Fellowship<br />
in the last eight <strong>years</strong>. We are fortunate<br />
to have faculty <strong>of</strong> such a high caliber. We<br />
congratulate Anne on this wonderful honor<br />
that acknowledges her tremendous work<br />
as a painter.”<br />
Pr<strong>of</strong>essor Anne Seidman holds a BFA<br />
from the Pennsylvania Academy <strong>of</strong> the Fine<br />
<strong>Art</strong>s in coordination with the University <strong>of</strong><br />
the <strong>Art</strong>s, an MFA from the University <strong>of</strong><br />
Wisconsin, (Milwaukee) <strong>and</strong> an MA from<br />
Ohio State University.<br />
Seidman has exhibited extensively over<br />
the <strong>years</strong>, at Mercer Gallery, NYC; George<br />
Billis Gallery, Los Angeles; <strong>and</strong> Arcadia<br />
University, Glenside, PA. Her most recent<br />
solo exhibition was at Schmidt-Dean<br />
Gallery, Philadelphia, by whom she is represented.<br />
To read more about painter Anne<br />
Seidman see In Studio on page 24.<br />
Anne Seidman, Untitled, water-based media on<br />
ragboard mounted on wood, 2007.<br />
<strong>Moore</strong><br />
First<br />
In 1938, <strong>Moore</strong> became<br />
the first school in the country<br />
to <strong>of</strong>fer education in interior design<br />
that fully met the requirements<br />
established by the American<br />
Institute <strong>of</strong> Decorators.<br />
Catherine Finn Storey ’81<br />
Memorial Scholarship<br />
Catherine Finn Storey, photo from the <strong>Moore</strong><br />
1981 Yearbook.<br />
The <strong>College</strong> is honored to announce the<br />
new Catherine Finn Storey Memorial<br />
Scholarship in Textile <strong>Design</strong>. This<br />
scholarship is endowed by the family <strong>of</strong><br />
Catherine Finn Storey, a textile design<br />
major, class <strong>of</strong> 1981. Finn Storey died in<br />
1997 <strong>of</strong> breast cancer, leaving three small<br />
children. Her family created the scholarship<br />
in her honor, noting that, “Cathy was very<br />
happy at <strong>Moore</strong> <strong>and</strong> was particularly inspired<br />
by Deborah Warner.” In April, the<br />
Finn family traveled from Massachusetts,<br />
Virginia, Florida <strong>and</strong> Michighan to present<br />
the first scholarship at Honors Convocation<br />
2008. Sarah Wray, a textile design junior,<br />
was named the first recipient <strong>of</strong> the Catherine<br />
Finn Storey Memorial Scholarship.<br />
COOL Transition<br />
The Locks Career Center’s<br />
electronic job bank, COOL: Career<br />
Opportunities On-Line, has made<br />
the transition to a new management<br />
service – same name, a new look<br />
<strong>and</strong> improved service in your search<br />
for employment <strong>and</strong> other career<br />
opportunities in art <strong>and</strong> design.<br />
This service <strong>and</strong> all the other<br />
resources <strong>of</strong> the Locks Career<br />
Center are available as life-long<br />
benefits to alumnae.<br />
19
Fall 2008<br />
Graduate Studies<br />
at <strong>Moore</strong> to Launch<br />
Summer 2009<br />
Change Your Life<br />
Make Your Mark<br />
MFA in STUDIO ART<br />
MFA in INTERIOR DE SIGN *<br />
MA in ART EDUCATION<br />
for special populations<br />
* For individuals with a bachelor’s degree in fields other than Interior <strong>Design</strong>.n.<br />
All three low-residency programs recognize the critical value <strong>of</strong> pr<strong>of</strong>essional<br />
exposure <strong>and</strong> require a field practicum, internship or international studio residency.<br />
The programs emphasize critical thinking, innovation <strong>and</strong> the synthesis <strong>of</strong> theory<br />
<strong>and</strong> practice equipping c<strong>and</strong>idates with skills sought by employers in today’s creative<br />
economy.<br />
C<strong>and</strong>idates work closely with pr<strong>of</strong>essionally active faculty artists, educators <strong>and</strong><br />
designers <strong>and</strong> work independently with pr<strong>of</strong>essionals in the field. Each program hosts an<br />
annual symposium featuring guest speakers <strong>of</strong> national <strong>and</strong> international significance,<br />
focusing on contemporary issues in art, education <strong>and</strong> design.<br />
The programs’ non-traditional, summer intensive, evening <strong>and</strong> weekend year-round<br />
scheduling is well suited for working adults seeking to advance their current studio,<br />
design or teaching practices or transition into new careers in art <strong>and</strong> design fields.<br />
For more information on the Graduate Studies Programs, contact the Graduate<br />
Admissions Counselor at 215.965.4014 or gradstudies@moore.edu.<br />
<strong>Moore</strong> Names New Graduate Program Director <strong>and</strong> Managers<br />
Elaine Crivelli, Director,<br />
Graduate Studies<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> welcomes<br />
Elaine Crivelli as Director <strong>of</strong> Graduate<br />
Studies. Crivelli is a pr<strong>of</strong>essional artist <strong>and</strong><br />
art educator with extensive teaching, administrative<br />
<strong>and</strong> curatorial experience. She<br />
received her MFA from the University <strong>of</strong><br />
Delaware in sculpture.<br />
Mark Karlen, PhD, has been appointed<br />
Interior <strong>Design</strong> Graduate Program Manager.<br />
<strong>Moore</strong>’s Paul Hubbard, chair, pr<strong>of</strong>essor, fine<br />
arts has been named Studio <strong>Art</strong> Graduate<br />
Program Manager <strong>and</strong> Lynne Horoschak,<br />
chair, pr<strong>of</strong>essor, art education, has been<br />
named <strong>Art</strong> Education Graduate Program<br />
Manager.<br />
21
C O L L E G E N E W S<br />
Beyond the Classroom<br />
Teaching <strong>Art</strong> in Spain<br />
<strong>Moore</strong> Fashions on<br />
CW Philly 57<br />
<strong>Moore</strong> student art teacher Katherine Allen leading a drawing lesson during her study abroad experience in Santa Cruz, Spain.<br />
Early this summer, five <strong>Moore</strong> students<br />
traveled to southern Spain to teach art in an<br />
elementary school in the rural community<br />
<strong>of</strong> Santa Cruz. During the two week visit<br />
they lived in a historic traditional country<br />
house or Cortijo <strong>and</strong> toured the Moorish<br />
architecture <strong>and</strong> art <strong>of</strong> the Alhambra Palace<br />
in nearby Granada. In this panoramic<br />
setting at the foothills <strong>of</strong> the Sierra Nevada<br />
“We were able to see a part <strong>of</strong><br />
Spain in a way very different<br />
from a regular tourist. We<br />
were able to walk to the village,<br />
eat authentic food, talk with the<br />
Spanish teachers <strong>and</strong> really learn<br />
about where we were staying.”<br />
mountains, the students made lesson plans,<br />
sketched, wrote journals <strong>and</strong> experienced a<br />
taste <strong>of</strong> Spanish life.<br />
“We were able to see a part <strong>of</strong> Spain in a<br />
way very different from a regular tourist,”<br />
explains Rose Carrano. “We were able to<br />
walk to the village, eat authentic food, talk<br />
with the Spanish teachers <strong>and</strong> really learn<br />
about where we were staying.”<br />
Carrano <strong>and</strong> the other students on<br />
<strong>Moore</strong>’s Study Abroad program taught one<br />
or more lessons each day at the school. At<br />
Left to right, <strong>Moore</strong> study abroad students Elizabeth Long;<br />
Katherine Allen; Helen, a British school teacher the group got<br />
to know in Spain; Rose Carrano; Kara Durgin, an art education<br />
student from Kutztown University; Cory Topel <strong>and</strong> Katie Delaney.<br />
the end <strong>of</strong> the school day, they then worked<br />
alongside the local children <strong>and</strong> parents,<br />
painting three nature <strong>and</strong> environmentthemed<br />
murals for the school’s play yard.<br />
The mural project was begun a year ago by<br />
<strong>Moore</strong>’s <strong>Art</strong> Education Chair, Lynne<br />
Horoschack.<br />
The student teachers knew little or no<br />
Spanish so they <strong>and</strong> their Spanish pupils,<br />
aged 3 to 12, benefited from the common<br />
language <strong>of</strong> art. “Language, though a<br />
challenge, became a great learning<br />
opportunity,” says <strong>Moore</strong> faculty member<br />
Josephine Viviani, who led the group.<br />
“The chance to work with non-English<br />
speaking children is a valuable skill in<br />
any classroom.”<br />
This summer, fashion designs by five recent<br />
graduates <strong>of</strong> <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> were<br />
featured in a 30-minute special, “SPF – Summer<br />
Philadelphia Fun 2008,” on the CW Philly 57.<br />
The special aired twice in June <strong>and</strong> once on July 4.<br />
Modeled by CW Philly crew members Ashley<br />
Harder, Kharisma McIlwaine <strong>and</strong> Jamie Wall,<br />
the winner <strong>of</strong> Philly’s Next Top Model contest, the<br />
garments were designed by Jakia H<strong>and</strong>y, Ivy Kelm,<br />
Carol Lukasik, Diva Borrelli <strong>and</strong> Bianca Lindblad.<br />
A partnership between CBS 3 <strong>and</strong> CW Philly 57<br />
<strong>and</strong> <strong>Moore</strong> <strong>College</strong> provides student exhibition<br />
space at the TV station's HD Broadcast Center.<br />
To view the CW Philly 57 segment visit<br />
www.moore.edu.<br />
22
Fall 2008<br />
Above, art educators from the Teachers<br />
Summer Institute on a field trip to the<br />
Eastern State Penitentiary.Above right,<br />
high school teachers Gloria Garcia<br />
<strong>and</strong> Johnny Lopez.<br />
Teachers Summer Institute draws<br />
international participants. Gloria Garcia <strong>and</strong> Johnny Lopez traveled from<br />
Bogotá, Columbia for <strong>Moore</strong>’s Teachers Summer Institute “<strong>Art</strong> in the Social<br />
Sphere: The Transformative Power <strong>of</strong> <strong>Art</strong>.” Garcia <strong>and</strong> Lopez teach visual arts<br />
“Philadelphia is a beautiful<br />
city, full <strong>of</strong> art. Everyone is<br />
very friendly. As an artist,<br />
it’s a great place to be <strong>and</strong><br />
<strong>Moore</strong> is in a great central<br />
location.”<br />
to 9-12 grades at the Colegio Nueva Granada, a<br />
college-preparatory school in Bogotá. They were<br />
specifically interested in this year’s focus on how art<br />
contributes to empowerment, meaning-making <strong>and</strong><br />
social justice. <strong>Moore</strong>’s Teachers Summer Institute is a<br />
five-day residential program for high school teachers.<br />
With workshops, lectures, field trips <strong>and</strong> exchanges<br />
around a theme, the program gives teachers relevant lesson plans to take back<br />
to their classrooms. Other annual summer <strong>of</strong>ferings at <strong>Moore</strong> include the<br />
acclaimed Young <strong>Art</strong>ists Workshop for boys <strong>and</strong> girls <strong>and</strong> the Summer <strong>Art</strong> &<br />
<strong>Design</strong> Institute for high school aged young women.<br />
Required Internships Offer H<strong>and</strong>s-On Experience<br />
Juniors in all majors are required to complete a 240-hour internship<br />
as part <strong>of</strong> their education for a career in art <strong>and</strong> design.<br />
Partial list <strong>of</strong> summer internship placements:<br />
Fine arts: 3D major Katie Brown gets h<strong>and</strong>s-on carving<br />
experience during her June internship with Digital Stone<br />
Project in Mercerville, NJ.<br />
Ballytoughey Loom, Clare Isl<strong>and</strong>, Irel<strong>and</strong> – Timothea Curry, textile design major<br />
F A Davis, Philadelphia – Audrey Fox, illustration major<br />
Digital Stone Project, Mercerville, NJ – Katie Brown, fine arts: 3D major<br />
Harper’s Bazaar, New York – Ariane Johnson, fashion design major<br />
IEI Group, Philadelphia – Rose Plummer, interior design major<br />
Dan Murphy, Philadelphia – Masha Badinter, photography <strong>and</strong> digital media major<br />
Nanette Lepore, New York – Jenevieve Froncek, fashion design major<br />
Robert AM Stern Architects, New York – Tracey King, interior design major<br />
Philadelphia Sculptors, Philadelphia – Jennifer Willett: curatorial studies major<br />
Philadelphia Style Magazine, Philadelphia – Emily Schellenger, graphic design major<br />
Red Tettemer, Philadelphia – Rachel Woodson, graphic design major<br />
Rosenbach Museum & Library, Philadelphia – Abby Flanigan, illustration major<br />
Target Corporation, Minneapolis, MN – Sarah Wray, textile design major<br />
Today Show, New York – Jenevieve Froncek, fashion design major<br />
Zoe Strauss, Philadelphia – Masha Badinter, photography & digital arts major<br />
23
F A C U LT Y<br />
In Studio<br />
24<br />
Untitled, water-based media on ragboard mounted on wood, 2007.
Fall 2008<br />
Anne Seidman<br />
Photos by C<strong>and</strong>ace diCarlo<br />
“I begin by creating<br />
relationships with paint until<br />
something connects.”<br />
There is a serenity <strong>and</strong> an intensity to<br />
Anne Seidman, qualities reflected in her<br />
studio <strong>and</strong> her aesthetic. Seidman has<br />
converted a grown daughter’s bedroom<br />
into a drawing studio, creating a second<br />
studio space in the Queen Village<br />
rowhouse where she’s lived for 22 <strong>years</strong>.<br />
The other studio in the whitewashed<br />
basement <strong>of</strong> the house is her painting<br />
studio.“I get paint all over, I’m a dirty<br />
painter,” Seidman explains. “For drawing,<br />
I need a clean space.” Each studio is neat,<br />
carefully arranged with large working<br />
surfaces, supplies <strong>and</strong> works in progress.<br />
“In the 70’s through early 90’s<br />
my interest was mark making,” says<br />
Seidman. “I was interested in developing<br />
relationships between marks in a white<br />
field. Now, I am equally interested in<br />
complex fields that envelope forms––in<br />
forms <strong>and</strong> their relationships as they<br />
butt up against other forms. Sometimes<br />
viewers see places or objects or<br />
themes, but the paintings are only<br />
about themselves.”<br />
In his online journal, artist <strong>and</strong> writer<br />
Steven Alex<strong>and</strong>er recently reviewed<br />
Seidman’s painting saying, “We can see,<br />
imbedded in each surface, the intuitive<br />
organic painting process taking place –<br />
each action determining the direction<br />
<strong>of</strong> the next. Also evident is a sort <strong>of</strong><br />
willful inventiveness, an experimental<br />
attitude that compels Seidman to avoid<br />
formulaic solutions, so each painting has<br />
the freshness <strong>of</strong> a new breakthrough.”<br />
Seidman’s panel paintings are<br />
made using water-based acrylic <strong>and</strong><br />
gouache on 8-ply ragboard mounted on<br />
wood. A matte <strong>and</strong>/or satin varnish is<br />
applied when the work is finished to<br />
protect the surface.<br />
“Painting is difficult,” says Seidman.<br />
“The process requires decisions that are<br />
less clear. I begin by creating relationships<br />
with paint until something<br />
connects. I make immediate intuitive<br />
decisions about the next move.<br />
These decisions keep changing as I<br />
move through the process. Most times<br />
the work is layered with unresolved or<br />
‘painted over’ ideas. I have been able<br />
to utilize this history in the final<br />
resolved work.”<br />
“The process <strong>of</strong> drawing is very<br />
different. Drawing starts <strong>and</strong> ends with a<br />
clear idea. I have been utilizing modular<br />
units <strong>of</strong> lines <strong>and</strong> blocks <strong>of</strong> color. I have always<br />
been curious about revealing the irregular<br />
form that occurs when the drawing<br />
is uncontrolled by a ruled edge. I have become<br />
fond <strong>of</strong> the individuality that is exposed<br />
in each form. My drawings, in most<br />
cases, are larger than my paintings.”<br />
Seidman’s exhibition Touching, at<br />
Schmidt-Dean Gallery this spring, was<br />
followed with the announcement that she<br />
had received a 2008 Pew Fellowship in the<br />
<strong>Art</strong>s. She will use the grant to reduce her<br />
teaching schedule in order to devote more<br />
time to her work.<br />
Seidman, pr<strong>of</strong>essor <strong>of</strong> Graphic <strong>Design</strong><br />
at <strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong>, started<br />
teaching at <strong>Moore</strong> in 1986, after completing<br />
an MA in 3D Computer Graphics<br />
<strong>and</strong> Animation at Ohio State. Seidman<br />
also holds a BFA from the Pennsylvania<br />
Academy <strong>of</strong> the Fine <strong>Art</strong>s <strong>and</strong> an MFA<br />
in painting from the University <strong>of</strong><br />
Wisconsin-Milwaukee.<br />
25
F A C U LT Y & S TA F F N O T E S<br />
Frank Hyder, In Sight, 2008, 42 x 60 inches<br />
Jill Furst, Emergence, 2008, ink, coins, broken glass<br />
Christina Hess, Winter Garden, 2008<br />
<strong>Art</strong> Education<br />
Lynne Horoschak, chair, pr<strong>of</strong>essor <strong>of</strong><br />
art aducation, has been nominated for the<br />
Pennsylvania <strong>Art</strong> Education Higher<br />
Education Award. A winner will be<br />
announced in October. Horoschak<br />
<strong>and</strong> Josephine Viviani, adjunct faculty in<br />
art education, exhibited work in <strong>Art</strong> is<br />
Happening at The Plastic Club, July 1<br />
to July 28.<br />
<strong>Art</strong> History<br />
Jill Furst, pr<strong>of</strong>essor or art history,<br />
collaborated with Holly Bittner,<br />
assistant pr<strong>of</strong>essor <strong>of</strong> liberal arts, on two<br />
pieces, Vessel <strong>and</strong> Emergence, which were on<br />
view from June 20 to July 13 in <strong>Art</strong>ist <strong>and</strong><br />
Poet: Image <strong>and</strong> Word exhibition at the<br />
Philadelphia Sketch Club.<br />
Basics<br />
Moe Brooker, chair, pr<strong>of</strong>essor <strong>of</strong> basics<br />
<strong>and</strong> pr<strong>of</strong>essor <strong>of</strong> fine arts: 2D, was presented<br />
on June 1 with the inaugural <strong>Art</strong>ists <strong>of</strong> the<br />
City Award by the Painted Bride <strong>Art</strong> Center.<br />
As Chair <strong>of</strong> the City <strong>Art</strong>s Commission,<br />
Brooker was one <strong>of</strong> five guests asked to speak<br />
at the June 19 Day <strong>of</strong> Appreciation tribute to<br />
the late Anne d’Harnoncourt, Director <strong>of</strong> the<br />
Philadelphia Museum <strong>of</strong> <strong>Art</strong>, who died unexpectedly<br />
June 1.<br />
Nicole Dul, adjunct faculty <strong>of</strong> basics,<br />
exhibited work in Grain <strong>of</strong> Salt: Feminine<br />
Symbols <strong>and</strong> Identities, an exhibition <strong>of</strong> works<br />
on paper <strong>and</strong> sculpture at the Orchard<br />
<strong>Art</strong>works from June 1 to June 30.<br />
Mike Geno, adjunct faculty <strong>of</strong> basics,<br />
exhibited two paintings in the Annual New<br />
Talent Show at the Rosenfeld Gallery,<br />
Philadelphia, from June 29 to July 27. His<br />
work also was on view in Re: Group at the<br />
Humanities Center Gallery, California State<br />
University, Chico, CA, from April 29 to<br />
June 2. Geno’s Sirloin painting was featured<br />
on the cover <strong>of</strong> Meatpaper magazine’s<br />
Summer 2008 issue.<br />
Robert Goodman, adjunct faculty <strong>of</strong><br />
basics <strong>and</strong> fine arts: 2D, exhibited a major<br />
new work, Net, in the Wilson Gallery at<br />
<strong>Moore</strong>, June 20 to August 30.<br />
Fine <strong>Art</strong>s<br />
Katie Baldwin, adjunct faculty <strong>of</strong> fine<br />
arts: 2D, exhibited work in Emerging to<br />
Established: Twenty-five Years <strong>of</strong> the Center for<br />
Emerging Visual <strong>Art</strong>ists, at The Center for<br />
Emerging Visual <strong>Art</strong>ists, Philadelphia, from<br />
April 5 to July 6.<br />
Martha Gelarden, Assistant Pr<strong>of</strong>essor,<br />
Visiting <strong>Art</strong>ist, Fine <strong>Art</strong>s: 3D, exhibited<br />
artwork in Take Issue: Philadelphia Sculptors at<br />
Washington Square Gallery in Washington,<br />
DC, from May 5 to August 1.<br />
Paul Hubbard, chair, pr<strong>of</strong>essor <strong>of</strong> fine arts<br />
took part in Take Issue: Philadelphia Sculptors at<br />
Washington Square Gallery in Washington,<br />
DC, from May 5 to August 1. Hubbard also<br />
has been elected as a Fellow <strong>of</strong> the Royal<br />
Society <strong>of</strong> British Sculptors.<br />
Frank Hyder, pr<strong>of</strong>essor <strong>of</strong> fine arts: 2D,<br />
exhibited work in God, Man <strong>and</strong> Nature at<br />
The National Museum <strong>of</strong> Catholic <strong>Art</strong> <strong>and</strong><br />
History, New York City, from May 27 to<br />
August 15. The National Museum <strong>of</strong><br />
Catholic <strong>Art</strong> <strong>and</strong> History also will showcase<br />
Hyder’s work in an exhibition, New World,<br />
September to October, 2008. September 2 to<br />
27, 2008, a solo exhibition <strong>of</strong> his work, New<br />
Rhythm, will be on view at the Walter<br />
Wickiser Gallery in New York. The book<br />
Frank Hyder–Poet <strong>of</strong> a Threatened Eden will<br />
be published in September 2008.<br />
26
Fall 2008<br />
Robert Goodman, Net, 2008, Oil, acrylic, spray paint on canvas. 96 x 336 inches<br />
Richard Harrington, H<strong>of</strong>fert’s is Crushing, 2008, watercolor, 12 x 12 inches<br />
Terri Saulin, adjunct faculty <strong>of</strong> fine arts:<br />
3D, showed her artwork at the Society Hill<br />
Synagogue, Philadelphia, from April 11<br />
to May 31.<br />
Graphic <strong>Design</strong><br />
Tara O’Brien, adjunct faculty <strong>of</strong> graphic<br />
design, exhibited her work in Shelter: Unique<br />
Visions <strong>of</strong> a Universal Subject Through <strong>Art</strong>ist’s<br />
Books, a traveling exhibition on view at<br />
various venues throughout the Northeast<br />
from April 10, 2008 through May 3, 2009.<br />
Her work was showcased at the Seongnam<br />
International Bookarts Fair 2008, Seongnam,<br />
South Korea, from April 19 to April 26.<br />
O’Brien also was featured in the Korean<br />
illustration magazine ILLUST in its April<br />
2008 issue. She exhibited in When Photography<br />
<strong>and</strong> Printmaking Collide, in the West<br />
Gallery <strong>of</strong> the Free Library <strong>of</strong> Philadelphia<br />
from March 29 to June 27.<br />
Anne Seidman, pr<strong>of</strong>essor <strong>of</strong> graphic<br />
design, <strong>and</strong> a faculty member in illustration,<br />
has been awarded a prestigious 2008 Pew<br />
Fellowship in the <strong>Art</strong>s.<br />
Illustration<br />
Richard Harrington, assistant<br />
pr<strong>of</strong>essor, illustration, in collaboration with<br />
his wife, Laurie Harrington, exhibited two<br />
illustrations, H<strong>of</strong>fert’s is Crushing <strong>and</strong> Dynamic<br />
88, in <strong>Art</strong>ist <strong>and</strong> Poet: Image <strong>and</strong> Word at the<br />
Philadelphia Sketch Club from June 20 to<br />
July 13.<br />
Christina Hess, adjunct faculty,<br />
illustration, has been presented with a<br />
Bronze Award for Editorial Illustration by<br />
CreativeShake.com.<br />
Interior <strong>Design</strong><br />
Virginia Rice, IDC,<br />
associate pr<strong>of</strong>essor <strong>of</strong><br />
interior design, retired at<br />
the end <strong>of</strong> the 2007<br />
academic year after 19<br />
<strong>years</strong> <strong>of</strong> teaching<br />
at <strong>Moore</strong>.<br />
Liberal <strong>Art</strong>s<br />
Holly Bittner, associate pr<strong>of</strong>essor, liberal<br />
arts, collaborated with Jill Furst, Pr<strong>of</strong>essor,<br />
<strong>Art</strong> History, on two pieces, Vessel <strong>and</strong> Emergence<br />
for <strong>Art</strong>ist <strong>and</strong> Poet: Image <strong>and</strong> Word at the<br />
Philadelphia Sketch Club, which were on<br />
view from June 20 to July 13.<br />
Photography &<br />
Digital <strong>Art</strong>s<br />
Jim Johnson, chair, assistant pr<strong>of</strong>essor,<br />
photography & digital arts, was in Merge or<br />
Fade, an exhibition curated from the Vox<br />
Populi membership, at the ThreeWalls<br />
gallery in Chicago from May 16 to June 14.<br />
Textile <strong>Design</strong><br />
Lewis Knauss, pr<strong>of</strong>essor, textile design,<br />
was awarded the Lindback Distinguished<br />
Teaching Award at Honors Convocation<br />
2008 on Friday, April 11, 2008.<br />
Staff<br />
Elaine Erne, academic affairs coordinator,<br />
exhibited work in Emerging to Established:<br />
Twenty-five Years <strong>of</strong> the Center for Emerging<br />
Visual <strong>Art</strong>ists, at The Center for Emerging<br />
Visual <strong>Art</strong>ists, Philadelphia, from April 5<br />
to July 6.<br />
Natalie Payne, co-director <strong>of</strong><br />
continuing education, has earned a Master<br />
<strong>of</strong> Science in Education from Bank Street<br />
<strong>College</strong> <strong>of</strong> Education, NYC.<br />
27
A L U M N A E<br />
Career Pr<strong>of</strong>ile<br />
E Bond<br />
Catalog designer for Anthropologie<br />
Graphic design <strong>and</strong> illustration major<br />
Class <strong>of</strong> 1996<br />
28
Fall 2008<br />
“The friends you make<br />
at <strong>Moore</strong> <strong>and</strong> the teaching<br />
environment are what set<br />
<strong>Moore</strong> apart. ”<br />
Photos <strong>of</strong> E Bond by Trevor Dixon<br />
E Bond in the studio in the <strong>Art</strong>s Building, an arts cooperative in Philadelphia.<br />
“By day, I’m a catalogue designer for<br />
Anthropologie. At night, I’m at work in<br />
the studio making h<strong>and</strong>made books,” says<br />
alumna E Bond. Bond’s h<strong>and</strong>made books<br />
are sold in The <strong>Art</strong> Shop at <strong>Moore</strong> <strong>and</strong> two<br />
<strong>of</strong> the books are in 500 H<strong>and</strong>made Books:<br />
Inspiring Interpretations <strong>of</strong> a Timeless Form<br />
recently published by Lark Books.<br />
Bond shares a studio space in the <strong>Art</strong>s<br />
Building cooperative with two <strong>Moore</strong><br />
alumnae. “The friends you make at <strong>Moore</strong><br />
<strong>and</strong> the teaching environment are what set<br />
<strong>Moore</strong> apart,” she says. “The <strong>College</strong> really<br />
supports an independent entrepreneurial<br />
spirit. As a student, I was able to pursue my<br />
many interests, to study Graphic <strong>Design</strong><br />
<strong>and</strong> Illustration <strong>and</strong> minor in <strong>Art</strong> History.”<br />
Bond who teaches on occasion at <strong>Moore</strong>,<br />
also returns to campus to participate in<br />
portfolio reviews for the Graphic <strong>Design</strong><br />
students. “My connection with <strong>Moore</strong> is<br />
ongoing,” Bond says. “For all it’s given me,<br />
I’m glad to be able to give back. It is really<br />
rewarding to work with designers who are<br />
just beginning to learn the craft.”<br />
“This year I was invited to be an artist<br />
for the boot project to celebrate <strong>Moore</strong>’s<br />
<strong>160</strong> <strong>years</strong>. From the perspective <strong>of</strong> an artist,<br />
alumna <strong>and</strong> a teacher, I’m able to see how<br />
special <strong>Moore</strong> is, when really, I knew it<br />
all along.”<br />
E Bond, Untitled, h<strong>and</strong>made book, 2007; one <strong>of</strong> two<br />
by E Bond published in 500 H<strong>and</strong>made Books: Inspiring<br />
Interpretations <strong>of</strong> a Timeless Form.<br />
29
A L U M N A E N E W S<br />
A Helping H<strong>and</strong><br />
Undeterred by the cold wet weekend in April,<br />
more than twenty <strong>Moore</strong> alumnae, students <strong>and</strong> staff<br />
volunteered to cheer up the drab cinderblock exterior<br />
<strong>of</strong> Frankie’s World, a day care center for children with<br />
special needs. After two days <strong>of</strong> painting, the final touch<br />
came when the designers, artists <strong>and</strong> children from the<br />
center added h<strong>and</strong>prints to the mural art.<br />
On June 10, at the mural dedication ceremony,<br />
President Fern<strong>and</strong>ez, recognized <strong>Art</strong> Education Chair<br />
Lynne Jordan-Horoschak ’66, who initiated the<br />
community service project. “<strong>Moore</strong> has been educating<br />
art teachers in Philadelphia since the 1850s,” said<br />
President Fern<strong>and</strong>ez. “Today, our <strong>Art</strong> Education<br />
department includes a focus on teaching art to children<br />
with special needs. So we have a particular appreciation<br />
for the work being done at Frankie's World.”<br />
The kid-themed mural designed by alumnae<br />
Cathy White ’96 <strong>and</strong> Anne Redd ’84 features dragons,<br />
astronauts <strong>and</strong> butterflies. The mural covers the front<br />
exterior <strong>of</strong> Frankie’s World at 10th <strong>and</strong> Poplar Streets<br />
in Philadelphia.<br />
For a list <strong>of</strong> mural artists,<br />
visit www.moore.edu<br />
Celebration on a Large Scale<br />
As part <strong>of</strong> <strong>Moore</strong>’s <strong>160</strong>th, several<br />
alumnae will be finishing <strong>and</strong> creating<br />
six-foot boots from a large model<br />
designed <strong>and</strong> cast by <strong>Moore</strong> alumna<br />
Darla Jackson ’03. These large boots,<br />
<strong>Moore</strong> Footsteps, will be placed in <strong>of</strong>fice<br />
buildings <strong>and</strong> organizations throughout<br />
Philadelphia. The scale provides a broad<br />
canvas for alumnae to express who they<br />
are as artists.<br />
The concept <strong>of</strong> the large boot figure<br />
grew from the theme <strong>of</strong> the 2009 annual<br />
alumnae exhibition, Footsteps. For this<br />
exhibition all alumnae are invited to<br />
create a shoe or pair <strong>of</strong> shoes inspired by<br />
the paths we follow or forge for others or<br />
by a person in whose footsteps we walk.<br />
30<br />
Darla Jackson ’03 st<strong>and</strong>s next to the boot maquette<br />
(model) in her Philadelphia studio.
Fall 2008<br />
Carousels Make a Comeback<br />
Alumna Jane Zimmerman Walentas ’66 was<br />
featured on CBS Sunday Morning on July 13 in a<br />
segment titled “Carousels Make a Comeback.”<br />
CBS Sunday Morning spoke with the <strong>Moore</strong><br />
alumna about her carousel restoration project.<br />
Walentas, who lives in New York, has<br />
meticulously restored a 1922 carousel over<br />
the past 22 <strong>years</strong>, finishing the project in 2006.<br />
Eventually, she hopes the merry-go-round will<br />
take its place on the Brooklyn waterfront. A<br />
former art director for Estée Lauder, Walentas<br />
also serves on the Board <strong>of</strong> Managers <strong>of</strong><br />
<strong>Moore</strong> <strong>College</strong>.<br />
The carousel restored by Jane Walentas ’66, whose preservation project was featured on CBS Sunday Morning<br />
this summer.<br />
Community Service: After-School Program<br />
Call for Alumnae <strong>Art</strong>ists:<br />
Alumnae are a vital part <strong>of</strong> <strong>Moore</strong>’s rich <strong>160</strong>-year tradition <strong>of</strong><br />
women artists <strong>and</strong> designers. Help us celebrate this important<br />
anniversary by participating in the alumnae anniversary exhibition<br />
2009, Footsteps. This year the exhibition is non-juried <strong>and</strong> open<br />
to all majors.<br />
Alumnae from all majors are invited to create a shoe or a<br />
pair <strong>of</strong> shoes that will become part <strong>of</strong> our dramatic Footsteps wall<br />
installation in the Wilson Gallery at <strong>Moore</strong>.<br />
This fall, <strong>Moore</strong> alumnae will introduce<br />
a new community service project: teaching<br />
art at an after-school program at the Bache-<br />
Martin School in the Fairmount section <strong>of</strong><br />
Philadelphia. The after-school program was<br />
designed by <strong>Moore</strong> art education students<br />
under the direction <strong>of</strong> <strong>Art</strong> Education Chair<br />
<strong>and</strong> alumna Lynne Horoschak ’66.<br />
Alumnae volunteers will work with the<br />
children one afternoon a week. Lessons will<br />
explore use <strong>of</strong> a variety <strong>of</strong> media <strong>and</strong> techniques,<br />
<strong>and</strong> address the theme <strong>of</strong> “self” <strong>and</strong><br />
“community,” a theme that has been woven<br />
into the elementary school’s curriculum. An<br />
exhibition <strong>of</strong> the students’ work is planned<br />
for the winter.<br />
The alumnae after-school project is done<br />
in collaboration with ASAP (After School<br />
Activities Partnerships), an organization<br />
that works with volunteer groups to<br />
facilitate safe <strong>and</strong> enriching programs for<br />
Philadelphia students.<br />
<strong>Moore</strong><br />
First<br />
The first teacher to<br />
introduce art instruction at a<br />
school for the deaf, Elva Lowe Fromuth,<br />
class <strong>of</strong> 1942, introduced the<br />
curriculum at Gallaudet School<br />
in Washington, DC.<br />
Find out more at www.moore.edu/go/footsteps.<br />
31
A L U M N A E N O T E S<br />
Norine Vesey Spurling ’51 was in a<br />
group exhibit at Oxford Gallery in Rochester,<br />
NY, from March through May 2008. Other<br />
exhibitions where she has had work include:<br />
The <strong>Art</strong>ist Among Us at Burchfield-Penney<br />
<strong>Art</strong> Center, Buffalo, NY, December 2007<br />
through March 2008 <strong>and</strong> the 16th Annual<br />
National Exhibition 2008 <strong>of</strong> the Western<br />
Colorado Watercolor Society, spring 2008.<br />
Elizabeth Ayars Nesbitt ’52 won an<br />
honorable mention award for her watercolor<br />
Rest Stop at the Packwood House Museum<br />
Exhibit in Lewisburg, PA.<br />
Margo Allman ’55 exhibited paintings,<br />
drawing <strong>and</strong> sculpture in Staying the Course, a<br />
two-woman show at the Center for the <strong>Art</strong>s<br />
Gallery at Towson University in Towson,<br />
MD. The show is a “tribute to women who<br />
‘stayed the course’ as artists: their commitment<br />
to being artists, to making excellent<br />
work, <strong>and</strong> to exhibiting pr<strong>of</strong>essionally at a<br />
time that the art world did not make room<br />
for women artists.”<br />
Sheila Letven ’56 In May, Letwen<br />
exhibited recent photographs at the <strong>Art</strong>ists’<br />
Gallery in Lambertville, NJ.<br />
Elizabeth Ayars Nesbitt ’52, Rest Stop<br />
Rosemarie Echelmeier ’61exhibited<br />
the sculpture, Turkana Woman, in Marin <strong>Art</strong>s<br />
Council’s Open Studio Gallery. She received<br />
second place for a bronze, Woman on the Rock,<br />
<strong>and</strong> a merit award for a bust <strong>of</strong> Lily in the<br />
Marin Society <strong>of</strong> <strong>Art</strong>ists Sculpture Show. She<br />
also designs <strong>and</strong> sells ornate jeweled <strong>and</strong><br />
beaded metal head circlets under the name<br />
“Spirit <strong>of</strong> the Goddess.”<br />
Susan McBriarty Swin<strong>and</strong> ’65<br />
exhibited in Transformations: Paintings <strong>and</strong><br />
Works on Paper by Susan Swin<strong>and</strong>, AWS at<br />
the Helen Bumpus Gallery <strong>of</strong> the Duxbury<br />
Free Library, Duxbury, MA, May through<br />
June 2008.<br />
Jane Zimmerman Walentas ’66 <strong>and</strong><br />
her carousel were featured on the CBS Sunday<br />
Morning Show with Charles Osgood on July<br />
13, 2008. (See her carousel horses below.)<br />
Rosie Echelmeier ’61, Turkana Woman, 2006,<br />
30 x 20 inches<br />
32
Fall 2008<br />
Stephanie Sikorski Kozemchak ’69<br />
graduated with an MFA in Painting<br />
from George Washington University on<br />
May 18, 2008. Her thesis exhibition, Elusive<br />
Perception, was at the Dimock Gallery in<br />
Washington, DC, May 13 to 17, 2008.<br />
Jett Ulaner Sarachek ’69 had a 40-<br />
year retrospective at Connexions Gallery in<br />
Easton, PA, from June 27 through August 3.<br />
Carol Porter ’71 showed three watercolors<br />
in Common Bond XI at Strathmere<br />
Hall <strong>Art</strong>s Center, Rockville, MD, in an<br />
exhibition <strong>of</strong> African-American artists.<br />
After 27 <strong>years</strong> as designer/art director at the<br />
Washington Post, Carol is taking early<br />
volunteer retirement.<br />
Susan Sommer ’72 showed her work<br />
at a special exhibition at the Riverside <strong>Art</strong><br />
Museum in Riverside, CA, from February<br />
through March 2008. Entitled Plein Air<br />
Abstraction, the term was recently coined by<br />
Sommer to reflect the influence <strong>of</strong> contact<br />
with the sights <strong>and</strong> sounds <strong>of</strong> nature.<br />
Sommer has also produced a major art book,<br />
Plein Air Abstraction at the Foothills <strong>of</strong> the<br />
Catskill Mountains, published by Maiden<br />
Lane Publishing.<br />
Robin Hotchkiss ’73, owner <strong>of</strong> Salon<br />
des Amis gallery, announced that 2008<br />
<strong>Moore</strong> graduates Ashli Egolf, Am<strong>and</strong>a Ferraro<br />
<strong>and</strong> Amy Spearing had work included<br />
in the gallery’s Flex Box Invitational 2008.<br />
Linda Salerno ’72 exhibited work in<br />
the show titled Women Only at Ammann<br />
Gallery in Locarno, Switzerl<strong>and</strong> in<br />
April 2008.<br />
Jett Ulaner Sarachek ’69, Girl in the Cafe<br />
Marcia Goldner Treiger ’74 had<br />
photographs in Up Close <strong>and</strong> Impersonal:<br />
Camera Obscura in A x D Gallery,<br />
Philadelphia, April 4 to 26, 2008.<br />
Marilyn Lavins ’76 exhibited American<br />
Airline Stewardess in the Philadelphia /<br />
Tri-State <strong>Art</strong>ists Equity 59th Anniversary<br />
Exhibition, In Search <strong>of</strong> Ourselves, at Widener<br />
University <strong>Art</strong> Gallery from March 18 to<br />
April 19, 2008. The juror was Moe Brooker,<br />
Chair <strong>of</strong> <strong>Moore</strong>’s Basics Department.<br />
Therese Roll<strong>and</strong> ’77 won a 2008<br />
Gottlieb Foundation Individual Support<br />
Grant. Each year the Gottlieb Foundation<br />
awards grants in the amount <strong>of</strong> $25,000 to<br />
mature painters, sculptors <strong>and</strong> printmakers<br />
around the world. This year, 482 artists<br />
applied <strong>and</strong> twelve were chosen to receive<br />
awards based on the quality <strong>of</strong> their work <strong>and</strong><br />
their dedication to that work over a<br />
period <strong>of</strong> many <strong>years</strong>. Roll<strong>and</strong>’s paintings<br />
deal with issues <strong>of</strong> l<strong>and</strong> <strong>and</strong> human impact<br />
<strong>and</strong> habitation. She uses images <strong>of</strong> abstract<br />
figuration in a repeated <strong>and</strong> clustered format<br />
to convey situations. She says, “I am a<br />
political person trying to make images <strong>and</strong><br />
ideas come together in paintings that can<br />
speak to a kind <strong>of</strong> moral imperative, as well<br />
as an aesthetic one.”<br />
33
A L U M N A E N O T E S<br />
Eleanor Schimmel ’84 was featured in<br />
the Gallery at the Westtown School in<br />
Eleanor Schimmel: In Peril during March <strong>and</strong><br />
April, an exhibition <strong>of</strong> encaustic paintings<br />
exploring the fragile majesty <strong>of</strong> nature in<br />
uncertain times.<br />
Chrystal Moll ’84 has work at <strong>Art</strong>ists<br />
<strong>and</strong> Framers in Federal Hill, Baltimore, an<br />
ongoing collaboration.<br />
Michele Feder ’86 had a piece <strong>of</strong> her<br />
work purchased by The La Grange <strong>Art</strong><br />
Museum for its collection. A woodblock <strong>and</strong><br />
small painting in oil were exhibited in Root<br />
Division: Under 100 exhibition in June. Funds<br />
from sales go to the Root Division<br />
Community.<br />
Diane Grimes ’82, Intertwine, oil painting, 18 x 24 inches<br />
Jill Kerwick ’78 had an exhibtion in<br />
July 2008 at The Paint Place in Asbury<br />
Park, NJ, <strong>and</strong> in August exhibited three<br />
collages at Blank Studios Gallery in<br />
Brighton, Engl<strong>and</strong>.<br />
Judy Weber ’79 designs jewelry for<br />
Diana Vincent <strong>and</strong> has recently become a<br />
registered jeweler, a distinction held by a<br />
small number <strong>of</strong> jewelers in this country.<br />
Nina Zucker ’79 was honored by the<br />
Philadelphia Public Relations Association<br />
as the 2008 Hall <strong>of</strong> Fame recipient in May<br />
2008. President <strong>of</strong> Nina Zucker Associates,<br />
Nina was recognized for her high-quality<br />
public relations work <strong>and</strong> her advocacy for<br />
major cultural initiatives across the region.<br />
Doreen (Dori) Seitz Baggs ’80<br />
was featured in an article in the December<br />
2007 issue <strong>of</strong> byFaith magazine for her<br />
work during the past ten <strong>years</strong> teaching<br />
crafts, incorporating a spiritual dimension,<br />
to girls in her Philadelphia church. Baggs<br />
also teaches art to homeschoolers <strong>and</strong> has<br />
recently begun to sell her own crafts.<br />
Dressler Smith ’80 has works that can<br />
be viewed for purchase in the restaurant at<br />
the Philadelphia Museum <strong>of</strong> <strong>Art</strong> with the<br />
artwork <strong>of</strong> fellow African American<br />
Humbert Howard. Dressler’s work can<br />
be also viewed at <strong>Art</strong>works Gallery in the<br />
Philadelphia Museum <strong>of</strong> <strong>Art</strong> throughout<br />
the year.<br />
S<strong>and</strong>ra Davis ’82 exhibited Mining<br />
Memories in the MFA Book <strong>Art</strong>s / Printmaking<br />
Thesis Exhibition in the Rosenwald-Wolf<br />
Gallery at The University <strong>of</strong> the <strong>Art</strong>s from<br />
April 14 through May 2, 2008.<br />
Diane Grimes ’82 exhibited her<br />
Sunflower series in the 25th Silver<br />
Anniversary <strong>Art</strong> Show at Immaculata<br />
University in February 2008. In March<br />
2008, she led a group <strong>of</strong> Immaculata<br />
students on a tour <strong>of</strong> Greece, the Greek<br />
Isl<strong>and</strong>s <strong>and</strong> Turkey. Students received three<br />
course credits for the tour. Grimes is chair <strong>of</strong><br />
the <strong>Art</strong> Department at Immaculata.<br />
Marianne McCarthy Maree ’84<br />
exhibited at the Vale <strong>Art</strong>s 12th Annual Spring<br />
<strong>Art</strong> Show <strong>and</strong> Sale, May 2 to 4, 2008 at the<br />
Historic Vale School House in Oakton, VA.<br />
Loretta Tryon ’87 exhibited her<br />
jewelry in two exhibitions this summer:<br />
<strong>Art</strong> <strong>of</strong> the State: Pennsylvania 2008, a juried<br />
exhibition at the State Museum <strong>of</strong><br />
Pennsylvania <strong>and</strong> at The Baum School in<br />
Allentown, PA.<br />
Lana Heckendorn ’88 exhibited work<br />
at the Manayunk <strong>Art</strong>s Festival in June.<br />
Dana Roes ’88 has gone on to get her<br />
Masters in painting from the University<br />
<strong>of</strong> Pennsylvania. She won a New Jersey<br />
Council on the <strong>Art</strong>s award <strong>and</strong> a Fulbright<br />
Fellowship. She has been invited to attend<br />
the Skowhegan School <strong>of</strong> Painting <strong>and</strong><br />
Sculpture. Roes is currently represented<br />
by Larry Siroli Fine <strong>Art</strong> in NYC.<br />
Lana Heckendorn ’88<br />
34
Fall 2008<br />
Carol Reitter Elia ’88, CR <strong>Design</strong> was<br />
selected to provide interior design services<br />
for Bridges, the new Memory Impaired<br />
Unit at Stapeley in Germantown. CR <strong>Design</strong><br />
is currently involved in two other major<br />
health center renovations: Meadowood in<br />
Lansdale <strong>and</strong> Waverly Heights in Gladwyne,<br />
PA. Elia is returning for the second year to<br />
Chicago as a presenter at NEOCON, the<br />
international annual conference <strong>of</strong> interior<br />
design furnishings. She will be speaking<br />
about sustainable design for senior living<br />
communities with her talk, “Bringing<br />
Green to the Senior Scene!”<br />
Heather Harbach ’89 is living in<br />
Germany with her husb<strong>and</strong> <strong>and</strong> has retired<br />
from full-time teaching in order to care for<br />
her children. She works as a party planner<br />
<strong>and</strong> has found time to pursue creative work.<br />
Emily Brett Lukens ’90 exhibited in<br />
the Small Works Invitational Show, June 17 to<br />
July 5, 2008, Prince Street Gallery in NYC.<br />
Kate Leigh Cutler ’91 is creating a<br />
six-week show to be held at the boating<br />
museum in Bay Head, NJ, in summer 2008<br />
about local marine history. She writes: “This<br />
is my first in the series <strong>and</strong> I feel it is a breakthrough<br />
new kind <strong>of</strong> work for me.”<br />
Karen Walker Masters ’92 has two<br />
children: Michael (born in 2005), <strong>and</strong> Clara<br />
(born in 2008).<br />
Elizabeth Bisbing ’93 in March,<br />
exhibited work in Child’s Play, a group show<br />
at Projects Gallery, Philadelphia. Her work,<br />
St. Veronica, is included in The Veil: Visible <strong>and</strong><br />
Invisible Spaces. Each work considers the veil,<br />
its many manifestations <strong>and</strong> interpretations<br />
<strong>and</strong> puts veils <strong>and</strong> veiling into context. The<br />
show opened at The Dairy Center for the<br />
<strong>Art</strong>s in Boulder, CO <strong>and</strong> will travel to five<br />
other university galleries. She had a oneperson<br />
show called People/Places/Paper at<br />
Projects Gallery in Philadelphia that opened<br />
in April 2008.<br />
Susan Rogozinski Estergren ’93<br />
was married in Las Vegas in August 2008.<br />
She resides in Egg Harbor Township, NJ.<br />
Helene Dal ’99, Gadusch, 2008, performance lecture<br />
Liz Afif ’96 exhibited Edin Velez: Prints<br />
consisting <strong>of</strong> video stills <strong>and</strong> recent<br />
photography at her Square Inch Gallery,<br />
NYC.<br />
Robin Meyer ’96 exhibited in The Object<br />
<strong>and</strong> Beyond, 2008 Biennial, Everson Museum<br />
<strong>of</strong> <strong>Art</strong>, Syracuse, NY.<br />
Linda Harris Mehnert ’96 exhibited<br />
work at the members’ exhibition at Square<br />
Inch Gallery, NYC, in July.<br />
S<strong>and</strong>y Webberking ’97 exhibited her<br />
Sunflower Series at B Square Gallery in<br />
May 2008.<br />
Christina Barbachano ’98 announces<br />
the birth if her daughter, Nadja Skye,<br />
weighing 6 lbs 10 ounces <strong>and</strong> measuring<br />
17.5 inches.<br />
Susan Stowell ’98 designed the dining<br />
room for the 2007 Cape May <strong>Design</strong>er Show<br />
House. She incorporated her business as Blue<br />
Chair <strong>Design</strong> Group, LLC in 2005.<br />
Amber Lia-Kloppel ’99 was part <strong>of</strong> a<br />
two-person show at <strong>Art</strong>ists’ House Gallery<br />
in Philadelphia in September 2007. In<br />
November 2007, she was a part <strong>of</strong> a threeperson<br />
show titled La Figura Contemporanea<br />
at Foro Galeria in Old San Juan, Puerto<br />
Rico. In May 2007, Lia-Kloppel graduated<br />
cum laude from the New York Academy<br />
with an MFA.<br />
Helene Dal ’99, Wired, 2008, brooch<br />
Chloe Palmer ’99 received an MFA in<br />
sculpture from Herberger <strong>College</strong> <strong>of</strong> the <strong>Art</strong>s<br />
at Arizona State University.<br />
Helene Dal ’99 completed a<br />
commisioned public art project at a school in<br />
Norway <strong>and</strong> was invited to show her work in<br />
a jewelery exhibition in Kyoto <strong>and</strong> Toyko,<br />
Japan, in fall 2008. She also participated in<br />
Vevringutstillinga, a three-day group show on<br />
the west coast <strong>of</strong> Norway where all artists are<br />
present for the duration. Touring Norway<br />
<strong>and</strong> Sweden in a performance-lecture<br />
collaboration with an actress, Dal made all<br />
the objects used during the performance.<br />
35
A L U M N A E N O T E S<br />
Mary Katowitz ’00, Between, 2008<br />
Deborah McCarthy ’99 had work<br />
in two exhibitions. Evolution: Making <strong>Art</strong> for<br />
Change, opened April 2008 in the North<br />
Campus Duderstadt Gallery at the University<br />
<strong>of</strong> Michigan in Ann Arbor, MI. This spring,<br />
McCarthy also participated in Women Helping<br />
Women, Stitch by Stitch.<br />
Betsy Casanas ’00 is a founding<br />
member <strong>of</strong> El Vejigante <strong>Art</strong>s initiative. The<br />
first large event, on April 26, 2008, was<br />
Recuper<strong>and</strong>o el Barrio, designed to “raise the<br />
spirit <strong>of</strong> the community by bringing art <strong>and</strong><br />
music” to create a block party. Scheduled<br />
were drummers, dancers, poetry, arts <strong>and</strong><br />
craftvendors, <strong>and</strong> food, all with the help <strong>of</strong><br />
community members, organizations <strong>and</strong><br />
artists who volunteered their time <strong>and</strong><br />
resources. Two hundred <strong>of</strong> Casana's students<br />
worked on 4 x 8-foot masonite flowers<br />
that were wired to fences in a neglected<br />
playground “to begin the process<br />
<strong>of</strong> transformation.”<br />
Marie Hutchinson Elçin ’00 In May,<br />
Elçin assembled a collaborative quilt that was<br />
exhibited in Environmental Distress, a group<br />
exhibition by members <strong>of</strong> WCA <strong>and</strong> Women<br />
Helping Women Stitch by Stitch. The quilt was<br />
made by 38 American <strong>and</strong> Afghani artists,<br />
members <strong>of</strong> the WCA <strong>and</strong> Rubia, an<br />
organization dedicated to improving the<br />
quality <strong>of</strong> life <strong>and</strong> economic viability <strong>of</strong><br />
women in Afghanistan. Three other<br />
alumnae: Deborah McCarthy ’99,<br />
Michelle Wilson ’00 <strong>and</strong> Heather<br />
Sundquist ’07, participated in the<br />
collaboration. After the exhibition in May at<br />
the City Government Building in Wilmington,<br />
DE, the quilt will go on tour. Elçin is<br />
also co-chair <strong>of</strong> the Philadelphia Chapter <strong>of</strong><br />
Women’s Caucus for <strong>Art</strong>. She taught “From<br />
Photo to Fiber” at the Perkins <strong>Art</strong> Center in<br />
Collingswood, NJ. The class explores basic<br />
embroidery techniques to translate photos<br />
<strong>and</strong> sketches into freeh<strong>and</strong> embroidery.<br />
Mary Katowitz ’00 exhibited paintings<br />
at the Bucks Gallery <strong>of</strong> Fine <strong>Art</strong> in<br />
Newtown, PA. This fall, she will participate<br />
in Dear Fleisher, an invitational biennial<br />
exhibition to support the Samuel S. Fleisher<br />
<strong>Art</strong> Memorial. She has recently received<br />
emerging artists representation with<br />
Hern<strong>and</strong>ez-Contemporary in Scottsdale, AZ.<br />
She is looking forward to showing new work<br />
in the Bucks Gallery this September with a<br />
two-person show. She writes, “Please visit me<br />
in Pennsylvania Academy <strong>of</strong> Fine <strong>Art</strong>s 2009<br />
annual MFA exhibition next spring!”<br />
Michelle Ortiz ’00 was one <strong>of</strong> 24<br />
artists selected in the Commonwealth <strong>of</strong><br />
Pennsylvania to exhibit in Celebration <strong>of</strong> Visual<br />
Traditions: New Work <strong>of</strong> Diverse Pennsylvania<br />
<strong>Art</strong>ists, a traveling biennial exhibition juried<br />
by Faith Ringgold. Presented by the<br />
Pennsylvania Council on the <strong>Art</strong>s <strong>and</strong> The<br />
36
Fall 2008<br />
Pennsylvania State University, this<br />
exhibition showcases the work <strong>of</strong> some <strong>of</strong><br />
Pennsylvania’s most talented artists from<br />
diverse multicultural communities across the<br />
state. The exhibition began its tour on May<br />
30, 2008, at Penn State’s HUB Gallery<br />
<strong>and</strong> will travel to different sites across<br />
Pennsylvania through March 31, 2010.<br />
Ortiz was also selected out <strong>of</strong> 25 artists<br />
nationwide to participate in the National<br />
Latino <strong>Art</strong>s & Culture (NALAC) Leadership<br />
Institute for artists <strong>and</strong> arts administrators in<br />
July 2008 in San Antonio, TX. Leadership<br />
Institute participants have become a strong<br />
national alliance <strong>of</strong> emerging arts leaders<br />
whose creative intellect is shaping the future<br />
<strong>of</strong> Latino arts <strong>and</strong> culture.<br />
Joanne Bosack ’01 had her painting<br />
Where Do We Go From Here? accepted into<br />
the Pennsylvania Academy <strong>of</strong> the Fine <strong>Art</strong>s<br />
2008 Juried Alumni Exhibition which ran<br />
from June 27 to July 27.<br />
Katurah Thomas ’01 exhibited work<br />
in The Funk Aesthetic: Chocolate Coated, Freaky<br />
& Habit Forming at H & F Fine <strong>Art</strong>s, Mount<br />
Rainier, MD.The work interprets the Funk<br />
music movement <strong>and</strong> aesthetic <strong>of</strong> the 60s,<br />
70s <strong>and</strong> 80s.<br />
Harshita Lohia ’02 held a Trunk Show<br />
in her home in Yardley, PA, on Mother’s<br />
Day. The show featured Lohia’s textiles <strong>and</strong><br />
prints as well as h<strong>and</strong>made furniture by<br />
Maggy Gay Robinson ’68. Also in<br />
May, Lohia particpated in the World Tea<br />
Expo in Las Vegas selling her textiles, jewelry<br />
<strong>and</strong> fine teas. In July, she had a Trunk Show<br />
at <strong>Art</strong>ista Gallery in Germantown.<br />
Laura Graham ’03, Darla Jackson<br />
’03 <strong>and</strong> Aubrie Costello ’07,<br />
members <strong>of</strong> The Other Woman Collective,<br />
displayed their work in the window <strong>of</strong><br />
Urban Outfitters, facing the Institute <strong>of</strong><br />
Contemporary <strong>Art</strong>, Philadelphia.<br />
Abigail Sadauckas ’03 completed<br />
her MFA in site-specific sculpture from<br />
Vermont <strong>College</strong> <strong>of</strong> the Fine <strong>Art</strong>s, (formerly<br />
Sheila Frank ’07, Fall 2008 Swimwear Collection, Coney Isl<strong>and</strong> photo shoot.<br />
37
A L U M N A E N O T E S<br />
Vermont <strong>College</strong>.) Recent shows include<br />
Treading Lightly at Waterfall <strong>Art</strong>s Center<br />
in Belfast, ME.<br />
Lauren Kane Cotton ’04 <strong>and</strong> husb<strong>and</strong><br />
Dylan Cotton have launched The Cotton<br />
Press, LLC. The couple met at Tyler School<br />
<strong>of</strong> <strong>Art</strong> where she received her MFA in Fibers<br />
<strong>and</strong> Fabric <strong>Design</strong> <strong>and</strong> he, his MFA in Glass.<br />
The textile design company produces limited<br />
edition h<strong>and</strong>-printed children's wearables<br />
<strong>and</strong> h<strong>and</strong>-drawn designs.<br />
Kelly Brabazon ’06 has moved to<br />
Auckl<strong>and</strong>, New Zeal<strong>and</strong>, <strong>and</strong> is working at<br />
Line 7, an iconic Kiwi clothing company.<br />
Sheila Frank ’07 did a Coney Isl<strong>and</strong><br />
swimwear shoot <strong>and</strong> will be featured in<br />
newspapers <strong>and</strong> magazines in the next few<br />
months: The Patriot-News, The Philadelphia<br />
City Paper, The Philadelphia Inquirer, Daily<br />
C<strong>and</strong>y (in NYC). She will be showing during<br />
New York fashion week with a company<br />
called Fashion Indie, www.fashionindie.com.<br />
Swimwear is available at Topstitch Boutique,<br />
311 Market Street in Olde City Philadelphia<br />
<strong>and</strong> online: www.sheilafrank.com.<br />
Jennifer Lightfoot ’07 had an<br />
exhibition featuring black <strong>and</strong> white<br />
drawings representing modern female rock<br />
stars as mythological <strong>and</strong> fairytale-like<br />
creatures at Gleaner’s Cafe Gallery in<br />
Philadelphia in June 2008.<br />
Michelle Posadas ’04 was awarded an<br />
<strong>Art</strong> <strong>and</strong> Change Award from the Leeway<br />
Foundation in 2007. Posadas will travel to<br />
the Philippines <strong>and</strong> record oral histories <strong>of</strong><br />
family members <strong>and</strong> activists. She will<br />
create a multi-media art performance about<br />
the current political climate <strong>and</strong> the<br />
experience <strong>of</strong> her subjects with resistance<br />
movements <strong>of</strong> the past. This piece was<br />
presented at the Asian <strong>Art</strong>s Initiative in<br />
Philadelphia in February 2008.<br />
Ashli Egolf ’08, Am<strong>and</strong>a Ferraro<br />
’08 <strong>and</strong> Amy Spearing ’08 were<br />
included in Salon des Amis Gallery’s<br />
Flex Box invitational 2008 exhibition. Salon<br />
des Amis is owned an operated by Robin<br />
Hotchkiss ’73.<br />
Samantha Hill ’08 exhibited her<br />
installation Family Room in ID, an exhibition<br />
curated by Roberta Fallon <strong>and</strong> Libby Ros<strong>of</strong> at<br />
Projects Gallery, Northern Liberties, from to<br />
June 6 to July 26.<br />
Keep In Touch<br />
Keep us informed <strong>of</strong> your pr<strong>of</strong>essional<br />
accomplishments <strong>and</strong> personal<br />
milestones. Also send us your work:<br />
print quality images via CD, photographs<br />
or slides. Remember to<br />
indicate your name <strong>and</strong> class, <strong>and</strong> the<br />
title, medium <strong>and</strong> year <strong>of</strong> your work.<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong><br />
20th Street <strong>and</strong> The Parkway<br />
Philadelphia, PA 19103-1179<br />
e-mail dchorney@moore.edu<br />
The next deadline for <strong>Moore</strong> News<br />
is November 15, 2008.<br />
I N M E M O R I A M<br />
Anna Thompson Achenbach ’38<br />
Achenbach received her art education<br />
certificate from <strong>Moore</strong> <strong>and</strong> lived in<br />
New Hampshire.<br />
H. Marie Goss ’45 died May 13, 2008.<br />
Goss spent more than 40 <strong>years</strong> teaching<br />
art in various schools in Wilmington. She<br />
received an award from Woodmere <strong>Art</strong><br />
Museum for a textile piece, but she was most<br />
proud <strong>of</strong> her teaching awards, including the<br />
Delaware Alliance <strong>of</strong> <strong>Art</strong>s Education Award.<br />
She travelled extensively creating art projects<br />
reflecting the many cultures she visited.<br />
Carolyn Pitts ’47 an architectural<br />
historian <strong>and</strong> a pioneer for the preservation<br />
<strong>of</strong> Cape May, NJ, whose efforts secured<br />
National Register <strong>and</strong> National L<strong>and</strong>mark<br />
status for the town. Pitts’ drive to preserve<br />
Cape May began after a 1962 storm flooded<br />
the town for three days. An employee <strong>of</strong> the<br />
National Park Service, she obtained grants<br />
from local foundations <strong>and</strong> the National<br />
Endowment for the Humanities to fund<br />
teams <strong>of</strong> architects <strong>and</strong> historians who<br />
discovered buildings that were the work<br />
<strong>of</strong> such distinguished architects as Samuel<br />
Sloan, Steven Decatur Button <strong>and</strong><br />
Frank Furness. To encourage historical<br />
reproductions, Pitts, McCauley, Michael Fish<br />
<strong>and</strong> Trina Vaux published the Cape May<br />
H<strong>and</strong>book, describing local architecture <strong>and</strong><br />
how to maintain <strong>and</strong> restore it. Earlier, Pitts<br />
was awarded a Fulbright Scholarship in 1952<br />
to lecture in Europe <strong>and</strong> Istanbul, Turkey.<br />
In 1996, Pitts was given the Meritorious<br />
Service Award for preserving l<strong>and</strong>marks<br />
<strong>of</strong> all kinds.<br />
38
Shop Style<br />
Celebrate!<br />
Something Old<br />
& Something New<br />
This fall, The <strong>Art</strong> Shop at <strong>Moore</strong> will carry several items<br />
celebrating the <strong>160</strong>th Anniversary <strong>of</strong> the <strong>College</strong>.<br />
Check out these styles that pair traditional <strong>and</strong> modern<br />
images <strong>and</strong> techniques. The <strong>Art</strong> Shop at <strong>Moore</strong> sells<br />
original work by <strong>Moore</strong> students <strong>and</strong> alumnae.<br />
<strong>160</strong>th Commemorative Scarf,<br />
textile design by Nicole Pellino ’09,<br />
produced by Harshita Lohia ’02,<br />
100% silk charmeuse, $60<br />
<strong>160</strong>th Commemorative Tie,<br />
textile design by Jennifer Tursi ’08,<br />
produced by Harshita Lohia ’02,<br />
100% silk charmeuse, $60<br />
The Belly Dance Series:<br />
Arabesque I & II,<br />
Dae Rebeck Sanchez, ’99,<br />
painting, mixed media <strong>and</strong><br />
photo-collage, $375<br />
Hours: Monday – Friday 11 am to 7 pm<br />
Saturday 11 am to 5 pm<br />
Closed on Sundays <strong>and</strong> academic<br />
<strong>and</strong> legal holidays<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong><br />
20th Street <strong>and</strong> The Parkway<br />
Philadelphia, PA 19103-1179<br />
215.965.8586<br />
www.moore.edu/theartshop<br />
Namaste necklaces,<br />
Erin Endicott ’92,<br />
collage/mixed media in<br />
vintage optometrist<br />
lenses, $35 each<br />
39
Portfolio<br />
Trish McGrann<br />
Class <strong>of</strong> 2008<br />
Post-Baccalaureate Certificate<br />
in Interior <strong>Design</strong><br />
2008 winner <strong>of</strong> the Shirley<br />
Vernon Award in Interior <strong>Design</strong>.<br />
Senior Portfolio:<br />
A Restaurant Theater<br />
Top to bottom, installtion view at Emerging <strong>Art</strong>ists<br />
<strong>and</strong> <strong>Design</strong>ers, <strong>Moore</strong>, 2008; Rear view model;<br />
Cocktail Lounge, Restaurant Auditorium <strong>and</strong><br />
Restaurant Auditorium Perspective; Rear view<br />
model (detail).<br />
40
Diamond on The Parkway<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> has it all<br />
Up & Coming...<br />
For a full list <strong>of</strong> programs,<br />
exhibitions <strong>and</strong> events,<br />
visit www.moore.edu<br />
Spectacular Views <strong>of</strong> Logan Circle<br />
Center City Convenience<br />
Competitive Rates<br />
For further information on renting <strong>Moore</strong>’s contemporary<br />
spaces for your next meeting or event, visit our web site at<br />
www.moore.edu or call 215.965.4097.<br />
Continuing Education Fall Dates:<br />
Adult Classes<br />
Fall Semester 2008<br />
September 29 – December 11<br />
Course Registration Deadline: September 22, 2008<br />
More than 20 new courses in art <strong>and</strong> design<br />
fundamentals, photography, fashion studies <strong>and</strong><br />
fine arts.<br />
New certificate programs in <strong>Art</strong> & <strong>Design</strong><br />
Fundamentals <strong>and</strong> Digital Photography<br />
Courses have exp<strong>and</strong>ed to include new<br />
Saturday courses for adults.<br />
Young <strong>Art</strong>ists Workshop<br />
Fall Semester 2008<br />
September 27 – December 6, 2008<br />
Fall Registration Deadline: September 19, 2008<br />
To sign up for courses or for more information, contact the Continuing<br />
Education Department 215.965.4030 or e-mail ce@moore.edu.<br />
MOORE<br />
Office <strong>of</strong> Communications<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong><br />
20th Street <strong>and</strong> The Parkway<br />
Philadelphia, PA 19103<br />
www. moore.edu<br />
tel. 215.965.4068<br />
fax. 215.564.0634<br />
MOORE fall 2008<br />
Editorial Team:<br />
Am<strong>and</strong>a Mott, Director <strong>of</strong> Communications<br />
Linda Porch, Director <strong>of</strong> Development<br />
Doris Chorney, Director <strong>of</strong> Alumnae Affairs<br />
Irene Cherkassky, PR Coordinator<br />
<strong>Moore</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong> fully supports the<br />
concept <strong>of</strong> academic freedom, including the freedom<br />
<strong>of</strong> artistic expression. Work exhibited throughout the<br />
<strong>College</strong> may have content that some viewers might<br />
find objectionable. <strong>Moore</strong> <strong>College</strong> advises the public<br />
to view work at their own discretion.<br />
Photo Back Cover:<br />
An archival photo <strong>of</strong> an early<br />
preparatory class in drawing,<br />
c. 1885 juxtaposed to a 2007<br />
photo <strong>of</strong> BFA student<br />
Michelle Perez.
20th Street <strong>and</strong> the Parkway<br />
Philadelphia, PA 19103-1179<br />
Non-Pr<strong>of</strong>it Organization<br />
U.S. Postage<br />
PAID<br />
Philadelphia, PA<br />
Permit No. 501