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Dance and Music Creation by Anu Sistonen and ... - Le Trois C-L

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LIFE<br />

<strong>Dance</strong> <strong>and</strong> <strong>Music</strong><br />

<strong>Creation</strong> <strong>by</strong><br />

<strong>Anu</strong> <strong>Sistonen</strong> <strong>and</strong> Aconcagua Quintet<br />

© Patrick Galbats


LIFE<br />

<strong>Dance</strong> <strong>and</strong> <strong>Music</strong> <strong>Creation</strong> <strong>by</strong> <strong>Anu</strong> <strong>Sistonen</strong> <strong>and</strong> Aconcagua Quintet<br />

Passion. Nostalgia. Sadness. Fury. But also love <strong>and</strong> happiness. Most of all - melancholy. Words<br />

that all describe the depth <strong>and</strong> beauty of the music of Astor Piazzolla. <strong>Anu</strong> <strong>Sistonen</strong> has been<br />

deeply inspired <strong>by</strong> the music of Piazzolla <strong>and</strong> has tightly entwined all aspects into “LIFE”. It<br />

resembles clearly the rollercoaster of emotions <strong>and</strong> expresses the feelings of a person living in a<br />

foreign country. Subconsciously longing to the place where she comes from. Why is she here What<br />

did she leave behind What is there to explore Why this eternal longing<br />

In close co-operation with the quintet “Aconcagua” <strong>Anu</strong> has been able to release her feelings into a<br />

free flow. Relationships, feelings, age, time - life overall - is mirrored through one persons eyes. How<br />

does she see it How does it impact her How does she feel that How does she express that<br />

Why is there this eternal longing The multitude of deep <strong>and</strong> intensive emotions <strong>and</strong> contrasts –<br />

passion, love, sadness, fury, tragedy, melancholy. The sudden moves <strong>and</strong> changes from passionate<br />

desperation <strong>and</strong> fierceness to overwhelming tenderness. <strong>Dance</strong> interprets the depth <strong>and</strong> the beauty<br />

of the music of Astor Piazzolla into a story full of motion <strong>and</strong> emotion. The connection between the<br />

two is so strong <strong>and</strong> visible that it can nearly be touched. A true rollercoaster of emotions.<br />

The subject is very close to <strong>Anu</strong> as Argentina <strong>and</strong> Luxembourg can be very closely compared to<br />

each other. Both are countries which have attracted lots of immigrants of all levels of the society.<br />

The mix of people, backgrounds, cultures, ways of life – all this together creates simply a unique<br />

atmosphere which can be felt <strong>and</strong> sensed anywhere <strong>and</strong> anytime. A subject very personal <strong>and</strong> close<br />

to heart.<br />

“<strong>Anu</strong> <strong>Sistonen</strong> signe une chorégraphie à la fois intime et universelle.”<br />

Marie-Laure Roll<strong>and</strong> (Luxemburger Wort '10)<br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

2


TEAM<br />

Choreography<br />

<strong>Dance</strong>rs<br />

<strong>Music</strong><br />

Lighting<br />

Costumes<br />

<strong>Anu</strong> <strong>Sistonen</strong><br />

Jonna Aaltonen, Ares D’Angelo, Ville Oinonen, Sarah Picard, <strong>Anu</strong> <strong>Sistonen</strong><br />

Astor Piazzolla <strong>by</strong> Aconcagua quintet<br />

Jean Brücher<br />

Peggy Wurth<br />

Duration<br />

Premiere<br />

60 minutes<br />

7.5.2010 (Chapiteau du Théâtre d'Esch, Luxembourg)<br />

<strong>Creation</strong> of Théâtre d’Esch in coproduction with Centre de Création Chorégraphique<br />

Luxembourgeois TROIS C-L, Ministry of Culture <strong>and</strong> Fondation Indépendance<br />

Supported <strong>by</strong> Embassy of Finl<strong>and</strong><br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

3


ANU SISTONEN, CHOREOGRAPHER<br />

<strong>Anu</strong> Marjukka <strong>Sistonen</strong> is a Finnish dancer, teacher <strong>and</strong> choreographer who<br />

trained at the Finnish National Ballet School. Upon graduation <strong>Anu</strong> gained a<br />

contract in the Finnish National Ballet <strong>and</strong> soon began dancing principal roles,<br />

that included for example Juliet in John Cranko’s version of Romeo <strong>and</strong> Juliet,<br />

Odette-Odile in Swan Lake <strong>and</strong> Clara in two different version of The Nutcracker.<br />

She was always more interested in contemporary <strong>and</strong> modern dance <strong>and</strong> got a<br />

chance to work with many of the leading choreographers in the world like Mats<br />

Ek, Jiri Kylian, John Neumeier <strong>and</strong> Ohad Naharin.<br />

In 1986 <strong>Anu</strong> <strong>Sistonen</strong> joined The Stuttgart Ballet where she remained for four<br />

years touring extensively <strong>and</strong> dancing various roles. The company was at that<br />

© Mirka Kleemola time under the direction of the famous prima ballerina Marcia Haydee. In 1990<br />

<strong>Anu</strong> moved to Stockholm to work with Mats Ek in the Cullberg ballet before<br />

returning to Finl<strong>and</strong> in 1992. During the period 1993-1998 she worked in the<br />

Finnish National Ballet with many leading Finnish choreographers like Jorma Uotinen (director of the<br />

company), Kenneth Kvanström <strong>and</strong> Tero Saarinen.<br />

In 1998 <strong>Anu</strong> moved to Paris <strong>and</strong> then London to enable her to spend more time working with<br />

choreographers outside Finl<strong>and</strong> as well as to develop her teaching <strong>and</strong> choreographic interests.<br />

During this latest stage in her career she has worked with choreographer Tero Saarinen in his<br />

company Toothpick, taught in London, Germany, Finl<strong>and</strong>, France, Sweden <strong>and</strong> Luxembourg <strong>and</strong><br />

occasionally returned to the Finnish National Ballet as a guest artist. <strong>Anu</strong> is now principally based in<br />

Luxembourg <strong>and</strong> had twice her own dance performances in Gr<strong>and</strong> Théâtre de la Ville de<br />

Luxembourg. In 2003 the evening was titled "Northern Spirit" <strong>and</strong> it included three choreographies of<br />

her: "Out of the Fog" (trio), Shivering (solo) <strong>and</strong> Unison (duet). The second of her own evening was<br />

"Soirée Contraire" <strong>and</strong> it included two new creations: "Sibelius-Divertissement" <strong>and</strong> "La Fantaisie".<br />

On 10th of November, 2006 her creation TIMELINE was premiered in Théâtre d'Esch. It was a<br />

continuation of the cooperation between <strong>Anu</strong> <strong>and</strong> Andre Mergenthaler, a famous luxembourgish<br />

cellist. Also premiered in 2006 was <strong>Anu</strong>’s creation “Truly Yours”, a solo work for dancer Jonna<br />

Aaltonen which was extended <strong>and</strong> made into a duet in 2008 <strong>and</strong> renamed “Moving Light”. <strong>Anu</strong> also<br />

created a new work with the Ballet de Lorraine “Spleen” in 2008 <strong>and</strong> a new work for Pori <strong>Dance</strong><br />

Company “Against the Flow” in 2009.<br />

As an independent production <strong>and</strong> first cooperation with the Finnish photographer Miikka Heinonen<br />

<strong>Anu</strong> also created in 2008 “Contaminated”, a co-production with <strong>Trois</strong> C-L.<br />

In 2010 <strong>Anu</strong> worked in close cooperation with Aconcagua quintet on "LIFE", based on the music of<br />

Astor Piazzolla. LIFE was premiered in Théâtre d'Esch Luxembourg in May 2010 <strong>and</strong> has been<br />

performed in the Gr<strong>and</strong> Region of Luxembourg <strong>and</strong> will be performed also in the Fullmoon <strong>Dance</strong><br />

Festival in Pyhäjärvi Finl<strong>and</strong> in July 2010.<br />

<strong>Creation</strong>s: Shivering (2003), Unison (2003), Sibelius (2004), Timeline (2006), Contaminated (2008),<br />

Yours Truly / Moving Light (2008), LIFE (2010), Image X (2011)<br />

Next project: Duo Duu (for young audience)<br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

4


PHOTOGRAPHS<br />

© Patrick Galbats<br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

5


TECHNICAL RIDER<br />

General<br />

Name of the piece: LIFE<br />

Duration: 50 min<br />

Touring personnel:<br />

5 <strong>Dance</strong>rs (3 women, 2 men)<br />

5 musicians (1 woman, 4 men)<br />

1 technician,<br />

This technical rider contains the specific minimum requirements for a successful performance of<br />

«LIFE » <strong>and</strong> forms a part of the contract between the promoter <strong>and</strong> the company. Please note that<br />

all final technical requirements are to be verified <strong>by</strong> the company in consultation with the venue, <strong>and</strong><br />

will vary depending on the venue itself.<br />

Contact info<br />

Jean Brücher technician lutejang@lutejang.com<br />

or<br />

<strong>Anu</strong> <strong>Sistonen</strong> choreographer sistonenanu@yahoo.com<br />

Manuela Lorenzo producer manuelalorenzo@hotmail.com<br />

Stage<br />

Original space: 12m x 12m<br />

Minimum surface of 10m x 10m<br />

Wooden sprung floor<br />

Black linoleum dance carpet covering the whole surface<br />

Cyclorama upstage<br />

Podium covering upstage left to right width 1m. If not possible, 4 black chairs.<br />

- please note that these measurements represents the performance area required for the dance <strong>and</strong><br />

music area only, <strong>and</strong> does not take in to consideration the additional space required for wings, <strong>and</strong><br />

the placement of lighting booms, etc.<br />

Sound<br />

See technical rider of Aconcagua Quintet (live music)<br />

CD player<br />

Lighting<br />

Light plan available on request<br />

Set up time<br />

Depending on the venue. When the lights are pre hanged <strong>and</strong> setup, it will take minimum of 6 hours<br />

for focus lights, program the lighting control desk <strong>and</strong> sound check. Set up time all together with the<br />

rehearsal will take 7-8 hours.<br />

Crew (provided <strong>by</strong> the promoter)<br />

During performance:<br />

1 sound engineer<br />

1 lighting technician<br />

1 stage technician<br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

6


TECHNICAL SPECIFICATIONS + PLAN OF STAGE<br />

ACONCAGUA QUINTET<br />

1- stage<br />

- 4 music st<strong>and</strong> (Manhasset or equivalent) with 6 music st<strong>and</strong> lights.<br />

1 music st<strong>and</strong> light per musicians <strong>and</strong> 2 for the pianist.<br />

2 high chairs for the double-bassist <strong>and</strong> the violinist.<br />

2 chairs for the accordionist <strong>and</strong> the guitarist.<br />

1 piano stool.<br />

1 st<strong>and</strong> to put the double bass on.<br />

2 chairs to have amplifier higher.<br />

Kind of piano <strong>and</strong> tune<br />

The piano have to be an half tail piano from Steinway & Son or Yamaha<br />

or Kawai.<br />

Very important<br />

- The piano will be tune at 442 Mhz <strong>and</strong> at least 3 hours before the show.<br />

2 – Electricity amplifier <strong>and</strong> listing of microphones we need<br />

- For our electrical material (amps for double bass <strong>and</strong> guitar) we need<br />

a tension 220V with earth connector .<br />

The amplifier of the double bassist is : Acoustic Image CODA R III<br />

The amplifier of the guitarist is: AER type compact 60<br />

Microphones<br />

For the violinist we need:<br />

1 DPA 4066 or<br />

Shertler DYN-V-SET or<br />

Shertler A-DYN<br />

Or another equivalent material with the same quality<br />

Always for the violonist:<br />

It’s more easier for him to play without wire<br />

Could we have a receiving /transmitting system of Sennheiser or Shure.<br />

For the piano we need<br />

2 microphones like “Sennheiser Evolution” or Neumann KM 184<br />

Or another equivalent material with the same quality.<br />

For the accordionist we need<br />

2 microphones Neumann KM 184 or another equivalent material with the same quality.<br />

we need that a sound engineer stays with us during<br />

the general rehearsal <strong>and</strong> the show.<br />

3- Contact Aconcagua quintet :<br />

Benoît <strong>Le</strong>got Tel : 00352 691 83 38 40 Email: blegot@gmail.com or<br />

Aconcaguaquintet@gmail.com<br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

7


CONTACT<br />

© Patrick Galbats<br />

<strong>Dance</strong> Development<br />

<strong>Anu</strong> <strong>Sistonen</strong><br />

12, cité Alex<strong>and</strong>re de Colnet<br />

L - 8061 Bertrange<br />

Tél. :+352 691 63 69 44<br />

Mail : sistonenanu@yahoo.com<br />

anusistonen.webs.com<br />

<strong>Anu</strong> <strong>Sistonen</strong> / Aconcagua Quintet<br />

LIFE<br />

8

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