a comparative analysis of louis durey and francis poulenc's settings ...

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Approval Sheet A COMPARATIVE ANALYSIS OF LOUIS DUREY AND FRANCIS POULENC’S SETTINGS OF SELECTIONS FROM LE BESTIAIRE BY GUILLAUME APOLLINIARE ________________________________ Faculty Advisor ________________________________ Chair, Music Department ________________________________ Director, Honors Program
Special Thanks To Dr. Thomas Milligan for his advice and encouragement throughout the process of preparing this paper. To Professor Ann Jones for nurturing my love for the study of voice and for her constant guidance and encouragement. To my parents for supporting me wholeheartedly in all my endeavors.
Page 1: A COMPARATIVE ANALYSIS OF LOUIS DUR
Page 5 and 6: v List of Figures Fig. 1 “Le chè
Page 7 and 8: 2 other composing to the same poem
Page 9 and 10: 4 on the artistic level, Durey and
Page 11 and 12: 6 lyricism. 15 Auric and Poulenc st
Page 13 and 14: 8 III. Biographical Background a. G
Page 15 and 16: 10 b. Louis Durey (1888-1979) Louis
Page 17 and 18: 12 c. Francis Poulenc (1899-1963) F
Page 19 and 20: 14 d. Raoul Dufy (1877-1953) Raoul
Page 21 and 22: 16 IV. Le Bestiaire—The Union of
Page 23 and 24: 18 a. Le chèvre du Thibet For all
Page 25 and 26: 20 b. Le dromadaire With his four d
Page 27 and 28: 22 c. La sauterelle See the fine gr
Page 29 and 30: 24 d. Le dauphin Dolphins, you play
Page 31 and 32: 26 e. L'écrevisse Uncertainty, O m
Page 33 and 34: 28 f. La carpe Carp, how long you l
Page 35 and 36: 30 called irresistibly for music, o
Page 37 and 38: 32 Le Chèvre du Thibet—Durey In
Page 39 and 40: 34 Le Chèvre du Thibet—Poulenc P
Page 41 and 42: 36 Le Dromadaire—Durey Durey’s
Page 43 and 44: 38 Le Dromadaire--Poulenc Poulenc
Page 45 and 46: 40 La Sauterelle—Durey The tempo
Page 47 and 48: 42 La Sauterelle--Poulenc The short
Page 49 and 50: 44 Le Dauphin—Durey The accompani
Page 51 and 52: 46 “Le Dauphin” has a sing-song
Page 53 and 54:
48 Durey emphasizes backwardness in
Page 55 and 56:
50 signature to 2/4, for only a mea
Page 57 and 58:
52 with A-flat major, in measure 11
Page 59 and 60:
54 The piece is grounded in the qui
Page 61 and 62:
56 even if he had just composed “
Page 63 and 64:
58 Bibliography Apollinaire, Guilla
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