28.12.2014 Views

the invisible - Theatre at UBC

the invisible - Theatre at UBC

the invisible - Theatre at UBC

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

This Neck of <strong>the</strong> Woods<br />

extra event<br />

September 10 to 14<br />

Dorothy Somerset Studio<br />

Gormenghast<br />

September 18 to 27<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

A Servant of Two Masters<br />

extra event<br />

October 14 to 18<br />

Dorothy Somerset Studio<br />

Billy Bishop Goes to War<br />

October 30 to November 11<br />

T E L U S Studio <strong>The<strong>at</strong>re</strong><br />

Unity (1918)<br />

November 13 to 22<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

Hänsel und Gretel<br />

extra event<br />

(<strong>UBC</strong> Opera Ensemble)<br />

December 11 to 14<br />

Chan Centre for <strong>the</strong><br />

Performing Arts<br />

Medea<br />

January 22 to 31<br />

T E L U S Studio <strong>The<strong>at</strong>re</strong><br />

The Invisible<br />

(with <strong>the</strong> PuSh Intern<strong>at</strong>ional<br />

Performing Arts Festival)<br />

February 3 to 7<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

F a l s t a ff<br />

extra event<br />

(<strong>UBC</strong> Opera Ensemble)<br />

March 5 to 8<br />

Chan Centre for <strong>the</strong><br />

Performing Arts<br />

The Idiots Karamazov<br />

March 19 to 28<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

Welcome to <strong>the</strong><strong>at</strong>re <strong>at</strong> ubc's extraordinary<br />

2008-09 season, celebr<strong>at</strong>ing 100 years of this gre<strong>at</strong><br />

university and 50 years of <strong>the</strong> Department of <strong>The<strong>at</strong>re</strong><br />

(now <strong>the</strong> Department of <strong>The<strong>at</strong>re</strong> and Film), founded<br />

by Professor Dorothy Somerset in 1958. And as we do<br />

every year, we’re celebr<strong>at</strong>ing <strong>the</strong> special alchemy of<br />

<strong>the</strong><strong>at</strong>re in its many forms, across <strong>the</strong> ages and around<br />

<strong>the</strong> world.<br />

We open with a special event, This Neck of <strong>the</strong> Woods,<br />

new work cre<strong>at</strong>ed by <strong>The<strong>at</strong>re</strong> professors Tom Scholte of<br />

<strong>UBC</strong> Vancouver and Neil Cadger of <strong>UBC</strong> Okanagan,<br />

performed by students of both campuses. Then<br />

Professor Stephen Malloy opens <strong>the</strong> season proper<br />

with <strong>the</strong> stage version of Mervyn Peake’s sens<strong>at</strong>ional<br />

Gothic fantasy novel, Gormenghast.<br />

We’re especially excited to showcase our enormously<br />

successful alumni. John Gray and Eric Peterson wrote<br />

and originally performed <strong>the</strong> musical phenomenon<br />

Billy Bishop Goes to War, which won <strong>the</strong> Governor<br />

General’s Award for Drama, as did playwright Kevin<br />

Kerr’s Unity (1918). The plays are staged by two of <strong>the</strong><br />

most exciting young directors in Canada, alumni Sarah<br />

Rodgers and Stephen Drover, respectively.<br />

MFA student directors Lois Anderson (an awardwinning<br />

actress) and Chris McGregor go intern<strong>at</strong>ional<br />

with Greek tragedy (Medea) and American/pseudo-<br />

Russian comedy (The Idiots Karamazov). A wonderful<br />

bonus is our collabor<strong>at</strong>ion with <strong>the</strong> PuSh Festival<br />

to present <strong>the</strong> newest work from a gre<strong>at</strong> Canadian<br />

innov<strong>at</strong>or, Marie Brassard’s The Invisible.<br />

Join our students, staff, faculty, alumni and<br />

professional <strong>the</strong><strong>at</strong>re artists for a season of plays you<br />

won’t forget.<br />

Jerry Wasserman, Head<br />

<strong>UBC</strong> Department of <strong>The<strong>at</strong>re</strong> and Film


September 18 to 27, 2008<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

by Mervyn Peake<br />

Stage Adapt<strong>at</strong>ion by<br />

John Constable<br />

Directed by<br />

Stephen Malloy<br />

Fe<strong>at</strong>uring:<br />

<strong>UBC</strong>'s Gradu<strong>at</strong>ing<br />

BFA Acting Class<br />

This magical show exploits one of English Liter<strong>at</strong>ure’s<br />

undisputed fantasy classics, Mervyn Peake’s gre<strong>at</strong><br />

Gormenghast, recipient of <strong>the</strong> Heinemann Prize for<br />

Liter<strong>at</strong>ure. A macabre tale of a dysfunctional family<br />

incarcer<strong>at</strong>ed in a fantastical bygone age, Gormenghast<br />

presents a heart-rending drama set in <strong>the</strong> shadowy<br />

labyrinths of a huge gothic castle. Dare to step<br />

inside and enter a world of grotesque characters and<br />

mysterious ritual. In this vast crumbling kingdom of<br />

corridors and shadows you will encounter a strangely<br />

compelling and lurid tale of greed, honour, madness<br />

and love.<br />

“Astonishing. Magnificent to w<strong>at</strong>ch. A rich<br />

reflection of <strong>the</strong> book” – The Independent


October 30 to November 11, 2008<br />

T E LUS Studio <strong>The<strong>at</strong>re</strong><br />

billy bishop<br />

goes to war<br />

One of <strong>the</strong> most famous and widely-produced<br />

plays in Canadian <strong>the</strong><strong>at</strong>re, Billy Bishop Goes to<br />

War dram<strong>at</strong>izes <strong>the</strong> life of Canadian World War<br />

I fighter pilot Billy Bishop. It earned <strong>The<strong>at</strong>re</strong><br />

<strong>at</strong> <strong>UBC</strong> alumnus John Gray <strong>the</strong> Governor<br />

General's Award, <strong>the</strong> Chalmers Award and<br />

<strong>the</strong> Los Angeles Drama Critics Award. Billy<br />

Bishop is <strong>the</strong> funny and often very sad story of<br />

a Canadian WWI flying ace, his fe<strong>at</strong>s of daring<br />

and his tribul<strong>at</strong>ions. The myth of <strong>the</strong> man is<br />

revealed as he tells of crossing swords with<br />

commanders, <strong>the</strong> Germans, <strong>the</strong> British and<br />

those who saw war as a good time. Currently<br />

celebr<strong>at</strong>ing its 30th anniversary, this Canadian<br />

classic will receive a second production by First<br />

Impressions <strong>The<strong>at</strong>re</strong>, from November 5 to 22.<br />

www.firstimpressions<strong>the</strong><strong>at</strong>re.com<br />

Written & Composed<br />

by John Gray<br />

with Eric Peterson<br />

Directed by<br />

Sarah Rodgers<br />

Starring<br />

Ryan Beil<br />

Zachary Gray<br />

“A high-flying ace of a show capturing <strong>the</strong><br />

humor, <strong>the</strong> hellfire, and <strong>the</strong> derring-do of an<br />

extraordinary career!” – The New York Times


November 13 to 22, 2008<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

Unity<br />

(1918)<br />

by Kevin Kerr<br />

Directed by<br />

Stephen Drover<br />

In 1918, a world ravaged by war was suddenly<br />

hit by a mysterious and deadly plague—<strong>the</strong><br />

“Spanish Flu.” The illness struck and advanced<br />

rapidly, regardless of age, bringing <strong>the</strong> terror<br />

of <strong>the</strong> Gre<strong>at</strong> War home with <strong>the</strong> returning<br />

soldiers—in fact more people died in this<br />

epidemic than had been killed in b<strong>at</strong>tle.<br />

<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> alumnus Kerr offers us an epic<br />

chronicle of a forgotten chapter of Canadian<br />

history and a chilling preview of <strong>the</strong> beginnings<br />

of our own new century.<br />

A gothic romance filled with dark comedy,<br />

Unity (1918) earned <strong>the</strong> Governor General’s<br />

Literary Award for Drama as well as <strong>the</strong><br />

Sydney Risk Award for Outstanding Original<br />

Script and <strong>the</strong> Jessie Richardson Award for<br />

Outstanding Original Script.<br />

“…a work of powerful and moving<br />

familiarity th<strong>at</strong> celebr<strong>at</strong>es love, sex, de<strong>at</strong>h,<br />

and <strong>the</strong> sorrowful mysteries of war and<br />

plague. It's also painfully funny.”<br />

– The Globe and Mail


January 22 to 31, 2009<br />

T E LUS Studio <strong>The<strong>at</strong>re</strong><br />

Medea<br />

by Euripides<br />

Transl<strong>at</strong>ed by<br />

Kenneth McLeish<br />

and Frederic Raphael<br />

Directed by<br />

Lois Anderson<br />

Image: Bernard Safran, Medea, 1964, 36" × 41", oil on masonite, reproduced with permission from <strong>the</strong> Est<strong>at</strong>e of Bernard Safran.<br />

Greek tragedy's most spectacularly vengeful woman<br />

has rem<strong>at</strong>erialized in a pithy, witty and elegant<br />

90-minute transl<strong>at</strong>ion. Medea is <strong>the</strong> notorious mo<strong>the</strong>r<br />

who, in a fury of sexual jealousy, murders her children<br />

as revenge for her husband's infidelity. In this savage<br />

tragedy about love, entitlement, lust and retribution,<br />

Euripides gives us a nearer view of passion<strong>at</strong>e emotion,<br />

both in its purest forms and in <strong>the</strong> wildest aberr<strong>at</strong>ions<br />

by which men are controlled, or troubled, or destroyed.<br />

“We read about domestic tragedy every day. But<br />

nothing tops a play nearly 2500 years old which<br />

summarises all our fears and sorrow.” – Daily Mail


February 3 to 7, 2009<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

<strong>the</strong> <strong>invisible</strong><br />

Written, Directed<br />

& Performed by<br />

Marie Brassard<br />

Infrarouge<br />

Presented with <strong>the</strong><br />

PuSh Intern<strong>at</strong>ional<br />

Performing Arts Festival<br />

Photo: Eugène Thibault, Henri Robin et le spectre, 1863, coll. Gérard Lévy, Paris.<br />

“Sorceress. Wizard. Trickster. Montreal's Marie<br />

Brassard is all of <strong>the</strong>se.”<br />

– Jo Ledingham, Vancouver Courier<br />

Marie Brassard returns to Vancouver with a <strong>the</strong><strong>at</strong>rical<br />

explor<strong>at</strong>ion of appearance and disappearance, of <strong>the</strong><br />

double and of o<strong>the</strong>rness.<br />

The city of Berlin, ectoplasms (vaporous eman<strong>at</strong>ions<br />

of <strong>the</strong> body supposedly visible to mediums) and <strong>the</strong><br />

literary hoax involving JT LeR oy, a writer dreamed up<br />

by a woman looking to get published, provide Brassard<br />

with m<strong>at</strong>erial to reflect on art and cre<strong>at</strong>ion, on <strong>the</strong><br />

porous boundary between <strong>the</strong> cre<strong>at</strong>or and <strong>the</strong> resultant<br />

cre<strong>at</strong>ure.<br />

In collabor<strong>at</strong>ion with Finnish artist Mikko Hynninen<br />

and composer and sound designer Alexander<br />

MacSween, <strong>the</strong> singular and yet very plural Marie<br />

Brassard incarn<strong>at</strong>es minds and <strong>the</strong> bodies th<strong>at</strong><br />

live <strong>the</strong>rein, making <strong>the</strong>ir ghostly voices reson<strong>at</strong>e,<br />

rendering <strong>the</strong> <strong>invisible</strong> visible.<br />

The Invisible is <strong>the</strong> l<strong>at</strong>est work from <strong>the</strong> cre<strong>at</strong>or of<br />

Jimmy, cré<strong>at</strong>ure de rêve (2002), La Noirceur (2003)<br />

and Peepshow (2006).<br />

Please note th<strong>at</strong> all se<strong>at</strong>ing<br />

for The Invisible is General<br />

Admission.<br />

This production is not eligible<br />

for VersaPass vouchers


March 19 to 28, 2009<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

<strong>the</strong> idiots karamazov<br />

by Christopher Durang<br />

and Albert Innaur<strong>at</strong>o<br />

Directed by<br />

Chris McGregor<br />

Cre<strong>at</strong>ed by two of <strong>the</strong><strong>at</strong>re's most original writers, this<br />

antic, sometimes outrageous and wildly comic “sendup”<br />

of Dostoyevsky's classic novel was first presented<br />

by <strong>the</strong> Yale Repertory <strong>The<strong>at</strong>re</strong>. The play follows<br />

Constance Garnett, a feeble-minded literary transl<strong>at</strong>or.<br />

As <strong>the</strong> play opens, she has difficulty transl<strong>at</strong>ing <strong>the</strong><br />

Russian classic The Bro<strong>the</strong>rs Karamazov. Also onstage<br />

are characters who perform <strong>the</strong> story as she transl<strong>at</strong>es<br />

it. As Garnett's transl<strong>at</strong>ions of <strong>the</strong> text begin to falter,<br />

<strong>the</strong> characters acting out <strong>the</strong> contents of <strong>the</strong> novel<br />

are forced to follow her woeful misinterpret<strong>at</strong>ion—as<br />

a result <strong>the</strong>y purée <strong>the</strong> whole Western<br />

canon before our very eyes.<br />

“…a wild, freeassoci<strong>at</strong>ive<br />

ride.”<br />

– The New York Times


extra event series<br />

September 10 to 14, 2008 7:30 pm<br />

plus: 2:00 pm m<strong>at</strong>inées<br />

September 13 & 14<br />

Dorothy Somerset Studio <strong>The<strong>at</strong>re</strong><br />

Devised & Directed by<br />

Neil Cadger & Tom Scholte<br />

Subscriber Tickets: $10/$7/$5<br />

Avant-garde <strong>the</strong><strong>at</strong>re cre<strong>at</strong>ion practice meets<br />

leading edge multimedia design technology<br />

in This Neck of <strong>the</strong> Woods, a performance piece<br />

co-cre<strong>at</strong>ed by <strong>the</strong><strong>at</strong>re students from <strong>UBC</strong><br />

Okanagan and <strong>UBC</strong> Point Grey. This ‘<strong>the</strong><strong>at</strong>rical<br />

exchange trip’ is led by artists on faculty Neil<br />

Cadger & Tom Scholte in celebr<strong>at</strong>ion of <strong>UBC</strong>’s<br />

100th Anniversary. Expect a provoc<strong>at</strong>ive palette<br />

of exciting live-art ingredients.


Extra Event series (cont'd):<br />

Hänsel und Gretel<br />

by Engelbert Humperdinck Libretto by Adelheid Wette<br />

Directed by Nancy Hermiston Conductor Leslie Dala<br />

<strong>UBC</strong> School of Music Opera Ensemble<br />

& The West Coast Symphony Orchestra<br />

December 11, 12, and 13 <strong>at</strong> 8:00 pm December 14 <strong>at</strong> 3:00 pm<br />

Chan Centre for <strong>the</strong> Performing Arts<br />

Subscriber Tickets: $22/$15/$12<br />

Once upon a time <strong>the</strong>re was a dark forest, two exuberant<br />

children, a gingerbread house to die for, and<br />

one wicked old witch… but anyone familiar with <strong>the</strong><br />

writings of Carl Jung or Bruno Bettelheim knows th<strong>at</strong><br />

fairytales aren’t just for children. This enchanting lyric<br />

adapt<strong>at</strong>ion of <strong>the</strong> Grimm Bro<strong>the</strong>rs fairytale is a joyous<br />

celebr<strong>at</strong>ion of music for all ages.<br />

Falstaff<br />

by Giuseppe Verdi Libretto by Arrigo Boito<br />

Directed by Nancy Hermiston Conductor David Agler<br />

<strong>UBC</strong> School of Music Opera Ensemble<br />

& The West Coast Symphony Orchestra<br />

March 5, 6, and 7 <strong>at</strong> 8:00 pm March 8 <strong>at</strong> 3:00 pm<br />

Chan Centre for <strong>the</strong> Performing Arts<br />

Subscriber Tickets: $22/$15/$12<br />

Falstaff is an oper<strong>at</strong>ic commedia lirica in three acts<br />

adapted from Shakespeare's play The Merry Wives of<br />

Windsor and scenes from Henry IV. An effervescent<br />

masterpiece, this work has long been a critical favorite<br />

for its refinement and melodic invention, its wit, its fun<br />

and of course for its title character, th<strong>at</strong> rascal… th<strong>at</strong><br />

rogue… John Falstaff!<br />

o<strong>the</strong>r events to w<strong>at</strong>ch for!<br />

Available Light: New work devised by students in<br />

<strong>UBC</strong>'s <strong>The<strong>at</strong>re</strong> Program.<br />

<strong>the</strong> 520s: Short plays directed by first-year MFA<br />

Directing students.<br />

Tour de Force: Solo works written and performed by<br />

students in <strong>UBC</strong>'s BFA Acting Program.<br />

Brave New Play Rites: Annual festival of short plays<br />

written and directed by <strong>UBC</strong> students.<br />

Persistence of Vision: Festival of short films written,<br />

produced and directed by students in <strong>UBC</strong>'s Film<br />

Production Program.<br />

<strong>The<strong>at</strong>re</strong> Loc<strong>at</strong>ions & Showtimes<br />

All <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> showtimes: 7:30 pm<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

6354 Crescent Road<br />

T E L U S Studio <strong>The<strong>at</strong>re</strong><br />

in <strong>the</strong> Chan Centre for <strong>the</strong> Performing Arts<br />

6265 Crescent Road<br />

Dorothy Somerset Studio <strong>The<strong>at</strong>re</strong><br />

6361 University Boulevard<br />

For more detailed directions to <strong>the</strong> <strong>UBC</strong> campus and<br />

each venue, please see <strong>the</strong> map provided on <strong>the</strong> back<br />

cover of this brochure, visit www.maps.ubc.ca, or call<br />

<strong>the</strong> <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box Office <strong>at</strong> 604.822.2678.


How to Use <strong>the</strong> Order Form<br />

1. Regular Subscribers<br />

Select <strong>the</strong> se<strong>at</strong>ing loc<strong>at</strong>ion and evening you would<br />

like to <strong>at</strong>tend. Choose <strong>the</strong> type (adult, senior, or<br />

student), quantity, price, and calcul<strong>at</strong>e <strong>the</strong> cost. Each<br />

subscription includes one ticket to <strong>the</strong> following six<br />

shows: Gormenghast, Billy Bishop Goes to War, Unity<br />

(1918), Medea, The Invisible, and The Idiots Karamazov.<br />

2. VersaPass<br />

Select <strong>the</strong> number of VersaPasses and calcul<strong>at</strong>e <strong>the</strong><br />

cost. Each VersaPass consists of six vouchers, each<br />

redeemable for one ticket to any <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />

2008-09 Season Production. Your VersaPass vouchers<br />

will be mailed to you. When you decide which shows<br />

you would like to <strong>at</strong>tend, call <strong>the</strong> <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box<br />

Office to reserve your se<strong>at</strong>s. Please note th<strong>at</strong> VersaPass<br />

vouchers are not eligible for The Invisible or <strong>the</strong> Extra<br />

Event Series.<br />

3. Extra Events<br />

If you would like to add tickets to any of <strong>the</strong> extra<br />

events <strong>at</strong> special <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Subscriber r<strong>at</strong>es,<br />

please write <strong>the</strong> performance d<strong>at</strong>e and number of<br />

tickets of each type in <strong>the</strong> boxes provided and calc ul<strong>at</strong>e<br />

<strong>the</strong> amount. Check <strong>the</strong> m<strong>at</strong>inÉe box if you want to<br />

<strong>at</strong>tend a m<strong>at</strong>inée performance.<br />

4. Don<strong>at</strong>ions<br />

Don<strong>at</strong>ions can be made to <strong>the</strong> Frederic Wood <strong>The<strong>at</strong>re</strong><br />

Found<strong>at</strong>ion (supporting <strong>the</strong> ongoing oper<strong>at</strong>ion of this<br />

historic <strong>the</strong><strong>at</strong>re) or to <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Scholarships.<br />

All don<strong>at</strong>ions over $10 are tax-deductible and donors<br />

will receive a tax receipt from <strong>the</strong> <strong>UBC</strong> Development<br />

Office. Please consider making a don<strong>at</strong>ion and thank<br />

you for your support.<br />

5. Personal & Payment Inform<strong>at</strong>ion<br />

Supply your name, mailing address, telephone number<br />

and payment inform<strong>at</strong>ion. Please indic<strong>at</strong>e in <strong>the</strong><br />

Special Requests section if you require wheelchair<br />

se<strong>at</strong>ing, hearing assistance, a specific se<strong>at</strong>ing loc<strong>at</strong>ion<br />

or anything else you would like us to be aware of.<br />

2008–2009 <strong>the</strong><strong>at</strong>re <strong>at</strong> ubc order form<br />

Se<strong>at</strong> Loc<strong>at</strong>ion<br />

Front Middle Rear Same Se<strong>at</strong>s<br />

(Rows A-C) (Rows D-L) (Rows M-O) as Last Year<br />

Performance Evening<br />

Week 1 Week 2<br />

Thu Fri S<strong>at</strong> Mon Tue Wed Thu Fri S<strong>at</strong><br />

Subscriptions<br />

Cost Number Amount<br />

Adult $100 × =<br />

Senior $80 × =<br />

Student $60 × =<br />

VersaPass<br />

subtotal =<br />

Cost Number Amount<br />

One Price 6 vouchers: $90 × =<br />

Extra Event Series<br />

This Neck<br />

of <strong>the</strong> Woods<br />

D<strong>at</strong>e (mm/dd):<br />

A Servant of<br />

Two Masters<br />

D<strong>at</strong>e (mm/dd):<br />

Hänsel<br />

und Gretel<br />

D<strong>at</strong>e (mm/dd):<br />

Falstaff<br />

D<strong>at</strong>e (mm/dd):<br />

m<strong>at</strong>inÉe m<strong>at</strong>inÉe m<strong>at</strong>inÉe<br />

subtotal =<br />

Cost Number Amount<br />

Ad $10 × =<br />

Sr $7 × =<br />

St $5 × =<br />

Ad $10 × =<br />

Sr $7 × =<br />

St $5 × =<br />

Ad $22 × =<br />

Sr $15 × =<br />

St $12 × =<br />

Ad $22 × =<br />

Sr $15 × =<br />

St $12 × =<br />

subtotal =<br />

Don<strong>at</strong>ion to Frederic Wood <strong>The<strong>at</strong>re</strong> Endowment =<br />

Don<strong>at</strong>ion to <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Scholarships =<br />

Grand total =<br />

Personal & Payment Inform<strong>at</strong>ion – over •


2008–2009 <strong>the</strong><strong>at</strong>re <strong>at</strong> ubc order form<br />

Personal & Payment Inform<strong>at</strong>ion<br />

Name<br />

Address<br />

City Province Postal Code<br />

Telephone<br />

Email (optional)<br />

Payable to<br />

Payment Cheque Visa Mastercard<br />

<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />

Card Number:<br />

Expiry D<strong>at</strong>e:<br />

Sign<strong>at</strong>ure<br />

Special Requests (eg. wheelchair se<strong>at</strong>ing, aisle se<strong>at</strong>s, altern<strong>at</strong>e evenings, etc.)<br />

How to Subscribe<br />

Telephone<br />

604.822.2678<br />

Monday to Friday, 10 am to 4 pm<br />

Fax<br />

604.822.5985<br />

24 hours<br />

In Person<br />

<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box Office<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

6354 Crescent Road, <strong>UBC</strong><br />

Monday to Friday, 10 am to 4 pm<br />

Mail<br />

<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />

subscriptions<br />

6354 Crescent Road<br />

Vancouver, BC v6t 1z2<br />

Please include full payment with your order. We accept<br />

VISA, Mastercard, or cheques made out to <strong>The<strong>at</strong>re</strong> <strong>at</strong><br />

<strong>UBC</strong>. For in-person sales only we also accept Cash or<br />

Interac. Please do not mail cash or post-d<strong>at</strong>ed cheques.<br />

Se<strong>at</strong>ing Chart<br />

The Frederic Wood <strong>The<strong>at</strong>re</strong><br />

Ticket Exchanges: Subscriber tickets may be exchanged for<br />

ano<strong>the</strong>r performance of <strong>the</strong> same production. Ticket exchanges must be<br />

made 48 hours in advance of <strong>the</strong> scheduled performance and are subject<br />

to availability. Please call <strong>the</strong> <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box Office <strong>at</strong> 604.822.2678<br />

to make your exchange.<br />

privacy: Inform<strong>at</strong>ion provided will only be used to contact you<br />

for m<strong>at</strong>ters regarding your subscription. You may receive subscription<br />

inform<strong>at</strong>ion for subsequent seasons. Your inform<strong>at</strong>ion will never be<br />

transferred or shared with any o<strong>the</strong>r group, organiz<strong>at</strong>ion or individual.<br />

The T E L U S Studio <strong>The<strong>at</strong>re</strong> and <strong>the</strong> Dorothy<br />

Somerset Studio <strong>The<strong>at</strong>re</strong> are General Se<strong>at</strong>ing.


Gormenghast<br />

September 18 to 27<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

Medea<br />

January 22 to 31<br />

T E L U S Studio <strong>The<strong>at</strong>re</strong><br />

Billy Bishop Goes to War<br />

October 30 to November 11<br />

T E L U S Studio <strong>The<strong>at</strong>re</strong><br />

Unity (1918)<br />

November 13 to 22<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

The Invisible<br />

(with <strong>the</strong> PuSh Intern<strong>at</strong>ional<br />

Performing Arts Festival)<br />

February 3 to 7<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

The Idiots Karamazov<br />

March 19 to 28<br />

Frederic Wood <strong>The<strong>at</strong>re</strong><br />

<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />

<strong>UBC</strong> department of <strong>the</strong><strong>at</strong>re & film<br />

6354 Crescent Road<br />

Vancouver, BC V6T 1Z2 canada<br />

Box Office: 604.822.2678<br />

www.<strong>the</strong><strong>at</strong>re.ubc.ca

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!