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<strong>Bespoke</strong><br />

FOR PRIVATE CLIENTS<br />

ISSUE 1 SUMMER 2009<br />

200 tractors<br />

and counting<br />

The pleasures of<br />

unlikely hobbies<br />

Celebration wine<br />

Sir Alex Ferguson<br />

recalls aprevious<br />

league title and<br />

the ’61 Petrus<br />

that got away<br />

The great<br />

crash of 1720<br />

How the South<br />

Sea Bubble<br />

made fools of<br />

princes and<br />

paupers alike<br />

Inheritance<br />

tax<br />

Nasty, brutish<br />

and easy to<br />

mitigate<br />

National Treasure<br />

Philip Mould on selecting art<br />

that will keep its value and bring you joy<br />

><br />

>


OF INTEREST<br />

2<br />

BUDGET 2009<br />

High net worth individuals<br />

were heavily targeted in this<br />

year’s Budget with higher<br />

taxes, reduced personal<br />

allowances and restricted<br />

pension relief. Francesca<br />

Lagerberg and Lindsey Wicks<br />

of <strong>Grant</strong> <strong>Thornton</strong> investigate<br />

the details:<br />

■ CHANCELLOR ALISTAIR<br />

Darling exceeded expectations by<br />

introducing a‘super-tax’ rate of 50%<br />

for earnings over £150,000, to come into<br />

effect from 6April 2010. This was both<br />

higher and sooner than predicted, and,<br />

incorporating national insurance<br />

contribution increases scheduled from<br />

April 2011, the tax rate will be 51.5% for<br />

employees on income over £150,000.<br />

■ APRILNEXTYEAR will also<br />

see atapering away of personal allowances<br />

for anyone with asix-figure income.<br />

At an income of £112,950 you will have<br />

no personal allowance (currently £6,475).<br />

There are likely to be PAYE operational<br />

problems for many and to add to the<br />

confusion, those with incomes falling<br />

between £100,000 and £112,950 will pay<br />

an effective tax rate of 60%. Those with<br />

income of £110,000 could theoretically<br />

see their total tax bill rising by 5% in three<br />

years. In the case of earners of £180,000,<br />

the increase could be nearly 9%!<br />

■ IN TWOYEARS’ time the<br />

amount of tax relief available for pension<br />

savings will be down from 50% to 20%<br />

for those earning between £150,000 and<br />

£180,000. Incomes above this will only<br />

qualify for relief at the basic rate. There<br />

is an anti-forestalling provision in place<br />

to prevent pension alterations before<br />

then, atax charge of 20% of ‘additional’<br />

contributions in excess of the special<br />

annual allowance of £20,000. Regular<br />

51.5%<br />

The tax rate on income over<br />

£150,000 for employees as of<br />

April 2011<br />

ongoing pension savings in place before<br />

22 April 2009 are unaffected.<br />

■ ALSO FROM 6APRIL 2010<br />

there will be three rates of tax on dividend<br />

income. Where income falls within the<br />

basic rate band, the 10% tax credit will<br />

extinguish any liability, as before. The<br />

equivalent rate for 40% taxpayers remains<br />

at 32.5% but anew rate of 42.5% will be<br />

introduced where income will be taxed at<br />

the new super-tax rate of 50%. Trusts of<br />

course are not left alone. From the same<br />

date the additional rate of tax for trusts<br />

will also rise to 50%, with anew higher<br />

trust rate of tax on dividends of 42.5%.<br />

■ THEONLYREALGOOD news<br />

for savers is that the ISA limit is raised<br />

from £7,200 to £10,200; however,those<br />

under 50 will have to wait until 2010 for<br />

this benefit.<br />

CREDIT<br />

CRUNCH<br />

HITS DIVORCE<br />

‘The financial carve-up that<br />

follows adivorce settlement<br />

will be at the forefront of a<br />

couple’s mind.’<br />

AGRANTTHORNTON survey<br />

among 70 leading matrimonial lawyers<br />

reveals that nearly half expect the credit<br />

crunch to result in fewer divorces reaching<br />

the courts. While money trouble is a<br />

well-documented cause of tension between<br />

spouses, it could be that some couples stay<br />

together because of their financial situation.<br />

Robert Kerr,partner at <strong>Grant</strong> <strong>Thornton</strong>’s<br />

Forensic and Investigation Services<br />

practice, says: ‘The financial carve-up<br />

that follows adivorce settlement will be<br />

at the forefront of acouple’smind.’<br />

He cites the prominent case of the<br />

hedge fund manager Brian Myerson, who<br />

agreed to give his wife a£9.5 million<br />

divorce settlement only to see his personal<br />

wealth suddenly fall dramatically.Many<br />

other individuals of high net worth could<br />

find themselves similarly vulnerable.<br />

Clean break settlements (also known as<br />

‘lump sum financial agreements’) are likely<br />

to decline, with acorresponding increase<br />

in maintenance-based divorces, according<br />

to 65% of lawyers. This is not surprising,<br />

says Kerr,given that ‘individuals’ assets<br />

will be falling in value in the current<br />

economic climate, thus reducing the pot<br />

of wealth for the parties to share’.<br />

52% of responding lawyers<br />

predict that there will be an<br />

increase in pre- and post-nuptial<br />

agreements due to the<br />

economic slowdown.<br />

‘Pre-nups have become increasingly<br />

more popular as people are looking to<br />

secure the wealth that they have<br />

accumulated prior to their marriage,’ says<br />

Kerr.‘Therefore, it is no surprise in an<br />

economic climate where individuals’<br />

income levels will be fluctuating that they<br />

would like more guarantees over their<br />

finances. The recent case of German<br />

heiress Katrin Radmacher taking her<br />

husband Nicolas Granatino to court to<br />

uphold apre-nuptial agreement so that<br />

she could protect her wealth is afurther<br />

example of the uncertainty around<br />

pre-nups and the call by many to<br />

make them legally binding.’<br />

MORE NEW THINKING<br />

For more research and insights<br />

from our experts go to<br />

www.grant-thornton.co.uk/thinking<br />

www.grant-thornton.co.uk


welcome<br />

This is the first issue of <strong>Bespoke</strong>,the magazine produced by<br />

<strong>Grant</strong> <strong>Thornton</strong> for our private clients. It follows on from our previous<br />

publications to highlight issues we hope will be of interest to you, to<br />

introduce afew of our clients and showcase some of our thinking.<br />

In this issue we offer our insights on tax havens, personal finance<br />

and the Budget, divorce, family-run businesses, and some pertinent<br />

historical episodes that cast illuminating light on current events in<br />

financial markets.<br />

Inheritance has been aripe topic for literature for hundreds of<br />

years, and it is fascinating to discover that Charles Dickens based<br />

his novel Bleak House on areal contemporary case; the story is<br />

coupled with some up-to-date advice on how to best look after<br />

your family’s future.<br />

Our main interview this issue is with the inimitable Philip Mould,<br />

who runs aleading London gallery and is ahighly regarded<br />

specialist in British portraiture. Is it possible that more traditional<br />

artworks are currently holding their value better than experimental<br />

pieces? We hope you enjoy the conversation and find it of use.<br />

COVER TERRY JONES BY STUART PEARSON WRIGHT ©PHILIP MOULD LTD<br />

contents<br />

2 Of interest<br />

4 First person<br />

8 Family Limited Partnerships<br />

9 Devil’s advocate<br />

10 National treasure<br />

4<br />

14 South Sea Bubble<br />

18 Bleak house<br />

22 Need to know<br />

24 Viewpoint<br />

26 Sir Alex Ferguson<br />

14<br />

26


FIRST PERSON<br />

PASSIONS<br />

4<br />

RESTORER OF<br />

THE FLYING ‘B’<br />

In these days of mass-produced,<br />

computer-guided cars there are few that<br />

can stir the blood the way avintage<br />

open-top Bentley can. As Richard Ford<br />

has found, once driven, forever smitten<br />

INTERVIEW GLYN BROWN PHOTOGRAPHY JAMES PFAFF


‘Each is different.<br />

Some are more<br />

powerful, some<br />

are smoother –<br />

but Inever pick<br />

favourites’<br />

RICHARD FORD is going to have to<br />

live with the fact that he’s named after<br />

the wrong breed of car; quartered in the<br />

garage of his Warwickshire home are six<br />

gleaming vintage Bentleys, five deep<br />

green and one blue, which he cherishes<br />

like the thoroughbred racers they are.<br />

‘I’ve been interested in Bentleys since<br />

Iwas achild but could never find the<br />

time or money for one. Then 13 years<br />

ago [he’s 63] Ifinally bought my first.’<br />

Richard says he’s not an emotional<br />

man. Still, he repairs Bentleys as ahobby<br />

–and spending 7,000 hours (‘with abit<br />

of help from friends’) on one vehicle<br />

sounds like alabour of love to me.<br />

True Bentleys are those made between<br />

1919 and 1931, when Rolls-Royce took<br />

over the firm. The cars have apoignant,<br />

Brideshead Revisited feel, long-bodied,<br />

with muscular rising fenders. Do they<br />

have personalities? ‘Each is different.<br />

Some are more powerful, some are<br />

smoother –but Inever pick favourites.’<br />

These cars were made to chew up the<br />

open road. Richard unleashes his on<br />

international tours which the Bentley<br />

Drivers Club organises. So far, he’s taken<br />

them to the States, Australia, New<br />

Zealand and South Africa. Do they like<br />

the terrain? ‘Well, you have to be careful<br />

driving through hills and mountains, keep<br />

watching the temperature gauge. They<br />

often run better in the rain. But since they<br />

don’t have hoods, you tend to get wet.’<br />

Said so jovially, this is clearly no deterrent.<br />

And how easy is the driving?<br />

‘Technically, it’s exceptionally tricky.<br />

Without synchromesh gears, you have to<br />

get the timing right. But though it’sabig,<br />

heavy car, once called the fastest racing<br />

lorry in the world, it isn’tphysically hard.’<br />

Richard’s wife Jenny might disagree. On<br />

last year’s tour of New Zealand, with her<br />

husband in the passenger seat following<br />

an operation, she drove the 3,000-mile<br />

round trip. ‘They’re very physical cars,’<br />

she laughs. ‘By the end of the day, you<br />

definitely feel it in your shoulders.’<br />

The motor’s often overlooked racing<br />

history is most impressive. Walter Owen<br />

(WO) Bentley was 31 when, in 1919, he<br />

fired up the first of what would be a<br />

legendary marque, in amews off Baker<br />

Street. Prototypes went straight into<br />

competition, winning at Brooklands,<br />

Indianapolis and Le Mans. Richard has<br />

taken his turn at racing the cars, and<br />

putting them through their paces is<br />

encouraged. (Says aDrivers Club<br />

commentator, keeping one unused is<br />

like keeping agreyhound in abox.)<br />

An exquisite piece of engineering, the<br />

parts were made to be in motion.<br />

‘That’s itexactly,’ says Richard.<br />

‘I mean, you drive acar like this with<br />

care and concern, you always have a<br />

certain amount of worry that everything<br />

stays in tune. You’re listening to the<br />

engine.’ His brow uncreases. ‘But<br />

that long-stroke Bentley engine –<br />

what asweet, fantastic sound.’


FIRST PERSON<br />

PASSIONS<br />

THE COLLECTOR<br />

For sheer diversity, Bill Kemball’s collection of<br />

agricultural machinery is hard to beat. When you add<br />

up the number of different machines –200 tractors<br />

alone –it’s clear the word ‘hobby’ falls pitifully short<br />

INTERVIEW GLYN BROWN PHOTOGRAPHY JAMES PFAFF<br />

6<br />

BILL KEMBALL, 70, comes across as<br />

something of aRenaissance man. His<br />

primary income comes from warehousing<br />

and haulage firm Debach Enterprises.<br />

His other major concern is the 1,650<br />

acres of Wantisdean Hall Farm, deep in<br />

the Suffolk countryside. ‘That’s what<br />

Ireally am: afarmer, and afarmer’s son.’<br />

And aspects of both come together in<br />

Bill’s overwhelming love of vintage<br />

agricultural vehicles.<br />

‘Mechanical engineering has been my<br />

interest since Iwas aboy. Istarted<br />

collecting old tractors after Ileft school.<br />

Now Ihave quite afew.’ For years, Bill<br />

was single-handedly able to put on a<br />

Power of the Past display at Wantisdean,<br />

featuring vintage tractors, steam engines,<br />

gyrotillers, alarge, steam-driven<br />

reciprocating saw and –cue strains of<br />

Tubular Bells –heavy horses, the<br />

magnificent Suffolk drays.<br />

Having been to events like this, Ican<br />

vouch for the sheer hair-raising thrill of<br />

these machines, so big they seem alive.<br />

‘Yes, as alive as the horses. They’re<br />

massive things. Some of the steam<br />

engines go back to the 1800s; many<br />

of the tractors are from the First World<br />

War.’And offhand, you’d have, say?<br />

‘The collection of tractors alone, in<br />

excess of 200. And really quite anumber<br />

of steam engines. Then there’s the<br />

vintage commercial vehicles, delivery<br />

vans and things, the oldest built in 1911.<br />

Solid rubber tyres, some of them. Plus a<br />

collection of old army vehicles, as well<br />

as Model TFords. Are you familiar with<br />

those? I’ve got seven.’ Good lord.<br />

Where are so many vehicles stabled?<br />

For the most part, in aircraft hangars;<br />

another string to Bill’sbow is former US<br />

Air Force base Bentwaters, now known as<br />

Bentwaters Parks. To this day, the site has<br />

airfields, control towers, decontamination<br />

showers, dog kennels and nuclear<br />

weapons stores. It gets used for film and<br />

TV –‘TopGear, Dog Borstal,stuff like<br />

that’ –but, being pretty secure, it can also<br />

handle storage of valuable vintage<br />

machinery.‘We also have recording<br />

sessions in what’sknown as the Hush<br />

House, where they tested aircraft engines.<br />

And there’savegetable production group<br />

I’m involved with, and another company<br />

putting in banks of computers. Then<br />

we’ve got fireworks in old bomb stores,<br />

vintage wine, classic cars…’<br />

Despite the diversification, Bill<br />

still seems to care above all about just<br />

two things. In September, Wantisdean<br />

will hold aWartime Weekend. ‘It’ll be<br />

astep back in time, aweekend in the<br />

middle of 1943, with Land Army, Home<br />

Guard, making and mending, all that.’<br />

The biggest parts of that weekend,<br />

however, asfar as Bill is concerned, will<br />

be preparation of farm-grown food, and<br />

the astonishing, rattling equipment that<br />

once helped produce it. ‘My heart is and<br />

always will be in agriculture –the family<br />

farm.’ Ashrug. ‘And all my life, my<br />

hobby has been restoring and caring for<br />

beautiful old machinery.’<br />

www.grant-thornton.co.uk


PEOPLE AND PLACES<br />

‘Mechanical<br />

engineering has<br />

been my interest<br />

since Iwas aboy.<br />

Istarted collecting<br />

old tractors after<br />

Ileft school’<br />

www.grant-thornton.co.uk


INSIDE STORY<br />

Silver bullet<br />

or rusty nail?<br />

8<br />

HOW<br />

THEY ARE<br />

WORK<br />

Donors contribute assets to a<br />

Family Limited Partnership (FLP)<br />

in return for apartnership interest,<br />

which they then give away to family<br />

members. There must be at least one<br />

‘general partner’ (GP), who has<br />

unlimited liability and manages the<br />

FLP. The GP may have asmall<br />

capital interest and income<br />

entitlement. Typically, the GP will<br />

be aprivate company owned by the<br />

contributor of the funds, with<br />

directors who would otherwise take<br />

on the role of trustees in anormal<br />

trust arrangement. There can be any<br />

number of limited partners, who<br />

take the majority interest in income<br />

and capital. When passing assets to<br />

family members the type of entity<br />

used has an impact on the tax and<br />

reporting requirements of the gift.<br />

Family Limited Partnerships have been much talked<br />

about since 2006 when the trust rules were significantly<br />

altered. But are they all they’re cracked up to be?<br />

THEY<br />

ANY<br />

GOOD?<br />

The main advantage of using an FLP<br />

is that there is no Inheritance Tax<br />

(IHT) charge on the transfer of the<br />

assets into the partnership. In<br />

addition, there are none of the IHT<br />

exit and ten-yearly charges that are<br />

now levied on most trusts.<br />

The gifting of partnership<br />

interests is treated as adisposal<br />

of the underlying assets for<br />

capital gains tax (CGT) purposes.<br />

While an FLP structure has more<br />

restricted deferral reliefs available<br />

to it than atrust, it is nevertheless<br />

possible to defer aCGT liability<br />

in respect of business assets held<br />

by the partnership.<br />

OUR<br />

VIEW<br />

‘Although FLPs have their place,<br />

they can be limited in application,<br />

and may only be suitable for<br />

particular cases. However, at<br />

<strong>Grant</strong> <strong>Thornton</strong>, we have devised a<br />

number of ways of adapting the<br />

basic premise. We can allow for<br />

wider applications and greater tax<br />

advantages by combining key<br />

principles of some of our other<br />

capital gains tax and inheritance tax<br />

planning ideas. This way, the FLP<br />

may be auseful tax planning tool<br />

and aviable alternative to trusts.’<br />

Andrew Westhead, TaxPartner,<br />

<strong>Grant</strong> <strong>Thornton</strong><br />

www.grant-thornton.co.uk


DEVIL’S ADVOCATE<br />

NO PLACE TO HIDE<br />

There is much talk of anew global era of transparency in<br />

banking, but does it really amount to anything? And what,<br />

if any, are the consequences for individuals in the UK?<br />

ILLUSTRATION PETER JAMES FIELD<br />

he April 2009 meeting of the<br />

developed nations (the G20<br />

summit) looked in advance as<br />

though it was going to produce<br />

little but hot air. Inthe end the various parties<br />

involved managed to find anumber of subjects<br />

on which they could all agree, including amove<br />

against so-called ‘tax havens’. The G20 final<br />

statement noted that it would ‘take action against<br />

non-cooperative jurisdictions, including tax<br />

havens. We stand ready to deploy sanctions to<br />

protect our public finances and financial systems.<br />

The era of banking secrecy is over’.<br />

So what does this mean for high net worth<br />

individuals in the UK with offshore accounts? For<br />

many the answer is ‘not much’; they will already<br />

be disclosing all that they are required to under UK<br />

law. However, for those who have enjoyed banking<br />

privacy, the rules of engagement are changing.<br />

The first step is working out what qualifies<br />

as a‘tax haven’. There is no formal definition.<br />

The Organisation for Economic Co-operation and<br />

Development (OECD) believes atax haven will<br />

have no or low taxation, protection of financial<br />

information (secrecy) and alack of transparency or<br />

exchange of information with other jurisdictions.<br />

Pressure from the OECD has led to a‘white list’ of<br />

40 countries which have substantially implemented<br />

its tax standard of information exchange and<br />

transparency. There are two ‘grey lists’ of countries<br />

which have committed to the standard but have not<br />

yet substantially implemented it. There are, then,<br />

four countries on the blacklist: Costa Rica,<br />

Malaysia, Philippines and Uruguay, although all<br />

four are now stating that they want to take steps<br />

to take themselves on to the ‘grey list’.<br />

The G20 summit has tasked the OECD with<br />

pushing hard on the issue of tax havens and to<br />

report back in November 2009 at ameeting of the<br />

G20 finance ministers. Whether this will result in<br />

any concrete proposals remains to be seen. But<br />

what does appear to be happening is that effective<br />

PAUL ROBERTS<br />

Partner,Head of Tax<br />

Investigations,<br />

<strong>Grant</strong> <strong>Thornton</strong><br />

behind-the-scenes negotiation is bringing country<br />

after country in line with the OECD standard.<br />

Closer to home, the last few months have seen a<br />

number of jurisdictions entering into negotiations<br />

to increase the transfer of tax information.<br />

Liechtenstein has begun discussions with the UK<br />

with aview to anew agreement that will include<br />

the ability to access information about UK residents<br />

that have invested money in Liechtenstein without<br />

declaring the resultant income to the UK authorities.<br />

Switzerland has announced it will no longer use<br />

banking secrecy as areason not to disclose<br />

information to foreign jurisdictions about persons<br />

who deposit money in Switzerland.<br />

Arange of countries such as Jersey have entered<br />

into TaxInformation Exchange Agreements (TIEA)<br />

with the UK. The global financial crisis has meant<br />

that no one wants to be left as the ‘bad boy’ of<br />

the tax world.<br />

For those in the UK there will be aNew<br />

Disclosure Opportunity in the autumn. This will<br />

be another chance for those who have offshore<br />

accounts whichshouldhavebeendisclosed on UK<br />

tax returns to come forward and face acapped<br />

penalty, the details of which are still to be<br />

announced. Anyone concerned about these issues<br />

should contact their <strong>Grant</strong> <strong>Thornton</strong> representative.<br />

The global financial crisis has meant<br />

that no onewants to be left as<br />

the ‘bad boy’ of the tax world<br />

www.grant-thornton.co.uk


10<br />

National<br />

treasure


FINE ART<br />

Art has much to offer the investor, but it can be tricky to navigate.<br />

Renowned art expert Philip Mould provides guidance on the riches of<br />

English portraiture, and overleaf shows examples of what to look for<br />

WORDS LISA FREEDMAN PHOTOGRAPHY BRIJESH PATEL<br />

IN ANOTHER AGE Philip Mould might have<br />

been aprivate detective. He has the same cool<br />

English reticence, the same sharp eye, the same<br />

instinctive appreciation for when something is<br />

‘not quite right’. Fortunately for those of us less<br />

interested in dastardly deeds and more concerned<br />

with finding attractive bodies to furnish our<br />

library, Mould decided to confine his sleuthing<br />

to the world of English portraiture.<br />

Mould, who appears regularly as an expert<br />

on the BBC’s Antiques Roadshow, runs an<br />

internationally renowned gallery in London’s<br />

Mayfair, where you’ll find museum-quality<br />

likenesses of five centuries of the rich and famous.<br />

And, if you’re trying to build up acollection or<br />

track down aportrait by an artist such as Sir Joshua<br />

Reynolds or Sir Peter Lely, you couldn’t find a<br />

better place to start.<br />

Mould himself began honing his art detection<br />

skills early in life. (‘When Iwas 13 Icollected<br />

shoe buckles; they were cheap and Icould conquer<br />

the field.’) But it was only after studying art<br />

history at university and joining his older<br />

brother in the antiques business that the field<br />

he hunted in became portraiture.<br />

His first major discovery was atiny painting<br />

by an unknown artist of the young Prince Arthur,<br />

elder brother of King Henry VIII. The portrait<br />

had in fact been correctly catalogued by Sotheby’s,<br />

but what the experts at the international auction<br />

house had failed to realise was that this was the<br />

only likeness in existence of the short-lived heir<br />

to the English throne.<br />

Hardly surprising, then, that Mould’s motto<br />

is: ‘Fortune favours awell-prepared mind.’<br />

His boy-scout thoroughness, combined with<br />

an encyclopaedic knowledge of many artists<br />

(‘identifying signature stroke’), has helped him<br />

unmask ahost of extraordinary works –often<br />

in the unlikeliest places.<br />

‘Five years ago Ibought an Ipswich-period<br />

Gainsborough for $200 on eBay,’ he says<br />

casually. ‘The whole body had been painted<br />

brown but the face, even in adigital image,<br />

was clearly Gainsborough.’<br />

Many of his clients would be delighted<br />

if he could perform similar miracles for them.<br />

But although cheap-as-chips Gainsboroughs<br />

will always be in short supply, if you’re looking<br />

for aspecific period or artist, Mould is happy<br />

to work to order and can usually track down a<br />

significant work by awell-known painter within<br />

amatter of months.<br />

‘Some of the greatest old masters were<br />

remarkably prolific,’ says Mould. ‘Gainsborough,<br />

for example, painted 200 to 300 paintings ayear.<br />

And VanDyck, who worked with astudio,<br />

completed amajor work aweek. Alarge number<br />

of these paintings left the UK in the late 19th and<br />

early 20th century, but they can still be found.’<br />

Mould’s business has grown alongside the recent<br />

fashion for the ownership of large country homes.<br />

His advice to new collectors is concise: ‘The key<br />

things to bear in mind are: authorship, beauty,<br />

historical importance and condition.’<br />

The growth areas he is seeing at the moment<br />

are 17th-century miniatures, early 20th-century<br />

portraits and works from the Tudor period.<br />

‘Tudor portraiture has agraphic quality, which<br />

works unusually well in acontemporary setting,’<br />

says Mould.<br />

Whichever period you’re interested in, however,<br />

you can feel confident that the best portraiture<br />

will hold its value remarkably well. ‘It’sthe tortoise<br />

to the contemporary-art hare,’ says Mould.<br />

‘Good-quality historic portraits have seen asteady<br />

annual rise of about five per cent. They never<br />

experienced the enormous rises of modern art,<br />

but they haven’t seen the drops, either.’<br />

Philip Mould Gallery is at 29 Dover Street,<br />

W1S 4NA. www.philipmould.com<br />

Sleuth: The Amazing Quest for Lost Art<br />

Treasures by Philip Mould is published<br />

by HarperCollins


AN EXPERT’S GUIDE TO ENGLISH PORTRAITS…<br />

Henry VIII, school of Holbein<br />

Ann Davis, by JM Wright<br />

12<br />

TUDOR<br />

Henry VIII, school of Holbein<br />

This handsome portrait of Henry VIII was<br />

painted either shortly before or after his<br />

death by afollower of Holbein. ‘Henry’s<br />

image is one of the first truly defining<br />

images of kingship,’ says Mould. ‘With his<br />

richly embellished clothing and stately<br />

display of jewels, Henry isthe quintessential<br />

monarch.’ Portraits such as these became<br />

widespread during the late 16th century,<br />

when the owners of Elizabethan country<br />

houses, needing to furnish their newly<br />

built ‘long galleries’, began to hang<br />

portraits of kings and queens and other<br />

contemporary celebrities.<br />

Names to watch for: Hans Holbein,<br />

Guillim Scrotts and Hans Eworth.<br />

Prices from £5,000 to £30 million.<br />

LATE 17TH CENTURY<br />

Ann Davis, by JM Wright<br />

This charming portrait by John Michael<br />

Wright demonstrates the sharp shift in<br />

portrait style which took place during<br />

the reign of Charles II. Rather than the<br />

stiff, formal poses of the preceding century,<br />

here we see amuch more relaxed and<br />

naturalistic representation of female beauty.<br />

While the sitter’s arms and drapery<br />

are reminiscent of classical antiquity, her<br />

tumbling hair and revealing décolletage<br />

are typical of the rather louche style of<br />

the Restoration court. The face itself is<br />

painted with vivid clarity.<br />

Another growing area of investor interest<br />

from this period is portrait miniatures.<br />

Remarkable for their intense, jewel-like<br />

quality and detailed realism, miniatures<br />

were invented in the 16th century and<br />

remained popular in marriage negotiations<br />

and as keepsakes.<br />

Names to watch for: In portraits,<br />

Sir Peter Lely, Gerard Soest and Mary<br />

Beale; in miniatures, Nicholas Hilliard,<br />

Richard Cosway and Samuel Cooper.<br />

Prices from £15,000 to £1 million<br />

for aportrait; £2,500 to £500,000 for<br />

aminiature.<br />

18TH CENTURY<br />

The Hon John Tufton, by<br />

Sir Joshua Reynolds<br />

Joshua Reynolds is undoubtedly one of<br />

the greatest names in English portraiture,<br />

atowering figure who, with his rival<br />

Gainsborough, dominated the 18th century.<br />

Reynolds spent several years in Italy<br />

studying the style and technique of the old<br />

masters to create a‘grand style’, which<br />

married classical allusion with the demands<br />

of face painting. The first president of the<br />

Royal Academy, Reynolds exhibited large<br />

portraits treated in ahistorical manner.


FINE ART<br />

The Hon John Tufton,<br />

by Sir Joshua Reynolds<br />

Terry Jones, by Stuart Pearson Wright<br />

Lady Diana Cooper, byAmbrose McEvoy<br />

BRIJESH PATEL/© PHILIP MOULD LTD<br />

During his long life he painted as many as<br />

3,000 portraits, including almost every man<br />

and woman of note. Gainsborough, who<br />

was perhaps greater at catching alikeness<br />

and who allowed his sitters to wear their<br />

own fashionable clothes, was equally prolific.<br />

Names to look for: Sir Joshua Reynolds,<br />

Sir Thomas Gainsborough, Sir Thomas<br />

Lawrence. Prices from £20,000 to £3 million.<br />

EARLY 20TH CENTURY<br />

Lady Diana Cooper, by<br />

Ambrose McEvoy<br />

At the turn of the 20th century, British<br />

portrait painting began to react against the<br />

restrictive standards and conventions of the<br />

Royal Academy and looked to France and<br />

the French Impressionists for astyle that<br />

concentrated on the effects of light and<br />

colour on living objects. Early 20th-century<br />

English portraiture is very much agrowth<br />

area and prices remain relatively accessible;<br />

as Mould points out, you can still pick up<br />

an époque-defining image for as little as<br />

£10,000. This attractive, impressionistic<br />

work by Ambrose McEvoy, acontemporary<br />

at the Slade of Augustus John and Walter<br />

Sickert, is thought to be of the famed society<br />

beauty Lady Diana Cooper.<br />

Names to look for: William Orpen,<br />

Augustus John, Duncan <strong>Grant</strong>. Prices<br />

from £10-50,000.<br />

CONTEMPORARY<br />

PORTRAITURE<br />

Terry Jones, by Stuart Pearson Wright<br />

For investors, rather than pleasure<br />

purchasers, buying contemporary portraiture<br />

is the most problematic area. ‘If you’re<br />

dealing with art inthe past, there is an<br />

empirical understanding of historical value,’<br />

says Mould. ‘But contemporary art is much<br />

more speculative.’ Occasionally, however,<br />

he feels he can predict with confidence<br />

when an artist will endure. ‘Stuart Pearson<br />

Wright is original, incisive in his<br />

characterisation, and his painting is intense<br />

and arresting,’ he adds. ‘I know technical<br />

brilliance, and Ifeel strongly this will last.’<br />

Pearson Wright has painted some of today’s<br />

leading figures, including JK Rowling, the<br />

Duke of Edinburgh and John Hurt. His work<br />

hangs in The National Portrait Gallery.<br />

Names to look for: Susannah Fiennes,<br />

Brendan Kelly, Lucian Freud. Prices from<br />

under £1,500 to more than £1 million.


14<br />

Bubble<br />

trouble<br />

It was the mother of all get-rich-quick schemes: the South Sea Bubble. During the spring<br />

and summer of 1720 it seemed the whole country was swept up in afever: to become<br />

wealthy –very wealthy indeed –for wondrously little effort. Astory with afamiliar ring,<br />

and perhaps some lessons for investors three hundred years later<br />

WORDS GAYTHORNE SILVESTER<br />

www.grant-thornton.co.uk


INVESTMENT<br />

King George Ibecame the governor of the fledgling<br />

South Sea Company in 1718, providing credibility and<br />

aboost to the shares. His mistresses, the countess of<br />

Darlington and Duchess of Kendall, were heavily involved<br />

and suffered harsh criticism when the bubble burst<br />

THE BUBBLE ITSELF<br />

In 1711 agroup of merchants had<br />

formed the South Sea Company and<br />

were granted exclusive trading rights<br />

in Spanish South America. At that<br />

time, when the whole of America was<br />

being explored and settled, the ‘South<br />

Seas’ was what we called South<br />

America and its surrounding waters.<br />

In return for its trading monopoly,<br />

the company guaranteed to<br />

underwrite £9 million of UK<br />

government debt incurred by war,<br />

assured by the government of a6%<br />

interest rate –£540,000 guaranteed<br />

annually. Despite very little real trade<br />

being conducted with the Spanish in<br />

the following years, fanciful talk of<br />

golden opportunities, encouraged by<br />

the merchants in the company, led to<br />

acontinual increase in the value of the<br />

stock. In 1718 King George became<br />

governor of the company, and its<br />

success was assured. Buying into the<br />

South Seas became the fashionable<br />

way to riches.<br />

THE ART OFSPIN<br />

In early 1720 the stock started to<br />

soar. Parliament had accepted the<br />

company’s proposal to take over<br />

the national debt and the company<br />

expected to recoup itself from<br />

expanding trade as well as the increase<br />

in value of shares. On the latter point,<br />

at least their hopes were well founded:<br />

fuelled by continuing extravagant<br />

tales of treasure in Spanish America,<br />

the shares went into overdrive, rising<br />

from £128 in January to more than<br />

£1,000 in August.<br />

KEEPING THE PLATES<br />

IN THE AIR<br />

Fortunes were made overnight and<br />

no investor, itseemed, could afford<br />

to miss out. The company cannily<br />

passed on stock to politicians and<br />

aristocrats to ensure that they would<br />

keep talking up their shares: stock<br />

in the company was ‘sold’ to them at<br />

the going market price. However,<br />

rather than paying for the shares, they<br />

simply held on to what shares they<br />

had been offered, sold them back to<br />

the company when and as they chose,<br />

and received as profit the increase in<br />

market price. Their interest was<br />

bound to the fortunes of the<br />

company: in order to secure their<br />

own profits, they had to help drive<br />

up the stock.<br />

The Prince of<br />

Wales became<br />

the governor<br />

of one company<br />

and is said to<br />

have cleared<br />

£40,000 –the<br />

equivalent of<br />

£61m nowadays<br />

LITTLE BUBBLES<br />

OF ACRAZY NATURE<br />

Agreat froth of speculative projects,<br />

soon dubbed ‘Bubbles’, sprang up in<br />

the wake of the South Sea Company’s<br />

success, some genuine and some<br />

frankly preposterous. These included<br />

heat-resisting paint; trading wool<br />

with Barbary and ‘preserving our<br />

countrymen from being carried into<br />

slavery’; dealing in hair; trading in<br />

woad; importing broomsticks from<br />

Germany; extracting silver from lead;<br />

and that favourite of the truly<br />

hopeful, the perpetual motion<br />

machine –‘capital, one million’. More<br />

than 100 were advertised in June 1720<br />

alone. The Bubble Bill had to be<br />

devised by Parliament, most of whose<br />

members were in the scam up to<br />

their necks, to suppress them before<br />

they diverted too much cash from<br />

the South Sea Company itself. The<br />

Bubble Bill required all new joint<br />

stock companies to have aRoyal<br />

Charter as ameans of preventing<br />

the fraudulent ‘Bubbles’ that were<br />

springing up.<br />

‘TOTAL REVOLUTION<br />

IN THE ART OFWAR’<br />

Among the characters of the<br />

moment was James Puckle, aveteran<br />

‘Projector’ (the name given to<br />

those who spent their time devising<br />

money-making schemes) who<br />

promoted afiendish machine gun<br />

that could fire both round and square<br />

bullets. The latter were to be<br />

employed against the Turks as they<br />

hurt more. He then added apatent<br />

for asword he had invented, writing<br />

to Charles Stanhope, Secretary to<br />

the Treasury, that it was ‘worth<br />

avictory to the army that first has it’.<br />

THE MADDEST ONE OF ALL<br />

The most outrageous scam of all was<br />

an advertisement for abusiness<br />

proposition ‘for carrying out an<br />

undertaking of great advantage, but<br />

nobody to know what it is’.<br />

Enthusiastic crowds are said to have<br />

surrounded the company’s office in<br />

Cornhill, snapping up £100 shares for<br />

deposits of £2 each. By three o’clock<br />

the unknown author of the ploy had<br />

sold 1,000 shares, and he shut up<br />

shop. That same evening he was on<br />

the boat to the Continent, never to<br />

be seen again.<br />

GETTING SATIRICAL<br />

Pamphleteers and the newspapers<br />

mocked the absurdities and came up<br />

with their own, confusing the<br />

situation further. Among those listed<br />

in apamphlet called ‘The Battle of the<br />

www.grant-thornton.co.uk


16<br />

The most outrageous scam of all<br />

was an advertisement for abusiness<br />

proposition ‘for carrying out an<br />

undertaking of great advantage, but<br />

nobody to know what it is’<br />

Bubbles’ were ‘Automatons –i.e.<br />

Carriages for conveying single<br />

Persons… without the help of Four<br />

footed beasts, the Motion is to be<br />

performed by the Person carried, who<br />

is to wind up his Wheels every<br />

two Thousandth yard’. There was<br />

also the exciting news that<br />

‘A Flying-Engine is under the<br />

Consideration of the Author<br />

of the Automaton, and is speedily<br />

expected to be seen in the Air’.<br />

WHAT SORT OFMONEY ARE WE<br />

TALKING ABOUT HERE?<br />

The Prince of Wales became governor<br />

of one company, and is said to have<br />

cleared £40,000 by his speculations.<br />

Afigure not to be sniffed at now but,<br />

using the British Retail Prices Index,<br />

the relative value nowadays would be<br />

£61.4 million*. Fortunes were not<br />

Oneofaset of playing cards<br />

which mocked the many ‘bubbles’<br />

that sprang up in 1720<br />

restricted to the upper classes, either.<br />

The housekeeper to Sir Theodore<br />

Jansenn, sub-Governor of the South<br />

Sea Company, who was married to<br />

acustoms officer, made £8,000, the<br />

equivalent of just over £12.2 million.<br />

ASILVER LINING<br />

The Bubble had its beneficial side.<br />

Sir Thomas Guy, asouth London<br />

bookseller, put his considerable<br />

windfall, judiciously turned to cash<br />

in June, to good use. He died in 1724<br />

at the age of 81, and left £240,000 to<br />

found the great London hospital that<br />

still bears his name.<br />

THE BUBBLE BURSTS<br />

Of course it couldn’t last. By the<br />

beginning of August it was obvious that<br />

the shares, at £1,000, were hopelessly<br />

overvalued. The directors of the<br />

company started to unload their stock,<br />

as surreptitiously as they could, and<br />

those who had borrowed money from<br />

the company to buy their shares at the<br />

height of the market suddenly found<br />

they couldn’t make their repayments.<br />

Wholesale selling resulted in panic and<br />

acollapse of the price –down by more<br />

than £800 to £124 in December.<br />

Thousands were made bankrupt,<br />

suicides were commonplace, and the<br />

inevitable search for scapegoats began.<br />

THE GIFT OF HINDSIGHT<br />

The scientist Isaac Newton lost<br />

£20,000, commenting: ‘I can calculate<br />

the motions of heavenly bodies, but<br />

not the madness of people.’ The king,<br />

his mistresses, 462 members of<br />

Parliament and 112 peers, an<br />

embarrassing line-up of the great<br />

and the good, had not listened to<br />

the few lone voices who had spoken<br />

out against the scheme, Robert<br />

Walpole among them. But now<br />

they cried out for vengeance.<br />

THE CALL FOR BODY BAGS<br />

(AND SNAKES)<br />

Some cries for retribution were shrill<br />

and intemperate. Lord Molesworth,<br />

in aspeech in the House of Lords<br />

which was thankfully not heeded,<br />

proposed that anew punishment<br />

could be legalised which would<br />

copy the Roman practice of tying<br />

up the guilty in sacks filled with<br />

snakes and throwing them in the<br />

Tiber. The Thames, flowing<br />

conveniently outside the House,<br />

would be employed. In the event,<br />

Parliament confiscated property<br />

and profits from the blatantly<br />

corrupt, anumber of government<br />

ministers were imprisoned, and<br />

others fled the country.<br />

AND NOW, 289 YEARS LATER…<br />

When Gordon Brown calls his<br />

ministers to order in the Cabinet<br />

Room at Number 10, there is a<br />

portrait behind him that his colleagues<br />

may occasionally glance at in hope<br />

of inspiration. It depicts Sir Robert<br />

Walpole, who was called on by the<br />

anxious Parliament to steady the ship<br />

after the debacle of the Bubble. He<br />

had actually dabbled himself in the<br />

notorious shares, but he had spoken<br />

out against the scheme and was not<br />

tainted like so many others. In 1721<br />

he became First Minister, ineffect<br />

Britain’s first Prime Minister, and now<br />

he looks down on another set of<br />

ministers as they wrestle to restore<br />

economic confidence.<br />

In his day, the Bubble had shown the<br />

people in their worst light: greedy,<br />

dishonest and gullible. Plus ça change…<br />

*Basedon2007 figures.<br />

CORBIS, GETTY IMAGES, PRIVATECOLLECTION/BRIDGEMAN ART LIBRARY<br />

www.grant-thornton.co.uk


INVESTMENT<br />

INVESTING IN<br />

TURBULENT MARKETS<br />

Faced with the current market uncertainty,<br />

<strong>Grant</strong> <strong>Thornton</strong> has established strategies<br />

for protecting private wealth.<br />

ASSET ALLOCATION<br />

Our bespoke investment proposition involves<br />

distributing wealth across different investment<br />

avenues so that poor performance in one area<br />

does not jeopardise the entire investment plan<br />

over aperiod of time. The short-term<br />

downsides of market volatility are lessened by<br />

holding adiverse portfolio and using a<br />

long-term approach.<br />

DIVERSIFICATION<br />

Asophisticated extension of the common<br />

sense approach: ‘Don’t put all your eggs in<br />

one basket.’ By spreading funds across a<br />

number of different investments, specifically<br />

chosen based on your attitude to risk, this<br />

strategy is designed to optimise the trade-off<br />

between risk and reward by avoiding anarrow<br />

focus in one particular area.<br />

LONG-TERM APPROACH<br />

The investment industry typically thinks in<br />

five-year periods, seeking to achieve returns<br />

from acombination of income and capital<br />

growth in this relatively short time span. Our<br />

approach to portfolio construction focuses on<br />

the long term, providing acombination of<br />

investments which take into account your<br />

specific long-term goals and the individual and<br />

providing greater leeway to counter market<br />

uncertainties. This can be much better suited<br />

to individuals who are investing for their whole<br />

life or to provide for the next generation.<br />

MORE INFORMATION<br />

To find out about asset allocation speak to your<br />

usual <strong>Grant</strong> <strong>Thornton</strong> contact or email<br />

bespoke@gtuk.com<br />

Acontemporarywoodcut<br />

showing the frenzied<br />

buying of shares in Change<br />

Alley in London during<br />

the South Sea Bubble<br />

Investors should remember that past performance is not an<br />

indicator of future performance. The information presented<br />

here is not asubstitute for full professional advice and<br />

specialist assistance should be sought in relation to any<br />

individual circumstances.


Bleak<br />

house<br />

Take awealthy family with abeautiful<br />

country seat. Add the death of the father<br />

and mix with abizarre will. The resulting<br />

saga set 19th-century newspapers alight<br />

and became the basis for afamous novel<br />

WORDS MARK HARMON<br />

18


PROTECT YOUR WEALTH<br />

SPARE ATHOUGHT for Peter Isaac<br />

Thellusson. He was 36, newly married<br />

and exceptionally upwardly mobile, when<br />

his father died in 1797. Suddenly, the<br />

young Thellusson –who at the time was<br />

MP for Malmesbury, Wiltshire, and later<br />

became the first Baron Rendlesham –was<br />

financially secure for the rest of his life.<br />

Or so he thought.<br />

His father,who was also called<br />

Peter Thellusson, had been afabulously<br />

wealthy man. Indeed, at the time of his<br />

demise he was thought to have been worth<br />

around £700,000 –that’sapproximately<br />

£34 million in today’smoney.Even if he<br />

had decided not to favour his eldest son<br />

and had shared his fortune equally with<br />

all six of his children, none of them<br />

would have had reason to complain.<br />

In financial terms, they were about to<br />

live happily ever after.<br />

So imagine the scene when the family<br />

solicitor read out the terms of Peter<br />

Thellusson’swill. What drama. Presumably,<br />

his widow Anne (née Woodford, who<br />

hailed from aLincolnshire landowning<br />

family) gathered together her brood in<br />

the drawing room of Brodsworth Hall,<br />

the flamboyant stately home in Yorkshire<br />

that her husband had acquired seven<br />

years earlier.<br />

Expectation hung tantalisingly in<br />

the air. The ornate, symmetrical room<br />

provided aperfect backdrop to what<br />

would become acause célèbre in high<br />

society and alandmark in legal history.<br />

‘There was no indication of what was<br />

to come,’ says Caroline Carr-Whitworth,<br />

acurator at Brodsworth Hall, which<br />

English Heritage acquired in 1990. ‘Peter<br />

Thellusson was not thought to have been<br />

an eccentric man, or mean or strange. In<br />

fact, he was atypical merchant financier<br />

who put money into several ventures and<br />

reaped the rewards. He had been successful


20<br />

in business and, like many men of that<br />

period, he wanted to buy alarge estate<br />

in the country.’<br />

His will caused asensation. None of<br />

his children, grandchildren or greatgrandchildren<br />

was to benefit from his<br />

fortune, apart from asmall, shared<br />

bequest. Instead, his estate was to be<br />

left in trust to accumulate for three<br />

generations, whereupon it would be<br />

divided between ‘the eldest male lineal<br />

descendants of my three sons then living’.<br />

If there were no such descendants,<br />

it was to be used to help pay off the<br />

national debt –anotion that must have<br />

raised morale within the Treasury. Indeed,<br />

how the current Chancellor of the<br />

Exchequer must lie in bed wishing for<br />

such exceptional circumstances to come<br />

his way in 2009.<br />

The Thellusson family were<br />

dumbfounded and angry, dismissing the<br />

will as ‘an object impolite and pernicious’.<br />

Immediately, they sought to have the will<br />

reversed in court, amove that guaranteed<br />

abarrage of publicity that would not have<br />

been welcomed by his three sons, all<br />

of whom had gone into politics.<br />

‘Peter Thellusson has been portrayed<br />

as amiser but Idon’t think that was the<br />

case,’ says Carr-Whitworth. ‘Certainly,<br />

he was aprudent man and it would seem<br />

that he wanted his sons to continue in<br />

business rather than join the ranks of the<br />

The family was<br />

dumbfounded<br />

and angry,<br />

dismissing the<br />

will as ‘an object<br />

impolite and<br />

pernicious’ and<br />

immediately sought<br />

to have it reversed<br />

idle rich. He had astrong Protestant<br />

work ethic and he wanted that to be<br />

passed down the generations.’<br />

To his children’s chagrin, the courts<br />

upheld the will. But the case eventually<br />

led to Parliament passing the<br />

Accumulations Act 1800. This, in short,<br />

made it illegal to leave money to people<br />

not yet born. Ironically, by the time<br />

the Thellusson family could claim its<br />

inheritance, in 1856, the amount of<br />

money to be shared between Frederick,<br />

the fourth Lord Rendlesham, and<br />

Charles Sabine Augustus Thellusson was<br />

not much greater than that originally<br />

bequeathed, largely because of the money<br />

spent on litigation.<br />

Parallels have been drawn between the<br />

Thellusson/Woodford situation and<br />

the Jarndyce versus Jarndyce case in<br />

Charles Dickens’ Bleak House. Dickens<br />

never referred directly to the Thellusson<br />

controversy, but in the preface to<br />

Bleak House he singles out one particular<br />

case in the Court of Chancery that caught<br />

his attention.<br />

‘At the present moment,’ he wrote,<br />

‘there is asuit before the Court which<br />

was commenced nearly 20 years ago;<br />

in which from 30 to 40 counsel have<br />

been known to appear at one time; in<br />

which costs have been incurred to the<br />

amount of £70,000… which is (I am<br />

assured) no nearer to termination now<br />

than when it was begun.’<br />

Brodsworth was in limbo for nearly 60<br />

years, after which Charles Sabine Augustus<br />

Thellusson set about rebuilding the<br />

house, employing alittle-known architect<br />

called Philip Wilkinson to supervise the<br />

work. The result is adelightful blend of<br />

Italianate High Victorian and urban<br />

efficiency, reminiscent of grand London<br />

homes and clubs. Naked marble maidens<br />

pose in niches of dark yew; evergreen<br />

shrubberies surround acroquet lawn;<br />

and aparterre is screwed to the earth by<br />

monster monkey-puzzle trees.<br />

Perhaps fittingly, Brodsworth went<br />

through another period of uncertainty<br />

in the late 20th century, when successive<br />

generations struggled to maintain the<br />

house, at which point it was placed on<br />

the English Heritage Buildings at Risk<br />

Register. In1988 Pamela <strong>Grant</strong> Dalton,<br />

the granddaughter of Constance<br />

Thellusson, gave the house, its contents<br />

and its gardens to English Heritage,<br />

and anew chapter began.<br />

Today, Brodsworth is open to the<br />

public and makes for an exceptional<br />

day out. But as you wander through<br />

the immaculately preserved rooms and<br />

lovingly restored gardens, it’s hard not to<br />

think of the children of Peter Thellusson.<br />

They must have loved the place more<br />

than anyone but spent their entire adult<br />

lives fighting for the right to enjoy it.<br />

PHOTOS ©JOHN CRITCHLEY, ENGLISH HERITAGE PHOTO LIBRARY. ILLUSTRATION PETER JAMES FIELD<br />

www.grant-thornton.co.uk


PROTECT YOUR WEALTH<br />

The case for awill<br />

Inheritance tax reliefs are greatly under-used and yet they offer<br />

excellent succession planning for families and businesses<br />

ILLUSTRATION PETER JAMES FIELD<br />

nacomplicated world it is often<br />

surprising how one simple thing can<br />

make alarge difference. In the UK,<br />

statistics consistently show that well<br />

over half the adult population have not<br />

made awill. The relatively straightforward act<br />

of making and then regularly updating awill not<br />

only helps ensureyour wealthcascades to where<br />

you would like it to go but also that you can<br />

effectivelysuccession plan for your familyand,<br />

if relevant, your business.<br />

The implications of having no will can be<br />

significant. Imagine ayoung honeymoon couple.<br />

The groom is very wealthy. His new bride is less<br />

so. Tragically they are killed in amotorbike<br />

accident and there is no way of determining who<br />

died first. They had not made their will. Under the<br />

laws of intestacy, in this case the wealth of<br />

the husband would pass to the wife and then<br />

immediately to her parents. Do you think he<br />

intended to give his whole estate to his in-laws?<br />

Or take the common occurrence of second<br />

families. Maybe awidow remarries but of course<br />

still wants to ensure her children from her first<br />

marriage benefit on her death. Her new husband<br />

may have anumber of children from his previous<br />

marriage. Without awell-constructed will she may<br />

find that the children from her first marriage are<br />

left with little or nothing.<br />

There is also what has been termed the ‘vulture<br />

syndrome’ with family squabbles post-death.<br />

Arecent survey of 3,000 adults by aLondon<br />

law firm highlighted that aquarter had fought<br />

over adeceased’s estate, sometimes for as little<br />

as £250, often driven on by the inadequacies<br />

of the will drafted.<br />

Much painful heartache, time and money<br />

can be saved by getting awill right. The new<br />

transferable nil rate tax band provisions help<br />

married couples or civil partners transfer any<br />

remaining proportion of their inheritance tax nil<br />

rate band (currently £325,000) to their surviving<br />

spouse, for them to claim on their own death.<br />

However, many people will have estates<br />

worth far in excess of two full nil rate bands and<br />

will want to consider using trusts within<br />

awill to maximise flexible giving and minimise<br />

tax. For example, they may already have access<br />

to value inheritance tax reliefs, like business<br />

property relief (BPR), which can give 100%<br />

relief on certain business assets, and careful<br />

will planning can ensure none of this relief<br />

is wasted. Arecent case on BPR (Trustees<br />

of Nelson Dance) also suggests this relief may<br />

be available in far wider circumstances than<br />

previously thought.<br />

It therefore pays both to have awill and<br />

to keep it under regular review to make<br />

sure that your wealth is distributed according<br />

to your wishes.<br />

FRANCESCA<br />

LAGERBERG<br />

Head of Tax,<br />

<strong>Grant</strong> <strong>Thornton</strong>


Standby<br />

for super<br />

22<br />

If you have asix-figure income, you<br />

will be aware that the April budget singled<br />

you out as one of its key target areas. A<br />

new ‘super-tax’ rate of 50%, loss of<br />

personal allowances and significant<br />

pension changes could all affect your tax<br />

bill. Eric Williams, <strong>Grant</strong> <strong>Thornton</strong>’s<br />

Head of Private Client, has this advice<br />

ILLUSTRATION PETER JAMES FIELD<br />

tax<br />

rom 6April 2010,<br />

it is proposed that<br />

entitlement to basic<br />

personal allowances<br />

for income tax will be reduced for those<br />

with higher incomes. These allowances<br />

give everyone a‘tax-free’ amount but<br />

where gross income (before personal<br />

allowances are deducted) exceeds<br />

£100,000, the allowance will be reduced<br />

by £1 for every £2 of income, until the<br />

basic allowance is extinguished. This means<br />

those with income of around £113,000<br />

will have no personal allowance at all.<br />

But that is not all. From 6April 2010 a<br />

new 50% rate of income tax will apply to<br />

taxable income above £150,000. The rate<br />

applicable to trusts will increase from<br />

40% to 50%. The rate of income tax on<br />

dividends for individuals subject to the<br />

50% rate and on trusts will be increased<br />

by 10% to 42.5%. This will increase the<br />

effective tax rate on dividends received<br />

from 25% to over 36%.<br />

These changes give rise to some very<br />

high effective tax rates. For example,<br />

individuals whose income (excluding<br />

dividends) falls into anarrow band of<br />

income above the £100,000 threshold<br />

will have an effective income tax rate<br />

of astaggering 60%.<br />

The rate increases do not apply to<br />

capital gains, which will continue to be<br />

taxed at 18% (or just 10% if you can claim<br />

www.grant-thornton.co.uk


NEED TO KNOW<br />

the very helpful Entrepreneurs’ Relief).<br />

This will drive apreference towards having<br />

capital gains rather than much higher taxed<br />

income, although this is not always<br />

straightforward. There are afew ways to<br />

achieve this, although, as with all planning,<br />

this should only be done in the context<br />

of what is appropriate and practical for<br />

you. Share incentive schemes are another<br />

method that could help reduce income<br />

taxable at higher rates.<br />

When it comes to pensions, the<br />

withdrawal of higher-rate relief for<br />

pension contributions will make many<br />

revisit their pension plans. Those with<br />

income over £150,000 will see higher-rate<br />

relief withdrawn from 2011, although<br />

complex forestalling rules are already in<br />

effect, restricting what you can do now.<br />

Under these provisions, an additional tax<br />

charge of 20% could be levied with effect<br />

from Budget day, 22 April 2009, for<br />

contributions above what is perceived<br />

to be an individual’sregular (at least<br />

quarterly) contribution pattern before<br />

Budget day.<br />

All is not lost though, as there are many<br />

things to consider that might help you<br />

keep your tax bill down. For employeeowned<br />

companies, it may be possible to<br />

pay dividends and suffer alower effective<br />

rate of income tax, although this must be<br />

considered alongside the corporation<br />

tax implications for the company.<br />

HM Revenue and Customs approved<br />

share schemes are atax-efficient means of<br />

providing benefits. They work by way<br />

of granting options over shares in a<br />

company, which are eventually<br />

‘exercised’, then the shares are sold by the<br />

individual. If all the relevant conditions<br />

are met, then there is no income-tax<br />

charge on the grant or the exercise of<br />

the options. On asubsequent sale of<br />

the shares there is acapital gain on the<br />

difference between the exercise price and<br />

the sale price. This enables what would<br />

have potentially been an income-tax<br />

charge to be converted to acapital gain.<br />

If making acapital disposal, you should<br />

review the position in respect of<br />

Entrepreneurs’ Relief, as there may be<br />

simple steps you can take to benefit from<br />

a10% effective rate of tax.<br />

Incorporation may be an option for<br />

high-earning sole traders and partners<br />

who would otherwise suffer income tax<br />

at 50% on their profits. Provided profits<br />

do not exceed £300,000, any retained<br />

profits will be subject to a22%<br />

corporation tax rate from April 2010.<br />

However,there will be further tax<br />

charges, as mentioned above, when<br />

withdrawing income from the company.<br />

As aresult, consideration should be given<br />

to whether profits may be retained within<br />

the company or if cash will need<br />

to be extracted.<br />

Non-UK domiciled individuals who<br />

may have substantial overseas income<br />

may benefit from claiming the remittance<br />

basis in order to avoid suffering these<br />

higher tax rates. However,the remittance<br />

rules are extremely complex and it is<br />

imperative that specialist professional<br />

advice should be sought in advance of<br />

making any claims or returns.<br />

YOUR NEXT STEPS<br />

It is important to consider what your<br />

income position will be after 6April<br />

2010 and 2011. If you are likely to have<br />

income in excess of £100,000, is there<br />

anything that you can do to restructure<br />

the income you receive? <strong>Grant</strong> <strong>Thornton</strong><br />

is happy to talk you through the best<br />

options for you.<br />

Whatever you decide to do, the sooner<br />

you can start planning, the better position<br />

you are likely to be in.<br />

The rate increases do not apply to<br />

Capital Gains Tax, driving a<br />

preference over higher taxed income<br />

ERIC WILLIAMS,<br />

<strong>Grant</strong> <strong>Thornton</strong>’s<br />

Head of Private Client<br />

www.grant-thornton.co.uk


ADAY IN THE LIFE<br />

ARTWATCH<br />

Interesting art auctions<br />

from around the world<br />

FINE ASIAN ART San Francisco<br />

Monday 29 June 2009<br />

www.bonhams.com<br />

Tony<br />

Deep MBE<br />

24<br />

Arriving in the UK aged 18 with just £3.50 in his pocket,<br />

Tony Deep set up East End Foods. Now worth £100 million,<br />

it sponsors afoundation that promotes organic farming<br />

always wake up at four in the morning. Today I’m staying at a<br />

small house just outside Delhi. It is the local office for the Heart<br />

and Soil Organic foundation. The first thing Idoistake medication<br />

for my diabetes and then Imeditate for an hour. That’s when one<br />

can talk to oneself.<br />

‘I lost three members of my family to diabetes, which led me to<br />

good organic food. The foundation is concerned with sourcing organic<br />

spices and foods for the family business. Idrink green tea while Icontact people<br />

on the internet. Itried to set up organic sourcing in England but was told, “It’s<br />

not going to happen. You’re dreaming.” But here in India we now have 200,000<br />

farmers growing organic food. This is the time of year when the spice crops are<br />

coming in and it is important that they are delivered directly to us so that we can<br />

keep up the Soil Association’s standards while we process them for export.<br />

‘At eight o’clock Ihave some breakfast –anomelette of two egg whites,<br />

some cornmeal bread –and, of course, my insulin injection. Then it’s back<br />

to work. Icall myself retired. I’m 67, but Iwork about 12 hours aday. Itry to<br />

avoid political meetings, but they have to be done. We’re talking with the Indian<br />

government about exporting cereals, lentils and beans. They are currently<br />

banned for export as the government doesn’t think there are enough for the<br />

home market.<br />

‘Delhi is very crowded so car journeys to meetings can take more than an hour.<br />

Iwould normally do two or three during the day. Sometimes it’s over lunch, and<br />

often, like tonight, there will be an evening meeting. There are around 700 people<br />

involved with the foundation and in simple terms our aim is to make food as good<br />

and pure as the food our ancestors ate.<br />

‘I’ll be back about 10.30pm and go to bed at about 11pm. Idon’t really do<br />

anything to relax as my work is quite leisurely –I’m not pushed like Iused to be.<br />

Ihave no trouble sleeping. Iwatch the news; that always sends me to sleep!’<br />

Afine 18th-century Sino-Tibetan gilt<br />

bronze figure of Vaishravana –The<br />

Guardian of the North dressed in<br />

military costume. Overall 30cm high.<br />

Estimate: $10,000–$15,000<br />

RENAISSANCE &BAROQUE<br />

The Barbara Piasecka Johnson<br />

Collection London<br />

Wednesday 8July 2009, 6pm<br />

www.sothebys.com<br />

Christ carrying the cross, Andrea<br />

Solario, Milan, circa 1465-1524.<br />

Overall 51.6cm high, 52.1cm wide<br />

Estimate: £250,000–£350,000<br />

MASTER PAINTINGS WEEK<br />

London, 4–10 July 2009<br />

www.masterpaintingsweek.co.uk<br />

The most distinguished names in<br />

Old Master galleries, along with two<br />

auction houses, will showcase<br />

their expertise and great paintings<br />

with special displays or events.<br />

BONHAMS, SOTHEBY’S AMSTERDAM, MIKI ALCALDE


LATEST THINKING<br />

What to do with cash?<br />

Three experts provide their take on the best strategy<br />

ILLUSTRATION PETER JAMES FIELD<br />

■ The £75 billion committed to<br />

quantitative easing has had afairly<br />

dramatic effect on medium-term<br />

UK Government bond yields.<br />

Longer-term rates are likely to fall<br />

further as aresult.<br />

■ We feel that UK rates are likely<br />

to remain low over the next 12<br />

months as inflation falls and we enter<br />

adeflationary period. Beyond that,<br />

we see inflation returning as the<br />

new money entering the economy<br />

takes effect.<br />

■ Asensible strategy for managing<br />

significant sums in this market is one<br />

that places cash on the balance sheets<br />

of highly rated banks or building societies<br />

that have either explicitly or implicitly<br />

received Government support. Also,fixa<br />

proportion of the cash for up to 12 months<br />

to protect against persistently low rates.<br />

■ Fixing cash rates for longer than 12<br />

months might be worthwhile for a<br />

small proportion of the available<br />

balance, given the likelihood that<br />

inflation and therefore rates will be on<br />

the increase in 2010.<br />

■ We can supplement this approach by<br />

looking to pick up yield through some<br />

short-term investment strategies that<br />

exploit factors such as the high volatility<br />

in equity and currency markets and<br />

deliver returns in atax-efficient manner.<br />

Rory Gilbert, Managing Director of UK<br />

Private Bank, Barclays Wealth<br />

■ The outlook for all the major<br />

currencies in the next year or so, at<br />

least to some extent, is abattle of the<br />

‘least bad’. All of the policymakers face<br />

major challenges, and each of them<br />

is undertaking monetary and fiscal<br />

risks that threaten their currencies’<br />

long-term purchasing power.<br />

■ Quantitative easing, together with<br />

fiscal expansion, is usually arecipe<br />

for currency disaster. The only<br />

dilemma is that all of the US, UK,<br />

Japan, Switzerland and, in an indirect<br />

way, the eurozone, are doing this.<br />

This is why many people currently<br />

like gold.<br />

■ So where is the pound going?<br />

By default, we like it at Goldman<br />

Sachs. It has fallen alot already,<br />

and because of this, two things<br />

make it attractive. It is cheap<br />

on our measures of fair value,<br />

especially relative to the euro,<br />

Swiss franc and yen, and to amore<br />

moderate degree against the dollar.<br />

In addition, there are signs in leading<br />

indicators that the UK might be the<br />

first major economy to show some<br />

‘green shoots’. We expect that the<br />

pound will be closer to 1.80 than<br />

1.40 against the dollar by this time<br />

next year, and agood 10% stronger<br />

against the euro.<br />

Jim O’Neill, Head of Global Economic<br />

Research, Goldman Sachs<br />

■ As the consequences of the<br />

credit crunch started to emerge,<br />

many investors initially fled to<br />

capital safe options. However,<br />

many are now looking for abetter<br />

interest rate in addition to capital<br />

security for their short-term<br />

cash deposits.<br />

■ With base rates so low and<br />

predicted to stay low in the<br />

near term, ‘better than base rate’<br />

interest rates are available if you<br />

shop around.<br />

■ For significant sums, ensuring you<br />

keep to the £50,000 (per individual)<br />

Government compensation scheme<br />

limit would complement the strategy,<br />

while watching out for those deposit<br />

takers that are part ofthe same group<br />

of companies.<br />

■ For medium to longer-term<br />

investors willing to accept adegree<br />

of risk, having set aside acash<br />

reserve, then diversifying your<br />

investments into aportfolio which<br />

includes avariety of asset classes<br />

may be asuitable option.<br />

■ The volatile investment periods<br />

that we are currently experiencing<br />

often create opportunities for the<br />

longer-term investor. These investors<br />

could benefit from any turnaround in<br />

economies around the world.<br />

Richard Wheatley, Partner, Private Client<br />

Services, <strong>Grant</strong> <strong>Thornton</strong><br />

www.grant-thornton.co.uk


PRICELESS<br />

Cheeky<br />

bouquet<br />

Sir Alex Ferguson on the joys of<br />

sharing along-anticipated wine<br />

INTERVIEW PETER BUHLMANN<br />

26<br />

collect wine and that’s mainly kept in<br />

London in bond, but I’ve got some<br />

great stuff at home. I’ve about 500<br />

bottles, Iimagine. I’ve got some<br />

Penfolds Grange in the house, that’s<br />

abeautiful wine. Iwas trying alot of different<br />

wine houses for quite awhile there and Isaid<br />

to myself, “Look, the best way is to stick to<br />

what we know…” and that’s sticking to the best<br />

brands because they don’t disappoint, to be<br />

honest with you.<br />

‘About two years ago Ihad a1961 Chateau<br />

Petrus which was absolutely fantastic. I’d had it<br />

for two years and Ilaid it out the day before a<br />

big game between Arsenal and Chelsea. They<br />

had adraw, sowewon the league and Iinvited<br />

all my staff and their wives up for acelebration<br />

drink that night. Itold them to come by at<br />

seven o’clock and at six o’clock I’d opened the<br />

Petrus and was ready to enjoy it.<br />

‘Of course the doorbell rang –and there was<br />

my assistant and the fitness coach standing at the<br />

door! So Icouldn’t doanything else but invite<br />

them in and give them ashare of my ’61 Petrus!<br />

Ishould have told them to drive around the<br />

block about three times.<br />

‘It was agreat year, anyway –Idon’t think you<br />

get abad year with Petrus, to be fair, but that was a<br />

1961<br />

CHATEAU PETRUS<br />

Value: £9,000 upwards<br />

fantastic wine. It was so smooth and velvety<br />

and the taste lasted so long in the mouth. Ithink<br />

that’s one of the secrets of agood wine; the<br />

taste lingers there and you can maybe only<br />

take one glass and not touch it for another 10<br />

minutes because you’re still relishing the odours<br />

and the ingredients of it.<br />

‘My favourite years are 1961, ’82 and, well, ’47<br />

if you can get it. Ithink some of the years that have<br />

excelled have surprised people –1986 is very good<br />

and then 2003 is turning out very well, too. Ihad<br />

some 2003 and it was beautiful –aPavie Decesse,<br />

an excellent wine.<br />

‘I’m always looking for value. Awhile back<br />

Iwas in Glasgow, inmyfriend’s restaurant, and<br />

Isee that there’s aPesquera Ribera del Duero,<br />

which is an excellent Spanish wine, and they had it<br />

down at £12! Imean, it really should be 30-odd<br />

quid. So Isaid to myself, “£12! Let’s get in here.”<br />

The owner was sitting at the table –hewanted<br />

some dinner –soItold him, “I’ve picked us a<br />

nice Pesquera.” He asked if it was any good and<br />

Isaid, “It’s fantastic, James, and I’ll tell you<br />

something, you’re selling it for nothing!”<br />

He jumped out of that chair and got hold of the<br />

wine waiter and said, “What’s going on here?”<br />

Iwound him up about it terribly. Isaid, “I think<br />

I’ll take some home with me…”<br />

‘There were about 10 of us as I’d just won the<br />

2000 Guineas at Newmarket with Rock Of<br />

Gibraltar, and we’d flown up the same day to<br />

celebrate. Aye, it was agood day.’<br />

CHRIS TERRY /CONTOUR BY GETTY IMAGES, SOTHEBYS


‘All Iask is a<br />

chance to prove<br />

that money can’t<br />

make me happy’<br />

Spike Milligan<br />

©2009 <strong>Grant</strong> <strong>Thornton</strong> UK LLP. All rights reserved. ‘<strong>Grant</strong> <strong>Thornton</strong>’ means <strong>Grant</strong> <strong>Thornton</strong> UK LLP, alimited liability<br />

partnership. <strong>Grant</strong> <strong>Thornton</strong> UK LLP is amember firm within <strong>Grant</strong> <strong>Thornton</strong> International Ltd (‘<strong>Grant</strong> <strong>Thornton</strong> International’).<br />

<strong>Grant</strong> <strong>Thornton</strong> International and the member firms are not aworldwide partnership. Services are delivered by the member<br />

firms independently. This publication has been prepared only as aguide. No responsibility can be accepted by us for loss<br />

occasioned to any person acting or refraining from acting as aresult of any material in this publication.<br />

Email: bespoke@gtuk.com<br />

FOR GRANT THORNTON PAUL ENGLISH, KATECREMIN, MELANIE SHAKESPEARE, JOANNA HORSLEY, CHANTAL GOODMAN, BRADLEY NEILL.<br />

EDITOR PETER BUHLMANN MANAGING EDITOR JON WATKINS GROUP ART DIRECTOR SIMON CAMPBELL ART DIRECTOR SUNDEEP BHUI<br />

PICTURE EDITOR MARTHA GITTENS CHIEF SUB-EDITOR STEVE MCCUBBIN EDITORIAL DIRECTOR PETER DEAN FINANCIAL DIRECTOR<br />

ROGER BAKER ACCOUNT DIRECTOR MICHELE HIRST CHIEF EXECUTIVE SEAN KING CHAIRMAN MIKE POTTER<br />

SEVEN SQUARED 20 UPPER GROUND, LONDON SE1 9PD<br />

All information correct at time of going to press. Articles may not be reproduced without permission from <strong>Grant</strong> <strong>Thornton</strong>.


28<br />

‘For those who<br />

have enjoyed<br />

banking privacy<br />

the global rules of<br />

engagement are<br />

changing.’<br />

Paul Roberts,<br />

Head of TaxInvestigations, <strong>Grant</strong> <strong>Thornton</strong><br />

www.grant-thornton.co.uk

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