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FIBA STYLE FILE-DEF2.indd - FIBA Identity

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<strong>FIBA</strong><br />

SECONDARY<br />

BRAND ELEMENTS


OUR BRAND<br />

• CONTENTS<br />

3<br />

4<br />

6<br />

8<br />

10<br />

11<br />

12<br />

13<br />

15<br />

16<br />

18<br />

19<br />

20<br />

21<br />

22<br />

23<br />

24<br />

25<br />

26<br />

27<br />

28<br />

29<br />

30<br />

33<br />

<strong>FIBA</strong> GENERIC<br />

Introduction<br />

Icon Introduction<br />

Icon Colour Palettes<br />

Icon Usage<br />

Women’s Palette<br />

Corporate Palette<br />

Patterns & Backgrounds<br />

Patterns & Backgrounds Usage<br />

Photographic Treatments<br />

Application Examples<br />

Fonts<br />

<strong>FIBA</strong> Events<br />

Introduction<br />

Icon Colour Adaptation<br />

Application Examples<br />

<strong>FIBA</strong> ZONES<br />

Introduction<br />

Icon Usage<br />

Introduction Maps<br />

Africa Graphics<br />

Americas Graphics<br />

Asia Graphics<br />

Europe Graphics<br />

Oceana Graphics<br />

Application Examples<br />

INFORMATION<br />

Contact Details<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

2


SECONDARY BRAND elements<br />

• INTRODUCTION<br />

This style guide is designed to be used in conjunction with the <strong>FIBA</strong> Corporate <strong>Identity</strong> guidelines.<br />

The Corporate <strong>Identity</strong> guidelines and rules must be respected at all times. The secondary<br />

branding elements are designed to complement and enhance the primary brand, adding<br />

movement and excitement to all branded materials.<br />

The <strong>FIBA</strong> Secondary Branding System introduces 5 new dynamic Icons that represent the key<br />

elements of the sport:<br />

These elements are ‘CHALLENGE’, TEAM SPIRIT’, ‘STRENGTH’, ‘EXCITEMENT’ & ‘RESPECT’<br />

The Icons can be applied in a varied colour palette with complementing backgrounds to create<br />

a dynamic overall look. The backgrounds and Icons can be used across all media (eg, print,<br />

broadcast, web) for all <strong>FIBA</strong> Events and across all <strong>FIBA</strong> Zones.<br />

The toolkit for this secondary brand identity has been created with maximum creativity in mind,<br />

allowing greater flexibility in design for any medium, whilst maintaining a unique and<br />

distinguishable brand.<br />

All of the toolkit elements are supplied in vector (.eps) format to achieve correct scaling with<br />

the exception of any photographic elements and treatments. Rasterizing (converting from vector<br />

to pixels) must only be applied once the scale and design is achieved. 300dpi or 120ppc is<br />

recommended to maintain the quality and integrity of the designs.<br />

The following guide will introduce the key Icons, colour palettes and backgrounds and show how<br />

to compose any given design using these elements.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

3


ICON<br />

• INTRODUCTION<br />

The FIVE key Icons: ‘CHALLENGE’, TEAM SPIRIT’, ‘STRENGTH’, ‘EXCITEMENT’ & ‘RESPECT’<br />

can be used in all 8 colour palettes in 3D full colour (CMYK) 1 or flat colour versions (SPOT) 2 .<br />

The Icons can be scaled up to fulfill any size requirement, but must not be scaled smaller than<br />

the smallest version supplied within the toolkit. This is approximately 51mm in height for the 3D<br />

version and 21mm for the flat (Spot colour) version. Size of Icons incorporated within patterns<br />

(see page 11 patterns and backgrounds) do not need to adhere to this rule.<br />

For anything below the 51mm size, there is only a flat (Spot colour) version 3 available.<br />

The Icons can be positioned in any part of a design as long as all of the ‘action figure’ element<br />

is visible.<br />

No text or other design elements should touch or obscure the Icons in any way.<br />

The key Icons can be used for any <strong>FIBA</strong> Event, Zone or Corporate requirement and in any of the<br />

supplied palettes.<br />

The Icons must be scaled vertically and horizontally in equal proportion. No distortions, effects or<br />

strong filters are to be applied to any of the Icons. The scaling must be done at vector base and<br />

only rasterized when scaling is complete.<br />

COLOUR ICONS 1<br />

The Icons must not be rotated, although crops can be applied as long as the ‘action figure’ is still<br />

recognisable.<br />

Minimum size allowed for full colour version<br />

51mm approx<br />

Outer frame<br />

Character<br />

(action figure)<br />

Textured inner<br />

oval<br />

STRENGTH EXCITEMENT CHALLENGE TEAM SPIRIT RESPECT<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

4


ICON<br />

• INTRODUCTION<br />

Each The flat icon (Spot can colour) be used Icons in any are of available the colour in palette all permitted below. colour Icons palettes at 21mm and height can (minimum be scaled size) up to<br />

are any available size. in flat versions only.<br />

Other Icon designs are available within the toolkit, including CMYK versions (with 3D effect) and<br />

outline versions.<br />

FLAT ICONS 2<br />

Minimum size allowed for flat colour version<br />

51mm approx<br />

STRENGTH<br />

EXCITEMENT<br />

CHALLENGE<br />

TEAM SPIRIT<br />

RESPECT<br />

SMALL ICONS 3<br />

The smallest Icons have reduced detail ensuring they will not ‘fill-in’ at reprographic or print<br />

stage. The ‘action figures’ are still recognisable.<br />

These small Icons are only to be used for sizes below 51mm approximately and can go no smaller<br />

than approximately 21mm (the smallest supplied in the toolkit).<br />

The small Icons are available in all colours and styles (except 3D versions).<br />

Minimum size allowed for small Icons<br />

21mm approx<br />

Character<br />

(action figure)<br />

STRENGTH<br />

EXCITEMENT<br />

CHALLENGE<br />

TEAM SPIRIT<br />

RESPECT<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

5


ICON<br />

• COLOUR PALETTES<br />

Each Icon can be used in any of the colours shown in the palettes below. These Pantone colour<br />

palettes may be used throughout the <strong>FIBA</strong> branding range, for use in backgrounds, Icons, colour<br />

gradients and styles.<br />

FULL PALETTE<br />

PMS<br />

4515<br />

PMS<br />

424<br />

PMS<br />

192<br />

PMS<br />

717<br />

PMS<br />

137<br />

PMS<br />

3005<br />

PMS<br />

241<br />

PMS<br />

355<br />

PMS<br />

GREY 2<br />

PMS<br />

1777<br />

PMS<br />

1345<br />

PMS<br />

278<br />

PMS<br />

346<br />

NEG<br />

WHITE<br />

PMS<br />

426<br />

WOMEN’S PALETTE<br />

PMS<br />

1345<br />

PMS<br />

241 278<br />

PMS<br />

346<br />

PMS<br />

GREY 2<br />

PMS<br />

1777<br />

CORPORATE PALETTE<br />

PMS<br />

PMS 4515<br />

241<br />

MAIN PALETTE<br />

PMS<br />

7535<br />

COMPLIMENTARY<br />

LIGHT<br />

PMS<br />

455<br />

COMPLIMENTARY<br />

LIGHT<br />

The toolkit includes a comprehensive set of colour artwork for all Icons. The above palette is for<br />

colour reference to compliment backgrounds and patterns.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

6


ICON<br />

• COLOUR PALETTES<br />

CMYK values for print usage.<br />

FULL PALETTE<br />

C: 13<br />

M: 19<br />

Y: 61<br />

K: 30<br />

C: 0<br />

M: 0<br />

Y: 0<br />

K: 50<br />

C: 0<br />

M: 100<br />

Y: 100<br />

K: 0<br />

C: 0<br />

M: 70<br />

Y: 100<br />

K: 0<br />

C: 0<br />

M: 30<br />

Y: 100<br />

K: 0<br />

C: 100<br />

M: 30<br />

Y: 0<br />

K: 0<br />

C: 30<br />

M: 100<br />

Y: 0<br />

K: 0<br />

C: 100<br />

M: 0<br />

Y: 100<br />

K: 0<br />

C: 0<br />

M: 0<br />

Y: 0<br />

K: 10<br />

C: 0<br />

M: 60<br />

Y: 30<br />

K: 0<br />

C: 0<br />

M: 20<br />

Y: 50<br />

K: 0<br />

C: 50<br />

M: 10<br />

Y: 0<br />

K: 0<br />

C: 50<br />

M: 0<br />

Y: 50<br />

K: 0<br />

C: 0<br />

M: 0<br />

Y: 0<br />

K: 0<br />

C: 40<br />

M: 0<br />

Y: 0<br />

K: 100<br />

WOMEN’S PALETTE<br />

C: 0<br />

M: 20<br />

Y: 50<br />

K: 0<br />

C: 50<br />

PMS M: 10<br />

Y: 241 0<br />

K: 0<br />

C: 50<br />

M: 0<br />

Y: 50<br />

K: 0<br />

C: 0<br />

M: 0<br />

Y: 0<br />

K: 10<br />

C: 0<br />

M: 60<br />

Y: 30<br />

K: 0<br />

CORPORATE PALETTE<br />

C: 13<br />

PMS M: 19<br />

Y: 241 61<br />

K: 30<br />

C: 10<br />

M: 11<br />

Y: 21<br />

K: 19<br />

C: 23<br />

M: 42<br />

Y: 89<br />

K: 75<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

7


ICON<br />

• USAGE<br />

THINGS TO AVOID<br />

A few basic usage restrictions must be observed.<br />

REMEMBER: all scaling should be<br />

done at vector stage<br />

No distortion of any<br />

factor is to be applied<br />

No rotation or flip<br />

techniques are allowed<br />

Icons must never<br />

touch each other<br />

Do not mix colours<br />

sample text<br />

No text/imagery is<br />

permitted to obscure<br />

the Icons<br />

If cropping, the figures<br />

action must be still recognisable<br />

If cropping, the figures<br />

action must be still recognisable<br />

If cropping, the figures<br />

action must be still recognisable<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

8


ICON<br />

• USAGE and sizes<br />

The Icons can be used at any size. The smallest Icon is supplied in a flat version at 21mm and<br />

must not be used below this size. This Icon may be scaled to a maximum of 51mm in height.<br />

There is a choice of icon styles available in the toolkit for usage above 51mm, these are full<br />

colour, flat colour and outline, all of which can be scaled in pro to any given size.<br />

The Icons are very flexible and may be used in a wide variety of ways – to deliver the maximum<br />

creative freedom possible.<br />

IMPLEMENTATION<br />

Scaling applied equally<br />

(horizontally & vertically)<br />

Permitted Icon crop<br />

(NOTE: action figure is<br />

still recognisable)<br />

If the size of any Icon needs to go below 51mm in<br />

height, then the relevant small icon version should be<br />

used instead. These have been specifically designed<br />

to maintain clarity of line and detail.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

9


Fiba women’s<br />

• PALETTE<br />

A Women’s Events palette has been specifically designed to be used as part of a generic look for<br />

Women’s competitions. These colours can be utilised exclusively or used with colours relevant to<br />

the event or the location (see page 20 for further information on colour adaptation).<br />

The colour palette can be applied to any aspect of the secondary branding elements.<br />

The Partner strip can be<br />

changed if needed depending<br />

on the marketing structure for<br />

different situations/Events<br />

<strong>FIBA</strong> will be supplying it in<br />

every case<br />

Colours taken directly from the<br />

Women’s palette<br />

Colours influenced by the Event<br />

Composite Logo<br />

PMS<br />

1345<br />

PMS<br />

278<br />

PMS<br />

346<br />

PMS<br />

GREY 2<br />

PMS<br />

1777<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

10


Fiba CORPORATE<br />

• PALETTE<br />

For literature and other materials which are not Zone specific or part of a competition or event<br />

inventory, a generic corporate palette (GOLD) has been designed which can be applied to<br />

production materials such as stationery or <strong>FIBA</strong> Corporate PR or other generic elements.<br />

The corporate colours may be used as generic backdrops and in other production items for<br />

<strong>FIBA</strong> Events or in <strong>FIBA</strong> corporate materials.<br />

Cropped Icon<br />

(action still recognisable)<br />

No text or imagery blocking icon<br />

Corporate colour palette<br />

(gradient layer)<br />

Outline Icon as print watermark<br />

(see toolkit)<br />

PMS PMS<br />

4515 241<br />

MAIN<br />

PALETTE<br />

PMS<br />

7535<br />

COMPLIMENTARY<br />

LIGHT<br />

PMS<br />

455<br />

COMPLIMENTARY<br />

LIGHT<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

11


PATTERNS & BACKGROUNDS<br />

• INTRODUCTION<br />

The main background is a gradient tint that can be used in any of the main colour palettes.<br />

Flat Icons, line-art Icons or ‘watermark’ Icons can be overlaid on this background using either<br />

the multiply, transparency or screen filters to achieve a wide range of creative results.<br />

A ‘matrix’ pattern of the flat Icons in both vertical and horizontal formats have been created.<br />

These exist with either linear repeat (even) edges or ‘pushed’ (irregular) edges.<br />

The supplied pattern can then be applied around imagery using ‘FLAG’ warps at any given angle,<br />

bend or percentage to achieve an aesthetic flowing ‘movement’ or style. The precise warps<br />

and bends should be carefully chosen to work with the implied action in the image, to echo the<br />

movement of the player, arms, legs or the ball.<br />

These overlaid patterns can be scaled to any size to best suit the specific design.<br />

PATTERNS & WARPS<br />

VERTICAL PATTERN<br />

Straight uniform edge<br />

VERTICAL PATTERN<br />

Non-uniform edge<br />

WARP VERTICAL PATTERN<br />

Flag warp 100% bend<br />

100% vertical<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

12


PATTERNS & BACKGROUNDS<br />

• USAGE<br />

Below is the process used to create the correct graduated background.<br />

Radial Gradient<br />

Gradient Layer 1<br />

Firstly a radial gradient is made with<br />

colour changes at the appropriate<br />

positions.<br />

Gradient Layer 2<br />

This is then duplicated and flipped<br />

vertically.<br />

Finished Background<br />

On the transparency palette the option<br />

of screen is then selected on the second<br />

version, and the two are placed over the<br />

top of one another.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

13


PATTERNS & BACKGROUNDS<br />

• USAGE<br />

The supplied backgrounds and patterns allow maximum creativity whilst retaining a signature<br />

style. These flowing, graduated backgrounds are the foundation of the designs to link Icons,<br />

imagery and text together.<br />

Gradients can be made from any of the key palettes, with patterns at different sizes and using<br />

applied effects and transparencies.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

14


PHOTOGRAPHIC<br />

• TREATMENTS<br />

Photographic imagery can only be used for non-commercial purposes within a secondary<br />

branding context and <strong>FIBA</strong> must approve any photographic application.<br />

Photographs must be from <strong>FIBA</strong> Events and <strong>FIBA</strong> approved. ‘Action’ images are the preferred<br />

type of photograph. Once an image has been selected, various effects are applied within<br />

Photoshop©. The desired result should be ‘dynamic’ in presentation, representing one or more of<br />

the 5 <strong>FIBA</strong> keywords – ‘CHALLENGE’, TEAM SPIRIT’, ‘STRENGTH’, ‘EXCITEMENT’ & ‘RESPECT’.<br />

Harshly lit, saturated on court photographs need to be toned down and graded using<br />

the following criteria. This will slightly desaturate the colour and heighten the contrast.<br />

Movement is emphasised by the shadow. This is just a guide and different photographs<br />

might need varying adjustments.<br />

Warped icon patterns are then applied around the photograph to emphasise movement,<br />

excitement and action. The patterns need to enhance and compliment the photographic shape.<br />

Original CMYK photograph<br />

CMYK photograph<br />

with mono 70% lighten layer<br />

CMYK & mono composite<br />

drop shadow<br />

<strong>FIBA</strong> might require the presence<br />

of a Partner strip which will be<br />

defined case by case<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

15


APPLICATION<br />

• EXAMPLES<br />

The following two pages highlight examples of the correct use of all secondary brand elements<br />

within an applied design.<br />

<strong>FIBA</strong> logo<br />

Approved photographic images<br />

with specified movement<br />

shadows and colour treatments<br />

Gradient layer backgrounds<br />

created from approved<br />

colour palette<br />

Patterns warped to echo the<br />

movement in the photograph,<br />

using approved colour palette<br />

and gradients<br />

<strong>FIBA</strong> approved typeface<br />

Dot patterns, selectively applied<br />

to add visual interest<br />

<strong>FIBA</strong> might require the presence<br />

of a Partner strip which will be<br />

defined case by case<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

16


APPLICATION<br />

• EXAMPLES<br />

<strong>FIBA</strong> logo<br />

3D Icon as main focus of design<br />

(can be used in any colour)<br />

Patterns warped specifically to<br />

draw interest towards Icon<br />

Gradient layer background<br />

used to best effect in<br />

highlighting the Icon<br />

Partner strip and<br />

official designation<br />

The Partner strip can be<br />

changed if needed depending<br />

on the marketing structure for<br />

different situations/Events<br />

<strong>FIBA</strong> will be supplying it in<br />

every case<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

17


TYPEFACES<br />

• EXAMPLES<br />

Two exclusive typefaces are to be used within any <strong>FIBA</strong> designs.<br />

<strong>FIBA</strong> TYPEFACE<br />

Custom-drawn font primarily<br />

used for headlines<br />

Sub heading in<br />

smaller font size<br />

UNIVERS CONDENSED<br />

The dominant size is for any<br />

tag lines etc.<br />

A globally available font<br />

used for bodycopy<br />

MAIN HEADING<br />

subheading<br />

TAG LINES<br />

body copy body copy<br />

body copy body copy<br />

Type can be of any size to compliment the design and relay any given information.<br />

Colours must be from an approved colour palette and must be chosen for both<br />

design aesthetic and readability.<br />

No extreme effects or warps are to be applied to the typefaces.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

18


<strong>FIBA</strong> EVENTS<br />

• INTRODUCTION<br />

<strong>FIBA</strong> hosts Events throughout the world at a variety of locations, covering different seasons and<br />

competitions. Therefore the style palette must be applied with relevance to each specific Event,<br />

not location.<br />

For example, a country hosting an event can choose to use a different colour palette than that<br />

determined by its Zone palette (see Zone pages 18-26). This ensures that the location is seen as<br />

secondary to the event.<br />

However, where the location is the dominant factor, then the Zone palette must be applied.<br />

Sponsors and partners can be ‘contained’ within an appropriate shape derived from the styles,<br />

ie the oval of the icon could be used as the shape to hold the partner logos.<br />

New colours may be introduced with the styles for the appropriate event, but the new styles must<br />

be consistent throughout the event.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

19


<strong>FIBA</strong> EVENTS<br />

• ICON COLOUR ADAPTATION<br />

The style palette should be applied appropriately, to compliment each specific Event composite<br />

logo. It is not mandatory to use only the <strong>FIBA</strong> Zone or the Event/Location colours, but the colour<br />

choice must have some relevance to the Event or the Location. This might involve use of flag<br />

colours, or colours from nature, something that is undeniably Event or Location specific.<br />

Example, the Turkey World Championship. The Turkey Composite Logo design consists of mainly<br />

red, meaning that the use of a red background and red Icons would be ineffective in making the<br />

logo stand out. So the cyan element of the logo could be utilised and applied to the styling of all<br />

secondary elements.<br />

Whilst new colours may be introduced the overall style must remain recognisable as <strong>FIBA</strong><br />

secondary branding. Any of the toolkit elements may be adapted in this way to suit a given Event.<br />

If an approved font is used for an Event, this may also be introduced into the design.<br />

Adaptation of an Icon’s colour reflecting an element from within the logo.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

20


<strong>FIBA</strong> EVENTS<br />

• APPLICATION EXAMPLES<br />

The image below shows an example of an Event where new colours have been applied to<br />

highlight the composite logo.<br />

The Event composite logo must always be present, with a copyright notice applied and SRP<br />

(partner strip) where required.<br />

This is just one example of how the secondary branding elements might be applied.<br />

A colour palette is developed from<br />

the cyan element within the logo<br />

Gradients and patterns are then<br />

adapted from this palette<br />

Warp and effect blends are<br />

applied to enhance the<br />

photographic imagery<br />

Photographic treatments are<br />

applied as per guidelines<br />

<strong>FIBA</strong> might require the presence<br />

of a Partner strip which will be<br />

defined case by case<br />

<strong>FIBA</strong> might require the presence of a Partners strip which will be defined case by case<br />

All photographic imagery must reflect fully the nature of the given event.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

21


<strong>FIBA</strong> ZONES<br />

• INTRODUCTION<br />

<strong>FIBA</strong> is divided up into 5 separate world Zones. Each of these Zones has a designated colour by<br />

which it is identified (as shown below).<br />

The secondary brand elements incorporate a number of components designed to further enable<br />

differentiation between these Zones.<br />

A set of Icons are available that reflect the colourway allocated to each Zone. These can be used<br />

whenever it is important to emphasise a particular Zone rather than location or Event.<br />

ZONE COLOURS<br />

PMS<br />

424<br />

PMS<br />

241 192<br />

PMS<br />

137<br />

PMS<br />

3005<br />

PMS<br />

355<br />

C:0<br />

M: 0<br />

Y: 0<br />

K: 50<br />

C:0<br />

M: 100<br />

Y: 100<br />

K: 0<br />

C:0<br />

M: 30<br />

Y: 100<br />

K: 0<br />

C:100<br />

M: 30<br />

Y: 0<br />

K: 0<br />

C:100<br />

M: 0<br />

Y: 100<br />

K: 0<br />

This colour palette is not interchangeable.<br />

For example, Americas must always appear in the red palette.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

22


<strong>FIBA</strong> ZONES<br />

• ICON usage<br />

The full range of Icons are available in the colour of each Zone. Below are the 5 flat coloured<br />

Icons in the five Zone colours.<br />

AFRICA<br />

STRENGTH EXCITEMENT CHALLENGE TEAM SPIRIT RESPECT<br />

AMERICAS<br />

STRENGTH EXCITEMENT CHALLENGE TEAM SPIRIT RESPECT<br />

ASIA<br />

STRENGTH EXCITEMENT CHALLENGE TEAM SPIRIT RESPECT<br />

EUROPE<br />

STRENGTH EXCITEMENT CHALLENGE TEAM SPIRIT RESPECT<br />

OCEANIA<br />

STRENGTH EXCITEMENT CHALLENGE TEAM SPIRIT RESPECT<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

23


<strong>FIBA</strong> ZONES<br />

• maps<br />

A set of maps are available, each one made up from a complete set of <strong>FIBA</strong> Icons and<br />

unmistakably representing each of the five Zones. These have been designed to be used<br />

EXCLUSIVELY by each specific Zone as required.<br />

The maps are only compatible with their specific Zone and colour and should be used<br />

accordingly.<br />

They have been designed mainly for use as backdrops and as such can be utilised to suit the<br />

individual design. The map shape should remain recognisable.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

24


<strong>FIBA</strong> ZONES<br />

• AFRICA<br />

Africa colour Zone and map.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

25


<strong>FIBA</strong> ZONES<br />

• AMERICAS<br />

Americas colour Zone and map.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

26


<strong>FIBA</strong> ZONES<br />

• ASIA<br />

Asia colour Zone and map.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

27


<strong>FIBA</strong> ZONES<br />

• EUROPE<br />

Europe colour Zone and map.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

28


<strong>FIBA</strong> ZONES<br />

• OCEANIA<br />

Oceania colour Zone and map.<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

29


<strong>FIBA</strong> ZONES<br />

• APPLICATION EXAMPLES<br />

Below is a poster example for Africa, using corporate colours to compliment the African imagery.<br />

REMEMBER: Photographic imagery can only be used for non-commercial purposes within<br />

a secondary branding context and <strong>FIBA</strong> must approve any photographic application.<br />

FONT<br />

Univers condensed<br />

Oval icon background<br />

Africa map & palette<br />

Photographic images of players<br />

from Africa<br />

<strong>FIBA</strong> Africa logo<br />

<strong>FIBA</strong> might require the<br />

presence of a Partner strip<br />

which will be defined case<br />

by case<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

30


<strong>FIBA</strong> ZONES<br />

• APPLICATION EXAMPLES<br />

Below is a poster backdrop for Americas.<br />

REMEMBER: Photographic imagery can only be used for non-commercial purposes within<br />

a secondary branding context and <strong>FIBA</strong> must approve any photographic application.<br />

<strong>FIBA</strong> Americas logo<br />

Gradient background in<br />

Americas colours<br />

Americas map & palette<br />

Photographic images of players<br />

from the Americas<br />

The Partner strip can be<br />

changed if needed depending<br />

on the marketing structure for<br />

different situations/Events<br />

<strong>FIBA</strong> will be supplying it in<br />

every case<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

31


<strong>FIBA</strong> ZONES<br />

• APPLICATION EXAMPLES<br />

Further examples illustrating the use of maps to designate <strong>FIBA</strong> Zones.<br />

The Partner strip can be<br />

changed if needed depending<br />

on the marketing structure for<br />

different situations/Events<br />

<strong>FIBA</strong> will be supplying it in<br />

every case<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

32


CONTACT<br />

• INFORMATION<br />

For all queries, information and approvals regarding this style file and branding,<br />

please contact the following:<br />

Marketing & Licensing<br />

<strong>FIBA</strong> - International Basketball Federation<br />

51 - 53, Avenue Louis Casai<br />

CH - 1216 Cointrin / Geneva Switzerland<br />

Telephone: +41 22 545 00 17<br />

Fax: +41 22 545 00 99<br />

Email: marketing@fiba.com<br />

<strong>FIBA</strong> SECONDARY IDENTITY<br />

vers.1.0 © <strong>FIBA</strong> 2009<br />

33

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