a comparative analysis of louis durey and francis poulenc's settings ...

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59 Morgan, Robert. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: W. W. Norton, 1991. Pérez-Tibi, Dora. "Dufy, Raoul." In Grove Art Online. Oxford Art Online, http://www.oxfordartonline.com/subscriber/article/grove/art/T023961 (accessed November 29, 2010). Poulenc, Francis, and Winifred Radford. Diary of My Songs. London: Victor Gollancz Ltd., 1986. Shattuck, Richard. Introduction to Selected Writings of Guillaume Apollinaire, by Guillaume Apollinaire. New York: New Directions Publishing, 1971. Stolba, K. Marie. The Development of Western Music: A History. Boston: McGraw-Hill, 1998. University of Calgary Libraries and Cultural Resources, “Special Collections: Glossary,” U. of Calgary, http://specialcollections.ucalgary.ca/home/glossary (accessed July 9, 2010). Wood, Marc. "Homme de tête." Musical Times 141, no. 1873 (Winter 2000). http://www.jstor.org/stable/1004733 (accessed October 9, 2009). Wood, Vivian. Poulenc’s Songs: An Analysis of Style. Jackson: University Press of Mississippi, 1979.
Page 1 and 2:
A COMPARATIVE ANALYSIS OF LOUIS DUR
Page 3 and 4:
Special Thanks To Dr. Thomas Millig
Page 5 and 6:
v List of Figures Fig. 1 “Le chè
Page 7 and 8:
2 other composing to the same poem
Page 9 and 10:
4 on the artistic level, Durey and
Page 11 and 12:
6 lyricism. 15 Auric and Poulenc st
Page 13 and 14: 8 III. Biographical Background a. G
Page 15 and 16: 10 b. Louis Durey (1888-1979) Louis
Page 17 and 18: 12 c. Francis Poulenc (1899-1963) F
Page 19 and 20: 14 d. Raoul Dufy (1877-1953) Raoul
Page 21 and 22: 16 IV. Le Bestiaire—The Union of
Page 23 and 24: 18 a. Le chèvre du Thibet For all
Page 25 and 26: 20 b. Le dromadaire With his four d
Page 27 and 28: 22 c. La sauterelle See the fine gr
Page 29 and 30: 24 d. Le dauphin Dolphins, you play
Page 31 and 32: 26 e. L'écrevisse Uncertainty, O m
Page 33 and 34: 28 f. La carpe Carp, how long you l
Page 35 and 36: 30 called irresistibly for music, o
Page 37 and 38: 32 Le Chèvre du Thibet—Durey In
Page 39 and 40: 34 Le Chèvre du Thibet—Poulenc P
Page 41 and 42: 36 Le Dromadaire—Durey Durey’s
Page 43 and 44: 38 Le Dromadaire--Poulenc Poulenc
Page 45 and 46: 40 La Sauterelle—Durey The tempo
Page 47 and 48: 42 La Sauterelle--Poulenc The short
Page 49 and 50: 44 Le Dauphin—Durey The accompani
Page 51 and 52: 46 “Le Dauphin” has a sing-song
Page 53 and 54: 48 Durey emphasizes backwardness in
Page 55 and 56: 50 signature to 2/4, for only a mea
Page 57 and 58: 52 with A-flat major, in measure 11
Page 59 and 60: 54 The piece is grounded in the qui
Page 61 and 62: 56 even if he had just composed “
Page 63: 58 Bibliography Apollinaire, Guilla
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