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WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com

WITNESS by Earl W. Wallace William Kelley Pamela - Screenplay.com

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ANGLE THOUGH GLASS CASE<br />

As Samuel moves along, only half interested in what his eyes are<br />

taking in, not really old enough to <strong>com</strong>prehend anyway.<br />

Until suddenly he freezes.<br />

SAMUEL'S POV – NEWSPAPER ACCOUNT<br />

Enlarged, prominently displayed. The headline reads: "Division<br />

Chief McElroy Honored For Youth Project". Ac<strong>com</strong>panying the item is<br />

a large sidebar mug-shot of McElroy – clearly the black man who<br />

murdered the young cop in the train station men's room.<br />

BACK TO SAMUEL<br />

He stares, transfixed.<br />

A long beat, then Book, lowering himself to one knee next to<br />

Samuel, ENTERS FRAME.<br />

He's watching Samuel, knowing from the boy's expression that<br />

they've found their man. Samuel slowly raises his hand to point at<br />

the photograph. Book gently takes the boy's small hand in his,<br />

concealing the accusation from watchful eyes. He smiles gently at<br />

the boy.<br />

INT. BOOK'S CAR (MOVING) – PHILADELPHIA – DUSK<br />

Rachel is curled tight in her corner of the front seat holding<br />

Samuel close. Book glances at her:<br />

RACHEL<br />

Why don't you arrest that man? Are you<br />

protecting him because policeman?<br />

BOOK<br />

(snaps)<br />

Listen, I'm the cop that polices the<br />

police. I'm not in the business of<br />

protecting crooked cops .<br />

(eases up)<br />

I'll make an arrest when I know everybody<br />

involved.<br />

Rachel shakes her head.<br />

RACHEL<br />

But why would they murders...

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