Stage/Theater Special Events Film & Video DJ/Club - Premier Lighting

Established 1977 

California Electrical Contractor, License 723393 

(818) 762-0884 

(323) 461-4631 

(800) 770-0884 

FAX (818) 762-0896 

e-mail: premier@premier-lighting.com 

www.premier-lighting.com 

Stage/Theater 

Special Events 

Film & Video 

DJ/Club 

12023 Victory Boulevard 

North Hollywood, CA 91606-3318

925-303 50 watt PAR 20 NFL 

925-307 50 watt PAR 20 NSP 

806-540 EYC 75 watt, 12 volt, MR16, 2-pin base, Flood 

806-542 EYF 75 watt, 12 volt, MR16, 2-pin base, Narrow Spot 

820-105 JDR-N 75w, 120v, PAR16, E17 base 

820-110 JDR-M 75w, 120v, PAR16, E17 base 

820-115 JDR-W 75w, 120v, PAR16, E17 base 

820-130 JDR-N 75w, 120v, MR16, Med base 

820-135 JDR-M 75w, 120v, MR16, Med base 

820-140 JDR-W 75w, 120v, MR16, Med base 

830-105 JDR-N 100w, 120v, PAR16, E17 base 

830-110 JDR-M 100w, 120v, PAR16, E17 base 

830-115 JDR-W 100w, 120v, PAR16, E17 base 

830-130 JDR-N 100w, 120v, MR16, Med base 

830-135 JDR-M 100w, 120v, MR16, Med base 

830-140 JDR-W 100w, 120v, MR16, Med base 

830-207 ESR 100w, for 3” Fresnel 

807-005 i-100 100w, 12/14 volt for Lowel i/id 

936-402 120 watt R40 Flood 

936-404 120 watt R40 Spot 

836-051 ETC 150w, Q150CL/DC 

836-204 ESP 150 watt, 120v 

936-605 150 watt Flood for Multipar 38 

936-607 150 watt Spot for Multipar 38 

807-200 FCS 150 watt, 24 volt (for Starball) 

840-204 FEV 200 watt 

840-250 200 watt, 120 volt, SMR-200/D1 for i-marc 

940-601 200 watt NSP PAR 46 - med side prong base 

940-602 200 watt MFL PAR 46 - med side prong base 

940-612 200 watt NSP PAR 46 (imported) - mogul end prong 

940-613 200 watt MFL PAR 46 (imported) - mogul end prong 

845-071 250 watt T10 for 10” scoop, screw base 

845-815 GCA 250 watt, 2-pin prefocus base 

807-235 EVC 250 watt, 24 volt 

915-250 ZB-MSD 250 watt, 8500K, 2000 HR 

850-305 ELH 300 watt, 120 volt, MR16, 2-pin base 

850-428 FKW 300 watt, 2-pin prefocus base 

950-404 300 watt R40 Flood 

950-601 300 watt NSP PAR 56 

950-602 300 watt MFL PAR 56 

950-603 300 watt WFL PAR 56 

950-612 300 watt NSP PAR 56 (imported) 

950-613 300 watt MFL PAR 56 (imported) 

950-614 300 watt WFL PAR 56 (imported) 

811-305 ENX 360 watt, 82 volt, MR16, 2-pin base 

811-310 FLE 360 watt, 82 volt, MR16, 2-pin base 

852-100 HX400 375 watt, 115V, 3200° K, 300 HR 

852-110 HX401 375 watt, 120V, 3000° K, 1500 HR 

852-050 HPL 375 watt, 115v, 3200 K, 300 HR 

852-060 HPL 375 watt, 115v, 3050 K, 2000 HR 

LAMPS 

see website for current pricing 

http://www.premier-lighting.com 

855-201 EHR 400 watt, double ended 

955-304 FDA 400 watt, double ended 

915-148 HTI 400 watt/D3 for Mac 550, double ended 

955-401 400 watt for 10” scoop, screw base 

860-010 GDA 500 watt, double ended 

860-302 FCL 500 watt, double ended 

860-303 FCZ 500 watt, double ended 

860-305 FDN 500 watt, double ended 

911-230 HTI 500 watt, 5600 K, 500 HR, 575/DE 

860-051 EVR 500 watt for 4.5” Mini Ellipsoidal, screw base 

961-009 500 watt for 14” scoop, screw base 

860-502 EHC/EHB 500 watt, 3150 K, medium 2-pin base 

860-503 EHD 500 watt for 6” Ellipsoidal, medium 2-pin base 

860-601 BTL 500 watt for 6” Fresnel, medium prefocus base 

860-607 EGE 500 watt for 6” Ellipsoidal, base-up 

860-616 FRG 500 watt, 2-pin prefocus base 

860-320 FTK 500 watt, 2-pin prefocus base 

961-201 500 watt NSP PAR 56 

961-202 500 watt MFL PAR 56 

961-203 500 watt WFL PAR 56 




961-302 500 watt NSP PAR 64 

961-303 500 watt MFL PAR 64 

961-304 500 watt WFL PAR 64 




866-410 FLX HX600 575 watt, 115V, 3200°K, 300 HR 

866-415 HX601 575 watt, 115/120V, 3000°, 1500HR 

866-420 GLC 575 watt, 115v, 3200 K, 400 HR 

866-425 GLA 575 watt, 115v, 3200 K, 1500 HR 

866-055 HPL 575 watt, 115V, 3200°, 300 HR 

866-060 HPL 575 watt, 115V, 3000°, 1500 HR 

915-275 MSD 575 watt HR G22 for Buxie 

915-300 575 watt 75hr. HMI for Satellite 

915-310 575 watt HMI w/reflector for Satellite 

915-315 MSR 575 watt HMI G22 

866-101 DYS 600 watt, 2-pin prefocus 

866-401 DYH 600 watt, 2-pin prefocus 

867-100 CSL 600 watt VNSP, PAR 64 (sub for ACL) 

966-204 FCB 600 watt, double ended 

868-201 FAD 650 watt, double ended 

868-202 FBX 650 watt, double ended 

868-431 FRK 650 watt, 2-pin prefocus 

870-301 EHG 750 watt for 6” Ellipsoidal, medium 2-pin base 

870-401 EGG 750 watt for 6” Ellipsoidal, base-up 

870-408 BTN 750 watt for 6” Fresnel, medium prefocus 

870-501 EGR 750 watt, medium bi-post base 

870-531 HPL 750 watt, 115v 


http://www.premier-lighting.com 2 

(818) 762-0884

880-401 DXW 1000 watt, double ended 

880-405 FCM 1000 watt for groundrow & broads, double ended 

880-406 FHM 1000 watt (frosted), double ended 

880-408 FER 1000 watt, double ended 

880-409 FFT 1000 watt for cyc lights, double ended 

880-412 FBY 1000 watt, double ended 

880-501 FEL 1000 watt for 6” Ellipsoidal, medium 2-pin base 

880-607 EGJ 1000 watt for 6” Ellipsoidal, base-up 

880-611 BTR 1000 watt for 6” Fresnel, medium prefocus base 

880-701 EGT 1000 watt for 6” Fresnel - TV, medium bi-post 

880-901 CYV 1000 watt, mogul bi-post 

881-015 DKZ/DSE1000 watt for 14” scoop, mogul bi-post 

981-014 1000 watt IF for 14” scoop, screw base 

880-801 DPW 1000 watt for Followspot, mogul prefocus 

880-805 BVT 1000 watt 3050 K, mogul prefocus 

880-806 BVV 1000 watt 3200 K, mogul prefocus 

881-101 FFN 1000 watt VNSP, PAR 64 

881-102 FFP 1000 watt NSP, PAR 64 

881-103 FFR 1000 watt MFL, PAR 64 

881-104 FFS 1000 watt WFL, PAR 64 

881-112 1000 watt NSP, PAR 64 (imported) 

881-113 1000 watt MFL, PAR 64 (imported) 

881-114 1000 watt WFL, PAR 64 (imported) 

910-100 MSR 1200 watt G22 for Robert Juliat Followspots 

915-350 MSR 1200 watt HMI/SE for Titan 

890-102 FDB 1500 watt, double ended 

890-403 CWZ 1500 watt, mogul prefocus 

890-404 DTA 1500 watt for Follow spotlight, mogul prefocus 

892-101 FEY 2000 watt, double ended 

892-503 CYX 2000 watt for 8” Fresnel - TV, mogul bi-post 

892-301 BVW 2000 watt, 3200 K, mogul prefocus 

992-502 BWA 2000 watt, mogul bi-post 

897-502 DPY 5000 watt, mogul bi-post 

804-501 4515 6 volt for Pin Beam/rain light 

908-600 Blacklight, 48” fluorescent 

Mogul Pre-focus Medium Pre-focus 

MIni 2-pin MR-16 Mogul End Prong 

LAMPS 

2-pin 

Prefocus 

Medium 

Prefocus 

LAMP SOCKETS 

Double 

Contact 

Bayonet 

Medium 

Prefocus 

We inventory a full range of lamp sockets for stage and studio lamps. 



Double-ended 

Mogul 

Prefocus 

TP-22 Mini Candelabra 

188-500 Mini 2-pin MR-16, for low voltage 

188-503 Mini 2-pin MR-16, pair, for Zip Striplights 

188-510 Mini Candelabra 

188-521 Medium 2-pin with 36” leads for 

Ellipsoidal Spotlights 

188-524 Source 4, M706 

188-530 Medium Pre-focus glazed porcelain for newer Fresnels 

188-532 Medium Pre-focus non-glazed for older Fresnels 

188-550 Mogul Pre-focus 

188-564 Mogul End Prong, PAR 64, 48” leads 

188-595 Sleeving, woven glass (to protect leads), Sold by the foot 



(818) 762-0884 

HPL 

Medium 

Bipost 

Medium 

2-pin 

Mogul 

Bipost 

MR16 

Screw 

Base 

PAR

STAGE & TOURING LIGHTING PACKAGES 



The lighting packages listed here are designed from a functional and economical point of view. The optimum 

throw distance for the 500 watt PAR 56 units is 30 feet. If your distance from the stage is further than this you 

will need higher wattage fixtures. The designs are based on the many packages we have provided customers 

over the past 18 years. They are complete packages except for color filters and stands. Stands are required 

for floor mounting situations. If you want a more sophisticated package that would include ellipsoidal, 

Fresnel, and flood lights please give us a call. We'll be happy to design a package for your venue. 

PAR 56 

PAR 64 

DP-415 

12 ft. stage tree 

A: 16 lights 

1 - Elation Stage Desk 16 Controller 

4 - Control cable, 50'. 

4 - Elation DP-415 Dimmer Packs, 4 channels, 5A per channel 

2 - Ellipsoidal Spotlights, Variable focus 4.5" x 25°-50°, complete with U-ground plug, 

c-clamp, color frame, safety cable, and HX601 (575 watt, 1500 hr.) lamp. 

14 - PAR 56 Aluminum fixture with c-clamp, color frame, safety cable, U-ground plug. 

Stage Desk 16 14 -PAR 56, Medium Flood (500 watt, 400 hour) lamp. 

4 - Power cable, 12/3 SJT, U-ground connectors, 50'. 

System A - 16 Light, PAR 56 lamp Package 

Stage Setter 8 

B: 8 lights 

1 - Elation Stage Setter 8 Controller 


2 - Elation DP-415 Dimmer Packs, 4-channels, 5A per channel. 

8 - PAR 56 Aluminum fixture with c-clamp, color frame safety cable & U-ground plug. 

8 - PAR 56, Medium Flood (500 watt, 400 hr.) lamp. 

System B - 8 Light PAR 56 Package 

C: 6 lights 

1- Dove SceneMaster 6, 6-channel, 1000 watts per channel, 

controller & dimmer combined. 

6 - PAR 56 Aluminum fixture with c-clamp, color frame, safety cable, U-ground plug. 

6 - PAR 56, Medium Flood, (500 watt, 400 hr.) lamp. 

2 - Power cable, 12/3 SOW, U-ground connectors, 50'. 

6 - Extension cable, 14/3 SOW, U-ground connectors, 50'. 

Dove SceneMaster 6 System C - 6 Light PAR 56 Package 

E: 4 lights (DJ Mobile/Stand alone) Add a controller and cable for a remote controlled system. 

1 - Lightcraft 860, 4-channel, 600 watts per channel, sound activated Pack. 


4 - PAR 38 with U-ground connector. 

4 - PAR 38, Spot (150 watt, 2000 hr.) lamp. 

1 - LT-11, Light Stand, extends to 11 feet, and 2 sidearms 

570-140 - 4 Light Dimmer/Mobile Package 

STANDS ARE SOLD SEPARATELY 

165-535 Stand & cross bar, height to 12'. 

Lights not included. 



(818) 762-0884

ELLIPSOIDAL SPOTLIGHTS 

ETC SOURCE 4 

105-001 50° 

105-003 36° 

105-005 26° 

105-007 19° 

105-009 10° 

105-011 5° 

105-013 15° -30° Zoom 

105-015 25° -50° Zoom 

UL listed for 750 watt lamps. ETC’s ellipsoidal spotlights produce 

more light than most 1000 watt units. The lens system combined with 

the dichroic glass reflector and the compact, multi-filament lamp 

produce a light beam which extends the life of projection patterns. 

C-clamp & color frame included. 

866-055 HPL575w lamp 

870-531 HPL750w lamp 

162-320 Drop-in Iris 

167-260 Pattern Holder (A) 

167-262 Pattern Holder (B) 

167-261 Glass Pattern Holder 

167-305 Donut 

166-200 Safety Cable 

161-093 Color frame, 10° 

161-094 Color frame, 5° 

167-307 Donut, 10° 

167-309 Donut, 5° 

(Order lamp, accessories & connector separately) 

ETC SOURCE 4 jr TM and jr Zoom 

105-020 50° 

105-022 36° 

105-024 26° 

105-026 25° -50° Zoom 

This modified version of the Source 4 is designed to bring added 

functionality to Source 4 fixtures. Comes with color frame and Cclamp. 

866-055 HPL575w lamp 

162-328 Drop-in Iris 

167-259 Pattern Holder (M) 

167-305 Donut 


161-093 Color frame 

182-535 Stage Pin Connector 

184-170 Edison Connector 

(Order lamp, connector & accessories separately) 

STRAND SL 

102-230 50° 

102-226 36° 

102-221 26° 

102-216 19° 

102-211 10° 

102-204 5° 

102-235 18° -30° Zoom focus 

102-240 25° -50° Zoom focus 



Strand Lighting’s latest ellipsoidal spotlights have a number of features 

which make them an outstanding choice for the discerning lighting 

designer. 

* High Light Output Optical System 

* 360° Rotating Lens Barrel 

* Glass Dichroic Reflector 

* Easy Focus Lamp Housing 

* Extra Insulation on Handles and Knobs 

Color frame and C-clamp included. 

866-410 HX600 FLK, 115v, 575 w, 3200° , 300 hr lamp 

866-415 HX601 120 volt, 575 w, 3050° , 1500 hr lamp 

866-420 GLC 115v, 575 w, 3200° K lamp 

xxx-xxx Pattern Holder? 

167-305 Donut 




(Order accessories, lamp & connector separately) 



(818) 762-0884

Super Reflector 

System produces 50% 

more light when used 

with 575 watt, 

GLC lamp. 

ALTMAN 360Q 

with Super Reflector (standard) 

A 500-750 watt, heavy duty theatre instrument for front, side and 

special effects lighting. Throw to 65 feet. 300 hour lamps listed 

below are 3200° Kelvin and produce maximum light output. 

102-001 6”x9” -37° with Super Reflector 




102-003 6”x9” -37° with Super Reflector & Speed Cap 




Accessories: 

860-503 EHD 500w lamp 

870-301 EHG 750w lamp 

866-410 HX600 FLK, 115v, 575w, 3200°, 300 hr lamp 

866-415 HX601 120v, 575w, 3050°, 1500 hr lamp 

866-420 GLC 115v, 575w, 3200° K lamp 

161-071 Color Frame, 7.5" 165-010 C-clamp 

166-200 Safety Cable 167-005 Pattern Holder 

182-535 Stage Pin Connector 184-170 Edison Connector 

(Order lamp & connector & accessories separately) 

The SUPER REFLECTOR upgrade kit is 

designed to replace the reflectors in 

Altman Axial lamp mount fixtures. 

175-067 Super Reflector 

This cap & socket assembly, originally designed 

for the Shakespeare, is modified to be a direct 

replacement for the Altman 360Q cap. With 

this cap there are no tools needed for lamp 

focusing adjustments. 

175-000 Speed Cap 

ELLIPSOIDAL SPOTLIGHTS 

ALTMAN MR16 

MICRO ELLIPSE 

ALTMAN 3.5" 

100-000 48° (x5) 

100-001 38° (x6) 

100-003 28° (x8) 

100-005 23° (x10) 

100-007 18° (x12) 



The Micro Ellipse is a lightweight framing spotlight with a 2” optical 

system which produces a narrow to medium beam up to 15 ft. Unit 

has a built-in transformer and uses MR16 12 volt lamps. Framing 

shutters, pattern slot and holder accept 1.5” patterns. Comes with 

color frame and safety cable. 

Also available in white and a variety of anodized colors with optional 

dichroic color filters for restaurants, store display and other 

architectural applications. 

101-017 Micro Ellipse, Black 

806-540 EYC 75 watt, 12 volt, MR 16, Flood 



165-010 C-clamp 

A small unit good for throws up to 40 ft. 

4 shutters, safety cable & color frame included. 

Medium 2-pin lamp socket is standard. 

We tested this fixture in our rental shop and found that 

with the HX600 lamp we get more footcandles than with a 

750 watt EHG. 

We recommend it for small facilities 

with limited electrical power. 

860-503 EHD 500w lamp 

866-420 GLC 575w lamp 


165-010 C-clamp 

???-??? Pattern Holder 



(Order lamp & connector separately) 



(818) 762-0884

FRESNEL SPOTLIGHTS 



The most versatile and popular light for stage and studio. The light diffusing lens produces 

a soft-edged, even light beam. Focusing adjustment allows for spot or flood lighting. 

ALTMAN 3” FRESNEL 

110-001 100-150w 

A 3” lens unit for lighting objects up to 15 feet away. 

830-207 ESR 100w lamp 836-051 ETC 150w lamp 

162-000 Barn Door, 2 way 165-190 Base for 3” Fresnel 

(Order bae, lamp, connector, and barn door separately) 

ALTMAN 6” QUARTZ FRESNEL 

112-003 500-700w 

UL listed for QUARTZ lamps up to 

750 watts. 

A 6” lens unit for distances up to 35 feet. 

Medium pre-focus lamp socket. Upgraded 

reflector to produce more light output when in 

spot focus. 

Includes color frame and safety cable. 

860-601 BTL 500w lamp 870-408 BTN 750w lamp 

162-030 Barn Door, 4 way 165-010 C-clamp 

166-200 Safety Cable 182-535 Stage Pin Connector 

184-140 Edison (PBG) Connector 

(Order lamp, connector, clamp, safety cable & barn door separately) 

Call for Quantity Pricing! 

ALTMAN 8” FRESNEL 

113-006 1000-2000w 8” lens unit, 

Mogul prefocus socket. For distances to 50 feet. 

Includes color frame and safety cable. 

880-805 BVT 1000w lamp 

890-403 CWZ 1500w lamp 

892-301 BVW 2000w lamp 

162-050 Barn Door, 4 way 

165-010 C-Clamp 

165-021 PREMIER pipe clamp 



184-140 Edison (PBG) Conn 

(Order lamp, connector, clamp, & barn door separately.) 

ALTMAN MICROFLOOD 

124-341 Source 4 PARNel 

866-055 HPL 575w lamp 870-531 HPL 750w lamp 

165-010 C-clamp 166-200 Safety Cable 

182-535 Stage Pin Connector 184-140 Edison Connector 

(Order lamp, connector, clamp & safety cable seperately.) 

STRAND 6” FRESNEL 

112-103 Strand 500-1000w 6” lens unit, 

Medium prefocus socket. 

112-104 Same with Medium bi-post socket. 

For distances up to 40 feet. 

Includes color frame & C-Clamp 

880-611 BTR 1000w Med PF lamp 

880-701 EGT 1000w Med BP lamp 

161-069 Color Frame 



(Order lamp, ocnnector, safety cable & barn door separately.) 

STRAND 8” FRESNEL 

113-103 1000-2000W 8” lens unit, 

Medium pre-focus socket. 

113-104 Same with Medium bi-post socket. 

For distances up to 55 feet. 

Includes color frame and C-Clamp. 

880-805 BVT 1000w lamp 

892-503 CYX 2000w lamp TV 



(Order lamp, connector, safety cable & barn door separately.) 

The Micro Flood is a lightweight soft-edged spotlight designed to produce narrow to wide beam spreads up to 15' 

away. It uses MR-16 dichroic reflector lamps which are ideal for lighting floral arrangements, window displays, and 

nightclubs. The narrow to wide beam spreads are a result of the type of MR-16 lamp that is selected and installed. 

Male Edison Connector, Color Frame, and Safety Cable included 

110-020 Altman Microflood 

806-540 EYC 75 w MR16 Flood 

806-542 EYF 75 w MR16 Narrow Spot 

162-005 4-way Barndoor 

SOURCE 4 PARNEL 

With its wave lens design and easy 

focusing knob, the PARNel lets you 

quickly access a range of 25 to 45 

degrees - a smooth, soft, symmetrical 

field that you can spot or flood like a 

fresnel. Features an enhanced 

aluminum reflector. Rated up to 750w. 

Comes w/color frame. 



(818) 762-0884

PAR LIGHTS 



IN MANY VENUES THESE 575 WATT UNITS ARE REPLACING TRADITIONAL BORDER AND 

CYCLORAMA LIGHTING FIXTURES. THEY ARE EXCELLENT IN VIDEO APPLICATIONS. 

Opti PAR HX 

A high preformance, parabolic reflector 

luminaire using HX series lamps. These 

lamps combined with the special reflector 

makes this one of the brightest 575 watt PAR 

type fixtures available. Comes with color 

frame and very narrow spot lens. Available in 

black or white. 

ETL LISTED 

CALL FOR QUANTITY PRICING! 

124-343 Opti PAR HX w/frame & very narrow lens (black) 

124-344 Opti PAR HX w/frame & very narrow lens (white) 

866-410 HX600, 575 watt, 300 hour lamp 

866-415 HX601, 575 watt, 1500 hour lamp 

161-071 Color frame, black 

164-831 Clear Flat Lens 

164-833 Very Narrow spot lens 

164-835 Narrow spot lens 

164-837 Medium flood lens 

164-839 Wide flood lens 

162-110 High hat (snoot) 

165-010 C-clamp, heavy duty, theatrical 

165-025 Pipe clamp, low profile, steel 

166-200 Safety cable 

184-140 Edison connector 

182-535 Stage Pin connector 

164-805 Par Lens Changing Tool 

(Order lamp, connector, pipe clamp and additional accessories separately) 

OUTDOOR PAR, UL listed. 

These watertight, heavy duty units are an excellent choice for 

outdoor, wet locations. Construction is of cast aluminum with an 

optional stainless steel snoot/color frame holder. Comes with 24" 

water proof, sunlight resistant cable and safety cable. 

Outdoor PAR uses a PAR 64 lamp 

Outdoor HX 575 Fixture comes with five interchangeable lenses. 

Smaller-sized, lower-wattage lamps reduce power consumption and 

storage space. 

124-368 PAR 64 Outdoor 

124-374 PAR HX/575 Outdoor 

162-130 Combination Snoot/Color Frame 

165-010 C-Clamp 

852-100 HX400 375 watt, 115 volt, 3200 K 300 HR 

852-110 HX401 375 watt, 120 volt, 3000 K 1500 HR 

866-420 GLC 575 watt 115v, 3200 K 400h 

866-425 GLA 575 watt 115v, 3100 K 1500hr 

(order lamp, accessories & connector separately) 

SOURCE FOUR PAR 

Utilizing a unique, die-cast aluminum reflector and enhanced coatings, 

Source FourPAR delivers equal or better light output than conventional 

1k watt PAR 64's. The beam of the very narrow spot is round, 

smooth and even. To change the beam shape, snap in one of the five 

lenses into the rotating front ring. Comes with color frame and four 

lenses (VNSP, NSP, MFL, WFL). 

124-340 Source Four PAR with Enhanced Aluminum Reflector 

124-342 Source Four PAR with Mirror Coated Metal Reflector 

164-831 Clear Flat Lens 

164-833 Very Narrow Spot Lens 

164-835 Narrow Spot Lens 

164-837 Medium Flood Lens 

164-839 Wide Flood Lens 

866-055 HPL 575 w lamp, 300 hr 

866-060 HPL 575 w lamp, 1500 hr 


(Order lamp, safety cable & connector separately) 

ALTMAN STAR PAR 

A rugged, lightweight alternative to conventional 

Par 64 luminaires. Operates with 575 watt 

tungsten halogen lamps, and accepts a wide 

variety of interchangeable lenses. Uses 

standard 10” accessories. Comes with color 

frame, safety cable, and set of 4 lenses (VNSP, 

NSP, MFL, WFL). 

124-398 Star Par w/all four lenses 

866-410 HX600, 575 watt, 300 hr lamp 

165-010 C-clamp, heavy duty, theatrical 




ALTMAN SPECTRA PAR 

The Altman SpectraPAR is a color-mixing fixture with extremely low 

power-consumption. Consisting of a mixture of 36 high-intensity RGB 

LEDs, the 50 watt SpectraPAR can produce a virtually unlimited array 

of colors. 

Each unit comes with three interchangeable lenses - NSP, MFL, and 

WFL. 

Suitable for Indoor or Outdoor Use 

124-600 Spectra PAR w/lenses 

550-700 Doug Fleenor Design 

LED 6 fixture power supply 

124-630 iPlayer 2 USB Interface 

w/ ColorPlay Software 

124-640 ZAPI Addresser for SpectraPAR 



(818) 762-0884

124-318 PAR 16 polished aluminum, 120 volt. 

124-319 PAR 16 black aluminum, 120 volt. 

Comes with E17 screw lamp socket, color frame, 

and edison plug. 

820-105 JDR-N 75w, 120v, E17 base 

820-110 JDR-M 75w, 120v, E17 base 

820-115 JDR-W 75w, 120v, E17 base 

(Order lamp separately) 

124-320 PAR 20 polished aluminum, 120 volt. 

124-321 PAR 20 black aluminum, 120 volt. 

Comes with Medium screw lamp socket, color frame, 

and edison plug. 

820-130 JDR-N 75w, 120v, Med base 

820-135 JDR-M 75w, 120v, Med base 

820-140 JDR-W 75w, 120v, Med base 

(Order lamp separately) 

ALTMAN MICRO PAR, UL Listed 

Ideal for small stage, merchandise, art, and 

nightclub lighting. Light throw to 20 ft. Color 

frame, safety cable, and Male Edison Connector 

included. 

Uses JDR medium screw base lamps 

120-071 Altman Micro PAR 

162-005 Mini Barn Door, Four Leaf 

165-000 Mini C-clamp 

120-078 MULTI PAR38/R40 

Steel UL listed 75-300 watt lensless unit. 

Ideal for stage, display & party lighting. 

Light throw to 25 ft. 

165-025 Pipe clamp, steel 

936-605 PAR 38 150w Flood lamp 

936-607 PAR 38 150w Spot lamp 

936-402 R40 120w Flood lamp 

936-404 R40 120w Spot lamp 

(Order lamp, connector & pipe clamp separately) 

120-080 MULTI PAR 38 75-300 watt 

Lensless unit with color frame. 

For stage and display lighting. 

Includes lamp, cable with plug attached. 

Throw of 20 ft. 

165-025 Pipe clamp, steel 

936-605 PAR 38 150w Flood lamp 

936-607 PAR 38 150w Spot lamp 

936-402 R40 120w Flood lamp 

936-404 R40 120w Spot lamp 

(Order pipe clamp separately) 

PAR LIGHTS 

Great 

Buy 

PAR 46, 200 watt 

124-346 Black steel 

124-347 Polished aluminum, economy 

124-348 Black aluminum, economy 

940-601 200 watt NSP lamp 

940-602 200 watt MFL lamp 

(Order lamp. pipe clamp, safety cable & connector separately) 

PAR 56, 300/500 watt 






950-603 300 watt WFL lamp 



961-203 500 watt WFL lamp 

(Order lamp, pipe clamp, safety cable & connector separately) 

PAR 64, 500/1000 watt 




961-302 500 watt NSP 

961-303 500 watt MFL 

961-304 500 watt WFL 

881-101 FFN 1000 watt VNSP 

881-102 FFP 1000 watt NSP 

881-103 FFR 1000 watt MFL 

881-104 FFS 1000 watt WFL 

(Order lamp, pipe clamp, safety cable & connector separately) 

PAR Combo Packs 

These PAR Can Combo 

Packages come complete with 

PAR can, Lamp, 4 Color 

Filters, Clamp, Safety Cable, 

Gel Frame, and power cord 

with Edison plug. 



DJ4-538 PAR 64 Combo, 1000w MFL - Polished Aluminum 


DJ4-541 PAR 64 Combo, 500w MFL - Black Aluminum 





RAYLIGHT REFLECTORS 

Used in PAR fixtures in place of PAR lamps.Light weight reflectors use 

DYS lamps. Ideal for DJ's and touring groups. Plugs 

directly into fixture lamp socket. 

124-275 PAR 46 Reflector - Narrow 



866-101 DYS 600 w lamp 



(818) 762-0884

129-020 ALTMAN COMET 

811-305 ENX lamp 

Medium to long throw, 125 ft. 

ENX, MR16 360 watt, 82 volt 

lamp included 

Iris & shutters 

Mechanical dimmer 

6 color self-cancelling 

color changer with douser 

25' power cord with plug 

Dual adjustable lenses 

Castered stand 

ALTMAN LUMINATOR 

Short to medium throw follow spotlight. Small, 24” overall length, yet 

powerful, this mighty fixture is good for distances up to 95 feet. Like 

the bigger Altman Comet follow spot, Luminator uses an 82 volt 

MR16 type lamp which, in conjunction with magnetic 

transformer and superior optical system, 

produces light output similar to 

old style 1000 watt fixtures. 

Features include: 

Six disc color changer 

Iris 

Mechanical dimmer 


Cooling fan (low noise) 

On/off switch 

Power cord, 11.5’ 

with U-ground Edison plug 

129-001 Altman Luminator 

with castered stand 

56” in low position 

129-003 Alman Luminator 

with Tripod stand 

64” in low position 

811-305 ENX, 360 watt, 82 volt, lamp 

129-025 ALTMAN SATELLITE 

915-300 575w 75hr, Gap shortened 

915-310 575 HMI lamp & reflector 

• Long throws up to 175 ft 

• 575 HMI lamp included 

• Iris & shutters 

• Mechanical dimmer 

• 6 color self-cancelling 


• 10’ power cord & outboard 

power supply 

• Dual adjustable lenses 

• Castered stand 

• 7° to 20° Zoom range 

• 4.7 foot spot at 150 feet 

We endorse this unit as one of the finest 

followspots in this price range. Long life lamp, 

durability, and clean light beam make it an 

excellent choice. 

FOLLOW SPOTLIGHTS 



129-601 PHOEBUS ULTRA QUARTZ II 

811-305 ENX lamp 

Medium to long throw, 125 ft 

ENX, MR16 360 watt, 82 volt 

lamp additional 


6-color color changer 

Built-in spare lamp holder 

Dual adjustable lenses 


The two lights shown above are 

favorites of rental customers. 

Small (34" length), yet very powerful. 

The 360 watt, 82 volt , ENX lamp provides 

light output equal to 1000 watt followspots. 

129-610 PHOEBUS i-marc 

840-250 SMR-200watt metal halide lamp 

• Throws from 25-150 feet 

• Iris & dowser 

• Variable focal length lens system 

• 6 color color changer 

• Lightweight and portable 

• 3:1 Zoom range 

• 11' 6" power cord 

Ideal for school auditoriums, 

concert tours, and churches. 

129-667 PHOEBUS TITAN, Long Throw 

Long throws to 300 ft 

129-669 PHOEBUS TITAN, Short Throw 

Short throws to 200 ft 

915-350 1200 watt HMI MSR lamp 

1200 watt HMI lamp - additional 


Magnetic power supply 

6-color self-cancelling 



Flat even light field 

15 amp, 120 volt 

power requirement 

This fixture is a favorite of our film and 

TV rental customers. 

* Shipped F O B factory direct to you. 



(818) 762-0884

129-285 ELATION PRO FS 

FOLLOWSPOT 

w/stand and lamp 

Good for distances up to 80 ft. 

Color Changer 

Iris 

Blackout douser 

Electronic dimmer 

120v operation 

10” x 10” x 24” 

Package includes rolling stand & 575W lamp 

UPS Shippable 

129-281 PRO FS followspot - fixture only 

165-526 PRO FS Rolling Stand only 

866-410 HX600 575 watt lamp 

866-420 GLC 575 watt lamp 

129-200 FS-1000 FOLLOWSPOT 

w/stand and color changer 

Good for distances up to 65 ft. 

Uses a new specially designed reflector 

that produces more light output 

Iris to a blackout 

Built in dimmer 

Extruded aluminum casing 

120v operation 

9” x 9” x 21” 

Package includes tripod stand and color changer 

Uses 575W Halogen lamp (order separately) 

UPS Shippable 

DJ5-515 Tripod Stand only w/Follow Spot adapter 

129-205 4-color color changer 

866-410 HX600 575 watt lamp 

866-420 GLC 575 watt lamp 

FOLLOW SPOTLIGHTS 



129-800 Robert Juliat BUXIE 

700W MSD 575 HR Follow Spot 

• Throw to 80 feet 

• Electronic power supply, voltage range : 

90 to 130V and 190 to 265V - 50/60 Hz. 

• Hot restrike 

• Removable P.S.U. 

• 100% closing and removable iris. 

• 100% closing mechanical dimmer. 

• 6 way colour changer, push/pull system. 

915-275 MSD 575 HR G22 lamp 

129-810 Robert Juliat TOPAZE 

Throws 50 to 115 feet 

129-830 Robert Juliat MANON 

Throws 25 to 50 feet 

• High performance double condenser optical system 

• 100% closing iris with backplate follower in a removable 

cassette 

• 100% closing mechanical dimmer 

• 6 way “Boomerang” colour changer system fitted with 

removable filter frames 

• 3 meter follow spot cable. 

• Heavy duty compact power supply unit 

910-100 MSR 1200W G22 



(818) 762-0884

SCOOP LIGHTS 

124-015 18" Scoop 

Scoop lights produce a wide, even, 

soft-edged light which is well suited 

for blending cyclorama color washes. 

It is also useful for lighting large areas 

such as a gym. They work well over an 

orchestra as a general fill light. 

881-015 DKS/DSE 1000w lamp 


165-010 C-Clamp 




(Order color frame, lamp, c-clamp and connector separately) 

FLOOD STRIP LIGHTS 

124-010 14" Scoop 

Similar to the 18" scoop, but for a smaller venue. 

Color frame and safety cable included. 

961-009 500w lamp 

881-015 DKS/DSE 1000w lamp 

981-014 1000 watt IF lamp 


165-010 C-Clamp 




(Order lamp and connector separately) 

124-001 10" Scoop 

Similar to the 14" Scoop above. 

Good for distances up to 20 feet. 

Color frame and safety cable included. 

845-071 250w lamp 

955-401 400w lamp 


165-010 C-Clamp 




(Order color lamp and connector separately) 



R40 STRIPLIGHTS/BORDERLIGHTS 

A versatile floodlight which uses 120 or 300 watt R-40 lamps, or 150 watt PAR 38 lamps. Price includes lead wire, mounting brackets and 2piece 

color frames. Comes with floor trunion, safety cable, and color frame. Specify feed in or feed through lead wiring. 

127-030 6 ft. long, 12 lamp, 3 circuit 


127-032 7’6” long, 15 lamp, 3 circuit 


165-700 Floor trunnion, pair 

165-705 Floor trunnion with Casters, pair 

165-710 Hanging Arm and C-Clamp, pair 

936-402 120 watt, R 40 flood lamp 

936-404 120 watt, R 40 spot lamp 

936-605 150 watt, PAR 38 flood lamp 

936-607 150 watt, PAR 38 spot lamp 

(Order lamps & connectors separately) 

LOW VOLTAGE MINI-STRIPLIGHT 

Using low voltage and low wattage MR16 lamps, these units provide brighter light than R-40 type strips. They are 3” wide by 7” deep. 

Lamps are wired in series in 3 or 4 circuits. Neon indicator lights are used to identify burned out lamps. Includes floor trunnion, safety cables, 

and color frames. 

127-103 3 circuit, 30 lamp, 6’4” long w/floor trunnion 

127-105 4 circuit, 40 lamp, 8’5” long w/floor trunnion 

806-540 75 watt, EYC lamp 

(Order lamps & connectors separately) 

160-000 Glass Roundel 5-5/8”, plain Red 

160-001 Glass Roundel 5-5/8”, plain Blue 

160-002 Glass Roundel 5-5/8”, plain Green 

160-003 Glass Roundel 5-5/8”, plain Amber 

160-004 Glass Roundel 5-5/8”, plain Clear 

160-025 Glass Roundel 5-5/8”, 50° Red 

160-026 Glass Roundel 5-5/8”, 50° Blue 

160-027 Glass Roundel 5-5/8”, 50° Green 

160-028 Glass Roundel 5-5/8”, 50° Amber 

160-029 Glass Roundel 5-5/8”, 50° Clear 

161-040 Color Frame, flat 5.75”x6.75” 

161-041 Color Frame, two-piece for roundel 5.75”x6.75” 



(818) 762-0884

203-100 300 watt, 3.1" lens, stand model with 

filter frame, 25' cord & in-line switch 

203-105 300 watt, 3.1” lens hanging model 

203-130 Barn door, 4-way 

203-129 Scrims (set of 5) 

850-428 FKW 300 watt lamp 

DESIGNED 

FOR 

300W, 500W & 

650W LAMPS 

203-200 650 watt, 4.5" lens, stand model with 

filter frame, 25' cord & in-line switch 

203-205 650 watt, 4.5” lens, hanging model 

203-230 Barn door, 4-way 



860-616 FRG 500 watt lamp 

868-431 FRK 650 watt lamp 

203-300 1000 watt, 5" lens, stand model 

with 16' cord & in-line switch. 

203-305 1000 watt, 5" hanging model with clamp, 

safety cable, 3' cord & fixture switch. 

203-332 Barn door, 8 leaf 


880-701 EGT 1000 watt lamp 

ALTMAN TV/FILM FRESNELS 

High quality fixtures 

for a very 

reasonable price. 

ALTMAN location fresnels 

integrate aluminum extrusion 

and die castings with other 

non-corrosive materials for 

durability and high performance. 

All models include 

wire guard and connector. 

The 3" & 4.5" units are 

excellent choices for 

portable kits. 


203-405 2000 watt, 7" lens, hanging model 



892-503 CYX 2000 watt lamp 


203-505 5000 watt, 10" lens, hanging model 



897-202 DPY 5000 watt lamp 



CALL FOR PRICING ON HMI AND 

NINE-LIGHT FIXTURES 



(818) 762-0884

ALTMAN “Sky Cyc” 

Comes with Power Cable, clamp, 

safety cable and color frame. 

126-001 Single lamp unit 

126-002 Two lamp unit 

126-003 Three lamp unit 

126-004 Four lamp unit 

161-125 Color frame, each 

880-409 FFT 1000w lamp 


(order lamps, color frames & connectors separately.) 

CYCLORAMA LIGHTS 



Designed for use in TV studios and theatres, these lights provide even distribution of light 

both horizontally and vertically. 

Overhead fixtures come in 1, 2, 3 & 4 circuits. 

SOFTLIGHTS 

These compact, lightweight indirect fill-lights provide a very soft even 

wash of light. The single lamp 1000w junior will evenly cover a 20'x19' 

area from 10' at 35 footcandles. The double lamp 2000 w unit covers 

a 26'x23' area from 10' at 96 footcandles. Comes with color frame and 

safety cable. 

125-520 Soft-Lite Jr., 300-1000 watt, with 3' lead & male Edison 

connector attached 

162-153 Egg Crate for Soft-Lite Jr. 

165-010 C-clamp 

125-530 Soft-Lite, 1000-2000 watt, with 25' leads & in-line 

switch (no plug) 

162-155 Egg Crate for Soft-Lite 

252-661 Pipe Clamp with 5/8" stud 


880-405 FCM 1000w lamp 

FILL LIGHTS 

FOCUSING OR ECONO CYC LIGHT 

Accepts 300-1000 watt lamps. Single compartment, one circuit, floor 

standing or hanging cyc light. Safety cable included. 

126-020 Focusing Cyc 

126-050 Econo Cyc (fixed focus) 

161-126 Color frame, black hinged 

165-735 Kit for side mounting hardware 

165-740 Single cell yoke with clamp 

165-745 Three cell yoke with clamp 

165-744 Four cell yoke with clamp 

880-405 FCM 1000 watt lamp 

(Order lamp, color frame, mounting accessories 

and connector separately.) 

NOOK LIGHTS 

USED IN TV & FILM FOR 

FILL, SIDE & BACKLIGHT. 

NOOK LIGHTS or 

MINI-BROADS 

Includes built-in 4-way barndoors. 

125-210 Altman Q Lite Jr. with 3' bare end 

lead wires. (discontinued, available while supplies last) 

125-220 Altman Q Lite with 3' bare end 

lead wires. 


860-302 FCL 500 watt lamp 

860-303 FCZ 500 watt lamp 

868-201 FAD 650 watt lamp 

880-406 FHM 1000 watt lamp 



(818) 762-0884

TOTA LIGHT 

Comes with 16' cable, 

Edison plug, protective 

screen and barn door. 

231-210 Tota Light 

231-393 Tota Frame 10”x12” 

231-391 Tota Brella 

860-305 FDN 500watt 120v lamp 

OMNI LIGHT 

Comes with reflector, 16' cable, 

Edison plug, and protective screen. 

Barn door NOT included. 

231-310 Omni Light 

231-312 Barn Door, 4-way 

231-340 Diffusion Glass 

231-314 Snoot 

231-346 Full Scrim 

231-347 Half Scrim 

231-344 Cookaloris 

860-320 FTK 500 watt 120v lamp 

PRO LIGHT 

Comes with 4' cable, 12' extension, 

Edison plug, and stand fitting. 

231-109 Pro Light 

231-112 Front Housing 



231-117 Accessory Holder 

231-118 Full Scrim & Holder 

231-119 Snoot 

845-815 GCA 250watt 120v lamp 

i-LIGHT and id-LIGHT 

Comes with 4' cable and cigarette lighter connector. 

231-130 i-light 

231-135 id-light 

i-light id-light 

807-005 i-100 100 watt 12/14 volt lamp 

V-LIGHT 

Comes with 16’ cable, 

edison plug and barndoor. 

231-790 V-light 

860-010 GDA 500 watt lamp 

TOTA-OMNI SYSTEM 

VIP SYSTEM 

LOWEL LIGHTS 

DP LIGHT 

Comes with reflector,16' cable, 

Edison plug, and protective screen 

231-240 DP Light 

231-243 Reflector 3 

231-244 Reflector 4 

231-248 Barn Door- Accessory Holder 

231-250 Diffusion Glass 

231-249 Snoot 

231-256 Full Scrim 

231-257 Half Scrim 

231-254 Cookaloris 

860-503 EHD 500 watt 120v lamp 

870-301 EHG 750 watt 120v lamp 

880-501 FEL 1000watt 120v lamp 

FREN-L 650 

Comes with 16’ cable and edison plug. 

Barn doors not included. 

231-400 Fren-L 650 


860-616 FRG 500 watt lamp 

868-431 FRK 650 watt lamp 



LOWEL FILL LIGHTS 

LOWEL RIFA-LITE 

Comes with 4’ cable, 16’ extension, ediaon plug, light diffuser and 

carrying sleeve 

231-600 Rifa-lite 44 16”x16” 300 watt 




845-815 GCA 250 watt lamp for Rifa-lite 44 

860-503 EHD 500 watt lamp for Rifa-lite 55,66,88 

870-301 EHG 750 watt lamp for Rifa-lite 66,88 

880-501 FEL 1000 watt lamp for Rifa-lite 88 

PLEASE CALL FOR PRICING ON 

ADDITIONAL LOWEL ACCESSORIES 



(818) 762-0884

High Frequency Fluorescent Lighting 

A soft light system designed to blend with conventional 

tungsten, HMI and quartz lighting systems. 

These fixtures are modular, with a range of lamp Kelvin color 

temperature from 3000° to 5500° Kelvin. The system’s 

modular building block is the reflector cell with a two lamp 

cluster. The basic light series is available in 1, 2 & 3 cell 

versions. The Narrow Flood units use a single deep cell to 

collimate the light for accent or controlled flood application. 

Fixtures are provided with a hanging yoke and an on/off 

switch. Customer may select color temperature and CRI. 

All other items are optional extras which may be purchased at 

additional cost. 

KW2-103 Six lamp, 3 cell flood, w/lamps 

KW2-123 Four lamp, 2 cell flood, w/lamps 

KW2-143 Two lamp, 1 cell flood, w/lamps 

KW2-163 Two lamp, 1 cell narrow flood, w/lamps 

KW2-173 Four lamp, 2 cell, side-by-side, flood, w/lamps 

KW2-190 LSL Fixture w/lamps 

KW2-213 One lamp, 1 cell, narrow flood w/lamp 

KW2-223 Two lamp, 1 cell, side-by-side, narrow flood, w/lamps 

KW2-300 Dimming (adder price for each lamp) 

KW2-425 Egg crate fabric for KW2-190 

KW2-460 Metal Egg crate for KW2-143, 45° black 




KW2-505 Honeycomb for KW2-163 w/gel frame 




KW2-525 Snoot Honeycomb for KW2-163 w/gel frame 


KW2-605 Barn door assembly for KW2-163 




KW2-635 Reflector insert for KW2-163 barn door 




KW2-675 Snoot for KW2-163 12 inch 

930-100 Lamp, FT55DL/950 (5400°K) 98 CRI 

930-105 Lamp, FT55DL/930 (3000°K) 98 CRI 

930-130 Lamp, FT55DL/830 (3000°K) 82 CRI 

165-010 C-clamp for 2” OD Pipe 


184-170A Edison connector attached 

FLUORESCENTS FOR VIDEO 

KW2-103 

KW2-143 

KW2-163 



Honeycomb 

Reflective intensifier 

on barn doors 

Barndoor 

Comparison charts based on manufacturers 

data sheets available on request. 



(818) 762-0884

LOWEL SOLO KIT 

2 Tota lights, 4 Omni lights, 4 barn doors, 5 scrims, 3 umbrellas, 6 

Tota frames, 1 cookaloris, 4 Tota flags, 4 flex shafts, 1 lightflector, 5 

stands, 1 mount, 2 clamps, 1 space clamp, 2 Tota taches, 2 scissor 

mounts, 1 gaffers tape, 2 screw-in mounts, 2 lamp packs (no lamps) 

and a carrying case. 

231-765 Solo Kit TO-96 

FILL LIGHTS 

LOWEL DP3 KIT 

3 DP lights, 3 barn doors, 3 KS stands, 1 lamp case (no lamps) and a 

carrying case. 

231-760 DP3 Kit D2-93 

VIDEO LIGHTING KITS 



LOWEL AMBI KIT 

2 Tota lights, 2 Omni lights, 4 stands, 2 barn doors, 3 scrims, 2 Tota 

brellas, 4 Tota frames, 2 gels, 2 Tota flags, 1 Tota flector, 4 Flexi 

shafts, 1 Tota tatch, 1 Tota mount, 2 Tota clamps, gaffers tape, 2 lamp 

packs (no lamps) and a carrying case. 

231-750 Ambi Kit TO-95 

LOWEL GO TUBE KIT 

2 Tota lights, 2 stands, 1 Tota brella, 1 Tota frame, assorted gels, 1 

lamp pack (no lamps) and carrying case. 

231-755 Tube Kit T1-90 

SEE www.lowel.com FOR A COMPLETE CATALOG OF LOWEL PORTABLE KITS! 



(818) 762-0884

COLOR FRAMES 

161-010 3-3/4"x3-3/4" 

161-020 4-1/8"x4-1/8" 

161-026 6-1/4"x6-1/4" Black 

161-041 5-3/4”x6-3/4” 2-piece for glass roundel 

161-043 Altman MR16 Mini-Striplight 

161-071 7-1/2"x7-1/2" (black) 

161-081 10"x10" black 

161-090 10-1/2"x10-1/2" (10" Scoop) 

161-093 12”x12” 

161-094 14"x14” 

161-120 15-3/4"x16" (14" Scoop) 

161-125 Altman "Sky Cyc" 

161-160 19” Round (18” Scoop) 

161-164 3-3/8” for Alman micros 

203-110 Altman 3” TV Fresnel 

203-210 Altman 4.5” TV Fresnel 




BARN DOORS 

162-000 3.75" x 3.75", 2-way 

162-005 4-way for Altman microflood 

and micropar 

162-021 7.5” x 7.5” 

top and bottom leaf 12.75” x 7.25” 

162-028 7.25” x 7.25” low profile 

top and bottom leaf 11” x 7” 

162-030 7.5” x 7.5” 

top and bottom leaf 8.75” x 4.75” 

162-050 10” x 10”, 4-way 

162-034 4-way for Strand 6” 1K Fresnel 

162-054 4-way for Strand 8” 2K Fresnel 

203-130 For Altman 3” TV Fresnel 

203-230 For Altman 4.5” TV Fresnel 

203-330 4-way for Altman 5” TV Fresnel 






HIGH HAT (SNOOT) 

162-100 3-3/4"x3-3/4" 

162-105 6-1/4"X6-1/4 

162-110 7-1/2"x7-1/2" 

162-120 10"x10" 

162-125 12"x12" 

162-107 Source 4 PAR & HX-PAR, 3" long 

203-115 2-in-1 set for Altman 3” TV Fresnel 

203-215 2-in-1 set for Altman 4.5” TV Fresnel 




HALF HIGH HAT (SNOOT) 

162-085 3-3/4"x3-3/4" 

162-087 6-1/4"X6-1/4" 

162-091 10"x10" 

162-093 12"x12" 

ACCESSORIES 

162-021 

162-028 

162-030 

SAFETY COLOR FRAMES 

COLOR EXTENDERS 

161-210 6-1/4”x6-1/4” 

161-200 7-1/2”x7-1/2” Full 

161-202 7-1/2”x7-1/2” Short 

161-215 10”x10” Full 

CONCENTRIC RING 

162-115 Source 4 PAR & HX-PAR 

IRIS 

162-300 Altman Ellipsoidals 

162-301 Altman Followspot 1000 

162-320 ETC, Source 4, drop-in 

162-328 ETC, Source 4 Jr., drop-in 

162-340 Strand Leko, drop-in 

162-350 AltmanShakespeare, drop-in 



Made from flame retardant fiberboard to remain cool for handling 

161-383 5-3/4” x 6 3/4” for R40 striplights 

161-384 6-1/4” x 6 1/4” 

161-385 7-1/2” x 7 1/2” 

161-387 9-3/4” x 9-3/4” 

161-390 12” x 12” 

161-392 14” x 14” 

DONUTS 

Used at the front of ellipsoidal spotlights, 

donuts help bring the image of a projected 

pattern "gobo" into sharp focus. 

167-305 6-1/4"x6-1/4”, Steel 

167-301 7-1/2"x7-1/2”, Steel 

167-307 12” x12”, Steel 

167-309 14” x 14”, Steel 

167-320 6-1/4”x6-1/4”, aluminum, 2-1/2” opening 



PATTERN HOLDERS 

167-000 Channel, Altman, 3.5" 

167-005 Channel, Altman, (B) 

167-010 Tabbed, Altman 6" (B) 

167-013 Sandwich, Altman 6" (B) 

167-259 Sandwich, Source 4 jr. 

167-260 Sandwich, Source 4 (A) 

167-262 Sandwich, Source 4 (B) 

167-261 Glass, Source 4 (G) 

COLOR BOOMERANG AND 

SPOT HANDLES 

Convert any 6-1/4" ellipsoidal into a small, portable followspot with 

these accessories. The Drop-in Boomerang holds six colors, is 

reversible for either right or left handed operation, drops into the color 

frame slot of fixtures using 19° to 50° lenses. The Boomerang Handle 

is specially weighted for counterbalance (or use the regular 

Followspot Handle if you aren't using the Boomerang) to allow easy 

operator control. 

161-450 Color Boomerang 6 1/4” 

175-655 Boomerang Handle 

175-650 Followspot Handle 

Boomerang Handle Followspot Handle 

Channel Sandwich Tabbed 



(818) 762-0884

APOLLO SPECTRA Q SCROLLER 

These scrollers are rugged and offer digital circuitry, precision internal 

tensioning, and self-calibration for accurate gel positioning. Other 

features include quiet, fan forced cooling, LED readout for data, level 

and power, and 2 to 16 color capacity. 

161-505 Spectra Q3, 6.75” aperture 

161-520 Spectra Q7, 5” aperture 

161-510 Spectra Q5, 15”x16” aperture 

161-525 Spectra Q8, 15”x24” aperture 

161-557 Mounting Plate, 9 7/8” x 10” 

161-553 Mounting Plate, 7.5” 


161-540 Spectra Q PSU10 

APOLLO COMSPEC II COLOR MIXER 

The ComSpec II allows thousands of 

colors to be produced by blending the 

shades of two gel strings. Provides 

quick and easy color changes, a builtin 

heat blocker, and a universal 

mounting plate. The ComSpec II has a 

9.5" Front Aperture and 7" Rear 

Aperture. It also includes long-life 

proprietary gel strings, two mode 

user-friendly operation and compact, 

lightweight and quiet design. 

161-530 ComSpec II Color Mixer 

CHROMA Q SCROLLER 

Computer designed, modular color changer with a capacity of up to 16 

frames of color. Each unit is separately DMX addressable. Chroma- 

Q is quickly and easily serviceable by the removal of four screws. It 

is modular in design for quick and easy repair. Requires a separate 

power supply. Uses 4-Pin XLR cable for interconnections between 

units. 

161-600 Chroma-Q Scroller 

161-610 Power Supply for 18 units 

161-615 Power Supply for 8 units 

161-622 Mounting Plate, 10” 



COLOR CHANGERS 

Mounting Plate 

WYBRON FORERUNNER 

The Forerunner's autoloading feature 

makes changing gel strings a snap. Units 

are individually DMX addressable and 

daisy chainable to the separate power 

supply using 4 pin XLR. Compatible with 

many other available power supplies, 

including Rosco and Chroma-Q. 

161-800 Wybron Forerunner Scroller - 4” 

161-805 Wybron Forerunner Scroller - 7” 

161-815 Forerunner Power Supply for 16 

units 



WYBRON COLORAM II 

The Coloram II offers the possibility of up to 32 frames of color and 

auto-senses the length of your string for cueing. Units are individually 

DMX addressable and daisy chainable to the separate power supply 

using 4 pin XLR. An extra DMX channel allows you to control fan 

speed (two settings) for maximum gel string life or whisper quiet 

operation. Available in a variety of sizes with changable mounting 

plates for different instruments. Also available in waterproof Aquaram 

style! 

161-835 4” Coloram II w/mounting plate 

161-840 7.5” Coloram II w/mounting plate 

161-890 7.5” Aquaram w/mounting plate 



161-855 Eight light Coloram II w/mounting plate 

161-860 Large format Coloram II w/mounting plate 

161-895 Large format Aquaram w/mounting plate 

161-870 Coloram II power supply for 6 units 



GEL STRINGS 

161-618 Gel String, Rock & Roll 

161-620 Gel String, Theatre 

Discounts on Systems! 

one power supply + two scrollers or more 



(818) 762-0884



MISCELLANEOUS STAGE FLOORS 

LENSES, PLANO CONVEX 

Specify focal length required. Many other sizes are available. 

164-005 3.5” x 5” 

164-010 3.5” x 6” 

164-020 3.5” x 8” 

164-030 3.5” x 10” 

164-040 3.5” x 12” 

164-120 6" x 9" 

164-130 6" x 12" 

164-140 6" x 16" 

LENSES, FRESNEL 

164-300 3" 

164-400 6" 

164-402 6" high quality 

164-450 8" 

164-452 8" high quality 

MARKING PENCILS FOR COLOR FILTERS 

146-205 Grease Pencil, white 

146-210 Grease Pencil, black 

STORAGE DRAWERS 

Heavy gauge two-inch deep corrugated cardboard drawer and sleeve 

that accepts 20” x 24” sheets of color filters. Shipped assembled, six 

to a case. 

149-910 Set of Six Drawers 

PLEASE CALL FOR QUANTITY DISCOUNTS 

ON FLOOR PRODUCTS. 

DANCE FLOOR 

A reversible black on one side, grey or white on the other, vinyl floor 

with a non-slip finish. This material is 63 inches wide, and sold by the 

linear foot or in full rolls 131.25 feet long. 

357-001 Black & Grey, 63" x linear foot 

357-004 Black & White, 63" x linear foot 

357-021 Black & Grey roll 

357-024 Black & White roll 

PERFORMANCE FLOOR 

A durable, all purpose, permanent floor for studios, stages or showrooms. 

This low luster, abrasion-resistant, felt backed floor comes in 

black, grey, light grey and white. Rolls are 6' x 60'. Cut yardage not 

available. 

357-070 Performance floor (specify color) 

STUDIO FLOOR 

Commonly used as a staging material for theater and rock and roll 

whenever a light-absorbing surface is needed. Not suitable for heavy 

traffic or other types of dance. Comes in ultra-flat black, 80 mils thick, 

6' x 60'. Each roll weighs 240 pounds and has a limited warranty. 

Cut yardage not available. 

357-080 Studio Floor 

FLOOR TAPES 

For installing floors in temporary situations. 

304-521 Black Vinyl, 2" x 36 yd 

304-523 White Vinyl, 2" x 36 yd 

304-525 Grey Vinyl, 2" x 36 yd 

304-526 Clear Vinyl, 2” x 36 yd 

304-527 Double sided, 2" x 32 yd 

STUDIO TILES 

3' x 3', 100% vinyl tiles used for 

studio floors and dance floors. 

Comes in white, black or grey. 

357-054 White 

357-055 Black 

357-056 Grey 



(818) 762-0884

STAGEHAND TOOLS 

LIGHT INSTRUMENT 

WRENCH 

For adjusting nuts, bolts & handles 

on lighting instruments 

168-925 Wrench, lighting 

KLEIN WRENCH 

The jaws of this extra-capacity wrench open 3/16” wider than 

standard design wrenches, length for length. Extra capacity allows 

use of a smaller size wrench to handle bigger jobs. Ideal for use in 

confined spaces. Plastic-dipped handles. 

168-908 6” Klein Wrench 

PAR LENS CHANGING TOOL 

164-805 Par lens changing tool 

MATTING 

NON-Conductive, black corrugated 

matting used to cover electrical cables 

in temporary and permanent installations. 

24" wide, 1/8" thick, sold by the linear foot. 

355-494 24" Black Matting by the foot 



ROPE & THINGS 

TIE LINE 

307-110 Black 48 ft. hank. HEAVY DUTY venetian blind cord. 

Tensile -strength: 110 lbs. 

307-114 White 48 ft. hank. 

307-101 Black 3000 ft. spool. 

307-105 Black 600 ft. spool. 

ROTO-LOCK (COFFIN LOCK) 

Ideal for drawing together flat panels, box lids and/or thick wood 

units into a “butt” joint. Can be recessed or surface mounted. 

301-170 Roto-lock TM 

301-172 Hex wrench 5/16" 

EQUIPMENT & CABLE CLEANER 

Our Equipment and Cable Cleaner is a Non-flammable, Nonirritating, 

Non-toxic, industrial strength cleaner. 

It is especially useful for removing 

stubborn tape residue & grime from : 

EQUIPMENT & CABLE 

CLEANER 

removes 

oil 

grime 

tape residue 

For professional use only. 

Cable 

Connectors 

Road cases 

Control panels 

Truss (it cleans & polishes) 

Rigging motors 

313-427 Quart 

313-429 Gallon 



(818) 762-0884

GRID OVERLAP CLAMP 

310-960 Clamp with U-bolts for grid assemblies 

LIGHT STAND ADAPTER 

Adapter replaces a C-clamp when you need to 

place lights on stands or other 3/8" studs. 

165-121 Adapter, TVMP 

ADAPTER PIN FOR C-CLAMP 

This 5/8" stud converts a regular C-Clamp to a "Baby" 

clamp for TV & motion picture lights. 

165-030 Adapter, Pin 

SPAN SET “SLING” 

165-073 3’ Black 

165-076 6’ Black 

165-079 9’ Black 

SHACKLE 

165-060 5/8” Shackle 

165-065 1/2” Shackle 

PAR BAR HANGER ARMS 

165-040 7” Arm 

165-042 14” Arm 

165-044 26” Arm 

SCISSOR CLAMP 

Ceiling scissor clamps are handy items for 

hanging lightweight fixtures and/or cables 

from the rails of a drop ceiling. Very 

convenient when working in an office 

building or hotel. Clamps may be purchased 

as a single item or with a 5/8" 

spud. 

251-045 Scissor Clamp with Wing Nut 

165-035 3.5" x 5/8" Spud 

251-049 Scissor Clamp with 3.5" x 5/8" Spud, 

1/4"-20 female thread 

HANGING HARDWARE & CLAMPS 

C CLAMPS 

HANDLE, Removable 

For Stage & Studio C-clamps. 

165-028 Handle for C-clamps 

Call for quantity pricing! 

O-CLAMP 

A 360° wrap around tube truss clamp 

for aluminum and other soft surfaces. 

No scratching, scoring or DENTING. 

165-007 1” O-CLamp 

165-009 2” O-CLamp 

FIXED CHEESBORO 

310-955 1.9" OD (outside diameter) pipe 

SWIVEL CHEESBORO 

310-956 1.9" OD pipe 

HALF CHEESBORO 

310-958 For 1.9" OD (outside diameter) pipe, 

NOT for 2” truss. 

SAFETY CABLE 

166-200 30" long x 1/8" aircraft cable 

166-205 Safety Cable, Black 



165-000 Mini C clamp for 1" OD pipe, 10-32 bolt 

165-002 Mini C Clamp for 1” OD Pipe, 5/16-18 bolt 

165-010 C clamp w/3" bolt for 2" OD pipe 

165-020 C-clamp w/4” bolt for 2” OD pipe 

252-661 C-Clamp with 5/8” Spud 

165-021 Heavy duty PREMIER clamp - 1/4” steel 

165-025 Light duty clamp for 2" OD pipe 



(818) 762-0884

CABLE MOUNT (PLUGS) 

Male Plug Connector 

Double Set Screw 

186-441 2/0-4/0 Cable Plug, Male, Black 

186-442 2/0-4/0 Cable Plug, Male, Red 

186-443 2/0-4/0 Cable Plug, Male, Green 

186-444 2/0-4/0 Cable Plug, Male, White 

186-445 2/0-4/0 Cable Plug, Male, Blue 

186-461 2/0-4/0 Cable Plug, Female, Black 

186-462 2/0-4/0 Cable Plug, Female, Red 

186-463 2/0-4/0 Cable Plug, Female, Green 

186-464 2/0-4/0 Cable Plug, Female, White 

186-465 2/0-4/0 Cable Plug, Female, Blue 

CAM LOCK CONNECTORS 

Female Plug Connector 

Double Set Screw 

PANEL MOUNT RECEPTACLES (Stud Type) 

Male Stud Type 

Connector 

186-501 Panel Mount Stud, Male, Black 

186-502 Panel Mount Stud, Male, Red 

186-503 Panel Mount Stud, Male, Green 

186-504 Panel Mount Stud, Male, White 

186-505 Panel Mount Stud, Male, Blue 

186-511 Panel Mount Stud, Female, Black 

186-512 Panel Mount Stud, Female, Red 

186-513 Panel Mount Stud, Female, Green 

186-514 Panel Mount Stud, Female, White 

186-515 Panel Mount Stud, Female, Blue 

Female Stud Type 

Connector 

PANEL MOUNT RECEPTACLES 

(Double Set Screw) 

Male Double Set 

Screw Connector 

Female Double Set 

Screw Connector 

186-521 Panel Mount Double Set, Male, Black 

186-522 Panel Mount Double Set, Male, Red 

186-523 Panel Mount Double Set, Male, Green 

186-524 Panel Mount Double Set, Male, White 

186-525 Panel Mount Double Set, Male, Blue 

186-531 Panel Mount Double Set, Female, Black 

186-532 Panel Mount Double Set, Female, Red 

186-533 Panel Mount Double Set, Female, Green 

186-534 Panel Mount Double Set, Female, White 

186-535 Panel Mount Double Set, Female, Blue 



TAPPING “T” (Female-Female-Male) 

186-541 Tapping T, Black 

186-542 Tapping T, Red 

186-543 Tapping T, Green 

186-544 Tapping T, White 

186-545 Tapping T, Blue 

PARALLELING “T” (Female-Male-Male) 

186-551 Paralleling T, Black 

186-552 Paralleling T, Red 

186-553 Paralleling T, Green 

186-554 Paralleling T, White 

186-555 Paralleling T, Blue 

TRI-TAP (Male-Female-Female-Female) 

186-571 Tri-Tap, Black 

186-572 Tri-Tap, Red 

186-573 Tri-Tap, Green 

186-574 Tri-Tap, White 

186-575 Tri-Tap, Blue 

TRI-TAP “T” (Female-Male-Male-Male) 

186-561 Tri-Tap T, Black 

186-562 Tri-Tap T, Red 

186-563 Tri-Tap T, Green 

186-564 Tri-Tap T, White 

186-565 Tri-Tap T, Blue 

DOUBLE ENDED 

Double Male Double Female 

186-581 Double Male, Black 

186-582 Double Male, Red 

186-583 Double Male, Green 

186-584 Double Male, White 

186-585 Double Male, Blue 

186-591 Double Female, Black 

186-592 Double Female, Red 

186-593 Double Female, Green 

186-594 Double Female, White 

186-595 Double Female, Blue 

SNAP BACK COVER 

186-631 Snap Back Cover 



(818) 762-0884

BLACK MOLDED ("Y") 

"TWO-FER", BARE ENDS 

Used for combining electrical loads, such as putting 

two or three lights on one circuit. Made of black 

SOW-A stage cable with 18" bare end leads. 

181-900 Black molded bare end "two-fer" 

BLACK & YELLOW MOLDED 

"TWO-FER" WITH CONNECTORS 

Wrap with black vinyl electricians tape to 

cover yellow cable. Plugs are black. 

181-915 Twistlock, OSHA, 20 amp 

181-920 Edison, OSHA, 15 amp 

ASBESTOS WIRE REPLACEMENT KIT 

Contains Stage Pin or Parallel Blade Grounded (PBG) connector 

attached to 36” long teflon leads in a nylon black sleeve and a strain 

relief for attachment to instrument. 

184-101 20 amp Stage Pin male kit 

184-103 20 amp Edison male kit 

184-105 20 amp Twistlock male kit 

(Specify connector when ordering) 

CONNECTORS 

BATES PLUG - 

STAGE PIN CONNECTOR 

182-535 20 amp male 

182-536 20 amp female 

ROSCO - 

STAGE PIN CONNECTOR 

182-519 20 amp male 

182-520 20 amp female 

Call for pricing on 60 amp and 100 amp 

BLACK - TWISTLOCK 

184-160 20 amp, male 

184-161 20 amp, female 



BLACK - 

PARALLEL BLADE GROUNDED 

184-170 20 amp, male 

184-171 20 amp, female 

184-140 Economy, 15 amp, male 

184-141 Economy, 15 amp, female 

ADAPTERS, ROSCO 

181-991 SPG male to PBG female 

181-992 PBG male (Parallel Blade Grounded - Edison U-ground) 

to SPG female (Stage Pin Grounded) 

181-994 SPG male 

to TLG (Twist Lock Grounded) female 

181-995 TLG male to SPG female 



(818) 762-0884

CONTROL CABLES 

ALL CABLE IS MALE TO FEMALE EXCEPT WHERE NOTED. 

600-005 5’, 3 pin XLR (data) 

600-010 10’, 3 pin XLR (data) 

600-015 20’, 3 pin XLR (data) 

600-025 30’, 3 pin XLR (data) 

600-050 50’, 3 pin XLR (data) 

600-100 100’, 3 pin XLR (data) 

600-310 10’, 4 pin XLR (data) 

600-325 25’, 4 pin XLR (data) 

600-350 50’, 4 pin XLR (data) 

600-400 100’, 4 pin XLR (data) 

(above cable is used for DMX512 applications) 

(above cable is used to distribut data and pwer from 

DMX power supplies to DMX devices, and for AMX systems.) 

600-505 5’, 5 pin XLR, DMX 

600-510 10’, 5 pin XLR, DMX 

600-525 30’, 5 pin XLR, DMX 

600-550 50’, 5 pin XLR, DMX 

600-600 100’, 5 pin XLR, DMX 

600-650 150’, 5 pin XLR, DMX 

600-500 200’, 5 pin XLR, DMX 

STAGE CABLE 

UL listed 

181-220 12/3, SOW-A stage cable 

EXTENSION CABLE 

12/3 SJTW Extension Cable 

Black with molded Edison U-Ground connectors 

181-250 25 foot extension cable 



(above cable is used for all DMX512 applications.) 

500-390 25’, DB15 male-female, analog 

500-400 50’, DB15 male-female, analog 

CABLES 



Custom Cables 

Manufactured in our own shop from 

UL listed materials, to your specifications. 

Stage Pin Multi-cable Cam lock 

Socapex/Veam type Break-in & out 

2/0 and 4/0 Entertainment Cable 

Power Distibution 

E-mail or Call for quote. 

CABLE TIES 

RIP-TIE LITE 

Rip-Tie Lite is made of one piece of double-sided hook and loop 

fastener. It has a die-cut slot for attachment to a single cable and is 

good for 200-300 refastenings. 

1/2” Wide, Various lengths, BLACK ONLY 

181-790 Rip-Tie Lite 8” Black - 10 rolls of 10 



RIP-TIE ECONOWRAP 

Rip-Tie EconoWrap is made of gentle hold hook and loop fastener. It 

features a die cut rounded end for loosening and is good for at least 

1000 refastenings. 

3/4” Wide, 11” length, BLACK ONLY 

181-805 Rip-Tie Econowrap 11” Black - 20 pack 

RIP-TIE ECONOCINCH 

Rip-Tie EconoCinch has a loop lock 

to provide extra leverage for 

tightening. The buckle is nonmetallic 

and safe around electrical 

and magnetic equipment. Good for 

at least 1000 refastenings. 

3/4” Wide, Various lengths, BLACK 

ONLY 

181-810 Rip-Tie EconoCinch 12” Black - 20 pack 




BONGO TIES 

BongoTies consist of a heavy gauge rubber band 

attached to a patented wooden “Bongo” closure 

pin. Sturdy, reusable and economical, they are 

made of high quality natural rubber and wood and 

are approximately 5 inches long. 

301-605 BongoTies 10-pack 



(818) 762-0884

BLACKTAK TAPE 

A heat resistant (won’t melt) matte black aluminum foil coated on one 

side with a high temperature adhesive. End use temperature: -40°F to 

360°F 

(-30°C to 182°C) 

* Mask light spill 

* Create shadows 

* Form barn doors 

* Adapt gobos 

304-760 Blacktak 2” x 75’ roll 


FLICKERMASTER, SPE-6 

The SPE-6 will create realistic fire effects, the flickering light from a 

movie or TV screen, candlelight, gaslight and more. Controls include 

speed, random flicker/pulsing strobe, variable threshold and dimmer. 

Specify 120V or 220V. 

Available with Stage Pin or Edison plug. Please specify when ordering. 

136-154 Flicker Generator, 120 volt 

* Choice of flicker or strobe 

effects 

* Variable speed random 

flicker and strobe effects 

* Flicker and strobe effects 

up to 2000W 

* 2000W dimmer control built 

in (incandescent only) 

120 volt unit is supplied with 12 inch leads with grounded 20 amp stage 

pin connectors. 220/240V unit is supplied with 12 inch leads with bare 

wires. 2000W (incandescent only) capacity. 

GAMCHEK 

Multiple use tester for the professional lighting electrician. 

* Cable test monitors line continuity, shows completed circuits. 

* Lamp test indicates the lamp and fixture continuity. 

* Circuit tester checks if power is available, if polarity is correct, 

if wiring is correct. 

* Available in 120V and 230V models. 

* Controls and LED indicators recessed in ergonomic case. 

* Size: 2 x 7-1/2 x 1”, Weight: 9.5 oz. Battery included. 

* Available in 4 configurations. 

Special features: 

* Cable for 60 & 100 amp connectors 

* Available Edison plugs and twist lock connectors 

* 230V model available 

551-100 GamChek Stage Pin Tester, GT3100 

551-102 GamChek Edison, GT 3102 

551-104 GamChek Twistlock, GT 3104 

551-106 GamChek XE Cable (120V), GT 3106 

(Specify 230V for any model.) 

USEFUL ITEMS 

BLACK FOIL 



Black Foil, Cinefoil - Flexible matte black aluminum foil is form-holding 

and heat resistant. When wrapped around fixtures or hardware, it 

keeps its shape and position. 

* Masks light leaks and conceals unsightly cabling 

* Use outdoors for weather protection 

* Ideal for making a snoot or barndoors to control light 

* .002” thick, coated matte black on two sides 

Generic Black Foil 

Available at a great low price! 

169-060 Black Foil 12” x 50’ roll 

169-065 Black Foil 24” x 25’ roll 

Cinefoil by Rosco 

169-010 Cinefoil 12" x 50' roll 



LITTLITE 

Ready to use gooseneck lamps for low profile control panels. 

120-053 12” length, low intensity, 

with base, dimmer, lamp 

and wall plug-in transformer. 

120-054 18” length, same as above. 

120-057 18” length, high intensity. 

120-067 12” length, low intensity, 

without base or power supply. 

120-068 Weighted base for Littlite. 

120-069 Replacement lamp, high intensity. 

120-070 Replacement lamp, low intensity. 

LITTLITE LED 

Littlite LED Gooseneck lights are designed to illuminate evenly with 

excellent color rendering. They use six white and four red LED’s to 

provide usable white light that is not overly bluish. 

120-030 12” LED Gooseneck 

120-032 18” LED Gooseneck 



(818) 762-0884

APOLLO SMART MOVE 

The Smart Move by Apollo offers simple multi-direction rotation along 

with an array of individual gobo movements without the need of a 

control board. The rotary switches and speed control dial allow the 

user to easily set the desired effect and its speed. 

Smart Move Jr. fits ETC Source Four Jr. 

172-015 Apollo Simple Single 

172-017 Apollo Smart Move Jr. 

172-019 Apollo Smart Move 

172-021 Apollo Smart Move DMX 

GAM TWINSPIN II 

The GAM TwinSpin II is designed to rotate two patterns in opposition. 

The variable speed motor drive can be controlled by almost any 

dimmer, though the model with built-in speed control knob eliminates 

the need for a dimmer. Available in 120v and 220v 

172-100 TwinSpin II 

172-102 TwinSpin II w/speed control knob 

172-110 TwinSpin Jr. for Source Four Jr. 

MOTION EFFECTS 



ROSCO 

SINGLE AND DOUBLE GOBO ROTATORS 

The Rosco Gobo Rotator accepts "B" size patterns, steel or glass, 

and is fitted into the iris slot of an ellipsoidal spotlight. These gear 

driven rotators are available in single or double gobo configurations, 

and in variable (0-9 rpm, DC) or fixed speeds (1, 2, 5, or 10 rpm 

available, AC). Controllers required for variable speed rotators permit 

independent speed and direction control for each gobo. Control and 

power is delivered to the unit via 4 pin XLR cable. 

Indexing Rotators allow you to stop and start gobo rotation and 

determine position with precision (and repeatibility) accurate to onetenth 

of a percent. A power supply distributes both power and DMX to 

these daisy-chainable units. 

172-000 Fixed Speed Single Rotator, 1 rpm 




172-004 Variable Speed Single Rotator 

172-010 Fixed Speed Double Rotator, 1 rpm 




172-014 Variable Speed Double Rotator 

172-020 Single Indexing Gobo Rotator 

172-024 Double indexing Gobo Rotator 

ADJ ROTO-GOBO 

This fixture automatically rotates a single gobo. Comes with 1 random 

RG gobo, additional designs available. Comes clear, color accessories 

sold separately. 

DJ4-193 ADJ Roto-Gobo 



(818) 762-0884

GAM SX4 

GAM SX4 converts your ellipsoidal into a high performance scenic 

projector. Comes with a film loop tray. Also available are trays to hold 

six “M” size gobos, 4 “B” size gobos, or a single 8.5” disc. Great for 

permanent installations 

FILM LOOPS 

Loops for use in SX4 ONLY 

138-740 Vertical Cloud 

138-745 Ripple Big 

138-760 Ripple Small 

138-775 Fish 

138-780 Fairytale Snow 

138-785 Stars 

138-790 Bats 

138-795 Shutter 

138-800 Ghosts 

138-810 Hearts 

138-820 Falling Leaves-L 

138-825 Musical Notes 

138-830 Evening Stars-1 

138-835 Soft Edge Dots 

138-840 Falling Leaves-S 

138-845 Space 

138-850 Train Tracks 

138-855 Road Lines 

138-860 Moving Trees 

138-865 Thin Clouds 

138-870 Birds 

MOTION EFFECTS 

Loops for use in Film/FX or SX4 

138-705 Fluffy Cloud 

138-710 Fire/Waves 

138-715 Streaky Cloud 

138-720 Rain 

138-725 Snow 

138-730 Small Dots 

138-735 Construction 

138-750 Foliage 

138-755 Heavy Rain 

138-765 Arching Branches 

138-770 Clouds 

138-805 Diamonds 

138-815 Moving Breakup 

DMX/DC CONTROLLER 

The DMX/DC Controller provides power and 

speed control for the Double Gobo Rotator, 

Single Gobo Rotator and Animation Motor 

Units. The controller is engineered to offer 

remote access of Rosco’s effects equipment 

via DMX 512. 

172-038 DMX/DC Controller 

POWER SUPPLY UNITS 

Rosco Power Supply Units are designed 

to control the Rosco Double and Single 

Indexing Gobo Rotators as well as the 

Rosco I-Cue Intelligent Mirror. 

172-040 PSU-02 

172-043 PSU-08 



VARIABLE SPEED CONTROLLER 

The Variable Speed Controller is designed to 

provide power, direction and speed control for 

variable speed motion effects units on four 

independent channels. Speed and direction of the 

moving effects are controlled using four potentiometers 

on the front of the unit. Output connections 

are made via 4-pin XLR receptacles. 

172-035 Variable Speed controller, 4 channel 

MFX ADAPTER 

The MFX Control Adapter is designed for people 

who prefer non-DMX control for their motion 

effects units, or double and single gobo rotators. 

The adapter receives actual voltage from a 

dimmer and converts it to a control signal, 

allowing the motion effect to be controlled 

directly by a dimmer, without using the DC/DMX 

controller. 

The MFX Control Adapter will allow for variable 

speed, forward control only. 

172-046 MFX DC Adapter, 1 channel 

172-049 MFX DC Adapter, 2 channel 



(818) 762-0884

ROSCO Patterns 

PROJECTION PATTERNS 



See the complete catalog of ROSCO Patterns at our website: 


RIPPLE (SMALL) CASINO PALM CRAZED ABSTRACT SKYLINE FLAMES 1 VALENTINE 

78129 79142 Marcia Madeira 77543 Neil Peter Jampolis 77175 Miltel 

77730 77208 79651 

LEAF BREAKUP (MED) AMORPHOUS BARE BRANCHES 2 CLOUD 7 STAR CLUSTER DOUBLE HUNG WINDOW SNOWFLAKES 

DHA Tharon Musser David Hersey DHA DHA Jules Fisher Jules Fisher 

77805 77764 77777 77165 77514 77703 77772 

COMPUTER CIRCUITRY LASER LINE STARS 4 SKYLINE 2 JAZZ SOFT WEB BARS 

Richard Winkler DHA Jules Fisher DHA DHA DHA DHA 

77209 77891 77752 77306 77301 77500 77090 

APOLLO DESIGN TECHNOLOGY, INC. Patterns 

See the complete catalog of APOLLO Patterns at our website 

MUSIC STARS SCATTERED NIGHTLIGHTS 2 SNOWFALL 1 STARRY NIGHT DENSE CROSS w/HIGHLIGHTING MASK 

2482 2421 1215 3242 1093 3400-A 6071 

SQUIGGLE SQUARES COBBLESTONE SHATTER STAR FOUR SQUARE TREES PINE GROUP MOON HALF 

2110 2247 2000 2210 2340 3528 4070 

STAIRCASE OPEN DOOR SCREEN SKYLINE CHICAGO SINGING COYOTE MARIACHI MASK TRAGEDY RAIN DENSE 

6083 6035 1203 7014 4105 4081-B 2245 



(818) 762-0884

GLASS GOBOS 

IMAGE GLASS 

Refract and bend light into patterns of light and gray scale images using Image Glass. 

Transform an image into other textures by altering the sharp focus. Image Glass can also be 

combined with Colorizers to create unbelievable effects. Create animated effects by using 

Image Glass gobos in Double Gobo Rotator combined with steel or glass gobos. See our 

website for additional designs. 

33600 33601 33602 33603 33605 

FLOWER LINED PLUME LT. PLUME HONEYCOMB 

33606 33607 33608 33609 33612 

WAVES IRREGULAR STRANDS BANDED LINES LAZY SWIRLS FRACTURED LAYERS 

33613 33614 33615 33616 33617 

WINTER FROST RANDOM BLISTERS COALESCING BUBBLES RAISED MOSAIC HAMMERED 

COLORIZERS 

Project beautiful, multi-colored images with Colorizers. 

FREE FLOW SERIES 

170-631 Cool 

170-632 Warm 

170-633 Midnight 

FEATHERLIGHT SERIES 

170-641 Blue, Lavender and Yellow 

170-642 Blue and Green 

170-643 Red, Lavender and Yellow 

170-644 Blue and Lavender 

170-645 Green and Yellow 

See full color pictures 

on our website 


STIPPLED SERIES 

170-614 Blue and Lavender 

170-615 Amber and Red 

170-616 Red, Blue and Lavender 

170-617 Green, Blue and Lavender 

170-618 Green and Yellow Stippled 



Patterns fit in 

Ellipsoidal 

Spotlights 

such as the 

ETC 

SOURCE FOUR 

PRISMATICS 

Project magnificent multi-colored textures using Prismatics, 

made up of tiny chips of dichroic colored glass. Remarkable 

moving effects can be created by using Prismatics alone, by 

combining with steel or glass patterns or by using them in the 

Double gobo Rotator. Six different color styles come in B size for 

ellipsoidal spotlights and other moving light sizes. 

PRISMATICS 

170-671 Kaleidoscope 

170-672 Cool Lavender 

170-673 Spring Greens 

170-674 Sunset 

170-675 Blue Water 

170-676 Flaming Sun 

COLORWAVES 

Each ColorWave is a Rosco Image Glass style - Strands, Ripple or 

Mosaic - coated in one of five brilliant dichroic coating colors. The 

results, when projected in an ellipsoidal luminaire or moving light, offer 

a remarkable and unique combination of color, texture, shading and 

blending. Maximum wattage is 575/600w ellipsoidal, 1200w moving 

light. Each style available in Red, Amber, Magenta, Cyan, or Indigo. 

RIPPLE STRANDS MOSAIC 



(818) 762-0884

CUSTOM PROJECTION PATTERNS 

CUSTOM PATTERNS ARE MADE TO ORDER 

They are available in stainless steel, high temperature glass and colored glass. 

Please fax or mail your art and we will be happy to quote a price and delivery time. 

Professional gobos from your finished art work are economical and 

long lasting. Custom gobos are available in any size in both stainless 

steel and glass. Let us know which fixture you have when ordering. 

CUSTOM STEEL GOBOS 

Art Specifications (Requirements) 

· Adobe® Photoshop files. 

· Clean Fax 

· Ready Slick 

· Files with the following extensions: 

.gif, .tiff/.tif, .jpg, and PhotoShop® eps. 

· Mac files should not be compressed. 

Black is light: As you look at your artwork, imagine the black portions 

of your image as the light area. 

E-mailed artwork size: If your art is not camera ready, send your 

image as large as possible - up to 8.5" x 11". 

Image area: Remember, the smaller the gobo, the more the image 

must be reduced. 

IMAGE PROJECTION 

ROSCO IMAGEPRO 

The ImagePro projects an image 

created from a plastic slide. It fits 

into the iris slot of an ETC Source 

Four, Altman Shakespeare, Strand 

SL or Selecon Pacific fixture. 

Attach an iPro Slide cartridge to 

the back plate of the ImagePro 

then simply turn on the light to 

project anything from a dazzling 

full color panorama to a corporate 

logo, or a last minute custom gobo. 

Wide Range of Applications: 

• Theatrical projection of scenic elements 

• Slide Projection 

• Lighting Effects 

• Trade shows and Industrials - project corporate logos 

• Museum Signage and Exhibit Identification 

• Project backings for film and television 

135-690 Rosco ImagePro 



CUSTOM GLASS GOBOS 

Glass patterns feature an amazing 20,000 dpi resolution. Fine detail 

and unsupported lines are possible without warping of the image. 

Available in: 

CUSTOM BLACK AND WHITE GLASS 

SUPERRESOLUTION GLASS 

ONE COLOR DICHROIC 

TWO COLOR DICHROIC and 

COLOURSCENIC GLASS PATTERNS 

For automated fixtures up to 1200 watts or for ellipsoidals lamped to a 

maximum of 600 watts. We also offer High Temperature Silk 

Screened gobos that can withstand the heat from ellipsoidal spotlights 

up to 2500 watts. 

Please call for pricing. 

All pricing is based on “camera ready” art. If your artwork needs 

corrections or clean-up, there is an hourly fee. Normal turn around 

time is 7 working days. Rush orders are subject to special handling 

and express charges. 

All glass patterns feature an amazing 20,000 dots per inch. 

Images with gray scales or B&W photos look best using the 

SuperResolution process. 

Art Specifications (Requirements) 

·We prefer Adobe® Photoshop files at 600 DPI resolution or higher. 

·We also accept: 

· Actual photograph 

· 35 mm slide 

· File extensions .gif, .tif/.tiff, .doc, .bmp, jpg 

· Mac files should not be compressed. 

See full color pictures on our website 




(818) 762-0884

FLICKER CANDLES 

BATTERY OPERATED 

CANDLES (Child Safe) 

A terrific effect for choirs or pageants. 

6.5 inches long, hand held white candle with 

clear cap. Push on/off clips create manual 

flicker effect. 

2 AAA batteries included. 

High Quantity Discounts! 

134-500 Candle with batteries 

ROSCO FLICKER CANDLE 

Self Contained model comes complete with a 

candle tip, a realistic stem with a dripping wax look, 

an on/off switch, and a connection for a 9 volt 

battery, this 9.75 inch unit is an ideal replacement for 

the real thing. Candle needs to be turned on or off 

during the show. Battery not included. 

Wired Stem model is 9.75” tall and consists of tip, 

stem, and 4’ leads for wiring to a power source 

Basic Module is 4” tall with short pins for wiring. 

Professional Candle is 17 1/2” long by 1 1/2” 

diameter with 4’ leads for wiring. 

134-751 Self Contained Flicker Candle 

134-753 Wired Stem Flicker Candle 

134-752 Basic Module Flicker Candle 

134-750 Professional Flicker Candle 

CANDLE LITE UNLIMITED 

These candles simulate the natural flicker and 

movement of a candle flame. Each candle has a 

three bulb design with a logic circuit. The logic 

circuit controls the flicker of the bulbs to simulate 

the look of a real candle. The candles operate on 

9 volts DC from either a battery or a remote 

power supply and are dimmable. 

Candle Kit has a slimmer circuit board to 

make custom designs easier. 

Candle sticks feature an on-off switch and 

a 9 volt battery compartment 

All candles available with LED light source 

for long battery life. 

134-760 Candle Kit 

134-765 12” Candle Stick 

134-770 5” Candle Stick 

134-772 AC Adapter for one candle 

134-775 AC Adapter for six candles 

Candle Kit 

AC Adapter 



FLAME EFFECTS 

COOL FLAME 

Realistic flame effect for theater and stage 

use. 4’ x 36” effect can be produced. 

134-990 Cool Flame 

SCREENOUT-IR 

Screenout-IR is being used world wide 

to extend the life of expensive gel strings. 

Screenout-IR is a precision 

manufactured, multilayered, 

infrared diverting poyester film 

with uniform and optically clear 

properties. The seven 

mil thick film is coated with an 

ultra-thin layer of rare metals, 

including silver. It reflects 85% 

of the heat and allows 85% 

light transmission from high 

intensity lamps. 

148-250 12" x 12" sheet 

148-270 Custom cuts by the square inch 

Save your 

Gel Strings 

on Color 

Scrollers 



(818) 762-0884

003 Lavender Tint Subtle cool wash for stage and studio lighting. 

169 Lilac Tint Ballroom-dance-backlight-front of house. 

136 Pale Lavender Enhances dark skin tones. 

052 Light Lavender Set dressing, pantomimes and musicals. 

170 Deep Lavender Set lighting-discos-theatres. 

345 Fuchsia Pink Musical Revue, pantomime, and sultry scenes 

048 Rose Purple Musical revues, discos etc., cycloramas. 

126 Mauve Cycloramas-good for back lighting. 

343 Spec Med Lavender Theatre and television effect, backlighting. 

180 Dark Lavender Pleasing effects for theatrical lighting. 

058 Lavender Backlight. 

194 Surprise Pink Acting areas, romantic effect. 

344 Violet Dusk effect, good skin tones, romantic effect. 

142 Pale Violet Moonlight, Chandeliers, high lighting plants. 

137 Special Lavender Enhance skin tones, moonlight, romance 

053 Paler Lavender Slightly Cool Wash 

061 Mist Blue Night scenes, cool wash. 

063 Pale Blue Acting areas, cycloramas, cool wash. 

117 Steel Blue Acting areas. 

353 Lighter Blue Daylight Blue 

140 Summer Blue Warm blue-cycloramas-tint wash. 

172 Lagoon Blue Floodlit warm wash-underwater scenes-ballet. 

144 No Colour Blue Acting areas, moonlight for blue green seas 

118 Light Blue Strong night effect. 

183 Moonlight Blue Moonlight, cycloramas. 

352 Glacier Blue Cool blue for cool atmospheric mood lighting 

174 Dark Steel Blue Set lighting-discos-theatres. 

196 True Blue Moonlight. 

161 Slate Blue Moonlight and Dusk. 

165 Daylight Blue Moonlight 

141 Bright Blue Pretty or romantic moonlight, cyclorama, night. 

143 Pale Navy Blue Moonlight, cycloramas. 

366 Cornflower Seasonal mood lighting, pale moonlight 

132 Medium Blue Set lighting, matt blue, cyclorama, night. 

068 Sky Blue Night effect, cycloramas. 

075 Evening Blue Good for Night Scenes, romantic moonlight 

197 Alice Blue Moonlight, cycloramas. 

079 Just Blue Cycloramas. 

119 Dark Blue Moonlight mood effect, jazz club etc. 

363 Special Medium Blue Cool moonlight, mood effects. 

195 Zenith Blue Moonlight for dark sets, cycloramas. 

120 Deep Blue (Primary) Primary, pleasing effects for theatrical lighting. 

085 Deeper Blue Moonlight, strong backlighting. 

198 Palace Blue Dark Moonlight, Romantic evening 

071 Tokyo Blue Enhance skin tones, cycloramas 

181 Congo Blue Theater and television effect lighting, backlighting 

116 Medium Blue Green Pleasing effects for theatrical lighting. 

115 Peacock Blue Pleasing on cyclorama cloths, backlighting 

131 Marine Blue Romantic moonlight-underwater scenes-ballet. 

354 Special Steel Blue Cooling blue-green wash for stage and set 

323 Jade Underwater scenes, cycloramas, backlighting 

322 Soft Green Cool green, Gobo cover, pantomime, cycloramas 

325 Mallard Green Good for mood setting, undergrowth 

327 Forest Green Deep Green, sinsister forest scenes, cycloramas 

090 Dark Yellow Green Highlighting for forest scenes 

139 Primary Green Cycloramas. 

089 Moss Green Use with gobos for forest scenes 

124 Dark Green Cycloramas-good for back lighting. 

122 Fern Green Cycloramas-good for mood effect. 

121 Evergreen Cycloramas. 

088 Lime Green leafy glades, slightly sinister atmosphere 

138 Pale Green Good with gobos for wooded scenes. 

130 Clear Used for animation and projection work 

009 Pale Amber Gold Late sunlight. 

013 Straw Tint Sunlight wash with gobos, interior lighting. 

103 Straw Pale sunlight through window-warm winter effect. 

159 No Colour Straw Warm effect, sunlight. 

COLOR FILTERS 

EUROCOLOR Color Filters 

Eurocolor is made in the United Kingdom to the high standards of England’s other quality filter manufacturer. 

We have personally visited the manufacturing facility to verify the precise computer controlled 

technology which produces this world class product. The numbering system of Lee Filters and Eurocolor 

are identical. Eurocolor is dye coated on both sides to ensure color consistancy and resist color fading. 

Sheet size is 21” x 24”. 

SPECIAL INTERNET PRICING - SEE OUR WEBSITE FOR DETAILS 



007 Pale Yellow Sunlight. 

100 Spring Yellow Sunlight wash, w/gobos, discos, dark skin tones 

010 Medium Yellow Sunlight effect. 

101 Yellow Sunlight window effect-pleasant in acting areas. 

102 Light Amber Lamplight-dawn sun effects-acting areas. 

104 Deep Amber Mood effect on backing. Backlighting of floor. 

015 Deep Straw Strong mood effect on backings. 

179 Chrome Orange Sunlight. 

020 Medium Amber Late sunlight. 

147 Apricot Sunrise, sunset, lamplight. 

105 Orange Mainly light entertainment, functions. 

Fire effect if used with 106, 166, 104. 

134 Golden Amber Fire effect (doubled up). 

158 Deep Orange Fire effect. 

021 Gold Amber Fire effect sunset. 

135 Deep Golden Amber Fire effect. 

022 Dark Amber Backlight. 

025 Sunset Red Warm stage wash-TV studio wash-sunset effect. 

166 Pale Red Cycloramas. 

019 Fire Disco effect-Fire effect. 

164 Flame Red Fire effect. 

024 Scarlet Pantomime, ballroom sets, fire effects. 

182 Light Red Effect lighting, cycloramas. 

106 Primary Red Strong red effect, cyclorama. 

026 Bright Red Cycloramas. 

027 Medium Red Cycloramas. 

029 Plasa Red Cycloramas. 

341 Plum Romantic, Atmospheric set lighting 

127 Smokey Pink Cycloramas-set lighting, discos. 

046 Dark Magenta Very strong pink, good for backlighting. 

113 Magenta Very strong-for small areas on set. 

148 Bright Rose Fire effects, musicals. 

332 Special Rose Pink Pantomimes, light entertainment, stage wash 

128 Bright Pink Cycloramas-good for back lighting-strong effect. 

328 Follies Pink Dramatic stage lighting. 

002 Rose Pink Strong pink wash cycloramas. 

111 Dark Pink Good for cycloramas. 

192 Flesh Pink Musical and Pantomime key lights. 

036 Medium Pink Front of house luminaires. 

110 Middle Rose Pleasing effects for theatrical lighting. 

039 Pink Carnation Soft, Cool pastel pink, backlighting and colourwash 

035 Light Pink Musical revues, discos etc., cycloramas. 

033 No Colour Pink Warm Wash 

153 Pale Salmon Back lighting in conjunction with white light. 

162 Bastard Amber Acting areas, warm wash, lamp light. 

152 Pale Gold Interior lighting to enhance skin tones. 

154 Pale Rose Pleasing effects for theatrical lighting. 

151 Gold Tint Pleasing effects for theatrical lighting. 

004 Medium Bastard Amber Naturally enhances skin tones. 

108 English Rose Warm tint wash-dark flesh tones-softer skin tones. 

176 Loving Amber Sunrise, backlight. 

109 Light Salmon Interesting back lighting. 

107 Light Rose Acting areas 

157 Pink Dance sequences. (Useful for softening white 

costumes without affecting skin tones.) 

193 Rosy Amber Warm, emotional, romantic. 

008 Dark Salmon Enhance dark skin tones, sunsets, ballroom sets 

017 Surprise Peach Skin tones, mood light 

156 Chocolate With straw in same lantern to produce candlelight 

191 Cosmetic Aqua Blue Pale tints complementary to key lighting 

190 Cosmetic Emerald Pale tints complementary to key lighting 

189 Cosmetic Silver Moss Pale tints complementary to key lighting 

184 Cosmetic Peach Pale tints complementary to key lighting 

185 Cosmetic Burgundy Pale tints complementary to key lighting 

188 Cosmetic Highlight Pale tints complementary to key lighting 

187 Cosmetic Rouge Pale tints complementary to key lighting 

186 Cosmetic Silver Rose Pale tints complementary to key lighting 



(818) 762-0884

Conversion Filters 

200 Double CT Blue Converts Tungsten 3200K to Daylight 26000K 

201 Full CT Blue Converts Tungsten 3200K to Photographic 

Daylight 5700K 

281 Three Quarters CT Blue Converts Tungsten 3200K to Daylight 5000K 

202 Half CT Blue Converts Tungsten 3200K to Daylight 4300K 

203 Quarter CT Blue Converts Tungsten 3200K to Daylight 3600K 

218 Eighth CT Blue Converts Tungsten 3200K to Daylight 3400K 

204 Full CT Orange Converts Daylight 6500K to Tungsten 3200K 

285 Three Quarters CT Orange Converts Daylight 6500K to Tungsten 3600K 

205 Half CT Orange Converts Daylight 6500K to Tungsten 3800K 

206 Quarter CT Orange Converts Daylight 6500K to Tungsten 4600K 

223 Eighth CT Orange Converts Daylight 6500K to Tungsten 5550K 

207 Full CTO + .3ND Converts Daylight 6500K to Tungsten 3200K 

and reduces light one stop 

208 Full CTO + .6ND Converts Daylight 6500K to Tungsten 3200K 

and reduces light two stops 

441 Full CT Straw Converts daylight to Tungsten 3200K 

with yellow bias mired shift + 160 

442 Half CT Straw Converts daylight to Tungsten 4300K 


443 Quarter CT Straw Converts daylight to Tungsten 5100K 


444 Eighth CT Straw Converts daylight to Tungsten 5700K 


298 .15 ND Reduces light 1/2 stop w/o changing colour 

209 .3 ND Reduces light 1 stop w/o changing colour 

210 .6 ND Reduces light 2 stops w/o changing colour 

211 .9 ND Reduces light 3 stops w/o changing colour 

299 1.2 ND Reduces light 4 stops w/o changing colour 

COLOR FILTERS 

EUROCOLOR Conversion, Correction, and Diffusion Filters 

Eurocolor is made in the United Kingdom to the high standards of England’s other quality filter manufacturer. 

We have personally visited the manufacturing facility to verify the precise computer controlled 

technology which produces this world class product. The numbering system of Lee Filters and Eurocolor 

are identical. Eurocolor is dye coated on both sides to ensure color consistancy and resist color fading. 

Sheet size is 21” x 24”. 

SPECIAL INTERNET PRICING - SEE OUR WEBSITE FOR DETAILS 



Frosts and Diffusion Filters 

216 White Diffusion Soft Light effect (50 microns) 

250 Half White Diffusion Half Strength 216 

251 Quarter White Diffusion Quarter Strength 216 

252 Eighth White Diffusion Eighth Strength 216 

217 Blue Diffusion Soft Light effect (50 microns) 

increases colour temperature slightly 

224 Daylight Blue Frost Soft light effect with tungsten correction using 

full CT Blue (75 micron base) 

225 Neutral Density Frost Soft light effect with neutral density 

(75 micron base) 

253 Light Frost Light frost effect 

255 Hollywood Frost Light frost effect, softens edges 

129 Heavy Frost Used for soft light effect (75 micron base) 

220 White Frost Used for soft light effect (75 micron base) 

221 Blue Frost Used for soft light effect (75 micron base) 

increases colour temperature slightly 

416 3/4 White Diffusion Used for soft light effects 



Correction Filters 

212 LCT Yellow (Y1) Reduces colour temperature of low carbon arcs to 3200K 

213 White Flame Green Corrects white carbon arcs by absorbing ultraviolet 

230 Super Correction LCT Yellow Converts Yellow Carbon Arc (of low colour temperature) to tungsten 

232 Super Correction WF Green Converts White Flame Arc to 3200K for use with tungsten film 

to Tungsten 

236 HMI (to tungsten) Converts HMI to 3200K for use with tungsten film 

237 CID (to tungsten) Converts CID to 3200K for use with tungsten film 

238 CSI (to tungsten) Converts CSI to 3200K for use with tungsten film 

226 UV Transmission of less than 50% at 410nms 

241 Fluorescent 5700K Converts tungsten to fluorescent light of 5700K used with camera filter 



219 Fluorescent Green General Tungsten to Fluorescent correction for use when fluorescent colour temperature is unknown to provide medium 

correction. Used with colour correction filter. 

244 Full Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent 

(approx. equivalent to CC30 Green) used with camera filter 

245 Half Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent 


246 Quarter Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent 


247 Full Minus Green Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC30 Magenta) 

248 Half MInus Green Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC15 Magenta) 

249 Quarter Minus Green Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC075 Magenta) 

278 Eighth Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent 


279 Eighth Minus Green Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC0375 Magenta) 

271/4 Mirror Silver/Gold Produces strong reflection 

272 Soft Gold Reflector Produces soft reflection 

273 Soft Silver Reflector Produces soft reflection 



(818) 762-0884

ROSCOLUX 

Rosco has been a leading producer and 

innovator of color filter products since early 

in the 20th century. Its premier range, 

Roscolux, is manufactured using a unique 

technology to ensure the longest possible life 

under hot theatrical lights. 

151-___ Sheets: 20” x 24” 

152-201 Rolls: 24” x 25’ (Specify color) 

00 Clear 

01 Light Bastard Amber 

02 Bastard Amber 

03 Dark Bastard Amber 

303 Warm Peach 

04 Medium Bastard Amber 

304 Pale Apricot 

05 Rose Tint 

305 Rose Gold 

06 No Color Straw 

07 Pale Yellow 

08 Pale Gold 

09 Pale Amber Gold 

10 Medium Yellow 

310 Daffodil 

11 Light Straw 

12 Straw 

312 Canary 

2003 Storaro Yellow 

13 Straw Tint 

313 Light Relief Yellow 

14 Medium Straw 

15 Deep Straw 

16 Light Amber 

316 Gallo Gold 

17 Light Flame 

18 Flame 

318 Mayan Sun 

19 Fire 

20 Medium Amber 

21 Golden Amber 

321 Soft Golden Amber 

2002 Storaro Orange 

22 Deep Amber 

23 Orange 

24 Scarlet 

324 Gypsy Red 

25 Orange Red 

26 Light Red 

27 Medium Red 

30 Light Salmon Pink 

31 Salmon Pink 

331 Shell Pink 

32 Medium Salmon Pink 

332 Cherry Rose 

33 No Color Pink 

333 Blush Pink 

ROSCO CALIBRATED COLORS 

4215 CalColor15 Blue 




4315 CalColor15 Cyan 




COLOR FILTERS 

34 Flesh Pink 

35 Light Pink 

36 Medium Pink 

36 Billington Pink 

37 Pale Rose Pink 

337 True Pink 

38 Light Rose 

39 Skelton Exotic Sangria 

339 Broadway Pink 

40 Light Salmon 

41 Salmon 

42 Deep Salmon 

342 Rose Pink 

343 Neon Pink 

44 Middle Rose 

344 Follies Pink 

45 Rose 

46 Magenta 

346 Tropical Magenta 

47 Light Rose Purple 

347 Belladonna Rose 

48 Rose Purple 

348 Purple Jazz 

49 Medium Purple 

349 Fisher Fuchsia 

50 Mauve 

51 Surprise Pink 

52 Light Lavender 

53 Pale Lavender 

353 Lilly Lavender 

54 Special Lavender 

55 Lilac 

355 Pale Violet 

56 Gypsy Lavender 

356 Middle Lavender 

57 Lavender 

357 Royal Lavender 

58 Deep Lavender 

358 Rose Indigo 

2009 Storaro Violet 

2008 Storaro Indigo 

59 Indigo 

359 Medium Violet 

60 No Color Blue 

360 Clearwater 

61 Mist Blue 

62 Booster Blue 

4415 CalColor15 Green 




4515 CalColor15 Yellow 




362 Tipton Blue 

63 Pale Blue 

363 Aquamarine 

64 Light Steel Blue 

364 Blue Bell 

365 Tharon Delft Blue 

66 Cool Blue 

366 Jordan Blue 

67 Light Sky Blue 

367 Slate Blue 

68 Sky Blue 

69 Brilliant Blue 

369 Tahitian Blue 

70 Nile Blue 

370 Italian Blue 

71 Sea Blue 

371 Theatre Booster 1 

72 Azure Blue 


73 Peacock Blue 


74 Night Blue 

374 Sea Green 

75 Twilight Blue 

76 Light Green Blue 

376 Bermuda Blue 

77 Green Blue 

377 Iris Purple 

78 Trudy Blue 

378 Alice Blue 

2007 Storaro Blue 

79 Bright Blue 

80 Primary Blue 

81 Urban Blue 

82 Surprise Blue 

382 Congo Blue 

83 Medium Blue 

383 Sapphire Blue 

84 Zephyr Blue 

384 Midnight Blue 

85 Deep Blue 

385 Royal Blue 

86 Pea Green 

87 Pale Yellow Green 

88 Light Green 

388 Gaslight Green 

89 Moss Green 



The Roscolux Light Lab Edition contains a 6.5" x 12" sample of 

each color and diffusion. This allows a part of the sample to be 

used in an ellipsoidal spotlight - and still have half the sheet left in 

the book. Contains a wavelength chart and transmission data 

printed on the full size sheets behind each filter. 

Bound with clasping book rings for easy removal of 

gels. Each book is also equipped with two Rosco 

safety frames, 6.25"(15.87cm) and 7.5"(19.05cm), a 

plastic pouch for saving cut gel, and a Rosco gel 

marker. 

151-605 Roscolux Light Lab Edition 

151-600 Roscolux 3” x 5” Designer Swatchbook 

4615 CalColor15 Red 




4715 CalColor15 Magenta 

4730 CalColor 30 Magenta 



389 Chroma Green 

2004 Storaro Green 

90 Dark Yellow Green 

92 Turquoise 

392 Pacific Green 

93 Blue Green 

393 Emerald Green 

94 Kelly Green 

95 Medium Blue Green 

395 Teal Green 

96 Lime 

97 Light Grey 

397 Pale Grey 

98 Medium Grey 

398 Neutral Grey 

99 Chocolate 

DIFFUSION 

100 Frost 

101 Light Frost 

102 Light Tough Frost 

103 Tough Frost 

104 Tough Silk 

105 Tough Spun 

106 Light Tough Spun 

111 Tough Rolux 

112 Opal Tough Frost 

113 Matte Silk 

114 Hamburg Frost 

115 Light Tough Rolux 

116 Tough White Diffusion 

117 Tough 1/2 White Diffusion 

118 Tough 1/4/White Diffusion 

119 Light Hamburg Frost 

120 Red Diffusion 

121 Blue Diffusion 

122 Green Diffusion 

124 Red Cyc Silk 

125 Blue Cyc Silk 

126 Green Cyc Silk 

127 Amber Cyc Silk 

132 Quarter Hamburg Frost 

140 Subtle Hamburg Frost 

160 Light Tough Silk 

162 Light Opal 

163 Powder Frost 

These color effects lighting filters are designed specifically to the spectral sensitivity of color film. The series includes the primary colors Blue, 

Green and Red, along with the secondary colors Yellow, Magenta and Cyan followed by Pink and Lavender. Each color is designed in four 

densities: 15, 30, 60 and 90, corresponding to the familiar ½, 1, 2 and 3 stop calibrations. 

4815 CalColor15 Pink 




4915 CalColor15 Lavender 






(818) 762-0884

BACKSTAGE HANDBOOK 

An Illustrated Almanac of Technical Information. 

099-810 

This a really outstanding reference book 

which brings together an incredible 

variety of information useful to designers, 

technicians and students who work 

behind the scenes in theatre, film and 

TV. It's full of illustrations, tables and 

charts. Our sales people use it on a 

regular basis to help clarify equipment 

terms, lamps and connector types 

when speaking with many of our 

customers. 



BOOKS MOTION / ANIMATION DESIGNER EFFECTSTEMPLATES 

THEATRE LIGHTING FROM A TO Z 

099-830 

An encyclopedia of lighting terms & 

practices. Contains basic formulas 

for quick and easy solutions to 

lighting requirements. Especially 

useful for elementary & secondary 

school and community theater. 

THEATRE BACKSTAGE FROM A TO Z 

4th Edition 

099-835 

This single volume encyclopedia of 

stage craft for the entertainment 

industry gives easy-to-find 

answers to the language of the 

stage and studio. The best 

reference book available for the 

professional as well as students. 

FIELD TEMPLATE 

The ultimate drafting template for professionals and advanced 

students. Unique dot-grid simplifies the drafting process. 

168-964 1/4” Template 

168-965 1/2” Template 

168-967 1/4” Field Template Lite 

168-968 1/2” Field Template Lite 



(818) 762-0884

MACLUX PRO 

Claude Heintz Design 

MacLux Pro(tm) is a complete lighting design program for Macintosh 

and Power Macintosh computers. It allows you to create light plots 

by drawing light symbols and hanging positions on top of imported 

graphics of your groundplan. Information is attached to the drawing 

as you work, which means paperwork can be extracted without 

additional effort. Lights can be “turned on,” which not only shows 

their beams but actually allows the creation of cues. Save hours of 

time each and every show by integrating Plot, Paperwork, and Cues 

in one tight package! 

Requires System 8.6 or higher, Power Macintosh and 11mb available RAM 

Requires Carbon: CarbonLib installed in extensions or OS-X 

098-218 MacLux Pro v2.1 

098-222 Small lab site license (6 station) 

098-217 Upgrade to V2.1 

DEMO DISC AVAILABLE! 

SOFTPLOT 

SoftPlot is a software application for Windows 95/98/NT to create 

professional light plots and paperwork. Using over 400 symbols and 

attributes, and an extensive library of fixtures and equipmnet, SoftPlot 

allows the lighting designer a large amount of flexibility in creating light 

plots. In addition, SoftPlot supplies all the reports associated with 

lighting design including: Instrument Scedule, Channel Schedule, 

Dimmer Loading Report, Inventory Listing, Gel Cut List, and many 

more. 

System requirements: Pentium processor, Windows 95/98/NT, 16 MB RAM, 20 MB hard disk space, 

CD-ROM drive, SVGA monitor 640 x 480. 

Also available is SoftPlot Lite, an economy version with some limitations 

including printing and export functions. 

098-080 SoftPlot 

098-082 SoftPlot Lite 

LIGHT SHOP 

Light Shop is a Windows based software tool for lighting designers. 

This photometric analysis program calculates and displays information 

from a library of hundreds of fixtures based on manufacturers’ data. 

An instrument may be selected and its photometrics analyzed based 

on distance, lamp type, gel color and pattern by performing. The 

program offers calculations for beam diameter, throw and footcandles 

on the talent. 

System requirements: Pentium processor, Windows 3.1 or highter, 8MB RAM, 40MB hard disk 

space, 3.5” floppy disk drive, CD-ROM drive, VGA monitor 640 x 480. 

098-100 Light Shop 

FILM SHOP 

Film Shop creates lighting plots for film productions, using the 

extensive 1000 item inventory of lighting instruments, grip equipment, 

electrical distribution equipment and set pieces. The software also 

plans power distribusion, providing cable sizing and distribution boxes 

and calculates line voltage loss effects. Equipment included on the 

lighting plot forms the basis for a printable equipment order form, 

including such expendables as gels, filters and bulbs. 

System requirements: Pentium processor, Windows 95/98/NT, 16MB RAM, 25MB hard disk space, 

CD-ROM drive, SVGA monitor 640 x 480. 

098-060 Film Shop 

COMPUTER PROGRAMS 

WYSIWYG 

WYSIWYG Report 



This is the basic WYSIWYG package. It allows Lighting professionals 

to create 2D plans of their productions along with all of the necessary 

paperwork. WYSIWYG Report provides an easy solution for 

people who want to use computers to simplify the design process. 

WYSIWYG Design 

This WYSIWYG package allows Lighting professionals to explore 

their designs in a 3D environment. Users can create their productions 

in 3D along with all of the necessary paperwork. Designers and 

Design Assistants will benefit from WYSIWYG Design’s ability to 

output full photorealistic pictures of their proposed designs. 

WYSIWYG Perform 

This WYSIWYG package allows Lighting professionals to pre-cue 

entire shows in real time. Users can create their productions in 3D 

along with all of the necessary paperwork. A DMX console or a 

compatible off line editor can then be connected to the computer and 

WYSIWYG Perform will simulate the exact effect of the console’s/ 

editor’s output in real-time. 

Requres Windows 2000, ME, or XP 

098-025 WYSIWYG Report - Parallell 

098-030 WYSIWYG Report - USB 

098-035 WYSIWYG Design 

098-040 WYSIWYG Perform 500 



LIGHTWRIGHT 4 and BEAMWRIGHT 

Lightwright is a unique cross between a spreadsheet and a 

database, designed specifically to manage professional lighting 

design paperwork. Lightwright understands what designers and 

electricians do with their paperwork. It knows that dimmers and 

circuits shouldn’t be overloaded, that striplights have more than one 

color, that color scrollers have a whole series of colors and need a 

control channel, and that some lights don’t use color at all! It can find 

mistakes, compare two sets of paperwork, figure your circuit and 

dimmer needs, automatically renumber a pipe, renumber or rearrange 

your channels and dimmers, or even assign dimmers automatically 

based on your channels. 

Lightwright is the industry standard, used by both designers and 

electricians around the world. It was named as one of the “Products 

that Changed our World” by Lighting Dimensions Magazine in 2002. 

Beamwright comes bundled with Lightwright (not available separately) 

and is a quick, no-nonsense utility for comparing lighting 

instruments and choosing the right light for the job. 

Lightwright disk contains both Windows and Macintosh versions. 

098-201 Single User License 

098-206 Institutional License 

098-195 Single User Upgrade from LW3 

098-190 Institutional Upgrade from LW3 



(818) 762-0884

“MAKEUP 

FOR THE 

THEATRE” 

Ben Nye's makeup 

videos taught 

by professional 

makeup artists. 

097-133 "Ben Nye Makeup" Set of 5 tapes 

097-135 "Straight Male Character & 

Corrective Beauty Makeup" 

097-137 "Old Age Character" 

097-139 "Special Character Effects" 

097-141 “How To Apply A Bald Cap" 

097-143 "How To Apply A Crepe Beard" 

“DESIGNING WITH GOBOS” 

A Master Class in Lighting 

with Neil Peter Jampolis 

Shows you how to use gobos to 

create theatrical fire, reflected water, 

church windows, fireworks, and 

dozens of other effects. 

You’ll learn how gobos can add life, 

movement and even color to your 

stage pictures. In just 25 fast paced 

mintes, you’ll see the effects 

assembled and demonstrated, so 

you can reproduce them in your own 

way, in your own venue. This video 

will provide ideas, information and 

inspiration for anyone lighting for 

theatre, film, television, live entertainment 

or architectural purposes 

097-111 “Designing with Gobos” 

“SETTING THE STAGE” 

Designed for teachers in the instruction of students and for those 

people responsible for painting scenery in community and regional 

theatre. Cathy Poppe, a professional scenic artist & designer, 

explains and performs the techniques of the scenic artist in terms that 

are both interesting and easy to understand. 

The first program deals with the steps in preparing the surface for 

painting. It includes techniques for applying the prime and base coats 

and cartooning with charcoal. 

Part two shows how to prepare such common exteriors as brick walls, 

stone facades, trees and foliage. 

Part three demonstrates a few techniques for making realisting wall 

treatments, including sponging, rag rolling and spattering, as well as 

the steps in making woodgrain and marble. 

097-200 "Setting The Stage" set of 3 tapes 

VIDEO TAPES 

"PLAY IT SAFE 

Introduction to Theatre 

Safety" 

narrated by comedian David Fenner 

A multitude of basic theatre safety 

guidelines and highlights of important 

OSHA regulations is presented in an 

often humorous manner. Two 41 minute 

sections make this video ideal for calss 

time and before rehearsal showing. 

Teachers and staff members of any 

theatre will be glad they used this video 

program as a solid foundation for 

information that may save them from 

many possible liability concerns. 



097-321 Play It Safe ..................................... 45 min 

“FUNDAMENTALS OF SCENIC PAINTING” 

with Ron Ranson Jr., UC San Diego 

A detailed introduction to four basic aspects of scenic painting instruction: 

Paints, Tools & Equipment, Basic Painting Techniques, Student Projects. 

Support materials include: 

Designed for the advanced high school 

and beginning college student this 

outstanding "learn and try" video 

demonstrates how to use a whisk broom, 

garden sprayer, feather duster, sponge, 

ponce wheel rag doll, overhead projector 

and other tools of the scenic artist’s trade. 

In the final segment students execute 

projects and their work is critiqued, noting 

which areas are successful and which 

could be improved if done differently. 

Key training points are: 

Safety first 

Techniques of scenic painting 

Clean up procedures 

Tools & equipment 

Common types of paints 

Beginning students shown working 

on projects 

5 Practical Paint Elevations Class/Workshop Outlines 

Overhead Transparency for Graphics Video Guide 

097-305 Video & Support Materials 81 min 



(818) 762-0884

ROSCO OFF-BROADWAY PAINT 

This vinyl acrylic paint may be used right out of the bucket or diluted to 

stretch your paint budget. It is a vinyl acrylic paint which may be used 

on a variety of surfaces. The wide range of theatrical colors allows 

anyone to paint drops and sets with true scenic paint. 

313-342 White, 5 gallons 

313-344 White-white, 5 gallons 

313-346 Black, 5 gallons 

313-350 White, gal. 

313-351 White-white gal. 

313-352 Black, gal. 

313-353 Yellow ochre, gal. 

313-354 Burnt umber, gal. 

313-355 Raw sienna, gal. 

313-356 Burnt sienna, gal. 

313-357 Raw umber, gal. 

313-359 Ultramarine blue, gal. 

313-360 Fire red, gal. 

313-361 Deep red, gal. 

313-363 Orange, gal. 

313-364 Emerald green, gal. 

313-365 Chrome oxide green, gal. 

313-366 Lemon yellow, gal. 

313-368 Purple, gal. 

313-369 Magenta, gal. 

313-371 Pthalo green, gal. 

313-372 Sky blue, gal. 

313-373 Pthalo blue, gal. 

313-374 Gold, metallic, gal 

313-375 Silver, metallic, gal. 

313-380 Clear gloss, gal. 

313-381 Clear flat acrylic glaze, gal. 

STAGE & STUDIO PAINT 

We provide a wide variety of paint products for the scenic artist. 

Below is a sampling of the most popular & economical products available. 

Please call, FAX or e-mail your request for a color card. 

CHROMA KEY 

Specifically formulated to provide high luminance values and color 

saturation for keying effects. 

313-901 Blue, gal. 

313-903 Green, gal. 



VIVIDFX FLUORESCENT PAINT 

VividFX paint is available in 13 colors. The vinyl, acrylic binder offers 

superb coverage and the exceptional pigments fluoresce brilliantly. 

VividFX paints intermix cleanly to allow a wide array of intermediate 

hues. You can even create fluorescent earth tones! And VividFX 

paints are compatible with all other Rosco scenic paints too. Use 

VividFX paints mixed into standard scenic paint when matching the 

brightest Pantone colors. 

312-202 Bright White, qt. 

312-212 Orange Sunset, qt. 

312-217 Orange, qt. 

312-222 Scarlet Red, qt. 

312-227 Hot Pink, qt. 

312-232 Magenta, qt. 

312-237 Violet, qt. 

312-242 Deep Blue, qt. 

312-247 Brilliant Blue, qt. 

312-252 Aquamarine, qt. 

312-257 Electric Green, qt. 

312-262 Deep Green, qt. 

312-207 Lemon Yellow, qt. 

DIGICOMP 

The DigiComp system of products is designed to allow seamless 

compositing for film, video and digital use. Rosco DigiComp paints are 

manufactured to the same high standards as Rosco scenic paints. 

The flexible vinyl acrylic binder results in product with excellent 

adhesion to a wide variety of substrates and a matte finish. Clean up 

with soap and water. 

313-905 Digicomp Blue, gal. 

313-907 Digicomp Green, gal. 

ULTIMATTE ® 

These paints were designed in conjunction with the Ultimatte® technical 

staff to meet the requirements of their keying effects systems. Super 

Blue is a purer blue designed for use in film production. Vinyl acrylic 

paints can be used on nearly any surface. 

313-909 Super blue, gal. 

313-911 Blue, gal. 

313-913 Green, gal. 



(818) 762-0884

TV PAINT 

Specifically formulated for the sensitive contrast requirements of standard 

television, this versatile acrylic paint can be applied to nearly any 

surface and comes ready to use right out of the bucket. TV White and 

Black are completely intermixable and allow the user to achieve intermediate 

greys. Featuring one coat coverage, this system dries to a matte, 

non-reflective finish and allows for easy touch-up. 

313-922 TV White - a neutral grey that meets 

the specifications for 60% reflectance, gal. 

313-924 TV Black - a matte black that meets 

the specifications for 3% reflectance, gal. 

FOAMCOAT 

A water based, flame retardant, 

protective coating for Styrofoam and 

polystyrene foams. An acrylic slurry 

the consistency of wet plaster, 

Foamcoat dries to a super hard 

durable coating that resists chipping 

and cracking. It can be sanded 

smooth or carved with detailing. It's a 

texturing agent that can be used to 

create custom patterns like bark and 

stone work and is durable enough to 

be used on floors. 

313-392 Foamcoat, gallon 

313-394 Foamcoat, 5 gallon 

FLEXBOND 

A clear, flexible scenic glue which bonds 

may porous and non-porous scenic 

materials. It dries to a clear, hard yet 

pliable coating that does not suffer fro the 

"tackiness" common in many other 

flexible glues. Rosco flexbond is waterbased 

and safe to use. 

319-005 Gallon 

319-007 5 gallons 

STAGE & STUDIO PAINT 

SCENERY PRODUCTS 

TOUGH PRIME 

Covers just about any surface, including 

PVC pipe, aluminum, foams and plastics as 

well as muslin, wood and foam core. This is 

a quick drying, acrylic primer which dries to 

a tough, durable coating which can be painted 

over with any paint and is excellent for both 

interior and exterior use. 

313-387 White, gal. 

313-388 White, 5 gal. 

FLAMEPROOFING 

303-652 Rosco Paint Additive, P-50 

12 oz. 

303-654 Rosco Flamex C26. For muslin 

One gallon makes 3 to 4 gallons. 

One gallon. 

303-656 Rosco Flamex S33. For synthetics; 

polyester, nylon,acrylic, rayon, etc. 

One gallon. 

303-660 Rosco Flamex W40. For wood. 

One gallon. 



COLORINE 

Designed for use with low wattage (40 watts maximum) bulbs, 

Colorine adheres to lamps, glass & plastic. 

Colors are brilliant and long lasting. 

Sold by the pint 

Thinner - pint 

317-602 Cardinal Red 317-604 Ruby Red 

317-606 Magenta 317-608 Moonlight Blue 

317-610 Urban Blue 317-612 Emerald Green 

317-614 Golden Amber 317-616 Canary Yellow 

317-618 Clear 317-620 Thinner 



(818) 762-0884

GAFFERS TAPE 

A non-reflective, cloth backed tape for securing cable, lights, carpet, 

diffusion, etc. Roll is 2" x 60 yards. 

304-041 white 

304-043 grey 

304-045 black 

304-047 red 

304-049 yellow 

304-051 blue 

304-053 green 

304-059 brown 

304-046 Black gaffers 3" x 60 yards 

ALL PURPOSE TAPE 

The economy tape with the shiny backing 

and high tack adhesive. Holds almost anything. 

304-141 white 

304-143 grey 

304-145 black 

304-147 red 

304-149 yellow 

304-151 blue 

304-153 green 

SPIKE TAPE 

1/2" x 60 yard roll. 

304-229 White 

304-206 Black 

304-221 Red 

304-223 Yellow 

304-225 Blue 

304-227 Green 

304-228 Fluorescent Green 

304-208 Fluorescent Pink 

304-210 Fluorescent Orange 

. 

MARKING TAPE, WHITE 

for control boards 

304-380 1/2” x 60 yds. 

304-361 3/4" x 60 yds. 

304-401 1" x 60 yds. 

304-417 2” x 60 yds. 

TRANSPARENT SCREEN TAPE 

For temporarily seaming Rear Projection Screen material for a 

production. 

304-451 2" X 55 yd. roll 

ELECTRICALTAPE 

304-493 Black Vinyl, 3/4” x 60’ 

304-495 White Vinyl, 3/4” x 60’ 

304-470 Friction Cloth, 3/4” x 60’ 

TAPE 

FLOOR TAPE 

For installing temporary floor coverings. 

304-521 Black vinyl, 2" x 36 yd. 

304-523 White vinyl, 2" x 36 yd. 

304-525 Grey vinyl, 2" x 36 yd. 

304-526 Clear vinyl, 2” x 36 yd. 

304-527 Double Stick, 2” x 32 yd. 

PHOSPHORESCENT TAPE 

Self adhesive “glow-in-the-dark” tape. 

304-672 1” x 2 yards 

304-661 1” x 5 yards 

304-663 1” x 10 yards 

MASKING TAPE 

304-321 Natural, 2” x 60 yds. 

304-323 White, 2” x 60 yds. 

DOUBLE FACE TAPE 

304-431 Double Face Tape, 2” x 36 yds. 



BLACKTAK TAPE 

A heat resistant (won’t melt) matte black aluminum foil coated on one 

side with a high temperature adhesive. End use temperature: -40°F to 

360°F 

(-30°C to 182°C) 

* Mask light spill 

* Create shadows 

* Form barn doors 

* Adapt gobos 





(818) 762-0884

Ordering Curtain track involves a few 

basic considerations. 

Some of these are: 

Will the track require a draw cord or 

will it be a walk-along? 

How much storage space is required to 

store the drapery? 

What is the length of the draw cord? 

Draw curtains are normally bi-parting front, back, or midstage 

curtains; or one-way draw scrims and cycloramas. 

Walk-along curtains are usually cycloramas or back 

curtains and do not require a draw cord. 

To determine the length of a draw cord, add the total 

length of the track and the height from the track to the 

floor. Double this figure and add a 2% safety factor. It is 

much better to have a little extra cord. 

To determine the length of track required for a bi-parting 

curtain; take the length of the proscenium opening, add 

20% for stacking curtains at the ends and 4 feet for the 

center overlap. 

Stacking space for drapery is determined by adding the 

length of the master carrier, approximately 3 inches, the 

length of the end pulley, 4 to 6 inches, the stacking space 

for each carrier, 1 to 2.5 inches, plus an additional 10% 

allowance for fabric bunching. 

Curtain track is sold on a per foot basis, with necessary 

parts for a standard installation. For a bi-parting curtain 

this includes the track channel, cut to the nearest foot, 

one pair of master carriers, one single carrier per foot of 

track, one live end pulley, one dead end pulley, one 

tension floor pulley, two overlap clamps, necessary 

hanging clamps, two end stops and cord support, and 

curtain cord as specified. 

CYCLORAMA SYSTEMS 

Cyclorama tracks are equipped with curtains which are 

normally hung at the sides and rear in order to enclose an 

area on three sides. I beam track is used for stage and 

studio cyc installations where the operator walks the 

curtain to an open or closed position. The track can be 

factory curved or curved on-the-job. No cord or pulleys are 

supplied with "walk-along" track. 

PREMIER is happy to loan a bending 

tool with the purchase of curtain track. 

A full value deposit is required. 

CURTAIN TRACK 

STANDARD DUTY 

CURVED TRACK 



An all-purpose, medium duty track which can be used as a walkalong 

or a draw curtain. When used as a cyclorama draw curtain, 

the method of installation, the radius of the curves and the type of 

fabric being used become critical. We recommend that you send a 

sketch and specifications prior to ordering. This is a very versatile, 

I-beam aluminum track 

309-310 Track only 

sold by the foot 

309-301 Carrier 309-302 Master carrier 309-303 Live end pulley 

309-305 Overlap clamp 309-309 End stop 309-304 Dead end pulley 

309-318 Double spindle 

Additional Parts 

309-306 Clamp Hanger 

309-307 Splice 

309-308 Tension Floor Block 

309-311 Ceiling hanger 

309-315 Draw cord 

309-319 Single spindle 309-320 Outside idler 

If you are buying Curtain Track for the first time, 

please call, we will be happy to assist you. 



(818) 762-0884

STANDARD DUTY 

STRAIGHT TRACK 

Steel or aluminum channel used in installations using light and 

medium weight draw curtains. May be factory curved for a walkalong 

system. Ideal for rooms which have a low ceiling and a 

continuous draw curtain is desired; overlap master carriers are used 

instead of two over-lapping track sections. 

309-102 Master Carrier 

309-110 Steel channel only 

309-103 Live 

end pulley 

CURTAINS & FABRIC 

309-105 Overlap clamp 309-108Adjustable 

floor block 

Additional Parts 

309-106 Clamp Hanger 


309-109 End stop & support 

309-160 Pivot device| 

309-445 Pipe Clamp (for 1.5” ID pipe) 

309-101 

Carrier 

309-104 Dead 

end pulley 

309-132 Overlap 

master carrier 

309-115 Operating 

cable 

wire center 

Please call for information on 

Heavy Duty Straight & Curved Track. 

CURTAIN TRACK 



LIGHT DUTY 

CURVED TRACK (walk-along only) 

This light duty cyclorama track is ideal for closed-circuit TV in 

schools, small stages, multi-purpose rooms, cafetoriums, and 

corporate offices where a curved walk-along operation is required. It 

can be factory curved, but is ideally suited to be curved on-the-job. 

309-701 Carrier 


309-710 

Track only 

SWITCHER 

Use to transfer drapes 

from one track to another for 

flexible setup or storage 

offstage. 

309-702 Master carrier 

pair 

309-711 Ceiling hanger 

309-706 Clamp 

hanger 

309-709 End Stop 

DRAW CURTAIN 

MACHINE 

Instant reversing motor operates 

at a speed of 86 ft/min. Built in 

limit switch with chain guard to 

automatically pre-set desired 

travel of curtain. 



(818) 762-0884

FABRICS & DROPS 



This selection of material represents only a few of the many types of stage and studio fabrics we supply. 

Fabric is sold by the linear yard, or we can fabricate any material into curtains or drapery to your specification. 

Please call or write. 

SCENERY MUSLIN (medium weight) 

Unbleached muslin is used for covering scenery, flats, and 

constructing cycs and backdrops. The natural color is cream 

white. Non- flameproofed muslin will shrink up to 4% to 9% when 

flameproofed. Wide widths may be slit length-wise to make a 

narrower, economical covering. Sold by the linear yard. 

350-112 95" wide, Flame-retardant treated (3 yd. minimum) 

350-115 84" wide, NON-flameproofed (4 yd. minimum) 

350-221 120" wide, NON-flameproofed (4 yd. minimum) 

Blue, bleached white, 60% reflectance grey and 

very wide muslin fabrics are available on a 

quotation basis. Please call for pricing & availability. 

MUSLIN STANDARD DROPS 

These standard size drops are constructed of Flame-retardant 

Muslin sewn flat with vertical seams. Webbing, grommets and ties 

12” centers at top finish. Chain in a lined hem at bottom (or pipe 

pocket) and 2” side hems. 

Please allow 1-2 weeks for shipment. 

352-100 15’ high by 30’ wide natural muslin drop 

352-150 15’ high by 45’ wide natural muslin drop 

SCRIM 

Used for fantasy and transitional effects. Scrim appears transparent 

when lit from the front, but becomes opaque when lit from the 

back. Sharkstooth scrim is also used as a seamless cyc fabric 

that serves to diffuse and reflect stage or set lighting. Sold by the 

linear yard. Please allow 1 day for cutting. 

350-910 White, 31' wide, flameproofed 

350-915 Black, 31' wide, flameproofed 

THEATRICAL GAUZE 

A light beige (natural) colored, 

loose weave, fabric that performs 

like scrim material. Sold by the yard 

350-610 Natural, 66" wide, flame-retardant 

CHROMA KEY FABRIC 

Used for backdrops when shooting television scenes that require 

special effects and/or a "keyed" background. This polyester material 

is inherently flame-retardant and is very durable and washable. Sold 

by the linear yard. 

350-351 Chroma blue, 72" wide, flame-retardant (2 yd. minimum) 

350-352 Chroma green, 72" wide, flame-retardant (2 yd. minimum) 

REAR & FRONT PROJECTION MATERIAL 

A range of rear projection screen materials, each with special 

properties. Available by the linear yard. Inherently flame-retardant. 

355-500 Black, 55" wide, seamless 

355-505 Twin white, 55" wide, seamless 

355-510 Grey, 55" wide, seamless 

355-515 Light translucent, 55" wide, seamless 

355-517 Front White, 55” wide, seamless 

355-520 Grey, 110” wide (2x55” welded) 

355-521 Twin White, 110” wide (2x55” welded) 

355-522 Black, 110” wide (2x55” welded) 

355-523 Light Translucent, 110” wide (2x55” welded) 

355-524 Front White, 110” wide (2x55” welded) 

355-530 Grey, 86” wide, seamless 

355-531 Twin White, 86” wide, seamless 

355-532 Front White, 86” wide, seamless 

CUSTOM FINISHED SCREENS are ultrasonically welded to your 

specifications with grommets and pipe pocket. 

Delivery is 3 - 4 weeks. 

Deposit of 50% is required. 

100 square foot minimum. 

Dimensions to outside of screen; priced to next largest foot. 

DUVETYNE (commando cloth) 

A medium weight fabric with a smooth, soft nap. A very economical 

substitute for Velour. Used for borders, legs, mid-stage draw 

curtains and a black-out material. Sold by the linear yard. 

351-205 Black, 54" wide, flameproofed, 8 oz., (10 yd. minimum) 

351-200 Black, 54” wide, flameproofed, 12 oz. (3 yd. minimum) 

351-203 Black, 54” wide, flameproofed, 16 oz., (10 yd. minimum) 

VELOUR 

A heavy pile fabric used for front curtains, drapes, borders, sound 

insulation and upholstery. Sold by the yard. 

Color samples on request. 

351-405 Black & colors, 54" wide, flameproofed 



(818) 762-0884

Mylar foil comes in 18" 

x 50ft. serrated cutter 

boxes or in 36" x 50 

yard rolls. This 1.4 mil, 

highly reflective 

designer material is 

ideal for party 

decorations and for 

draping around truss 

and towers for 

enhanced reflection of 

scrolling or moving 

lights. Self extinguishing 

plastic. 

18" x 50 ft. 

serrated cutter box 

355-151 Sliver 

355-153 Gold 

355-155 Citron 

355-157 Copper 

355-159 Bronze 

355-161 Ice Blue 

355-163 Flag Blue 

355-165 Cerise 

355-167 Metallic Red 

355-169 Metallic Green 

355-171 Metallic Purple 

355-173 Metallic Turquoise 

355-175 Metallic Burgandy 

355-177 Snowfall 

36" x 50 yard rolls 

355-183 Gold 

355-187 Burgandy 

355-185 Blue 

355-180 Silver 

SPECIALTY CURTAINS & MATERIALS 

BRILLIANT MYLAR FOIL DECORATIVE CURTAINS 

SLIT DRAPE 

Slashed curtain picks up light and reflects it in a showy fashion. Overlapping 1/8" strips of durable, flame 

retardant vinyl, make the effect unique. 

36” W x 8’ H 

355-457 Gold 


355-459 Black 

355-453 Iridescent 

355-450 Black/Diffraction 

355-451 White/Diffraction 

355-452 Silver/Diffraction 

355-461 Silver/Iridescent/Gold 

36” W x 16 ‘ H 








Shimmering, metallic decorator curtains. These curtains are flame 

retardant and faceted for spectacular reflection. Heading is the same 

material and color as the curtain with a 1/2" spacing to hold a curtain rod 

or wire frame. 

36”W x 24’ H 






8’H x 3’W 

356-454 Gold 


356-462 Purple 


356-468 Teal 

356-472 Blue 

356-478 Green 

356-484 Red 

12’H x 3’W 

356-490 Gold 



356-508 Blue 

356-514 Green 

356-520 Red 

ADDITIONAL LENGTHS 

AND COLORS 

AVAILABLE 



(818) 762-0884

Bodypack 

Transmitter 

660-270 

VHF WIRELESS MICROPHONE SYSTEM 



AZDEN “performance Series” VHF Wireless Microphone Systems deliver professional quality economically. 

These systems are made up of a handheld microphone transmitter or body transmitter with a separate lavalier (lapel) 

mic and a VHF receiver. Wireless systems require cabling into your existing sound system. 

Please call if you need assistance. 

Bodypack Transmitter 

w/Lavalier Microphone 

Instrument Bodypack 

Transmitter 

660-230 

660-250 

Convert any dynamic microphone with an XLR to wireless operation 

with this Plug-in Wireless Transmitter. 

Adjustable audio level accomodates a variety of mics while a wide 

dynamic range allows true sound. 

Lavalier 

Microphone 

Transmitters Receivers 

660-240 

660-260 

Handheld 

Transmitter 

Headset Microphones 

Omni-Directional 

Headset 

660-020 Omni-Directional Lavalier Microphone 

660-025 Uni-Directional Lavalier Microphone 

660-030 Omni-Directional Headset 

660-035 Uni-Directional Headset 

660-040 Uni-Directional Behind-the-head Headset 

660-045 Collar Microphone 

Uni-Directional 

Headset 


Behind-the-head 

Collar 

Microphone 

Single Channel 

Receiver 

660-210 

True Diversity 

Receiver 

660-200 

Two Channel 

Receiver 

660-220 

Economy 

Receiver 

660-190 

VHF Wireless System Packages 

combine a receiver, 

transmitters, and microphones. 

See our Website for the full listing 

of available package options. 



(818) 762-0884

Lavalier 

Microphone 

UHF WIRELESS MICROPHONE SYSTEM 



AZDEN “Performance Series” UHF Wireless Microphone Systems deliver professional quality economically. 

These systems are made up of a handheld microphone transmitter or body transmitter with a separate lavalier (lapel) 

mic and a UHF receiver. Wireless systems require cabling into your existing sound system. 

Please call if you need assistance. 

660-415 

660-445 

Transmitters Receivers 

1000 Series 

Bodypack 

Transmitter 

63 Channel 

Transmitters 

Bodypack 

Transmitter 

1000 Series XLR 

Plug-in Transmitter 

660-420 

Handheld 

Transmitter 

660-451 

660-455 

Headset Microphones 

Omni-Directional 

Headset 


Headset 

660-460 Omni-Directional Lavalier Microphone 

660-465 Uni-Directional Lavalier Microphone 

660-470 Omni-Directional Headset 

660-475 Uni-Directional Headset 

660-480 Uni-Directional Behind-the-head Headset 

660-485 Collar Microphone 

121 Channel 

Transmitters 

XLR Plug-in 

Transmitter 


Behind-the-head 

Collar 

Microphone 

660-400 

Half-Rack 


UHF Receiver 

1000 Series 

Receivers 

660-441 


UHF Receiver 

660-435 

660-405 

660-400 1000URX 121 Channel Receiver 

660-405 1000URX\AB Receiver - Anton Bauer Gold-Mount 

660-410 1000URX\Si Receiver - for “Slot-in” Cameras 

63 Channel 

Receivers 

121 Channel 

Receivers 

Compact 

Camera-Mount 

Receiver 

660-425 

UHF Wireless System Packages 

combine a receiver, 

transmitters, and microphones. 

See our Website for the full listing 

of available package options. 



(818) 762-0884

For Professional videographers on a limited budget, schools, karaoke, 

and video hobbyists. These 2 channel switchable VHF systems allow 

you to switch to the other channel if one is being used or is noisy. The 

range is more than 200 feet. All receivers and transmitters in the 

“PRO” Seires are on the same 2 frequencies (169.445MHz and 

170.245MHz) and use the same circuitry, making them interchangeable, 

and allowing you to add to your system at any time. 

The WMS-Pro system consists of the WM-PRO beltpack transmitter, 

2 plug-in electret condenser microphones, a lavalier and handheld, 

and the WR-PRO receiver, which comes with both shoe-mount and 

velcro. 

660-050 WMS-PRO System 

The WLX-PRO system includes the WL/T-PRO beltpack transmitter 

with electret condenser lavalier microphone and the WR-PRO 

receiver, which comes with both shoe-mount and velcro. 

660-055 WLX-PRO System 

Supercardioid 

Shotgun Microphone 

660-001 

AZDEN VIDEOGRAPHY WIRELESS 



“Pro” Systems VHF Receivers 


Receiver 

660-060 

VHF Transmitters 

Beltpack 

Transmitter 

660-080 

AZDEN MICROPHONES 

DV Cam Shotgun 

Microphone 

660-005 

UHF Systems 

Discrete 2-Channel 

Receiver 

Handheld 

Transmitter 

660-065 

Plug-in 

Transmitter 

660-085 

660-090 

100LT system features 63 user-selectable channels. Comes with 

receiver and body-pack transmitter 

660-530 100LT System 

Mini-DV Shotgun 

Microphone 

660-010 

Video 

Microphone 

660-015 



(818) 762-0884

INTERCOM EQUIPMENT 



Please call for product sheets and system design assistance 

CLEAR-COM 

Clear-Com equipment is used in theatre, television, performing arts 

and sports facilities. A portable system consists of a “main station” 

and one or more “remote stations” interconnected with standard 

microphone cable. 

Clear-Com features “remote mic kill”, no-fail power supply and visual 

“call” signaling. Features such as these and the P.A. announcement 

button make Clear-Com a superior choice for the value minded buyer. 

650-031 Main station CS-222. A portable local station 

combined with a power supply to operate remote stations. 

Fail safe power supply with automatic short circuit protection & reset. 

Supports up to 30 headset stations on 2 channels. 

650-036 Rack-Mount Main Station MS-232 

Powerful one-rack-space unit offers two independent yet linkable 

channels of intercom, and supports up to 60 headset/beltpack stations 

or 20 speaker stations. Each channel features separate short-circuit 

protections and reset circuitry. Station operator can monitor activty on 

either or both channels and communicate with remote stations on 

those channels. (Shown with optional gooseneck mic) 

650-003 2-channel Power supply PS-232 

The PS-232 is a two-channel, 2 Amps peak intercom power supply 

which will power up to 50 intercom beltpacks or 15 speaker stations. 

POWER SUPPLY 

A small, single channel, low cost, lightweight power supply designed 

for powering small systems. Housed in a rugged, all metal case, it 

features short-circuit protection with automatic recovery and full 

voltage regulation to 400mA. Three output connectors provide for 

convenient interconnection to the beltpacks. Will support 10 

beltpacks. 

650-345 Power supply, PK5, 1 channel, 1/2 amp 

Dual channel beltpack with 6pin 

female and male XLR, 4-pin 

male XLR headset connector, 2.5 

mm AUX headset connector and 

a RS-232 connector. level. AC 

and DC Call signaling on both 

channels. 

650-102 Beltpack RS-601, Single Channel 

650-104 Beltpack RS-602, Dual Channel 

650-306 Single-muff Headset 650-316 Double-Muff Headset 

QUE-COM 

High performance, two-way communications at a modest 

price. Fully compatible with full size Clear-Com systems. 

Supports up to 40 headset stations and is short circuitprotected. 

Belt pack and permanently attached noiseisolating 

headset use standard 3 pin XLR mic cable. Simply 

plug in the power supply to a standard AC outlet and it's 

ready. Ideal for churches, schools and small operations 

that require speedy set-up and break-down. 

650-350 Single ear headset/beltpack combination 

650-352 Double ear headset/beltpack combination 

650-345 Power supply, PK5, 1 channel, 1/2 amp 

Single channel beltpack with 

3-pin female and male XLR, 4-pin 

male XLR headset connector, 

2.5mm AUX headset connector 

and an RS-232 data connector. 

WALKIE-TALKIE INTERFACE 

Connects virtually any walkie-talkie to the party-line intercom, using 

one walkie-talkie as the base station. Anyone on a remote walkietalkie 

can then converse with anyone on the wired system. An 

economical alternative to wireless intercom systems. 

650-425 TW-40 Walkie Talkie Interface 



(818) 762-0884

PRODUCTION INTERCOM 

By Technical Projects, Inc. 

This line of intercom is an excellent middle price range 

system for permanent and touring situations. We are 

particularly impressed with the construction of the 

belt-packs and headsets. Although not extensively 

advertised, Production Intercom has some impressive 

credits which include: Lake Placid Arts Center, NY; 

US Naval Academy, VA; Anaheim Convention Center, CA; 

Bolshoi Ballet Tour, Willie Nelson Tour and Rolling Stones Tour. 

MASTER STATION 

The MS-200 features a 1.65 amp outboard power supply, and 

universal input of 100 to 240V 50/60 Hz. Includes paging, linking, 

speaker and auxiliary audio input. May be used with an optional, 

plug-in mic. Specify freestanding or rack-mount at time of order. 

640-110 MS-200 

TWO CIRCUIT ADD-ON 

The MSM-2 adds two more circuits to MS-200 Master Station, 

deriving it’s power from the host unit. Connection is made via a 9-pin 

D-sub connector on the rear panel. Connections to outstations on the 

new circuits are made through 6 XLR connectors on the rear panels 

of the add-on units, 3 for each of the two circuits. Each new circuit 

is provided with a circuit on/off push-button and a combination signal 

light/button. 

640-125 MSM-2 

POWER SUPPLY 

A PS-1 is all that's needed for a simple belt-pack to belt-pack system. 

Fast acting electronic circuitry protects against short circuits and 

overheating. It will power up to 60 BP-1 belt-packs with all signal 

lamps lit. 

640-143 PS-1 

INTERCOM EQUIPMENT 

Outstanding 

Value! 



HEADSETS 

These high quality headsets are very comfortable and have only one 

moving part, making them nearly unbreakable under normal circumstances. 

Pricing does not include plugs. We will install your choice of 

plug at additional charge. 

640-510 SMH 210 Single Muff 

640-520 DMH 220 Double Muff 

BELT PACKS 

BP series packs feature wide bandwidth 

and superior sidetone rejection. Packs 

are made of black extruded aluminum 

with recessed controls for listening level, 

on/off and signaling. Belt packs daisy 

chain to expand system. Units are also 

available in single circuit switchable and stereo circuit configurations. 

640-210 BP-1 Single Circuit 

640-220 BP-2 Dual Circuit, simultaneous 

FIXED HEADSET STATION 

Flush and rack-mount stations perform the 

same as belt-backs. Multi-circuit units have 

selector for 1 to 9 circuits. 

640-310 HS-1 Single Circuit, flush mount 

640-315 HS-1M Multi Circuit, flush mount 

TALKBACK 

LOUDSPEAKER STATION 

Stations operate in three modes: 

Press-to-talk; Hands-free, or as a 

headset. Unit may be remotely 

overridden. Multi-circuit models 

select 1 to 9 circuits. Six models 

are available. 

640-360 LS-3M Multi-Circuit, flush mount 

"WALKIE-TALKIE" INTERFACE 

This terrific item links your system with most 

push-to-talk "walkie-talkies". It is put into the 

intercom circuit like a belt-pack. When one 

of the "walkie-talkies" is plugged in, via the 

remote mic/speaker jack, to the interface, 

transmissions from other radios on the same 

frequency will be heard at all intercom stations on that circuit. 

Intercom stations transmit back by pressing and holding the signallight 

buttons. 

640-415 AD 913 Walkie-Talkie Interface 



(818) 762-0884



DIVERSITRONICS STROBE LIGHTS & CONTROLLERS 

DIVERSITRONICS STROBES 

Diversitronics offers a complete line of high performance xenon 

strobelights for all entertainment applications. The most popular 

fixtures are shown here. Please contact the sales department for 

specifications. Most units are available in 120v-220v. 

135-800 Super Strobe, 

600w, 120v 

135-805 Mark 2000, DMX, 

1500w, 120v 

135-815 5000 DMX Strobe 

135-825 Dome Strobe Cannon, 120v 

(like a DATA-Flash) 

135-830 PAR64 Strobe Cannon, 

120v 

135-860 Superstar Strobe, 15 Joule 

SF STROBES 

Random flashes at approximately 1 per second. Rated 

at 10 million flashes. Clear lens is standard. SF-1 has 2’ 

power cord and standard plug. SF-2 has screw base 

socket. 

DJ5-315 SF-1 Hanging Strobe 

DJ5-320 SF-2 Screw base strobe 

BIG SHOT 

45 watt strobe, nonlinkable. 

DJ5-375 Big Shot 

SNAP SHOT II 

70 watt strobe with variable 

speed control. 

Similar housing to Big Shot. 

DJ5-346 Snap Shot II 

ADJ STROBES 

ELLIPSOIDAL STROBE MODULES 

Plugs easily into an Altman 6" axial ellipsoidal 

or ETC Source 4 by simply switching end 

caps and attaching a lightweight (2.2 lbs) 

external power supply via a 3' pluggable 

umbilical cable. Flash control signals come 

from a Diversitronics RC-A controller or 

directly from a DMX control board. 

135-854 Strobe Module for Altman 

134-857 Strobe Module for Source 4 

RC-50/RC-SC Striker Remote Strobe Runner 

135-901 RC-50 Controller for Super Strobe 

135-903 RC-SC Controller for PAR 64 Strobe Cannon 

135-907 Analog Striker Remote for DMX strobes 

135-916 Strobe Runner 120v DMX Controller 

135-918 Strobe Runner 240v DMX Controller 

135-926 Remote Cable for 135-800, 25 ft 

135-928 Remote cable for 135-800, 50 ft 

135-930 Remote cable for 135-800, 100 ft 

135-935 Y-Splice for 2 Strobes 135-800 

905-100 Lamp for Super Strobe 

905-102 Lamp for 5000 DMX 

905-080 Lamp for Mark 2000 

905-106 Lamp for Superstar Strobe 

905-108 Lamp for Strobe Cannon 

905-110 Lamp for Ellipsoidal Strobe Module 

MEGA FLASH DMX 

800 watt strobe with 2 DMX 

channels for speed and dimming. 

Sound active. 

DJ5-300 Mega Flash DMX 

S-81 

Bright 25w compact strobe. Speed knob for 

adjusting flash rate. 

136-050 S-81 Mini Strobe 

SS-DMX/19C STROBE CONTROLLER 

16 American DJ Snap Shot/DMX, Mega Strobe/DMX, or S-1000/DMX, 

can be controlled with this unit. Control dimming, speed, full-on, 

blackout, 65 built-in programs, and microphone sensitive adjustment. 

DJ5-421 SS-DMX/19C 



(818) 762-0884

ROPE LIGHT RL-11 

12ft. smooth standard duty rope light consisting of 40 lamps. 4 circuit, 

flexible tubing, with round 5 pin connectors. Connect up to 14 pieces. 

Comes in clear, red, blue, green, amber, and clear with multi-colored 

lamps. 

134-401 Clear 134-402 Red 

134-403 Blue 134-405 Amber 

134-406 Green 134-407 Multicolor 

ROPE LIGHT RL-160 

16ft. heavy duty crush resistant rope light consisting of 60 lamps. 4 

circuit, with round 5 pin connectors. Connect up to 10 pieces. Tubing is 

made of a durable, ridged crush resistant plastic. Comes in clear, red, 

blue, green, yellow, and clear with multi-colored lamps. 

134-431 Clear 134-432 Red 

134-433 Blue 134-435 Yellow 

134-436 Green 134-437 Multicolor 

133-015 8” Mirror Ball 




133-101 Motor for 12” - 1rpm 

133-103 Standard 1rpm motor 

133-150 Battery Operated 

Motor for 8” Ball 

ROPE LIGHTS 



BASIC ROPE LIGHT CONTROLLERS 

Basic rope light controller for 3 RL-11s or 2 

RL-160s. Will chase in 4 channel sequence. 

Adjustable speed control. 

134-423 RL-1 Basic Controller 

Basic rope light controller for 6 RL-11 or 4 

RL-160. Will chase in 4 channel sequence. 

Adjustable speed knob will change chase 

speed. 

134-425 RL-10 Controller 

DELUXE ROPE LIGHT CONTROLLER 

Deluxe rope light controller for for 14 RL-11 or 10 RL-160. Will chase in 

4 channel sequence. Adjustable dials for speed, forward, reverse and 

sound chase. 

134-427 RL-101 Deluxe Controller 

ROPE LIGHT ACCESSORIES 

134-409 10' Rope Extension 

134-410 "Y" Adapter 

134-413 Round to Square Adapter 

MIRROR BALLS, PIN BEAMS & BEACONS 

120-009 Pin Spot, 30 watt 

120-010 ETL Listed Pin Spot, 30 watt 

120-015 Pin Spot w/ Color Wheel 

134-256 6” Beacon - Red 

134-257 6” Beacon - Blue 

134-258 6” Beacon - Green 

134-259 6” Beacon - Yellow 

134-261 8” Beacon - Red 

134-262 8” Beacon - Blue 

134-263 8” Beacon - Green 

134-264 8” Beacon - Yellow 



(818) 762-0884

ALTMAN BLACKLIGHT 

FLOODLIGHT 

Altman’s UV-705 is a compact, high output, 400 watt blacklight. It is 

designed to provide high intensity illumination of fluorescent materials 

at distances up to 150 feet. Fixture is equipped with an accessory 

holder and an integral wire mesh safety screen in front of the lens. 

The ballast is installed in the housing. 3 foot cord with Edison 

connector and on/off switch are included as well as safety cable 

and color frame. This unit is extremely quiet and rugged with an 

automatic safety cutoff switch. Beam adjustment goes from narrow 

to wide with one reflector. The UV-705 also has a unique intensity 

control to divert light output to a horizontal level. 

134-225 Altman Focusing-Flood Blacklight UV-705 

908-640 Blacklight lamp, 400 watt 

AMERICAN DJ 

UV CANON BLACKLIGHT 

400 watt Super High output Blacklight 

Ideal for large venues 

comes with hanging bracket 

DJ2-165 UV Canon Blacklight 


ELATION UV WASH BLACKLIGHT 

This award-winning aluminum die cast fixture provides 100 watt 

output and wide coverage. Features include glass reflectors and a 

shatter proof fron glass cover along with convection cooled vents. 

134-230 UV Wash Blacklight 


BLACKLIGHTS 



FLUORESCENT BLACKLIGHTS 

134-201 24” Blacklight 

908-615 24” Blacklight - tube only 

DJ2-167 48” Blacklight 

134-204 48” Double tube and fixture 

908-600 48” Blacklight - tube only 

134-208 Blacklight in a STEEL carrying case with hinged cover, 

handle, and on/off switch 

BLACKLIGHT PLASTICS 

Bead-sized fluorescent plastic bits - each one a colorful glowing light 

source. A powerful visual highlight on any surface, a dramatic 

moving light effect when they travel through the air. Extraordinary to 

view, easy to capture on film or video. Use as raw material to mold 

custom shapes. 

Available in quarter pound packages in a variety of colors. 

314-145 Red 1/4 lb. 

314-146 Orange 1/4 lb. 

314-147 Pink 1/4 lb. 

314-148 Yellow 1/4 lb. 

314-149 Green 1/4 lb. 

314-150 Blue 1/4 lb. 

314-151 Violet 1/4 lb. 

314-152 Invisible Blue 1/4 lb. 

314-153 Black 1/4 lb. 



(818) 762-0884

INTELLIGENT LIGHTING 

ROSCO I-CUE 

This unit slides into the color slot of the ETC Source 4, Altman 

Shakespeare, or Strand SL. The I-Cue repositions the beam of light so 

a single spotlight in a fixed position can be used for multiple specials in 

dozens of locations. It contains onboard DMX, so the pan and tilt can 

be controlled directly from your lighting console. The unit requires a 

power supply, and multiple I-Cues can be daisy chained to one power 

supply. 

135-700 I-Cue Intelligent Mirror 

ADJ POCKET SCAN 

The most compact full featured scanner ever. This unit is a scanner 

and laser in one. It features 15 colors + white including split colors, 14 

gobos, stand alone or sound active, plus a 5mw laser diode. All this 

for such an affordable price. 

DJ2-703 Pocket Scan 

CLAY PAKY MINI SCAN HPE 

An intelligent moving mirror luminaire with a 300w HTI lamp. Features 

include 36 color combinations, two frost filters for two diffusion levels, 

two color temperature correction filters, six rotating gobos which are 

fully interchangeable, 150 degree pan and 110 degree tilt. 

135-725 Mini Scan HPE HTI 300 (120V) 

MX-1 

This scanner features a bright 250w halogen 

lamp and combined color/gobo wheel (18 gobos, 

10 colors/3 split colors + 5 white). Other cutting 

edge features include 230 degree pan for a 

wider range of motion, a very smooth digital 

dimmer (0-100%) and more - all at an affordable 

price! 

135-440 MX-1 Scanner 



MARTIN PROFESSIONAL 

ROBOSCAN PRO 918 

This powerful yet compact scanner uses the MSR-575 making it the 

brightest in its class. With a 5 position rotating gobo wheel plus open, a 

9 position static gobo wheel plus open and 2 motorized color wheels, 

the possibilities are endless. 

135-445 Roboscan Pro 918 

ROBOCOLOR PRO 400 

Housing two dichroic color wheels, the RoboColor Pro 400 can 

generate 32 intense colors and hues. DMX controllable, Martin 

protocol, or stand-alone operation (automatic or sound triggered). 

Uses 200w MSD lamp. 

135-525 Robocolor Pro 400 



(818) 762-0884

STAGE COLOR PAR 

Equipped with 3 DMX channels and built-in dimming capability, the 

Stage Color features 3 dichroic colors (red, green & blue) with color 

mixing ability, and 3 operating modes. With these innovative options, 

the Stage Color can easily project any color combination to intensify 

and enhance the background for any theater, film, or stage lighting 

presentation. 

Because it is a DMX fixture, the Stage Color can be used with any 

DMX controller. The Stage Color’s DMX color changing channels make 

it extremely fast and easy for the user to change the background 

lighting. 

Requires 3 lamps per fixture 

124-450 Stage Color Par - Black Aluminum w/o lamps 

124-455 Stage Color Par - Black Aluminum w/lamps 

866-410 HX 600 lamp 

also available in polished aluminum 

POWER WASH 250 

The Power Wash 250 moving-head 

unit from Elation lighting is controlled 

with 14 channels of DMX. It features 

full 16-bit movement resolution, with 

Pan of 530 degrees (in 2.65 seconds) 

and Tilt of 280 degrees (in 1.68 

seconds). The fixture has a 4 digit 

LED display for addressing, special 

functions, effects calibration, etc 

The Power Wash 250 Features: 

· Mechanical dimming from 0-100% 

· High luminous-efficiency parabolic reflector 

· 150 mm Fresnel lens 

· Full CYM color mixing system 

· 8 dichroic filters plus white 

· 180 degree beam shaper 

· Frost filter for softer beam 

· Variable speed strobe effect 

· Linkable 

· 16 preset DMX movements 

· Sound activated built in programs 

· Mechanical High Speed shutter 

· Strobe and Pulse effect 

· Voltage: 115V/60Hz 

136-620 Power Wash 250 

915-250 ZB-MSD250 250 watt, 8500K, 2000hr lamp 

ELATION PROFESSIONAL 

POWER SPOT 

These moving-head fixtures from 

Elation lighting are controlled with 16 

channels of DMX, and feature full 16bit 

movement resolution, with Pan of 

530 degrees and Tilt of 280 degrees. 

The fixture has a 4 digit LED display 

control panel for addressing, special 

functions, effects calibration, etc. 

Available in 575w and 250w models 



The Power Spot 575 Features: 

Smooth dimming 

from 0-100% 

15 degree beam angle 

Remote Focus via DMX 

11 Colors + White 

UV Filter 

Color Scroll 

Split Colors 

16 Gobos on 2 Wheels 

·Wheel 1: 

7 interchangable Rotating/Indexing Gobos, 3 Lithographic, 1 

Glass, 3 Metal 

·Wheel 2: 

9 interchangable Static Metal gobos 

Convenient Slot-lock gobo replacement system 

Gobo Scroll 

Gobo Shake Effect 

Gobo Overlaying 

4.9mW Red Laser w/ pulse effect 

3 facet prism rotating in both directions at variable speeds 

Variable speed strobe effect 

Linkable up to 16 units 

Sound activated built in programs 

Mechanical High Speed shutter & pulse effect 

Strobe and Pulse effect 

Voltage: 120V/220v (50/60Hz) 

The Power Spot 250 Features: 

Smooth dimming from 0-100% 

15 degree beam angle 

Remote Focus via DMX 

11 Colors + White 

6 Gobos + Spot 

16 Gobos on 2 Wheels 

4 metal gobos, 1 glass gobo and 

1 multi-colored dichroic gobo 

Color & Gobo Scroll 

Gobo Shake Effect 

4.9mW Red Laser w/ pulse effect 

Variable speed strobe effect 

Linkable 

Sound activated built in programs 

Mechanical High Speed shutte 

Strobe and Pulse effect 

Voltage: 115V/60Hz 

136-610 Power Spot 575 

136-600 Power Spot 250 

911-230 HTI 575/DE 500 watt, 5600K, 500 hr lamp 

915-250 ZB-MSD250 250 watt, 8500K, 2000hr lamp 



(818) 762-0884

MAC 550 

The MAC 550 features unprecedented illumination for a 400W fixture 

along with astounding graphics and animation. 

· Motorized zoom (14 to 30 degrees) 

· Gobo animation wheel with full movement / direction control 

· 2 x 8 slot replaceable color wheels, plus open 

· 1 x 6 position rotating gobo wheel, plus open 

· 1 x 9 position static gobo wheel, plus open 

· Rotating Replaceable Prism 

· Dimmer / Shutter 

· Remote Focus 

· Motorized Iris 

· 540 degrees Pan x 246 degrees Tilt 

MAC 500 

A host of unique internal effects includes two motorized color wheels, 

one with 9 replaceable color slots, offering a total of 14 dichroic colors 

and four dichroic CTC filters to yield 76 mixable colors. Added to this 

are two motorized gobo wheels with 5 interchangeable indexible 

rotating gobos and 9 replaceable metal gobo slots. Uses 575w MSR or 

MSD lamp. 

135-575 MAC 500 moving head 

MARTIN PROFESSIONAL 



MAC 600 

The Mac 600 washlight incorporates the well proven CMY color 

mixing system to create virtually unlimited shades and color choices, 

ensuring ultra-smooth, uniform color mixing. Add two combinable 

beam shaping filters plus frost and you have an unrivalalled range of 

lighting effects. 

135-580 MAC 600 moving head w/lamp 

135-577 MAC 550 moving head w/lamp 

915-148 HTI 400/D3 Lamp DJ/CLUB LIGHTING 

GROOVE WHEEL 

Professional Oil Wheel projector. Create multi-colored, psychadelic 

patterns on a wall or any surface. Continuous rotation of enclosed oil 

wheel, focusing lens. 

DJ4-283 Groove Wheel 

LASER WIDOW 

4.9mW portable mini red laser with 16 geometric patterns. 3 modes - 

Auto, Music or Manual. 

135-210 Laser Widow 



(818) 762-0884

AGGRESSOR 

A spectacular effect ! This unit has 20 lenses that produce 40 beams 

of multi-colored light that cris-cross to the beat of the music via an 

internal microphone. 

134-374 Aggressor 

VERTIGO 

Ideal for mobile applications, the Vertigo has 30 beams of rotating and 

cris-crossing, multi-colored light. This unit is also sound active. 

135-260 Vertigo 

MYSTIC 

Produces 30 beams of light that criss-cross back and forth to the beat 

of the music. 

135-340 Mystic 

HELICOPTER/SPINNER LIGHT 

A favorite in clubs and at parties since the dawn of disco. Narrow 

beam lights rotate to produce swirling light in a circular motion. 

Designed for ceiling or floor mount, these fixtures are all metal 

construction with 60 RPM motors, dual power cords, edison plugs, 

dual fuses, color lenses and PAR 36, 6 volt lamps. 

134-349 4 light Helicopter 

134-351 6 light Helicopter 

DJ/CLUB LIGHTING 



MILLENNIUM 

This incredible centerpiece features 40 beams that move and change 

colors. Perfect for clubs and even home parties. With its internal 

microphone it will dance all night. 

DJ4-303 Millennium 

LOTUS 

This multi-colored triple lens unit shoots 60 tunnel beams of light 

covering a very wide area. Sound active. 

DJ4-197 Lotus 

STARBALL II 

Projects beams of light on the walls just like a mirror ball effect, without 

having to shine a pinspot on it. Built-in rotating motor. 

135-300 Starball II 

SUNRAY II 

Similar to the Starball, but with larger lenses and stronger, brighter 

beams. A great alternative to a mirror ball. 

135-350 Sunray II 



(818) 762-0884

EASY WIRING FOR PORTABLE 

STAGE LIGHTING SYSTEMS 

ALL of the portable stage lighting dimmers and controllers are made to 

connect using standard cables and connections. It’s easy as 

1...2...3! 

1. Plug your lighting instruments (PAR, Ellipsoidal, Fresnel, 

etc.) into the dimmer pack standard Edison receptacles. 

2. Connect between dimmer packs and the controller 

using standard XLR-type microphone cables. It won’t 

matter which order they are connected as long as they 

are all connected. 

3. Plug the dimmer pack 

AC power cables into a 

standard 20AMP, 

120v AC circuit. 

You’re done with the wiring! The controller 

gets its power from either the dimmers or an 

external power supply. Start programming the 

dimmers and setting your lighting scenes. 

When connecting electrical equipment it is important to observe 

standard precautions to avoid electrical shock. 

PERMANENT DIMMER INSTALLATION 



A basic dimmer system is composed of five components; a controller, a dimmer rack or pack, the lighting instruments, 

a distribution system and the power source. The power source is usually part of the building and provides electricity 

to the system. The distribution system is the wiring that the lighting instruments are plugged into. In large systems 

the wiring is in conduit or connector strips over and around the performance area. The dimmer rack, contains the 

dimmers which control the flow of electricity through the distribution system to the lights making them bright or dim. 

Dimmer racks contain multiple dimmers, each dimmer being referred to as a dimmer channel or circuit. The controller 

sends electronic signals to the dimmers specifying the amount of electricity to flow to the lights. 

Contemporary “memory” controllers permit the operator to store lighting cues in the controllers computer memory. Some 

controllers will record the memory data to a disk so the show can be stored as a backup in a safe place. 

Both permanent and portable dimming systems are designed with the above elements. The size and complexity of the 

systems are determined by the venue, the use and the budget. 

distribution system 

lighting instruments 

PORTABLE DIMMER SYSTEMS 

PRECAUTIONS: 

Do not exceed the dimmer channel or dimmer pack load capacity. Do 

not use under sized wire cables to connect dimmers or light instruments. 

HEAVY DUTY 12/3 EXTENSION CABLES ARE RECOMMENDED. 

Do not over load the AC power circuit(s) used to power the dimmers. 

Usually both outlets on a duplex receptacle are on the same circuit, and 

often several duplex outlets will be on the same circuit. Take care to 

isolate separate circuits when connecting dimmers to AC power. 

controller 

dimmer rack 

power 

source 



(818) 762-0884

DP-640 DMX DIMMER PACK 

ELATION DIMMING AND CONTROL 

This 6 channel hybrid DMX pack serves as a dimmer or power pack. 

• Two three prong Edison sockets per channel 

• 3 pin XLR DMX input and output 

• Power Input - 12AWG cables with 15A plugs - 120v 

• Maximum Load - 10A per channel/20A per phase - 40A total 

with 20A plugs 

500-050 Elation DP-640 DMX Dimmer Pack 

DP-DMX20L DIMMER PACK 

4 Channel DMX Dimmer Pack 

• Two three prong Edison sockets per channel 

• 3 pin XLR DMX input and output 

• LED Display 

• Power Input - 120v 

• Maximum Load - 10A per channel/20A Total 

500-035 Elation DP-DMX20L Dimmer Pack 

DP-415 DIMMER PACK 

Versatile compact 4-channel dimmer pack that also doubles as a 

switch pack. The buit-in hanging bracket is reversible to hang on 

truss or can be used with a clamp. 

• Two three prong Edison sockets per channel (8 total) 

• XLR In/Out 

• 10-position dip switch settings to address DMX 

• LED “on” indications 

• Maximum Load - 5A per channel/15A Total 

500-020 Elation DP-415 Dimmer Pack 

UNI-PAK II DIMMER PACK 

One Channel DMX Dimmer Pack with LED display 

Maximum power: 10A 

500-065 Elation Uni-Pak II Dimmer Pack 



ELATION 

SHOW DESIGNER 3 CONTROLLER 

This full size universal DMX controller offers you both power and 

flexibility for all your programming applications. The Show Designer 3 

makes programming simple and fast. A compact flash drive makes 

backing up programs, adding fixture profiles and software updates a 

snap. 

· 3 Universe Outputs with 3 & 5 pin connectors 

· 1536 Total DMX Channels 

Control 128 Conventional dimmers 

Effect generator to create chase effects 

· 1152 Programmable Chases 

· 4752 Programmable Scenes 

· 1152 Programmable Shows 

· 1152 Programmable Presets 

· Control 48 moving light fixtures of up to 32 channels each 

· 48 Fixture groups 

Fade times up to 90 minutes 

Run 16 chases simultaneously 

Run 17 shows simultaneously 

· 8 faders allow control of 32 DMX fixture channels or as 32 

scene masters 

· Easily name scenes, chases or shows wunig satndard 

computer keyboard. (not included) 

560-180 Elation Show Designer 3 Intelligent Controller 

ELATION 

SHOW DESIGNER 2CF CONTROLLER 

Intelligent DMX Controller with Compact Flash Drive 

· 2 Universe Outputs 

· 1024Total DMX Channels 

Large Fixture Library 

Effects Engine 

· 1152 Programmable Chases 

· 4752 Programmable Scenes 

· 1152 Programmable Shows 

· 1152 Programmable Presets 

· Control 48 moving light fixtures of up to 32 channels each 

· 48 Fixture groups 

· 8 faders allow control of 32 DMX fixture channels or as 32 

scene masters 

1 MB Internal memory 

· Easily name scenes, chases or shows using standard 

computer keyboard. (not included) 

560-170 Elation Show Designer 2CF Intelligent Controller 



(818) 762-0884

SCENE SETTER 24 CONTROLLER 

24 Channel DMX Dimming Console 

· 4200 programmable Scenes- password protected 

· 48 programmable Chases- password protected 

· Single & Mix Chase functions 

· Blind & Dark functions 

· 24 individual channel faders 

· 24 bump buttons 

· A / B Master Faders 

· Independent Speed & Fade control 

· Full-On button for 100% momentary output to all 24 channels 

· Audio input and built in microphone for music sync functions 

· Audio level fader 

· Midi In, Out & Thru connectors 

560-110 Elation Scene Setter 24 Controller 

STAGE DESK 16 CONTROLLER 

16 Channel DMX Programmable Dimming Console 

· 8 built in Chases 

· 16 programmable Chases - 100 steps each 


· 16 bump buttons 

· A / B Master Faders 

· Independent Speed & Fade control 


· Audio input and built in microphone for music sync functions 

· Audio level fader 


560-105 Elation Stage Desk 16 Controller 

ELATION CONTROLLERS 

We Package Lighting and Dimming Systems. 

Mail or FAX your specifications. 

If you would like assistance in 

planning your system, give us a call. 



STAGE SETTER 8 CONTROLLER 

16 Channel DMX Stage Lighting Console 

· 3 different operation modes - 2x8, 8x8 or 1x16 

· 8 programmable Chases - 30 steps each 




560-100 Elation Stage Setter 8 Controller 

STAGE PAK 1 

Stage Lighting Controller Package includes: 

· 1 Stage Setter 8 Console 

· 2 DP-415 Dimmer Packs 

· 2 XLR Cables 

500-000 Elation Stage Pak 1 Controller Package 



(818) 762-0884

SPECIAL INTERNET PRICES 

ON DOVE SYSTEMS 

AT OUR WEBSITE! 

SCENEMASTER 6 

This dimmer/controller contains six 

1000 watt dimmers in one package. 

The controller has a 2-scene 

preset, split crossfader, blackout 

switch, bump buttons, and 2 outlets 

per dimmer. It requires two 20 amp 

power input cables. This dimmer is 

the most durable, reliable, and 

economical we’ve found in this price 

range. It’s ideal for schools, 

churches, and small bands. 

500-106 Scenemaster 1, dual U-ground out 

500-113 Scenemaster 6, dual U-ground out 

500-115 Scenemaster 6, dual Stage-Pin out 

DIMMERMASTER SHOEBOX 

DIMMER PACKS 

Compact and designed to be hung in the lighting 

grid. Features LED channel indicators, load 

testing, and local control. May be daisy-chained 

from pack to pack. 

500-122 Mini Shoebox 124 1x2.4KW 

20A TL input, Dual SPG out 

500-120 Mini Shoebox 406 4x1KW, 2.4KW max 

15A UG input, 4 U-ground out 

500-124 Mini Shoebox 406 4x1KW, 2.4 KW max 

15A UG oinput, 4 SPG out 

500-118 Mini Shoebox 410, 4x1KW, 4KW max 

30A TL input, 4 U-Ground out 

124 Wall Mount 412 Wall Mount 

DIMMERMASTER 

COMPACT WALLMOUNT DIMMERS 

These compact wallmount dimmers fit in a standard 8"x8"x4" screw 

cover enclosure (not included). 

The Dimmermaster 124 has one 2.4 kW dimmer. 

The Dimmermaster 412 has four 1200W dimmers. 

The units accept DMX-512 control and analog 0-10VDC control. The 

starting channel is set on a thumbwheel switch, which also provides 

load testing and local control. A status LED indicates the presence of 

a DMX control signal. Each channel is protected by a circuit breaker 

conveniently located on the front panel for quick access. All power 

and control connections are made on terminal blocks. 

500-125 Dimmermaster 124 Wall Mount 

500-126 Dimmermaster 412 Wall Mount 

DOVE SYSTEMS 

500-130 Dimmermaster 624 - TB 

500-131 Dimmermaster 624, U-ground out 

500-132 Dimmermaster 624, Stage-Pin out 

500-127 Dimmermaster 624, Wall Mount 



DIMMERMASTER 624 

Compact, reliable, and rugged 6 channel, 2400 watt dimmers are ideal 

for budget minded institutions who are interested in excellent quality. 

Equipped with heavy duty RFI chokes, LED channel indicators, 0-10 

volt control, and are rack, wall, or truss mountable. 


A lot of dimming at a very low price. This compact, 19” rack mountable, 

12-2400 watt package features a single plug-in circuit board 

which is replaceable from the fron. The dimmer curve may be 

changed to emulate any dimmer, including non-dim. The control 

output is analog or digital (AMX or DMX). The unit weighs 52 lbs., has 

a one year warranty, and is UL listed. 

500-148 Dimmermaster 1224 - TB 



500-151 Dimmermaster 1224, Twist Lock out 



The Dimmermaster 2412 is a rugged rackmount dimmer pack 

featuring twenty-four channels at 1200 watts per channel. A multicolored 

LED indicates valid DMX control signal present. A single 

plug-in circuit board contains all the electronics and may be replaced 

from the front. The starting channel is selected by a pushbutton 

switch located on the circuit board. This switch also provides load 

testing and local control. 

500-170 Dimmermaster 2412, TB 






(818) 762-0884

TECHMASTER CONTROLLERS 

TechMaster operates as a standard two scene board, or as a "single 

scene with hold" giving two scene operation with more channels. DMX 

output bumps, master, 255 step programmable chase. 

500-220 Techmaster 12/24, DMX 





SUBLIME CONTROLLERS 

The Sublime Series of consoles is the same as the TechMaster with 

the addition of 24 submasters. The entire "look" set with the channel 

faders on the right side of the console can be saved to one of the 24 

submaster faders on the left side of the console. Later, bring up that 

fader, and the look is back on stage! 

500-270 Sublime 12/24, DMX 

500-272 Sublime 24/48, DMX 

500-274 Sublime 36/72, DMX 

500-276 Sublime 48/96, DMX 

IQ512 CONTROLLER 

The IQ512 is a compact controller with 12 channels, yet it can control 

512 dimmers. DMX output bumps, master, single scene hold and 

crossfade. The IQ512 can also serve as a Remote Focus Unit and 

can "capture" looks from other consoles. 

500-205 IQ512 Compact Controller 

DOVE SYSTEMS 



IDEAL FOR MEDIUM SIZE 

SCHOOLS & CHURCHES 

WITH MEDIUM BUDGETS! 

HOUSELIGHT CONTROLLERS 

House light controllers are an easy-to-use adjunct to stage light 

controllers for systems in which stage lights are not in constant use 

but house lights are. They require between +12 and +15VDC from the 

dimmer pack as a power supply; an optional power supply is available 

for use with dimmers that do not provide it. 

Features: 

• Standard 0 to +10VDC control 

• May be linked in series 

• Take control and off buttons 

• Single channel through six channel systems available 

• Two through six channel systems include a master control on 

each panel 

• Uses 22 AWG cable - one wire for each channel and three 

additional wires 

One and two channel contollers mount in 2 gang switch box 

Three and four channel controllers mount in 3 gang switch box 

Six channel controller mounts in 4 gang switch box 

500-310 Single Channel Houselight Controller 

500-312 Two Channel Houselight Controller 

500-314 Three Channel Houselight Controller 

500-316 Four Channel Houselight Controller 

500-318 Six Channel Houselight Controller 

STARPORT 

Memory Lighting Control for Personal Computers 

Turns a Windows system computer into a DMX memory lighting 

controller. Mouse driven. DMX-512 or optional analog interface. 

Features 96 channels of control, 252 memory cues per show, 4 

shows per disk, 480 dimmers, X/Y and A/B crossfaders, 18 

submasters, and live and blind modes. 

Requires PC compatible computer w/color monitor and mouse (not 

included). 

500-240 StarPort Lighting Control for PC 



(818) 762-0884

LP-600 MEMORY CONSOLES 

Available with 12 or 24 channels, Leprecons compact and economical 

600 series memory consoles are fully featured and designed to 

perform under the most demanding conditions. The twelve channel 

LP-612 and twenty four channel LP-624 incorporates the same design 

and construction techniques that make the LP-1500 touring consoles 

the most reliable in the industry. DMX-512, analog and microplex 

control. 

Features: 

Two scene preset mode Multiple pages of memory 

Programmable chase Full size 60mm faders 

Cue stack with “go” button Softpatch option on LP-624 

510-450 LP-612-MPX, 2 x 12 channel, 

3 pin microplex connector 

510-460 LP-612-MPX-D/A, same as 510-450 

but with DMX control 

510-470 LP-624-MPX, 2 x 24 channel, 

3 pin microplex connector 

510-480 LP-624-MPX-D/A, same as 510-450 

but with DMX control 

LP-1500 MEMORY CONSOLES 

Available with 24, 36 and 48 channels, the 1500 series controllers are 

Leprecons time tested, rugged, rental/touring memory consoles. 

These heavy duty units can also function as a basic manual console 

with programmable sub-masters with 12 pages of memory. 

Features include: 

Twelve pages of memory Midi in/out 

Programmable chase Full size 60mm faders 

Cue stack w/point cues Softpatch 

LCD display Bumb buttons 

DMX-512, and analog Split dipless X fade 

“Go” button advance 

510-560 LP-1524, 2 x 24 channel, DMX 



LEPRECON SYSTEMS 



LD-340 and LD-360 SERIES DIMMERS 

These rugged dimmers designed to hang from a pipe or stage tree are 

made with dual SCR modules for assured reliability. Magnetic circuit 

breakers protect electronic components from overloads. High quality 

noise filtering helps eliminate buzz and inteference in audio equipment. 

DMX512 output control signal (Microplex protocol available). 

510-100 LD-340DMX, 4 channel, 20 amp, 5 pin XLR 

510-110 LD-340DMX-HP, 4 chan, 2-20 amp, 5 pin XLR 

510-130 LD-360DMX, 6 channel, 20 amp, 5 pin XLR 

510-140 LD-360DMX-HP, 6 chan, 2-20 amp, 5 pin XLR 

MX SERIES, 12 CHANNEL DIMMER PACKS 

Leprecon MX series dimmers feature DMX512 & 8 pin CJC. 

510-280 12-1.2Kw dimmer, U-ground out 

510-285 12-1.2Kw dimmer, Stage-Pin out 

510-290 12-2.4Kw dimmer, U-ground out 

510-295 12-2.4Kw dimmer, Stage Pin out 



(818) 762-0884

ROSCO ENTERTAINMENT TECHNOLOGY 

HORIZON LIGHTING CONTROL SOFTWARE 

Horizon software, along with any of its hardware interfaces, 

converts a Pentium PC into a lighting control console. Horizon 2000 

runs under Windows 2000 and XP. The hardware plugs into the 

serial port on a PC and outputs one universe of DMX. Two 512 

interfaces may be used on a PC with two parallel ports to output 2 

universes of DMX. 

Features include 7168 control channels and TCP/IP protocol. 

Silver upgrade adds Active Magic Sheets TM , Allowing you to pick 

fixtures, levels, and cues from a graphic display. 

Gold upgrade adds sophisticated moving light control, an effects 

generator and moving light “palettes.” 

The Silver and Gold upgrades provide unlimited virtual submasters. 

The Submaster Wing Panel provides hands on access to these 

submasters through 24 linear potentiometers and 24 bump buttons. 

The Horizon Submaster Wing Panel connects to your PC via the 

serial port using the cable provided. 

530-100 Horizon 512 Channel DMX Interface 

w/Basic Lighting Control Software 

(hardware not included) 

530-105 Horizon 2000 Silver Upgrade 

530-110 Horizon 2000 Gold Upgrade 

530-115 Horizon Submaster Wing Panel 

SHOW DESIGNER 1 

DMX controller. Controls a wide variety of DMX products, 16 fixtures 

total, 1024 scenes, 512 presets, 256 shows, MIDI. 

DJ2-735 Show Designer 1 



IPS DIMMER BOXES AND DIMMER STRIPS 

IGBT-based Intelligent Power System distributed dimmers are 

chokeless, lightweight, compact, and silent. As a result, they may be 

mounted onstage, eliminating the need for acoustically isolated and 

air-conditioned dimmer rooms. IPS dimmers use intelligent microprocessors 

to supress surges, protect against dead shorts, and extend 

lamp life. Other features include a focus button to turn on a fixture 

without a board operator, LEDs, and dimmer status feedback to a 

Horizon console. 

IPS Dimmer Strips and Dimmer Boxes contain either six 1200 watt or 

three 2400 watt dimemrs. They require a single 20 amp three-phase 

circuit to power the dimmers and a DMX512 connection for control. 

Call for unit pricing. 

DJ CONTROLLERS 

PC-100A POWER CENTER 

A/C power center designed to help eliminate extension cords. 

Features 8 lighted switches and a 15 Amp resetable circuit breaker on 

the front panel and 8 grounded AC sockets on the rear panel. 

Maximum load 1700 watts. 

DJ2-315 PC-100 Power Center 



(818) 762-0884

ETC EXPRESS CONSOLES 

The Express series consoles offer varied options for two scene 

preset operation, single scene control, or fully programmable computer 

control. Simple menu options make it easy to switch from one to 

another. Features include dual scene faders, X/Y trackpad for moving 

light and scroller control, 600 programmable cues, 500 groups, 2000 

macros, 1024 DMX512 dimmer capacity, ten pages of submasters 

each, and effects with up to 100 steps each. Interfaces include 

ETCNet, external power supply, MIDI and Remote Go/Macro. 

540-150 Express 24/48 

540-155 Express 48/96 

540-157 Express 72/144 

580-800 Optional VGA Monitor for all express consoles 

EXPRESS 125 AND 250 

The Express 125 and 250 provide the power of an Expression 2 line 

console in a low cost, compact configuration. Features include 24 

overlapping submasters with bump buttons and LED’s, 600 cues, 500 

groups, 2000 macros, 1024 DMX512 dimmer capacity. Interfaces 

include ETCNet, external power supply, MIDI, MIDI Show Control, and 

Remote Go/Macro. 

540-159 Express 125 

540-160 Express 250 

580-800 Optional VGA Monitor 

SMARTFADE CONTROLLER 

Smartfade gives you big ETC lighting control quality at a compact 

price. 

48 24-step sequences 

99-step Stack sequence 

DMX out and DMX in 

MIDI in and MIDI out 

SD card slot for show backup 

540-130 Smartfade 1248 - 12 channel two-scene or 48 channel 

normal mode 

540-135 Smartfade 2496 - 24 channel two-scene or 96 channel 

normal mode. 

ETC SYSTEMS 



EXPRESSION 3 TM 

A top of the line control console for large auditoriums, touring shows, 

and rental companies. This unit is available in 400, 800, or 1200 

channel configurations. Other features include 6 pages of 5 moving 

light attribute encoders, 10 pages of 24 submasters, 16-bit fades for 

moving light control, 600 cues, 500 groups, and much more. This unit 

supports 2 VGA monitors, dimmer doubling, ETCNet, ETCLink, MIDI, 

and SMPTE. 

Call or email for pricing. 

INSIGHT 3 

Another top of the line control console for touring shows and rental 

companies which need to control moving lights and color changers. 

This is a very fast concert lighting control console. The Insight 3 

features 1,536 dimmers/attributes and 512 control channels. Ten 

pages of 108 submasters, 108 faders and bump buttons make it ideal 

for applications requiring spontaneous improvisation, and splitsecond 

changes. 

Call or email for pricing. 

ETCNet2 TM DMX NODE 

With ETCNet2 and the ETC DMX Node, total lighting integration is at 

your command. Freedom to expand, create and master: You now 

have over 32 thousand channels of DMX to control any device, input 

or output, anywhere in your system. Receive dimmer feedback, use 

handheld remotes, share control with your networked ETC Unison 

architectural system. And for structural convenience, the node is 

available in rack, backbox and touring versions. 

Please call or email for system pricing. 

ETCNet2 VIDEO NODE 

The ETCNet2 Video Node gives you the power to monitor any 

console on your ETCNet2 Ethernet network. You can even monitor 

two different consoles simultaneously from a single Video Node. 

And, with keyboard and the ETC Remote Focus Unit support, you 

can connect to those consoles and run the show from anywhere in 

your facility. The Video Node is also backwards-compatible to 

ETCNet1 systems, allowing easy connection to ETC’s Express and 

Expression consoles. 

Please call or email for system pricing. 



(818) 762-0884

ETC SMARTPACK DIMMERS 

A simple low-cost portable dimmer pack that can be operated standalone 

or combined into small systems. 

The Smartpack comes with either 6 channels of 20A or 12 channels 

of 10A 

· DMX512A compliant, upgradeable to support RDM 

· Built-in presets and sequencer for stand-alone operation 

· Auto-Restart function 

540-400 6 channels x 20A, Edison 

540-405 6 channels x 20A, Stage Pin 

540-410 6 channels x 20A, Twist-Lock 

540-430 6 channels x 20A, Terminal Strip 

540-635 6 channels x 20A, Wall Mount 

540-450 12 channels x 10A, Edison 

540-455 12 channels x 10A, Stage Pin 

540-465 12 channels x 10A, 6-Circuit Multi-Pin 

540-470 12 channels x 10A, Terminal Strip 

540-675 12 channels x 10A, Wall Mount 

SENSOR TM PORTABLE 

DIMMER PACKS 

Very high quality modular dimmer packs. Available in 12 and 24 

dimmer configurations. Dimmer modules come in dual 1.8K or 2.4K 

and single 6K or 12K. Packs are AMX192, DMX512, and analog 

control protocols. Inputs run simultaneously. LED indicators show 

Phase Status, Input Status, and Error. 

Portable packs are configured to your specifications, and come with 

cam-loc connectors installed. 

540-307 Portable pack, edison connectors, 12-2.4K 

540-312 Portable pack, stage pin connectors, 12-2.4K 

540-317 Portable pack, GTL connectors, 12-2.4K 

540-322 Portable pack, Socapex connectors, 12-2.4K 

ETC SYSTEMS 

Smartpack Wallmount 

SENSOR TM 

TOURING RACK 

Designed and constructed 

using state-of-the-art 

technology to provide highly 

reliable service in touring/ 

rental environments. 

Call or write for specifications 

and pricing. 



REMOTE FOCUS UNIT (RFU) 

LCD screen and integral keypad let you set channel levels, check 

dimmers, or run cues from virtually any location. Used primarily 

during focus or dimmer check. The RFU can also be used to program 

or run your show. 

540-500 Remote Focus Unit 

SENSOR TM INSTALLATION 

RACK 

Racks are configured in 12, 24, and 48 

module designs. They are available in 

either standard of AF (Advanced 

Features) versions. Rack spaces are 

mechanically designed to accept only the 

module type (15 amp, 20 amp, 50 amp, or 

100 amp) specified for that space. 

AF Advanced Features option is a 

monitoring system that provides complete 

system status information. AF option 

monitors current and output voltage on an 

individual dimmer basis and provides 

status information on lamp burnouts, 

dimmer performance, dimmer temperature 

conditions, and rack input voltages. 



(818) 762-0884

100 SERIES 

CONTROL CONSOLES 

This portable or rack mount fully digital control console includes the 

following features: 

12 channel 2 scene preset, 24 channel single scene preset 

operation 

Unique hold function in single scene mode 

Built in effect operation 

Split crossfader with time fade function 

Bump Buttons 

Grand Master and Black out key 

DMX 512 output 

522-050 100 series 12/24 console, 120v 

200 SERIES 

CONTROL CONSOLES 

This portable fully digital control console includes the following 

features: 

Two pages of Submasters memories 

Up to 24 effects each with up to 99 steps 

Split crossfader with time fade function 

Bump Buttons on all channels 

Grand Master and Black out key 

Full DMX operation with patch 



CD80 TM DIMMERS 

CD80’s are available in five configurations: 24 - 1.2Kw dimmers, 12 - 

2.4Kw dimmers, 24 - 2.4Kw dimmers, 6 - 6Kw dimmers, and 6 - 12Kw 

dimmers. Input and output XLR for daisy chaining packs. All electronics 

are easily accessible on a single plug-in card. 

520-119 12-2.4kW Stage Pin Outlets 

520-162 24-2.4kW Stage Pin Outlets 

520-131 6-6kW Stage Pin Outlets 

520-137 6-12kW Stage Pin Outlets 

520-126 12-2.4kW 2-Socapex & 12 Stage Pin Outlets 

CD80 SUPERVISOR TM 

Plug-in modular digital dimming system for mid to high specification 

applications. 

Call or Email for complete specifications and pricing. 

STRAND SYSTEMS 



We Package 

Lighting and Dimming Systems. 

We will be happy to assist you in 

planning your system. 

CALL FOR 

SYSTEM PRICING! 

520i Control Console 

550i Control Console 

500 SERIES CONTROL CONSOLES 

500 series control consoles support up to 6000 intensity channels and 

2000 moving light/scroller attributes. Each console features 2048 DMX 

outputs, 2000 cues, 1000 groups, 1000 macros, and 200 simultaneous 

fades. They can all be used with ShowNet Ethernet networking for up 

to 16 DMX universes. They include Tracker software for moving light 

control and either Lightpalette tracking style operation or GeniusPro 

preset style operation. Each console is also compatible with ShowNet 

Ethernet networking. 

Call for individual data sheets. 

Color monitor not included. 

Call for system pricing. 



(818) 762-0884

DMX OPTICAL ISOLATOR 

DOUG FLEENOR DESIGN - DMX 

The DMX512 Inline Optical Isolator plugs directly into the back of most 

DMX lighting consoles to protect the console from hazardous 

voltages. The isolator also eliminates ground loops and provides high 

drive current for long control runs. 

550-001 DMX512 Opto Isolator 

DMX ISOLATION AMPLIFIERS 

The DMX512 Isolation Amplifier is recommended for the receiving end 

of long control runs. It contains separate input and output power 

supplies, allowing the input circuitry to receive signals as low as 0.2 

volts. Available with either 3 pin or 5 pin gold plated Neutrik connectors. 

550-010 DMX Isolation Amplifier 

550-020 DMX Isolation Amplifier with 2 Isolators 

550-030 DMX Isolation Amplifier with 4 Isolators 

DMX ISOLATED SPLITTERS 

The DMX Isolated Splitter / Amplifier allows you to split a single 

DMX512 dimmer signal into three, five or eleven optically isolated 

DMX512 signals. Optical isolation creates a physical break between 

the DMX512 links to help prevent accidental high voltage from 

damaging equipment on the DMX512data stream. 

550-100 DMX Isolated Splitter with 3 outputs 



DMX ENHANCED 

ISOLATED SPLITTER 

This Enhanced Splitter has all of the features of Fleenor’s standard 

splitters plus a universal power supply, input and output protection, 

and troubleshooting indicators, all packaged in a purpose built 

housing for permanent installation. DMX512 connections are via plugin 

terminal blocks and the AC power connection is via an attached 6' 

power cord with a standard U-Ground plug. 

UL Listed and CE marked. 

550-220 DMX Enhanced Isolated Splitter - Wall Mount 

DMX BIDIRECTIONAL HUB 



The DMX Hub offers isolation and signal buffering for bidirectional 

communication. The hub differs from an opto-splitter in that any of 

the eight ports can receive data, with the seven remaining ports retransmitting 

that data. Includes a universal power supply and gold 

plated connectors. 

550-230 DMX BiDirectional Hub 

DMX ROTOR-ROUTER 

The DMX Rotor-Router is an electronic patch bay for DMX512 signals. 

Consisting of an Input Module with twelve inputs and any number of 

Output Modules with twelve outputs each, the unit patches any input 

to any output using front panel rotary switches. The inputs and 

outputs are all electrically isolated to prevent ground loops and fault 

propagation. 

550-330 DMX Rotor-Router 

(specify input or output; 5 pin, 3 pin, or terminal block) 

DMX A/B SWITCHES 

This series of selector switches was specifically designed to switch 

DMX512 signals. Originally designed to switch between primary and 

backup consoles, these switches are often used to select from two 

(or more) input locations. 

550-350 DMX single universe A/B switch box 

550-360 DMX two universe A/B switch box 

550-370 DMX three universe A/B switch box 

550-380 DMX four universe A/B switch box 

DMX COMBINE UNITS 

Combining two DMX512 sources requires a computer, like the one in 

these units. The combiner introduces the minimum delay possible with 

DMX512, less than 0.02 seconds. Combine units are available in up to 

six input configurations. For more than 6 inputs, multiple units can be 

linked together. These combiners can also be used to convert to or 

from Colortran’s CMX protocol (as used in D-192 series dimmers) 

550-510 DMX Combine Unit - 2 inputs 







(818) 762-0884

WALL PLATES 

Single-gang “switch box” cover milled from solid aluminum and fitted 

with either a male or female 5-pin XLR connector. The rear of the 

wall plate features screw terminals for easy field wiring. Passive 

wall plates are wired back to a splitter, merger, or rotor-router. 

Active wall plates include buffer circuitry which allows more 

advanced distribution methods. 

550-615 Male 5-pin single gang plate 

550-617 Female 5-pin single gang plate 

550-625 Buffered Female 5-pin single gang plate 

550-611 Male 3-pin single gang plate 

550-613 Female 3-pin single gang plate 

DOUG FLEENOR DESIGN - DMX 

DMX RELAY PACKS 

Single channel unit, designed to switch up to a 20 amp line voltage 

load, uses a 30 amp relay. The unit is provided with two 18" 12/3 SJ 

pigtails for line in and switched line out. Supplied with 15 amp parallel 

blade connectors as standard. 

Six channel units, designed to switch up to 15 amp line voltage loads, 

use 30 amp relays. Line voltage input is on 18" 12/3 SJ pigtail(s) fitted 

with 15 amp parallel blade plug(s). Available with one or two line-in 

pigtails. Switched line outputs are on chassis mounted 15 amp 

parallel blade receptacles. 

Low Voltage DMX Relay Packs are available to control low voltage 

switch closure devices such as slide projectors and fog machines. 

550-440 DMX single channel relay pack, line voltage, 20A 

550-450 DMX six channel relay pack, line voltage, one 15A line in 

550-460 DMX six channel relay pack, line voltage, two 15A lines in 

550-470 DMX two channel relay pack, low voltage, 5A/channel 

550-480 DMX six channel relay pack, low voltage, 1A/channel 

DMX TO ANALOG CONVERTERS 

Interfacing to older dimmers, custom controls, animatronics and 

motion control are just a few of the uses of these DMX512 to 0-10 

Volt Analog Converters. Outputs on DB-25 connectors. 

550-300 24 channel DMX to Analog Converter 

550-310 96 channel DMX to Analog Converter 

DMX TO AMX CONVERTERS 



The DMX512 to AMX192 Converter is available with either one or two 

AMX outputs from a single DMX input. The two configurations are 

identical except for the addition of a second AMX output port to 

handle dimmers 193 through 384. 

550-400 DMX to AMX converter for up to 192 dimmers 

550-410 DMX to AMX converter for up to 384 dimmers 

DMX TO iPLAYER2 

This interface receives a DMX512 input signal and outputs RS-232 

commands to the iPlayer. The interface uses three consecutive 

DMX512 channels: Trigger mode, Show selection, and Global 

intensity. 

The interface is compatible with iPlayer 2 and Light System Engine 

which are both products (and registered trademarks) of Color 

Kinetics Incorporated. 

550-420 DMX to iPlayer2 Interface 

PORK CHOPPER 

The Pork Chopper increases the total number of control channels of a 

Flying Pig Systems, Wholehog II console. When connected to an 

output port producing “Overdrive” Pork Chopper decodes the signal 

into two DMX512 universes. Connecting Pork Choppers to three 

output ports increases Wholehog II channel capacity from 2048 to 

3584 channels. 

550-070 Pork Chopper 

POWER SUPPLY 

The innovative design of this accessory power supply can provide 

power and data in many different formats to suit varying fixture 

inventories. Primarily designed to power and control Color Kinetics 

ColorBlast 12 LED fixtures, it can be configured to operate devices 

such as Altman SpectraPAR fixtures, Color Kinetics iColor Cove, 

Chroma-Q type color scrollers, and gobo rotators. 

550-700 LED Power Supply 



(818) 762-0884

APATHY CONSOLE 

In its most basic mode the Apathy 

allows you to command all 512 DMX 

dimmers to the same level using the 

single intuitive control knob. Using the 

Apathy function button, you can 

assign control of a single DMX dimmer 

to the control knob. 

550-555 Apathy DMX Console 

PRESET CONSOLES 

These units are capable of storing up to 

ten presets recorded by capturing the 

output of a DMX512 console. Each preset 

can then be assigned a unique crossfade 

time, from 0 to 999 seconds. Presets are 

recalled by pressing one of the buttons. 

Available for Architectural or Portable 

use. 

550-560 Preset 10 Architectural 

550-570 Preset 10 Portable 

550-575 Transformer for Preset 10 

Architectural 

REMOTE ADDRESSING DEVICE 

The Remote Addressing Device (RAD) allows 

users of RDM enabled devices to set the 

DMX512 start address remotely. A must have 

for every technician’s tool box, the RAD will 

save many trips up the ladder to reassign an 

address. 

550-580 DMX Remote Addressing Device 

GIZMO TEST TOOL 

With the Gizmo DMX512 test tool you can 

transmit, receive, save and playback scenes 

and perform a variety of data and cable tests.. 

• Transmit up to 512 Channels of DMX512 

• Receive DMX512 

• Save and Recall 100 Scenes 

• Check cables for shorts, open connections, 

and data reliability 

• 9 volt Battery or AC Power operation 

• 25 Button Keypad 

550-590 Gizmo DMX Test Tool 

DOUG FLEENOR DESIGN 

DMX LINE TERMINATORS 

The DMX Terminator plugs into the feedthrough 

connector of the final DMX device on a 

control cable. It improves signal reliability by 

preventing reflections and reducing ringing. 

Enhanced terminators include LED signal 

indicator, spike suppression, and bypass for 

radio frequency interference. 

550-602 3 Pin XLR basic terminator plug 

550-603 5 Pin XLR basic terminator plug 

550-604 3 Pin XLR enhanced terminator plug 

550-605 5 Pin XLR enhanced terminator plug 

DMX LINE TESTER 

The line tester displays the presence of 

the +Data and -Data signals when 

plugged into a control line or feed 

through connector. Observing the 

indicators during a fade will detect if 

either line is stuck high or low. 

550-599 3 pin Line Tester 

550-600 5 pin Line Tester 



MORE DMX ITEMS 

DOVE DECODERS 

MTX-DE8 Decoder 8 channels from DMX control desks to analog 

dimmers and fluorescent lighting fixtures whose ballasts accept 0 to 

+10VDC dimming control. The decoder hangs in the grid, next to the 

fixtures it controls, and each fixture plugs into one of the eight BNC 

connectors on the sides. 

MTX-DE48 Decoder 48 channels from DMX controllers to Analog 

dimmers. Standard 0 to +10VDC output may be adjusted to 0 to 

+28VDC. 

500-188 Decoder 8 Channels 

500-250 Decoder 48 Channels 

DMX LINE TERMINATOR 

Terminator plugs are put at the end of the last DMX cable to terminate 

the data signal for proper operation of electronic equipment. 

550-609 3 Pin XLR plug for Martin Moving Lights 



(818) 762-0884

ANTARI X-SERIES FOG MACHINES 

Antari’s professional line of fog machines include aluminum cast 

heaters, customized Italian pumps for silent operation, low fluid 

indicators, interchangeable control modules, a high efficiency 

vaporizing system, circuitry that is protected from external power 

interference, as well as wireless, DMX and timer control options. 

131-400 X-510 1000W Fog Machine, 10,000 cu.ft./min., 2.5 liters 

131-415 X-515 1500W Fog Machine, 20,000 cu. ft./min., 6 liters 

131-420 X-530 3000W Fog Machine, 40,000 cu. ft./min., 6 liters, 200V 

ANTARI FAZER 

This 1000W Fazer outputs 3500 cu. ft./min. with a 12 min. heat up 

time. Tank capacity of 2.5 liters. 

131-425 X-310 Fazer 

ANTARI ICE LOW-LYING FOG MACHINE 

This machine produces low lying smoke without the inconvenience of 

dry ice. Place up to 22 lbs. or ice into the ice chamber to cool the 

smoke produced by the 1000W smoke machine contined in the unit 

and watch the floor disappear. A full ice chamber can last up to 12 

hours or 80 minutes with constant use. Full DMX control. 

10,000 cu.ft./min. output with a 4.5 min. heat up time and tank 

capacity of 2.5 liters. 

131-090 Antari ICE Low-Lying Fog Machine 

FOG PRODUCTS 



ROSCO CHILLER MODULE 

Used in conjunction with chemical fog machines, Rosco’s 

chiller module utilizes solid dry ice to produce a low-lying fog 

effect. The unit requires a hose adapter to work with a fog 

machine. 

131-198 Chiller Module 

131-185 4” Hose Adapter 

131-187 Ducting Hose 4” x 25’ 

MAGNUM PRO 2000 FOG MACHINE 

A high performance, 1700w smoke machine using microprocessorbased 

technology and a specially designed long life heating element. 

The output of this unit is variable, allowing for control from a small 

trickle to a huge blast. The remote control unit plugs into the back of 

the machine and includes auto-timing and memory functions. A slave 

hook-up allows for an infinite number of add-on units. One 17 foot 

cable is included. On board tank capacity is 9.5 liters. 

131-165 Magnum Pro 2000 

LE MAITRE G300 FOG MACHINE 

The G300 is the most technically advanced fog machine available. By 

simply changing the output mode and the fluid, it safely doubles as a 

water base hazer. 

131-145 G300 Fog Machine 

131-148 DMX Interface Remote 



(818) 762-0884

FOG MACHINES 

DYNO-FOG II 

This is a medium duty fogger with 4,000 

cu. ft. per minute output. It features a 1 

quart removeable tank and a 10 ft. cable 

with controller. 

DJ2-525 Dyno-Fog II Fog Machine 

FOG STORM 70 

A great fog machine at a fantastic price. 

It covers 3,500 cu. ft. per minute. 700 

watts, 1 liter tank and wired remote. 

DJ2-530 Fog Storm 700 

PEASOUPER 

This compact dry-ice unit features four-stop flow rate control and a 

dry-ice capacity of approximately 20 lbs for a running time of 5 to 10 

minutes. Hose and Hose adapter optional. 

131-070 Peasouper 

131-072 Ducting Hose Adapter, 2.5” 

131-187 Ducting Hose, 4” x 25’ 

SNOW MACHINES 

LITTLE BLIZZARD SNOW MACHINE 

The Standard Little Blizzard can run continuously without overheating. 

It has insulation for quietness, a flake-size adjustment paddle, 

two-speed motor, and a remote control. Heavy duty rust-proof 

housing. DMX version available. One gallon fluid lasts 20-50 minutes. 

Snow will fly up to 100' out and 40' wide. 

Little Blizzard SP Features additional soundproofing and is three 

times quieter than standard. 

131-502 Little Blizzard 

131-505 Little Blizzard DMX 

131-500 Little Blizzard SP 

131-508 Little Blizzard SP DMX 

131-545 Gallon Extra Dry Fluid (travels up to 50’) 

131-547 Gallon Dry Fluid (travels beyond 50’) 

131-549 Gallon Dry 100 Fluid (travels beyond 100’) 



BUBBLE MACHINES 

BUBBLE MAX SYSTEM 

Capable of outputting 1200-1400 bubbles 

per minute, the bubble max system 

leaves the lowest residue of any bubble 

machine system. Bubbles can fly 40’ 

through the air. The large reservoir 

allows for a continuous three hour 

output. 

131-405 Bubble Max System 

BUBBLE BLAST 

American DJ’s Bubble Blast machine 

has dual fan output. 

131-300 Bubble Blast Bubble Machine 

BU-350 

Get hundreds of bubbles per minute 

from American DJ’s BU-350. 

131-306 BU-350 Bubble Machine 

MINI BUBBLE MACHINE 

This 6 1/2” mini bubble machine from CITC 

runs on AA batteries or with the included 

AC adapter. 

131-304 Mini Bubble Machine 

BUBBLE FLUID 

131-410 Bubble Fluid, 1 Gallon 



(818) 762-0884

ROSCO FOG FLUID 

Ideal for use in theater, film, television, live entertainment and special 

events, Rosco Fog Fluid can produce a wide range of effects - 

anything from a heavy cloud to light wisps. It is designed to provide 

maximum hang time. 

131-235 Rosco Fog Fluid, Liter 

131-237 Rosco Fog Fluid, 4 Liter 

Rosco Stage & Studio Fluid 

For those occasions where certain fog effects need to dissipate 

quickly or to create low-lying effects . Used with all Rosco fog 

machines, it will produce an effective theatrical fog and then 

disappear. Used in conjunction with a Rosco fog machine and a 

Rosco Coldflow, or Rosco Chiller Module the Stage & Studio Fluid 

generates an excellent low-lying fog effect. 

131-231 Stage & Studio Fluid, Liter 

131-233 Stage & Studio Fluid, 4 Liter 

Rosco Light Fog Fluid 

One of the latest additions to the Rosco line of fog effects, this 

economical water-based fluid delivers exactly what the name says: 

a lighter fog effect. When combined with compressed air in the Model 

1600, PF-1000, or Intelligent Fog System, Rosco Light Fog Fluid can 

achieve a good haze effect. 

131-228 Light Fog Fluid, Liter 

131-230 Light Fog Fluid, 4 Liter 

Rosco Clear Fog Fluid 

Rosco Clear delivers the exact same effect as Rosco Fog Fluid, but 

does not have the colorant or scent additives. 

131-214 Clear Fog Fluid, Liter 

131-216 Clear Fog Fluid, 4 Liter 

Rosco New Hazemaker Fluid 

Specially developed for use with the Rosco Hazemaker and 

Hazemaker 2. The absence of oil in this fluid insures that you won’t 

find an oily residue on your delicate electronic equipment or in your 

moving lights. It is water soluble, but specially formulated to prevent 

condensation from forming on your gear. New Hazemaker Fluid was 

created using the same family of components as Rosco’s Fog Fluid 

but is specifically constituted to create a haze effect. 

131-208 New Hazemaker Fluid, Liter 

FANTASY FX “Fog in a Can” 

Fantasy FX spray smoke in a can is an non-irritating haze in 

an aerosol can. Fantasy FX is not a sourcy, billowy smoke. It 

creates a fine, odorless mist in the air to reveal and enhance 

light beams. Completely non-toxic, meets EPA standards, and 

is “ozone safe” with no CFC’s. 

131-370 Fantasy FX, 8 oz., Regular 

131-372 Fantasy FX, 8 oz., Lockdown 

FOG FLUIDS 

ANTARI FOG FLUIDS 

Antari premium fluids are optimized for best 

performance. They are manufactured with deionized 

pure water containing absolutely no 

impurities, prolonging the life of your machine. 

Manufactured with pure polyfunctional alcohols 

used by the food and cosmetics industries. 

Absolutely no recycled raw materials are used 

in manufacturing process. All fluids have been 

certified as NON-TOXIC when utilized for 

intended use. 



131-780 Antari Standard Fog Fluid, Gallon 

131-782 Antari Performance Fog Fluid, Gallon 

131-784 Antari Low Lying Fog Fluid, Gallon 

For use in “ICE” low-lying fog machine ONLY 

131-796 Antari Oil Based Haze Fluid, Gallon 

For use in Haze Machines only 

LE MAITRE FOG FLUIDS 

Molecular Fog Fluid 

This thick, clean, white fog begins to dissipate as it warms at a 

quicker rate than regular Fog Fluid. Create a dense, low-lying fog 

and stimulate a “dry-ice effect” (when chilled). 

131-270 Molecular Fog Fluid, 2 Liter 

131-272 Molecular Fog Fluid, 4 Liter 

Pro Beam Fog Fluid 

Produces a clean, dry, odorless, slightly less white fog that “hangs” 

in the air 2-3 times longer than Regular Fog Fluid. 

131-290 Pro Beam Fog Fluid, 4 Liter 

Regular Haze Fluid 

This water-based haze provides a consistent, long-lasting, dry haze 

effect that leaves no residue (when used with H175 or H300 

machine). 

131-254 Regular Haze Fluid, 4 Liter 

Neutron Haze Fluid 

This fluid is specifically designed for use in the Neutron range of 

haze machines. 

131-280 Neutron Haze Fluid, 2 Liter 

131-285 Neutron Haze Fluid, 4 Liter 

DF50 DIFFUSION FLUID 

131-250 DF50 Diffusion Fluid, Gallon 

131-251 DF50 Diffusion Fluid, Quart 

DJ FOG FLUID 

Generic water based fog liquid, leaves no residue or odor. 

131-220 DJ Fog Fluid - 1 quart 

DIFFUSION IN A CAN 

Diffusion in a can is a safe, odorless, convenient way to 

create an atmospheric haze without using a large diffusion 

machine. Ozone-safe, non- toxic, odorless, and convenient. 

Each 8 oz. can will easily fill an average-sized studio or 

sound stage. Particles continue to work until ventilation 

removes them. 

131-375 Diffusion in a Can 8 oz. 



(818) 762-0884

TRIPOD STAND 

& CROSS BAR 

Heavy duty Aluminum with cross bar. 

Height to 12 feet. 

PAR cans not included. 

165-535 Aluminum finish 

165-536 Black finish 

BASES 

165-685 8”x14” floorplate base 

comes with bolt and 2 nuts 

SIDE ARM 

12” long, with 1/2" I D (inside diameter) pipe, with one sliding tee 

and a C-clamp to attach to stage trees or other pipe structures. 

165-450 Side Arm with "tee" 

SLIDING "TEE" 

Used for mounting fixtures on side arms. 

165-050 

165-220 50 pound, 24” base 

PIPE 

1-1/2" I D, schedule 40, threaded at both ends. 

165-390 Pipe 

PIPE COUPLING 

Used to join two sections of 1-1/2" I D pipe. 

165-402 Coupling 

STANDS 

253-360 Professional quality, heavy duty 

winch operated crank up, black stand, with 

locking winch and brake, height to 15 feet. 

300 lb. maximum load. 



STATIONARY STAND 

Adjustable 5’ to 9’ with cable hook 

165-310 Stationary Stand 

ROLLING STAND 

Adjustable 5’ to 9’, on casters, 

with cable hook 

165-350 Rolling Stand, 5' to 9' 

165-543 Lightweight, black stand with cross 

bar, height to 9.5 feet. 

KIT STAND, TV 

253-349 Medium weight, 25" to 72" 

SANDBAGS 

310-280 20 pound 

310-285 35 pound 



(818) 762-0884

CROWD CONTROL TRUSS 

STANCHIONS 

(PORTABLE POSTS) 

Used to close off areas or guide people in a specific direction. Ideal for 

lobbys, restaurants, special events, museums, etc. 

450-062 Regal, chrome 

450-080 Traditional, chrome 

GUIDE ROPES 

Guide ropes are 6 feet long and come with a velvet or vinyl (leather 

look) cover and closing snap hooks at both ends. 

450-310 Velvet, Red 

450-320 Velvet, Gold 

PLASTI-CHAIN 

Plasic indoor-outdoor post is 40" high X 

2-1/2" diameter, with a 14" base. Uses heavy duty plastic 1-1/2" 

chain. Easy to set-up, move and store. We recommend a minimum of 

one post every 7 feet. 

460-001 White post, single 

460-002 Black post, single 

460-010 White post, box of six 

460-020 Black post, box of six 

460-101 Chain, white, per foot - 1.5” links 

460-102 Chain, black, per foot - 2” links 

TRIANGULAR TRUSS 

High Quality aluminum alloy truss 

designed for live stages, theatres, night 

clubs, church installations and mobile 

applications. 

11 7.16” (290mm) overall width 

2” (50mm) OD tubing 

3/4” (20mm) Diagonal Bracing 

0.008” (2mm) Wall Thickness 

301-804 1.64’ length (0.5 m) 

301-805 3.28’ length (1.0 m) 

301-815 4.92’ length (1.5 m) 

301-819 6.56’ length (2.0 m) 

301-822 8.20’ length (2.5 m) 

301-825 9.84’ length (3.0 m) 

301-828 11.48’ length (3.5 m) 

301-831 13.12’ length (4.0 m) 

301-833 14.76’ length (4.5 m) 

301-835 16.40’ length (5.0 m) 



TRUSS JUNCTIONS 

Junctions are 2-way, 3-way and 4-way. 

Also available in other measurements as well as box, ladder, and 

curved configurations. 

Please call, write or fax for all configurations and pricing. 

301-845 2-way, 90° Apex In 

301-848 2-way, 90° Apex Out 

301-850 2-way, 90° Apex Up/Down 

301-852 3-way, 90° Right Corner Apex Down 

301-853 3-way, 90° Left Corner Apex Down 

301-858 3-way, 90° Right Corner Apex Up 

301-860 3-way, 90° Left Corner Apex Up 

301-865 4-way, 90° Right Corner Apex Up 

(or apex down left) 

301-868 4-way, 90° Left Corner Apex Up 

(or apex down right) 



(818) 762-0884

Truss is PRICED on a per order basis 

Call for pricing on BOX TRUSS. 

We have fast turn-around time on custom 

orders. 

Call for information or design assistance. 

We Provide Sales and/or Rental of 

Display & Convention Booth Installations. 

TRUSS ACCESSORIES 

301-790 Double ended conical coupler 

(coupler pins and R-clips not included) 

301-791 Half conical coupler 

w/coupler pin and R-clip 

301-793 Tapered shear pin for coupler (pack of 10) 

301-797 Safety R-clip to secure shear pin (pack of 10) 

301-870 Aluminum Baseplate for Triangular Truss 12” x 12” 

301-873 24” x 24” Square Steel Baseplate 

with three pins for Triangular Truss 

TRUSS 



12" x 12" 12" x 18" 20" x 20" 

TRUSS FURNITURE 

These unique Truss tables and chairs add a striking 

design element to any setting. 

301-890 Truss Chair #2 

301-895 Truss Table #1 



(818) 762-0884



Permanent lighting installations require distribution devices for the mounting of lights on walls or ceilings 

and on vertical or horizontal pipe. PREMIER Lighting & Production Company has provided equipment 

to Theatres and Television Studios throughout the USA since 1977. 

If you need help in designing your system please give us a call. 

PATCH PANEL 

ELECTRICAL DISTRIBUTION EQUIPMENT 

GRID 

RECEPTACLE BOXES 

CONNECTOR STRIP/RACEWAY 

GRID OVERLAP CLAMP 

310-960 

PORTABLE STAGES & PLATFORMS 

Platforms are used extensively for band and choir risers, 

trade show platforms, orchestra pit covers, seating risers, 

touring stages, head table risers, fashion show runways, etc. 

Please call us and we will be happy to discuss your 

requirements and send you a proposal to fit your needs. 

GRID WALL 

FLANGE 



(818) 762-0884

Stage/Theater Special Events Film & Video DJ/Club - Premier Lighting

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