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Skate's Art Investment Review 2011 Annual Art Investment Report

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Transparency For The Global <strong>Art</strong> Market Since 2004 www.skatepress.com<br />

In this Issue:<br />

155 East 56 th Street, 4 th floor, New York, NY 10022 USA /phone: +1.212.514.6010<br />

Skate’s <strong>Art</strong> <strong>Investment</strong> <strong>Review</strong><br />

<strong>2011</strong> <strong>Annual</strong> <strong>Art</strong> <strong>Investment</strong> <strong>Report</strong><br />

Introduction ................................................................................................................................................................................... 2<br />

<strong>2011</strong> <strong>Art</strong> Market Overview ...................................................................................................................................................... 2<br />

Table 1 Skate’s Top 5000 Key Metrics in <strong>2011</strong> versus 2010 ............................................................................. 3<br />

Table 2 Skate’s Top 5000 Peer Group: Key Data Points ....................................................................................... 3<br />

Table 3 Skate’s Achievement of the Year Awards ................................................................................................... 4<br />

<strong>Art</strong> Market Liquidity Amid a Chinese Bubble? ................................................................................................................. 4<br />

Table 4 Ten Most Active <strong>Art</strong>ists by Number of <strong>Art</strong>works Traded Within Top 5000 Price Range ...... 6<br />

Table 5 Biggest Changes in the <strong>Art</strong>ists’ Market Capitalization of Skate’s Top 5000 in <strong>2011</strong> ............... 6<br />

Table 6 Ten Most Valuable <strong>Art</strong>ists in Skate’s Top 5000 (as of December 30, <strong>2011</strong>) ............................... 7<br />

Table 7 Top Five Auction Prices Paid in <strong>2011</strong> .......................................................................................................... 8<br />

<strong>Investment</strong> Potential of <strong>Art</strong> in Skate’s Top 5000: ERR Results of <strong>2011</strong> ................................................................ 8<br />

Table 8 Repeat Sales Data: <strong>2011</strong> vs. 2010 ................................................................................................................. 9<br />

Table 9 Ten Most Liquid <strong>Art</strong>ists (Greatest Number of Repeat Sales by Years) .......................................... 9<br />

Table 10 Five Best Exits from <strong>Art</strong> <strong>Investment</strong>s in <strong>2011</strong> ...................................................................................... 10<br />

Table 11 Five Worst <strong>Investment</strong>s in <strong>Art</strong> Realized in <strong>2011</strong> ................................................................................. 11<br />

Table 12 All Time ERR Records (Based on Repeat Sales within Skate’s Top 5000) ................................ 12<br />

Table 13 Female <strong>Art</strong>ists in Skate’s Top 5000 ........................................................................................................... 12<br />

Leaving Skate’s: Value Reductions and Exits ................................................................................................................. 13<br />

Table 14 Revolving Door: <strong>Art</strong>ists Represented in Skate’s Top5000 of <strong>Art</strong>works by Auction Prices 13<br />

Table 15 Top 10 Losers: <strong>Art</strong>ists with the Greatest Reduction in Value and Number of <strong>Art</strong>works (as<br />

Represented in Skate’s Top 5000) ..................................................................................................................................... 14<br />

Table 16 Top 10 <strong>Art</strong>ists by Market Capitalization without Sales Records in <strong>2011</strong> (in Skate’s Top 5000 Price<br />

Range) 14<br />

Table 17 Most Valuable Living <strong>Art</strong>ists (Based on Representation in Skate’s Top 5000) ....................... 15<br />

Table 18 Skate’s Top 5000 Living <strong>Art</strong>ists Who Passed Away in <strong>2011</strong> ........................................................... 15<br />

Skate’s <strong>Art</strong> Stocks <strong>Review</strong> ...................................................................................................................................................... 16<br />

155 East 56th Street, 4th floor, New York, NY 10022 USA /phone: +1.212.514.6010 web: www.skatepress.com


Introduction<br />

Welcome to the <strong>2011</strong> <strong>Annual</strong> <strong>Art</strong> <strong>Investment</strong> <strong>Report</strong><br />

by Skate’s. Published by Skate’s <strong>Art</strong> Market Research<br />

since 2006, this report covers global art market<br />

trends and provides forecasts for the coming year.<br />

Our coverage is focused on the universe of global<br />

artists (674 names as of December 30, <strong>2011</strong>) whose<br />

works are represented in Skate’s Top 5000, our<br />

database of the world’s most valuable art based on<br />

auction prices. We also follow all publicly traded art<br />

funds and companies operating in the art industry<br />

around the world, tracking their performance with<br />

Skate’s <strong>Art</strong> Stocks Index.<br />

To learn more about Skate’s Top 5000 and the<br />

artworks and artists represented, please download<br />

Skate’s application for your iPad or visit<br />

www.skatepress.com. For art stocks and art funds<br />

coverage, please visit Skate’s <strong>Art</strong> Stocks & Funds.<br />

In this report, we focus on the world’s leading<br />

auctions with sales qualifying for entrance into<br />

Skate’s Top 5000 in <strong>2011</strong> (the threshold price stands<br />

at $2.1 million as of December 30, <strong>2011</strong>). Skate’s<br />

currently covers 30 auction houses globally, of which<br />

Sotheby’s, Christie’s, Poly International Auction,<br />

Phillips and China Guardian Auctions are by far the<br />

most significant contributors of works to Skate’s Top<br />

5000.<br />

<strong>2011</strong> <strong>Art</strong> Market Overview<br />

� Skate’s Top 5000 total value reached $30.5<br />

billion, and the ranking’s threshold price broke<br />

the $2 million level.<br />

� Average annualized investment returns on the<br />

world’s masterpieces peaked at 4.82%, 1<br />

confirming the strong performance of<br />

�<br />

exceptional artworks amidst global economic<br />

turmoil.<br />

Skate’s <strong>Art</strong> Stock Index had its worst year since<br />

2008, losing 15% in value in <strong>2011</strong>. This<br />

performance came despite robust auction<br />

1 As measured with repeat sales at auctions, includes<br />

auction fees but excludes ownership and transportation<br />

costs, before taxes.<br />

volumes, with the index’s flagship stock<br />

Sotheby’s shedding over one-third of its value in<br />

<strong>2011</strong>, producing a -35.5% return for its<br />

shareholders for the year as of December 23,<br />

<strong>2011</strong>.<br />

Perhaps, the key outcome is that throughout <strong>2011</strong><br />

the art market has resisted pervasive global<br />

economic turmoil and instability, with its high-end<br />

segment growing on every measure in <strong>2011</strong><br />

compared to 2010 (see Table 1 and next page for key<br />

results). Driven by a record 119 repeat sales<br />

registered within Skate’s Top 5000 in <strong>2011</strong>, the<br />

weighted average returns on Skate’s Top 5000 grew<br />

to an all-time high of 4.82% per annum. Sellers<br />

exiting the market in <strong>2011</strong> saw annualized returns of<br />

7.20% on their works.<br />

Today, to merit entry into Skate’s Top 5000, an<br />

artwork must sell for more than $2.1 million at<br />

auction; 721 such works did so in <strong>2011</strong> for a<br />

combined value of $4.3 billion. These new entries<br />

represent a very diverse universe of 250 different<br />

artists, 81 of whom had no prior record in Skate’s<br />

Top 5000. We note a pattern clearly reminiscent of<br />

2006/2007, when booming demand for high-end art<br />

coupled with a scarcity of works from established<br />

names helped to bring multimillion dollar valuations<br />

to “second choice” artists. As a result, art dealers<br />

and auction houses were and are again now able to<br />

establish price records for less well known art and in<br />

the process feed more names into the pantheon of<br />

the world’s most valuable art.<br />

Typical of such boom times, we have observed a rise<br />

in the presence of living artists, female artists and<br />

artists from BRIC countries. In <strong>2011</strong>, 59 new living<br />

artists and 10 new female artists entered Skate’s Top<br />

5000. Notably, 82 BRIC representatives—primarily<br />

Chinese artists—significantly increased their share in<br />

the rating compared to last year. These artists also<br />

occupied top places along with artists who have long<br />

held established auction market records. The only<br />

slight decline was noticed in the average price paid<br />

per work created by BRIC artists: $6 million in <strong>2011</strong><br />

versus $6.2 million in 2010.<br />

2


Transparency For The Global <strong>Art</strong> Market Since 2004 www.skatepress.com<br />

155 East 56 th Street, 4 th floor, New York, NY 10022 USA /phone: +1.212.514.6010<br />

Table 1 Skate’s Top 5000 Key Metrics in <strong>2011</strong> versus 2010<br />

Benchmarks <strong>2011</strong> 2010<br />

Number of new entrants * in <strong>2011</strong> 721 588<br />

Total value of new entrants, USD 4,308,313,384 3,629,214,346<br />

Number of artists behind new entrants 250 223<br />

Number of new artists ** 81 47 (since 31-May-10)<br />

Number of living artists among new entrants *** 59 46<br />

Number of female artists among new entrants 10 8<br />

Number of BRIC artists among new entrants **** 82 53<br />

Number of repeat sales 119 117<br />

Weighted average ERR of repeat sales ***** , annualized % 7.20 7.13<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

*<br />

New entrant – an artwork included in Skate’s Top 5000 with its most recent auction price record achieved in <strong>2011</strong><br />

**<br />

New artist – an artist who had no representation in Skate’s Top 5000 at the time his/her work’s sale on the auction<br />

market qualified it for entry into Skate’s Top 5000<br />

***<br />

Living artist – living as of the date of related auction sale<br />

****<br />

<strong>Art</strong>ists attributed to BRIC on the basis of their place of birth (i.e., Brazil, Russia, India or China)<br />

*****<br />

Weighted average effective rate of return calculated for the entire statistical set of Top 5000 repeat sales records<br />

with weights assigned on the basis of the initial purchase price (including buyer’s premium), converted to USD (for<br />

non-USD sales) on the basis of the exchange rate at the time of sale<br />

Table 2 Skate’s Top 5000 Peer Group: Key Data Points<br />

Benchmarks <strong>2011</strong> 2010<br />

Total value, USD (aggregate auction prices paid) 30,528,112,812 27,630,454,263<br />

Weighted average ERR annualized, % 4.82 4.24<br />

Percentage of trades being repeat sales, % 12.5 12.3<br />

155 East 56th Street, 4th floor, New York, NY 10022 USA /phone: +1.212.514.6010 web: www.skatepress.com


Percentage of volume being repeat sales, % 14.1 13.9<br />

Number of artists with more than 1 trade 361 358<br />

Number of artists with more than 5 trades 174 154<br />

Threshold price, USD (the value of the 5000 th artwork) 2,136,000 1,870,000<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Table 3 Skate’s Achievement of the Year Awards<br />

Achievement Name Comment<br />

<strong>Art</strong>ist of the Year Zhang Daqian<br />

Female <strong>Art</strong>ist of the Year Tamara de Limpicka<br />

<strong>Art</strong>work of the Year<br />

Best Exit of the Year<br />

Worst Exit of the Year<br />

Eagle Standing on Pine<br />

Tree<br />

ERR of 93.82% on<br />

Three Years’<br />

<strong>Investment</strong> in Lady in<br />

Solitude by Fu Baoshi<br />

Negative ERR of -<br />

18.13% on Three Years’<br />

<strong>Investment</strong> in Still Life<br />

with Mirror by Roy<br />

Lichtenstein<br />

Supply Problem of the Year Vincent van Gogh<br />

Disappointment of the Year Damien Hirst<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Another very important and healthy trend for <strong>2011</strong><br />

has been the crystallization of repeat sale liquidity<br />

around a growing number of artists. The number of<br />

artists with more than five repeat sales records in<br />

Skate’s Top 5000 has increased by 13% to 174<br />

names. As a result, trading in high-end art is<br />

becoming ever more diverse with more<br />

benchmarking data available for potential buyers.<br />

This trend is essentially harmonizing a larger portion<br />

of the art market and giving it greater transparency<br />

The biggest gain in Skate’s Top 5000 in market<br />

capitalization and the largest # of artworks traded in <strong>2011</strong><br />

in Skate’s Top 5000 price range<br />

Born in Moscow as Maria Gorska, Tamara de Limpicka<br />

became the most actively traded female artist in <strong>2011</strong><br />

within Skate’s Top 5000 pricing range, achieving a<br />

weighted average ERR of 13% on five repeat sales<br />

Work by Qi Baishi was sold at China Guardian Auction for<br />

$65,532,112 on May 22 and became the most valuable<br />

artwork sold on the auction market in <strong>2011</strong>, now ranked #<br />

15 in Skate’s Top 5000<br />

The artwork was purchased for $262,830 in 2008 and sold<br />

for $1,932,217 on April 5, <strong>2011</strong>, yielding an annualized<br />

investment return of almost 94%<br />

The artwork was purchased for $9,599,371 in 2008 and<br />

sold for $5,800,000 on May 12, <strong>2011</strong>, yielding an<br />

annualized investment return of -18% and a direct loss of<br />

$3.8 million on this investment<br />

The largest artist by market capitalization who had no<br />

single auction record within Skate’s Top 5000 in <strong>2011</strong><br />

The most valuable living artist of those who had no<br />

auction sale record in <strong>2011</strong> within Skate’s Top 5000<br />

pricing range (over $2 million per artwork)<br />

through the availability of price records and<br />

historical investment returns data.<br />

<strong>Art</strong> Market Liquidity Amid a Chinese Bubble?<br />

The total volume of premium segment art<br />

transactions in <strong>2011</strong> was $4.3 billion and represents<br />

a remarkable 18.7% trading volume increase within<br />

Skate’s Top 5000 category in 2010. Increased trading<br />

4


in high-end Chinese art was a primary driver for this<br />

volume increase in <strong>2011</strong>; art produced by Chinese<br />

artists comprised a full 50% of trading within Skate’s<br />

Top 5000 price range (above $2 million per artwork).<br />

Zhang Daqian tops the list, and Wu Guanzhong is<br />

rapidly gaining appreciation (see Table 4 for more<br />

details).<br />

As shown in Table 5, five out of the ten artists with<br />

the biggest <strong>2011</strong> increase in their market<br />

capitalization in Skate’s Top 5000 (aggregate value of<br />

auction prices paid for their artworks included in Top<br />

5000) were Chinese.<br />

Early in <strong>2011</strong> Skate’s was the first to point out the<br />

rapid formation of a deep and very speculative<br />

market for Zhang Daqian’s art, as Daqian in literally<br />

no time became the 20 th most valuable artist in our<br />

ranking (see Skate’s Market Notes, April 18, <strong>2011</strong>). In<br />

<strong>2011</strong>, his sales volumes tripled compared to 2010,<br />

and he became the most actively traded (by number<br />

of works) artist in the global art market’s high-end<br />

price range, with 54 artworks sold at auction at or<br />

above $2 million per work. In dollar terms, this was<br />

enough to put Zhang Daqian right behind the world’s<br />

dominating duo of Picasso and Warhol as the world’s<br />

most traded artists with a total value of auction sales<br />

in Skate’s Top 5000 price range of $247.9 million for<br />

<strong>2011</strong> alone. And, if this is not enough, Zhang Daqian<br />

gained more value in his Top 5000 representation in<br />

dollar terms than any other artist in <strong>2011</strong>, overtaking<br />

Picasso and Warhol by this measure as a significant<br />

number of their artworks exited Skate’s Top 5000<br />

during the year (see pgs. 12-13 for more).<br />

Zhang Daqian was not the only Chinese artist to<br />

make a splash in <strong>2011</strong>. Qi Baishi scored the record<br />

auction sale for <strong>2011</strong> when his painting Eagle<br />

Standing on Pine Tree sold for $65.5 million and<br />

became the 15 th most expensive artwork of all time<br />

to be sold at auction. The third most frequently<br />

traded artist this year in terms of number of<br />

artworks sold at Skate’s Top 5000 prices was Wu<br />

Guanzhong. The artist passed away in June 2010 at<br />

the age of 90, an event which set a speculative<br />

bubble in motion, comparable in zeal to the Daqian<br />

frenzy. In <strong>2011</strong> alone, there were 27 new entries of<br />

his artworks to Skate’s Top 5000 with an overall<br />

volume of $141 million. The most valuable painting<br />

by Wu Guanzhong is Ten Thousand Miles of the<br />

Yangtze River, which was sold for $23.5 million in<br />

Beijing at an obscure local house—A&F Auction—on<br />

November 19 of this year. Wu Guanzhong is now<br />

ranked as the 44 th most valuable artist by Skate’s,<br />

right after Cy Twombly who passed away this year<br />

(as did Lucian Freud, another major contemporary<br />

artist—currently ranked as the 30 th most valuable<br />

artist after his exit from the living artist category this<br />

year).<br />

Given the significant losses of living artists in the top<br />

tier category, Gerhard Richter’s dominance of the<br />

segment only solidified in <strong>2011</strong>. Richter’s ascent was<br />

relentless, with price records being achieved<br />

throughout <strong>2011</strong>. Like Picasso, Richter saw 26 of his<br />

paintings sold in Skate’s Top 5000 category (and<br />

unlike Picasso, he actually was able to watch that<br />

this year); seven of these were repeat sales. The<br />

resulting market capitalization increase of $147.4<br />

million moved him even further away from his<br />

contemporaries as the most valuable living artist<br />

today, and positioned him as the 14 th most valuable<br />

artist of all time, right below William de Kooning and<br />

above Fernand Léger. Richter’s Abstraktes Bild series<br />

made a major contribution to the growth of his<br />

market capitalization, including his record painting<br />

sale for $20.8 million in November of this year (a<br />

detailed analysis of the Abstraktes Bild series was<br />

presented in Skate’s October <strong>Report</strong>).<br />

Finally, we must note the exceptional liquidity of<br />

Warhol, Monet, Picasso, and Richter as the market<br />

leaders by number of repeat sales within Skate’s Top<br />

5000 price range—artists whose works offer a<br />

striking contrast between liquidity (established<br />

names) and speculative volumes spikes (Chinese<br />

names for which repeat sales happen far less often).<br />

5


Table 4 Ten Most Active <strong>Art</strong>ists by Number of <strong>Art</strong>works Traded Within Top 5000 Price Range<br />

<strong>Art</strong>ist<br />

Number of<br />

Transactions in<br />

<strong>2011</strong><br />

<strong>Art</strong>ist<br />

Trading Volume<br />

in <strong>2011</strong>, USD<br />

<strong>Art</strong>ist<br />

Number of<br />

Repeat Sales<br />

in <strong>2011</strong><br />

Zhang Daqian 54 Andy Warhol 282,616,663 Andy Warhol 9<br />

Andy Warhol 34 Pablo Picasso 278,385,966 Claude Monet 8<br />

Wu Guanzhong 27 Zhang Daqian 247,861,601 Pablo Picasso 7<br />

Pablo Picasso 26 Gerhard Richter 170,900,498 Gerhard Richter 7<br />

Gerhard Richter 26 Francis Bacon 143,616,052 Jean-Michel Basquiat 4<br />

Fu Baoshi 16 Wu Guanzhong 141,074,649 Alexander Calder 4<br />

Qi Baishi 14 Qi Baishi 131,567,273 Fernand Léger 3<br />

René Magritte 13 Clyfford Still 112,807,500 René Magritte 3<br />

Zao Wou-Ki 13 Xu Beihong 72,051,690 Alberto Giacometti 3<br />

Jean-Michel Basquiat 12 René Magritte 69,527,470 Zhang Daqian 3<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Table 5 Biggest Changes in the <strong>Art</strong>ists’ Market Capitalization of Skate’s Top 5000 in <strong>2011</strong><br />

<strong>Art</strong>ist<br />

Total Volume<br />

in Skate’s Top<br />

5000, USD<br />

<strong>2011</strong> 2010<br />

Market Cap Growth<br />

in Skate’s Top 5000,<br />

USD<br />

<strong>Art</strong>ist<br />

Total Volume in<br />

Skate’s Top<br />

5000, USD<br />

Market Cap Growth in<br />

Skate’s Top 5000 (31-<br />

May-10 to 31-Dec-10),<br />

USD<br />

Zhang Daqian 348,764,582 265,025,731 Andy Warhol 1,285,991,395 178,896,059<br />

Andy Warhol 1,487,446,640 201,455,245 Amedeo<br />

Modigliani<br />

640,640,637 118,287,114<br />

Pablo Picasso 3,079,450,342 199,939,770 Pablo Picasso 2,879,510,572 84,154,842<br />

Qi Baishi 196,144,190 161,227,337 Henri Matisse 798,992,611 81,139,039<br />

Gerhard<br />

Richter<br />

504,304,381 147,381,744 Roy Lichtenstein 343,765,381 76,448,454<br />

Wu Guanzhong 165,903,289 139,041,878 Zhang Daqian 83,738,851 70,037,426<br />

Francis Bacon 872,327,719 133,696,100 Gerhard Richter 356,922,636 44,140,904<br />

Clyfford Still 161,872,500 108,976,000<br />

Joseph Mallord<br />

William Turner<br />

153,891,556 43,251,453<br />

Xu Beihong 126,177,798 71,426,086 Xu Beihong 54,751,712 33,365,294<br />

Wang Meng 86,830,323 62,118,990<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Sir Lawrence<br />

Alma-Tadema<br />

43,103,348 33,170,000<br />

6


Table 6 Ten Most Valuable <strong>Art</strong>ists in Skate’s Top 5000 (as of December 30, <strong>2011</strong>)<br />

<strong>Art</strong>ist<br />

<strong>2011</strong> 2010<br />

Total Volume in<br />

Skate’s Top 5000, USD<br />

<strong>Art</strong>ist<br />

Total Volume in<br />

Skate’s Top 5000, USD<br />

Pablo Picasso 3,079,450,342 Pablo Picasso 2,879,510,572<br />

Claude Monet 1,499,676,670 Claude Monet 1,490,411,425<br />

Andy Warhol 1,487,446,640 Andy Warhol 1,285,991,395<br />

Francis Bacon 872,327,719 Henri Matisse 798,992,611<br />

Henri Matisse 809,719,353 Francis Bacon 738,631,619<br />

Alberto Giacometti 692,370,280 Pierre-Auguste Renoir 705,763,264<br />

Pierre-Auguste Renoir 679,480,108 Paul Cézanne 671,806,902<br />

Paul Cézanne 675,024,147 Alberto Giacometti 662,775,287<br />

Amedeo Modigliani 649,602,657 Vincent van Gogh 641,473,627<br />

Vincent van Gogh 635,416,127 Amedeo Modigliani 640,640,637<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

7


Table 7 Top Five Auction Prices Paid in <strong>2011</strong><br />

Top 5 <strong>Art</strong>works Sold in <strong>2011</strong><br />

<strong>Art</strong>ist Qi Baishi Wang Meng Clyfford Still Roy Lichtenstein Francesco Guardi<br />

Title<br />

Medium Painting<br />

Eagle Standing on<br />

Pine Tree<br />

Landscape 1949-A-No. 1<br />

Ink and color<br />

on paper<br />

Oil on canvas<br />

I can see the whole<br />

room!... and<br />

there's nobody in<br />

it!<br />

Oil and graphite on<br />

canvas<br />

Venice, a view of the Rialto<br />

Bridge, looking north (from<br />

The Fondamenta del<br />

carbon)<br />

Oil on canvas<br />

Size, cm 265.9 x 100.1 119.9 x 54.1 236.2 x 200.7 121.9 x 121.9 119.9 x 203.7<br />

Auction<br />

House<br />

Auction<br />

Date<br />

Estimate,<br />

USD<br />

Premium<br />

Price, USD<br />

China Guardian<br />

Auctions<br />

Poly<br />

International<br />

Auction<br />

Sotheby's Christie's Sotheby's<br />

22-May-11 04-Jun-11 09-Nov-11 08-Nov-11 06-Jul-11<br />

- -<br />

25,000,000-<br />

35,000,000<br />

35,000,000-<br />

45,000,000<br />

65,532,111 62,118,990 61,682,500 43,202,500 42,913,160<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

<strong>Investment</strong> Potential of <strong>Art</strong> in Skate’s Top<br />

5000: ERR Results of <strong>2011</strong><br />

In the previous section, we discussed general art<br />

market indicators that provide evidence of the<br />

market’s continued strength, at least in its high-end.<br />

Further analysis will focus on repeat sales within<br />

Skate’s Top 5000 and the investment returns they<br />

have produced throughout the year.<br />

In <strong>2011</strong>, there were a total of 119 repeat sales that<br />

entered Skate’s Top 5000, producing an average<br />

annualized effective rate of return (ERR) of 7.20%.<br />

The average holding period in <strong>2011</strong> declined by one<br />

year over 2010 to 8.4 years, meaning that collectors<br />

are becoming more willing to consign works to<br />

24,111,000-40,185,000<br />

auctions. The same three artists as last year saw the<br />

highest number of repeat sales: Andy Warhol,<br />

Claude Monet and Pablo Picasso. These artists,<br />

however, are not found in the list of the highest<br />

weighted average ERR results in Skate’s Top 5000<br />

that appears at the end of this section. Their<br />

frequent appearance on the market—as opposed to<br />

outliers that occasionally bring high results—signifies<br />

blue chip status providing more modest but still<br />

positive and stable returns and symbolizing the<br />

value-preservation quality of Warhol, Monet and<br />

Picasso art.<br />

Stable and positive returns on repeat sales are a<br />

strong selling point for Gerhard Richter, an artist<br />

whose works regularly appear on the market,<br />

8


including as repeat sales. On average, his works have<br />

generated a 23% return to owners after an average<br />

holding period of six years, once again confirming<br />

the attractiveness of contemporary art provided by<br />

the artists who will enjoy the highest value creation<br />

potential during their lifetime.<br />

Table 8 Repeat Sales Data: <strong>2011</strong> vs. 2010<br />

Zhang Daqian had three repeat sales, all of which<br />

generated double-digit returns (27% on average) and<br />

helped to heat the market for his art; Daqian is the<br />

Chinese artist with the most repeat sales within<br />

Skate’s Top 5000.<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

*This figure indicates the number of repeat sales that occurred only throughout the stated year. It also serves as a<br />

basis for two of the following criteria: holding period and ERR.<br />

**The general benchmark that considers all previous ERR results in Skate’s Top 5000 up to the stated date.<br />

Table 9 Ten Most Liquid <strong>Art</strong>ists (Greatest Number of Repeat Sales by Years)<br />

<strong>2011</strong> 2010<br />

<strong>Art</strong>ist Number of Repeat Sales in <strong>2011</strong> <strong>Art</strong>ist Number of Repeat Sales in 2010<br />

Andy Warhol 9 Andy Warhol 11<br />

Claude Monet 8 Pablo Picasso 6<br />

Pablo Picasso 7 Claude Monet 5<br />

Gerhard Richter 7 Henri Matisse 5<br />

Jean-Michel Basquiat 4 Fernand Léger 4<br />

Alexander Calder 4 Jean-Michel Basquiat 4<br />

Fernand Léger 3 Auguste Rodin 3<br />

René Magritte 3 Gerhard Richter 3<br />

Alberto Giacometti 3 René Magritte 3<br />

Zhang Daqian 3 Alexander Calder 2<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Indicators <strong>2011</strong> 2010<br />

Total number of repeat sales * 119 117<br />

Average holding period, years 8.4 9.4<br />

Weighted average ERR for repeat sales of the year, annualized % 7.20 7.13<br />

Overall Top 5000 weighted average ERR, annualized % ** 4.82 4.24<br />

9


Table 10 Five Best Exits from <strong>Art</strong> <strong>Investment</strong>s in <strong>2011</strong><br />

<strong>Art</strong>ist Fu Baoshi Zao Wou-Ki<br />

Title Lady in Solitude 2. 11. 59.<br />

Top 5 Best ERR Results in <strong>2011</strong><br />

Chu Teh-Chun (Zhu<br />

Dequn)<br />

Composition no.<br />

143<br />

Gerhard Richter Sigmar Polke<br />

Abstraktes Bild Untitled<br />

Date of sale 05-Apr-11 28-May-11 26-Nov-11 09-Nov-11 09-Nov-11<br />

Initial investment, USD 262,830 600,000 776,724 1,248,000 258,068<br />

Holding period, years 3 4 2 6 6<br />

Exit price, USD 1,932,217 4,648,096 1,925,913 12,500,000 1,850,000<br />

ERR, % 93.82 65.80 56.57 42.18 40.48<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

The domination of Chinese artists is particularly<br />

noteworthy when looking at the ERR results of <strong>2011</strong><br />

in Table 10. While last year only one representative<br />

of China resided among the artists with the highest<br />

results (Two Pigs by Xu Beihong, which brought a<br />

34.84% ERR), this year Chinese artists occupied the<br />

top three places in the rating. Notably, the very<br />

short holding period that usually prevents artworks<br />

from realizing their full investment potential did not<br />

affect the sales results of paintings by Fu Baoshi, Zao<br />

Wou-Ki and Chu Teh-Chun; on average, these<br />

produced returns of 72%. Short holding periods,<br />

insane ERRs and a limited number of repeat sales<br />

records are all the signs of the speculative nature of<br />

the Chinese art market, reminding us once again that<br />

financial wisdom requires us to expect significant<br />

risks wherever there are high returns.<br />

Gerhard Richter is presented in the list of the highest<br />

ERRs for the second year in a row as his Abstraktes<br />

Bild painting garnered a return of 42.18%. Last year,<br />

though, a work from the same period achieved an<br />

even higher return of 45.58%.<br />

The fifth artist in the list above is Sigmar Polke, the<br />

modernist painter who passed away in June 2010 at<br />

the age of 69. Previously, he had only two paintings<br />

that sold above $2 million, but in <strong>2011</strong> the art<br />

market saw an increased supply of his works in<br />

accordance with a typical post-mortem spike in<br />

market activity. As a result, Skate’s Top 5000 saw<br />

eight new entries by Polke in <strong>2011</strong>. One of the<br />

paintings—Untitled—was a repeat sale that sold<br />

above the high estimate and generated an<br />

annualized ERR of 40.48%, the artist’s first repeat<br />

sale benchmark in the high-end price category.<br />

Table 11, showing the five worst returns produced<br />

by repeat sales of works in <strong>2011</strong>, demonstrates how<br />

unfortunate timing can destroy the value of one’s art<br />

investment, with works by Roy Lichtenstein and<br />

Andy Warhol being the most striking examples.<br />

While their paintings continue to bring some of the<br />

highest prices on the market, and both artists are<br />

very liquid in the high-end price category, the<br />

combination of wrong timing and massive irrational<br />

premium paid at purchase created the basis for<br />

10


humiliating returns. In 2010, Lichtenstein was<br />

already on this list of worst returns after his Modern<br />

Painting with Fishes produced an ERR of -10%. This<br />

year, the outcome was even worse: the painting Still<br />

Life with Mirror generated the lowest return (-<br />

18.3%) after a 3-year holding period. These data<br />

points speak not so much about “problems” with<br />

Lichtenstein’s market but rather epitomize the<br />

irrational premium that Lichtenstein’s iconic art can<br />

command, affecting less experienced art investors<br />

that are not trained (or prepared) to accept a longer<br />

investment horizon when making significant<br />

purchases of modern art.<br />

Andy Warhol’s market experienced a noteworthy<br />

negative benchmark when Rorschach (in 2 parts)<br />

generated an ERR of -14.65% and set the record for<br />

Table 11 Five Worst <strong>Investment</strong>s in <strong>Art</strong> Realized in <strong>2011</strong><br />

<strong>Art</strong>ist<br />

Title<br />

Roy<br />

Lichtenstein<br />

Still Life with<br />

Mirror<br />

Top 5 Worst ERR Results in <strong>2011</strong><br />

Andy Warhol<br />

Rorschach (in 2 parts)<br />

the worst return on a Warhol investment made<br />

within Skate’s Top 5000 price range.<br />

The painting by Lucas Cranach (The Younger) also<br />

illustrates a vivid example of art investment rules.<br />

Purchased at a record price, the painting was quickly<br />

returned to the market last year and, of course,<br />

failed to find a buyer on such short notice. This past<br />

month there was a second attempt to sell the<br />

painting at Sotheby’s, which, while successful,<br />

brought an unfortunate loss of -14.46%.<br />

Skate’s views the markets of the two other artists in<br />

this rating—Tom Wesselmann and Eva Hesse—as<br />

still too undeveloped to draw any firm conclusions<br />

today.<br />

Lucas Cranach (The<br />

Younger)<br />

Portrait of a lady,<br />

three-quarter length,<br />

in a green velvet and<br />

orange dress and a<br />

pearl-embroidered<br />

black hat<br />

Tom<br />

Wesselmann<br />

Great American<br />

Nude no.21<br />

Eva Hesse<br />

Untitled (Bochner<br />

compart)<br />

Sale date 12-May-11 28-Jun-11 07-Dec-11 11-May-11 08-Nov-11<br />

Initial<br />

investment,<br />

USD<br />

Holding<br />

period, years<br />

9,599,371 5,417,000 3,655,348 4,114,500 3,064,000<br />

3 4 4 2 4<br />

Exit price, USD 5,800,000 3,096,724 1,858,516 2, 900,000 2,350,000<br />

ERR -18.13% -14.65% -14.46% -13.60% -6.06%<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

11


Table 12 All Time ERR Records (Based on Repeat Sales within Skate’s Top 5000)<br />

<strong>Art</strong>ist<br />

<strong>2011</strong> 2010<br />

Weighted Average<br />

ERR, % *<br />

<strong>Art</strong>ist<br />

Weighted<br />

Average ERR, %<br />

Isamu Noguchi 190.20 Isamu Noguchi 190.20<br />

Frans Hals I 114.25 Yue Minjun ** 147.16<br />

Auguste Rodin 81.64 Frans Hals I 114.25<br />

Zao Wou-Ki 65.80 Auguste Rodin 89.72<br />

Fu Baoshi 64.63 Damien Hirst 53.77<br />

Chu Teh-Chun (Zhu Dequn) 56.57 Francis Bacon 51.60<br />

Damien Hirst 53.77 Master of the Legend of Saint Barbara 46.38<br />

Francis Bacon 48.45 Tom Wesselmann 42.87<br />

Sigmar Polke 40.48 Isaak Ilych Levitan 38.05<br />

Fang Lijun 39.71 Boris Mikhailovich Kustodiev 37.51<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

*This indicator shows the weighted average ERR results of artists, including all of their repeat sales up to the stated<br />

year.<br />

** This related artwork left Skate’s Top5000 as its auction price is now below the threshold price for Skate’s Top 5000<br />

peer group.<br />

Table 13 Female <strong>Art</strong>ists in Skate’s Top 5000<br />

# <strong>Art</strong>ist Market Cap, USD<br />

Volume in <strong>2011</strong>,<br />

USD<br />

Number of<br />

Repeat Sales<br />

Weighted<br />

Average ERR, %<br />

1 Joan Mitchell 87,397,339 14,333,000 7 27.16<br />

2 Natalia Sergeevna Goncharova 71,266,185 12,723,002 1 30.55<br />

3 Tamara de Lempicka 60,620,404 19,875,404 5 12.99<br />

4 Mary Cassatt 41,341,500 0 1 -0.07<br />

5 Louise Bourgeois 39,842,193 15,367,500 0 -<br />

6 Georgia O'Keeffe 37,674,000 4,981,000 2 5.75<br />

7 Agnes Martin 24,973,500 0 0 -<br />

8 Eva Hesse 13,956,698 2,714,500 2 -5.16<br />

9 Frida Kahlo 13,874,250 0 0 -<br />

10 Irma Stern 11,507,521 7,753,119 0 -<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Column #1 shows the rank of female artists in Skate’s Top 5000<br />

Column #3 shows Market Capitalization in USD and reflects the aggregate value of Top 5000 works in nominal values<br />

Column #4 shows <strong>2011</strong> trading volume on the auction market in USD (only for artworks eligible for entry into Skate’s Top<br />

5000 in terms of market value)<br />

Columns #5-6 show the number of repeat sales and ERR (weighted average effective rate of return, annualized, %) based on<br />

historical statistics of the artist’s repeat auction sales (brackets reflect negative returns).<br />

12


At the end of <strong>2011</strong>, we can see that the world of<br />

female artists in Skate’s Top 5000 remains small but<br />

quite diverse. This year almost every member of this<br />

rating showed some unique activity. Joan Mitchell<br />

once again topped the rating in terms of overall<br />

volume in Skate’s Top 5000, although <strong>2011</strong> saw<br />

other female artists showing significantly higher<br />

activity in comparison to 2010. As a result, Mitchell<br />

ranked only third by trading value in <strong>2011</strong>, achieving<br />

$14.3 million in volume. The most valuable artist of<br />

the year was Tamara de Lempicka, whose five<br />

entries to Skate’s Top 5000 brought $19.9 million.<br />

Born in Moscow as Maria Gorska from Polish<br />

parents, married in St Petersburg, Russia and raised<br />

as an artist in France, Tamara de Lempicka<br />

represents one of the very appealing stories for a<br />

growing contingent of Russian, Polish and female art<br />

buyers, making her a name to watch in the coming<br />

years.<br />

Second place in market activity in <strong>2011</strong> belongs to<br />

Louise Bourgeois, an artist who passed away in May<br />

2010 and is thus going through the same postmortem<br />

market spike as the markets for Wu<br />

Guanzhong and Sigmar Polke described above. Her<br />

three works generated particular interest and<br />

brought a volume of $15.4 million.<br />

Russian painter Natalia Sergeevna Goncharova<br />

remained the world’s second most expensive female<br />

artist; her two sales that entered Skate’s Top 5000<br />

sold at prices significantly above their pre-auction<br />

estimates and added $12.7 million to her record in<br />

Skate’s rating. This year no repeat sales of works by<br />

Goncharova took place, so she still has only one<br />

repeat sale record, which brought an ERR of 30.55%<br />

in 2008.<br />

Leaving Skate’s: Value Reductions and Exits<br />

In this section of the report, we focus on the artists<br />

and works that were challenged by the new inflow of<br />

more expensive art and as a result were forced out<br />

of Skate’s Top 5000. As we noted at the beginning of<br />

the report, the trading volume of <strong>2011</strong> significantly<br />

exceeded that of 2010, which meant a substantial<br />

number of lower value artists had to step aside to<br />

make room for more valuable entries. In <strong>2011</strong>,<br />

Skate’s Top 5000 lost 59 artists, nearly double the<br />

figure for the previous year. Seven of these names<br />

were living artists.<br />

It is worth noting that the artists who gained the<br />

most value this year at the same time saw the<br />

greatest number of works drop out of Skate’s Top<br />

5000. Pierre-Auguste Renoir, Claude Monet and<br />

Pablo Picasso were most affected by this trend,<br />

losing 19, 14 and 13 works, respectively. The lost<br />

volume seen by these three artists proved to be<br />

even more of a disappointment.<br />

Poor performance was also demonstrated by Camille<br />

Pissarro. Given that he only had one entry to Skate’s<br />

Top 5000 in <strong>2011</strong>—L'Hermitage en été, Pontoise sold<br />

for $4.3 million—the loss of $17.5 million<br />

significantly affected his market capitalization.<br />

Finally, there were no auction records above $2<br />

million for works by Damien Hirst. Instead, eight of<br />

his artworks were ousted from Skate’s Top 5000,<br />

thus reducing his overall volume by $15.4 million.<br />

Table 14 Revolving Door: <strong>Art</strong>ists Represented in Skate’s Top5000 of <strong>Art</strong>works by Auction Prices<br />

Top 5000 Benchmarks <strong>2011</strong> 2010<br />

Number of <strong>Art</strong>ists Eliminated 59 32<br />

Number of Living <strong>Art</strong>ists Eliminated 7 3<br />

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Table 15 Top 10 Losers: <strong>Art</strong>ists with the Greatest Reduction in Value and Number of <strong>Art</strong>works (as<br />

Represented in Skate’s Top 5000)<br />

<strong>Art</strong>ists with Greatest Reduction in Number of<br />

Works in Skate’s Top 5000<br />

<strong>Art</strong>ists with Greatest Reduction of Value of Works in<br />

Skate’s Top 5000<br />

Pierre-Auguste Renoir -19 Pierre-Auguste Renoir -26,283,155<br />

Claude Monet -14 Camille Pissarro -17,500,748<br />

Pablo Picasso -13 Damien Hirst -15,361,701<br />

Roy Lichtenstein -10 Jean Dubuffet -13,849,117<br />

Camille Pissarro -10 Sir Alfred James Munnings -12,653,516<br />

Damien Hirst -8 Giovanni Giacometti -10,268,878<br />

Jean Dubuffet -7 Canaletto -10,100,906<br />

Edgar Degas -6 Franz Kline -9,169,000<br />

Georges Braque -6 Jasper Johns -8,202,000<br />

Sir Alfred James Munnings -6 Georges Seurat -8,061,829<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

Table 16 Top 10 <strong>Art</strong>ists by Market Capitalization without Sales Records in <strong>2011</strong> (in Skate’s Top<br />

5000 Price Range)<br />

<strong>Art</strong>ists with No Auction Sale Record in<br />

Skate’s Top 5000<br />

<strong>Art</strong>ists with No Repeat Sale Record in<br />

Skate’s Top 5000<br />

Living <strong>Art</strong>ists with No Auction Sale Record<br />

in Skate’s Top 5000<br />

Vincent van Gogh 635,416,127 Henri Matisse 809,719,353 Jasper Johns 198,553,750<br />

Jasper Johns 198,553,750 Paul Cézanne 675,024,147 Damien Hirst 174,174,487<br />

Piet Mondrian 193,716,295 Vincent van Gogh 635,416,127 Frank Stella 33,060,000<br />

Canaletto 177,588,210 Mark Rothko 596,578,710 Brice Marden 21,603,000<br />

Damien Hirst 174,174,487 Edgar Degas 473,854,149 Frank Auerbach 18,788,573<br />

Yves Klein 172,767,231 Gustav Klimt 415,319,676 Cai Guo Qiang 16,830,722<br />

Rembrandt Harmensz<br />

van Rijn<br />

158,700,933 Paul Gauguin 390,043,592 Bruce Nauman 16,111,000<br />

Edvard Munch 156,866,282 Egon Schiele 288,983,445 Chuck Close 13,887,500<br />

Juan Gris 154,358,291 Jeff Koons 280,881,985 Bridget Riley 10,195,514<br />

Joseph Mallord William<br />

Turner<br />

151,931,032 Camille Pissarro 210,096,861 Marlene Dumas 9,672,127<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

14


Table 17 Most Valuable Living <strong>Art</strong>ists (Based on Representation in Skate’s Top 5000)<br />

Rank of<br />

Living <strong>Art</strong>ists<br />

<strong>Art</strong>ist<br />

Rank among All<br />

<strong>Art</strong>ists in Top 5000<br />

Market Cap* , USD<br />

Age as of<br />

30-Dec-11<br />

1 Gerhard Richter 14 504,304,381 79<br />

2 Jeff Koons 24 280,881,985 56<br />

3 Jasper Johns 26 198,553,750 81<br />

4 Damien Hirst 37 174,174,487 46<br />

5 Zao Wou-Ki 66 101,085,800 90<br />

6 Richard Prince 67 97,519,263 62<br />

7 Zhang Xiaogang 80 78,827,011 53<br />

8 Peter Doig 82 72,224,924 52<br />

9 Zeng Fanzhi 86 70,674,819 47<br />

10 Ed Ruscha 116 43,377,678 74<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

*Aggregate value of artworks by the artist in Skate’s Top 5000 by historical auction prices paid<br />

This past July, the art world lost two highly<br />

important artists—individuals who throughout their<br />

lives achieved enormous professional and social<br />

recognition and saw their works command price<br />

records at auction. Both were among the 10 most<br />

valuable artists on the market, although since the<br />

news of their death, the art market has yet to show<br />

a notable reaction. Lucian Freud has not seen any<br />

Table 18 Skate’s Top 5000 Living <strong>Art</strong>ists Who Passed Away in <strong>2011</strong><br />

<strong>Art</strong>ist Date of Birth Date of Death Age<br />

subsequent sales record since and now ranks as the<br />

30 th most valuable artist in Skate’s Top 5000. Cy<br />

Twombly has had two signature works sell at auction<br />

and appear in Skate’s Top 5000—Untitled and<br />

Untitled (Lexington, Virginia). These works sold<br />

above their estimates and added $14.3 million in<br />

value to his record.<br />

Market Cap at<br />

Death, USD<br />

Market Cap 30-<br />

Dec-11, USD<br />

Lucian Freud 08-Dec-22 20-Jul-11 89 211,992,811 211,992,811<br />

Cy Twombly 25-Apr-28 05-Jul-11 83 126,476,319 140,753,319<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

15


Skate’s <strong>Art</strong> Stocks <strong>Review</strong><br />

Global <strong>Art</strong> Industry: Affected by Economic Uncertainty in <strong>2011</strong>, <strong>Art</strong> Stocks Lose on Average 15% in<br />

Value<br />

Skate’s provides ongoing coverage of the global art<br />

industry on its website and blog, and Table 19<br />

summarizes the share performance data for all listed<br />

companies worldwide that derive most of their<br />

economics from servicing the art industry or<br />

managing art assets. <strong>2011</strong> was the worst year since<br />

2008, with Skate’s <strong>Art</strong> Stock Index, the only<br />

benchmark for the industry, shedding 15% of its<br />

value. Against this backdrop, the performances of<br />

<strong>Art</strong>price, Abbey and Noble look very impressive and<br />

have been detailed in Skate’s reporting during the<br />

year (see archive of Skate’s Market Notes). Over the<br />

longer term, however, global art industry shares<br />

continue to outperform the S&P 500 as shown in the<br />

chart below.<br />

Table 19 Skate’s <strong>Art</strong> Stock Index (Global <strong>Art</strong> Industry Performance) in <strong>2011</strong><br />

Name<br />

Listing/<br />

Currency<br />

December<br />

<strong>2011</strong><br />

Performance<br />

YTD <strong>2011</strong><br />

Performance<br />

Price as of<br />

December<br />

23 <strong>2011</strong>, $<br />

Market Cap as of<br />

December 23<br />

<strong>2011</strong>, USD mln<br />

All Values are in USD<br />

52-wk<br />

High, $<br />

52-wk<br />

Low, $<br />

Sotheby’s NYSE/ USD -7.6% -35.5% 29.01 1959.60 55.67 25.00<br />

<strong>Art</strong>price Paris/ EUR 15.7% 328.2% 50.85 325.26 84.81 10.46<br />

<strong>Art</strong>net Frankfurt/ EUR 11.9% -25.9% 5.22 29.40 11.50 4.15<br />

Collectors’<br />

Universe<br />

NASDAQ/USD 2.4% 3.5% 14.39 113.62 18.80 11.59<br />

Mallett London/ GPB 5.1% 8.9% 1.14 15.69 1.24 1.00<br />

<strong>Art</strong> Vivant Tokyo/JPY 0.6% -23.1% 2.29 35.43 3.21 2.28<br />

Seoul Auctions Seoul/WON -9.6% -42.5% 2.36 39.92 4.19 2.25<br />

Shinwa <strong>Art</strong><br />

Auction<br />

Tokyo/JPY 2.3% 4.9% 396.80 23.01 1 028.46 358.94<br />

Stanley<br />

Gibbons<br />

London/GBP -0.1% 1.0% 2.58 64.94 3.28 2.36<br />

MCH Group Zurich/CHF 5.3% -17.8% 41.68 215.80 55.12 38.11<br />

Abbey House Warsaw/PLN -3.9% 255.4% 4.82 48.94 7.40 1.31<br />

Noble<br />

<strong>Investment</strong>s<br />

London/GBP -1.3% 35.4% 2.61 40.46 2.92 1.92<br />

Fotoeffect Moscow/RUB -1.2% -7.9% 16 345.2 459.78 18 531.0 16 345.2<br />

Skate’s <strong>Art</strong><br />

Stocks Index<br />

<strong>Skate's</strong><br />

-3.2% -15.0% 174.7 3 371.85 241.8 157.4<br />

Investable <strong>Art</strong><br />

Stocks Index<br />

-1.1% - 78.8 2 679.21 100 68.2<br />

Source: Skate’s <strong>Art</strong> Market Research


Global <strong>Art</strong> Industry Still Outperforms S&P 500 over Longer Term<br />

400<br />

350<br />

300<br />

250<br />

200<br />

150<br />

100<br />

50<br />

0<br />

Sotheby's<br />

<strong>Art</strong> stocks Index<br />

S&P 500<br />

Table 20 Skate’s <strong>Art</strong> Stock Index: Historical Performance<br />

Metric 2005 2006 2007 2008 2009 2010 <strong>2011</strong> *<br />

SASI Index value as of December 31 109.6 150.9 172.0 66.4 114.8 205.4 175.0<br />

Year performance, in points - 41.3 21.1 -105.7 48.5 90.6 -30.4<br />

Year performance, in % - 37.7% 14.0% -61.4% 73.0% 78.9% -14.8%<br />

S&P 500 year performance, in % - 13.6% 3.5% -38.5% 23.5% 12.8% 0.6%<br />

Number of stocks as of Dec 31 11 11 11 12 12 11 13<br />

Year trading volume (USD, mln) - 17,676.8 27,781.6 20,602.2 6,122.0 13,206.2 13,490.7<br />

Market cap as of 31-Dec, (USD, mln) 2,099.2 2,889.7 3,294.1 1,270.6 2,198.5 3,921.5 3,378.5<br />

Source: Skate’s <strong>Art</strong> Market Research<br />

*Data as of December 27, <strong>2011</strong><br />

17

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