30.11.2014 Views

See our Summer- Autumn 2013-2014 - Govett-Brewster Art Gallery

See our Summer- Autumn 2013-2014 - Govett-Brewster Art Gallery

See our Summer- Autumn 2013-2014 - Govett-Brewster Art Gallery

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

WHILE THE BUILDING IS<br />

CLOSED AND UNDERGOES<br />

TRANSFORMATION,<br />

THE GALLERY REMAINS<br />

ACTIVE IN OUR<br />

COMMUNITY<br />

Here’s <strong>our</strong> programme of free <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong><br />

exhibitions and events.


December <strong>2013</strong><br />

<strong>Summer</strong><br />

to<br />

May <strong>2014</strong><br />

<strong>Autumn</strong><br />

Image: <strong>Art</strong>ist impression of the Len Lye Centre<br />

(interior perspective of Large Works <strong>Gallery</strong>).<br />

Patterson Associates Ltd<br />

INTRODUCTION<br />

Simon Rees<br />

EXHIBITIONS<br />

Reuben Paterson, Ann Shelton, Carmen Rogers<br />

TOURING EXHIBITION<br />

Word Works<br />

LEN LYE EXHIBITIONS<br />

Agiagia, - <strong>Art</strong> of Its Own Making, Motion Sketch<br />

LEN LYE CENTRE TRUST<br />

Fundraising<br />

MONICA BREWSTER EVENINGS<br />

Ann Shelton, Simon Rees, Nicolaus Schafhausen, Kate Newby, Robert Leonard<br />

BOOK LAUNCH<br />

Maddie Leach<br />

FRIENDS<br />

Maddie Leach Friends of the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong><br />

ART AND DESIGN SHOP<br />

Online, <strong>Govett</strong>-<strong>Brewster</strong> Publications, <strong>Govett</strong>-<strong>Brewster</strong> Editions<br />

OFF-SITE EDUCATION/EVENTS<br />

Seniors, Friends <strong>Art</strong> to Lunch, Friends <strong>Art</strong>ist Talk, WOMAD<br />

FILM CURATOR IN RESIDENCE<br />

Philippe-Alain Michaud


FROM THE DIRECTOR<br />

Tena - - koutou,<br />

Dear friends and patrons of the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong><br />

<strong>Gallery</strong>/Len Lye Centre. It gives me great pleasure<br />

to address you, personally, for the first time as the<br />

incoming director of New Zealand’s most beloved<br />

contemporary art institution, situated in the gem of a<br />

city that is New Plymouth.<br />

As you are reading this you are undoubtedly enjoying<br />

the pohutukawa - blooming as a signal of the start of<br />

summer and wind-down for Christmas, New Year,<br />

and holiday season. Meanwhile, here in Vienna,<br />

Austria, the leaves have already turned their brown,<br />

gold, and red autumnal hues and have started<br />

drifting to ground and collecting on berms and<br />

gutters all over the city. It’s already dark well before<br />

I leave the museum in the evening. We are waiting<br />

for the first flakes of snow and dreaming of a white<br />

Christmas (in the age of global warming, grey and<br />

slushy is more likely). My own dreaming is especially<br />

poignant as it will be my eleventh and last such<br />

Christmas here for some years to come.<br />

Despite the relative longevity of my stay in Europe,<br />

and adjustment to the seasonal cycles, sometime<br />

about now I start to look forward to the weight of a<br />

cricket bat in my hands. I play many an air-shot while<br />

walking corridors and gallery spaces where I work<br />

(in all likelihood looking, to European eyes, like the<br />

wackiest-and-worst-ever sports enthusiast to walk a<br />

museum’s halls!).<br />

While all this doesn’t seem to have much to do with<br />

contemporary art, I have accompanied my greeting<br />

with a photographic work by Vienna-based<br />

New Zealand artist Mladen Bizumic, Global Truths<br />

#77, depicting a renowned carousel in this city’s<br />

Prater—Vienna’s famous civic park that appears in<br />

numerous international films. The work’s title is<br />

suggestive of contemporary art’s centripetal power:<br />

it spins inasmuch as the carousel spins to draw us<br />

together; despite antinomies of global distance.<br />

The weather might be on a different – even antipodal<br />

– cycle, but <strong>our</strong> experience of it is common and can<br />

be intuited as a collective truth. Working with<br />

contemporary art, and the art, films, and ideas of<br />

Len Lye, which connect to the collective unconscious<br />

illuminating the problems and wonders embodied in<br />

daily life, is what we set out to do at the <strong>Govett</strong>-<br />

<strong>Brewster</strong>/Len Lye Centre. As relevant as that<br />

sounds, we also, like the carousel, and the loopiest<br />

of Len Lye’s works and ideas, want to make y<strong>our</strong><br />

heads spin!<br />

Season’s greetings.<br />

Nga - mihi o te Kirihimete ki a koutou.<br />

Simon Rees<br />

Director, <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>/Len Lye Centre<br />

Image: Simon Rees joins the <strong>Gallery</strong> as Director, 10 February <strong>2014</strong><br />

Image far left: Mladen Bizumic Global Truths #77 2009 (detail).<br />

Unique C-type photograph. C<strong>our</strong>tesy the artist and Georg Kargl Fine<br />

<strong>Art</strong>s, Vienna. The James Wallace <strong>Art</strong>s Trust Collection, Auckland


EXHIBITION<br />

Reuben Paterson:<br />

The Golden<br />

Bearing<br />

8 February – 27 July <strong>2014</strong><br />

Boatshed Lawn, Pukekura Park,<br />

New Plymouth<br />

<strong>2013</strong> <strong>Govett</strong>-<strong>Brewster</strong><br />

Aotearoa New Zealand<br />

<strong>Art</strong>ist in Residence<br />

www.reubenpaterson.com<br />

Inspired by his visits to Taranaki public gardens,<br />

artist Reuben Paterson (Ngati - Rangitihi, Ngai - Tuhoe, -<br />

Scottish) pursues his investigation of light, depth and<br />

sculptural form.<br />

Known for his paintings in glitter and diamond dust,<br />

Paterson’s new outdoor installation moves into the<br />

three-dimensional space of sculpture, questioning<br />

ideas of artificiality and ‘natural’ environments.<br />

His largest work to date, a life-size, gold-glittered,<br />

sculpted tree takes root and fl<strong>our</strong>ishes on<br />

Pukekura Park’s Boatshed Lawn, transforming it into<br />

an otherworldly terrain.<br />

With a Bachelor of Fine <strong>Art</strong>s from Elam School of<br />

Fine <strong>Art</strong>s, The University of Auckland, Paterson has<br />

exhibited in numerous solo exhibitions and was part<br />

of the Asia Pacific Triennial 2009 in Queensland and<br />

the 17th Biennale of Sydney 2010.<br />

Paterson’s work is represented in public museum<br />

collections in Australasia, including the National<br />

<strong>Gallery</strong> of Victoria, Melb<strong>our</strong>ne, the National <strong>Gallery</strong><br />

of Australia, Canberra and in six major national<br />

museums and galleries in New Zealand. He recently<br />

developed the exhibition Gazillion Swirl! for the<br />

Auckland <strong>Art</strong> <strong>Gallery</strong> Toi o Tamaki - Creative Learning<br />

Centre, and is developing several site-specific<br />

projects in <strong>2014</strong>.<br />

Curated by Meredith Robertshawe<br />

Image: Pukekura Park’s Boatshed Lawn, New Plymouth, awaits<br />

Reuben Paterson’s new work. Photo Bryan James<br />

The <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> residency programme is made<br />

possible with support from Creative New Zealand <strong>Art</strong>s Council of<br />

New Zealand Toi Aotearoa and further support from the<br />

Western Institute of Technology at Taranaki (WITT).<br />

#glittertree


EXHIBITION<br />

Ann Shelton:<br />

doublethink<br />

28 September <strong>2013</strong> –<br />

2 February <strong>2014</strong><br />

Midhirst, New Plymouth,<br />

Whanganui<br />

On 18 November 1982, educated anarchist and<br />

young punk Neil Roberts took a planned, radical and<br />

finite step – he attempted to blow up the ‘Wanganui<br />

Computer’ at Wairere House on the Whanganui<br />

River. A then-powerful symbol of ‘Big Brother’, the<br />

computer was the physical manifestation of the<br />

New Zealand Government’s first foray into archiving<br />

digital data on its citizens.<br />

Informed and deeply concerned by social<br />

developments in early 1980s’ Aotearoa New Zealand,<br />

Roberts’ extreme action tapped into public ill-feeling<br />

towards the computer and its mythical status<br />

throughout the country. Roberts lost his life in the<br />

bombing.<br />

(now Bolivia), as it declared its independence from<br />

the Spanish Crown.<br />

Written with sparklers in the night sky and<br />

photographed in Whanganui on the 30th anniversary<br />

of the bombing and Robert’s death, Ann Shelton’s<br />

work doublethink reiterates and repositions this<br />

graffitied message, asking questions about its<br />

relevance, problematic status and meaning in<br />

today’s social landscape.<br />

Posters are available at Cafe <strong>Govett</strong>-<strong>Brewster</strong>, New<br />

Plymouth and Sarjeant <strong>Gallery</strong>, Whanganui.<br />

Curated by Meredith Robertshawe<br />

www.annshelton.com<br />

Shortly before the bombing, Roberts graffitied the<br />

words “WE HAVE MAINTAINED A SILENCE CLOSELY<br />

RESEMBLING STUPIDITY” on a nearby public<br />

toilet wall. This phrase is translated from the 1809<br />

revolutionary proclamation of South America’s first<br />

independent government, the Junta Tuitiva in La Paz<br />

Image: Ann Shelton doublethink ‘We have maintained a silence closely<br />

resembling stupidity’ Neil Roberts 1982 <strong>2013</strong> (installation view, State<br />

Highway 3, Midhirst). Photo Bryan James<br />

#doublethink


OPEN WINDOW EXHIBITION<br />

Carmen Rogers:<br />

Crystallised<br />

30 November <strong>2013</strong> –<br />

4 May <strong>2014</strong><br />

Next to Cafe <strong>Govett</strong>-<strong>Brewster</strong>,<br />

Queen St, New Plymouth<br />

Image: Carmen Rogers Crystallised <strong>2013</strong> (detail).<br />

C<strong>our</strong>tesy the artist<br />

www.carmen.co.nz<br />

Intrigued by the seemingly gravity-defying tensions<br />

of cave formations, New Plymouth-based artist<br />

Carmen Rogers transforms shattered glass from the<br />

demolished balustrades and hallways of the<br />

<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> into crystal stalagmites<br />

and stalactites. Installing these works gradually over<br />

five months, Rogers morphs the Open Window<br />

gallery into an environment reminiscent of a<br />

crystalline cave.<br />

Rogers graduated with a Bachelor of Visual <strong>Art</strong> in<br />

Fine <strong>Art</strong> and received the Top Fine <strong>Art</strong> Student Award<br />

from the Western Institute Technology at Taranaki<br />

(WITT) in 2011, with her sculpture work purchased by<br />

WITT for their Collection. A finalist in the<br />

New Zealand Painting and Printmaking Award in 2011<br />

and <strong>2013</strong>, Rogers was also the recipient of the<br />

Betty Loughhead Soroptomist Scholarship in 2010.<br />

Rogers also presented a sculptural installation at<br />

New Plymouth’s WOMAD <strong>2013</strong>.<br />

Curated by Meredith Robertshawe<br />

TOURING EXHIBITION<br />

<strong>Govett</strong>-<strong>Brewster</strong><br />

Collection:<br />

Word Works<br />

5 October <strong>2013</strong> –<br />

19 January <strong>2014</strong><br />

Lane <strong>Gallery</strong>, Puke Ariki,<br />

New Plymouth<br />

A selection of works from the<br />

<strong>Govett</strong>-<strong>Brewster</strong> Collection explores<br />

and plays with conventional ideas of<br />

words and their meanings. Spanning<br />

from 1977 to 2011, the artworks in<br />

Word Works utilise a variety of media,<br />

methods and language, contributing<br />

to art’s long association with text.<br />

Image: Terry Urbahn Untitled Portrait II 1989.<br />

<strong>Govett</strong>-<strong>Brewster</strong> Collection


LEN LYE EXHIBITION<br />

Len Lye: Agiagia -<br />

14 December <strong>2013</strong> –<br />

16 March <strong>2014</strong><br />

Mangere <strong>Art</strong>s Centre –<br />

Nga - Tohu o Uenuku,<br />

South Auckland<br />

Image: <strong>Art</strong>ist Len Lye at the University of<br />

California, Berkeley, 1966.<br />

C<strong>our</strong>tesy the Len Lye Foundation<br />

Image far right: Len Lye Tusalava 1929 (film still,<br />

detail). C<strong>our</strong>tesy Len Lye Foundation and<br />

New Zealand Film Archive Nga - Kaitiaki O Nga -<br />

Taonga Whitiahua -<br />

www.facebook.com/<br />

mangereartscentre<br />

Taking its title from a Samoan word expressing<br />

the notion of ‘natural billowing movement’,<br />

Len Lye: Agiagia - will be the first survey of Lye’s<br />

practice presented in South Auckland.<br />

This exhibition focuses on the artist’s early work<br />

from the 1920s – including experimental film,<br />

kinetic sculpture, drawing and photography.<br />

At the heart of Len Lye: Agiagia - is the first of Lye’s<br />

experimental films, Tusalava 1929, a fusion of the<br />

modern format of avant-garde cinema with the<br />

organic spirit of Lye’s oceanic home. Works<br />

included illustrate Lye’s relationship with European<br />

modernism during his years living in the Pacific and<br />

the unique modernist voice he brought with him to<br />

London and eventually the United States.<br />

Curated by Paul Brobbel and James Pinker<br />

#agiagia


Image: Len Lye Wind Wands 1961, <strong>2013</strong> reconstruction.<br />

C<strong>our</strong>tesy Len Lye Foundation.<br />

Photo Stuart Robb<br />

LEN LYE EXHIBITIONS<br />

<strong>Art</strong> of Its Own Making<br />

13 February – 23 August <strong>2014</strong><br />

Len Lye: Motion Sketch<br />

16 April – 8 June <strong>2014</strong><br />

The Pulitzer Foundation for the <strong>Art</strong>s<br />

St. Louis, Miss<strong>our</strong>i, US<br />

Len Lye’s Wind Wands 1961, <strong>2013</strong> reconstruction,<br />

feature in this group exhibition <strong>Art</strong> of Its Own<br />

Making, which also includes work by Tony Conrad,<br />

Hans Haacke, Nam June Paik, Sam Lewitt and<br />

Robert Morris. The group of seven Wind Wands, thin<br />

fibreglass tubes that move and respond to their<br />

open-air atmosphere, will be installed on the<br />

Pulitzer’s roof-top bamboo c<strong>our</strong>t.<br />

The Drawing Center, New York, US<br />

Motion Sketch is the first survey of Lye’s practice to<br />

be exhibited in New York. The exhibition features a<br />

selection of drawings, photograms, paintings,<br />

sculpture and film from the Len Lye Foundation<br />

Collection at the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> and<br />

the New Zealand Film Archive Nga - Kaitiaki O Nga -<br />

Taonga Whitiahua. -<br />

Curated by Gregory Burke and Tyler Cann<br />

Curated by Gretchen Wagner<br />

www.pulitzerarts.org<br />

Image: Image far right: Len Lye Tusalava 1929 (film still, detail).<br />

C<strong>our</strong>tesy Len Lye Foundation and New Zealand Film Archive<br />

Nga - Kaitiaki O Nga - Taonga Whitiahua -<br />

www.drawingcenter.org


BE<br />

PART OF<br />

SOMETHING<br />

EXTRAORDINARY<br />

Visionary Partner<br />

$100,000+<br />

Naming rights<br />

Innovator Supporter<br />

$25,000+<br />

Hon<strong>our</strong>s Board recognition and granite and stainless<br />

steel façade maquette. Limited edition 10<br />

Spirited Supporter<br />

$1,000 - $5,000<br />

Jewellery inspired by the Len Lye Centre<br />

architectural design<br />

Community Supporter<br />

$20 - $999<br />

Name recognition in digital art within the new facility<br />

Donate at<br />

www.lenlye.com<br />

or contact us today<br />

to find out how you<br />

can be part of the<br />

vision<br />

Lasting Legacy Supporter<br />

$10,000<br />

Donor’s name etched on a stainless steel panel of<br />

the building façade and name recognition in digital<br />

artwork within the new facility. Limited edition 33<br />

Guardian Supporter<br />

$5,000<br />

Granite and stainless steel façade mini-maquette<br />

and name recognition in digital artwork within the<br />

new facility<br />

Len Lye Centre Trust<br />

Private Bag 2025, New Plymouth 4342<br />

NEW ZEALAND<br />

tel +64 6 759 6134<br />

lenlyecentretrust@len-lye.com<br />

All donations will be acknowledged in the Len Lye Centre<br />

The Len Lye Centre Trust is a registered charity (CC47771) under the Charities Act 2005.<br />

FUNDRAISING EVENT<br />

Friday 4 April <strong>2014</strong><br />

6.30pm<br />

Waiau Country Estate,<br />

Onaero Beach Rd, Onaero,<br />

Taranaki<br />

Image: Len Lye All Souls Carnival 1957 (film still).<br />

C<strong>our</strong>tesy Len Lye Foundation<br />

Tickets on sale<br />

Monday 17 Feb, <strong>2014</strong><br />

Register interest by phoning<br />

06 759 6715<br />

or email<br />

rsvp@len-lye.com<br />

Sign up to become a<br />

Friend of Len to receive<br />

event alerts and<br />

newsletters<br />

www.govettbrewster.com/<br />

Len-Lye/Friends


Monica <strong>Brewster</strong><br />

Evenings<br />

MONICA BREWSTER<br />

EVENINGS, IN ASSOCIATION<br />

WITH GOVETT QUILLIAM –<br />

THE LAWYERS, BRING AN<br />

IMPRESSIVE ARRAY OF<br />

NATIONAL AND INTERNATIONAL<br />

ARTISTS AND CULTURAL<br />

THINKERS TO NEW PLYMOUTH.<br />

Ann Shelton<br />

Tuesday 28 January <strong>2014</strong><br />

6.00pm – 8.00pm<br />

The Mayfair<br />

69 Devon St West, New Plymouth<br />

Ann Shelton is recognised as one of New Zealand’s<br />

leading photographic artists. Tonight Shelton will<br />

discuss her art practice and <strong>Govett</strong>-<strong>Brewster</strong> project<br />

doublethink, closing Sunday 2 February <strong>2014</strong>. With a<br />

Master of Fine <strong>Art</strong>s from the University of British<br />

Columbia, Canada, Shelton has exhibited nationally<br />

and internationally and in 2010 was the overall<br />

winner of the CoCA Anthony Harper Contemporary<br />

<strong>Art</strong> Award.<br />

Shelton is Chair of Enjoy Public <strong>Art</strong> <strong>Gallery</strong>,<br />

Wellington’s longest running artist-run space and is<br />

Associate Professor at Whiti o Rehua – The School<br />

of <strong>Art</strong>, Massey University Wellington. <strong>Art</strong>ist in<br />

Residence at the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> in<br />

2004, Shelton has several works in the <strong>Govett</strong>-<br />

<strong>Brewster</strong> Collection.<br />

Free entry/cash bar<br />

Image: <strong>Gallery</strong> founder Monica <strong>Brewster</strong> (née <strong>Govett</strong>)<br />

Simon Rees<br />

Tuesday 25 February <strong>2014</strong><br />

6.00pm – 8.00pm<br />

The Mayfair<br />

69 Devon St West, New Plymouth<br />

Simon Rees is the new Director of the <strong>Govett</strong>-<br />

<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>/Len Lye Centre. Rees was the<br />

Head of Programming and Development at MAK, the<br />

Austrian Museum of Applied <strong>Art</strong>s/Contemporary<br />

<strong>Art</strong>s. He brings a wealth of curatorial, publishing and<br />

managerial experience to the <strong>Govett</strong>-<strong>Brewster</strong> as<br />

well as an understanding of the <strong>Gallery</strong>’s history and<br />

place in contemporary arts, having held the Curator<br />

of Contemporary <strong>Art</strong> position at the <strong>Gallery</strong> from<br />

2002 to 2004. Rees was Curator for the<br />

Contemporary <strong>Art</strong> Centre (CAC) in Vilnius, Lithuania<br />

and editor of CAC/Interviu Magazine before taking<br />

on the role of head of the exhibitions department.<br />

In 2007 he was commissioner of the award-winning<br />

Lithuanian Pavilion at the Venice Biennale. The<br />

<strong>Govett</strong>-<strong>Brewster</strong> is pleased to welcome Rees back<br />

to New Plymouth and the <strong>Gallery</strong> with his inaugural<br />

talk as Director.


Nicolaus<br />

Schafhausen and<br />

Kate Newby<br />

Tuesday 25 March<br />

6.00pm – 8.00pm<br />

The Mayfair<br />

69 Devon St West, New Plymouth<br />

Nicolaus Schafhausen and Kate Newby discuss the<br />

Fogo Island <strong>Art</strong>s Dialogue, a conference series that<br />

addresses critical questions faced by the global<br />

community in the 21st century.<br />

Nicolaus Schafhausen is an experienced curator,<br />

speaker and advisor in visual arts. He has directed<br />

several institutions in Germany and initiated projects<br />

and publications in and outside of Europe.<br />

Schafhausen is currently Director of Kunsthalle Wien,<br />

Austria, and advisor to the Fogo Island <strong>Art</strong>s/<br />

Shorefast Foundation.<br />

Since graduating from Elam School of Fine <strong>Art</strong>s,<br />

New Zealand-born artist Kate Newby has undertaken<br />

artist residencies in Germany, Canada, Mexico City<br />

and New York. Newby is artist in residence at Fogo<br />

Island <strong>Art</strong>s in <strong>2013</strong>/<strong>2014</strong>.<br />

Robert Leonard<br />

Tuesday 27 May<br />

6.00pm – 8.00pm<br />

Venue to be confirmed<br />

Check <strong>our</strong> website for updates<br />

Robert Leonard is one of New Zealand’s most<br />

experienced art curators and writers. Director of<br />

Brisbane’s Institute of Modern <strong>Art</strong> since 2005, he<br />

returns to New Zealand as Senior Curator for City<br />

<strong>Gallery</strong> Wellington in January <strong>2014</strong>. Leonard has<br />

worked as a curator and director for art galleries<br />

throughout New Zealand. He curated the country’s<br />

representation for Brisbane’s Asia-Pacific Triennial<br />

1999, Sao Paulo Biennale 2002 and Venice Biennale<br />

2003 and he will be curating Simon Denny’s<br />

exhibition for Venice Biennale 2015. Leonard: “I want<br />

to balance my love of detailed exhibition making with<br />

coal-face responsiveness and direct collaboration<br />

with artists. I am interested in the radical relativism<br />

of contemporary art. I appreciate art that stands the<br />

test of time but I am equally into art that is right here,<br />

right now”.<br />

Diana Thater<br />

Tuesday 29 April<br />

6.00pm – 8.00pm<br />

Venue to be confirmed<br />

Check <strong>our</strong> website for updates<br />

Los Angeles-based Diana Thater is an artist, curator,<br />

writer and educator whose work is preoccupied with<br />

untouched and manipulated nature and the politics<br />

of human and inhuman relationships.<br />

Thater visits Aotearoa New Zealand as one of the<br />

artists in Adam <strong>Art</strong> <strong>Gallery</strong>’s exhibition Cinema and<br />

Painting, exploring the phenomenology and<br />

materiality of exhibited film (11 February — 11 May<br />

<strong>2014</strong>). With a Master of Fine <strong>Art</strong>s at the <strong>Art</strong> Center<br />

College of Design, Pasadena, California, Thater has<br />

been a pioneering creator of film, video and<br />

installation art since the early 1990s. Since 2000,<br />

she has been the artist in residence for The Dolphin<br />

Project, a non-profit organisation that protects<br />

cetaceans from slaughter, captivity and abuse.


BOOK LAUNCH<br />

Maddie Leach:<br />

If you find the good<br />

oil let us know<br />

Friday 14 February <strong>2014</strong><br />

5.30pm – 7.00pm<br />

Ozone Bean Store Café<br />

47A King Street, New Plymouth<br />

The new publication If you find the good oil let us<br />

know is the culmination of 2012 <strong>Govett</strong>-<strong>Brewster</strong><br />

Aotearoa New Zealand <strong>Art</strong>ist in Residence Maddie<br />

Leach’s project of the same name. Designed by<br />

Warren Olds, this book presents a narrative through<br />

a series of letters sent to and from the artist.<br />

The publication will be available for purchase at<br />

the book launch and from the <strong>Art</strong> and Design Shop<br />

Online www.govettbrewster.com<br />

Curated by Mercedes Vicente<br />

Image: The new publication Maddie Leach: If you find the good oil let<br />

us know. C<strong>our</strong>tesy the artist<br />

ART AND DESIGN SHOP<br />

<strong>Govett</strong>-<strong>Brewster</strong><br />

<strong>Art</strong> and Design<br />

Shop – now online!<br />

Buy y<strong>our</strong> <strong>Govett</strong>-<strong>Brewster</strong> publications<br />

and cards, and Len Lye books, bags,<br />

cards and jewellery online.<br />

To shop, go to:<br />

www.govettbrewster.com<br />

or for more information email<br />

govettinfo@govettbrewster.com<br />

or phone +64 6 759 6715<br />

Image: Ann Shelton: doublethink publication<br />

(folded version) at the Midhirst Service Station.<br />

Photo Bryan James<br />

<strong>Govett</strong>-<strong>Brewster</strong><br />

Publications<br />

A range of new publications is available from the<br />

<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> and Design Shop Online<br />

including Len Lye: The New Yorker, Old Genes: <strong>Art</strong>ists<br />

reading Len Lye, Laurence Aberhart: Recent Taranaki<br />

Photographs, Fiona Jack: Living Halls and Alex<br />

Monteith: Accelerated Geographies. These beautiful<br />

books are lasting touchstones for artists’ solo<br />

exhibitions at the <strong>Govett</strong>-<strong>Brewster</strong>.<br />

Our newest publication, Ann Shelton: doublethink,<br />

takes the form of a poster essay. This is available<br />

free from the Cafe <strong>Govett</strong>-<strong>Brewster</strong> foyer in<br />

New Plymouth, the Sarjeant <strong>Gallery</strong> in Whanganui,<br />

and at various outlets in the Central Taranaki town of<br />

Midhirst. This publication accompanies the artist’s<br />

billboard project doublethink, on State Highway 3,<br />

Midhirst.


ART AND DESIGN SHOP<br />

OFF-SITE EDUCATION<br />

EVENTS<br />

<strong>Govett</strong>-<strong>Brewster</strong><br />

Editions<br />

The <strong>Govett</strong>-<strong>Brewster</strong> Editions is a<br />

collaborative venture where artists<br />

are invited to work with the <strong>Gallery</strong><br />

to develop unique, limited-edition<br />

collectable art works.<br />

You can now order <strong>Govett</strong>-<strong>Brewster</strong><br />

Editions through the <strong>Art</strong> and Design<br />

Shop Online at:<br />

www.govettbrewster.com<br />

Francis Upritchard The Thinker 2011<br />

Fiona Pardington Len Lye’s Tiki 2011<br />

3 February – 17 April <strong>2014</strong><br />

The <strong>Gallery</strong>’s education team<br />

continues to offer schools free off-site<br />

education programmes inspired by<br />

<strong>Govett</strong>-<strong>Brewster</strong> and Puke Ariki art<br />

exhibitions, local public sculpture and<br />

architecture, and WOMAD.<br />

To book a class lesson contact<br />

Chris Barry on 06 759 0858<br />

or chrisb@govettbrewster.com<br />

Charlotte Stokes from Tikorangi School<br />

concentrates on her artwork at Real T<strong>Art</strong> <strong>Gallery</strong><br />

<strong>Govett</strong>-<strong>Brewster</strong> Seniors<br />

at Puke Ariki<br />

Second Friday of each month 10.00am<br />

Taranaki Daily News Café, Level 2,<br />

Puke Ariki, New Plymouth<br />

Join Helen Telford and Keri Naus from the<br />

<strong>Govett</strong>-<strong>Brewster</strong> team for conversations about art.<br />

Bookings essential, phone 06 759 6060<br />

Friday 14 February<br />

Friday 14 March<br />

Friday 11 April<br />

Friday 9 May<br />

Limited edition of 90. Archival digital Giclée print with silkscreen<br />

Limited edition of 20<br />

studio after visiting Puke Ariki’s Call of Taranaki:<br />

glazes on Somerset Satin Enhanced Paper 330 gsm<br />

Pigment ink on hahnemuhle paper<br />

Reo Karanga o Taranaki exhibition with the<br />

Available as unframed (470 x 610mm) and framed (705 x 560mm)<br />

685 x 685mm framed<br />

<strong>Govett</strong>-<strong>Brewster</strong> education team.


FRIENDS of the GOVETT-BREWSTER ART GALLERY<br />

Friends of the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> present<br />

FRIENDS EVENT<br />

BRING YOUR<br />

CONTEMPORARY<br />

ART EXPERIENCE<br />

TO LIFE<br />

Sign up to become a Friend of the<br />

<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> or renew y<strong>our</strong><br />

membership online today for as little as<br />

$30 a year.<br />

Joining the Friends is a great way to<br />

extend y<strong>our</strong> knowledge of art, meet<br />

artists, curators and other art lovers,<br />

and of c<strong>our</strong>se, support the <strong>Gallery</strong>.<br />

There are a number of exciting<br />

Friends events planned<br />

leading up to and beyond<br />

the <strong>Gallery</strong> reopening,<br />

to which you will receive<br />

exclusive invitation.<br />

Friends also receive a 10% discount at the new<br />

<strong>Art</strong> and Design Shop Online – perfect for that<br />

special gift.<br />

For current Friends, the membership renewal<br />

system has recently changed with<br />

memberships due annually from 31 January<br />

<strong>2014</strong>. The good news is that if you renew y<strong>our</strong><br />

membership before then it will be valid until<br />

31 January 2015.<br />

www.govettbrewster.com/Museum/Support Us<br />

Image: Len Lye Rainbow Dance 1936 (film still, detail).<br />

C<strong>our</strong>tesy Len Lye Foundation<br />

Sign up to become a Friend<br />

on <strong>our</strong> website now, or join on<br />

the day<br />

www.govettbrewster.com/Museum/<br />

Support Us<br />

<strong>Art</strong> to Lunch<br />

Third Thursday of each month 12.15pm<br />

<strong>Govett</strong>-<strong>Brewster</strong> Office,<br />

Level 2, 50 Devon St West, New Plymouth<br />

Join the Friends and <strong>Gallery</strong> curators for a short talk<br />

about the current art projects. Coffee and tea<br />

provided, bring y<strong>our</strong> lunch.<br />

Len Lye: Agiagia-<br />

Thursday 20 February<br />

Exhibitions offsite – behind the scenes<br />

Thursday 20 March<br />

Carmen Rogers: Crystallised<br />

Thursday 17 April Includes site visit if fine weather<br />

Len Lye’s Wind Wands<br />

Thursday 15 May<br />

<strong>Art</strong>ist talk and<br />

lunchtime picnic<br />

under the tree<br />

Saturday 8 February <strong>2014</strong><br />

12.00pm<br />

Boatshed Lawn, Pukekura Park<br />

Weather permitting. Bring a rug and picnic to enjoy<br />

Aotearoa New Zealand <strong>Art</strong>ist in<br />

Residence Reuben Paterson celebrates<br />

the opening of his new outdoor sculpture<br />

project at Pukekura Park with an artist<br />

talk under his gold-glittered tree.<br />

All welcome<br />

Image: Reuben Paterson Heirloom <strong>2013</strong> (detail).<br />

C<strong>our</strong>tesy the artist


EVENT AT WOMAD<br />

<strong>Govett</strong>-<strong>Brewster</strong><br />

at WOMAD<br />

14 –16 March <strong>2014</strong><br />

Brooklands Park,<br />

New Plymouth<br />

WOMAD tickets available at<br />

www.taft.co.nz/womad<br />

Image: Reuben Paterson Heirloom <strong>2013</strong><br />

(detail). C<strong>our</strong>tesy the artist<br />

Reuben Paterson<br />

Glitter Sculpture<br />

Workshop next to Te Paepae:<br />

Saturday 12.00pm – 8.00pm<br />

Installation on the Bowl of Brooklands:<br />

Sunday all day<br />

Join the <strong>Govett</strong>-<strong>Brewster</strong> team to create y<strong>our</strong> own<br />

artwork inspired by artist Reuben Paterson to share<br />

with WOMAD. <strong>2013</strong> <strong>Govett</strong>-<strong>Brewster</strong> Aotearoa New<br />

Zealand <strong>Art</strong>ist in Residence Reuben Paterson’s glitter<br />

works investigate light and depth through painting<br />

and sculpture. Choose a piece from Paterson’s<br />

floral patterned work, glitter it and turn it into a<br />

sculpture. Look out for the installation on Sunday,<br />

then take y<strong>our</strong>s home after WOMAD.<br />

Materials supplied<br />

EVENT AT WOMAD<br />

Len Lye Films<br />

Pinetum Stage, WOMAD<br />

Join us on dark to view a selection<br />

of Lye’s films especially selected<br />

for a WOMAD experience.<br />

The soundtracks to the films will<br />

be played through headphones.<br />

Bring a cushion and blanket to<br />

enjoy.<br />

Screening times to be confirmed –<br />

check the WOMAD website for<br />

details.<br />

Image: Len Lye Swinging the Lambeth Walk 1939,<br />

(film still). C<strong>our</strong>tesy Len Lye Foundation


Philippe-Alain Michaud<br />

<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>/<br />

Len Lye Centre Film Curator in Residence<br />

<strong>Art</strong> historian and curator Philippe-Alain Michaud is<br />

the Director of the Department of Film at the Musée<br />

National d’<strong>Art</strong> Moderne-Centre Georges Pompidou,<br />

Paris. He visited New Plymouth in late <strong>2013</strong> as the<br />

<strong>Govett</strong>-<strong>Brewster</strong>’s inaugural Film Curator in<br />

Residence, working with the <strong>Gallery</strong> on cinema<br />

programming for the new <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong><br />

<strong>Gallery</strong>/Len Lye Centre, opening 2015.<br />

sans fin. Brancusi film et photo, Centre Pompidou,<br />

2011; and Flying Carpets, The French Academy in<br />

Rome - Villa Medici, 2012.<br />

He is the author of Aby Warburg and the Image in<br />

Motion 2004 and Sketches. cinema et histoire de l’art<br />

2006.<br />

Image: <strong>Art</strong>ist impression of the <strong>Govett</strong>-<strong>Brewster</strong><br />

<strong>Art</strong> <strong>Gallery</strong>/Len Lye Centre cinema interior.<br />

Patterson Associates Ltd<br />

Philippe-Alain has curated numerous exhibitions<br />

concerning the relationship between cinema and<br />

contemporary art, including Le mouvement des<br />

images, Centre Pompidou, March 2006-January<br />

2007; Bild für Bild, Museum Ostwall, Dortmund,<br />

2010; Electric Nights: <strong>Art</strong> and Pyrotechnics, LABoral<br />

Centro de <strong>Art</strong>e y Creación Industrial, 2011; Images<br />

Philippe-Alain Michaud comes to New Zealand<br />

c<strong>our</strong>tesy of Creative New Zealand, the Embassy<br />

of France and the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>.<br />

Image: Film Curator in Residence Philippe-Alain Michaud on the<br />

construction site of the cinema at the Len Lye Centre.<br />

C<strong>our</strong>tesy Taranaki Daily News


<strong>Govett</strong>-<strong>Brewster</strong><br />

<strong>Art</strong> <strong>Gallery</strong><br />

www.govettbrewster.com<br />

The <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>, established in 1970,<br />

is Aotearoa New Zealand’s leading contemporary art<br />

museum, offering energised encounters with the art<br />

and ideas of today. Since 1980, the <strong>Gallery</strong> has been<br />

home to the Collection and Archive of pioneering<br />

New Zealand filmmaker and kinetic artist Len Lye<br />

(1901–1980) and we’re now embarking on a new<br />

phase of history with the development of the<br />

Len Lye Centre, opening 2015.<br />

Keep up to date<br />

Check the website, Facebook and Twitter for ways to<br />

get involved and support, to keep updated with<br />

progress and find out more about the <strong>Gallery</strong>’s<br />

offsite programme.<br />

Sign up to receive <strong>Gallery</strong> newsletters at<br />

www.govettbrewster.com/Museum/Subscribe<br />

Sole<br />

founding<br />

Partner<br />

Get Involved<br />

<strong>Art</strong> and Design Shop<br />

Cafe <strong>Govett</strong>-<strong>Brewster</strong><br />

We’d love you to support the <strong>Gallery</strong><br />

by making a donation, becoming a<br />

Friend of the <strong>Govett</strong>-<strong>Brewster</strong>,<br />

a <strong>Govett</strong>-<strong>Brewster</strong> Foundation<br />

member or a Friend of Len.<br />

Find out more on <strong>our</strong> website under<br />

Support Us.<br />

The <strong>Gallery</strong>’s <strong>Art</strong> and Design Shop has gone online<br />

with exclusive <strong>Govett</strong>-<strong>Brewster</strong> and Len Lye<br />

merchandise and publications.<br />

Visit www.govettbrewster.com<br />

or phone +64 6 759 6715 for purchases or more<br />

information.<br />

A contemporary café where food is an art form.<br />

Enjoy a delicious breakfast, brunch or lunch, coffee<br />

or wine. Open seven days, Monday to Friday 7.00am<br />

– 3.00pm and Saturday/Sunday 8.00am – 3.00pm.<br />

Corner of Queen and King Streets. <strong>See</strong> the<br />

<strong>Govett</strong>-<strong>Brewster</strong> website for the current menu.<br />

Phone +64 6 759 2038

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!