WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com
WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com
WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com
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INT. CARTER'S APARTMENT – BEDROOM – NIGHT<br />
As he's awakened <strong>by</strong> the RINGING bedside telephone. He snaps on a<br />
lamp... He's instantly awake, not unused to suchrousing in the wee<br />
hours. A woman sleeps beside him.<br />
INTERCUT BOOK<br />
Yeah...<br />
He's at an n.d. pay phone.<br />
CARTER<br />
BOOK<br />
Listen carefully, I wrote the Amish<br />
woman's name and address on my desk<br />
calendar, I want you to lose it for me,<br />
Now. Tonight.<br />
CARTER<br />
What the hell are you talking about?<br />
What's happening,<br />
BOOK<br />
Nothing. I'm not going to be around for a<br />
while. I'll call you when I can.<br />
CARTER<br />
(alarmed)<br />
Johnny, what the fuck?<br />
BOOK<br />
(hard)<br />
Listen to me – Schaeffer's part of it.<br />
Maybe at the top of it.<br />
There's a stunned silence at the other end.<br />
BOOK (CONT'D)<br />
Yeah... I can put it all together when I<br />
get back, 'Til then, you know nothing,<br />
understand? Business as usual...<br />
CARTER<br />
(beat)<br />
I hear you.<br />
BOOK<br />
(nods)<br />
Good. Take care of that woman's name for<br />
me. And watch your ass.<br />
INT. GUEST ROOM, ELAINE'S HOUSE – NIGHT<br />
As the door opens and Elaine switches on the light, rousing<br />
Rachel. Elaine looks haggard.
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