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Sean Burke Lighting Solutions - Vari-Lite

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<strong>Lighting</strong> Design & Programming: <strong>Sean</strong> <strong>Burke</strong><br />

<strong>Lighting</strong> <strong>Solutions</strong>: Philips <strong>Vari</strong>-<strong>Lite</strong><br />

Direction: Jamie King<br />

<strong>Lighting</strong> Supply: Upstaging<br />

Picture Credits: Courtesy of <strong>Sean</strong> <strong>Burke</strong><br />

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As a dancer, actress, music<br />

artist, producer, and fashion<br />

designer, Jennifer Lopez<br />

has sold over 55 million records<br />

worldwide. With a celebrated<br />

career spanning over 17 years,<br />

she has taken on many challenges<br />

in many different industries,<br />

except for one. With the launch<br />

of her 2012 World Tour, Lopez is<br />

embarking on her first headlining<br />

live tour and behind the scenes<br />

lighting designer and programmer<br />

<strong>Sean</strong> <strong>Burke</strong> has created an<br />

energetic and dramatic lighting<br />

design using VARI-LITE VL3500 Wash<br />

FX and VL3000 Spot luminaires<br />

provided by Upstaging.<br />

“This is the first live tour for<br />

Jennifer so director Jaime King<br />

brought everyone into the<br />

process very early,” began <strong>Burke</strong>.<br />

“It was very interesting to watch<br />

as he took the production from<br />

a normal touring show to quite<br />

an extravaganza in terms of the<br />

dancers, choreography and all the<br />

things that he brings to the table.<br />

His take on the production went<br />

from something pretty simple at<br />

first into something dramatic in<br />

the end, so we knew we would<br />

need to match that drama with the<br />

lighting.”<br />

his design a bit differently as the<br />

show became filled with dancers,<br />

choreography, and small vignettes<br />

that would be spread across the<br />

large stage measuring 62’ wide x<br />

48’ deep, filled with a backdrop<br />

of powerful LED video screens.<br />

Additionally, there is a 60’ catwalk<br />

that has a 16’ x 16’ B-Stage at<br />

the end used for scene changes<br />

between the vignettes, so when<br />

adding all this together, <strong>Burke</strong><br />

knew that the power of the video<br />

walls and long throw distances<br />

would be a significant challenge.<br />

“There is a large amount of video<br />

on this tour and you always go<br />

back to the problem of matching<br />

As the production meetings began,<br />

<strong>Burke</strong> realized that he would<br />

have to approach the layout of<br />

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the intensity with the lights, and<br />

how you try to marry the two. I<br />

get involved in a lot of the video<br />

content creation these days and I<br />

have learned over the years that<br />

you can make it very difficult for<br />

yourself by trying to fight the<br />

video wall. You have to find ways<br />

to either come around the side of<br />

it, the bottom of it, or come over<br />

the top. You have to seriously<br />

think about where you are going to<br />

put the fixtures because you can’t<br />

just hang them in the anywhere<br />

anymore, but the main component<br />

for success is that the fixtures have<br />

to be powerful.”<br />

Searching for the ideal lights for his<br />

design, <strong>Burke</strong> turned to Authorized<br />

VARI-LITE Dealer Upstaging who<br />

provided him with 80 VL3500 Wash<br />

FX and 74 VL3000 Spot luminaires.<br />

<strong>Burke</strong> added, “I love dealing with<br />

Upstaging because they are a<br />

fantastic company with a great<br />

crew and I really can’t say enough<br />

about them. <strong>Lighting</strong> Crew Chief<br />

Ken Burns has been a fantastic help<br />

in putting the tour together. He<br />

reacts very quickly to changes that<br />

may need to be made and was very<br />

instrumental in our success.”<br />

As the tech rehearsals got<br />

underway, <strong>Burke</strong> had his first<br />

chance to see the lights in action.<br />

Knowing that throw distances and<br />

intensity would be key to making<br />

the design fully come together,<br />

that is exactly what the VARI-LITE<br />

luminaires provided.<br />

“The lighting workhorses for this<br />

show are definitely the wash lights.<br />

I have been using the VL3500 Wash<br />

fixtures for a while now and I really<br />

like them. To me, the fixtures are<br />

extremely flexible and they are<br />

doing something that really no<br />

other light on the market can do.<br />

It’s the perfect weapon to combat<br />

high-powered video walls, but now<br />

when you add in the FX unit you<br />

get two bangs for your buck. Now<br />

you have the ability to use gobo<br />

patterns in addition to a really wide<br />

wash that’s incredibly bright and<br />

can zoom down into a pencil beam.<br />

It’s an incredible fixture.”<br />

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Not able to simply rely upon wash lights to make his design complete, <strong>Burke</strong> also<br />

needed a powerful spot luminaire to act as its complement, and that’s how we used<br />

the VL3000 Spot luminaires.<br />

“The VL3000 Spots are great fixtures that are completely versatile. In terms of a spot<br />

unit being big and bright, that can go from a narrow beam to a wide beam, with<br />

consistent and smooth operation; the VL3000 Spot is a perfect complement to the<br />

VL3500 Wash FX. Plus, it makes it easier on the crew when all the lights in the rig are<br />

consistent. Given that the VL3500 Wash FX and VL3000 Spot do everything needed for<br />

this show, there was no need to mix them up with other fixtures.”<br />

Currently scheduled to close in the United Arab Emirates in November 2012, <strong>Burke</strong><br />

and the tour will cross many international borders with many surprises along the way.<br />

But with his design powered by VARI-LITE luminaires, the performance of his rig is not<br />

a concern at all.<br />

<strong>Burke</strong> concluded, “In the end it all came together quite well. Every once in awhile<br />

you come across a fixture that is a leap in technology and the VL3500 Wash FX is that<br />

light. Choosing VARI-LITE luminaires really brought this lighting design together, and<br />

to do the job that I had to do, the VL3500 Wash FX and VL3000 Spot luminaires work<br />

perfect.”<br />

As a leading designer and manufacturer of premiere automated lighting systems,<br />

Philips <strong>Vari</strong>-<strong>Lite</strong> provides equipment and services to the entertainment industry,<br />

serving such markets as concert touring, theatre, television, film, cruise lines,<br />

houses-of-worship, and corporate events. VARI-LITE automated lighting systems are<br />

available through a worldwide network of independent professional dealers. For more<br />

information on Philips <strong>Vari</strong>-<strong>Lite</strong> lighting solutions, please visit www.vari-lite.com.<br />

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