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A m ILLENNIUm PORTRAIT<br />

B I S H O P T H O M A S W I L S O N<br />

In his ‘A History <strong>of</strong> the <strong>Man</strong>x Church 1698-1911’ Canon John Gelling says ‘On April 6, 1698<br />

a small group <strong>of</strong> clergy and prominent laymen gathered at Derbyhaven (then a thriving port)<br />

to welcome their new Bishop, Thomas Wilson, who had left England on April 2. They<br />

accompanied him to the capital, Castletown, where he paid his respects to the Governor,<br />

Colonel Nicholas Stanley and preached his first sermon in his new diocese on ‘the barren fig<br />

tree.’ Four days later he set <strong>of</strong>f on horseback (there were no carriage in the Island in those days)<br />

with the Governor and other high <strong>of</strong>ficials and made his way on rough tracks over the<br />

mountains to Peel, the Cathedral City. There he was, on April 11, installed as Bishop by<br />

Samuel Wattleworth, Vicar <strong>of</strong> German and Vicar General (1694-1703) and later<br />

Archdeacon who, being a <strong>Man</strong>x speaker and knowing only a little English, conducted the<br />

service in Latin.’<br />

Canon Gelling adds: ‘It was a momentous day in the history <strong>of</strong> the<br />

diocese.’ Indeed it was. Bishop Wilson was to become the greatest<br />

prelate in the history <strong>of</strong> the Diocese <strong>of</strong> Sodor and <strong>Man</strong>. The legacy<br />

<strong>of</strong> what he did for the people and Church <strong>of</strong> the Island endures to<br />

this day and his name remains in everyday currency.<br />

He was 34, the son <strong>of</strong> a Cheshire farmer, when he began his remarkable<br />

57 years in <strong>of</strong>fice. He studied medicine at Trinity College, Dublin, then<br />

entered the ministry and became domestic chaplain to the Lord <strong>of</strong> <strong>Man</strong>n,<br />

the 9th Earl <strong>of</strong> Derby, who nominated him for the long vacant <strong>Man</strong>x see.<br />

He found it in a sorry condition. Bishopscourt and St German’s Cathedral<br />

were in a poor state <strong>of</strong> repair as were many churches and vicarages. The<br />

Clergy were <strong>of</strong> indifferent quality, the <strong>Man</strong>x people ignorant and poor,<br />

speaking an obscure language and largely engaged in the smuggling trade. It<br />

was a backward third world country <strong>of</strong> its day.<br />

Wilson set about putting things to rights with an energy that was to remain<br />

undiminished. First he reinstated Bishopscourt and its grounds, largely at his<br />

own expense. But for him it might have been lost forever. He had less success<br />

however with restoring St German’s Cathedral – as did one <strong>of</strong> his successors,<br />

Bishop Benjamin Pollard, in the 1960’s.<br />

Wilson also pushed the Clergy into improving their spiritual and academic<br />

standards and the way they carried out their parish duties. He recognised that<br />

low stipends were a root cause <strong>of</strong> the problem and set about improving the rate<br />

for the job. At the same time he restored and re-built churches and also built<br />

new ones, including St Matthew’s in Douglas.<br />

To all this he contributed liberally from his comparatively modest income for a<br />

bishop, £300-a-year. But he also seems to have found wealthy patrons on and<br />

<strong>of</strong>f the Island whose resources he tapped. He played a highly active<br />

part in church activities, riding around the diocese until his 80th<br />

year to take at least one service somewhere every Sunday.<br />

Education was another <strong>of</strong> his concerns. He saw that making the<br />

clergy responsible for educating their young parishioners was<br />

too great a burden and he allowed the appointment <strong>of</strong> lay people<br />

as teachers and made churchwardens responsible for providing<br />

schools. He was a prime mover in the Island’s first Education Act<br />

in 1703.<br />

As a farmer’s son he introduced modern agricultural methods into the Island<br />

and made his farm at Bishopscourt a model for others to follow. In 1739-41 there<br />

was a famine. Wilson fed people with Bishopscourt produce and gave them shoes<br />

and clothing. Canon Gelling tells us that the doors <strong>of</strong> Bishopscourt were always open to<br />

petitioners. At the same time Wilson’s medical training made him the only doctor in the Island.<br />

If ever there was a hands-on bishop it was Wilson but Canon Gelling records that he ‘was worn<br />

out with visiting and tending the sick who flocked to Bishopscourt from all quarters for healing,<br />

but by these measures he must have saved hundreds from dying <strong>of</strong> starvation or disease.’<br />

Wilson quickly acknowledged that many <strong>of</strong> his <strong>Man</strong>x flock could not follow services in English<br />

and he initiated the translation <strong>of</strong> the bible and the prayer book into <strong>Man</strong>x. He learned the<br />

language himself, although he found it difficult and used it in carrying out baptisms and<br />

confirmations. He was a bishop who reached out to his people and involved himself closely with<br />

their everyday lives. They very likely had not seen his like before.<br />

They also had reason to be grateful to him for the Act <strong>of</strong> Settlement <strong>of</strong> 1703, sometimes called<br />

the <strong>Man</strong>x Magna Carta, which gave <strong>Man</strong>x people right <strong>of</strong> land tenure.<br />

But the most dramatic interlude in his term <strong>of</strong> <strong>of</strong>fice arose from his part in the struggle<br />

between Church and State in imposing the rule <strong>of</strong> law. Wilson believed it was for the<br />

Church courts to punish society’s <strong>of</strong>fenders. This brought him into conflict with the<br />

civil authority represented by the Governor. It was a grim struggle for supremacy<br />

with no holds barred, particularly on the part <strong>of</strong> Governor Horne who, in 1722,<br />

acting rather dubiously in the name <strong>of</strong> Tynwald Court, imprisoned Wilson in<br />

Castle Rushen for non-payment <strong>of</strong> a fine for contempt <strong>of</strong> court.<br />

Horne found he had a tiger by the tail. Wilson preached daily to large crowds<br />

through his barred window. The <strong>Man</strong>x people resented Horne’s action as an<br />

infringement <strong>of</strong> their liberties. They surrounded the castle and threatened<br />

violence. Wilson dissuaded them. He optioned for a petition to the King<br />

seeking release. It went to the Privy Council and Horne was instructed to set<br />

Wilson free.<br />

A procession three miles long escorted Wilson on his ride from Castletown to<br />

Bishopscourt. He had been in Castle Rushen from June 29 to August 29 and it<br />

had been a rigorous ordeal. But Wilson was now forever secure in the hearts and<br />

minds <strong>of</strong> the <strong>Man</strong>x people.<br />

But although his battle with the State was won, his war was lost. Church courts<br />

fell into disuse in the last 20 years <strong>of</strong> his life.<br />

Wilson remained thoroughly committed otherwise to the affairs <strong>of</strong> the diocese<br />

although he made a concession to old age when he gave up his shaggy little <strong>Man</strong>x<br />

pony in favour <strong>of</strong> travel by horse and carriage. He continued to devote 60 per cent<br />

<strong>of</strong> his income to the improvement <strong>of</strong> church property and he made room for other<br />

faiths. His services were attended by Catholics and Methodists and he allowed<br />

Quakers freedom <strong>of</strong> worship.<br />

Wilson’s wife Mary died in 1705 after only seven years <strong>of</strong> marriage and he did<br />

not re-marry. They had a son, Thomas and three other children died in<br />

infancy.<br />

In time his health began to fail and in March 1755 he died<br />

peacefully at the age <strong>of</strong> 91 after taking a chill while walking in the<br />

grounds <strong>of</strong> his beloved Bishopscourt, where today a statue <strong>of</strong> him<br />

stands. It was erected by the present owner <strong>of</strong> Bishopscourt, Mr<br />

Graham Ferguson Lacey. There are remarkably few public statues<br />

in the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong>. Wilson’s is one <strong>of</strong> them.<br />

His funeral was a day <strong>of</strong> mourning throughout the Island and he<br />

was buried opposite the east window <strong>of</strong> Kirk Michael Church. He<br />

left money to the poor <strong>of</strong> each <strong>of</strong> his parishes. Canon Gelling quotes Spencer<br />

Walpole as saying: ‘As a bishop Wilson lived some centuries too late; as a statesman<br />

he was a century before his time.’<br />

Note: ‘A History <strong>of</strong> the <strong>Man</strong>x Church 1698-1911’ by Canon John Gelling is published by the<br />

<strong>Man</strong>x Heritage Foundation.<br />

Terry Cringle<br />

K C M Y<br />

m<br />

June 1999m<br />

m anx<br />

illenniumPart 2000AD<br />

Six<br />

A l o o k b a c k i n t i m e a s w e a p p r o a c h<br />

t h e n e w m i l l e n n i u m<br />

If sold separately – 50p<br />

<strong>Man</strong>x<br />

National<br />

Heritage<br />

Eiraght Ashoonagh<br />

Vannin<br />

Fort Anne, South Quay,<br />

Douglas, <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> IM1 5PD<br />

Telephone 01624 649649<br />

S H I P<br />

M A N A G E M E N T F O R T H E N E X T M I L L E N A R Y<br />

An <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> Newspapers Publication<br />

sponsored by The Midocean Group <strong>of</strong> Companies


Iam delighted to be welcoming you<br />

to the issue <strong>of</strong> <strong>Man</strong>x Millennium<br />

that brings us to the halfway point<br />

in the series. And, as it is my first<br />

introduction to this Midocean<br />

sponsored supplement, I would like to<br />

take this opportunity to introduce<br />

myself to you.<br />

I am one <strong>of</strong> a team <strong>of</strong> three people<br />

who created Midocean nine years ago<br />

and has witnessed its expansion into<br />

one <strong>of</strong> the the leading ship<br />

management companies in the <strong>Isle</strong> <strong>of</strong><br />

<strong>Man</strong>. My task now as <strong>Man</strong>aging<br />

Director is to steer Midocean towards<br />

even greater success from our Fort<br />

Anne headquarters on South Quay in<br />

Douglas - headquarters which have a<br />

most important link with the Island’s<br />

rich maritime history.<br />

Fort Anne was the home <strong>of</strong> the founder<br />

<strong>of</strong> the Royal National Lifeboat<br />

Institution, Sir William Hillary, and<br />

later this year we intend to unveil a<br />

statue <strong>of</strong> Sir William in the grounds.<br />

In this way, we believe we can<br />

maintain that vital link to the past<br />

while striving to meet the new<br />

challenges the next century will<br />

present.<br />

I hope that, like me you will continue<br />

to enjoy in the <strong>Man</strong>x Millennium the<br />

photographs and pr<strong>of</strong>iles <strong>of</strong> places and<br />

people from our Island’s recent past. I<br />

look forward to the next six issues that<br />

will bring us right up to the dawning <strong>of</strong><br />

the new millennium.<br />

Christos Ashiotis<br />

<strong>Man</strong>aging Director<br />

Thank you to all those readers who<br />

contacted me regarding the<br />

photographs in edition number<br />

five.<br />

This is what you had to tell me: on page<br />

four the locomotive Douglas during the<br />

second world war had as its driver<br />

Tommy Cannan<br />

and his son was<br />

the fireman. His<br />

brother Alfie was<br />

the station master<br />

at Ballaugh. The<br />

train used to<br />

come out <strong>of</strong><br />

Ramsey each<br />

morning bringing<br />

the alien internees<br />

to the country stations to work on the<br />

farms.<br />

The local lads nicknamed the loco ‘the<br />

doodlebug’. At one time the staff kept a<br />

pet eel in the<br />

water tank which<br />

they would feed<br />

regularly. The fish<br />

presumably got<br />

into the tank<br />

when water was<br />

being taken on.<br />

The straw structure<br />

on page five was a<br />

‘goosenest’ which<br />

was made out <strong>of</strong> twigs tied together at the top<br />

and then thatched. On page six the traction<br />

engine was made by McLaren <strong>of</strong> Leeds (works<br />

number 178 – new in April, 1883) initially<br />

she belonged to<br />

John Corlett <strong>of</strong><br />

Ramsey and then<br />

Daniel Kelly and<br />

Sons <strong>of</strong> Kirk<br />

Michael (later<br />

known as Kelly<br />

Brothers). Two<br />

suggestions have<br />

been given for the<br />

location on is<br />

Moaney Moar at<br />

Cronk-y-Voddy and<br />

the other is the Village Green at Kirk Michael.<br />

This site is now greatly covered by the <strong>Isle</strong> <strong>of</strong><br />

<strong>Man</strong> Bank, the police station and Kerrocruim.<br />

The out building being behind number one,<br />

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2 anxmillennium<br />

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Peter Kelly writes<br />

With its fascinating glimpses <strong>of</strong> the<br />

Island's past, this series <strong>of</strong> <strong>Man</strong>x<br />

Millennium supplements is clearly<br />

capturing the public's imagination as<br />

librarian archivist at <strong>Man</strong>x National Heritage<br />

Roger Sims is discovering.<br />

Roger says: 'This series - now in its sixth issue<br />

- has prompted a most encouraging response<br />

from readers, both in the Island and further<br />

afield. Without doubt the public, indeed<br />

appreciate this opportunity to discover more<br />

about our Island's past through the excellent<br />

selection, chosen by architectural historian<br />

Peter Kelly, <strong>of</strong> photographs from the Library's<br />

archives.'<br />

Peter Kelly is similarly heartened by the<br />

reception <strong>of</strong> the <strong>Man</strong>x Millennium<br />

supplements. He says: 'I am delighted with the<br />

continuing response and encouraging<br />

comments which these photographs have<br />

prompted from readers.'<br />

Roger Sims goes on: 'Naturally, we are grateful<br />

for the archive material which has come to<br />

light so far, but <strong>Man</strong>x National Heritage is still<br />

keen to acquire yet more photographs and<br />

Station Road which was run as a small farm.<br />

One suggestion for the mill on page seven<br />

and that was Milntown but I am not sure<br />

about that one. On page eight, two<br />

readers identified the cottage as<br />

being at the bottom <strong>of</strong> the hill<br />

Glen Maye with W E Quirk’s<br />

house on the hillside. The out<br />

b u i l d i n g s<br />

apparently are no<br />

longer there. For<br />

the agricultural<br />

show on page nine<br />

comes the<br />

suggestion that it is<br />

at Westhill,<br />

Castletown where the<br />

southern shows were held.<br />

The photograph <strong>of</strong> the Point<br />

<strong>of</strong> Ayre lighthouse<br />

was pre-1898 for that is when the<br />

new copper dome was put on.<br />

During recent renovation work a<br />

linseed oil bottle was found which<br />

contained the names <strong>of</strong> all those<br />

who worked on the 1898<br />

alterations.<br />

I was right with the<br />

j a c k d a w<br />

photograph on<br />

page 13. It was<br />

Bradda East and the house in<br />

the distance was Marrowee<br />

which was built as a summer<br />

residence for Mr Pilkington<br />

the glass<br />

manufacturer in<br />

1902. The birds on page 16 were<br />

<strong>Man</strong>x bantams belonging to<br />

Nelson <strong>Man</strong>dell’s father (who was<br />

Nelson <strong>Man</strong>dell?) and won a<br />

poultry show at<br />

Crystal Palace.<br />

The view inside<br />

Ramsey Mart was<br />

most probably the<br />

Christmas Fatstock<br />

show which was attended by<br />

farmers and butchers. There is<br />

a similar photograph in<br />

circulation which I believe<br />

bears the date 1909. The man<br />

with beard and moustache<br />

standing at the rear end <strong>of</strong> the bull is possibly<br />

Dr Sugden. Now the boats on page 21,<br />

against the Battery Pier I have had both<br />

Snaefell (2) and King Orry (2) suggested; the<br />

cinefilm, manuscripts and documents. We<br />

welcome the opportunity to make a<br />

qualitative assessment <strong>of</strong> any material, all <strong>of</strong><br />

which will, <strong>of</strong> course, be treated with the<br />

utmost care, and that which is deemed <strong>of</strong><br />

historical importance can be either deposited<br />

with <strong>Man</strong>x National Heritage or copied then<br />

returned to the owner. The material will be<br />

added to our national image archive.'<br />

Already, a surprising number <strong>of</strong> historically<br />

important photographs and cinefilm has come<br />

to the attention <strong>of</strong> the library, pr<strong>of</strong>fered by<br />

readers <strong>of</strong> these supplements. <strong>Man</strong>x National<br />

Heritage has also been encouraged by the<br />

response to the appeal it made recently for old<br />

photographs and cinefilm <strong>of</strong> Rushen Abbey,<br />

which has unearthed some interesting footage.<br />

Similarly it would be pleased to hear from<br />

anyone with photographs - either <strong>of</strong> the<br />

exterior or interior - <strong>of</strong> the old House <strong>of</strong> Keys<br />

in Castletown.<br />

Roger Sims says: 'Every photograph makes<br />

some contribution to learning more about our<br />

past, and even those which are not <strong>of</strong> prime<br />

archive importance can still provide valuable<br />

background information which helps us<br />

outter boat has general agreement as being<br />

Mona (3). The ship in the foreground has been<br />

identified as the ‘Sarah Blanche’ built in<br />

1891. One caller says she was owned by<br />

Joseph Sharpe,<br />

the Douglas<br />

Coal Merchant<br />

whilst another<br />

says her owners<br />

were Andrew<br />

Knowles and<br />

Sons Limited<br />

c o l l i e r y<br />

proprietors <strong>of</strong><br />

Pendlebury.<br />

She sank at the<br />

mouth <strong>of</strong> the <strong>Man</strong>chester ship canal in<br />

February 1905 but was raised and repaired.<br />

(perhaps this is when Joseph Sharpe brought<br />

her). In 1923<br />

she was sold to<br />

the Ramsey<br />

Steamship<br />

Company and<br />

renamed ‘Ben<br />

Blanche.’ In<br />

December<br />

1933 she was<br />

wrecked on the<br />

South Wales<br />

coast at<br />

Oxwich Point.<br />

All seven <strong>of</strong> the crew were rescued by the<br />

Mumbles lifeboat.<br />

The harvest festival in Atholl Street Chapel,<br />

Peel has the<br />

same format <strong>of</strong><br />

decoration as<br />

was carried out<br />

for many years,<br />

fishing nets on<br />

the balcony<br />

front, ivy on the<br />

columns and<br />

autumn leaves<br />

on the pulpit.<br />

From edition number four, the suggestion has<br />

come forward that the two girls on the bridge<br />

on page three is at the end <strong>of</strong> the postman’s<br />

path at Glen Maye. The cottages on page 22<br />

are indeed opposite sandpit lane but on the<br />

Peel to Poortown Road not the Douglas to<br />

Peel Road. One cottage was occupied by Mrs<br />

Crebbin and the other by Liza Boyde. Thank<br />

you all once again for your help.<br />

So far, so fascinating<br />

acquire a greater historical perspective <strong>of</strong> life<br />

and times in the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> over the last 140<br />

years. And in this edition <strong>of</strong> the <strong>Man</strong>x<br />

Millennium supplement, has been included a<br />

selection <strong>of</strong> photographs which have been<br />

handed in to <strong>Man</strong>x National Heritage in<br />

recent months.<br />

'These supplements, as well as providing a<br />

wonderful insight into times past in the <strong>Isle</strong> <strong>of</strong><br />

<strong>Man</strong>, have also, by extension, alerted a wider<br />

audience to the "treasure house" that is the<br />

<strong>Man</strong>x Museum's library. More people than<br />

ever are using the Reading Room to see more<br />

<strong>of</strong> their village or chosen area. People who,<br />

prior to this project might never have ventured<br />

across our threshold.'<br />

If anyone has material they would care<br />

either to donate or lend to the <strong>Man</strong>x<br />

National Heritage Library, they are<br />

invited to contact librarian archivist<br />

Roger Sims or Wendy Thirkettle at the<br />

<strong>Man</strong>x National Heritage Library, the<br />

<strong>Man</strong>x Museum, Douglas. Telephone<br />

648000.<br />

K C M Y<br />

m<br />

This view should be recognised by all readers. It is <strong>of</strong><br />

course at Silverdale with the mill dam being used as a<br />

boating lake. Through the open doors <strong>of</strong> the mill tables<br />

with white table cloths can be seen. An early case <strong>of</strong> building<br />

recycling or alternative use and what's more its still there and<br />

in use to this day. The cafe which is now used was a purposebuilt<br />

extension <strong>of</strong> around 1910. The fascinating feature at<br />

Silverdale has always been the roundabout, driven by the<br />

waterwheel it was as much fun to operate the controlling lever as<br />

to ride the fine carved hobby horses. Don’t forget, too, the swing<br />

boats where pulling on opposite ropes took the wooden vessel<br />

higher and higher. Countless thousands <strong>of</strong> children have enjoyed<br />

themselves here over the years but <strong>of</strong> recent times we have become<br />

too safety conscious and the swing boats have gone, the occasional<br />

tree root has been covered by rubber matting and a cage has been<br />

placed over the water wheel. Couldn’t wire netting have been placed<br />

under the wooden surround for it would have served the same<br />

purpose and looked a lot better? This view has been printed from a<br />

glass negative recently given to the Museum Library.<br />

(MNH/gift/679)<br />

This scene is a lot quieter than it was<br />

earlier this month for this view shows<br />

the approach to Ballaugh Bridge on<br />

the TT course. It’s hard to imagine the life<br />

<strong>of</strong> the people in these country districts<br />

before the advent <strong>of</strong> the Northern Railway<br />

which opened on 23rd September 1879. Prior<br />

to that farmers with their carts and those<br />

with ponies and traps could travel to<br />

Ramsey and Peel but what about the poor<br />

labourer? He could only walk to these places<br />

but with Sunday his only day <strong>of</strong>f when could<br />

he do it? Up to a few years ago there were<br />

still locals who had never been <strong>of</strong>f the Island<br />

but 150 years ago there must have been<br />

country folk who had never been to Douglas.<br />

How times have changed with people living in<br />

the hills and ayres and yet travelling into<br />

Douglas to work every day. (MNH/pic/3625)<br />

This is probably the most important view in<br />

this edition because it records a one-<strong>of</strong>f<br />

event that took place in 1895 and this is the<br />

only photograph that I know <strong>of</strong> it. The title on the<br />

lantern slide ‘Skating at Pulrose’ although I<br />

rather feel it is more likely to be the grounds <strong>of</strong><br />

Kirby. It was as a result <strong>of</strong> the Great Snow and<br />

18 degrees <strong>of</strong> frost that followed that skating was<br />

possible at Kirby for about half a mile as far as<br />

Kirk Braddan. The ice was between four and five<br />

inches thick. Mr George Drinkwater arranged to<br />

have the surface flooded every night so as to<br />

provide a clear surface <strong>of</strong> ice each morning. A<br />

roadway was cut through the snow at<br />

Quarterbridge to help people gain access instead <strong>of</strong><br />

having to wade through deep snow. Some <strong>of</strong> the<br />

estate workers were engaged in sweeping the ice and<br />

putting out seats and benches. Refreshments in the<br />

form <strong>of</strong> hot drinks were served by Mrs George<br />

Drinkwater who had sent out invitations to a large<br />

company <strong>of</strong> ladies and gentleman who came to skate<br />

each day. There were several good skaters including<br />

Mr Drinkwater, Father Miller and Father Walsh<br />

curate and parish priest <strong>of</strong> St Mary’s Douglas<br />

respectively. What I find remarkable is the fact that<br />

as this was a one-<strong>of</strong>f event where did all the skates<br />

come from? Did people have them just in case or did<br />

somebody do a roaring trade. Can you imagine years<br />

later a wife saying to her husband: “I don’t know why<br />

you hang on to these skates, you haven’t used them<br />

since 1895!” (MNH/pic/807)


m<br />

22 anxmillennium<br />

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The setting is King William’s College in front <strong>of</strong> the attractive half timbered<br />

cricket pavilion. In the foreground a circle <strong>of</strong> scouts but unfortunately its<br />

not possible to establish who the <strong>of</strong>ficials are on the terraced seating. The<br />

scout troop at King William’s College was believed to have been founded<br />

un<strong>of</strong>ficially by pupil Elgie Jefferson <strong>of</strong> Ballahot around 1908 but in January 1910<br />

the <strong>of</strong>ficial 1st King William’s College troop was founded under the leadership <strong>of</strong><br />

scoutmaster L. T. Watkins. The numbers soon grew to 50 which although large<br />

could not compare with the 80 in the 1st Douglas. Sir Robert Baden-Powell visited<br />

the Island in April 1911; he inspected the troops at Government House on Saturday<br />

afternoon then addressed them at the Gaiety Theatre in the evening. The following<br />

day he attended morning service at King William’s College Chapel and afterwards he<br />

addressed the scouts in the gymnasium. What a pity this lantern slide <strong>of</strong> Canon<br />

Stenning’s wasn’t <strong>of</strong> B-P’s visit. King William’s is believed to be the first public school<br />

scout troop to be formed in the world. B-P, in his chat with the boys, he appealed to the<br />

older lads to come forward in the future as scoutmasters. The need then was as great<br />

as it is now. It is interesting to note that the number <strong>of</strong> scouts, cubs and beavers has this<br />

year increased and in several cases there are waiting lists but without leaders and<br />

helpers the lads may lose their chance <strong>of</strong> gaining something <strong>of</strong> the experience that many<br />

will look back on with pride. The late T. H. Colebourn attributed his success in business<br />

to the principles <strong>of</strong> scouting and quoted Baden-Powell’s maxim “to leave our world a<br />

little better than we found it”. (MNH/pic/1796)<br />

Here is a lantern slide<br />

that causes me to think<br />

hard about the harsh<br />

realities <strong>of</strong> life. Canon<br />

Stenning has captured<br />

students at King William’s<br />

College taking part in<br />

bayonet practice probably on<br />

the strip <strong>of</strong> land running<br />

parallel to the road to<br />

Derbyhaven. In the<br />

background is the College<br />

sanatorium which would now<br />

be on the airfield at <strong>Isle</strong> <strong>of</strong><br />

<strong>Man</strong> (Ronaldsway) Airport<br />

(let’s use the proper title).<br />

What strikes me about this<br />

picture is the fact that here<br />

the boys are charging a sack<br />

hanging from a pole. A few<br />

months later it was for real<br />

with young German soldiers<br />

as the target. When the Great<br />

War broke out there were 104<br />

cadets in the college OTC.<br />

They had been in camp at<br />

Aldershot in July <strong>of</strong> 1914 and<br />

on the way back to the Island<br />

two cadets ‘joined up’ at<br />

Liverpool. During the war 45<br />

former members <strong>of</strong> the corps<br />

were killed and a further 45<br />

wounded. Between them they<br />

earned the following awards:<br />

seven DSO’s, two DSC’s, 25<br />

MC’s, two Croix de Guerre,<br />

three MM’s and three DCM’s.<br />

Look again at the photograph<br />

<strong>of</strong> these young lads whose life<br />

was not yet run and think what<br />

they gave for us.<br />

(MNH/pic/1770)<br />

This lantern slide<br />

was given to the<br />

<strong>Man</strong>x Museum<br />

library by L. V. Gill and<br />

bears the title “Jane<br />

Quill’s Cottage, Colby”.<br />

Notice how the cottage<br />

has been extended to<br />

the left and to the right.<br />

Both extensions are not<br />

the full height <strong>of</strong> the<br />

thatched cottage which<br />

might have suffered a<br />

little from down<br />

draught for the right<br />

hand chimney stack has<br />

been raised in brick<br />

work. Is that Jane Quill<br />

at the door? The cottage<br />

was located on the main<br />

road and I wonder if it<br />

was just before the<br />

Colby Glen Hotel – do<br />

you<br />

know?<br />

(MNH/pic/3477)<br />

Here we are in the<br />

centre <strong>of</strong> the universe –<br />

Onchan. Before us lies<br />

Church Road or to give its<br />

local name The Butt which is<br />

believed to be on account <strong>of</strong><br />

the water butts that once<br />

stood at the top <strong>of</strong> the hill. On<br />

the left is Molly Carrooin’s<br />

cottage, the home <strong>of</strong> the<br />

village washerwoman. Across<br />

the road is Faragher’s<br />

blacksmithy but in this view it<br />

is being used by Mr Kelly the<br />

joiner. On the bushes washing<br />

has been placed to dry in the<br />

sunshine. Beneath the smithy<br />

yard are two cottages built by<br />

Leece Skillicorn and beyond<br />

that the old parochial school<br />

which was replaced in 1876 by<br />

the present Onchan school. In<br />

the background St Peter’s<br />

church <strong>of</strong> 1833. It was in the<br />

previous parish church that<br />

Captain Bligh, then a young<br />

lieutenant, married Elizabeth<br />

Betham <strong>of</strong> The Hague Farm in<br />

Onchan. (MNH/pic/3469)


m<br />

4 anxmillennium<br />

manx illennium<br />

21<br />

m<br />

This photograph is taken from a glass plate<br />

negative which has been given to the <strong>Man</strong>x<br />

Museum by a reader following the start <strong>of</strong> this<br />

series <strong>of</strong> views from the vast collection held in the<br />

library archive. It shows the washing floor at Laxey<br />

which is now the Valley Gardens. On the skyline to<br />

the left is the school which was replaced by the<br />

present Laxey school in the mid 1920’s to the designs<br />

<strong>of</strong> J. Mitchell Bottomley who designed other <strong>Man</strong>x<br />

schools including Murray’s Road, St Ninian’s High<br />

School and Four Roads School at Rushen. There does<br />

not appear to be any electric railway to Ramsey in this<br />

photograph. The washing floors just fell into disrepair<br />

after the mines closed but in the post-war years a<br />

scheme was prepared to improve the scar on the<br />

landscape. Douglas Calder the architect/planning<br />

<strong>of</strong>ficer <strong>of</strong> the LGB drew up a scheme <strong>of</strong> hard landscaping<br />

using what was left <strong>of</strong> walls and features. In this<br />

photograph a ladder leans against a tower <strong>of</strong> masonry<br />

which was supporting a leat. Now it, and its twin on the<br />

other side <strong>of</strong> the river, have concrete crowns. Other<br />

areas have been paved, a compass set in stone, concrete<br />

balls placed on divisions between the shoots and a war<br />

memorial created. (MNH/gift/679)<br />

Also from the Canon Stenning collection<br />

comes this view <strong>of</strong> the OTC presumably in<br />

camp. Behind the boys and on the<br />

extreme right can just be seen bell tents but<br />

these did not belong to the TC. This view is<br />

taken from what became the Howstrake<br />

Holiday Camp. The land and the first<br />

corrugated buildings were all part <strong>of</strong><br />

Lagbirragh Park or Howstrake Park which<br />

opened on 1st July 1895 but only ran for two<br />

seasons. Mr. Cunningham who claims to have<br />

established his holiday camp business in 1887<br />

took a lease <strong>of</strong> the land. Jill Drower his<br />

granddaughter in her book ‘Good Clean Fun’ tells<br />

us how he used to bring parties <strong>of</strong> Liverpool<br />

youths to Laxey. Of recent times it has come to<br />

light that he was renting land from Douglas<br />

Corporation Water Works down in the Groudle<br />

Valley close to the old mill. Moving onto the hill<br />

had the advantages <strong>of</strong> buildings insitu, an<br />

impressive entrance from King Edward Road and<br />

being closer to the Electric Railway. The season<br />

<strong>of</strong> 1903 saw one disastrous morning when the wind<br />

tore to shreds no fewer than 65 tents. The<br />

following year he opened up in Douglas at Little<br />

Switzerland. (MNH/pic/1769)<br />

Here we have a view taken from a magic lantern<br />

slide which shows a boat being unloaded at Port St<br />

Mary. The horses and carts are lined up but we<br />

cannot see what they are about to have placed in them. It<br />

looks too clean for coal yet that is what you would expect<br />

in the large bucket. I have selected this view for a reason;<br />

there was a print produced <strong>of</strong> a painting by J. Aitken<br />

showing boats tied along the breakwater at Port St Mary.<br />

They were not steam coasters like this but they have a man<br />

with a bent back like the man in this picture. It is a while<br />

since I have seen these prints but I seem to remember that he<br />

always looked too tall for the painting. (MNH/pic/805)<br />

Back to Peel for this view <strong>of</strong> Peel by G. B.<br />

Cowen the Ramsey photographer. In the<br />

foreground the road bridge connects with<br />

the quay side leading to the castle; notice the<br />

makeshift stone wall at the end <strong>of</strong> the railings<br />

on the left. There is no roadway running on the<br />

harbour side <strong>of</strong> the railway station at this time,<br />

access was via Mill Road. The railway station<br />

building was built in 1907-1908 to the designs <strong>of</strong><br />

Harry Cowle (son <strong>of</strong> James Cowle architect and<br />

builder <strong>of</strong> Douglas). It was in an arts and crafts<br />

style <strong>of</strong> rough cast walls with half timbering,<br />

sandstone dressings and the distinctive feature<br />

<strong>of</strong> a red rosemary tiled ro<strong>of</strong>. This was replaced<br />

with artificial slate during the time the station<br />

became the Fisherman’s Association<br />

Headquarters. The tower to St Peter’s Church<br />

stands above the collection <strong>of</strong> warehouses and<br />

dwellings that go to make up the old part <strong>of</strong> the<br />

town. This slide was a gift to the <strong>Man</strong>x Museum<br />

Library in 1960 by D. Craine (MNH/pic/3604)<br />

Following on from the<br />

picture <strong>of</strong> the Royal<br />

Navy Reserve in<br />

edition number 5, here we<br />

have another view <strong>of</strong> them on<br />

Peel beach. In the background<br />

the breakwater is being<br />

extended by the use <strong>of</strong> Hercules<br />

the giant crane that had<br />

previously been used on the<br />

extension <strong>of</strong> the Victoria Pier in<br />

Douglas. It was taken to pieces<br />

and shipped to Peel where it was<br />

re-erected but I don’t know what<br />

happened to it afterwards.<br />

(MNH/pic/795)<br />

Up on the ro<strong>of</strong> but which ro<strong>of</strong> sat<br />

behind a castellated parapet? This<br />

view was taken by Eidran Paris and<br />

the label says Bishop’s Court Tower. I have<br />

to admit that I have never been on the ro<strong>of</strong><br />

<strong>of</strong> the Tower nor any other part <strong>of</strong> the ro<strong>of</strong> <strong>of</strong><br />

Bishop’s Court so I cannot confirm the title.<br />

It is interesting to see the chimney pots on<br />

the chimney stacks which have been designed<br />

to look like part <strong>of</strong> the castellation (rather like<br />

the chimney on St Luke’s, Baldwin made into a<br />

cross.) What a combination <strong>of</strong> ro<strong>of</strong>s we have<br />

here and look how there is an inner section <strong>of</strong><br />

castellation between the ro<strong>of</strong>s. The original<br />

Orry Tower was castellated then Bishop Crigan<br />

took that military look away and turned the<br />

tower into a Queen Anne style house. Bishop<br />

Murray put the battlements back on the tower<br />

and all around the rest <strong>of</strong> the building. A study<br />

was made by the late Robert Curphey, a fine<br />

historian with a detective stroke in his work and<br />

published in the <strong>Man</strong>x Museum Journal <strong>of</strong> 1976<br />

but there is room for this to be taken further.<br />

(MNH/pic/3522)


20<br />

m<br />

anxmillennium<br />

m<br />

anxmillennium<br />

5<br />

The year is 1895 and we are looking at<br />

another view <strong>of</strong> the Great Snow, this time in<br />

Parliament Street, Ramsey. In the distance<br />

the rear <strong>of</strong> the Saddle Hotel on the ground floor<br />

shops were occupied for many years by W. H.<br />

Looney. The trees behind the railings are in<br />

front <strong>of</strong> the Ramsey courthouse while the tall<br />

building opposite was the premises <strong>of</strong> the <strong>Isle</strong><br />

<strong>of</strong> <strong>Man</strong> Banking Company. <strong>Man</strong>y years later<br />

they pulled down the two shops alongside and<br />

erected new premises. The old one was for<br />

many years a showroom for the gas company<br />

but <strong>of</strong> recent times it has been a wine<br />

merchants. Notice how one shop is apparently<br />

boarded up on the left hand <strong>of</strong> the street. On the<br />

right a familiar group <strong>of</strong> shops. What is now<br />

Anderson’s Chemist at number 17 was the first<br />

<strong>of</strong>fice <strong>of</strong> Holme’s Bank <strong>of</strong> which Mr William<br />

Callister was the Ramsey representative before<br />

later becoming one <strong>of</strong> the prime movers and<br />

first director <strong>of</strong> the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> Banking<br />

Company Limited. This slide was donated to the<br />

library in June 1953 by Mr Sam Bennett <strong>of</strong><br />

Queen’s Pier Road. (MNH/pic/3517)<br />

Two well known figures in the foreground,<br />

Major Stenning (better known as Canon<br />

Stenning) and Archdeacon Kewley. The<br />

question is whether the Archdeacon is wearing a<br />

sprig <strong>of</strong> St John’s Wort as once worn by all MHK’s<br />

around the brim <strong>of</strong> their hats or is he wearing<br />

Mugwort (Bollan Bane) as has wrongly become<br />

the habit <strong>of</strong> recent times. Behind them are<br />

members <strong>of</strong> King William’s College OTC. Canon<br />

Stenning was Second-Lieutenant when the corps<br />

was founded in 1911. During the period 1915-1916 he<br />

served as an instructor at Blandford and finally at<br />

the end <strong>of</strong> the First World War he was demobilising<br />

<strong>of</strong>ficer at Chelsea. During the war he held the rank<br />

<strong>of</strong> Captain and became a Major in 1925. In 1931 he<br />

was awarded the Territorial Decoration (TD) by His<br />

Majesty the King. The College Corps was the only<br />

armed force on the Island during peace times and<br />

was therefore used for ceremonial duties such as<br />

Tynwald Day which shows in this magic lantern<br />

slide. (MNH/pic/1756)<br />

Flash, bang, wallop what a picture – an<br />

air ship at King William’s College.<br />

This lantern slide was produced by<br />

Flatters and Garnet Ltd <strong>of</strong> Oxford Street,<br />

<strong>Man</strong>chester and was part <strong>of</strong> the collection<br />

<strong>of</strong> slides owned by the late Canon<br />

Stenning. The King William’s College<br />

centenary publication advises that during<br />

the First World War the Officers’ Training<br />

Corps supplied parties to assist at the<br />

landing <strong>of</strong> Naval airships on the college<br />

field. The same publication contains a view<br />

<strong>of</strong> the College taken from the air out <strong>of</strong> a<br />

naval ship in 1918. Whether this view is <strong>of</strong><br />

the 1918 visit or an earlier one I cannot tell.<br />

I have been told that the SS Airship was 165<br />

feet long, powered by a Rolls-Royce Hawk<br />

engine with a maximum speed <strong>of</strong> 57.5mph a<br />

cruising speed <strong>of</strong> 42.6mph an endurance <strong>of</strong> 30<br />

hours and a crew <strong>of</strong> four. (MNH/pic/1742)<br />

Here is a chance for you to get your<br />

thinking cap on. This is a glass negative<br />

which has recently been given to the<br />

<strong>Man</strong>x Museum library. I could not place it<br />

when I viewed it as a negative and I still don’t<br />

know. The way the ro<strong>of</strong> to the bay window had<br />

been executed separate from the main ro<strong>of</strong> is<br />

the sort <strong>of</strong> thing that George Kay the architect<br />

did and examples can be found in both Ramsey<br />

and the south <strong>of</strong> the Island where he did a lot <strong>of</strong><br />

work. At first I thought it may be the rear <strong>of</strong><br />

Waterloo Road on the left <strong>of</strong> the picture but the<br />

old house on the right didn’t fit in. Then I<br />

looked at the stone on the left hand gable <strong>of</strong> the<br />

house in the foreground and came to the<br />

conclusion that it was square blocked limestone<br />

which points towards Castletown or Port St<br />

Mary. To the right there appears to be a post<br />

and wire fence running parallel with the stone<br />

wall suggesting a footpath. By now the land on<br />

either side <strong>of</strong> the house may be built upon but<br />

where is it? (MNH/gift/679)


6<br />

m<br />

anxmillennium<br />

m<br />

anxmillennium<br />

19<br />

Another example <strong>of</strong> why the summers were<br />

so much hotter in great grandmother’s day.<br />

Fully clothed in black they sat on the beach.<br />

In the background the shops at the bottom <strong>of</strong><br />

Broadway <strong>of</strong>fering haircuts, shaving and<br />

photographs. Behind, the gable <strong>of</strong> the first house in<br />

Clarence Terrace supports a huge advertisement<br />

for Maxwell’s boarding house. The bunting and the<br />

flags on the lampstandards makes me wonder if this<br />

was at the time <strong>of</strong> the 1902 Coronation parade. Here<br />

is a real chance to study the clothing, not to mention<br />

the pram <strong>of</strong> the turn <strong>of</strong> the last century.<br />

(MNH /pic/817)<br />

Amove to Ramsey and<br />

South Shore and that<br />

corner known as “the<br />

nigger beach” on account <strong>of</strong> the<br />

blacked up minstrels. Another<br />

pram <strong>of</strong> the cart variety in the<br />

foreground between the two<br />

girls. The most interesting<br />

thing to me is the inclusion <strong>of</strong> a<br />

harp between the banjos. Later<br />

a small stage with cover was<br />

provided for the minstrels.<br />

(MNH/pic/818)<br />

To change the time scale a<br />

little I have selected this<br />

view in 1951 and entered in<br />

the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> Publicity Board<br />

annual photograph competition<br />

by E. Eivrys Jones <strong>of</strong> Old<br />

Colwyn. It was entitled<br />

‘Whitewashed Farm’ and was<br />

taken <strong>of</strong>f the road from St John’s<br />

to Glen Helen. Can you identify<br />

the farm and how about the man?<br />

(MNH/pic/3455)<br />

Ramsey during the Great Snow <strong>of</strong><br />

1895 is a magic lantern slide given<br />

to the <strong>Man</strong>x Museum in 1957 by Sam<br />

Bennet <strong>of</strong> Ramsey. The snow is the<br />

greatest the Island had known, within a 24<br />

hour period as many inches <strong>of</strong> snow fell<br />

and then during the night the wind got up<br />

causing deep drifts which imprisoned<br />

people in their houses across the<br />

countryside. The view shows Waterloo<br />

Road which was laid out following a report<br />

recommending its construction which was<br />

written in 1835. On the right is Waterloo<br />

Road Chapel which was built for the<br />

Wesleyan Methodists during 1845. The first<br />

service was held on Tynwald Day in 1846<br />

with preachers from Londonderry,<br />

Congleton and Dublin as well as from the<br />

nearby Scotch Church which is now<br />

Quayle’s Hall. On the left is ’The Britannia’<br />

which was built in 1847 for Dr Clucas and<br />

remained a doctor’s house until 1909 when it<br />

was licensed in the name <strong>of</strong> John Nelson. It<br />

was extended on the Peel Street side to<br />

provide extra dining room accommodation.<br />

(MNH/pic/3437)<br />

Another view taken during the Great Snow<br />

<strong>of</strong> 1895; this shows soldiers from the<br />

barracks at Castletown engaged in<br />

digging a clear route from Castletown to<br />

Malew church. The glass slide was from the<br />

collection <strong>of</strong> Canon Spicer and was given to the<br />

<strong>Man</strong>x Museum library in 1952. A contemporary<br />

account <strong>of</strong> the snow tells that the whole <strong>of</strong> the<br />

Southern Railway line from Douglas to Port<br />

Erin was closed as the cuttings were deep and<br />

so full <strong>of</strong> snow that clearing them was an<br />

impossibility. Between Ballasalla and<br />

Castletown the drifts were 14 feet high.<br />

(MNH/pic/3454)


18<br />

m<br />

anxmillennium<br />

m<br />

anxmillennium<br />

7<br />

Two females on a bridge and it<br />

just has to be a G. B. Cowen<br />

photograph. The title to this<br />

magic lantern slide is ‘Teasing’<br />

presumably because one girl<br />

would not let the other cross the<br />

makeshift bridge over the mill<br />

race. The slide also has the words<br />

‘Glenfaba’ written on it. Can any<br />

reader pinpoint the exact spot<br />

where the photograph was taken?<br />

(MNH/pic/3578)<br />

If you have not seen a similar<br />

view to this before then you<br />

may find it a little strange. It<br />

is Laxey but look no harbour wall<br />

and no boat park. In the centre <strong>of</strong><br />

the picture the old bridge and in<br />

the foreground the area where<br />

the Laxey fair used to be held.<br />

Notice the writing on the ro<strong>of</strong> <strong>of</strong><br />

the Shore Hotel advertising as to<br />

the name <strong>of</strong> the hotel and the fact<br />

it is on Laxey beach. The Laxey<br />

River is guided between the two<br />

stone walls as it enters into the<br />

harbour. <strong>Man</strong>y know that lead ore<br />

was exported from here having<br />

come out <strong>of</strong> the Laxey mines but<br />

one automatically thinks <strong>of</strong> Laxey<br />

as it is now with quay sides which<br />

would be ideal as a platform from<br />

which to load the ships. It’s worth a<br />

trip to Laxey to see which <strong>of</strong> these<br />

buildings still stand. This<br />

photograph was donated to the<br />

<strong>Man</strong>x Museum library several<br />

years ago by L. V. Gill.<br />

(MNH/pic/3485)<br />

From the 1951<br />

Publicity<br />

B o a r d<br />

p h o t o g r a p h<br />

competition comes<br />

this lantern slide<br />

view taken in Peel.<br />

The narrow street is<br />

lined with traditional<br />

cottages and a small<br />

shop is in the centre<br />

<strong>of</strong> the picture. Are<br />

you the baby or the<br />

young girl or do you<br />

know who they are?<br />

(MNH/pic/3462)<br />

Another magic lantern slide given by<br />

L. V. Gill which shows the market<br />

place in Ramsey from the quay side.<br />

Unusually there are no fish spread out on<br />

the ground for sale. On the ship there are<br />

trees cut out into poles but has the ship just<br />

arrived or is it about to sail? St Paul’s<br />

Church stands at the top <strong>of</strong> the square<br />

which was once a natural harbour. On the<br />

right is the Saddle Hotel, designed by J.T.<br />

Boyde the Ramsey architect who many years<br />

previously had worked in partnership with<br />

his brother as joiners. St Paul’s Church is<br />

easily recognisable even without the entrance<br />

porch <strong>of</strong> the 1920’s the church was originally a<br />

simple rectangular building but growing<br />

congregations necessitated enlargement. The<br />

north and south trancepts which cross the<br />

main building at right angles were added in<br />

1844. The Royal Oak on the left was originally a<br />

public house until the 1850s and then became<br />

dining rooms with their famous shilling<br />

dinners. (MNH/pic/3481)<br />

Douglas Head Railway<br />

it says on the head<br />

board on the car <strong>of</strong> the<br />

inclined railway. It was a<br />

case <strong>of</strong> one car up and one<br />

car down, the second car<br />

appears just on the right<br />

hand edge <strong>of</strong> the picture. The<br />

railway was the idea <strong>of</strong><br />

Richard Maltby Broadbent<br />

who in 1893 was the<br />

entrepreneur <strong>of</strong> Groudle Glen<br />

and later the miniature<br />

railway through the glen. In<br />

1899 he promoted the idea <strong>of</strong><br />

his short railway to take some<br />

<strong>of</strong> the thousands <strong>of</strong> visitors to<br />

Douglas Head after they had<br />

crossed the harbour on the<br />

steam ferry and then ascended<br />

to the various amusement<br />

stalls. Mr Broadbent lost out in<br />

the Dumbell’s bank crash <strong>of</strong><br />

1900, he had to part with his<br />

Baillie Scott designed house,<br />

Ivydene, at Little Switzerland,<br />

but he managed to hang on to<br />

the Douglas Head Railway.<br />

(MNH/pic/843)


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17<br />

Would you know where this is?<br />

The note on the side <strong>of</strong> the<br />

lantern slide says “St Patrick’s<br />

Well”. If it is, then you will find it on<br />

Peel Hill. ‘The Illustrated<br />

Encyclopedia <strong>of</strong> the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong>’ states<br />

“also known as the Silver Well, it is on<br />

the western slope <strong>of</strong> the hill, North<br />

West <strong>of</strong> Corrin’s Tower. Tradition says<br />

that when St Patrick landed on a silver<br />

shod horse one <strong>of</strong> its shoes was caught<br />

and wrenched <strong>of</strong>f in the rock and a<br />

spring <strong>of</strong> water gushed out to form a<br />

well”. The young girl holds a bunch <strong>of</strong><br />

reeds in one hand but is she dropping<br />

something into the well with the other?<br />

(MNH/pic/3568)<br />

Another glass negative given<br />

to the <strong>Man</strong>x Museum<br />

library following the start<br />

<strong>of</strong> this series shows an<br />

agricultural show at The Nunnery.<br />

Above the trees can be seen the<br />

boarding houses in Belmont Terrace<br />

and to the left <strong>of</strong> this are the various<br />

huts on the allotments where<br />

Hillside Avenue was later to be built.<br />

(MNH/gift/679)<br />

Why on earth did J. W. Birch <strong>of</strong><br />

Bristol photograph the Peel<br />

Brickworks in the early 1950s?<br />

The reason doesn’t matter but the<br />

important thing is that he did for now<br />

we have a record <strong>of</strong> something that is<br />

no longer there. The brick kilns are set<br />

within a steel framed shelter with<br />

corrugated asbestos sheeting. I rather<br />

think that the plans were drawn up by T.<br />

H. Kennaugh the architect as he did<br />

work for Peel and Glenfaba brickworks<br />

and <strong>of</strong> Gellings Foundry in Douglas as<br />

they were all in the same ownership. In<br />

the background are the herring houses<br />

and the small chimney on the skyline<br />

belongs to the gasworks. It was linked to<br />

the plant in the valley below by a<br />

stoneclad pipe set at ground level on the<br />

steep embankment between them. In the<br />

foreground the Douglas to Peel railway<br />

line. (MNH/pic/3423)<br />

G. B. Cowen was the<br />

photographer <strong>of</strong> this<br />

photograph entitled ‘Glory<br />

Quayle’. She was a character in Hall<br />

Caine’s novel “The <strong>Man</strong>xman” and I<br />

rather think that there is an image<br />

<strong>of</strong> her in the Archibald Knox<br />

designed headstone <strong>of</strong> Hall Caine in<br />

Maughold churchyard. Who was<br />

Cowen’s model and how did he achieve<br />

the cloud effect in this very artistic<br />

view? (MNH/pic/809)


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9<br />

One <strong>of</strong> the most<br />

recent views to be<br />

used in this series<br />

is a view <strong>of</strong> Peel power<br />

station taken by J. W.<br />

Birch <strong>of</strong> Bristol around<br />

1952. Peel Hill is in the<br />

background with the<br />

power station workers’<br />

bungalows overlooking<br />

the River Neb and set<br />

between the power station<br />

and the oil tanks in this<br />

view. The power station<br />

became redundant when<br />

the new building was<br />

erected, in fact a<br />

condition <strong>of</strong> the planning<br />

approval for the new<br />

power station was that the<br />

old one should be pulled<br />

down when redundant.<br />

What happened? It wasn’t<br />

pulled down but instead a<br />

planning application was<br />

made to reclad it –<br />

whatever did we do before<br />

there was such a thing as<br />

a planning process?<br />

(MNH/pic/3422)<br />

At first glance a ship<br />

launch, chimneys in<br />

the background it<br />

must be Ramsey but look<br />

again. On the skyline<br />

there are terraces <strong>of</strong><br />

houses for this is Peel.<br />

Sections <strong>of</strong> wooden railing<br />

have been removed and<br />

large sections <strong>of</strong> timber<br />

laid to create a launching<br />

slipway down into the<br />

River Neb. The tall<br />

chimney on the right<br />

belongs to the brickworks<br />

which was founded in 1885<br />

to coincide with the erection<br />

<strong>of</strong> new guest houses and<br />

hotels in the Marine Parade.<br />

Ironically in order to build<br />

the brickyard bricks had to<br />

be imported and arrived on<br />

the ‘Importer’ under Captain<br />

Nelson in June 1885 having<br />

sailed from Dalbeatie. The<br />

chimney was 91 feet high and<br />

I wonder if it had the same<br />

outcry as the MEA chimney<br />

just over 100 years later. This<br />

view is one <strong>of</strong> a group <strong>of</strong><br />

glass negatives given to the<br />

Museum <strong>of</strong> recent and are<br />

classified as being dated 1911-<br />

1912, does this help identify<br />

which ship is being launched?<br />

(MNH/gift/679)<br />

Presumably there is a tale to this<br />

photograph – why does the old lady<br />

appear to be crying? Has the young<br />

lad cut his knee? The location is Peel and<br />

ironically the stone wall was taken down and<br />

replaced by the railings. Of more recent<br />

years a stone wall has been built to replace<br />

the railings and keep the sand and tide at<br />

bay. The photograph was taken by Mr<br />

Henderson, Photographer Royal, and it<br />

shows his grandson William Gray and his<br />

mother Mrs T. I. Gray beside him. The older<br />

lady is her mother, Mrs A. L. Henderson, wife<br />

<strong>of</strong> the photographer. (MNH/pic/831)<br />

Port Skillion below Douglas Head<br />

lighthouse is the location <strong>of</strong> this close<br />

up view whereas most views <strong>of</strong> the<br />

baths are taken from a distance to show the<br />

general lie <strong>of</strong> the land. The baths were the<br />

promotion <strong>of</strong> Mr Archer who had walls built<br />

across the little creek which trapped the tide<br />

when it came in. The next high tide cleared<br />

out the pool and left a fresh supply <strong>of</strong> sea<br />

water for bathers. To start with the baths<br />

were a male only affair and the lads got<br />

changed behind the rocks. Later dressing<br />

cubicles were built and then these were made<br />

two storey when the baths had become used by<br />

mixed sexes. Notice the railings to the right to<br />

keep users away from the rock edge and notice<br />

also the markers to tell the depth <strong>of</strong> the pool in<br />

various places. Open air baths like his cropped<br />

up around the Island; Peel, Port Erin, Ramsey,<br />

Perwick Bay and one was proposed for Fort<br />

Island. (MNH/pic/816)<br />

Is the young lady shy <strong>of</strong> the camera as she<br />

looks away yet still holding on to the young<br />

lad? Notice the rear legs <strong>of</strong> the bench<br />

stepping down behind the raised concrete<br />

plinth on which it stands – not much use for<br />

anywhere else. Across the road there are two<br />

steps up from the road to the pavement. In the<br />

background the guest houses are no more than<br />

25 years old. Some <strong>of</strong> the house names are still<br />

with us, others have been changed or lost due to<br />

amalgamation. The plots were sold subject to<br />

covenants, firstly the plans had to be approved by<br />

Christopher Obree Ellison the architectural<br />

engineer <strong>of</strong> Liverpool whose scheme was finally<br />

selected in the construction <strong>of</strong> Loch Parade. The<br />

window sills and heads, together with the string<br />

courses had to run in line and the properties had to<br />

be stone coloured. Stone comes in many colours<br />

and for several years the Villiers Hotel was painted<br />

in terracotta (sandstone?). (MNH/pic/829)


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15<br />

This magic lantern slide was once in the<br />

possession <strong>of</strong> Canon Spicer <strong>of</strong> Malew who died<br />

in 1919. The slide was one <strong>of</strong> many given to the<br />

<strong>Man</strong>x Museum by Mrs Riggall in 1951. The title on<br />

the slide is Hango Hill Farm although the property<br />

in the foreground was more commonly known as<br />

Mother Sch<strong>of</strong>ield’s Cottage and was demolished in<br />

1911. Note the thatched cottage behind it. Next<br />

comes a stackyard and then another complex <strong>of</strong><br />

thatched buildings and a tall building, Ballagilley<br />

but known as the Big Cellar on account <strong>of</strong> the cellar<br />

under the building. The properties belonged to King<br />

William’s College (The Big Cellar since 1933) and<br />

between Mother Sch<strong>of</strong>ield’s at Hango Hill they<br />

erected their indoor rifle range in a corrugated iron<br />

building. (MNH/pic/3429)<br />

One could be tempted to say it hasn’t changed<br />

but it has. This lantern slide is one <strong>of</strong> those<br />

given years ago by Mrs Riggall and came<br />

from Canon Spicer’s collection. On the left is the<br />

George Hotel with planters outside the front door.<br />

There is also planting on the balcony and at the top<br />

<strong>of</strong> the flat ro<strong>of</strong>s to the bay windows. Between the <strong>Isle</strong><br />

<strong>of</strong> <strong>Man</strong> Bank and the Barracks is a yard into which<br />

the Lloyds TSB building was erected within the past<br />

quarter <strong>of</strong> a century. Notice the tree planting on<br />

either side <strong>of</strong> the square in the roadway rather than<br />

in the footpath. On the right is the building which is<br />

now Barclays Bank but was built as an assembly room<br />

on the first floor with an open butcher’s market (or<br />

shambles) on the ground floor with all the arches<br />

extending to the ground level as a series <strong>of</strong> arcading.<br />

In the centre <strong>of</strong> the picture the building that<br />

successfully links Malew Street and Arbory Street.<br />

<strong>Man</strong>y will recall this as Collister’s grocers and tea<br />

stores. Note the traditional form <strong>of</strong> concrete pavements<br />

and macadam streets – no paving blocks and imitation<br />

cobble stones, and no bollards! (MNH/pic/3433).<br />

This view has been taken from a<br />

glass negative which has<br />

recently been given to the<br />

<strong>Man</strong>x Museum library to add to its<br />

vast treasurehouse <strong>of</strong> images <strong>of</strong> the<br />

Island since photography began.<br />

The inscription scratched onto the<br />

negative not only tells us the year<br />

but also the fact that the hulk <strong>of</strong> a<br />

ship berthed alongside the North<br />

Quay was a convict ship. She didn’t<br />

hold convicts here in Douglas but she<br />

had been used as a prison ship in<br />

Melbourne Harbour in 1853. She was<br />

called ‘Success’ and she was fitted out<br />

as an exhibition <strong>of</strong> her use with figures<br />

in irons and exhibition pieces such as<br />

the cat-o-nine -tails, sample cells, etc.<br />

She arrived at Douglas in 1911 and was<br />

set up with large advertising boards<br />

saying that she was the “World’s most<br />

remarkable vessel” . . . “visited by<br />

royalty”. From 1922 she toured America<br />

but was eventually destroyed by fire in<br />

1946 – 106 years old. (MNH/gift/679)<br />

Another G. B. Cowen view and another<br />

recent gift. This time it is a magic lantern<br />

slide and it bears the title “Two girls on the<br />

Claddagh Road”. It is a view I have seen before and<br />

shows Cronk Sumark in the background. A pair <strong>of</strong><br />

thatched cottages nearer to the camera were<br />

occupied by Jim Corlett on the left and Billy Pie on<br />

the right I rather think there was a fire in Jim’s<br />

house but perhaps there is a reader who can tell<br />

exactly what happened. (MNH/gift/679)<br />

Another recent gift <strong>of</strong> a<br />

photographic negative and again<br />

taken in 1912 showing the end <strong>of</strong><br />

the Victoria Pier. I have included this<br />

view because <strong>of</strong> what was on the end <strong>of</strong><br />

the pier. A step ladder lies against a<br />

navigational light. I wonder if the metal<br />

lattice work alongside was some form <strong>of</strong><br />

signalling to tell captains <strong>of</strong> approaching<br />

ships which side <strong>of</strong> the pier they were to<br />

head for berthing? The piece <strong>of</strong> equipment<br />

that tricked me is between the stepladder<br />

and the sign by the railings – a megaphone<br />

on a stand . . . “Come in Ben-my-Chree your<br />

time is up!” (MNH/gift/679)


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11<br />

The first plane to arrive<br />

in the Island came by<br />

boat, in fact there<br />

were two <strong>of</strong> them and the<br />

year was 1911. As part <strong>of</strong><br />

the Coronation celebrations<br />

it was agreed to bring<br />

Claude Graham-White and<br />

George Barnes to the<br />

Island for them to race with<br />

the Ben-My-Chree in a<br />

round the Island race. The<br />

airfield used was Noble’s<br />

Park which was also used<br />

by Gustave Hamel the<br />

following year. Both visits<br />

were promoted by the Daily<br />

Mail newspaper. In July 1914<br />

it was part <strong>of</strong> the carnival<br />

celebrations in Douglas that<br />

saw the arrival <strong>of</strong> two planes,<br />

Mr Salmet’s Bleriot and an<br />

Avro float plane. The Bleriot<br />

paid a visit to King William’s<br />

College where Mr Salmet was<br />

able to converse with the<br />

French language masters.<br />

This could be the occasion <strong>of</strong><br />

this view having been taken<br />

by Canon Stenning on the<br />

playing fields at King<br />

William’s College. The<br />

school OTC stand on guard.<br />

(MNH/pic/1746)<br />

This view was taken in 1948 and given to the <strong>Man</strong>x<br />

Museum library in 1960 by D. Craine. It has been<br />

catalogued as ‘The <strong>Man</strong>sion, back lane, Ramsey’.<br />

Thanks to Constance Radcliffe’s book “Shining by the<br />

Sea”, I realise that this should be Bark Lane which was<br />

previously known as Edward Street and then Corran’s<br />

Lane. It ran from Church Street to Strand Street in an<br />

area that was swept away to provide a site for Queens<br />

Court, Kings Court and the other promenade<br />

developments. Unfortunately, whoever wrote the label on<br />

the slide was mistaken for this wasn’t ‘The <strong>Man</strong>sion’, this<br />

was the ‘Tannery’ house at one time occupied by the<br />

Corran family and later the Nelsons. It is architectually<br />

rather strange with those semi-circular drip mouldings on<br />

the Georgian facade. The corbels either side <strong>of</strong> the large<br />

window and front door probably supported a shop sign. The<br />

two nearest to the camera appear to be either side <strong>of</strong> a<br />

blocked up doorway. (MNH/pic/3589)<br />

Canon Stenning was an<br />

assistant master at<br />

King William’s College<br />

from 1909 to 1944 when he<br />

became vice-principal, an<br />

<strong>of</strong>fice he held until 1953. He<br />

obtained a MA degree at<br />

Downing College at<br />

Cambridge and at King<br />

William’s College was a<br />

Lieutenant with the OTC<br />

(Officers Training Corps)<br />

later rising to Major. The<br />

OTC was established at<br />

KWC in 1911 with two<br />

platoons. There were 98<br />

cadets, the Sergeant-Major<br />

being student Hon N. F.<br />

Somerset, the son <strong>of</strong> the<br />

Lieutenant-Governor Lord<br />

Raglan. This view from<br />

Canon Stenning’s collection<br />

shows a group <strong>of</strong> lads in the<br />

OTC on the <strong>Man</strong>x train but<br />

can any reader say at what<br />

station? (MNH/pic1750)<br />

‘<br />

Come to the cookhouse door boys’. This view<br />

taken on the undeveloped land at The Mooragh,<br />

Ramsey shows men from the 5th Lancashire<br />

Artillery Volunteers who regularly camped here<br />

from around 1890 onwards. Usual views <strong>of</strong> camps are<br />

<strong>of</strong> virtual villages <strong>of</strong> canvas at Milntown and along<br />

the Lezayre Road. The development <strong>of</strong> Mooragh<br />

Park was commissioned in 1886, the same year that<br />

the Queen’s Pier opened, and the <strong>of</strong>ficial opening <strong>of</strong><br />

the Promenade took place in August 1887. Plots<br />

were sold and hotels were designed by George Kay<br />

the architect for many <strong>of</strong> the purchasers. A swing<br />

bridge was to be provided to link this new part <strong>of</strong> the<br />

town with the route to the pier and landing stage.<br />

There were many problems with the construction <strong>of</strong><br />

the bridge and this greatly affected the sale <strong>of</strong> the<br />

plots and indeed the viability <strong>of</strong> those premises which<br />

were completed. (MNH/pic/819)<br />

We move north for this lantern slide view taken by<br />

George Cowen the Ramsey photographer. The<br />

location is the Curragh and I am told the two<br />

slate gate pillars are still standing on the road that<br />

goes past the back <strong>of</strong> the Wildlife Park. Perhaps there<br />

is a reader who can identify the exact spot?<br />

(MNH/pic/3527)


12<br />

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13<br />

Another lantern slide given<br />

to the library (which was<br />

once dedicated to that<br />

great <strong>Man</strong>x historian, A. W.<br />

Moore) by Mr Craine in 1960. It<br />

has the title ‘Saltworks Pump<br />

House’. The location is the<br />

Point <strong>of</strong> Ayre and the small<br />

lighthouse which stands on the<br />

beach is just visible on the<br />

right hand edge. The <strong>Man</strong>x Salt<br />

and Alkali Company Ltd was<br />

formed in 1902 with a saltworks<br />

in Ramsey and a pipeline which<br />

brought the brine from an<br />

underground lake near the Point<br />

<strong>of</strong> Ayre. The saltworks were on<br />

the site <strong>of</strong> the shipyard at<br />

Ramsey. The buildings were<br />

taken over by the Harbour<br />

Board in 1956 and the two tall<br />

chimneys which were a feature<br />

<strong>of</strong> Ramsey for over 50 years<br />

were demolished in 1957. Despite<br />

the derelict state <strong>of</strong> this building<br />

it is interesting to note smoke<br />

coming out <strong>of</strong> the chimney.<br />

(MNH/pic/3602)<br />

The Douglas Head<br />

ferry but not one<br />

<strong>of</strong> those broad flat<br />

boats (The Rose,<br />

Thistle, Shamrock)<br />

which we tend to<br />

associate with the ferry<br />

that travelled from the<br />

Victoria Pier to the<br />

Battery Pier. The<br />

Lancashire Lass had<br />

started life as a steam<br />

tug but was altered to<br />

become a ferry boat.<br />

The empty boat<br />

alongside<br />

the<br />

breakwater is either the<br />

Jingo or Sambo which<br />

were owned by the Knox<br />

family <strong>of</strong> engineers (yes,<br />

Archie Knox’s father and<br />

brothers). The Knox’s<br />

were very clever<br />

engineers who had their<br />

own designs for many<br />

things to do with fishing<br />

boats and the likes. They<br />

also designed and made a<br />

change sorting and<br />

counting machine for use<br />

with the takings from the<br />

ferry. (MNH/pic/820)<br />

Another G. B. Cowen<br />

photograph which,<br />

according to the<br />

label on the side <strong>of</strong> the<br />

lantern slide, is taken at<br />

Ballaugh. The Cowen<br />

trademark <strong>of</strong> two girls on a<br />

bridge but not the usual<br />

fair <strong>Man</strong>x maids in their<br />

teens or twenties that he<br />

posed so <strong>of</strong>ten in his<br />

pictures. A collection <strong>of</strong><br />

conical haystacks in the<br />

field by the gate but<br />

whereabouts in Ballaugh is<br />

it? (MNH/pic/3535)<br />

Acase <strong>of</strong> early recycling for this view <strong>of</strong> the twin<br />

cars <strong>of</strong> the inclined railing <strong>of</strong> Port Soderick<br />

shows us what used to be the means <strong>of</strong> access to<br />

the Falcon Cliff Hotel and the adjoining pavilion. The<br />

complex was bought by the newly formed Palace and<br />

Derby Castle company but was closed down to<br />

concentrate business in those other two ventures. The<br />

pavilion was taken down (sorry I don’t know what<br />

happened to it) and the inclined railing which ran down<br />

from the eastern corner <strong>of</strong> the hotel to a castellated<br />

entrance between the hotels <strong>of</strong> Palace Terrace made its<br />

way to Port Soderick. Here it provided a link between the<br />

Southern Electric Railway and the refreshment rooms,<br />

hotel and amusements at the promenade level. The white<br />

painted wall on the left <strong>of</strong> the picture is still there today<br />

and it helps to identify the location <strong>of</strong> the railway. The<br />

advertisements are for the Victoria Cafe on the Victoria<br />

Pier; McCutcheons the grocers <strong>of</strong> Strand Street and for<br />

Clinch’s Ales. (MNH/pic/836)<br />

The road to Peel with Greeba Castle and<br />

Greeba Towers in the trees. The folktale is<br />

that the owner <strong>of</strong> Greeba Castle lost the<br />

property in a game <strong>of</strong> cards but built Greeba<br />

Towers in front <strong>of</strong> his former property to block the<br />

view <strong>of</strong> the new owner. There is truth in the fact that<br />

the owner <strong>of</strong> the castle did build the Towers and he<br />

did have money troubles as the coroner had<br />

arrested some <strong>of</strong> his property but the game <strong>of</strong> cards<br />

could be a case <strong>of</strong> folktale according to coach<br />

drivers. Greeba Castle was at one time used as a<br />

school but it is most famous for being the home <strong>of</strong> Hall<br />

Caine the Victorian author. He had at one time been in<br />

the <strong>of</strong>fice <strong>of</strong> an architect/builder in Liverpool and he<br />

redesigned the internal layout <strong>of</strong> the property as well<br />

as replacing the front door with a bay window, adding<br />

an Italian style piazza and turning a whole room into<br />

an entrance hall complete with bog oak beams and<br />

fittings. (MNH/pic/835)

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