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Where are the war poets? - Defence Academy of the United Kingdom

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under your nose’. 106 We can still learn from o<strong>the</strong>r nations’ efforts to secure an intellectual, artistic,<br />

historical and sociological record for future generations. However we might go about that task, it is<br />

clear that more, much more, can and must be done by both <strong>the</strong> poetry establishment and <strong>the</strong> MOD<br />

to ensure that contemporary British War Poetry from <strong>the</strong> first decade <strong>of</strong> <strong>the</strong> twenty-first century is<br />

collected, collated, celebrated and communicated to as wide an audience as possible. 107 The<br />

challenge is whe<strong>the</strong>r this country has <strong>the</strong> energy, wit and wisdom to do so in a responsible manner.<br />

106 Kiedrich Rhys, ‘Introduction’, ‘Poems from <strong>the</strong> Forces’, (1941), cited by High Haughton, ‘Anthologizing War’, The<br />

Oxford Handbook <strong>of</strong> British & Irish War Poetry, ed Tim Kendall (Oxford University Press, 2009), page 432.<br />

107 And whilst <strong>the</strong> British poetry establishment and <strong>the</strong> MOD might seem odd bedfellows, it is worth noting <strong>the</strong><br />

comments <strong>of</strong> Douglas Wilson, Assistant Secretary for Public Affairs at <strong>the</strong> Pentagon: ‘There is an assumption that <strong>the</strong><br />

arts and our men and women in uniform <strong>are</strong> from different planets. Its not <strong>the</strong> case. The arts can provide a means to<br />

discuss and explore.’, ‘Theatre <strong>of</strong> War: British give US troops and Afghan history lesson’, The Daily Telegraph, 12 th<br />

February 2011.<br />

23

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