WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com
WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com
WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com
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RACHEL<br />
(swallows)<br />
I Know. Sleep now, Liebchen.<br />
She puts her hand on his forehead, closes his eyes. she frowns,<br />
and...<br />
EXT. DRIVE-IN FAST-FOOD JOINT – PHILADELPHIA – DAWN<br />
Carter exits the cafe carrying burgers, donuts and a couple of<br />
beers. Book wakes from a brief nap as Carter gets into the car.<br />
Book chews into his burger while Carter takes a doughnut. Its<br />
clear they've worked through the night.<br />
EXT. ELAINE'S HOUSE – DAY<br />
Elaine's house is situated on the corner of a row of terraces,<br />
which stretch into the distance on both sides of the street.<br />
INT. ELAINE'S HOUSE<br />
As Samuel <strong>com</strong>es out of the guest room in his night-shirt, turns up<br />
the hall and opens the door to the bathroom.<br />
ANGLE<br />
But it's not the bathroom;it's Elaine's bedroom. She and FRED are<br />
tangled in the sheets, furiously making love. Elaine gasps, Fred<br />
manages to grunt.<br />
ANOTHER ANGLE<br />
FRED<br />
Wrong door, kid.<br />
As Samuel quickly shuts the door. A straight-faced beat; then,<br />
barely suppressing a giggle, he hurries on...<br />
ANGLE IN LIVING ROOM<br />
As Rachel appears in the living room entry. Samuel is sitting on<br />
the floor with two boys of about his own age, watching television.<br />
They're eating cold cereal out of a box.<br />
RACHEL'S POV – TV SCREEN<br />
Some artless Saturday morning cartoon.<br />
BACK TO RACHEL<br />
As she frowns, watching her son and the other two staring<br />
hypnotically. And...
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