GLOWS UNDER BLACK LIGHT! - Freestyle Photographic Supplies

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Lesley Krane Member, Freestyle Advisory Board of Photographic Professionals LIQUID EMULSION I introduce the possibilities of liquid emulsions to students in their third semester of photography. After two semesters of learning camera anatomy and functions, darkroom etiquette and quality black and white print production, students begin to explore alternative approaches to darkroom printing. Photography’s inherent reproducibility is both a gift and a curse. It lends itself to making saleable editions and to widely disseminating original prints. However, the ease of reproduction denies the possibility of producing a unique photographic object. Liquid emulsions allow artists using photography to combine lens-based media with expressive and gestural applications, the artist’s distinct hand and mark-making becoming additional aesthetic components that supplement the mechanical ones. As an undergraduate student at UCLA, I experimented with liquid emulsions on cold press watercolor paper... To read about the entire process, visit: www.freestylephoto.biz/traditional-processes.php COAT ANYTHING! FOMASPEED F Liquid Emusion Prints by Lesley Krane LIQUID EMULSION Fomaspeed black and white Liquid Photographic Emulsion is made by using the most modern production technology. The emulsion features medium contrast and extremely high coverage which enables a wide scale of halftones even with a relative high yield of 3 to 6 square meters (32 to 64 square feet) per 1 kg of emulsion. The emulsion can be spread on many different bases, such as wood, textile, glass, china, ceramics, metals, leather, stone, concrete, plaster etc. and includes a hardener to assist in the mechanical adhesion of the emulsion to most surfaces. Use under red safe light only! #174052 1 KG + Hardener 15ml . . . . . 99.99 LIQUID LIGHT SINGLE GRADE EMULSION Liquid photographic emulsion that you can coat on wood, metal, glass or almost any surface. Yields a continuous tone image that is tough and durable. Equivalent to standard contrast Grade #3. Use under amber or red safelights! #16581 1/2 Pint . . . . . . . . . . . . . . . . 29.99 #16516 1 Pint . . . . . . . . . . . . . . . . . . .53.99 LIQUID LIGHT VC EMULSION Works like standard liquid light only now you can control contrast with poly-contrast filters from Grades #2 - 4. Use under red safe light only! #161-508 1/2 Pint . . . . . . 32.99 FOTOSPEED LE30 FIXED GRADE LIQUID EMULSION Grade #2 contrast B&W liquid emulsion. Use under red or OC safe lights! #707-120 250 ml / 8 ounces. . . . . . 49.99 #707-140 1 Liter . . . . . . . . . . . . . . . 134.99 ROLLEI BLACK MAGIC LIQUID EMULSION Black Magic emulsions are very high in silver content, a feature that produces richer, longer lasting images. The Black Magic System gets top marks from the experts in liquid emulsion processing. The emulsions come in wide-mouth containers that are easier to spoon out and heat up smaller portions. Use under red safe light only! #66123 Liquid Emulsion High Contrast 300ml . . . . . . . . . . . . . . . . . 49.99 #66152 Liquid Emulsion Variable Contrast 300ml . . . . . . . . . . . . . . . . . 49.99 #66201 Hardener 250 ml . . . . . . . . . .13.99 #66349 Gelatin 100 grams . . . . . . . . .23.99 ROCKLAND COLLOID AG-PLUS EMULSION Ag-Plus photographic emulsion is a premium gelatine-silver emulsion, with higher sensitivity, a convenience if the emulsion is used in a camera instead of film, as is the case with tintypes, ambrotypes and some other alternative processes. It is also helps when oversize prints are made at a considerable distance from the enlarger. Like Liquid Light, Ag-Plus photographic emulsion is completely free of phenol fumes and safe to use in any darkroom. #18324 1/2 Pint . . . . . . . . . . . . . . . . 35.99 EXPRESS YOUR MOOD ...WITH FOTOSPEED TONERS, DYES AND MASKING PRODUCTS! ODORLESS VARIABLE SEPIA TONER ST20 � ST20 produces a wide variety of sepia tones on fiber and RC black and white papers. Contains bleach, toner and activator. #306-1220 150ml to make 1.5 liters . . 28.99 #306-1221 500ml to make 5 liters. . . . 47.99 ODORLESS TRADITIONAL SEPIA TONER ST10 ST10 is a standard fixed tone, sepia toner like Kodak Sepia Toner. #306-610 100ml to make 1 liter . . . . . 15.99 BLUE TONER BT20 Iron blue toner yields deep cobalt to electric blue tone on RC and fiber prints. #306-1320 150ml to make 1.2 liters . . 39.99 RED/COPPER TONER RT20 Warm copper shades to cherry red can be produced on RC and fiber prints. #306-1120 150ml to make 1.5 liters . . 24.99 #306-1121 500ml to make 5 liters. . . .49.99 ANTIQUE DYE Gives a sepia toned print an ancient and mature look of yester-year. #306-1920 . . . . . . . . . . . . . . . . . . . . . . . 14.99 GOLD TONER AU20 A warm glow of peachy-reds when used on a sepia toned RC print. Cool steely blues from fiber paper. Ideal for archival permanence. #306-1620 1 liter of working solution. .64.99 � AS LOW AS $ 14 99 #3061920 SELENIUM TONER SLT20 Subtle deep moody shades of purple to subtle hints of warmed blacks dependent on dilution and paper type. Ideal for archival permanence techniques at 1:39. #306-322 1 liter to make 10 liters min. 46.99 TONER TEST TUBE This toner sampler kit gives you 50ml each of ST20 Sepia Toner, BT20 Blue Toner and RT20 Copper/Red Toner. #306-010 . . . . . . . . . . . . . . . . . . . . . . . . 29.99 PALLET TONER KIT Pallet Toner has opened the boundaries of metallic toning to allow an array of vibrant hues to be created from a single kit. Suitable for both fiber and RC prints. Includes red, blue, titanium yellow, vanadium yellow toners and an activator and intensifier. #306-320 Makes 2.5 liter of each color 79.99 FOTOMASK MK50 � Used for protecting areas of a print from toning or dying. Bright red liquid makes it easy to see where it is applied. Will not stain or discolor photographic emulsion. Apply with brush and clean with Fotospeed Fotomask Cleaner. #307-310 125 ml.. . . . . . . . . . . . . . . . . . 29.99 FOTOMASK CLEANER MKS50 During the application of Fotomask, brushes can become sticky and should be cleaned using this solution. #307-410 125 ml.. . . . . . . . . . . . . . . . . . 15.99 � 28 Freestyle Photographic Supplies 29 ROCKLAND COLLOID TONERS POLYTONER WITH BLEACH Formerly known as Selectachrome, this kit works just like a conventional B&W toner except the resulting image is in color (any color you wish). It affects the black image area of the print strongest, while leaving the white area untouched. Makes 45 - 8” x 10” prints. Ground Shipping Only on this item! #183-163 . . . . . . . . . . . . . . . . . . . . . . . 29.99 HALOCHROME Halochrome actually silver plates the black silver image on your photographic prints. Works best on RC paper. Makes 1/2 gallon of solution. Now requires ammonia! Ground Shipping Only on this item! #18383 . . . . . . . . . . . . . . . . . . . . . . . . 29.99 PRINTINT Add color to your black and white RC or fiber paper. Tints the background color of your prints leaving the black image area unaffected. The kit consists of three bottles (red, blue and yellow) along with blending medium. Makes 1 gallon to color up to 150 - 8” x 10” prints. #183-1620 . . . . . . . . . . . . . . . . . . . . . . 29.99 BERG TONERS � Easy-to-use toners; reversible ibl with i h AAristadol i d l Paper Developer. Concentrated to make 1quart. #232-042 Brown-Copper Toner 1 Qt. . . . . 11.99 #232-032 Blue Toner 1 Qt. . . . . . . . . . . . 11.99 � 28 800.292.6137 29 42 Easy to order Toll Free 800.292.6137 Fax Toll Free 800.616.3686 Shop Freestyle online www.freestylephoto.biz 43
Eric Joseph Senior Vice President Mechandising and Product Development FILMS FOR SCANNING If you are shooting with a Holga camera or other plastic type camera, you know that you are shooting film and enjoying the unique image quality that those types of cameras can yield. Don’t just think of them as film cameras, think of them as digital capture devices that just happen to use a very high resolution medium called “film.” If you shoot with a Holga camera or any other film camera, there isn’t any reason to not take advantage of digital technology for output. Take the film to your lab and have it scanned in to a file ready for you to print or scan the film in yourself for greater control. Many films today are designed for scanning using either chemical components in the emulsion or the clarity of the film base or both. Some excellent suggestions for these films are as follows; Kodak Ektar 100 - 35mm, 120 size, 4x5 and 8x10, Kodak Portra 400 - 35mm & 120 size, Rollei CN200 - 35mm & 120 size Efke 25 - 35mm, 120 size, various large format sizes. Any film can be scanned but these films are practically optimized for the process. LOMOGRAPHY DIGITALIZA SCANNING MASK 35MM - Used with a modern flatbed scanner, the DigitaLIZA holds your 35mm negatives in place so you can scan them. Specially designed allow for the scanning of sprocket hole photos, overlapping exposures and endless panoramas! #398 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29.99 120 - Scanning special formats such as panoramic images and overlapping exposures can be tricky; not anymore with the DigitaLIZA 120 Scanning Mask! Used with a modern flatbed scanner, it holds your 120 negatives in place to easily scan Lomographic formats. #399 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35.99 EPSON PERFECTION PHOTO FILM / FLATBED SCANNERS! EPSON PERFECTION V700 V PHOTO FILM/ FLATBED SCANNER S Get professional quality results from virtually any photographic original with the Epson Perfection V700 Photo scanner. With groundbreaking 6400 dpi resolution, this powerful scanner consistently delivers precision color and detail, whether scanning slides, negatives or medium format film. With a 4.0 Dmax, it offers exceptional image quality, excellent detail in shadow areas and remarkable tonal range. But, the Epson Perfection V700 Photo goes one step further with its Dual Lens System, this innovative product automatically selects from two lenses for the desired scan resolution. Plus, with Digital ICE Technologies, you can easily remove dust and scratches from film, and many types of surface defects from prints, minimizing costly retouching. And with the convenient film holders included, you can even batch scan multiple slides and negatives to increase productivity. Scan 35mm, Medium Format and up to 4x5 transparencies and negatives. This powerful performer gives you the industry’s leading scanner technologies, all right at your fingertips. Compatible with PowerPC ® G q f a o t P W c s e r g p s r d c s F p a G4 500 MHz or o higher with built-in USB; 256MB RAM (512MB recommended); 732MB 7 HD space (1GB recommended); CD-ROM drive. USB 1.1 - Macintosh M OS X 10.2.x - 10.4.x. Hi-Speed USB 2.0: Macintosh OS X 10.2.7 - 10.4.x. IEEE 1394(FireWire) - Macintosh OS X 10.2.x - 10.4.x. 1 USB cable included. #178-011 # Epson V700. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 599.99 EPSON PERFECTION V600 V PHOTO FILM/FLATBED SCANNER S The Epson Perfection V600 Photo delivers outstanding quality scans from photos, film, slides and everyday documents. With 6400 x 9600 dpi resolution, this ONLY $ 199 99 high performance scanner ensures precision film scanning for sharp, vivid reproductions up to 17” x 22.” Featuring DIGITAL ICE ® for both film and prints, one-touch color restoration and Adobe ® Photoshop ® Elements, this scanner provides a complete photo restoration solution. Scans 35mm film up to 6 cm x 22 cm. Mac OSx and Windows compatible. USB cable included. #198-011 Epson V600. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199.99 EPSON STYLUS® PHOTO R3000 Unleash your creative inspiration n with the advanced features and uncompromising quality of the Epson Stylus Photo R3000. This 13”- wide printer delivers the professional features you desire including high-capacity cartridges, networking and wireless connectivity. Epson UltraChrome rome K3 ® with Vivid Magenta pigment tiink, k combined with Epson’s innovative MicroPiezo ® AMC print head, enables the R3000 to produce gallery-quality black-and-white output, plus vivid color prints with breathtaking blues and violets. Offering the latest in wired and wireless networking, auto-switching black inks, 5760 x 1440 dpi resolution and advanced B&W printing mode. Mac OS ®X 10.5x - 10.6x or Windows XP ®/Windows Vista ® & Windows 7 ® compatible. Requires USB cable for direct wired printing, not included. #186-201 Stylus Photo R3000. . . . . . . . . . . . . . . . . . . . . . . . . . . . 849.99 STYLUS® PHOTO 1400 The Epson ® ONLY Stylus Photo 1400 0 takes $ 99 photo printing to the next level l with 299 fast and impressive 13” x 19” prints. You get rich color with innovative Claria Hi-Definition 6-color dye Ink, plus ink droplets as small as 1.5 picoliters. Display your work worry-free with smudge, scratch, water and fade resistant prints (98 years under er glass, 200 years dark storage). ). This high-speed, wide-format photo printer also offers value-added features like direct CD/DVD printing, so you can easily create professionallooking CD/DVDs for your digital files and Pict-bridge printing direct from your digital camera. USB 2.0 connection for PC or Mac OS X 10.2.8 or higher. Cable sold separately. #655-001 Stylus Photo 1400 . . . . 299.99 299 299.99 99 STYLUS® PHOTO R2000 0 Superior 8-color Epson Ultrachrome me NEW ITEM NEW ITEM Hi-GlossTM 2 pigment inkjet for archivalquality glossy photos. Print photos with greater vibrancy and better facial tones with Epson’s new Red and Orange ink cartridges. Maximize color gamut and achieve better print quality with Radiance technology. 5760 x 1440 optimized dpi. High-quality printing directly onto inkjet printable CDs and DVDs. Accommodates maximum 13” wide paper and borderless printing. Speeds through an 11” x 14” print in under two minutes! USB 2.0 Wi-Fi 802.11n connectivity . Windows XP/XP Pro, Vista ® , Windows ® 7 and Mac OS ® rchivalos able CDs mum um 13” wide paper andborderless and borderless print- print- X 10.5x - 10.6x compatible. USB 2.0 cable sold separately. #235-201 Stylus Photo R2000. . . . . . . . . . . . . . . . . . . . . . . . . . . . 499.99 PRINTER CABLES #511-671 USB 6 foot Printer Cable . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.99 #511-672 USB 10 foot Printer Cable . . . . . . . . . . . . . . . . . . . . . . . . . . 12.99 Ted Orland Member, Freestyle Advisory Board of Photographic Professionals CROSSING OVER WITH A HOLGA CAMERA Given that Ansel Adams was my first and only formal photography teacher, it’s probably no surprise that most of my early photographs were large-format, sharply-focused B&W pictures of trees, rocks and water. Fact is, it took me years to realize that I don’t even lead a fine-grained life - while Ansel’s world was timeless, monumental and sharply defined, my own world is quirky, ephemeral and decidedly fuzzy around the edges. My ability to reveal that world photographically took a great leap forward sometime around 1990 when I discovered a little plastic camera called the Holga. The Holga had one shutter speed, a fixed aperture and a single-element plastic lens that filtered out excessive sharpness so that realism wouldn’t get mistaken for reality. In other words, it captured the world just the way I saw it. So, nowadays, I carry my Holga with me most everywhere, photographing pretty much whatever crosses my path. My theory is that if I lead an interesting life, I’ll make interesting art. How could it be otherwise? Just so you won’t write me off as a total Luddite, however, I should add that I’m also a long-term Photoshop user, scan all my negatives into a Mac to re-work, and output the results on an Epson inkjet printer... To read about the entire process, visit: www.freestylephoto.biz/traditional-processes.php 44 Easy to order Toll Free 800.292.6137 Fax Toll Free 800.616.3686 45
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