Sean Burke Lighting Solutions - Vari-Lite
Sean Burke Lighting Solutions - Vari-Lite
Sean Burke Lighting Solutions - Vari-Lite
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<strong>Lighting</strong> Design & Programming: <strong>Sean</strong> <strong>Burke</strong><br />
<strong>Lighting</strong> <strong>Solutions</strong>: Philips <strong>Vari</strong>-<strong>Lite</strong><br />
Direction: Jamie King<br />
<strong>Lighting</strong> Supply: Upstaging<br />
Picture Credits: Courtesy of <strong>Sean</strong> <strong>Burke</strong><br />
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As a dancer, actress, music<br />
artist, producer, and fashion<br />
designer, Jennifer Lopez<br />
has sold over 55 million records<br />
worldwide. With a celebrated<br />
career spanning over 17 years,<br />
she has taken on many challenges<br />
in many different industries,<br />
except for one. With the launch<br />
of her 2012 World Tour, Lopez is<br />
embarking on her first headlining<br />
live tour and behind the scenes<br />
lighting designer and programmer<br />
<strong>Sean</strong> <strong>Burke</strong> has created an<br />
energetic and dramatic lighting<br />
design using VARI-LITE VL3500 Wash<br />
FX and VL3000 Spot luminaires<br />
provided by Upstaging.<br />
“This is the first live tour for<br />
Jennifer so director Jaime King<br />
brought everyone into the<br />
process very early,” began <strong>Burke</strong>.<br />
“It was very interesting to watch<br />
as he took the production from<br />
a normal touring show to quite<br />
an extravaganza in terms of the<br />
dancers, choreography and all the<br />
things that he brings to the table.<br />
His take on the production went<br />
from something pretty simple at<br />
first into something dramatic in<br />
the end, so we knew we would<br />
need to match that drama with the<br />
lighting.”<br />
his design a bit differently as the<br />
show became filled with dancers,<br />
choreography, and small vignettes<br />
that would be spread across the<br />
large stage measuring 62’ wide x<br />
48’ deep, filled with a backdrop<br />
of powerful LED video screens.<br />
Additionally, there is a 60’ catwalk<br />
that has a 16’ x 16’ B-Stage at<br />
the end used for scene changes<br />
between the vignettes, so when<br />
adding all this together, <strong>Burke</strong><br />
knew that the power of the video<br />
walls and long throw distances<br />
would be a significant challenge.<br />
“There is a large amount of video<br />
on this tour and you always go<br />
back to the problem of matching<br />
As the production meetings began,<br />
<strong>Burke</strong> realized that he would<br />
have to approach the layout of<br />
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the intensity with the lights, and<br />
how you try to marry the two. I<br />
get involved in a lot of the video<br />
content creation these days and I<br />
have learned over the years that<br />
you can make it very difficult for<br />
yourself by trying to fight the<br />
video wall. You have to find ways<br />
to either come around the side of<br />
it, the bottom of it, or come over<br />
the top. You have to seriously<br />
think about where you are going to<br />
put the fixtures because you can’t<br />
just hang them in the anywhere<br />
anymore, but the main component<br />
for success is that the fixtures have<br />
to be powerful.”<br />
Searching for the ideal lights for his<br />
design, <strong>Burke</strong> turned to Authorized<br />
VARI-LITE Dealer Upstaging who<br />
provided him with 80 VL3500 Wash<br />
FX and 74 VL3000 Spot luminaires.<br />
<strong>Burke</strong> added, “I love dealing with<br />
Upstaging because they are a<br />
fantastic company with a great<br />
crew and I really can’t say enough<br />
about them. <strong>Lighting</strong> Crew Chief<br />
Ken Burns has been a fantastic help<br />
in putting the tour together. He<br />
reacts very quickly to changes that<br />
may need to be made and was very<br />
instrumental in our success.”<br />
As the tech rehearsals got<br />
underway, <strong>Burke</strong> had his first<br />
chance to see the lights in action.<br />
Knowing that throw distances and<br />
intensity would be key to making<br />
the design fully come together,<br />
that is exactly what the VARI-LITE<br />
luminaires provided.<br />
“The lighting workhorses for this<br />
show are definitely the wash lights.<br />
I have been using the VL3500 Wash<br />
fixtures for a while now and I really<br />
like them. To me, the fixtures are<br />
extremely flexible and they are<br />
doing something that really no<br />
other light on the market can do.<br />
It’s the perfect weapon to combat<br />
high-powered video walls, but now<br />
when you add in the FX unit you<br />
get two bangs for your buck. Now<br />
you have the ability to use gobo<br />
patterns in addition to a really wide<br />
wash that’s incredibly bright and<br />
can zoom down into a pencil beam.<br />
It’s an incredible fixture.”<br />
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Not able to simply rely upon wash lights to make his design complete, <strong>Burke</strong> also<br />
needed a powerful spot luminaire to act as its complement, and that’s how we used<br />
the VL3000 Spot luminaires.<br />
“The VL3000 Spots are great fixtures that are completely versatile. In terms of a spot<br />
unit being big and bright, that can go from a narrow beam to a wide beam, with<br />
consistent and smooth operation; the VL3000 Spot is a perfect complement to the<br />
VL3500 Wash FX. Plus, it makes it easier on the crew when all the lights in the rig are<br />
consistent. Given that the VL3500 Wash FX and VL3000 Spot do everything needed for<br />
this show, there was no need to mix them up with other fixtures.”<br />
Currently scheduled to close in the United Arab Emirates in November 2012, <strong>Burke</strong><br />
and the tour will cross many international borders with many surprises along the way.<br />
But with his design powered by VARI-LITE luminaires, the performance of his rig is not<br />
a concern at all.<br />
<strong>Burke</strong> concluded, “In the end it all came together quite well. Every once in awhile<br />
you come across a fixture that is a leap in technology and the VL3500 Wash FX is that<br />
light. Choosing VARI-LITE luminaires really brought this lighting design together, and<br />
to do the job that I had to do, the VL3500 Wash FX and VL3000 Spot luminaires work<br />
perfect.”<br />
As a leading designer and manufacturer of premiere automated lighting systems,<br />
Philips <strong>Vari</strong>-<strong>Lite</strong> provides equipment and services to the entertainment industry,<br />
serving such markets as concert touring, theatre, television, film, cruise lines,<br />
houses-of-worship, and corporate events. VARI-LITE automated lighting systems are<br />
available through a worldwide network of independent professional dealers. For more<br />
information on Philips <strong>Vari</strong>-<strong>Lite</strong> lighting solutions, please visit www.vari-lite.com.<br />
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