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e-conservation the online Magazine 16, oct 2010.pdf

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REVIEWS<br />

The afternoon session focused on four different<br />

<strong>the</strong>mes: smalt pigment quantitative EDX analysis;<br />

medieval window flashed glass composition, structure<br />

and manufacturing processes; organic remains<br />

preserved by metal corrosion products;<br />

and a multi-analytical study of <strong>the</strong> pigments in<br />

17 th century Portuguese tiles (“azulejos”). The<br />

first presentation, by Marika Spring, introduced<br />

several examples of SEM-EDX analysis on smalt<br />

samples from a number of paintings in <strong>the</strong> National<br />

Gallery ranging in date and geographical<br />

origin. The variations in arsenic content as well<br />

as possible effects of arsenic on <strong>the</strong> properties<br />

of <strong>the</strong> glass were discussed. The effect of various<br />

factors such as pressure, beam gas and working<br />

distance on <strong>the</strong> degree of beam skirting and on<br />

quantitative analysis were also focused.<br />

The poster session continued during <strong>the</strong> tea break.<br />

In <strong>the</strong> last session of <strong>the</strong> day <strong>the</strong> speakers brought<br />

into discussion very distinct topics, such as <strong>the</strong><br />

investigation of medieval opaque glasses and<br />

enamels, analyses of chrome-yellow and chromeorange<br />

dyestuffs used for domestic and imported<br />

cotton fabrics “Touzan” (a vertically stripped Japanese<br />

fabric) in <strong>the</strong> 19 th century, and <strong>the</strong> study<br />

of inscriptions, filing and polishing marks on <strong>the</strong><br />

bronze weapons from <strong>the</strong> Qin Terracotta Army in<br />

China.<br />

The first day ended with a reception at <strong>the</strong> Addis<br />

Gallery, in <strong>the</strong> British Museum.<br />

The second day started with a presentation by<br />

Shirley Northover, focused on <strong>the</strong> application of<br />

electron backscattered diffraction (EBSD) in archaeology.<br />

EBSD patterns are characteristic of <strong>the</strong> structure<br />

and local crystallography orientation of <strong>the</strong><br />

material under <strong>the</strong> beam. By systematically collecting<br />

and analysing <strong>the</strong>se patterns, maps can<br />

be built up revealing <strong>the</strong> distribution of present<br />

phases, showing grain sizes and shapes, and giving<br />

“Quantitative EDX analysis of smalt pigment in <strong>the</strong> variable<br />

pressure SEM”, by Marika Spring.<br />

information on <strong>the</strong> deformation levels of <strong>the</strong> surface.<br />

Hector Lozano spoke on <strong>the</strong> re-discovery of<br />

Mexican fea<strong>the</strong>red textile, a very peculiar technique,<br />

of which only six known textiles still exist,<br />

all of <strong>the</strong>m from <strong>the</strong> 17 th and 18 th centuries. In<br />

this case SEM was used to identify <strong>the</strong> materials<br />

present in <strong>the</strong> fea<strong>the</strong>red yarns particularly <strong>the</strong><br />

identification of <strong>the</strong> birds from which <strong>the</strong> fea<strong>the</strong>rs<br />

were obtained. The next communication was<br />

on <strong>the</strong> study of raw materials used in <strong>the</strong> production<br />

of Chinese porcelain and stoneware bodies,<br />

and <strong>the</strong> last one of <strong>the</strong> session was on <strong>the</strong> role of<br />

SEM-based charcoal identification on reconstructing<br />

vegetation changes in <strong>the</strong> last 40,000 years in<br />

Western Cape (South Africa). The afternoon presentations<br />

were followed by <strong>the</strong> second poster session.<br />

The sixth session began with a presentation from<br />

Diane Johnson on <strong>the</strong> subsurface analysis by application<br />

of a focused ion beam scanning electron<br />

microscope (FIBSEM) to samples of geological<br />

(fossils and meteorites) and historical importance.<br />

Next, Alicia Perea talked on gold usage and<br />

<strong>the</strong> analysis of wear marks and/or deterioration in<br />

site condition of gold artefacts and how difficult<br />

it could be to differentiate one from <strong>the</strong> o<strong>the</strong>r.<br />

Carol Pottasch presented a study on a rediscovered<br />

Dutch painter, Adriaen Coorte (works dating from<br />

10 e-<strong>conservation</strong>

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