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an independent report from lyonsdown, distributed with the daily telegraph<br />

November 2011<br />

Business Technology<br />

Audio visual communications<br />

11<br />

A feast for the senses<br />

Being wowed by attention-grabbing<br />

video and surround sound isn’t<br />

enough for today’s consumers who are<br />

being immersed in 3D and augmented<br />

reality in their personal lives<br />

By Tracey Caldwell<br />

When there is a complex concept to get across,<br />

or you’re marketing an experience rather<br />

than a straightforward product, it helps to<br />

add a further dimension to audio-visual<br />

communications.<br />

Consumers are coming to expect it, too.<br />

Spoilt by immersive gaming, 3D cinema and<br />

advanced touch-enabled applications on their<br />

iPads and smartphones, customers now crave<br />

a more touchy-feely experience when they<br />

engage with companies and their marketing<br />

campaigns.<br />

Although virtual reality hasn’t quite caught<br />

on in the way that might have been expected<br />

15 years ago, there are signs that businesses<br />

are becoming more innovative and open to<br />

three – and four –dimensional marketing.<br />

Effective applications include those where<br />

the consumers’ view of the real world is<br />

augmented by a technological dimension,<br />

giving them more information by video and<br />

allowing them more direct interaction.<br />

In two Inamo restaurants in London, diners<br />

are able to watch their meals being made in<br />

the kitchens via webcam, having placed their<br />

order using tabletop touchscreens. They can<br />

then play tabletop games on their E-Table<br />

while waiting for their order.<br />

One of the two restaurants has private<br />

dining areas and the technology enables<br />

branding for private or corporate events, a<br />

distinctive way of providing a platform for<br />

businesses to use some of their own audiovisual<br />

assets.<br />

The E-Table ordering system incorporates<br />

a waterproof Bluetooth touch panel, a special<br />

tabletop, and a Canon XEED projector and<br />

computer, housed in a pod in the ceiling above.<br />

The challenge has been to balance<br />

Taste of innovation: customers can order their food via interactive E-Tables at Inamo, London<br />

the potential of the technology with<br />

the requirement to provide a restaurant<br />

experience. “There is a huge amount we could<br />

do but we have chosen not to overpower the<br />

guests with the amount of digital information<br />

coming at them as we wanted the overall<br />

experience of a restaurant as opposed to an<br />

advertising platform, a games forum or an<br />

internet platform,” says Mark Boyle, sales<br />

director at Compurants, parent company of<br />

Inamo.<br />

Diamond jewellery retailer Forevermark,<br />

part of the De Beers group, was looking for<br />

a way to engage customers more effectively.<br />

It acknowledged that the retail environment<br />

for diamond jewellery could be intimidating<br />

because of the necessary security around<br />

the high-value items and it wanted a way to<br />

let customers try on diamond jewellery in a<br />

relaxed and fun way.<br />

In October it began trialling a system from<br />

Holition to enable customers to try on the<br />

jewellery using a webcam. The customer uses<br />

paper versions of the jewellery, which may be<br />

supplied with catalogues or magazines. When<br />

the customer holds up a necklace, for example,<br />

while looking at his or her video image<br />

appearing on screen via webcam, the system<br />

reads the paper tab and inserts moving images<br />

of the jewellery wherever the tab is held. The<br />

customer can move his or her head this way<br />

and that and the jewellery will move and<br />

glisten in a realistic way, as if the customer<br />

were trying it on in a shop.<br />

“In the diamond jewellery<br />

sector we think this is a<br />

really innovative and<br />

new initiative,” says<br />

Stephen Lussier, CEO at<br />

Forevermark. “It gave<br />

us an opportunity<br />

to leap beyond what<br />

you see in a printed<br />

catalogue and create a<br />

relaxed environment,<br />

where customers could<br />

still experience trying<br />

things on.”<br />

Swiss watch manufacturer Tissot has<br />

brought the Holition technology even closer<br />

to the point of sale, encouraging potential<br />

customers to try on watches virtually while<br />

standing outside the store looking in at<br />

webcams. The technology, pioneered in<br />

the UK and implemented at Selfridges and<br />

Harrods, has had a direct impact.<br />

“When the application has been integrated<br />

with activity at the point of sale it has<br />

shown a clear, direct link to sale,”<br />

says François Thiébaud,<br />

Tissot’s president. “The<br />

integration in our media<br />

campaign resulted in an<br />

increased flow of traffic<br />

to our website where<br />

consumers could ‘try on’<br />

the watch seen in the<br />

press adverts.”<br />

Virtual reality: try on<br />

a Tissot watch via a<br />

webcam<br />

Beam me up, Scotty<br />

Hologram technology is taking remote presence into a new dimension<br />

Imagine being able to teleport<br />

leading businesspeople to appear<br />

on stage at overseas conferences.<br />

Orange Business projected<br />

top executive Marie-Noëlle<br />

Jégo-Laveissière from Paris to a<br />

partner event in Amsterdam this<br />

summer, with the help of hologram<br />

specialist Musion. Jégo-Laveissière<br />

appeared on stage next to live<br />

employees to showcase a form of 3D<br />

videoconferencing.<br />

She is in good company – others<br />

who have appeared as 3D holograms<br />

include Prince Charles, King<br />

Abdullah of Saudi Arabia, Al Gore, Sir<br />

Richard Branson, David Beckham,<br />

Madonna and the Black Eyed Peas.<br />

Orange also showcased the Musion<br />

technology at Hellodemain in Paris.<br />

Visitors had their image captured<br />

live and projected life-size on stage,<br />

apparently being teleported into the<br />

jungle. The 3D image was broadcast<br />

over a high-speed fibre optic<br />

network.<br />

The holograms are not in fact 3D<br />

but give the impression of being<br />

so. An image appears apparently in<br />

mid-air, projected on to a clear film.<br />

Scenery in front of and behind this<br />

image adds to the appearance of<br />

three dimensions.<br />

While the technology of<br />

transmitting holograms from<br />

one place to another still has its<br />

challenges, using 3D audio-visual<br />

at events is very achievable and<br />

can have a high impact. Winton<br />

Capital Management, sponsor of<br />

Opera Holland Park, the annual<br />

opera festival in west London,<br />

worked with London creative agency<br />

Knifedge to give the event a wow<br />

factor. It released a seven-metre<br />

helium illuminated balloon, on to<br />

which 3D images were projected.<br />

The next generation of hologram<br />

technology would be real 3D<br />

rendering but it is unlikely we will<br />

see such products before 2020. Dr<br />

Stéphane Pateux, head of voice and<br />

video coding research at Orange,<br />

says researchers are working on new<br />

technologies to decrease the bit rate<br />

bandwidth of the network needed<br />

to carry high definition signals. “We<br />

are looking at technology to improve<br />

the quality of media up to super high<br />

resolution and also 3D technology,”<br />

he says.<br />

Meanwhile, the distance<br />

learning and education sectors<br />

are among those showing earlyadopter<br />

interest in this form of 3D<br />

videoconferencing, as well as the<br />

music industry, which makes much<br />

of its profits from live performances.<br />

“People perceive this as a business<br />

tool and that is certainly where<br />

it is at the moment, whereas we<br />

see it appearing at concert halls<br />

and upscale nightclubs and public<br />

venues,” says Ian O’Connell, a<br />

director at Musion.

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