ARCH 4/507 - Architectural Aesthetics and Building Composition
ARCH 4/507 - Architectural Aesthetics and Building Composition
ARCH 4/507 - Architectural Aesthetics and Building Composition
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<strong>Architectural</strong> <strong>Aesthetics</strong> <strong>and</strong> <strong>Building</strong> <strong>Composition</strong>!<br />
Prof. Ralf Weber<br />
Hardly any other discipline concerns itself with aesthetic<br />
considerations to the same extent as architecture aside from the<br />
visual arts <strong>and</strong> literature. Indeed, aesthetic issues form an important<br />
core of any environmental design process, for many of the most<br />
fundamental planning decisions involve making choices about form<br />
<strong>and</strong> space <strong>and</strong> thus require aesthetic judgements. Likewise, the<br />
perceiver's experience of form for its impact on judging buildings<br />
cannot be declared secondary to the pragmatic facets of architecture.<br />
Therefore, aesthetics should take a central place in the education of<br />
future architects, designers <strong>and</strong> planners.<br />
This seminar will give an introduction to the field of aesthetics in<br />
general <strong>and</strong> specifically to architectural aesthetics. It will explore the<br />
background of prominent theories in architecture, in art, in design, in<br />
philosophy <strong>and</strong> in psychology <strong>and</strong> show their mutual influences <strong>and</strong><br />
how they flow into a broader underst<strong>and</strong>ing of a field that can be<br />
called architectural aesthetics.<br />
3 Credits<br />
Tuesday: Lectures<br />
Thursday: student<br />
presentations &<br />
individual<br />
consultations<br />
Ralf Weber<br />
(PhD UC Berkeley)<br />
is a Visiting Professor<br />
from Dresden<br />
University in Germany<br />
Yet equally important in this class is the application of aesthetics to<br />
the actual design process. Various theories <strong>and</strong> methods of<br />
architectural composition in the history of architecture <strong>and</strong> in<br />
contemporary design will be investigated regarding their relevance to<br />
today‘s challenges in architecture <strong>and</strong> urban design.<br />
Selected topics will include:<br />
What is <strong>Aesthetics</strong> What is <strong>Architectural</strong> <strong>Aesthetics</strong><br />
Theories in Architecture: Instrumental, Formalist & Theories of<br />
Communication<br />
Aesthetic Theories in the Philosophy of Art / Architecture vs. Art<br />
Aesthetic Theories in Psychology: Perception <strong>and</strong> Cognition<br />
<strong>Architectural</strong> Treatises <strong>and</strong> Theories pertaining to <strong>Aesthetics</strong><br />
Space Perception <strong>and</strong> Spatial Choreography<br />
Tectonics <strong>and</strong> the <strong>Composition</strong> of Facades<br />
Eye Movement Mapping of Spaces <strong>and</strong> Facades<br />
Scale<br />
Order <strong>and</strong> Proportion Systems<br />
Each class will start with a lecture by the instructor. Students will<br />
work on a small research project on their own choice <strong>and</strong> present this<br />
in written <strong>and</strong> oral form to the class.<br />
In addition, there will be short exercises in class that will test the<br />
application of some of the discussed principles in design practice.<br />
The course aims thus at building bridges between the theoretical <strong>and</strong><br />
the practical.
Biographical Sketch<br />
Ralf Weber is a Visiting Professor from Germany, where he is a<br />
Professor of Architecture <strong>and</strong> Dean of Academic Affairs at the<br />
Faculty of Architecture, Dresden University of Technology.<br />
He received his Diploma in Architecture at the University of Dresden.<br />
Thereafter, he settled in Stuttgart where he practiced architecture in<br />
the office of Frei Otto / Rolf Gutbrodt <strong>and</strong> taught at Stuttgart<br />
University before moving to Berkeley, California, where he received a<br />
PhD in Design Methodology, Environmental Psychology <strong>and</strong><br />
<strong>Aesthetics</strong>. He taught for several years at UC Berkeley before he<br />
returned to Dresden after the reunification of Germany, when he was<br />
appointed Chair for Spatial Design in Architecture. He has held<br />
visiting professorships in Ankara, Kent State, Florence <strong>and</strong> Potsdam.<br />
In his teaching <strong>and</strong> research he attempts to build bridges between<br />
the disciplines of architecture <strong>and</strong> design on the one h<strong>and</strong> <strong>and</strong> the<br />
theories of aesthetics <strong>and</strong> visual perception on the other. He teaches<br />
Design Foundations <strong>and</strong> <strong>Architectural</strong> Design studios, as well as<br />
lecture courses <strong>and</strong> seminars.<br />
Since he does not believe in a schism between theory <strong>and</strong> practice,<br />
he enjoys teaching h<strong>and</strong>s-on architectural design as well as working<br />
on research projects in architectural theory <strong>and</strong> aesthetics. He is the<br />
internationally published author of the books: On the <strong>Aesthetics</strong> of<br />
Architecture; <strong>Aesthetics</strong> <strong>and</strong> <strong>Architectural</strong> <strong>Composition</strong>; <strong>and</strong> Thema<br />
Material as well as numerous articles bridging the fields of<br />
architecture, aesthetics <strong>and</strong> psychology.