Catalogue of Recordings - Pristine Classical
Catalogue of Recordings - Pristine Classical
Catalogue of Recordings - Pristine Classical
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Acoustic: Recorded 26th January and 2nd February, 1925 in Oakland<br />
Matrix nos: PC 64-1 and 77-1<br />
First issued on Victor 6539<br />
Electric: Recorded 21st February, 1928 in the Scottish Rite Temple, Oakland<br />
Matrix nos: PCVE 42012-2 and 42013-2<br />
First issued on Victor 7154<br />
• DELIBES: Coppélia – Dance <strong>of</strong> the Automatons and Waltz<br />
Recorded 21st April, 1926 in Oakland<br />
Matrix no.: PCVE 171-4<br />
First issued on Victor 6586<br />
• DELIBES: Sylvia<br />
Intermezzo and Valse Lente<br />
Pizzicati (2:11)<br />
Recorded 24th April, 1926 in Oakland<br />
Matrix nos.: PBVE 181-2 and 182-2<br />
First issued on Victor 1166<br />
• GOUNOD: Funeral March <strong>of</strong> a Marionette<br />
Recorded 15th April 1927 in the Columbia Theatre, San Francisco<br />
Matrix no: PCVE 253-2<br />
First issued on Victor 6639<br />
• MASSENET: Le Cid – Ballet Music<br />
Recorded 27th and 28th February, 1928 in the Scottish Rite Temple, Oakland<br />
Matrix nos.: PBVE 42033-42038, all second takes except 42035, Take 3<br />
First issued on Victor 1406 through 1408 in album M-56<br />
PASC217 - Koussevitzky conducts Barber<br />
Ruth Posselt, violin<br />
Boston Symphony Orchestra<br />
conducted by Serge Koussevitzky<br />
• BARBER Concerto for Violin and Orchestra, Op. 14 (1939-40; revised 1948)<br />
Ruth Posselt, violin<br />
Recorded at the concert <strong>of</strong> 7th January, 1949 in Symphony Hall, Boston (world première <strong>of</strong> revised version)<br />
• BARBER Commando March (1943) (3:48)<br />
From the broadcast <strong>of</strong> 12th February, 1944 at Hunter College, New York<br />
• BARBER Symphony No. 2, Op. 19 (original version, 1943-44)<br />
(“Dedicated to the Army Air Forces”)<br />
From the broadcast <strong>of</strong> 4th March, 1944 in Symphony Hall, Boston (world première)<br />
For full details <strong>of</strong> all recordings and their availability, please visit out website: www.pristineclassical.com Page 46