the invisible - Theatre at UBC
the invisible - Theatre at UBC
the invisible - Theatre at UBC
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This Neck of <strong>the</strong> Woods<br />
extra event<br />
September 10 to 14<br />
Dorothy Somerset Studio<br />
Gormenghast<br />
September 18 to 27<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
A Servant of Two Masters<br />
extra event<br />
October 14 to 18<br />
Dorothy Somerset Studio<br />
Billy Bishop Goes to War<br />
October 30 to November 11<br />
T E L U S Studio <strong>The<strong>at</strong>re</strong><br />
Unity (1918)<br />
November 13 to 22<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
Hänsel und Gretel<br />
extra event<br />
(<strong>UBC</strong> Opera Ensemble)<br />
December 11 to 14<br />
Chan Centre for <strong>the</strong><br />
Performing Arts<br />
Medea<br />
January 22 to 31<br />
T E L U S Studio <strong>The<strong>at</strong>re</strong><br />
The Invisible<br />
(with <strong>the</strong> PuSh Intern<strong>at</strong>ional<br />
Performing Arts Festival)<br />
February 3 to 7<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
F a l s t a ff<br />
extra event<br />
(<strong>UBC</strong> Opera Ensemble)<br />
March 5 to 8<br />
Chan Centre for <strong>the</strong><br />
Performing Arts<br />
The Idiots Karamazov<br />
March 19 to 28<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
Welcome to <strong>the</strong><strong>at</strong>re <strong>at</strong> ubc's extraordinary<br />
2008-09 season, celebr<strong>at</strong>ing 100 years of this gre<strong>at</strong><br />
university and 50 years of <strong>the</strong> Department of <strong>The<strong>at</strong>re</strong><br />
(now <strong>the</strong> Department of <strong>The<strong>at</strong>re</strong> and Film), founded<br />
by Professor Dorothy Somerset in 1958. And as we do<br />
every year, we’re celebr<strong>at</strong>ing <strong>the</strong> special alchemy of<br />
<strong>the</strong><strong>at</strong>re in its many forms, across <strong>the</strong> ages and around<br />
<strong>the</strong> world.<br />
We open with a special event, This Neck of <strong>the</strong> Woods,<br />
new work cre<strong>at</strong>ed by <strong>The<strong>at</strong>re</strong> professors Tom Scholte of<br />
<strong>UBC</strong> Vancouver and Neil Cadger of <strong>UBC</strong> Okanagan,<br />
performed by students of both campuses. Then<br />
Professor Stephen Malloy opens <strong>the</strong> season proper<br />
with <strong>the</strong> stage version of Mervyn Peake’s sens<strong>at</strong>ional<br />
Gothic fantasy novel, Gormenghast.<br />
We’re especially excited to showcase our enormously<br />
successful alumni. John Gray and Eric Peterson wrote<br />
and originally performed <strong>the</strong> musical phenomenon<br />
Billy Bishop Goes to War, which won <strong>the</strong> Governor<br />
General’s Award for Drama, as did playwright Kevin<br />
Kerr’s Unity (1918). The plays are staged by two of <strong>the</strong><br />
most exciting young directors in Canada, alumni Sarah<br />
Rodgers and Stephen Drover, respectively.<br />
MFA student directors Lois Anderson (an awardwinning<br />
actress) and Chris McGregor go intern<strong>at</strong>ional<br />
with Greek tragedy (Medea) and American/pseudo-<br />
Russian comedy (The Idiots Karamazov). A wonderful<br />
bonus is our collabor<strong>at</strong>ion with <strong>the</strong> PuSh Festival<br />
to present <strong>the</strong> newest work from a gre<strong>at</strong> Canadian<br />
innov<strong>at</strong>or, Marie Brassard’s The Invisible.<br />
Join our students, staff, faculty, alumni and<br />
professional <strong>the</strong><strong>at</strong>re artists for a season of plays you<br />
won’t forget.<br />
Jerry Wasserman, Head<br />
<strong>UBC</strong> Department of <strong>The<strong>at</strong>re</strong> and Film
September 18 to 27, 2008<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
by Mervyn Peake<br />
Stage Adapt<strong>at</strong>ion by<br />
John Constable<br />
Directed by<br />
Stephen Malloy<br />
Fe<strong>at</strong>uring:<br />
<strong>UBC</strong>'s Gradu<strong>at</strong>ing<br />
BFA Acting Class<br />
This magical show exploits one of English Liter<strong>at</strong>ure’s<br />
undisputed fantasy classics, Mervyn Peake’s gre<strong>at</strong><br />
Gormenghast, recipient of <strong>the</strong> Heinemann Prize for<br />
Liter<strong>at</strong>ure. A macabre tale of a dysfunctional family<br />
incarcer<strong>at</strong>ed in a fantastical bygone age, Gormenghast<br />
presents a heart-rending drama set in <strong>the</strong> shadowy<br />
labyrinths of a huge gothic castle. Dare to step<br />
inside and enter a world of grotesque characters and<br />
mysterious ritual. In this vast crumbling kingdom of<br />
corridors and shadows you will encounter a strangely<br />
compelling and lurid tale of greed, honour, madness<br />
and love.<br />
“Astonishing. Magnificent to w<strong>at</strong>ch. A rich<br />
reflection of <strong>the</strong> book” – The Independent
October 30 to November 11, 2008<br />
T E LUS Studio <strong>The<strong>at</strong>re</strong><br />
billy bishop<br />
goes to war<br />
One of <strong>the</strong> most famous and widely-produced<br />
plays in Canadian <strong>the</strong><strong>at</strong>re, Billy Bishop Goes to<br />
War dram<strong>at</strong>izes <strong>the</strong> life of Canadian World War<br />
I fighter pilot Billy Bishop. It earned <strong>The<strong>at</strong>re</strong><br />
<strong>at</strong> <strong>UBC</strong> alumnus John Gray <strong>the</strong> Governor<br />
General's Award, <strong>the</strong> Chalmers Award and<br />
<strong>the</strong> Los Angeles Drama Critics Award. Billy<br />
Bishop is <strong>the</strong> funny and often very sad story of<br />
a Canadian WWI flying ace, his fe<strong>at</strong>s of daring<br />
and his tribul<strong>at</strong>ions. The myth of <strong>the</strong> man is<br />
revealed as he tells of crossing swords with<br />
commanders, <strong>the</strong> Germans, <strong>the</strong> British and<br />
those who saw war as a good time. Currently<br />
celebr<strong>at</strong>ing its 30th anniversary, this Canadian<br />
classic will receive a second production by First<br />
Impressions <strong>The<strong>at</strong>re</strong>, from November 5 to 22.<br />
www.firstimpressions<strong>the</strong><strong>at</strong>re.com<br />
Written & Composed<br />
by John Gray<br />
with Eric Peterson<br />
Directed by<br />
Sarah Rodgers<br />
Starring<br />
Ryan Beil<br />
Zachary Gray<br />
“A high-flying ace of a show capturing <strong>the</strong><br />
humor, <strong>the</strong> hellfire, and <strong>the</strong> derring-do of an<br />
extraordinary career!” – The New York Times
November 13 to 22, 2008<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
Unity<br />
(1918)<br />
by Kevin Kerr<br />
Directed by<br />
Stephen Drover<br />
In 1918, a world ravaged by war was suddenly<br />
hit by a mysterious and deadly plague—<strong>the</strong><br />
“Spanish Flu.” The illness struck and advanced<br />
rapidly, regardless of age, bringing <strong>the</strong> terror<br />
of <strong>the</strong> Gre<strong>at</strong> War home with <strong>the</strong> returning<br />
soldiers—in fact more people died in this<br />
epidemic than had been killed in b<strong>at</strong>tle.<br />
<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> alumnus Kerr offers us an epic<br />
chronicle of a forgotten chapter of Canadian<br />
history and a chilling preview of <strong>the</strong> beginnings<br />
of our own new century.<br />
A gothic romance filled with dark comedy,<br />
Unity (1918) earned <strong>the</strong> Governor General’s<br />
Literary Award for Drama as well as <strong>the</strong><br />
Sydney Risk Award for Outstanding Original<br />
Script and <strong>the</strong> Jessie Richardson Award for<br />
Outstanding Original Script.<br />
“…a work of powerful and moving<br />
familiarity th<strong>at</strong> celebr<strong>at</strong>es love, sex, de<strong>at</strong>h,<br />
and <strong>the</strong> sorrowful mysteries of war and<br />
plague. It's also painfully funny.”<br />
– The Globe and Mail
January 22 to 31, 2009<br />
T E LUS Studio <strong>The<strong>at</strong>re</strong><br />
Medea<br />
by Euripides<br />
Transl<strong>at</strong>ed by<br />
Kenneth McLeish<br />
and Frederic Raphael<br />
Directed by<br />
Lois Anderson<br />
Image: Bernard Safran, Medea, 1964, 36" × 41", oil on masonite, reproduced with permission from <strong>the</strong> Est<strong>at</strong>e of Bernard Safran.<br />
Greek tragedy's most spectacularly vengeful woman<br />
has rem<strong>at</strong>erialized in a pithy, witty and elegant<br />
90-minute transl<strong>at</strong>ion. Medea is <strong>the</strong> notorious mo<strong>the</strong>r<br />
who, in a fury of sexual jealousy, murders her children<br />
as revenge for her husband's infidelity. In this savage<br />
tragedy about love, entitlement, lust and retribution,<br />
Euripides gives us a nearer view of passion<strong>at</strong>e emotion,<br />
both in its purest forms and in <strong>the</strong> wildest aberr<strong>at</strong>ions<br />
by which men are controlled, or troubled, or destroyed.<br />
“We read about domestic tragedy every day. But<br />
nothing tops a play nearly 2500 years old which<br />
summarises all our fears and sorrow.” – Daily Mail
February 3 to 7, 2009<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
<strong>the</strong> <strong>invisible</strong><br />
Written, Directed<br />
& Performed by<br />
Marie Brassard<br />
Infrarouge<br />
Presented with <strong>the</strong><br />
PuSh Intern<strong>at</strong>ional<br />
Performing Arts Festival<br />
Photo: Eugène Thibault, Henri Robin et le spectre, 1863, coll. Gérard Lévy, Paris.<br />
“Sorceress. Wizard. Trickster. Montreal's Marie<br />
Brassard is all of <strong>the</strong>se.”<br />
– Jo Ledingham, Vancouver Courier<br />
Marie Brassard returns to Vancouver with a <strong>the</strong><strong>at</strong>rical<br />
explor<strong>at</strong>ion of appearance and disappearance, of <strong>the</strong><br />
double and of o<strong>the</strong>rness.<br />
The city of Berlin, ectoplasms (vaporous eman<strong>at</strong>ions<br />
of <strong>the</strong> body supposedly visible to mediums) and <strong>the</strong><br />
literary hoax involving JT LeR oy, a writer dreamed up<br />
by a woman looking to get published, provide Brassard<br />
with m<strong>at</strong>erial to reflect on art and cre<strong>at</strong>ion, on <strong>the</strong><br />
porous boundary between <strong>the</strong> cre<strong>at</strong>or and <strong>the</strong> resultant<br />
cre<strong>at</strong>ure.<br />
In collabor<strong>at</strong>ion with Finnish artist Mikko Hynninen<br />
and composer and sound designer Alexander<br />
MacSween, <strong>the</strong> singular and yet very plural Marie<br />
Brassard incarn<strong>at</strong>es minds and <strong>the</strong> bodies th<strong>at</strong><br />
live <strong>the</strong>rein, making <strong>the</strong>ir ghostly voices reson<strong>at</strong>e,<br />
rendering <strong>the</strong> <strong>invisible</strong> visible.<br />
The Invisible is <strong>the</strong> l<strong>at</strong>est work from <strong>the</strong> cre<strong>at</strong>or of<br />
Jimmy, cré<strong>at</strong>ure de rêve (2002), La Noirceur (2003)<br />
and Peepshow (2006).<br />
Please note th<strong>at</strong> all se<strong>at</strong>ing<br />
for The Invisible is General<br />
Admission.<br />
This production is not eligible<br />
for VersaPass vouchers
March 19 to 28, 2009<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
<strong>the</strong> idiots karamazov<br />
by Christopher Durang<br />
and Albert Innaur<strong>at</strong>o<br />
Directed by<br />
Chris McGregor<br />
Cre<strong>at</strong>ed by two of <strong>the</strong><strong>at</strong>re's most original writers, this<br />
antic, sometimes outrageous and wildly comic “sendup”<br />
of Dostoyevsky's classic novel was first presented<br />
by <strong>the</strong> Yale Repertory <strong>The<strong>at</strong>re</strong>. The play follows<br />
Constance Garnett, a feeble-minded literary transl<strong>at</strong>or.<br />
As <strong>the</strong> play opens, she has difficulty transl<strong>at</strong>ing <strong>the</strong><br />
Russian classic The Bro<strong>the</strong>rs Karamazov. Also onstage<br />
are characters who perform <strong>the</strong> story as she transl<strong>at</strong>es<br />
it. As Garnett's transl<strong>at</strong>ions of <strong>the</strong> text begin to falter,<br />
<strong>the</strong> characters acting out <strong>the</strong> contents of <strong>the</strong> novel<br />
are forced to follow her woeful misinterpret<strong>at</strong>ion—as<br />
a result <strong>the</strong>y purée <strong>the</strong> whole Western<br />
canon before our very eyes.<br />
“…a wild, freeassoci<strong>at</strong>ive<br />
ride.”<br />
– The New York Times
extra event series<br />
September 10 to 14, 2008 7:30 pm<br />
plus: 2:00 pm m<strong>at</strong>inées<br />
September 13 & 14<br />
Dorothy Somerset Studio <strong>The<strong>at</strong>re</strong><br />
Devised & Directed by<br />
Neil Cadger & Tom Scholte<br />
Subscriber Tickets: $10/$7/$5<br />
Avant-garde <strong>the</strong><strong>at</strong>re cre<strong>at</strong>ion practice meets<br />
leading edge multimedia design technology<br />
in This Neck of <strong>the</strong> Woods, a performance piece<br />
co-cre<strong>at</strong>ed by <strong>the</strong><strong>at</strong>re students from <strong>UBC</strong><br />
Okanagan and <strong>UBC</strong> Point Grey. This ‘<strong>the</strong><strong>at</strong>rical<br />
exchange trip’ is led by artists on faculty Neil<br />
Cadger & Tom Scholte in celebr<strong>at</strong>ion of <strong>UBC</strong>’s<br />
100th Anniversary. Expect a provoc<strong>at</strong>ive palette<br />
of exciting live-art ingredients.
Extra Event series (cont'd):<br />
Hänsel und Gretel<br />
by Engelbert Humperdinck Libretto by Adelheid Wette<br />
Directed by Nancy Hermiston Conductor Leslie Dala<br />
<strong>UBC</strong> School of Music Opera Ensemble<br />
& The West Coast Symphony Orchestra<br />
December 11, 12, and 13 <strong>at</strong> 8:00 pm December 14 <strong>at</strong> 3:00 pm<br />
Chan Centre for <strong>the</strong> Performing Arts<br />
Subscriber Tickets: $22/$15/$12<br />
Once upon a time <strong>the</strong>re was a dark forest, two exuberant<br />
children, a gingerbread house to die for, and<br />
one wicked old witch… but anyone familiar with <strong>the</strong><br />
writings of Carl Jung or Bruno Bettelheim knows th<strong>at</strong><br />
fairytales aren’t just for children. This enchanting lyric<br />
adapt<strong>at</strong>ion of <strong>the</strong> Grimm Bro<strong>the</strong>rs fairytale is a joyous<br />
celebr<strong>at</strong>ion of music for all ages.<br />
Falstaff<br />
by Giuseppe Verdi Libretto by Arrigo Boito<br />
Directed by Nancy Hermiston Conductor David Agler<br />
<strong>UBC</strong> School of Music Opera Ensemble<br />
& The West Coast Symphony Orchestra<br />
March 5, 6, and 7 <strong>at</strong> 8:00 pm March 8 <strong>at</strong> 3:00 pm<br />
Chan Centre for <strong>the</strong> Performing Arts<br />
Subscriber Tickets: $22/$15/$12<br />
Falstaff is an oper<strong>at</strong>ic commedia lirica in three acts<br />
adapted from Shakespeare's play The Merry Wives of<br />
Windsor and scenes from Henry IV. An effervescent<br />
masterpiece, this work has long been a critical favorite<br />
for its refinement and melodic invention, its wit, its fun<br />
and of course for its title character, th<strong>at</strong> rascal… th<strong>at</strong><br />
rogue… John Falstaff!<br />
o<strong>the</strong>r events to w<strong>at</strong>ch for!<br />
Available Light: New work devised by students in<br />
<strong>UBC</strong>'s <strong>The<strong>at</strong>re</strong> Program.<br />
<strong>the</strong> 520s: Short plays directed by first-year MFA<br />
Directing students.<br />
Tour de Force: Solo works written and performed by<br />
students in <strong>UBC</strong>'s BFA Acting Program.<br />
Brave New Play Rites: Annual festival of short plays<br />
written and directed by <strong>UBC</strong> students.<br />
Persistence of Vision: Festival of short films written,<br />
produced and directed by students in <strong>UBC</strong>'s Film<br />
Production Program.<br />
<strong>The<strong>at</strong>re</strong> Loc<strong>at</strong>ions & Showtimes<br />
All <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> showtimes: 7:30 pm<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
6354 Crescent Road<br />
T E L U S Studio <strong>The<strong>at</strong>re</strong><br />
in <strong>the</strong> Chan Centre for <strong>the</strong> Performing Arts<br />
6265 Crescent Road<br />
Dorothy Somerset Studio <strong>The<strong>at</strong>re</strong><br />
6361 University Boulevard<br />
For more detailed directions to <strong>the</strong> <strong>UBC</strong> campus and<br />
each venue, please see <strong>the</strong> map provided on <strong>the</strong> back<br />
cover of this brochure, visit www.maps.ubc.ca, or call<br />
<strong>the</strong> <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box Office <strong>at</strong> 604.822.2678.
How to Use <strong>the</strong> Order Form<br />
1. Regular Subscribers<br />
Select <strong>the</strong> se<strong>at</strong>ing loc<strong>at</strong>ion and evening you would<br />
like to <strong>at</strong>tend. Choose <strong>the</strong> type (adult, senior, or<br />
student), quantity, price, and calcul<strong>at</strong>e <strong>the</strong> cost. Each<br />
subscription includes one ticket to <strong>the</strong> following six<br />
shows: Gormenghast, Billy Bishop Goes to War, Unity<br />
(1918), Medea, The Invisible, and The Idiots Karamazov.<br />
2. VersaPass<br />
Select <strong>the</strong> number of VersaPasses and calcul<strong>at</strong>e <strong>the</strong><br />
cost. Each VersaPass consists of six vouchers, each<br />
redeemable for one ticket to any <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />
2008-09 Season Production. Your VersaPass vouchers<br />
will be mailed to you. When you decide which shows<br />
you would like to <strong>at</strong>tend, call <strong>the</strong> <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box<br />
Office to reserve your se<strong>at</strong>s. Please note th<strong>at</strong> VersaPass<br />
vouchers are not eligible for The Invisible or <strong>the</strong> Extra<br />
Event Series.<br />
3. Extra Events<br />
If you would like to add tickets to any of <strong>the</strong> extra<br />
events <strong>at</strong> special <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Subscriber r<strong>at</strong>es,<br />
please write <strong>the</strong> performance d<strong>at</strong>e and number of<br />
tickets of each type in <strong>the</strong> boxes provided and calc ul<strong>at</strong>e<br />
<strong>the</strong> amount. Check <strong>the</strong> m<strong>at</strong>inÉe box if you want to<br />
<strong>at</strong>tend a m<strong>at</strong>inée performance.<br />
4. Don<strong>at</strong>ions<br />
Don<strong>at</strong>ions can be made to <strong>the</strong> Frederic Wood <strong>The<strong>at</strong>re</strong><br />
Found<strong>at</strong>ion (supporting <strong>the</strong> ongoing oper<strong>at</strong>ion of this<br />
historic <strong>the</strong><strong>at</strong>re) or to <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Scholarships.<br />
All don<strong>at</strong>ions over $10 are tax-deductible and donors<br />
will receive a tax receipt from <strong>the</strong> <strong>UBC</strong> Development<br />
Office. Please consider making a don<strong>at</strong>ion and thank<br />
you for your support.<br />
5. Personal & Payment Inform<strong>at</strong>ion<br />
Supply your name, mailing address, telephone number<br />
and payment inform<strong>at</strong>ion. Please indic<strong>at</strong>e in <strong>the</strong><br />
Special Requests section if you require wheelchair<br />
se<strong>at</strong>ing, hearing assistance, a specific se<strong>at</strong>ing loc<strong>at</strong>ion<br />
or anything else you would like us to be aware of.<br />
2008–2009 <strong>the</strong><strong>at</strong>re <strong>at</strong> ubc order form<br />
Se<strong>at</strong> Loc<strong>at</strong>ion<br />
Front Middle Rear Same Se<strong>at</strong>s<br />
(Rows A-C) (Rows D-L) (Rows M-O) as Last Year<br />
Performance Evening<br />
Week 1 Week 2<br />
Thu Fri S<strong>at</strong> Mon Tue Wed Thu Fri S<strong>at</strong><br />
Subscriptions<br />
Cost Number Amount<br />
Adult $100 × =<br />
Senior $80 × =<br />
Student $60 × =<br />
VersaPass<br />
subtotal =<br />
Cost Number Amount<br />
One Price 6 vouchers: $90 × =<br />
Extra Event Series<br />
This Neck<br />
of <strong>the</strong> Woods<br />
D<strong>at</strong>e (mm/dd):<br />
A Servant of<br />
Two Masters<br />
D<strong>at</strong>e (mm/dd):<br />
Hänsel<br />
und Gretel<br />
D<strong>at</strong>e (mm/dd):<br />
Falstaff<br />
D<strong>at</strong>e (mm/dd):<br />
m<strong>at</strong>inÉe m<strong>at</strong>inÉe m<strong>at</strong>inÉe<br />
subtotal =<br />
Cost Number Amount<br />
Ad $10 × =<br />
Sr $7 × =<br />
St $5 × =<br />
Ad $10 × =<br />
Sr $7 × =<br />
St $5 × =<br />
Ad $22 × =<br />
Sr $15 × =<br />
St $12 × =<br />
Ad $22 × =<br />
Sr $15 × =<br />
St $12 × =<br />
subtotal =<br />
Don<strong>at</strong>ion to Frederic Wood <strong>The<strong>at</strong>re</strong> Endowment =<br />
Don<strong>at</strong>ion to <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Scholarships =<br />
Grand total =<br />
Personal & Payment Inform<strong>at</strong>ion – over •
2008–2009 <strong>the</strong><strong>at</strong>re <strong>at</strong> ubc order form<br />
Personal & Payment Inform<strong>at</strong>ion<br />
Name<br />
Address<br />
City Province Postal Code<br />
Telephone<br />
Email (optional)<br />
Payable to<br />
Payment Cheque Visa Mastercard<br />
<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />
Card Number:<br />
Expiry D<strong>at</strong>e:<br />
Sign<strong>at</strong>ure<br />
Special Requests (eg. wheelchair se<strong>at</strong>ing, aisle se<strong>at</strong>s, altern<strong>at</strong>e evenings, etc.)<br />
How to Subscribe<br />
Telephone<br />
604.822.2678<br />
Monday to Friday, 10 am to 4 pm<br />
Fax<br />
604.822.5985<br />
24 hours<br />
In Person<br />
<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box Office<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
6354 Crescent Road, <strong>UBC</strong><br />
Monday to Friday, 10 am to 4 pm<br />
Mail<br />
<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />
subscriptions<br />
6354 Crescent Road<br />
Vancouver, BC v6t 1z2<br />
Please include full payment with your order. We accept<br />
VISA, Mastercard, or cheques made out to <strong>The<strong>at</strong>re</strong> <strong>at</strong><br />
<strong>UBC</strong>. For in-person sales only we also accept Cash or<br />
Interac. Please do not mail cash or post-d<strong>at</strong>ed cheques.<br />
Se<strong>at</strong>ing Chart<br />
The Frederic Wood <strong>The<strong>at</strong>re</strong><br />
Ticket Exchanges: Subscriber tickets may be exchanged for<br />
ano<strong>the</strong>r performance of <strong>the</strong> same production. Ticket exchanges must be<br />
made 48 hours in advance of <strong>the</strong> scheduled performance and are subject<br />
to availability. Please call <strong>the</strong> <strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong> Box Office <strong>at</strong> 604.822.2678<br />
to make your exchange.<br />
privacy: Inform<strong>at</strong>ion provided will only be used to contact you<br />
for m<strong>at</strong>ters regarding your subscription. You may receive subscription<br />
inform<strong>at</strong>ion for subsequent seasons. Your inform<strong>at</strong>ion will never be<br />
transferred or shared with any o<strong>the</strong>r group, organiz<strong>at</strong>ion or individual.<br />
The T E L U S Studio <strong>The<strong>at</strong>re</strong> and <strong>the</strong> Dorothy<br />
Somerset Studio <strong>The<strong>at</strong>re</strong> are General Se<strong>at</strong>ing.
Gormenghast<br />
September 18 to 27<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
Medea<br />
January 22 to 31<br />
T E L U S Studio <strong>The<strong>at</strong>re</strong><br />
Billy Bishop Goes to War<br />
October 30 to November 11<br />
T E L U S Studio <strong>The<strong>at</strong>re</strong><br />
Unity (1918)<br />
November 13 to 22<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
The Invisible<br />
(with <strong>the</strong> PuSh Intern<strong>at</strong>ional<br />
Performing Arts Festival)<br />
February 3 to 7<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
The Idiots Karamazov<br />
March 19 to 28<br />
Frederic Wood <strong>The<strong>at</strong>re</strong><br />
<strong>The<strong>at</strong>re</strong> <strong>at</strong> <strong>UBC</strong><br />
<strong>UBC</strong> department of <strong>the</strong><strong>at</strong>re & film<br />
6354 Crescent Road<br />
Vancouver, BC V6T 1Z2 canada<br />
Box Office: 604.822.2678<br />
www.<strong>the</strong><strong>at</strong>re.ubc.ca