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This Fleeting World

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82 <strong>This</strong> <strong>Fleeting</strong> <strong>World</strong><br />

Key Events in Modern<br />

Media History<br />

1870 More than 5,000 newspapers are published in the U.S.<br />

1876 “Mr. Watson, come here. I want you.” Bell invents the<br />

telephone.<br />

1897 <strong>World</strong>’s first cinema is built in Paris.<br />

1900 Estimated 1,800 magazines are being published in the<br />

United States.<br />

1900 Total newspaper circulation in U.S. passes 15 million daily.<br />

1920 In England, Marconi creates the first short wave radio<br />

connection.<br />

1928 Television sets are put in three U.S. homes, programming<br />

begins.<br />

Source: University of Minnesota Media History Project. (2007). Retrieved May 22,<br />

2007. From http://www.mediahistory.umn.edu/timeline<br />

psychological drives, challenged faith in the role of reason in human affairs.<br />

New art forms, such as cinema, brought artistic realism into mass<br />

culture, but also challenged artists and writers to experiment with new,<br />

less realistic forms of expressionism, from the cubism of painters such as<br />

Pablo Picasso (1881–1973) to the dream language of Finnegans Wake by<br />

James Joyce (1882–1941).<br />

The new technologies of mass culture, including radio, newspapers,<br />

and particularly the cinema, offered new ways of influencing the ideas,<br />

attitudes, and fantasies of people throughout the world, and governments<br />

as well as advertisers came to appreciate their power.<br />

The Soviet government was particularly creative in using the mass<br />

media to spread its ideas. The new mass media also helped create a mass<br />

culture that could challenge the hegemony of traditional high culture.<br />

Outside of the industrial heartland, the revival of traditional religious and<br />

artistic traditions, such as those of Hinduism and Buddhism, began to play<br />

an important role in creating new national cultures that could challenge<br />

the cultural hegemony of the North Atlantic region.

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