See our Summer- Autumn 2013-2014 - Govett-Brewster Art Gallery
See our Summer- Autumn 2013-2014 - Govett-Brewster Art Gallery
See our Summer- Autumn 2013-2014 - Govett-Brewster Art Gallery
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WHILE THE BUILDING IS<br />
CLOSED AND UNDERGOES<br />
TRANSFORMATION,<br />
THE GALLERY REMAINS<br />
ACTIVE IN OUR<br />
COMMUNITY<br />
Here’s <strong>our</strong> programme of free <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong><br />
exhibitions and events.
December <strong>2013</strong><br />
<strong>Summer</strong><br />
to<br />
May <strong>2014</strong><br />
<strong>Autumn</strong><br />
Image: <strong>Art</strong>ist impression of the Len Lye Centre<br />
(interior perspective of Large Works <strong>Gallery</strong>).<br />
Patterson Associates Ltd<br />
INTRODUCTION<br />
Simon Rees<br />
EXHIBITIONS<br />
Reuben Paterson, Ann Shelton, Carmen Rogers<br />
TOURING EXHIBITION<br />
Word Works<br />
LEN LYE EXHIBITIONS<br />
Agiagia, - <strong>Art</strong> of Its Own Making, Motion Sketch<br />
LEN LYE CENTRE TRUST<br />
Fundraising<br />
MONICA BREWSTER EVENINGS<br />
Ann Shelton, Simon Rees, Nicolaus Schafhausen, Kate Newby, Robert Leonard<br />
BOOK LAUNCH<br />
Maddie Leach<br />
FRIENDS<br />
Maddie Leach Friends of the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong><br />
ART AND DESIGN SHOP<br />
Online, <strong>Govett</strong>-<strong>Brewster</strong> Publications, <strong>Govett</strong>-<strong>Brewster</strong> Editions<br />
OFF-SITE EDUCATION/EVENTS<br />
Seniors, Friends <strong>Art</strong> to Lunch, Friends <strong>Art</strong>ist Talk, WOMAD<br />
FILM CURATOR IN RESIDENCE<br />
Philippe-Alain Michaud
FROM THE DIRECTOR<br />
Tena - - koutou,<br />
Dear friends and patrons of the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong><br />
<strong>Gallery</strong>/Len Lye Centre. It gives me great pleasure<br />
to address you, personally, for the first time as the<br />
incoming director of New Zealand’s most beloved<br />
contemporary art institution, situated in the gem of a<br />
city that is New Plymouth.<br />
As you are reading this you are undoubtedly enjoying<br />
the pohutukawa - blooming as a signal of the start of<br />
summer and wind-down for Christmas, New Year,<br />
and holiday season. Meanwhile, here in Vienna,<br />
Austria, the leaves have already turned their brown,<br />
gold, and red autumnal hues and have started<br />
drifting to ground and collecting on berms and<br />
gutters all over the city. It’s already dark well before<br />
I leave the museum in the evening. We are waiting<br />
for the first flakes of snow and dreaming of a white<br />
Christmas (in the age of global warming, grey and<br />
slushy is more likely). My own dreaming is especially<br />
poignant as it will be my eleventh and last such<br />
Christmas here for some years to come.<br />
Despite the relative longevity of my stay in Europe,<br />
and adjustment to the seasonal cycles, sometime<br />
about now I start to look forward to the weight of a<br />
cricket bat in my hands. I play many an air-shot while<br />
walking corridors and gallery spaces where I work<br />
(in all likelihood looking, to European eyes, like the<br />
wackiest-and-worst-ever sports enthusiast to walk a<br />
museum’s halls!).<br />
While all this doesn’t seem to have much to do with<br />
contemporary art, I have accompanied my greeting<br />
with a photographic work by Vienna-based<br />
New Zealand artist Mladen Bizumic, Global Truths<br />
#77, depicting a renowned carousel in this city’s<br />
Prater—Vienna’s famous civic park that appears in<br />
numerous international films. The work’s title is<br />
suggestive of contemporary art’s centripetal power:<br />
it spins inasmuch as the carousel spins to draw us<br />
together; despite antinomies of global distance.<br />
The weather might be on a different – even antipodal<br />
– cycle, but <strong>our</strong> experience of it is common and can<br />
be intuited as a collective truth. Working with<br />
contemporary art, and the art, films, and ideas of<br />
Len Lye, which connect to the collective unconscious<br />
illuminating the problems and wonders embodied in<br />
daily life, is what we set out to do at the <strong>Govett</strong>-<br />
<strong>Brewster</strong>/Len Lye Centre. As relevant as that<br />
sounds, we also, like the carousel, and the loopiest<br />
of Len Lye’s works and ideas, want to make y<strong>our</strong><br />
heads spin!<br />
Season’s greetings.<br />
Nga - mihi o te Kirihimete ki a koutou.<br />
Simon Rees<br />
Director, <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>/Len Lye Centre<br />
Image: Simon Rees joins the <strong>Gallery</strong> as Director, 10 February <strong>2014</strong><br />
Image far left: Mladen Bizumic Global Truths #77 2009 (detail).<br />
Unique C-type photograph. C<strong>our</strong>tesy the artist and Georg Kargl Fine<br />
<strong>Art</strong>s, Vienna. The James Wallace <strong>Art</strong>s Trust Collection, Auckland
EXHIBITION<br />
Reuben Paterson:<br />
The Golden<br />
Bearing<br />
8 February – 27 July <strong>2014</strong><br />
Boatshed Lawn, Pukekura Park,<br />
New Plymouth<br />
<strong>2013</strong> <strong>Govett</strong>-<strong>Brewster</strong><br />
Aotearoa New Zealand<br />
<strong>Art</strong>ist in Residence<br />
www.reubenpaterson.com<br />
Inspired by his visits to Taranaki public gardens,<br />
artist Reuben Paterson (Ngati - Rangitihi, Ngai - Tuhoe, -<br />
Scottish) pursues his investigation of light, depth and<br />
sculptural form.<br />
Known for his paintings in glitter and diamond dust,<br />
Paterson’s new outdoor installation moves into the<br />
three-dimensional space of sculpture, questioning<br />
ideas of artificiality and ‘natural’ environments.<br />
His largest work to date, a life-size, gold-glittered,<br />
sculpted tree takes root and fl<strong>our</strong>ishes on<br />
Pukekura Park’s Boatshed Lawn, transforming it into<br />
an otherworldly terrain.<br />
With a Bachelor of Fine <strong>Art</strong>s from Elam School of<br />
Fine <strong>Art</strong>s, The University of Auckland, Paterson has<br />
exhibited in numerous solo exhibitions and was part<br />
of the Asia Pacific Triennial 2009 in Queensland and<br />
the 17th Biennale of Sydney 2010.<br />
Paterson’s work is represented in public museum<br />
collections in Australasia, including the National<br />
<strong>Gallery</strong> of Victoria, Melb<strong>our</strong>ne, the National <strong>Gallery</strong><br />
of Australia, Canberra and in six major national<br />
museums and galleries in New Zealand. He recently<br />
developed the exhibition Gazillion Swirl! for the<br />
Auckland <strong>Art</strong> <strong>Gallery</strong> Toi o Tamaki - Creative Learning<br />
Centre, and is developing several site-specific<br />
projects in <strong>2014</strong>.<br />
Curated by Meredith Robertshawe<br />
Image: Pukekura Park’s Boatshed Lawn, New Plymouth, awaits<br />
Reuben Paterson’s new work. Photo Bryan James<br />
The <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> residency programme is made<br />
possible with support from Creative New Zealand <strong>Art</strong>s Council of<br />
New Zealand Toi Aotearoa and further support from the<br />
Western Institute of Technology at Taranaki (WITT).<br />
#glittertree
EXHIBITION<br />
Ann Shelton:<br />
doublethink<br />
28 September <strong>2013</strong> –<br />
2 February <strong>2014</strong><br />
Midhirst, New Plymouth,<br />
Whanganui<br />
On 18 November 1982, educated anarchist and<br />
young punk Neil Roberts took a planned, radical and<br />
finite step – he attempted to blow up the ‘Wanganui<br />
Computer’ at Wairere House on the Whanganui<br />
River. A then-powerful symbol of ‘Big Brother’, the<br />
computer was the physical manifestation of the<br />
New Zealand Government’s first foray into archiving<br />
digital data on its citizens.<br />
Informed and deeply concerned by social<br />
developments in early 1980s’ Aotearoa New Zealand,<br />
Roberts’ extreme action tapped into public ill-feeling<br />
towards the computer and its mythical status<br />
throughout the country. Roberts lost his life in the<br />
bombing.<br />
(now Bolivia), as it declared its independence from<br />
the Spanish Crown.<br />
Written with sparklers in the night sky and<br />
photographed in Whanganui on the 30th anniversary<br />
of the bombing and Robert’s death, Ann Shelton’s<br />
work doublethink reiterates and repositions this<br />
graffitied message, asking questions about its<br />
relevance, problematic status and meaning in<br />
today’s social landscape.<br />
Posters are available at Cafe <strong>Govett</strong>-<strong>Brewster</strong>, New<br />
Plymouth and Sarjeant <strong>Gallery</strong>, Whanganui.<br />
Curated by Meredith Robertshawe<br />
www.annshelton.com<br />
Shortly before the bombing, Roberts graffitied the<br />
words “WE HAVE MAINTAINED A SILENCE CLOSELY<br />
RESEMBLING STUPIDITY” on a nearby public<br />
toilet wall. This phrase is translated from the 1809<br />
revolutionary proclamation of South America’s first<br />
independent government, the Junta Tuitiva in La Paz<br />
Image: Ann Shelton doublethink ‘We have maintained a silence closely<br />
resembling stupidity’ Neil Roberts 1982 <strong>2013</strong> (installation view, State<br />
Highway 3, Midhirst). Photo Bryan James<br />
#doublethink
OPEN WINDOW EXHIBITION<br />
Carmen Rogers:<br />
Crystallised<br />
30 November <strong>2013</strong> –<br />
4 May <strong>2014</strong><br />
Next to Cafe <strong>Govett</strong>-<strong>Brewster</strong>,<br />
Queen St, New Plymouth<br />
Image: Carmen Rogers Crystallised <strong>2013</strong> (detail).<br />
C<strong>our</strong>tesy the artist<br />
www.carmen.co.nz<br />
Intrigued by the seemingly gravity-defying tensions<br />
of cave formations, New Plymouth-based artist<br />
Carmen Rogers transforms shattered glass from the<br />
demolished balustrades and hallways of the<br />
<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> into crystal stalagmites<br />
and stalactites. Installing these works gradually over<br />
five months, Rogers morphs the Open Window<br />
gallery into an environment reminiscent of a<br />
crystalline cave.<br />
Rogers graduated with a Bachelor of Visual <strong>Art</strong> in<br />
Fine <strong>Art</strong> and received the Top Fine <strong>Art</strong> Student Award<br />
from the Western Institute Technology at Taranaki<br />
(WITT) in 2011, with her sculpture work purchased by<br />
WITT for their Collection. A finalist in the<br />
New Zealand Painting and Printmaking Award in 2011<br />
and <strong>2013</strong>, Rogers was also the recipient of the<br />
Betty Loughhead Soroptomist Scholarship in 2010.<br />
Rogers also presented a sculptural installation at<br />
New Plymouth’s WOMAD <strong>2013</strong>.<br />
Curated by Meredith Robertshawe<br />
TOURING EXHIBITION<br />
<strong>Govett</strong>-<strong>Brewster</strong><br />
Collection:<br />
Word Works<br />
5 October <strong>2013</strong> –<br />
19 January <strong>2014</strong><br />
Lane <strong>Gallery</strong>, Puke Ariki,<br />
New Plymouth<br />
A selection of works from the<br />
<strong>Govett</strong>-<strong>Brewster</strong> Collection explores<br />
and plays with conventional ideas of<br />
words and their meanings. Spanning<br />
from 1977 to 2011, the artworks in<br />
Word Works utilise a variety of media,<br />
methods and language, contributing<br />
to art’s long association with text.<br />
Image: Terry Urbahn Untitled Portrait II 1989.<br />
<strong>Govett</strong>-<strong>Brewster</strong> Collection
LEN LYE EXHIBITION<br />
Len Lye: Agiagia -<br />
14 December <strong>2013</strong> –<br />
16 March <strong>2014</strong><br />
Mangere <strong>Art</strong>s Centre –<br />
Nga - Tohu o Uenuku,<br />
South Auckland<br />
Image: <strong>Art</strong>ist Len Lye at the University of<br />
California, Berkeley, 1966.<br />
C<strong>our</strong>tesy the Len Lye Foundation<br />
Image far right: Len Lye Tusalava 1929 (film still,<br />
detail). C<strong>our</strong>tesy Len Lye Foundation and<br />
New Zealand Film Archive Nga - Kaitiaki O Nga -<br />
Taonga Whitiahua -<br />
www.facebook.com/<br />
mangereartscentre<br />
Taking its title from a Samoan word expressing<br />
the notion of ‘natural billowing movement’,<br />
Len Lye: Agiagia - will be the first survey of Lye’s<br />
practice presented in South Auckland.<br />
This exhibition focuses on the artist’s early work<br />
from the 1920s – including experimental film,<br />
kinetic sculpture, drawing and photography.<br />
At the heart of Len Lye: Agiagia - is the first of Lye’s<br />
experimental films, Tusalava 1929, a fusion of the<br />
modern format of avant-garde cinema with the<br />
organic spirit of Lye’s oceanic home. Works<br />
included illustrate Lye’s relationship with European<br />
modernism during his years living in the Pacific and<br />
the unique modernist voice he brought with him to<br />
London and eventually the United States.<br />
Curated by Paul Brobbel and James Pinker<br />
#agiagia
Image: Len Lye Wind Wands 1961, <strong>2013</strong> reconstruction.<br />
C<strong>our</strong>tesy Len Lye Foundation.<br />
Photo Stuart Robb<br />
LEN LYE EXHIBITIONS<br />
<strong>Art</strong> of Its Own Making<br />
13 February – 23 August <strong>2014</strong><br />
Len Lye: Motion Sketch<br />
16 April – 8 June <strong>2014</strong><br />
The Pulitzer Foundation for the <strong>Art</strong>s<br />
St. Louis, Miss<strong>our</strong>i, US<br />
Len Lye’s Wind Wands 1961, <strong>2013</strong> reconstruction,<br />
feature in this group exhibition <strong>Art</strong> of Its Own<br />
Making, which also includes work by Tony Conrad,<br />
Hans Haacke, Nam June Paik, Sam Lewitt and<br />
Robert Morris. The group of seven Wind Wands, thin<br />
fibreglass tubes that move and respond to their<br />
open-air atmosphere, will be installed on the<br />
Pulitzer’s roof-top bamboo c<strong>our</strong>t.<br />
The Drawing Center, New York, US<br />
Motion Sketch is the first survey of Lye’s practice to<br />
be exhibited in New York. The exhibition features a<br />
selection of drawings, photograms, paintings,<br />
sculpture and film from the Len Lye Foundation<br />
Collection at the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> and<br />
the New Zealand Film Archive Nga - Kaitiaki O Nga -<br />
Taonga Whitiahua. -<br />
Curated by Gregory Burke and Tyler Cann<br />
Curated by Gretchen Wagner<br />
www.pulitzerarts.org<br />
Image: Image far right: Len Lye Tusalava 1929 (film still, detail).<br />
C<strong>our</strong>tesy Len Lye Foundation and New Zealand Film Archive<br />
Nga - Kaitiaki O Nga - Taonga Whitiahua -<br />
www.drawingcenter.org
BE<br />
PART OF<br />
SOMETHING<br />
EXTRAORDINARY<br />
Visionary Partner<br />
$100,000+<br />
Naming rights<br />
Innovator Supporter<br />
$25,000+<br />
Hon<strong>our</strong>s Board recognition and granite and stainless<br />
steel façade maquette. Limited edition 10<br />
Spirited Supporter<br />
$1,000 - $5,000<br />
Jewellery inspired by the Len Lye Centre<br />
architectural design<br />
Community Supporter<br />
$20 - $999<br />
Name recognition in digital art within the new facility<br />
Donate at<br />
www.lenlye.com<br />
or contact us today<br />
to find out how you<br />
can be part of the<br />
vision<br />
Lasting Legacy Supporter<br />
$10,000<br />
Donor’s name etched on a stainless steel panel of<br />
the building façade and name recognition in digital<br />
artwork within the new facility. Limited edition 33<br />
Guardian Supporter<br />
$5,000<br />
Granite and stainless steel façade mini-maquette<br />
and name recognition in digital artwork within the<br />
new facility<br />
Len Lye Centre Trust<br />
Private Bag 2025, New Plymouth 4342<br />
NEW ZEALAND<br />
tel +64 6 759 6134<br />
lenlyecentretrust@len-lye.com<br />
All donations will be acknowledged in the Len Lye Centre<br />
The Len Lye Centre Trust is a registered charity (CC47771) under the Charities Act 2005.<br />
FUNDRAISING EVENT<br />
Friday 4 April <strong>2014</strong><br />
6.30pm<br />
Waiau Country Estate,<br />
Onaero Beach Rd, Onaero,<br />
Taranaki<br />
Image: Len Lye All Souls Carnival 1957 (film still).<br />
C<strong>our</strong>tesy Len Lye Foundation<br />
Tickets on sale<br />
Monday 17 Feb, <strong>2014</strong><br />
Register interest by phoning<br />
06 759 6715<br />
or email<br />
rsvp@len-lye.com<br />
Sign up to become a<br />
Friend of Len to receive<br />
event alerts and<br />
newsletters<br />
www.govettbrewster.com/<br />
Len-Lye/Friends
Monica <strong>Brewster</strong><br />
Evenings<br />
MONICA BREWSTER<br />
EVENINGS, IN ASSOCIATION<br />
WITH GOVETT QUILLIAM –<br />
THE LAWYERS, BRING AN<br />
IMPRESSIVE ARRAY OF<br />
NATIONAL AND INTERNATIONAL<br />
ARTISTS AND CULTURAL<br />
THINKERS TO NEW PLYMOUTH.<br />
Ann Shelton<br />
Tuesday 28 January <strong>2014</strong><br />
6.00pm – 8.00pm<br />
The Mayfair<br />
69 Devon St West, New Plymouth<br />
Ann Shelton is recognised as one of New Zealand’s<br />
leading photographic artists. Tonight Shelton will<br />
discuss her art practice and <strong>Govett</strong>-<strong>Brewster</strong> project<br />
doublethink, closing Sunday 2 February <strong>2014</strong>. With a<br />
Master of Fine <strong>Art</strong>s from the University of British<br />
Columbia, Canada, Shelton has exhibited nationally<br />
and internationally and in 2010 was the overall<br />
winner of the CoCA Anthony Harper Contemporary<br />
<strong>Art</strong> Award.<br />
Shelton is Chair of Enjoy Public <strong>Art</strong> <strong>Gallery</strong>,<br />
Wellington’s longest running artist-run space and is<br />
Associate Professor at Whiti o Rehua – The School<br />
of <strong>Art</strong>, Massey University Wellington. <strong>Art</strong>ist in<br />
Residence at the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> in<br />
2004, Shelton has several works in the <strong>Govett</strong>-<br />
<strong>Brewster</strong> Collection.<br />
Free entry/cash bar<br />
Image: <strong>Gallery</strong> founder Monica <strong>Brewster</strong> (née <strong>Govett</strong>)<br />
Simon Rees<br />
Tuesday 25 February <strong>2014</strong><br />
6.00pm – 8.00pm<br />
The Mayfair<br />
69 Devon St West, New Plymouth<br />
Simon Rees is the new Director of the <strong>Govett</strong>-<br />
<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>/Len Lye Centre. Rees was the<br />
Head of Programming and Development at MAK, the<br />
Austrian Museum of Applied <strong>Art</strong>s/Contemporary<br />
<strong>Art</strong>s. He brings a wealth of curatorial, publishing and<br />
managerial experience to the <strong>Govett</strong>-<strong>Brewster</strong> as<br />
well as an understanding of the <strong>Gallery</strong>’s history and<br />
place in contemporary arts, having held the Curator<br />
of Contemporary <strong>Art</strong> position at the <strong>Gallery</strong> from<br />
2002 to 2004. Rees was Curator for the<br />
Contemporary <strong>Art</strong> Centre (CAC) in Vilnius, Lithuania<br />
and editor of CAC/Interviu Magazine before taking<br />
on the role of head of the exhibitions department.<br />
In 2007 he was commissioner of the award-winning<br />
Lithuanian Pavilion at the Venice Biennale. The<br />
<strong>Govett</strong>-<strong>Brewster</strong> is pleased to welcome Rees back<br />
to New Plymouth and the <strong>Gallery</strong> with his inaugural<br />
talk as Director.
Nicolaus<br />
Schafhausen and<br />
Kate Newby<br />
Tuesday 25 March<br />
6.00pm – 8.00pm<br />
The Mayfair<br />
69 Devon St West, New Plymouth<br />
Nicolaus Schafhausen and Kate Newby discuss the<br />
Fogo Island <strong>Art</strong>s Dialogue, a conference series that<br />
addresses critical questions faced by the global<br />
community in the 21st century.<br />
Nicolaus Schafhausen is an experienced curator,<br />
speaker and advisor in visual arts. He has directed<br />
several institutions in Germany and initiated projects<br />
and publications in and outside of Europe.<br />
Schafhausen is currently Director of Kunsthalle Wien,<br />
Austria, and advisor to the Fogo Island <strong>Art</strong>s/<br />
Shorefast Foundation.<br />
Since graduating from Elam School of Fine <strong>Art</strong>s,<br />
New Zealand-born artist Kate Newby has undertaken<br />
artist residencies in Germany, Canada, Mexico City<br />
and New York. Newby is artist in residence at Fogo<br />
Island <strong>Art</strong>s in <strong>2013</strong>/<strong>2014</strong>.<br />
Robert Leonard<br />
Tuesday 27 May<br />
6.00pm – 8.00pm<br />
Venue to be confirmed<br />
Check <strong>our</strong> website for updates<br />
Robert Leonard is one of New Zealand’s most<br />
experienced art curators and writers. Director of<br />
Brisbane’s Institute of Modern <strong>Art</strong> since 2005, he<br />
returns to New Zealand as Senior Curator for City<br />
<strong>Gallery</strong> Wellington in January <strong>2014</strong>. Leonard has<br />
worked as a curator and director for art galleries<br />
throughout New Zealand. He curated the country’s<br />
representation for Brisbane’s Asia-Pacific Triennial<br />
1999, Sao Paulo Biennale 2002 and Venice Biennale<br />
2003 and he will be curating Simon Denny’s<br />
exhibition for Venice Biennale 2015. Leonard: “I want<br />
to balance my love of detailed exhibition making with<br />
coal-face responsiveness and direct collaboration<br />
with artists. I am interested in the radical relativism<br />
of contemporary art. I appreciate art that stands the<br />
test of time but I am equally into art that is right here,<br />
right now”.<br />
Diana Thater<br />
Tuesday 29 April<br />
6.00pm – 8.00pm<br />
Venue to be confirmed<br />
Check <strong>our</strong> website for updates<br />
Los Angeles-based Diana Thater is an artist, curator,<br />
writer and educator whose work is preoccupied with<br />
untouched and manipulated nature and the politics<br />
of human and inhuman relationships.<br />
Thater visits Aotearoa New Zealand as one of the<br />
artists in Adam <strong>Art</strong> <strong>Gallery</strong>’s exhibition Cinema and<br />
Painting, exploring the phenomenology and<br />
materiality of exhibited film (11 February — 11 May<br />
<strong>2014</strong>). With a Master of Fine <strong>Art</strong>s at the <strong>Art</strong> Center<br />
College of Design, Pasadena, California, Thater has<br />
been a pioneering creator of film, video and<br />
installation art since the early 1990s. Since 2000,<br />
she has been the artist in residence for The Dolphin<br />
Project, a non-profit organisation that protects<br />
cetaceans from slaughter, captivity and abuse.
BOOK LAUNCH<br />
Maddie Leach:<br />
If you find the good<br />
oil let us know<br />
Friday 14 February <strong>2014</strong><br />
5.30pm – 7.00pm<br />
Ozone Bean Store Café<br />
47A King Street, New Plymouth<br />
The new publication If you find the good oil let us<br />
know is the culmination of 2012 <strong>Govett</strong>-<strong>Brewster</strong><br />
Aotearoa New Zealand <strong>Art</strong>ist in Residence Maddie<br />
Leach’s project of the same name. Designed by<br />
Warren Olds, this book presents a narrative through<br />
a series of letters sent to and from the artist.<br />
The publication will be available for purchase at<br />
the book launch and from the <strong>Art</strong> and Design Shop<br />
Online www.govettbrewster.com<br />
Curated by Mercedes Vicente<br />
Image: The new publication Maddie Leach: If you find the good oil let<br />
us know. C<strong>our</strong>tesy the artist<br />
ART AND DESIGN SHOP<br />
<strong>Govett</strong>-<strong>Brewster</strong><br />
<strong>Art</strong> and Design<br />
Shop – now online!<br />
Buy y<strong>our</strong> <strong>Govett</strong>-<strong>Brewster</strong> publications<br />
and cards, and Len Lye books, bags,<br />
cards and jewellery online.<br />
To shop, go to:<br />
www.govettbrewster.com<br />
or for more information email<br />
govettinfo@govettbrewster.com<br />
or phone +64 6 759 6715<br />
Image: Ann Shelton: doublethink publication<br />
(folded version) at the Midhirst Service Station.<br />
Photo Bryan James<br />
<strong>Govett</strong>-<strong>Brewster</strong><br />
Publications<br />
A range of new publications is available from the<br />
<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> and Design Shop Online<br />
including Len Lye: The New Yorker, Old Genes: <strong>Art</strong>ists<br />
reading Len Lye, Laurence Aberhart: Recent Taranaki<br />
Photographs, Fiona Jack: Living Halls and Alex<br />
Monteith: Accelerated Geographies. These beautiful<br />
books are lasting touchstones for artists’ solo<br />
exhibitions at the <strong>Govett</strong>-<strong>Brewster</strong>.<br />
Our newest publication, Ann Shelton: doublethink,<br />
takes the form of a poster essay. This is available<br />
free from the Cafe <strong>Govett</strong>-<strong>Brewster</strong> foyer in<br />
New Plymouth, the Sarjeant <strong>Gallery</strong> in Whanganui,<br />
and at various outlets in the Central Taranaki town of<br />
Midhirst. This publication accompanies the artist’s<br />
billboard project doublethink, on State Highway 3,<br />
Midhirst.
ART AND DESIGN SHOP<br />
OFF-SITE EDUCATION<br />
EVENTS<br />
<strong>Govett</strong>-<strong>Brewster</strong><br />
Editions<br />
The <strong>Govett</strong>-<strong>Brewster</strong> Editions is a<br />
collaborative venture where artists<br />
are invited to work with the <strong>Gallery</strong><br />
to develop unique, limited-edition<br />
collectable art works.<br />
You can now order <strong>Govett</strong>-<strong>Brewster</strong><br />
Editions through the <strong>Art</strong> and Design<br />
Shop Online at:<br />
www.govettbrewster.com<br />
Francis Upritchard The Thinker 2011<br />
Fiona Pardington Len Lye’s Tiki 2011<br />
3 February – 17 April <strong>2014</strong><br />
The <strong>Gallery</strong>’s education team<br />
continues to offer schools free off-site<br />
education programmes inspired by<br />
<strong>Govett</strong>-<strong>Brewster</strong> and Puke Ariki art<br />
exhibitions, local public sculpture and<br />
architecture, and WOMAD.<br />
To book a class lesson contact<br />
Chris Barry on 06 759 0858<br />
or chrisb@govettbrewster.com<br />
Charlotte Stokes from Tikorangi School<br />
concentrates on her artwork at Real T<strong>Art</strong> <strong>Gallery</strong><br />
<strong>Govett</strong>-<strong>Brewster</strong> Seniors<br />
at Puke Ariki<br />
Second Friday of each month 10.00am<br />
Taranaki Daily News Café, Level 2,<br />
Puke Ariki, New Plymouth<br />
Join Helen Telford and Keri Naus from the<br />
<strong>Govett</strong>-<strong>Brewster</strong> team for conversations about art.<br />
Bookings essential, phone 06 759 6060<br />
Friday 14 February<br />
Friday 14 March<br />
Friday 11 April<br />
Friday 9 May<br />
Limited edition of 90. Archival digital Giclée print with silkscreen<br />
Limited edition of 20<br />
studio after visiting Puke Ariki’s Call of Taranaki:<br />
glazes on Somerset Satin Enhanced Paper 330 gsm<br />
Pigment ink on hahnemuhle paper<br />
Reo Karanga o Taranaki exhibition with the<br />
Available as unframed (470 x 610mm) and framed (705 x 560mm)<br />
685 x 685mm framed<br />
<strong>Govett</strong>-<strong>Brewster</strong> education team.
FRIENDS of the GOVETT-BREWSTER ART GALLERY<br />
Friends of the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> present<br />
FRIENDS EVENT<br />
BRING YOUR<br />
CONTEMPORARY<br />
ART EXPERIENCE<br />
TO LIFE<br />
Sign up to become a Friend of the<br />
<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong> or renew y<strong>our</strong><br />
membership online today for as little as<br />
$30 a year.<br />
Joining the Friends is a great way to<br />
extend y<strong>our</strong> knowledge of art, meet<br />
artists, curators and other art lovers,<br />
and of c<strong>our</strong>se, support the <strong>Gallery</strong>.<br />
There are a number of exciting<br />
Friends events planned<br />
leading up to and beyond<br />
the <strong>Gallery</strong> reopening,<br />
to which you will receive<br />
exclusive invitation.<br />
Friends also receive a 10% discount at the new<br />
<strong>Art</strong> and Design Shop Online – perfect for that<br />
special gift.<br />
For current Friends, the membership renewal<br />
system has recently changed with<br />
memberships due annually from 31 January<br />
<strong>2014</strong>. The good news is that if you renew y<strong>our</strong><br />
membership before then it will be valid until<br />
31 January 2015.<br />
www.govettbrewster.com/Museum/Support Us<br />
Image: Len Lye Rainbow Dance 1936 (film still, detail).<br />
C<strong>our</strong>tesy Len Lye Foundation<br />
Sign up to become a Friend<br />
on <strong>our</strong> website now, or join on<br />
the day<br />
www.govettbrewster.com/Museum/<br />
Support Us<br />
<strong>Art</strong> to Lunch<br />
Third Thursday of each month 12.15pm<br />
<strong>Govett</strong>-<strong>Brewster</strong> Office,<br />
Level 2, 50 Devon St West, New Plymouth<br />
Join the Friends and <strong>Gallery</strong> curators for a short talk<br />
about the current art projects. Coffee and tea<br />
provided, bring y<strong>our</strong> lunch.<br />
Len Lye: Agiagia-<br />
Thursday 20 February<br />
Exhibitions offsite – behind the scenes<br />
Thursday 20 March<br />
Carmen Rogers: Crystallised<br />
Thursday 17 April Includes site visit if fine weather<br />
Len Lye’s Wind Wands<br />
Thursday 15 May<br />
<strong>Art</strong>ist talk and<br />
lunchtime picnic<br />
under the tree<br />
Saturday 8 February <strong>2014</strong><br />
12.00pm<br />
Boatshed Lawn, Pukekura Park<br />
Weather permitting. Bring a rug and picnic to enjoy<br />
Aotearoa New Zealand <strong>Art</strong>ist in<br />
Residence Reuben Paterson celebrates<br />
the opening of his new outdoor sculpture<br />
project at Pukekura Park with an artist<br />
talk under his gold-glittered tree.<br />
All welcome<br />
Image: Reuben Paterson Heirloom <strong>2013</strong> (detail).<br />
C<strong>our</strong>tesy the artist
EVENT AT WOMAD<br />
<strong>Govett</strong>-<strong>Brewster</strong><br />
at WOMAD<br />
14 –16 March <strong>2014</strong><br />
Brooklands Park,<br />
New Plymouth<br />
WOMAD tickets available at<br />
www.taft.co.nz/womad<br />
Image: Reuben Paterson Heirloom <strong>2013</strong><br />
(detail). C<strong>our</strong>tesy the artist<br />
Reuben Paterson<br />
Glitter Sculpture<br />
Workshop next to Te Paepae:<br />
Saturday 12.00pm – 8.00pm<br />
Installation on the Bowl of Brooklands:<br />
Sunday all day<br />
Join the <strong>Govett</strong>-<strong>Brewster</strong> team to create y<strong>our</strong> own<br />
artwork inspired by artist Reuben Paterson to share<br />
with WOMAD. <strong>2013</strong> <strong>Govett</strong>-<strong>Brewster</strong> Aotearoa New<br />
Zealand <strong>Art</strong>ist in Residence Reuben Paterson’s glitter<br />
works investigate light and depth through painting<br />
and sculpture. Choose a piece from Paterson’s<br />
floral patterned work, glitter it and turn it into a<br />
sculpture. Look out for the installation on Sunday,<br />
then take y<strong>our</strong>s home after WOMAD.<br />
Materials supplied<br />
EVENT AT WOMAD<br />
Len Lye Films<br />
Pinetum Stage, WOMAD<br />
Join us on dark to view a selection<br />
of Lye’s films especially selected<br />
for a WOMAD experience.<br />
The soundtracks to the films will<br />
be played through headphones.<br />
Bring a cushion and blanket to<br />
enjoy.<br />
Screening times to be confirmed –<br />
check the WOMAD website for<br />
details.<br />
Image: Len Lye Swinging the Lambeth Walk 1939,<br />
(film still). C<strong>our</strong>tesy Len Lye Foundation
Philippe-Alain Michaud<br />
<strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>/<br />
Len Lye Centre Film Curator in Residence<br />
<strong>Art</strong> historian and curator Philippe-Alain Michaud is<br />
the Director of the Department of Film at the Musée<br />
National d’<strong>Art</strong> Moderne-Centre Georges Pompidou,<br />
Paris. He visited New Plymouth in late <strong>2013</strong> as the<br />
<strong>Govett</strong>-<strong>Brewster</strong>’s inaugural Film Curator in<br />
Residence, working with the <strong>Gallery</strong> on cinema<br />
programming for the new <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong><br />
<strong>Gallery</strong>/Len Lye Centre, opening 2015.<br />
sans fin. Brancusi film et photo, Centre Pompidou,<br />
2011; and Flying Carpets, The French Academy in<br />
Rome - Villa Medici, 2012.<br />
He is the author of Aby Warburg and the Image in<br />
Motion 2004 and Sketches. cinema et histoire de l’art<br />
2006.<br />
Image: <strong>Art</strong>ist impression of the <strong>Govett</strong>-<strong>Brewster</strong><br />
<strong>Art</strong> <strong>Gallery</strong>/Len Lye Centre cinema interior.<br />
Patterson Associates Ltd<br />
Philippe-Alain has curated numerous exhibitions<br />
concerning the relationship between cinema and<br />
contemporary art, including Le mouvement des<br />
images, Centre Pompidou, March 2006-January<br />
2007; Bild für Bild, Museum Ostwall, Dortmund,<br />
2010; Electric Nights: <strong>Art</strong> and Pyrotechnics, LABoral<br />
Centro de <strong>Art</strong>e y Creación Industrial, 2011; Images<br />
Philippe-Alain Michaud comes to New Zealand<br />
c<strong>our</strong>tesy of Creative New Zealand, the Embassy<br />
of France and the <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>.<br />
Image: Film Curator in Residence Philippe-Alain Michaud on the<br />
construction site of the cinema at the Len Lye Centre.<br />
C<strong>our</strong>tesy Taranaki Daily News
<strong>Govett</strong>-<strong>Brewster</strong><br />
<strong>Art</strong> <strong>Gallery</strong><br />
www.govettbrewster.com<br />
The <strong>Govett</strong>-<strong>Brewster</strong> <strong>Art</strong> <strong>Gallery</strong>, established in 1970,<br />
is Aotearoa New Zealand’s leading contemporary art<br />
museum, offering energised encounters with the art<br />
and ideas of today. Since 1980, the <strong>Gallery</strong> has been<br />
home to the Collection and Archive of pioneering<br />
New Zealand filmmaker and kinetic artist Len Lye<br />
(1901–1980) and we’re now embarking on a new<br />
phase of history with the development of the<br />
Len Lye Centre, opening 2015.<br />
Keep up to date<br />
Check the website, Facebook and Twitter for ways to<br />
get involved and support, to keep updated with<br />
progress and find out more about the <strong>Gallery</strong>’s<br />
offsite programme.<br />
Sign up to receive <strong>Gallery</strong> newsletters at<br />
www.govettbrewster.com/Museum/Subscribe<br />
Sole<br />
founding<br />
Partner<br />
Get Involved<br />
<strong>Art</strong> and Design Shop<br />
Cafe <strong>Govett</strong>-<strong>Brewster</strong><br />
We’d love you to support the <strong>Gallery</strong><br />
by making a donation, becoming a<br />
Friend of the <strong>Govett</strong>-<strong>Brewster</strong>,<br />
a <strong>Govett</strong>-<strong>Brewster</strong> Foundation<br />
member or a Friend of Len.<br />
Find out more on <strong>our</strong> website under<br />
Support Us.<br />
The <strong>Gallery</strong>’s <strong>Art</strong> and Design Shop has gone online<br />
with exclusive <strong>Govett</strong>-<strong>Brewster</strong> and Len Lye<br />
merchandise and publications.<br />
Visit www.govettbrewster.com<br />
or phone +64 6 759 6715 for purchases or more<br />
information.<br />
A contemporary café where food is an art form.<br />
Enjoy a delicious breakfast, brunch or lunch, coffee<br />
or wine. Open seven days, Monday to Friday 7.00am<br />
– 3.00pm and Saturday/Sunday 8.00am – 3.00pm.<br />
Corner of Queen and King Streets. <strong>See</strong> the<br />
<strong>Govett</strong>-<strong>Brewster</strong> website for the current menu.<br />
Phone +64 6 759 2038