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A lot of the music on Strip Me sounds very modern. Was that a<br />

goal of yours<br />

Definitely. I really wanted to grow and develop as an artist this time around.<br />

I executive-produced the whole thing, and I was just trying to show my taste<br />

in music. I’m a pop artist, but that’s not at all indicative of what I listen<br />

to regularly. I like really classic songs. I love the whole neo-soul scene and<br />

other progressive stuff, too. I come from London, and that’s a city of so many<br />

different cultures, so I feel like my music should represent that.<br />

While you executive-produced the record, you also collaborated<br />

a lot on this record. Do you enjoy collaboration<br />

I love collaborating. I think it’s quite heaven-sent. You can do your best on<br />

your own, and that’s wonderful. But collaborating always makes it a lot more<br />

fun. I also feel that it makes me a better artist; I learn something each time.<br />

Your very first record was massive, and one of your first singles<br />

was almost inescapable. How was it to watch your career go from<br />

zero to 150 miles per hour<br />

It was amazing and incredible, but also overwhelming. Nothing could prepare<br />

me for it. All my life I was quite shy, so something like the stage was nervewracking<br />

at first. But once I was forced out there because of the success, I<br />

learned that I could be very dramatic and come alive—not only that, but it<br />

was expected of me. So it really helped my confidence a lot.<br />

38 ragged // raggedmag.com

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