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Notebook III - School of Architecture - The Chinese University of ...

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notebook<br />

<strong>Notebook</strong> <strong>III</strong><br />

2 This is the third working notebook <strong>of</strong> the due general consideration to all. <strong>The</strong> thesis is <strong>of</strong> the studios. It is also conducted in a number<br />

3<br />

architecture programme. It describes the<br />

programme in its present state as it has developed<br />

since its inception in 2001.<br />

During this development the fundamental<br />

structure and ideas have remained much<br />

the same and have continued to provide a<br />

common ground in the department for teaching,<br />

research, and discourse at all levels.<br />

In design, teaching has continued in the four<br />

primary studios: habitation, urbanization, technics,<br />

and tectonics, with participation in all four<br />

from all levels <strong>of</strong> students.<br />

However, the experiences <strong>of</strong> the year have led<br />

to two further developments.<br />

1. Research on the position <strong>of</strong> each studio is<br />

explicitly recognized as the basis for teaching,<br />

leading to greater articulation <strong>of</strong> the historical,<br />

theoretical, and critical foundations <strong>of</strong> the<br />

studio. A series <strong>of</strong> seminars / presentations<br />

based on this research accompanies the<br />

design programme <strong>of</strong> each studio.<br />

2. A greater distinction is made between<br />

the undergraduate and graduate work. <strong>The</strong><br />

graduate student is expected to have fulfilled<br />

the design requirements <strong>of</strong> all four primary<br />

studios and be able to design from a focused<br />

position – <strong>of</strong> any <strong>of</strong> the studios, but with<br />

expected to present an articulate personal<br />

position in design which can be presented<br />

theoretically and practically in terms <strong>of</strong> “primary<br />

positions” such as the four in the undergraduate<br />

programme.<br />

In humanities, the courses more clearly<br />

present the relationship between history,<br />

theory, and criticism. Each course in the<br />

undergraduate programme engages all three<br />

areas, while in the graduate programme elective<br />

courses deal with these in a more specialized<br />

manner.<br />

In technology, the distinction between courses<br />

in construction, structures, and environment<br />

is addressed in the graduate programme in<br />

specialized courses and separate subjects with<br />

their distinct body <strong>of</strong> theory. In the undergraduate<br />

programme, issues in these areas are<br />

presented as aspects <strong>of</strong> one unified subject:<br />

technology. This emphasizes the unity <strong>of</strong> technological<br />

considerations in the real building<br />

while recognizing that advanced study requires<br />

specific theoretical knowledge <strong>of</strong> each one.<br />

Research has gained a clearer position in the<br />

programme as a whole. <strong>The</strong> programme <strong>of</strong><br />

teaching is supported by a parallel programme<br />

<strong>of</strong> research. Both are based on the same ideas<br />

and structure in architecture and education.<br />

<strong>The</strong> research is not only integral to the work<br />

<strong>of</strong> research units. <strong>The</strong>se form a group which<br />

supports the teaching programme particularly<br />

at the graduate level, and conducts funded<br />

research and development.

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