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PRESERVATION RESOURCE CENTER OF NEW ORLEANS APRIL 2007<br />

P R E S ERVAT I O N<br />

VOLUME 34 NUMBER 3<br />

LOUISIANA STATE HISTORIC PRESERVATION OFFICE<br />

IN PRINT<br />

ICONIC<br />

STEAMBOAT<br />

HOUSE IN<br />

MINIATURE<br />

INSIDE:<br />

IT’S TRUE – GOOD PEOPLE ARE MOVING TO NEW ORLEANS SINCE KATRINA<br />

STATE NAMES PHILIP BOGGAN HISTORIC PRESERVATION DIRECTOR<br />

LOUISIANA PRESERVATIONISTS TO MEET IN MONROE MAY 4 – 6<br />

BYWATER RESIDENTS GRAPPLE WITH NEW NEIGHBORHOOD PROJECTS<br />

STAINED GLASS SYMPOSIUM AND TOUR APRIL 21 AND 22<br />

NATIONAL TRUST PRESIDENT RICHARD MOE TO SPEAK AT PRC ANNUAL MEETING MAY 10


2 APRIL 2007 PRESERVATION IN PRINT<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 3<br />

P R E S ERVAT I O N<br />

VOLUME 34 NUMBER 3<br />

IN PRINT<br />

Published by the <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> of New Orleans and the Louisiana State Historic <strong>Preservation</strong> Office<br />

EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Fitzpatrick<br />

DEPUTY EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Alexander Lemann<br />

NEWS EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sue Hobbs<br />

STATE HISTORIC PRESERVATION OFFICER . . . . . . . . . . . . . . . . . .Pamela Breaux<br />

ADVERTISING MANAGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jackie Derks<br />

EDITORIAL ASSISTANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Patricia L. Duncan<br />

KIOSK EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sarah Bonnette<br />

TYPOGRAPHY & DESIGN . . . . . . . . . . . . . . . . . . . . . . . .Typosition, Paula Coughlin<br />

LITERARY SALES MANAGER . . . . . . . . . . . . . . . . . . . . . . . . . . . .Averil Oberhelman<br />

PRESERVATION RESOURCE CENTER OF NEW ORLEANS<br />

ADMINISTRATIVE STAFF<br />

EXECUTIVE DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Patricia H. Gay<br />

CHIEF FINANCIAL OFFICER . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brandi Couvillion<br />

DEVELOPMENT DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Beverly R. Lamb<br />

PRESERVATION IN PRINT EDITOR . . . . . . . . . . . . . . . . . . . . . . . . .Mary Fitzpatrick<br />

OPERATION COMEBACK DIRECTOR . . . . . . . . . . . . . . . . . . . .R. Stephanie Bruno<br />

REBUILDING TOGETHER DIRECTOR . . . . . . . . . . . . . . . . . . . . . . . .Kristin Palmer<br />

This project is supported by a grant from the Graham Foundation for Advanced Studies in Fine Arts.<br />

This project has been financed in part with federal funds from the National Park Service, Department of the Interior,<br />

through the Department of Culture, Recreation and Tourism. However, the contents and opinions do not necessarily<br />

reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial<br />

products constitute endorsement or recommendation by the Department of the Interior. This program received federal<br />

financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act<br />

of 1964 and Section 504 of the Rehabilitation Act of 1973, the U. S. Department of the Interior prohibits discrimination<br />

on the basis of race, color, national origin or handicap in its federally assisted programs. If you believe that you<br />

have been discriminated against in any program, activity or facility as described above, or if you desire further information,<br />

please write to: Office of Equal Opportunity, U. S. Department of the Interior, Washington, D.C. 20240<br />

PRESERVATION RESOURCE CENTER OF NEW ORLEANS<br />

BOARD OF DIRECTORS<br />

PRESIDENT<br />

Lloyd N. “Sonny” Shields<br />

VICE PRESIDENT<br />

Dennis P. Lauscha<br />

SECRETARY<br />

Christel Kelley<br />

TREASURER<br />

J. Marshall Page III<br />

AT-LARGE<br />

Robert Brown Bedouin Joseph Frank W. Masson Holly Sharp Snodgrass<br />

BOARD MEMBERS<br />

Janie Blackmon<br />

Timothy C. Brennan<br />

Dr. Mark M. Cassidy<br />

Daniel O. Conwill IV<br />

Steve Dumez<br />

Leah Nunn Engelhardt<br />

Jonn Hankins<br />

Marilee Hovet<br />

William H. Hines<br />

Dale Irvin<br />

Jule H. Lang<br />

Steve Martin<br />

Rhesa O. McDonald<br />

Anne F. Redd<br />

Stacy Rockwood<br />

Mary Hassinger Schmidt<br />

Louis J. Volz III<br />

Hal Williamson<br />

Hilda Young<br />

PRESERVATION RESOURCE CENTER<br />

923 TCHOUPITOULAS STREET, NEW ORLEANS, LA 70130<br />

(504) 581-7032 • FAX: (504) 636-3073<br />

E-MAIL: prc@prcno.org • WEBSITE: www.prcno.org<br />

<strong>Preservation</strong> in Print is published to promote the appreciation of Louisiana’s historic architecture and<br />

neighborhoods. The views expressed in signed articles are not necessarily those of the <strong>Preservation</strong> <strong>Resource</strong><br />

<strong>Center</strong>. Membership in <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> is open to all. <strong>Preservation</strong> in Print is published ten<br />

times a year. Printing by Roberson. The <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> is a member of The Chamber/New<br />

Orleans and the River Region, The Greater New Orleans Tourist and Convention Commission, the Louisiana<br />

Trust for Historic <strong>Preservation</strong>, <strong>Preservation</strong> Action, and the National Trust for Historic <strong>Preservation</strong>.<br />

Library of Congress ISSN: 0734-4481<br />

www.prcno.org


4 APRIL 2007 PRESERVATION IN PRINT<br />

“Uptown’s best kept secret”<br />

—Tom Fitzmorris<br />

D I N N E R<br />

T U E S . - S U N . 5 : 3 0 - 9 : 3 0<br />

L U N C H<br />

T H U R S . - S U N . 1 1 - 2<br />

5908 Magazine St.<br />

New Orleans, LA 70115<br />

891-8495<br />

1377 Annunciation Street<br />

New Orleans, Louisiana 70130<br />

tel: 504.566.1950<br />

fax: 504.566.1949<br />

Toll Free: 1.888.566.1950<br />

www.firearestaurant.com<br />

“Part of the<br />

secret of success<br />

in life is to eat<br />

what you like and<br />

let the food fight<br />

it out inside.”<br />

Mark Twain<br />

“20 popular New Orleans<br />

restaurants where locals<br />

outnumber the tourists”<br />

—Gene Bourg<br />

LUNCH TUESDAY–FRIDAY<br />

DINNER SIX NIGHTS<br />

6100 ANNUNCIATION STREET<br />

895-1111<br />

CLASSIC<br />

DINING<br />

ONLY IN<br />

NEW ORLEANS<br />

“I’ve been on<br />

a diet for<br />

two weeks and<br />

all I’ve lost is<br />

two weeks.”<br />

Totie Fields<br />

The<br />

Pelican<br />

Club<br />

RESTAURANT & BAR<br />

“The best kept secret in<br />

the French Quarter”<br />

– Zagat Guide<br />

T H E L E G A C Y C O N T I N U E S .<br />

www.prcno.org<br />

504-523-1504<br />

www.pelicanclub.com


PRESERVATION IN PRINT APRIL 2007 5<br />

Odds<br />

&<br />

Ends<br />

Crafty Thieves<br />

Architectural theft has not stopped in<br />

Holy Cross. In fact, crafty thieves are<br />

now telling Holy Cross residents who<br />

confront them that they are PRC<br />

employees removing items to determine<br />

the age of the house! If you<br />

live in Holy Cross or if you have a<br />

similar experience in another historic<br />

neighborhood, please attempt to<br />

obtain a license plate of the vehicle<br />

being driven by the imposters. We<br />

want to catch them. Call PRC at<br />

504/581-7032.<br />

New to New Orleans<br />

<strong>Preservation</strong> in Print wants your story.<br />

This month’s centerspread profiling<br />

some 20 new residents since Hurricane<br />

Katrina is just the beginning. Contact<br />

mfitzpatrick@prcno.org.<br />

Louisiana Landmark<br />

Society’s Martha Robinson<br />

Lecture<br />

Dr. Anthony Tung, author of Preserving<br />

the Worlds Great Cities, will speak on<br />

the relationship of the built landscape to<br />

culture and community as a whole and<br />

how it relates to the recovery of New<br />

Orleans.<br />

Monday, May 7, 7:30 PM<br />

Nunemaker Auditorium<br />

Monroe Hall<br />

Loyola University<br />

FREE ADMISSION<br />

RETURN TO LAKEVIEW<br />

April 22 – 1 - 5 p.m. The Beacon of<br />

Hope <strong>Resource</strong> <strong>Center</strong> will host an<br />

event aimed at getting residents to<br />

return to Lakeview. Houses in various<br />

stages of reconstruction will be open<br />

for visitors, and experts in a variety<br />

of fields will be available to answer<br />

questions. Refreshments will be<br />

served. www.lakewoodbeacon.org.<br />

ON THE COVER:<br />

Miniature of steamboat house located in<br />

the Holy Cross National Register District.<br />

The miniature is on view daily at PRC as<br />

part of an exhibit on Holy Cross, but for<br />

five days it was on loan to the New<br />

Orleans Museum of Art and decked out<br />

in flowers and a wedding scene. Dunn &<br />

Sonnier Flowers decorated the miniature<br />

for PRC’s display in the “Movers and<br />

Shakers” category of the annual Art in<br />

Bloom benefit. Photo by Judy Cooper.<br />

PRESERVATION<br />

FROM THE DIRECTOR<br />

IN PRINT<br />

VOL. 34, NO. 3 APRIL 2007<br />

Time for Strategies to Attract and Assist Residents to Restore Historic Homes Patricia Gay . . . . . . . . . 6<br />

FROM THE STATE HISTORIC PRESERVATION OFFICE<br />

Philip Boggan Named New State Historic <strong>Preservation</strong> Director Patricia L. Duncan . . . . . . . . . . . . . 9<br />

The Historic Building Recovery Grant Project Officer – Your New Best Friend Patricia L. Duncan . . . . . . . 10<br />

PRC IN ACTION<br />

New Orleans’ Favorite Shotguns: PRC calls for entries to photo competition . . . . . . . . . . . . . . . 7<br />

PRC Members Are Cordially Invited to Attend the 33rd Annual Meeting . . . . . . . . . . . . . . . . 8<br />

PRC Displays Miniature of Steamboat House in Holy Cross at New Orleans Museum of Art Alex Lemann . . . 15<br />

Post Storm, New Staff and Volunteers Come from Near and Far to Help PRC Rebuild Alex Lemann . . . . . 22<br />

Live in a Landmark Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26<br />

Membership . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26<br />

Major Donors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27<br />

FEATURES<br />

Preserving the Stained Glass Heritage of New Orleans Symposium Features National Experts Patty Andrews . . 12<br />

PRC’s Stained Glass Tour Goes from Historic St. Roch to St. Charles Avenue Patty Andrews . . . . . . . . 13<br />

Post Katrina, Historic New Orleans Attracts a Variety of New Residents Mary Fitzpatrick . . . . . . . . . . 18<br />

Priestley School for Architecture and Construction Prepares Students for College and Careers Lindsay McCook . . 24<br />

NEWS AND VIEWS<br />

New Orleans Names A Distinctive Destination for Cultural Tourism Alex Lemann . . . . . . . . . . . . . 11<br />

Louisiana <strong>Preservation</strong> Conference and Honor Awards in Monroe May 4 - 6 Stacy Jamieson . . . . . . . . 14<br />

GUEST VIEWPOINT New Orleans is Drawing New Residents Dr. Stephen Hales, M.D. . . . . . . . . . . . 17<br />

Actively for Sale Sarah Bonnette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23<br />

COLUMNS<br />

CONTENTS<br />

Notes from a Newcomer Alex Lemann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33<br />

KIOSK Sarah Bonnette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32<br />

The mission of the <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>:<br />

To promote the preservation, restoration and revitalization of New Orleans’ historic architecture and neighborhoods<br />

<strong>Preservation</strong> in Print welcomes your letters and comments, mfitzpatrick@prcno.org<br />

www.prcno.org


6 APRIL 2007 PRESERVATION IN PRINT<br />

From the<br />

D I R E C T O R<br />

Patricia Gay, executive director<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> of New Orleans<br />

Time for strategies to attract and assist residents to restore historic homes<br />

Gold Mine of Vacant Properties<br />

hroughout this time of recovery<br />

from Hurricane Katrina and the<br />

Tflooding of most of New Orleans,<br />

thousands of man hours have been<br />

spent at meetings about demolition and<br />

about new construction, the latter ranging<br />

from design, affordability and environmental<br />

issues to who builds what<br />

where.<br />

It is time that we started having<br />

meetings about how to put the thousands<br />

of vacant houses back into service<br />

as homes. Our experience is that a<br />

vacant and deteriorated property can be<br />

a gold mine – in terms of quality of life,<br />

life-time investment and tax revenues –<br />

for the homeowner, for the neighborhood<br />

and for the city. We need to be<br />

meeting about specific strategies to<br />

attract and assist residents to restore and<br />

live in these houses.<br />

New Orleans is challenged now<br />

more than ever, needless to say, with the<br />

number of vacant properties since the<br />

storm. That means we must strategize,<br />

plan carefully, and apply resources.<br />

When we say apply resources, we of<br />

course mean funding (as well as expertise,<br />

creativity and determination), but<br />

the costs would be nowhere near what<br />

they would be for demolition and new<br />

construction.<br />

To be sure, there will be new construction.<br />

Fortunately, much has been<br />

written about the necessity for good<br />

design in new construction, for design<br />

that complements existing structures<br />

and for design that reflects the rich<br />

architectural heritage of this city.<br />

Perhaps the reason restoration of<br />

vacant properties is not the priority it<br />

should be is because for the most part<br />

we are talking about one building at a<br />

time, and not, for example, 200 new<br />

houses in one fell swoop, all under one<br />

contract. But with careful planning, 200<br />

properties could be put back into service,<br />

with less public subsidy and much<br />

greater leverage impact.<br />

One issue to consider is the market.<br />

How strong is the market for brand new<br />

neighborhoods One thing this city has<br />

going for it is that it is a place whose<br />

existing neighborhoods have tremendous<br />

appeal to current residents, to residents<br />

who have not yet returned, and to many<br />

who have always loved New Orleans<br />

and have thought<br />

about moving here.<br />

There is a market,<br />

but the market is far<br />

stronger for older<br />

buildings than for<br />

new construction.<br />

Certainly there are<br />

people who prefer<br />

new to old, and we<br />

will need new construction,<br />

but for<br />

rebuilding the population<br />

of New<br />

Orleans, it will be<br />

the older buildings<br />

that have the most<br />

appeal to the most<br />

people.<br />

In areas that developed after 1960,<br />

for example, existing buildings in oncestable<br />

neighborhoods are more likely to<br />

attract both former residents and new<br />

residents due to several factors. One is<br />

that a restored 1960’s building is likely<br />

to cost less than a new building of lesser<br />

quality. Another is that in most cases<br />

the amount invested in restoring a property,<br />

even if the property is not yet old<br />

enough to be historic, usually increases<br />

in value at the time of completion. In<br />

particular this happens when adjacent<br />

and nearby properties are also being<br />

restored. There is a mutual and synergistic<br />

effect; all properties begin to increase<br />

in value as work and energy are in evidence,<br />

reflecting a commitment to the<br />

revitalization of the area.<br />

The market for all-new neighborhoods,<br />

or for individual new houses,<br />

will be strengthened by the restoration<br />

of existing buildings. In any case, demolitions<br />

do not send a message of vitality.<br />

Vacant lots are not a sign of revitalization,<br />

and nothing says more about<br />

“It must become<br />

public policy that<br />

rehabilitation of<br />

existing housing stock<br />

is always the first<br />

consideration and that<br />

it proceed from a<br />

city-wide plan.”<br />

Walter Gallas<br />

Director of the National Trust<br />

for Historic <strong>Preservation</strong><br />

New Orleans Field Office<br />

the vitality of an area than homeowners<br />

restoring their homes. It’s been happening<br />

in many neighborhoods<br />

throughout the city; we need to make<br />

it happen in more.<br />

Certainly there are prospective homebuyers<br />

who are not<br />

looking to undertake<br />

a major restoration.<br />

For this reason development<br />

on a smaller<br />

scale must also be<br />

encouraged. New<br />

Orleans is blessed<br />

with a large contingent<br />

of contractors<br />

and developers who<br />

over the decades have<br />

been renovating a few<br />

houses at a time.<br />

Incentives must be<br />

developed for the<br />

restoration of individual<br />

properties, one<br />

way or another, and marketing strategies<br />

must be developed to attract those who<br />

would undertake the work.<br />

So how do we make it happen<br />

Restoration, currently ignored, must<br />

become a priority. PRC is willing and<br />

able to do more, and others are as well.<br />

Since 1976, PRC has been in the business<br />

of putting vacant and deteriorated<br />

properties back into service, with considerable<br />

positive impact (there is<br />

always a tremendous ripple effect from<br />

building restoration). It seems to be<br />

contagious! We have some ideas, to be<br />

sure! And we are certain others do, too.<br />

We all need to be meeting with appropriate<br />

authorities and mapping out plans<br />

and strategies both to assist returning<br />

homeowners in restoring their homes,<br />

and to put vacant and abandoned properties<br />

back into service.<br />

While meetings about restoration of<br />

properties should have started shortly<br />

after the storm, it is never too late. For<br />

one thing, there have been efforts all<br />

over the city toward this end. PRC gave<br />

weekly workshops to assist returning<br />

homeowners, and much has been done<br />

in specific neighborhoods with assistance<br />

from a variety of sources. This has<br />

been very encouraging. But meetings<br />

need to be organized by appropriate city<br />

and state agencies, and resources<br />

applied, to address the development of<br />

strategies and incentives to put vacant<br />

buildings back into service. The gold<br />

mine of New Orleans neighborhoods<br />

and architecture is too valuable not to<br />

take action, and we can do it, house by<br />

house, neighborhood by neighborhood.<br />

Louisiana Legislation in the Works<br />

State Historic Tax Credit: Amending the existing credit law to make it consistent<br />

with the Federal Historic Tax Credit, including removing the sunset date<br />

and tax credit cap. Furthermore, the credit will be expanded to apply in all properties<br />

designated as historic by federal or local bodies.<br />

State Building Code: Amending the state building code adopted in the 2005<br />

Special Session to include a Rehabilitation Subcode based on the New Jersey<br />

model.<br />

Performing Arts Infrastructure Tax Credits: (Senate Bill 17) This bill would<br />

allow a 25 percent tax credit for the rehabilitation of historic Canal Street and<br />

adjacent theaters, including the Saenger and Orpheum. The credit is part of the<br />

Performing Arts Tax Credit bill by Senators Murray and Schedler, also known as<br />

“Broadway South.”<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 7<br />

PRESERVATION RESOURCE CENTER OF NEW ORLEANS ANNOUNCES<br />

A CALL FOR PHOTOGRAPHY AND CAPTION ENTRIES<br />

N E W O R L E A N S ’<br />

F A V O R I T E S H O T G U N S<br />

JURIED BY COTTAGE LIVING MAGAZINE PHOTOGRAPHY DIRECTOR JEAN HERR<br />

AND STAFF PHOTOGRAPHER ROBBIE CAPONETTO.<br />

DEADLINE: All entries must be submitted digitally by April 25, 2007.<br />

The shotgun is a<br />

rectangular house with<br />

all the rooms arranged<br />

directly behind one<br />

another in a straight<br />

line, front to back.<br />

Single, double, camelback,<br />

and two-story<br />

shotguns will all be<br />

accepted for the contest.<br />

EXHIBIT OPENING: <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong><br />

of New Orleans, June 29, 2007 (tentative) in connection<br />

with Shotgun House Month and the opening<br />

of Cottage Living’s 2007 Idea Home in<br />

Uptown New Orleans.<br />

The jurors are looking for STRIKING IMAGES OF<br />

SHOTGUN HOUSES in New Orleans accompanied<br />

by 100-WORD CAPTIONS WITH THE<br />

HUMAN STORY BEHIND THE PICTURE.<br />

A photographer and writer may enter as one team.<br />

children growing up or going back to visit the family<br />

home, the time it was a movie set, the odd<br />

goings-on around the place – whatever makes the<br />

shotgun special to you or to someone you interview<br />

and brings it alive for the audience. Entries will be<br />

judged on the combined impact of the photo and<br />

caption.<br />

ENTRY DETAILS: Original digital submissions (75<br />

dpi in jpg, tiff or psd) accompanied by caption in<br />

body of e-mail should be sent to alemann@prcno.org<br />

no later than April 25, 2007 (subject: favorite shotgun<br />

submission). Include all contact information in<br />

e-mail. Each entrant may submit up to five images<br />

with accompanying captions, however, each entry<br />

must be in a separate e-mail.<br />

NOTIFICATION: Winners will be advised by e-mail<br />

no later than June 1, 2007. At that time the original<br />

file must be uploaded to our ftp site. Framed artwork<br />

(of any size), which includes caption either<br />

inside mat or separately, must be delivered to the<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>, 923 Tchoupitoulas<br />

St., New<br />

Orleans, LA<br />

70130 no later<br />

than June 25,<br />

2007.<br />

The photos can be full views or details, with or<br />

without people, digitally enhanced or straight forward.<br />

Before/After images<br />

framed together (one of<br />

each) are acceptable. The<br />

stories should bring life to<br />

the photo. Tell about the<br />

couple who renovated the<br />

house, the old man sitting<br />

on the porch, the feeling<br />

you get every time you pass<br />

by, the Magazine Street<br />

shopkeeper set up in a shotgun,<br />

the jazzman who once<br />

lived there, the time you<br />

stayed there, the way it’s<br />

changed over the years, the<br />

Since 1974 the <strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> of New Orleans has been dedicated to the<br />

restoration and revitalization of New Orleans’ historic neighborhoods and architecture.<br />

www.prcno.org 923 Tchoupitoulas St. New Orleans, LA 70130 504/581-7032 fax: 504/636-3073<br />

www.prcno.org


8 APRIL 2007 PRESERVATION IN PRINT<br />

PRC members are cordially invited<br />

to attend the<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong><br />

of New Orleans<br />

33rd Annual Meeting<br />

followed by<br />

Coffee and Punch Reception<br />

Election of Officers and Board Members<br />

Keynote Speaker:<br />

Richard Moe<br />

President<br />

National Trust for Historic <strong>Preservation</strong><br />

Thursday, May 10, 2007<br />

5:30 - 7:30 p.m.<br />

St. Charles Avenue Presbyterian Church<br />

5900 Block of St. Charles<br />

Please join us for dinner following the Annual Meeting<br />

Antoine’s Restaurant - 8 o’clock<br />

$50 per person paid in advance to PRC.<br />

Reservations required by Monday, May 7, 2007<br />

Call PRC (504) 581-7032 for dinner reservations<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 9<br />

From the<br />

LOUISIANA<br />

State Historic <strong>Preservation</strong> Office<br />

Office of Cultural Development,<br />

Department of Culture, Recreation and Tourism<br />

Jonathan Fricker retiring in August<br />

Phillip Boggan Named New State Historic <strong>Preservation</strong> Director<br />

W<br />

ith the retirement of longtime<br />

director Jonathan<br />

Fricker approaching, State<br />

Historic <strong>Preservation</strong> Officer Pam<br />

Breaux has announced the appointment<br />

of Phillip Boggan to succeed<br />

Fricker as director of the Louisiana<br />

Division of Historic <strong>Preservation</strong>.<br />

Boggan will take over in mid-August.<br />

Phillip Boggan<br />

As director, Boggan will be heavily<br />

involved in the Historic Building<br />

Recovery Grants Program, the<br />

Division’s primary hurricane recovery<br />

program. He will also administer six<br />

other program areas and supervise a<br />

professional staff of eighteen.<br />

Boggan is a graduate of the<br />

University of West Alabama and<br />

Tulane University’s Historic<br />

<strong>Preservation</strong> program. While at<br />

Tulane, he worked as a design assistant<br />

for New Orleans architect/educator<br />

Gene Cizek, a leading light in<br />

Louisiana’s preservation movement. In<br />

2002, Boggan joined the Division staff<br />

as a designer and certified local government<br />

coordinator for Louisiana<br />

Main Street. He was promoted to state<br />

coordinator in 2003.<br />

Boggan’s accomplishments are<br />

impressive. Under his leadership,<br />

Louisiana Main Street:<br />

• WORKED closely with the National<br />

Trust Main Street <strong>Center</strong> in the<br />

aftermath of Hurricane Katrina to<br />

manage the distribution of donated<br />

items and funds to evacuation<br />

shelters and communities that were<br />

part of the Louisiana Main Street<br />

program;<br />

• OBTAINED a $20,000 “Your Town”<br />

grant to develop and host a design<br />

conference to assist in the hurricane<br />

recovery efforts for Louisiana and<br />

Mississippi;<br />

• HOSTED the June 2006 National<br />

Trust Main Streets Conference in<br />

New Orleans – one of the first conferences<br />

held in the city after<br />

Katrina – bringing over 1,200 Main<br />

Street downtown revitalization<br />

professionals, architects and preservationists<br />

to the city;<br />

• WON a $150,000 Preserve America<br />

Grant to assist in the start-up of<br />

Louisiana Main to Main: A Cultural<br />

Road Show, which was developed to<br />

collectively showcase the state’s<br />

authentic culture, heritage, and<br />

history during a month-long extravaganza<br />

of special events held<br />

throughout the state during<br />

November; and<br />

• ESTABLISHED an Urban Main<br />

Street program in New Orleans to<br />

assist in the revitalization of the<br />

city post-Katrina.<br />

Additionally, Boggan augmented the<br />

Main Street staff from two to five,<br />

enabling the program to tremendously<br />

increase the amount of technical assistance<br />

provided to participating communities.<br />

Saunders to Head Restoration<br />

Tax Incentive Program<br />

Alison Saunders<br />

State Historic <strong>Preservation</strong> Officer<br />

Pam Breaux also has announced the<br />

appointment of Alison Saunders as the<br />

Division’s tax credit program manager.<br />

Saunders replaces Nicole Hobson-<br />

Morris, who resigned recently to pursue<br />

other career opportunities.<br />

Saunders’ responsibilities include the<br />

Federal Rehabilitation Tax Credit<br />

Program, the State Commercial Tax<br />

Credit Program and the State<br />

Residential Tax Credit Program. Her<br />

goals include continuing to inform the<br />

public of the economic incentives<br />

available for historic preservation,<br />

making as much information on the<br />

three incentive programs as possible<br />

available electronically and aggressively<br />

promoting the residential tax credit<br />

program.<br />

The Federal Rehabilitation Tax<br />

Credit Program provides incentives to<br />

encourage the rehabilitation of<br />

income-producing National Registerlisted<br />

properties. Established long<br />

before Katrina hit South Louisiana, the<br />

program has proven to be a strong<br />

recovery tool. In the year-and-a-half<br />

since the storm, the monetary value of<br />

successful restoration projects leveraged<br />

by the program has increased<br />

from $95 million to $139 million.<br />

A graduate of LSU’s history department<br />

and a Baton Rouge native,<br />

Saunders has been with the Division<br />

for four years.<br />

www.louisianahp.org<br />

www.prcno.org


10 APRIL 2007 PRESERVATION IN PRINT<br />

Historic Building Recovery Grant Program<br />

The Project Officer –<br />

Your New Best Friend<br />

by Patricia L. Duncan<br />

T<br />

he $12.5 million dollars in grant<br />

money – lobbied for by Lt.<br />

Governor Mitch Landrieu – has<br />

been awarded in a record 45 days from<br />

the deadline for applications. “We wanted<br />

to get these grants in the hands of<br />

homeowners as quickly as possible,” Lt.<br />

Governor Landrieu said. “We are determined<br />

to rebuild our historic neighborhoods<br />

across southern Louisiana.”<br />

Now that recipients of Historic<br />

Building Recovery Grants are moving<br />

forward with the challenging job of<br />

repairing their Katrina or Rita-damaged<br />

homes and businesses, we want to assure<br />

recipients that you won’t face the job<br />

EXTERIOR DESIGNS, INC.<br />

EST. 1973<br />

alone. If you are unfamiliar with construction<br />

terms and practices, don’t<br />

despair: each grant recipient will have a<br />

mentor to assist and guide him or her<br />

through the process.<br />

The grant program’s project officers<br />

serve as the liaison between grantees and<br />

the Division of Historic <strong>Preservation</strong>.<br />

Each is an architectural historian with a<br />

construction or historic preservation background.<br />

Two are based in New Orleans<br />

and the third is headquartered in Baton<br />

Rouge, but travels extensively to the<br />

Crescent City and other parts of South<br />

Louisiana where grant projects are located.<br />

A fourth project officer is yet to be hired.<br />

Although each grantee is assigned to<br />

one officer for the duration of the project,<br />

each officer is responsible for overseeing<br />

multiple grants. The project officer’s<br />

first task is to evaluate a property’s<br />

damage and help the grantee to prioritize<br />

the repairs. Then the project officer<br />

assists the grantee in writing an appropriate<br />

scope of work. The scope is a document<br />

detailing the work to be done as<br />

well as how and when it will be completed.<br />

Once the grantee and state authorities<br />

have signed the scope, the officer<br />

requests that the first payment be made<br />

(60% of the grant award). If changes in<br />

the scope of work are needed, the officer<br />

assists in having the changes approved.<br />

Once the project officer is satisfied<br />

adequate progress has been made, he or<br />

she requests that the next installment of<br />

grant funds be paid (an additional 20%).<br />

If for some reason work does not start in a<br />

timely manner, the officer investigates the<br />

cause and attempts to help the grantee get<br />

the project moving. Should this attempt<br />

fail, the project officer refers the problem<br />

to higher authority for resolution.<br />

As work proceeds, the officer guides<br />

and monitors construction. When questions<br />

arise, he or she consults with the<br />

grantee, contractors and sub-contractors<br />

and, if necessary, helps them to interpret<br />

and apply the Secretary of the Interior’s<br />

Standards for Rehabilitation. Grantees are<br />

required to follow these guidelines,<br />

which specify best historic preservation<br />

practices. He or she also documents all<br />

grant activities and progress. At the end<br />

of each project, the officer certifies its<br />

completion, then requests the final grant<br />

payment of 20%.<br />

The project officers are Philip<br />

Gilmore, Jessica Landry and Tracy<br />

Nelson. Each is introduced elsewhere on<br />

this page. In addition to their regular<br />

duties, the three also will monitor projects<br />

in the Carrollton, Garden District,<br />

Irish Channel, Lower Garden District,<br />

Upper and Lower Central Business<br />

Districts and Uptown neighborhoods, as<br />

well as part of Esplanade Ridge, until an<br />

additional project officer is hired.<br />

BEVERLY KATZ, APLD<br />

Exterior Designs, Inc., is a landscape<br />

planning and contracting company, that<br />

specializes in “problem solving for<br />

yards.” Design, landscaping, paving<br />

masonry for courtyard and pool designs<br />

are the companies specialties.<br />

Beverly Katz<br />

Landscape Designer<br />

call 866-0276 for a consultation<br />

WWW.EXTERIOR DESIGNSBEV.COM<br />

Jessica Landry<br />

Jessica Landry is working on a master’s<br />

degree in preservation at<br />

Tulane University. She monitors<br />

grants in South Lakeview, Parkview,<br />

Broadmoor, Edgewood Park,<br />

Gentilly Terrace, and Esplanade<br />

Ridge. She also covers the Old<br />

Arabi and Friscoville historic districts<br />

in St. Bernard Parish. Landry<br />

earned a degree in Civil<br />

Engineering and has construction<br />

management experience that will be<br />

valuable to the grant program. She<br />

calls her role as project officer a<br />

once in a lifetime opportunity to aid<br />

hurricane victims and appreciates<br />

their enthusiasm and willingness to<br />

appropriately restore their homes.<br />

Philip Gilmore<br />

By participating in grant clinics<br />

designed to help New Orleans residents<br />

understand and complete the<br />

detailed grant application form,<br />

Gilmore served the grant program<br />

as a volunteer before joining the<br />

staff. He has also conducted architectural<br />

re-surveys of National<br />

Register historic districts (NRHD) in<br />

the Parkview and Faubourg Marigny<br />

neighborhoods and has assisted<br />

Tarps New Orleans (TNO) with public<br />

outreach and event assistance<br />

during the October 2006<br />

International Craftsman’s Conference<br />

in the city. Gilmore coordinates<br />

grants in the Bywater, Faubourg<br />

Marigny, New Marigny, Mid City,<br />

and Central City neighborhoods.<br />

Tracy Nelson<br />

Interested in sustainable solutions for<br />

the built environment, Tracy Nelson<br />

brings experience in the Holy Cross<br />

area to the grant program.<br />

Immediately after Katrina, she served<br />

as a first responder in Bay St. Louis.<br />

She assisted with medical evacuations,<br />

helped stranded residents<br />

reach safety, and partnered with<br />

many non-profits to establish a recovery<br />

center. In New Orleans, Nelson<br />

worked for Architecture for Humanity,<br />

connecting architects with disaster<br />

victims who need help rebuilding<br />

their homes, and with Neighborhood<br />

Empowerment Network Association.<br />

Nelson also worked with a New<br />

Orleans cultural management and<br />

research firm to establish a historic<br />

GIS digital database for the<br />

Broadmoor area. She serves as project<br />

officer for the Holy Cross, Vieux<br />

Carre, and Algiers Point historic districts.<br />

Like Gilmore, she will also<br />

work in Esplanade Ridge.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 11<br />

Kevin Mercadel, National Trust for Historic <strong>Preservation</strong><br />

Heritage tourists spend more and stay longer<br />

New Orleans Named a<br />

Distinctive Destination<br />

for Cultural Tourism<br />

by Alex Lemann<br />

In a press conference held in Jackson Square,<br />

Kevin Mercadel, project manager of the<br />

National Trust for Historic <strong>Preservation</strong> field office<br />

at PRC, recognized the city of New Orleans for<br />

“achievement in heritage tourism.”<br />

N<br />

ew Orleans became the thirteenth<br />

city on the 2007 “dozen<br />

distinctive destinations” list,<br />

an honor presented by the National<br />

Trust to “unique and lovingly preserved<br />

communities in the United States.”<br />

This year marks the eighth time the list<br />

has been presented, bringing the total<br />

to 63 destinations in 27 states.<br />

“Some places are just too important<br />

to let go,” Mercadel said as he presented<br />

the award. Since Katrina, the<br />

National Trust has been heavily<br />

involved in the rebuilding of New<br />

Orleans, with more than 1,000 volunteers<br />

from around the country assessing<br />

damages and planning work scopes for<br />

individual homeowners plus providing<br />

grants and professional services on 12<br />

Home Again projects in Mid-City,<br />

Treme, Holy Cross, South Lakeview<br />

and New Marigny.<br />

Reaction to the award from the dignitaries<br />

who attended the press conference<br />

was enthusiastic and supportive.<br />

“New Orleans is authentic. New<br />

Orleans is not manufactured. We<br />

respect it. We love it,” Sandy<br />

Shilstone, chief executive officer of the<br />

New Orleans Tourism Marketing<br />

Corp., said. State Historic <strong>Preservation</strong><br />

Officer Pam Breaux pointed out that<br />

“more buildings are eligible for the<br />

National Register of Historic Places in<br />

New Orleans than in any other city.”<br />

The presentation was widely seen as<br />

a recognition of the strength of New<br />

Orleans’ historic architecture and its<br />

inherent value for cultural tourism.<br />

Mayor Nagin, who was in attendance<br />

to receive the award, acknowledged<br />

that “our historic structures make us so<br />

different from everywhere else.”<br />

In addition to New Orleans, the<br />

National Trust recognized<br />

Charlottesville, Va.; Chatham, Mass.;<br />

Chestertown, Md.; Durango, Colo.;<br />

Ellensburg, Wash.; Hillsborough, N.C.;<br />

Little Rock, Ark.; Mineral Point, Wis.;<br />

Morgantown, W. Va.; Providence, R.I.;<br />

West Hollywood, Calif. and<br />

Woodstock, Ill.<br />

www.prcno.org


12 APRIL 2007 PRESERVATION IN PRINT<br />

A W E E K E N D O F F A B U L O U S<br />

Preserving the Stained Glass Heritage of New Orleans<br />

• Symposium Features National Experts April 21 •<br />

by Patricia Andrews<br />

New Orleans has an<br />

enormous selection<br />

of outstanding religious<br />

art, especially<br />

its stained glass windows,<br />

but they are a<br />

well-kept secret,<br />

Susan E. Levy and<br />

Blanche M. Comiskey<br />

reflected after closing<br />

down the Vatican<br />

Exhibit at the New<br />

Orleans World’s Fair.<br />

To bring this powerful<br />

art form to a wider<br />

audience, they<br />

formed the Stained<br />

Glass Art in Sacred<br />

Places group, which<br />

has presented over<br />

thirty PRC-sponsored<br />

tours since 1989.<br />

H<br />

Mary C. Higgins<br />

stained glass artist<br />

and conservator<br />

onoring the memory of Susan<br />

Levy, a special symposium on<br />

the history and conservation<br />

of New Orleans stained glass will take<br />

place at Trinity Episcopal School on<br />

Saturday, April 21, with illustrated<br />

talks by nationally recognized experts<br />

and members of the local tour committee.<br />

If you have attended any of the<br />

stained glass tours or have ever wanted<br />

to, this weekend is a must.<br />

The program is sponsored by the<br />

Friends of St. Alphonsus Art &<br />

Cultural <strong>Center</strong>, with assistance from<br />

the Louisiana Endowment for the<br />

Humanities and the <strong>Preservation</strong><br />

<strong>Resource</strong> <strong>Center</strong>.<br />

Harriet Murrell will present an<br />

informal survey of hurricane damage,<br />

and Mary La Coste will open the symposium<br />

with a history of the stained<br />

Andrew C. Young<br />

president of the stained glass<br />

Association of America<br />

Mary La Coste<br />

New Orleans author<br />

and tour organizer<br />

glass tours, enumerating some of their<br />

achievements over the years. Jean M.<br />

Farnsworth, a former resident of New<br />

Orleans and principal editor of Stained<br />

Glass in Catholic Philadelphia, will present<br />

her findings about New Orleans<br />

stained glass from 1841 until 1915.<br />

(Glass predating the Civil War is<br />

extremely rare in the United States).<br />

Dr. Sally Main, curator at the<br />

Newcomb Art Gallery, will talk about<br />

the influence of Louis Comfort Tiffany<br />

in New Orleans.<br />

Much of the symposium will focus<br />

on the preservation of our stained glass<br />

heritage. Local glass artist Cynthia C.<br />

Knezeak will describe some of the<br />

Hurricane Katrina-related damage that<br />

she has appraised and repaired, and<br />

Arthur J. Femenella, whose firm<br />

restored the Tiffany windows donated<br />

Cynthia Knezeak<br />

glass restoration specialist<br />

from Metairie<br />

to Newcomb College, will present his<br />

“Strategy for Restoration,” based on<br />

extensive experience throughout the<br />

United States. Mary Clerkin Higgins,<br />

author, stained glass artist, and conservator<br />

from New York, will focus on<br />

issues relating to the construction of<br />

windows, and Andrew C. Young, president<br />

of the Stained Glass Association<br />

of America, will discuss issues facing<br />

owners of stained glass when planning<br />

repairs.<br />

The all-day event, with registration<br />

beginning at 8:30 a.m., will include a<br />

box lunch and will conclude with a<br />

tour of the Trinity Episcopal Church<br />

stained glass windows by Harriet<br />

Murrell. The following day will feature<br />

a tour of four houses of worship.<br />

InSight Builders<br />

General Contractors for all New Orleans<br />

New Construction & Renovations<br />

“Committed to restoring the<br />

traditions of our community”…<br />

7407 St. Charles Avenue, NOLA<br />

504.865.7784<br />

www.Insightbuilds@mindspring.com<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 13<br />

S T A I N E D G L A S S A R T<br />

Preserving the Stained Glass Heritage<br />

of New Orleans<br />

Symposium: Saturday, April 21, 8:30 - 4:30<br />

Trinity Episcopal School<br />

1315 Jackson Avenue<br />

Tour: Sunday, April 22, 2:00 - 5:00<br />

Begins and ends at St. Alphonsus Art and Cultural <strong>Center</strong><br />

2045 Constance Street (at St. Andrew Street)<br />

The buses will leave promptly at 2:00<br />

Please register early!<br />

Send registration form and check to: Friends of St. Alphonsus,<br />

P.O. Box 57143, New Orleans, LA 70157-7143. For phone orders<br />

or information, call 504/636-3040.<br />

Sponsored by Friends of St. Alphonsus Art and Cultural <strong>Center</strong>, with<br />

assistance from the Louisiana Endowment for the Humanities and the<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>.<br />

Save a place for me!<br />

This window at Our Lady Star of the Sea portrays<br />

St. Frances Cabrini, the first American saint. Pope Leo<br />

XIII sent her to the United States to work with immigrants<br />

and poor children.<br />

PRC’s Stained Glass Tour<br />

Goes from Historic St. Roch to<br />

St. Charles Avenue April 22<br />

by Patricia Andrews<br />

he spring tour will feature<br />

Touro Synagogue and Our Lady<br />

TStar of the Sea, St. John the<br />

Baptist and St. Mary’s Assumption<br />

Catholic churches. In addition to the<br />

tour, there will be a symposium on<br />

April 21, “Preserving the Stained Glass<br />

Heritage of New Orleans.”<br />

Our Lady Star of the Sea is located<br />

in the National Register Historic<br />

District Faubourg New Marigny,<br />

known locally as St. Roch. This massive<br />

brick building in a Greek cross<br />

Gene Koss, of the Tulane University art department,<br />

created this window for the new wing of<br />

Touro Synagogue in 1990.<br />

Featuring windows from the pope’s first radio<br />

broadcast to sinuous art nouveau lines in a<br />

St. Charles Avenue synagogue, four outstanding<br />

houses of worship will open for PRC’s<br />

biannual Stained Glass in Sacred Places Tour<br />

on Sunday afternoon, April 22.<br />

plan houses windows by two studios<br />

popular in New Orleans: Emil Frei, of<br />

St. Louis and Munich, and the Franz<br />

Mayer Company, also from Munich.<br />

Sure to please tour goers are the portrayals<br />

of Pope Pius XI making the first<br />

radio broadcast from the Vatican and<br />

of Pope Pius X offering communion to<br />

the children.<br />

St. John the Baptist and St. Mary’s<br />

Assumption churches both greet worshipers<br />

with overwhelming expanses of<br />

elaborate German-style stained glass.<br />

www.prcno.org<br />

Name: ___________________________________________ Phone: __________________<br />

Address: ____________________________________________________________________<br />

_______ Symposium attendees ($25 fee includes lunch) $__________<br />

_______<br />

St. Mary’s Assumption was begun in<br />

1858, reflecting the growth of the<br />

German population in the Irish<br />

Channel. Construction of St. John the<br />

Baptist Church in Central City dates<br />

to 1868 and shows the vibrancy of the<br />

area near the end of the New Basin<br />

Canal in the years immediately following<br />

the Civil War.<br />

The sanctuary of Touro Synagogue<br />

on St. Charles Avenue, a Beaux Arts<br />

structure dedicated in 1909, is surrounded<br />

by stained glass that combines<br />

geometric forms with sinuous art nouveau<br />

lines. The subdued but warm feel<br />

of these windows contrasts with the<br />

sunny, symbolic glass of the adjoining<br />

Tour ($15 for members of the PRC or<br />

Friends of St. Alphonsus & $20 for non-members)<br />

Total:<br />

__________<br />

$__________<br />

chapel. Here, local artists Gene Koss<br />

and Ida Kohlmeyer, who had never<br />

produced a window before, demonstrate<br />

the virtuosity of this medium.<br />

Secure parking will be available at<br />

St. Alphonsus Art & Cultural <strong>Center</strong>,<br />

2045 Constance Street. The bus tour,<br />

from 2:00 until 5:00 p.m., will culminate<br />

with a reception at the St.<br />

Alphonsus <strong>Center</strong>. Bring your binoculars!<br />

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this stunning condo residence the feel<br />

of an elegant Uptown home. Perched<br />

high above Audubon Park, it enjoys<br />

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www.yourrealestateresource.net


14 APRIL 2007 PRESERVATION IN PRINT<br />

Louisiana <strong>Preservation</strong> Conference and Honor Awards<br />

Making <strong>Preservation</strong> Matter<br />

Monroe, May 4 - 6, 2007<br />

Sponsored by Louisiana Trust for Historic <strong>Preservation</strong>,<br />

Louisiana Division of Historic <strong>Preservation</strong> and Louisiana Division of Archaeology<br />

Why attend Professionals, representing a full spectrum of preservation experience<br />

and interests, will provide you with technical, practical and legal information.<br />

Educational sessions will spotlight both the successes and ongoing challenges<br />

we face in Louisiana preservation. Entertainment, receptions and tours will<br />

provide opportunities to mix with other preservationists.<br />

Who should attend <strong>Preservation</strong>ists, Main Street coordinators and managers,<br />

city and regional planners, architects, historians, archaeologists, state and local<br />

officials, owners of historic properties, advocates of historic preservation, smart<br />

growth planners, developers, heritage travelers and YOU!<br />

Bring a friend: The conference is a great opportunity to share with spouses and<br />

guests, through our Lagniappe Series of sessions, workshops, receptions, and<br />

awards luncheon, some of which may be purchased “ala carte” by non-conference<br />

attendees. Shopping and sightseeing information will be available. Everyone is<br />

invited to bid at the silent auction.<br />

We look forward to seeing you in Monroe!<br />

Stacy Jamieson, executive director, Louisiana Trust for Historic <strong>Preservation</strong><br />

Louisiana <strong>Preservation</strong> Conference<br />

Monroe, LA • May 4 - 6, 2007<br />

Atrium Hotel and Conference <strong>Center</strong><br />

Friday<br />

• Registration<br />

• Louisiana Trust board and annual meeting with reports from National<br />

Trust Southern Regional Office, Division of Historic <strong>Preservation</strong>,<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong> and Foundation for Historical Louisiana<br />

• Main Street meetings<br />

• Guided tour of downtown preservation successes<br />

• Visit to Beidenharn Gardens and Museum<br />

• Opening reception at the home of Merlin Smith<br />

Saturday<br />

• Registration<br />

• Opening plenary session with welcome from Monroe mayor’s office and<br />

keynote speaker Jay Dardenne, Louisiana Secretary of State.<br />

• Effective Advocacy in Louisiana - Melissa Flournoy Ph.D<br />

• Louisiana Main Street 101- Phil Boggan<br />

• History of Chairs - Leon Steele<br />

• Archaeology: Creoles of Color – The discovery of Marie Terese Coin –<br />

David Morgan<br />

• Louisiana Trust <strong>Preservation</strong> Honor Awards Luncheon<br />

• Ten Most Endangered Historic Sites List Update - Louisiana Trust<br />

• Legal Issues for Historic District Commissions– James Logan<br />

• Façade Easements as a Tool for Preserving Historic Buildings –<br />

Charles Charrier and Leah Tubbs<br />

• Exploring Louisiana – Ancient Mounds Driving Trail - Reca Jones.<br />

• What’s Happening in Louisiana Heritage Tourism -Sharon Calcote.<br />

• State & Federal Historic Tax Credits – Alison Saunders<br />

• Creating Design Guidelines for your Historic District – Ray Scriber<br />

• How to Take Care of Grandpa’s Headstone - National <strong>Center</strong> for<br />

<strong>Preservation</strong> Training and Technology<br />

• Current Efforts on Behalf of Poverty Point State Historic Site -<br />

Dianna Greenlee<br />

• Late Afternoon Tour of Masur Museum and Cooley House<br />

• Evening Reception at Layton Castle<br />

Saturday evening reception will be at Layton Castle.<br />

Sunday<br />

• Caravan from Atrium to Poverty Point (approx. 45 min) – Tram tour<br />

by Dianna Greenlee<br />

Registration<br />

Please register by April 28, 2007<br />

For all conference events and receptions . . . . . . . . . . . . . . . . . .$85<br />

or<br />

All conference meetings, sessions & tours<br />

Honor Awards Luncheon Included . . . . . . . . . . . . . . . . . . . .$45<br />

*Ala Carte Events<br />

Friday Opening Reception . . . . . . . . . . . . . . . . . . . . . . . . .$20<br />

Saturday Closing Reception . . . . . . . . . . . . . . . . . . . . . . . . .$20<br />

Total enclosed: ________ _______<br />

Name _____________________________________________________________________________________<br />

Address ___________________________________________________________________________________<br />

City/State/ZIP ____________________________________________________________________________<br />

Phone____________________________________ Email____________________________________________<br />

Credit Card# _______________________________________________________________Exp__________<br />

Signature_______________________________________ ___________________________________________<br />

Make check Payable to:<br />

Louisiana Trust for Historic <strong>Preservation</strong><br />

P.O. Box 1587<br />

Baton Rouge, LA 70821<br />

Please enclose this form with your check. Questions Call 225/344-6001<br />

Atrium Hotel & Conference <strong>Center</strong> - 2001 Louisville, Monroe.<br />

Call 318/410-4000 for reservations and mention the<br />

Louisiana <strong>Preservation</strong> Conference for special rate until April 25th.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 15<br />

One of two original “steamboat houses” in Holy Cross, PRC’s target neighborhood<br />

since 2002. Holy Cross, located along the river and just over the Industrial Canal from<br />

Bywater, is both a National Register Historic District and a local historic district. PRC’s<br />

Rebuilding Together, Operation Comeback and joint National Trust HOME AGAIN programs<br />

have renovated seven homes in Holy Cross since the City lifted its “look and<br />

leave” policy less than one year ago. We are in the process of totally rehabbing 19<br />

more homes. In addition, PRC owns an additional 11 houses and is working through<br />

the City’s adjudicated property process to acquire 24 properties. Before the storm, PRC<br />

renovated and sold four homes, built two new houses and repaired 104 homes belonging<br />

to elderly and disabled Holy Cross residents.<br />

by Alex Lemann<br />

Dunn and Sonnier Flowers donated their talents to trim PRC’s model steamboat house for<br />

Art in Bloom at the New Orleans Museum of Art. Opening night for the event drew more<br />

than 1,300 people, and thousands more viewed the miniature house while on public display.<br />

PRC was invited to participate in the “Movers and Shakers” category, dedicated this<br />

year to individuals and organizations that have made a significant impact toward the<br />

rebuilding of New Orleans since the storm.<br />

View house model and exhibit on Holy Cross neighborhood weekdays at PRC<br />

PRC Honored to Contribute to the<br />

Annual Art in Bloom Celebration<br />

A model of one of<br />

the famed steamboat<br />

houses in the<br />

Holy Cross Historic<br />

District was the focal<br />

point of the PRC<br />

exhibit at the New<br />

Orleans Museum of<br />

Art – a fitting tribute<br />

to the organization’s<br />

commitment to the<br />

neighborhood’s<br />

rebirth.<br />

he PRC participated in this<br />

year’s Art in Bloom as a Mover<br />

Tand Shaker, an honor reserved<br />

for a distinguished group of organizations<br />

who have contributed to the<br />

rebuilding of the city. Art in Bloom, a<br />

five-day event at the New Orleans<br />

Museum of Art sponsored by the museum<br />

and the Garden Study Club of<br />

New Orleans, showcases creative floral<br />

designs from clubs, artists, students and<br />

florists that complement the museum’s<br />

collection. The theme for this year’s<br />

exhibit, Vive la Nouvelle Orleans!, celebrates<br />

the history and rebirth of our<br />

city.<br />

The PRC’s display utilized a beautiful<br />

model constructed by James Edward<br />

Kelty, Sr. of one of the iconic “steamboat<br />

houses” in Holy Cross. Born in<br />

Biloxi in 1921, Kelty spent most of his<br />

life in St. Bernard Parish running his<br />

own construction company. After completing<br />

carpentry school, Kelty apprenticed<br />

with Richard Goodyear, and the<br />

two repaired one of the actual Doullut<br />

steamboat houses, so named because the<br />

Doullut family built the two famous<br />

homes in the early 1900s. Upon his<br />

retirement in 1986, Kelty began building<br />

miniature houses for his grandchildren,<br />

including a scale model of the<br />

steamboat house. In all, Mr. Kelty built<br />

30 miniature houses, many of which<br />

were donated to charity. The steamboat<br />

house seen at Art in Bloom was donated<br />

to a church and school fair in Arabi,<br />

where Marcel Duhe won it in a raffle<br />

and later donated the model to the<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong>.<br />

For the PRC’s display, the model<br />

house was adorned with flowers by<br />

Stephen Sonnier of Dunn and Sonnier.<br />

In addition to the wonderful floral<br />

designs and landscaping, Jackie Derks<br />

of the PRC amassed a collection of<br />

miniature dolls and objects from<br />

around the country. Dolls were loaned<br />

by Doreen Sinnott of Tiny Dolls, Inc.,<br />

one of the foremost makers of miniature<br />

dolls, and by Bonnie Broel, who<br />

operates a superlative dollhouse museum<br />

on the upper floor of her St.<br />

Charles Avenue bridal shop. Other<br />

items were donated or loaned by<br />

House Works, Ltd., Hobby Builders<br />

Supply, and Town Square Miniatures.<br />

“Miniature collecting,” Jackie<br />

Derks says, “is a fascinating hobby, one<br />

that brings you into contact with<br />

skilled artisans all over the world.” The<br />

PRC was thrilled and honored to be<br />

able to present some of those artisans’<br />

fine work at Art in Bloom while also<br />

promoting one of the iconic landmarks<br />

of the Holy Cross neighborhood.<br />

James Edward Kelty, Sr., a retired contractor who has built 30 miniature houses in his<br />

spare time, including the model steamboat house at PRC, actually worked as a carpenter<br />

apprentice repairing one of the steamboat houses.<br />

www.prcno.org


16 APRIL 2007 PRESERVATION IN PRINT<br />

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3927 Magazine Street<br />

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Chic Pre-teen Boutique<br />

•<br />

3638 Magazine Street NOLA<br />

hours Tues-Sat 10am to 5pm


PRESERVATION IN PRINT APRIL 2007 17<br />

GUEST<br />

VIEWPOINT<br />

The Unreported Influx<br />

of Bright and<br />

Energetic Residents to<br />

New Orleans<br />

Stephen Hales, M.D.<br />

This op ed originally appeared in the Times-Picayune and is reprinted here with<br />

writer’s permission.<br />

R<br />

ecently the New York Times carried<br />

a story on its front page<br />

under this headline: “New<br />

Orleans’s New Setback: Fed-up Residents<br />

Giving Up.” The article profiled several<br />

families who are leaving New Orleans<br />

because the pace of recovery is “too little,<br />

too late,” an understandable assessment.<br />

The article itself, while more<br />

nuanced, generally supported that statement.<br />

“We don’t have to go through<br />

this” would fairly represent the sentiments<br />

of those who have chosen to<br />

leave.<br />

But a different headline, equally as<br />

true, might have been this: “A Unique<br />

City Continues to Hold and Attract<br />

Committed Citizens.” Support for that<br />

alternative headline was found, in fact,<br />

in the text of Shaila Dewan’s article, as<br />

demographers and others described not<br />

only a hard-to-quantify “brain drain,” but<br />

also a determined and passionate core of<br />

New Orleanians choosing to stay, and a<br />

steady, if under-reported, flow of new residents<br />

who see both challenge and<br />

opportunity in this badly damaged city.<br />

“The pattern in is certainly stronger than<br />

the pattern out,” said one demographer.<br />

So why does the story run under the<br />

first headline, sure to be seen far and<br />

wide as one more piece of bad news documenting<br />

our city’s slide into oblivion<br />

Headlines count, leaving impressions<br />

that are hard to change, and I can only<br />

wish they had chosen the second one.<br />

I have been a pediatrician in New<br />

Orleans for more than thirty years, long<br />

enough to see a generation of babies<br />

grow up and, now, to help care for their<br />

babies. While I will not offer my experience<br />

as a substitute for the academic<br />

analyses of statisticians and demographers,<br />

I will cite my own less formal, but<br />

very personal survey of the flow of families<br />

in and out of our city.<br />

In the months after the storm, when<br />

we were able to come back to the city,<br />

open our office, and begin to care for our<br />

stunned and stressed families as they<br />

returned to pick up the pieces of their<br />

lives, demographic dynamics became<br />

very personal. Each day we collected<br />

from the fax machine and the occasional<br />

mail delivery requests for the medical<br />

records of children we had cared for<br />

through their young lives. There were so<br />

many such requests – from Dallas and<br />

New York, Denver and Houston, Atlanta<br />

and San Francisco.<br />

A unique city<br />

continues to<br />

hold and attract<br />

committed<br />

citizens<br />

But there were many families who<br />

chose to stay, for the whole range of reasons<br />

the New York Times article cited –<br />

for family, for jobs, for the keenly felt<br />

need to rebuild their homes, and their<br />

city. And, to our surprise, we began to<br />

see a flow of new patients and families<br />

into our practice from all over the country.<br />

Young families – educators, attorneys,<br />

physicians, and business people –<br />

arrived to replace those who left after the<br />

storm, or to begin new ventures made<br />

possible by the profound changes which<br />

followed Katrina. And we began to see<br />

more and more babies born in our<br />

remaining hospitals, perhaps the most<br />

significant vote of confidence in the<br />

future. We have found, over the past<br />

year, that the net of those flows in and<br />

out has turned decidedly positive.<br />

www.prcno.org<br />

Does that mean all is well in New<br />

Orleans Clearly, it does not. New<br />

Orleans faced significant problems before<br />

the flood, and those have become even<br />

more evident and wrenching as we<br />

rebuild our city. This is not an easy<br />

place to live right now. We recognize it<br />

when we experience the daily reality of<br />

broken traffic lights, pot-holed streets, a<br />

dysfunctional criminal justice system,<br />

and challenged health care resources.<br />

We see it when we travel to other cities,<br />

where things are “normal,” and the conditions<br />

we face each day would not be<br />

tolerated. Enormous challenges – unique<br />

in the history of our nation – remain in<br />

restoring housing lost when 80 percent of<br />

our city was flooded. We live with the<br />

pervasive sense that we have been failed<br />

by our elected leaders.<br />

But I strongly believe that the pessimistic<br />

“giving up” New York Times<br />

headline does not convey the reality I<br />

see day in and day out in my office, or in<br />

my city. Citizen-led initiatives have<br />

brought real change and reform to<br />

entrenched political structures, structures<br />

which have served New Orleans poorly<br />

for generations. The failed public school<br />

system is in the midst of a transformation<br />

led both by committed New Orleanians<br />

and an influx of bright and energetic<br />

educational reformers, school leaders,<br />

and teachers who are here because there<br />

is an unparalleled opportunity to “make a<br />

difference.”<br />

I was not born here, but found in this<br />

city many years ago a rich and engaging<br />

culture, place, and people. We have lost<br />

many wonderful families, and will<br />

undoubtedly lose more. This will be a<br />

To our surprise,<br />

we began to see<br />

a flow of new<br />

patients and<br />

families into our<br />

practice from all<br />

over the country.<br />

long process, and will require the devotion,<br />

vision, and hard work of those who<br />

choose to remain, and those who choose<br />

to come here to help this city rebuild.<br />

There are many who fit those descriptions<br />

– more, I believe than those who<br />

make the choice to leave. I hope that in<br />

a future story, and under a more optimistic<br />

headline, the New York Times will<br />

return to tell that story.


18 APRIL 2007 PRESERVATION IN PRINT<br />

Mandi Thompson<br />

Ashley Morris<br />

Geoffrey Moen<br />

Ali Sharif<br />

Post Katrina, Historic New Orleans At<br />

Compiled by Mary Fitzpatrick<br />

Stephen Maggart<br />

Lower Garden District<br />

Systems Engineer for Lockheed Martin<br />

I grew up in Nashville and finished<br />

graduate school at Vanderbilt in<br />

May 2006. Coming from Nashville,<br />

I wanted another place with a distinctive<br />

culture. I came to New<br />

Orleans because of an opportunity<br />

to work on NASA’s new Orion<br />

spacecraft at the Michoud Assembly<br />

Facility. Our goal is to send astronauts<br />

back to the moon and<br />

beyond. As a bonus, I had a great<br />

group of friends already living here<br />

who make it fun to learn the city.<br />

I feel the Lower Garden District is a<br />

nice blend of the urban amenities of<br />

downtown and the attractive architecture<br />

of uptown. I can walk to<br />

shops and restaurants, and come<br />

home to enough space to be comfortable.<br />

My place has an amazing<br />

oversized staircase, high ceilings,<br />

virtually no insulation or water pressure,<br />

the odd spider or two, beautiful<br />

tile fireplaces and loads of natural<br />

light. As with all old homes it<br />

has its idiosyncrasies, but the<br />

uniqueness makes up for it.<br />

■<br />

Matt Candler<br />

Uptown<br />

CEO, New Schools for New Orleans<br />

I was the chief operating officer for<br />

a $41 million school support organization<br />

called the <strong>Center</strong> for Charter<br />

School Excellence in New York City.<br />

Along with other long-time educators<br />

located in New Orleans and New<br />

York, I decided that what we had<br />

done in New York could be replicated<br />

in New Orleans. In New York,<br />

only two percent of kids go to a<br />

charter school. In New Orleans,<br />

55 percent of kids attend charter<br />

schools, and we believe that New<br />

Orleans is the one place in the<br />

United States right now where the<br />

concepts of autonomy and accountability<br />

have the chance to redefine<br />

and radically improve urban public<br />

education.<br />

What do I like best about being<br />

here The opportunity that we have<br />

to show the nation how to improve<br />

schools by putting kid issues ahead<br />

of adult issues. And Snug Harbor.<br />

■<br />

Geoffrey Moen<br />

Faubourg Marigny<br />

City Planner for the City of New Orleans<br />

When Katrina hit I was in Chicago<br />

working toward my Master’s<br />

degree. I decided to co-organize a<br />

volunteer trip for fellow graduate<br />

students to gut flooded homes. I fell<br />

in love with the city during the trip,<br />

and I knew I wanted to be a part of<br />

the rebuilding process.<br />

I immediately became infatuated<br />

with the downtown faubourgs. I felt<br />

like I was in a very special place,<br />

unlike anywhere else in the United<br />

States. I appreciated the Marigny’s<br />

proximity to nightlife on Frenchmen<br />

Street and the French Quarter, but I<br />

didn’t think I would be able to afford<br />

anything there. I loved my apartment<br />

the first time I saw it – it’s on the second<br />

floor of a house, and has a side<br />

gallery with a skyline view – and my<br />

landlord was willing to bargain a little<br />

on the price. New Orleans is one<br />

of the most comfortable cities in the<br />

United States. Streets are narrow,<br />

buildings are small, and most of them<br />

are brightly painted and inviting,<br />

with porches, stoops, and Caribbean<br />

shuttered doors in various combinations.<br />

Esplanade Avenue is perhaps<br />

the most beautiful street I have ever<br />

seen.<br />

■<br />

Esther Wanjira Nganga with<br />

husband, Rev. Moses Nganga<br />

Muguro, and children, Wisdom<br />

and Gloria<br />

Lower Garden District<br />

Public Health and Social Worker<br />

I moved here from Nairobi, Kenya. I<br />

was working in eight regions in<br />

Kenya educating communities on<br />

health issues, especially HIV and<br />

AIDS prevention for the youth. I<br />

came to New Orleans on a Ford<br />

Foundation scholarship to further my<br />

education at the Tulane School of<br />

Public Health and Tropical Medicine.<br />

The neighborhood looked clean<br />

and safe and it was good in terms<br />

of location and public transportation.<br />

I discovered that it is an excellent<br />

neighborhood when I watched<br />

Trinity Episcopal School staff and<br />

students walking confidently and<br />

peacefully to and from the school<br />

on Jackson Avenue. To me this was<br />

a very unique way from what I had<br />

seen before. I believe that children<br />

are the legacy which I shall leave for<br />

the time that I will not live to see. I<br />

needed a good school for my children,<br />

and I was frustrated until I<br />

went to the Trinity office of admission.<br />

My life has never been the<br />

same again. Trinity School is the<br />

greatest place in the U.S. for me.<br />

Gentleness and kindness was evident<br />

and still is in my interaction with the<br />

Trinity community. The school is like<br />

a star in the darkness. It is Trinity that<br />

gave meaning to my family when I<br />

had given up and wanted to take my<br />

children back to Africa.<br />

■<br />

Shawn Anglim and Anne<br />

Daniell and Mae, 3-1/2 years<br />

and James, 4 months<br />

Bayou St. John<br />

United Methodist Minister<br />

Shawn is a United Methodist minister<br />

at First United Methodist Church,<br />

at the corner of Canal and Jeff<br />

Davis. He is also serving in<br />

“Mission Zone 1,” which consists of<br />

six United Methodist Church congregations,<br />

half of which were devastated<br />

by the flood. I am an independent<br />

academic, currently working as<br />

a full-time mom. We came here for<br />

Shawn’s position in June, 2006.<br />

The Bayou St. John neighborhood<br />

is close to the various churches<br />

that are part of the Mission Zone<br />

Shawn is serving. It is also a beautiful<br />

neighborhood, and we love<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 19<br />

Noel Henderson-James<br />

Olivia Stinson<br />

Reverend Raymond Cannata<br />

ns Attracts a Variety of New Residents<br />

Jazz Fest. We also are committed to<br />

the Mid-City neighborhood, where<br />

First United Methodist Church is<br />

located. The people involved in<br />

Mid-City Neighborhood Recovery<br />

are extraordinary!<br />

The work we are involved with is<br />

beautiful. We wouldn’t want to live<br />

anywhere else. In New Orleans, I<br />

feel like I’m inside of something – a<br />

spiritual process that is greater than<br />

the sum of its parts. Now, especially,<br />

I also feel like we’re involved in<br />

a worthwhile project that is greater<br />

than ourselves – the project of healing<br />

and resurrecting our city.<br />

■<br />

Nancy and Guy Fournier<br />

Garden District<br />

Innkeepers – Sully Mansion<br />

We moved from Richmond, Virginia<br />

where Guy was head of business<br />

development for a specialized children’s<br />

hospital and I was responsible<br />

for all the human service agencies<br />

for the City of Richmond.<br />

We’ve been coming to visit New<br />

Orleans for years, but we changed<br />

careers and took possession of the<br />

Sully Mansion January of 2006.<br />

We had planned to do this about<br />

four years from now and had been<br />

looking at properties. When Katrina<br />

happened, we couldn’t imagine that<br />

New Orleans might not exist and<br />

we thought that if we were ever<br />

going to do this we should do it<br />

now. We wanted to help bring New<br />

Orleans back and host people who<br />

would come to the city.<br />

Sully Mansion was already a<br />

licensed B & B. The house had been<br />

neglected, but it’s beautiful and only<br />

one of seven Thomas Sully-designed<br />

homes left intact in New Orleans.<br />

What I like and also don’t like<br />

about New Orleans is that it is<br />

unlike anywhere else in the universe.<br />

New Orleans meets your<br />

senses better than any other place.<br />

■<br />

Patrick McRae<br />

Faubourg St. Roch<br />

U.S. Dept. of Commerce –<br />

Foreign Service Officer<br />

You either “get” this place or you<br />

don’t. Fortunately for me, I think I get<br />

it, and I’m richer for it. I was sent<br />

here by the U.S. Secretary of<br />

Commerce in September 2006. I am<br />

responsible for coordinating a global<br />

initiative to attract foreign direct<br />

investment to the city and the region.<br />

New Orleans to me is like a<br />

handsome, proud, stylish, lovingly<br />

sassy woman -- a woman who has<br />

taken a beating. When you look at<br />

her from one angle, you see all the<br />

attractive features I just mentioned,<br />

but when you look at her from<br />

another you see the fresh scars, and<br />

you can’t help but feel the sadness.<br />

This city though, like the fictitious<br />

woman, still strives to stand straight,<br />

to retain her inherent stylish beauty<br />

and rely on an inherent strength to<br />

move forward with a certain determined<br />

grace found only in this city --<br />

in spite of the pain.<br />

www.prcno.org<br />

Reverend Raymond Cannata<br />

Uptown<br />

Presbyterian Pastor, Redeemer<br />

Presbyterian Church<br />

I was raised in New York City and<br />

Northern New Jersey and came<br />

here from a position as senior pastor<br />

of a Presbyterian church in<br />

Somerset County, NJ. My wife and I<br />

fell wild in love with the city when<br />

we visited one week before Katrina.<br />

I was scheduled to come back for a<br />

second job interview the day of<br />

Katrina. Seeing the storm damage<br />

when we came in October ’05 convinced<br />

us of our calling. The<br />

Christian life is supposed to be<br />

about moving toward the pain. We<br />

turned down a senior pastorate in<br />

San Diego to come here. It was not<br />

a sacrifice -- this is the most wonderful<br />

city in America.<br />

We wanted to be in the center of<br />

the Uptown neighborhood, where<br />

most of our congregation lives. We<br />

bought a shotgun double -- converted<br />

to a single – that was built in<br />

1902 by German immigrants.<br />

Among the 11 owners was Johnny<br />

DeDroit, a jazz pioneer and bandleader.<br />

What I like about living here is<br />

the diversity, architecture, the urban<br />

setting with a strong sense of neighborhood,<br />

community and place, and<br />

also the music clubs, food, sense of<br />

celebration in the culture, the parks,<br />

our church and the open, honest,<br />

interesting and creative people. In<br />

the Bible every picture of heaven<br />

involves celebration. Jesus talks<br />

about the Kingdom of God as a<br />

great feast. In that way New<br />

Orleans looks more like heaven<br />

than any place else in America! We<br />

can’t believe how blessed we are to<br />

be here.<br />

■<br />

Ashley and Hana Morris (and Katerina,<br />

Annabel Lee, and Rey d'Orleans)<br />

Carrollton<br />

Computer Science Professor commuting<br />

to DePaul University in Chicago<br />

This time, [I moved to New Orleans]<br />

just because we wanted to live here<br />

again. I lived here as a kid in the<br />

‘60s, when my dad had a car lot<br />

on Chef Highway. Then I went to<br />

college here, and we knew this was<br />

the only place we wanted to live.<br />

When I found out my wife was<br />

pregnant with our third child, I knew<br />

we had to move into the Lusher<br />

school district. We were supposed<br />

to close on the house on September<br />

3, 2005. Well, that didn’t happen.<br />

The place didn’t get flooded, but<br />

did sit on pilings about four inches<br />

above the water. After going<br />

around and around with attorneys<br />

and insurance and mortgage brokers,<br />

we finally were one of the first<br />

people to close post-flood, in the<br />

first week of November. We had<br />

no idea if we’d be able to move<br />

back or not. This was killing us, and<br />

so our unborn child’s name changed<br />

from John Lee Morris to Rey<br />

d’Orleans Morris. He was born<br />

here on December 28, 2005.<br />

continued on page 20


20 APRIL 2007 PRESERVATION IN PRINT<br />

Esther and Wisdom Nganga<br />

Paul and Nicole Timmons<br />

Chris Harrington<br />

Stephen Maggart<br />

continued from page 19<br />

Ava Brucato<br />

Irish Channel<br />

Junior Architect<br />

I was working for an architecture<br />

firm in New Jersey when I decided<br />

to come to New Orleans after the<br />

storm because it would be an exciting<br />

opportunity to be part of the<br />

rebuilding process on both a professional<br />

and personal level. I came by<br />

my shotgun apartment in the Irish<br />

Channel through a friend who had<br />

to relocate after Katrina. Turns out to<br />

be a great neighborhood. I love<br />

New Orleans for its food, nightlife,<br />

great architecture, and amazing<br />

people.<br />

■<br />

Paul and Nicole Timmons<br />

Faubourg Marigny<br />

Hurricane Recovery Program<br />

Supervisor for Red Cross (Paul)<br />

Disaster Recovery Director for<br />

United Way (Nicole)<br />

Nicole and I came to New Orleans<br />

in December of 2005 as disaster<br />

recovery volunteers for the Red<br />

Cross. By Mardi Gras, we were<br />

engaged and found a new home<br />

and work in New Orleans. Our<br />

part of the Marigny received very<br />

little damage from Katrina, thus it<br />

had rental property available immediately.<br />

We wanted to live in the<br />

city, and it certainly helped that we<br />

had fallen in love with the character<br />

of the neighborhood and close proximity<br />

to the French Quarter.<br />

Our wedding was this<br />

Halloween weekend in the French<br />

Quarter. Our out-of-town family and<br />

friends came to celebrate with us.<br />

We wanted to offer the people closest<br />

to us a taste of New Orleans<br />

and why we must all work hard to<br />

preserve and rebuild this city. The<br />

wedding ceremony went beautifully<br />

in the courtyard under the stars and<br />

culminated in the grandest of New<br />

Orleans traditions, a second line<br />

down Bourbon Street.<br />

We came to give. We gave to<br />

each other and now are blessed<br />

with receiving the gift of life as our<br />

first child will be born in July, a<br />

proud New Orleanian. The circle of<br />

life continues in this great city we<br />

now call home.<br />

■<br />

Christopher Harrington<br />

Carrollton<br />

Plumber<br />

I used to be the drainage engineer<br />

for the Royal Household taking care<br />

of Buckingham Palace and Windsor<br />

Castle and all the houses inside the<br />

M-5 [beltway]. I was just six months<br />

short of getting the Royal Crest for<br />

my business when we decided to<br />

move to Sarasota, Florida, so our<br />

daughter could live in the States. I<br />

came with my wife to New Orleans<br />

right after the storm looking for<br />

work, and my wife (she’s English)<br />

fell in love with the city. She says it’s<br />

the closest place to Europe.<br />

Anyway, there were so many layers<br />

of corporations, contractors and subcontractors<br />

in the early days that<br />

guys like me couldn’t even cover<br />

expenses. When I heard that the<br />

work and pay had gotten better we<br />

moved here and put our daughter in<br />

school. We’re hoping she can get in<br />

Lusher School.<br />

I want to help start a curriculum<br />

in the schools for plumbing because<br />

I think kids here are being trained to<br />

work at McDonald’s and not much<br />

more. There’s a real need for skilled<br />

labor; the pay is $45-50 an hour,<br />

but the kids need to get experience.<br />

■<br />

Mandi Thompson<br />

French Quarter<br />

Commercial Interior Designer<br />

Provider of Discount Furniture<br />

and Appliances<br />

Before Katrina, I had been living in<br />

Atlanta, running my medical furnishings<br />

firm. I decided to move here<br />

because my favorite city needed all<br />

the help it could get and would for<br />

quite some time. My nonprofit<br />

organization provides donated furnishings<br />

at massive discounts to people<br />

in need.<br />

Living here today is American<br />

history in the making. I fully believe<br />

in the future of our home.<br />

I found my office/home in the<br />

Times-Picayune and am blessed to<br />

be a French Quarter resident.<br />

There’s nothing like the thick fog in<br />

the winter and sounds of boats,<br />

trains, horses, singers, life. It really<br />

has made me focus that much more<br />

on work and our future.<br />

■<br />

Toy O'Ferrall<br />

Mid-City<br />

Assistant Editor, The Historic<br />

New Orleans Collection<br />

I moved to New Orleans from<br />

Greensboro, North Carolina, where<br />

I taught composition and literature<br />

at the University of North Carolina<br />

at Greensboro. My boyfriend teaches<br />

architecture at Tulane. I believed<br />

in what he was doing here, and I<br />

loved the people I met in New<br />

Orleans and believed in what they<br />

were doing – people like Rachel<br />

Breunlin, co-director of the<br />

Neighborhood Story Project, and<br />

Ray Cannata, pastor of Redeemer<br />

Presbyterian Church.<br />

When I moved to Mid-City, my<br />

neighbor introduced himself, and<br />

the next day his wife – before she<br />

even met me – started calling<br />

friends to see if they knew of job<br />

openings for editors. New Orleans<br />

is the only city I know of where<br />

strangers – when they discover that<br />

you are new – thank you for moving<br />

there. It is the only place I have<br />

ever lived where I sit in church and<br />

know, without a doubt, my exact<br />

location on the map – where the<br />

musicians, after playing in some of<br />

the best clubs around town, wake<br />

up early on Sunday mornings to<br />

play old hymns in a style that<br />

belongs to the city; where people<br />

pray for each other and for their city<br />

like they are praying for family;<br />

where the service is intimately connected<br />

to the ground beneath the<br />

floorboards. I feel lucky to have<br />

been able to move, to meet women<br />

and men who are rebuilding their<br />

homes and caring for their families,<br />

to eat crawfish on the neutral<br />

ground on Tupelo Street near the<br />

House of Dance and Feathers (I've<br />

never enjoyed gaining twelve<br />

pounds as much as I have in New<br />

Orleans), to be part of a church that<br />

limps and rejoices and is learning –<br />

in a very tangible way – what it<br />

means to love and pray for each<br />

other.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 21<br />

Ava Brucato<br />

Nancy and Guy Fournier<br />

Jed Malitz and Sophie Omoro<br />

Bill Austin<br />

Treme<br />

Social Worker<br />

I lived in Baton Rouge doing social<br />

work with hurricane-displaced kids<br />

until Thanksgiving 2006. My new<br />

job is with Bridge House, a substance<br />

abuse center. I hated to see<br />

New Orleans decline, and I was at<br />

a point in my life where I could<br />

move. I bought the first house the<br />

Realtor showed me. I fell in love<br />

with it at first sight. The house is a<br />

100-year-old duplex with tall ceilings,<br />

a front porch, and a nice<br />

yard. I just couldn’t pass it up.<br />

Treme is a great neighborhood with<br />

great neighbors. I lived in Baton<br />

Rouge for 35 years, and there's so<br />

much more to do here. I've been<br />

making a lot of friends, which is<br />

easy because everyone here is so<br />

nice.<br />

■<br />

Olivia Dawa Stinson<br />

Uptown<br />

Senior Program Coordinator at<br />

the Tulane City <strong>Center</strong>, Tulane<br />

School of Architecture<br />

I moved here in January from New<br />

York City where I had finished my<br />

Master of Urban Planning at NYU<br />

the previous May. I was looking for<br />

work in New York but felt that there<br />

were other areas of the country and<br />

world that needed more help and<br />

energy. As a planner I actually felt<br />

some responsibility to come here<br />

and do my part for the recovery.<br />

I live in a swanky Victorian mansion<br />

on St. Charles that has been divided<br />

into apartments. Nothing is at a<br />

right angle and the plumbing is iffy,<br />

but I love the floors and get great<br />

light. I ride the bus daily and love it.<br />

My neighborhood is beautiful and<br />

safe and close to work, but a bit<br />

quiet for my taste.<br />

Basically I believe in this city and<br />

I wanted to be a part of its return. I<br />

am morbidly fascinated by a culture<br />

that celebrates eating something<br />

called mudbugs. My new culinary<br />

obsession is those spicy pickled<br />

string beans. I am also totally<br />

bonkers about the trees and the<br />

greenery and so on. I am a jazz<br />

freak so that doesn’t hurt.<br />

■<br />

Ali Sharif<br />

Lower Garden District<br />

Taxi Driver<br />

I spent six years in a refugee camp<br />

in Kenya after leaving Ethiopia.<br />

When I came to the United States I<br />

went first to Nashville, but my<br />

cousins and aunties lived here and<br />

wanted me to come to New Orleans.<br />

I was scared because of the hurricanes<br />

but finally came here a few<br />

months ago. I live with my family on<br />

St. Andrew Street. It’s good. The taxi<br />

business is getting better. There’s<br />

good opportunity in New Orleans<br />

for me. It’s my home now.<br />

■<br />

Craig Morse<br />

Faubourg Marigny<br />

Photographer • Writer<br />

• Artist • Documentarian<br />

• Community Activist<br />

I worked on a photographic documentary<br />

covering the [San<br />

Francisco] Bay Area’s underground,<br />

performance art, and Burning Man<br />

culture (1999 – 2006). I visited<br />

New Orleans many times over the<br />

past twenty plus years and lived on<br />

Esplanade (1993 – 1994). It is,<br />

without question, my favorite North<br />

American city.<br />

I decided to return to New<br />

Orleans in February of 2006 to contribute<br />

as a photographer and share<br />

with the nation, and the world, the<br />

struggles and the recovery efforts<br />

following Hurricane Katrina and The<br />

Great Flood. I also wish to bring<br />

attention to the indelible spirit that<br />

makes this city so profoundly unique<br />

and culturally rich. The title of my<br />

project is “Forsaken...Not Forgotten:<br />

New Orleans After the Flood.” I<br />

hope to share this extensive body of<br />

work as a touring gallery show, a<br />

four volume book, and as a Web<br />

presentation.<br />

[A series of chance encounters<br />

and new friends] resulted in my living<br />

in the house and neighborhood<br />

of my dreams. Marigny and<br />

Bywater offer a diverse community<br />

of characters who have a variety of<br />

creative talents, worldviews, eccentricities,<br />

and the time to know one<br />

another. The streets and houses are<br />

human scaled, infused with history,<br />

ornamentation, and personality. A<br />

mix of uses makes it very easy for<br />

me to not own a car. I can easily<br />

walk or bicycle. I am never bored<br />

because I feel like I am part of<br />

something greater than myself.<br />

■<br />

Noel Henderson-James<br />

Broadmoor<br />

Affordable Housing Development<br />

I came to New Orleans from<br />

Chicago in March 2006 on a volunteer<br />

trip that I co-organized and fell<br />

in love with the city. I was finishing<br />

a graduate degree in urban planning<br />

and working fulltime with an<br />

affordable housing development<br />

company and after seeing the city<br />

firsthand, I knew that I had to be<br />

here. I went back to Chicago, convinced<br />

my now-fiancée to apply to<br />

Tulane (as she was looking at<br />

schools at the time), and when she<br />

was accepted with a good financial<br />

aid package, I had to find a job to<br />

make the move happen.<br />

I found a nicely renovated apartment<br />

in Broadmoor, and chose it<br />

because I wanted to experience firsthand<br />

a neighborhood that was<br />

rebuilding, and it was proximate to<br />

Tulane. I can’t imagine living or<br />

working anywhere else in America<br />

right now – in the field of urban<br />

planning and affordable housing, it<br />

is the acme of relevancy. Plus it’s<br />

great fun.<br />

Please share your story<br />

with <strong>Preservation</strong> in Print<br />

The citizens of New Orleans, government<br />

leaders, international media,<br />

T.V. pundits and everyone in the race<br />

for President of the United States<br />

need to know that our city is alive<br />

with new blood, new ideas, new<br />

dreams of opportunity, new commitment<br />

and renewed love for this place<br />

we will fight to call home.<br />

If you have moved here since the<br />

storm, come back to the city after finishing<br />

your education, relocated to<br />

town from the suburbs, decided to<br />

return after leaving for a while or<br />

declined opportunities to transfer<br />

because you chose to remain in New<br />

Orleans WE WANT TO HEAR<br />

YOUR STORY.<br />

Contact mfitzpatrick@prcno.org<br />

or call Alex Lemann, 504/636-3043.<br />

www.prcno.org


22 APRIL 2007 PRESERVATION IN PRINT<br />

photos and text by Alex Lemann<br />

Post-storm, volunteers and new staff<br />

come from near and far to help PRC rebuild<br />

EVA ALITO<br />

A resident of Mid-City, Eva was<br />

born and raised in New Orleans<br />

and worked<br />

until recently<br />

as a mechanical<br />

engineer.<br />

Since<br />

1995 Eva<br />

has been volunteering<br />

for<br />

Rebuilding<br />

Together, but<br />

now she’s a construction manager,<br />

along with PRC’s Kevin Barnes. Eva<br />

says that supervising home repairs<br />

isn’t so different from mechanical<br />

engineering. “It’s the same principles,<br />

just a different venue.”<br />

According to Eva, the best part of<br />

her new job has been working with<br />

volunteers. “Those kids are great.<br />

It’s so uplifting to work with people<br />

coming in from out of town; they’re<br />

so grateful and enthusiastic.”<br />

WILBUR WALKER<br />

Rebuilding Together’s new warehouse<br />

manager first moved to New<br />

Orleans from<br />

Barnwell,<br />

S.C., in<br />

1981, when<br />

some of his<br />

buddies in<br />

the Navy<br />

were stationed<br />

here<br />

and urged<br />

him to come down. After working<br />

in operations for the World’s Fair<br />

(where he met Sara Moore),<br />

Wilbur moved to the Convention<br />

<strong>Center</strong>, where he worked in the<br />

warehousing department for more<br />

than a decade. Living with his wife<br />

and two daughters in Algiers,<br />

Wilbur considers himself lucky to<br />

have avoided the floodwaters, but<br />

his evacuation was no picnic;<br />

spending three months in a threebedroom<br />

house in Jackson, Miss.<br />

with 15 people and eight dogs<br />

was not fun. Wilbur also has a<br />

background in computers, but he<br />

says he loves his new job. “I like<br />

this because it’s tangible; you can<br />

see it, feel it.”<br />

SUE HOBBS<br />

On a six-month sabbatical from her<br />

job in Washington, D.C., Sue Hobbs<br />

joins the PRC as<br />

news editor of<br />

<strong>Preservation</strong> in<br />

Print. Sue works<br />

as an editor and<br />

reporter for the<br />

Bureau of<br />

National Affairs,<br />

Inc., a private<br />

company that<br />

manages a variety of publications<br />

dealing with labor relations, law, business,<br />

and government. The company<br />

awards two sabbaticals per year for<br />

projects that aim to benefit not only the<br />

individual, but also the community. For<br />

the sabbatical committee, Sue says, it’s<br />

also important that the project fit with<br />

the applicant’s life. For Sue, the fit was<br />

perfect. “Certain cities take your<br />

breath away, and New Orleans just<br />

does. After the storm, I was struck by<br />

the tendency to tear down damaged<br />

homes, and I wanted to help stop<br />

that.” Since early February, Sue has<br />

been living in the French Quarter,<br />

working at the PRC, and trying to soak<br />

up as much of the city as she can.<br />

JOSH HERRINGTON<br />

Josh comes to New Orleans from<br />

Fullerton, Calif., where he worked for<br />

the Rebuilding<br />

Together (RT)<br />

affiliate in<br />

Orange County<br />

for four years.<br />

Working for RT<br />

in California,<br />

Josh says, was<br />

nothing like<br />

working in New<br />

Orleans. In Orange County, he did a<br />

lot of handicap modifications: putting<br />

in ramps, grab bars, special showers,<br />

and other minor repairs. Here in New<br />

Orleans, Josh quickly learned, RT is<br />

faced with a much more gargantuan<br />

task. When Josh moved from<br />

California, he felt the thrill of getting<br />

involved with something at the ground<br />

level. As supply manager, Josh has<br />

been putting in some long hours getting<br />

everything up to speed, but it’s all<br />

worth it, he says, when you see people<br />

moving back into their homes.<br />

SARA MOORE<br />

Sara has lived in New Orleans for<br />

25 years now, but when she first visited<br />

during the<br />

World’s Fair in<br />

1983, she<br />

was a total<br />

neophyte. “I<br />

had never<br />

been down<br />

south in my<br />

whole life, but<br />

when my sister moved down I had to<br />

come visit.” Before long, Sara had a<br />

job working for the World’s Fair and<br />

had moved away from her native<br />

New Jersey. When the World’s Fair<br />

ended, she worked for the<br />

Convention <strong>Center</strong>, where she<br />

stayed until a few months ago. As<br />

intake manager for Rebuilding<br />

Together, Sara is responsible for sorting<br />

through all the homeowners who<br />

apply for help, something she enjoys<br />

immensely: “I love helping people<br />

get back into their homes.”<br />

MARCELLE BOUDREAUX<br />

Marcelle comes to the PRC from the<br />

Historic <strong>Resource</strong>s Group, a private,<br />

for-profit, historic<br />

preservation<br />

consulting<br />

group in Los<br />

Angeles. After<br />

a four month<br />

stint working<br />

for the Indian<br />

National Trust<br />

for Art and Cultural Heritage in New<br />

Delhi, she decided to move back to<br />

New Orleans, her hometown. “I had<br />

to go to the other side of the world<br />

to realize I came from a really interesting<br />

culture,” she says. Now<br />

Marcelle writes for <strong>Preservation</strong> in<br />

Print and assists Rebuilding Together,<br />

and is hoping to attend architecture<br />

school in the near future.<br />

BRITTON HERRING<br />

Hailing from Lafayette and New<br />

Iberia, Britton first came to New<br />

Orleans in 1984 to see the World’s<br />

Fair. Inspired<br />

by the city’s<br />

buildings, he<br />

decided to<br />

become an<br />

architect.<br />

While attending<br />

Tulane<br />

architecture<br />

school, Britton was somewhat frustrated<br />

by the emphasis placed on<br />

modern design. Even after he<br />

received his architecture degree,<br />

Britton felt that he had missed out on<br />

a lot of history, so he decided to go<br />

back to school for a master’s in<br />

preservation, which he expects to<br />

receive next year. Britton spent a<br />

semester volunteering for Operation<br />

Comeback, working on projects in<br />

Holy Cross, and says he would love<br />

to do more preservation work.<br />

“New Orleans is a city about<br />

preservation,” Britton says. “It’s a<br />

very important time to keep it<br />

together.”<br />

KEVIN BARNES<br />

Born and raised in Alabama, Kevin<br />

first moved to New Orleans in<br />

1999, after falling in love with the<br />

city on a visit.<br />

“This really is<br />

the jewel of<br />

the South, and<br />

I just loved the<br />

city and all its<br />

culture.” Kevin<br />

has worked for<br />

Rebuilding<br />

Together since 2003, and so he<br />

hardly counts as a new staff member,<br />

but it was only in December<br />

that he returned to RT after a<br />

Katrina-induced exile in San<br />

Francisco, where he worked with<br />

homeowner’s insurance and tried to<br />

sell his house in New Orleans. “It<br />

was just time to move back. I figured<br />

that if anyone could help, it<br />

was people who had gone through<br />

similar things,” Kevin said.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 23<br />

ACTIVELY FOR SALE<br />

ACTIVELY FOR SALE<br />

The owners of the following houses have contacted Operation Comeback and asked us to market their properties.<br />

Though you may not see a “For Sale” sign outside, each house is being offered to a renovator committed to doing a respectful<br />

renovation, whether for owner occupancy, resale or rental. To view the properties in their neighborhood settings, please<br />

contact Sarah Bonnette, Operation Comeback’s Information Manager, at (504) 636-3047 or sbonnette@prcno.org.<br />

6212 Burgundy St., Holy Cross: This more than 150-<br />

year-old Creole cottage needs a loving renovator to bring it<br />

back to life. There’s lots of potential in the open floor plan,<br />

which could make a perfect studio space or home for a single<br />

occupant. The property’s double lot leaves lots of room<br />

to build an addition. $60,000 as is.<br />

607 Flood St., Holy Cross: Discover this hidden gem with a lovely<br />

side yard garden and back yard! The one-bedroom, onebath<br />

single shotgun with bargeboard construction was renovated<br />

just before Hurricane Katrina. Property near Mississippi<br />

River flooded but has been gutted. It includes a utility room and<br />

covered rear patio. $75,000 as is.<br />

3635 Livingston St.: Original Lustron house on large corner<br />

lot in New Orleans neighborhood near Old Metairie. Twobedroom,<br />

one-bath house is constructed of enameled steel<br />

panels and is one of the few remaining examples of its kind<br />

in the city and the country! Interior flooded with more than 4<br />

feet of water, but has been gutted. Price negotiable.<br />

1425 Piety St., Bywater: Get the chance to repair an Artsand-Crafts-style<br />

double shotgun turned single-family residence.<br />

House sits on a double lot in area just outside the<br />

Bywater National Register District and flooded with more<br />

than 4 feet of water. $50,000 as is.<br />

6126 Royal St., Holy Cross: Make what neighborhood residents<br />

say was former dance hall your home! The two-bedroom, onebath<br />

single shotgun also has side gallery porch, detached shed<br />

with utilities and a nice backyard. House flooded with 4 feet of<br />

water, but has been gutted. Repairs will need to be made to collapsed<br />

front porch. $40,000 as is or negotiable.<br />

4914-16 N. Rampart St., Holy Cross: Turn this double shotgun<br />

located near Holy Cross School into your home. Each<br />

side of this unrenovated house has two bedrooms and one<br />

bath and flooded with up to 6 feet of water. $30,000 as is<br />

(seller also requesting that buyer pay $3,500 in property<br />

taxes).<br />

418 St. Maurice Ave., Holy Cross: This single shotgun with<br />

side and back additions has lots of space! The four-bedroom,<br />

two-bath house is unrenovated so there’s lots of<br />

potential to create the floor plan you want in a location near<br />

the Mississippi River. $90,000 as is or negotiable.<br />

Please note: Because Operation Comeback is a<br />

non-profit program of the <strong>Preservation</strong> <strong>Resource</strong><br />

<strong>Center</strong>, we do not enter into contractual agreements<br />

with the sellers of properties. Sellers are<br />

free to choose to accept an offer from any party<br />

interested in a home, not limited to parties that<br />

the Operation Comeback staff has referred to the<br />

seller.<br />

www.prcno.org


24 APRIL 2007 PRESERVATION IN PRINT<br />

The Priestley School<br />

for Architecture and<br />

Construction Prepares<br />

Students for College<br />

and Careers<br />

by Lindsay McCook, AmeriCorps* VISTA volunteer at PRC<br />

With an enrollment of about 75 ninth<br />

graders, The Priestley School has almost<br />

completed its first year of operation.<br />

Community support, a dedicated staff<br />

and an enthusiastic student body have<br />

made this year a resounding success<br />

for the new charter school.<br />

S<br />

till based on the second floor of<br />

the MacNair building on<br />

Carrollton Avenue between<br />

Birch and Green streets, the Priestley<br />

School draws its students from the surrounding<br />

neighborhoods of Uptown,<br />

Carrollton and Hollygrove, as well as<br />

more far-flung areas such as the 7th<br />

Ward and New Orleans East. The academic<br />

year began using a curriculum<br />

designed with help from Tulane<br />

University’s School of Architecture.<br />

Principal Michelle Biagas worked with<br />

Priestley’s 10-person staff to learn why<br />

the students were interested in attending<br />

the unique school and educate<br />

them about the Priestley mission.<br />

Some students, like Donaysha<br />

Stroughter, enrolled because their parents<br />

were interested in the college-prep<br />

learning model. Donaysha said that<br />

before attending Priestley she hadn’t<br />

considered a university education. Now<br />

she hopes to go to college to study<br />

interior design. Other students, like<br />

Kevin Tennessee, applied to Priestley<br />

The original Priestly School building on Leonidas St. Principal Michelle Biagas<br />

hopes to involve students in future restoration projects, allowing the school to<br />

move out of their temporary space in the MacNair building.<br />

to take advantage of the opportunity to<br />

develop skills for the architecture and<br />

construction professions. Like<br />

Donaysha, he now hopes to attend college<br />

after graduation from Priestley.<br />

“The kids are really empowered,”<br />

Biagas said. “To have students excited<br />

about education in New Orleans is a<br />

big deal.”<br />

Part of this is due to Biagas’s nurturing<br />

attitude. If a student comes up with<br />

an idea and follows through with a<br />

written proposal, the school will make<br />

a serious attempt to implement it.<br />

Donaysha and Kevin agreed: “We can’t<br />

wait to go to school. At other schools<br />

you can’t make suggestions. Here, you<br />

can ask for anything if you just try.”<br />

Students are part of the decisionmaking<br />

process at Priestley, even suggesting<br />

curriculum. Ms. Biagas said that<br />

the transformation has become obvious<br />

in the way students handle tasks. “When<br />

the students first got here they said, ‘I<br />

can’t, I can’t, I can’t.’ Now it’s ‘Give me<br />

a minute, and let me figure it out.’ ”<br />

The combination of standard college<br />

prep classes and the architecture,<br />

construction and business tracks offered<br />

at Priestley affords students the chance<br />

to work on all-encompassing projects.<br />

Early in the year, students concentrated<br />

on three- to five-day projects in their<br />

classrooms, but in December they<br />

began their first large-scale project – an<br />

introduction to plantations. Gene<br />

Cizek, a member of the school’s board,<br />

took the students to Laura and<br />

Destrehan plantations for site visits.<br />

Students learned building techniques<br />

and took measurements and pictures.<br />

Later, they created presentations, models<br />

and reports on the two structures.<br />

Students also worked with LSU<br />

landscape architecture students to<br />

develop plans for landscaping the out-<br />

GET DIRTY<br />

The<br />

Garden Trellis<br />

8015 Maple St.<br />

(504) 861 1953<br />

Tues.-Fri. 9-5<br />

Sat. 9-2<br />

The Priestley curriculum includes standard college preparatory classes as well as<br />

architecture, construction, and business tracks. Students at Priestley say their<br />

classes are far more engaging than anything they’ve experienced before.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 25<br />

Donaysha Stroughter and Kevin Tennessee, members of Priestly’s first class of<br />

freshmen, say their first year has been stellar. “The good thing about this school<br />

is that it’s like a family,” Kevin says.<br />

side of their temporary school site, the<br />

MacNair building. With the help of<br />

about 16 New Orleans Saints football<br />

players (including Drew Brees), the<br />

Priestley and LSU students planted<br />

trees and shrubery around the school.<br />

The Saints also donated $5,000<br />

through their Hometown Huddle program<br />

so the Priestley students could<br />

have a recreational room at school.<br />

Students also attended the World<br />

Monuments <strong>Preservation</strong> Conference<br />

for three days and helped to restore<br />

homes in Holy Cross. Before the year<br />

ends, the students are slated to travel<br />

to Washington, D.C., where they will<br />

study the architecture and do a project<br />

based on various city sites. Each year<br />

different grades will take trips around<br />

the country to expand their knowledge<br />

of architecture and career opportunities.<br />

They will also visit colleges and<br />

universities.<br />

As the students continue through<br />

the curriculum, they will gain more and<br />

more hands-on experience with architecture<br />

and construction in order to<br />

attend college or enter the trades. “We<br />

want to expose them to all that we<br />

can,” said Biagas. “We want them to<br />

have a complete portfolio to make<br />

choices.”<br />

The school has good community<br />

support. Neighbors were invited to give<br />

feedback on the landscaping project.<br />

Student work also is currently on<br />

exhibit at the Contemporary Arts<br />

<strong>Center</strong>. Residents often volunteer at<br />

the school.<br />

“I feel like this school can do great<br />

things if we continue with the support<br />

of the community. We’re trying to do<br />

something different. We’re giving the<br />

kids the best this city and state have to<br />

offer,’ Biagas said. “We can’t lose this<br />

program.”<br />

The current goal at Priestley is to<br />

expand the student body. When the<br />

current students become sophomores in<br />

the fall, Priestly will add another class<br />

of freshmen, as well as a new sports<br />

program.<br />

The students will testify that<br />

Priestley is a one-of-a-kind experience.<br />

“The good thing about this school is<br />

that it’s like a family,” Kevin Tennessee<br />

said. “We greet people and make them<br />

feel comfortable.”<br />

Future plans for the school’s location<br />

are under discussion. Although the<br />

February tornado ripped a hole in the<br />

wall of the Priestley library just before<br />

the Priestley School’s Open House, the<br />

response of the Recovery School<br />

District was swift. “We really opened<br />

the house!” joked Biagas. The school<br />

will stay in the MacNair building until<br />

the original Priestley School, located<br />

nearby on Leonidas St., is restored.<br />

Right now, the school lacks the funding<br />

for the renovation.<br />

To learn more about the Priestley<br />

School for Architecture and Construction,<br />

or to view applications for both ninth and<br />

tenth grades, please visit the website at<br />

http://priestleyschool.org.<br />

www.prcno.org


26 APRIL 2007 PRESERVATION IN PRINT<br />

Believe in New Orleans – Invest in the PRC<br />

MEMBERSHIP BENEFITS<br />

<strong>Preservation</strong> in Print subscription<br />

Discount on PRC tours, events and retail items<br />

Advance notice of PRC workshops and events<br />

Use of PRC library<br />

Invitation to PRC Annual Meeting<br />

Memorials and Tributes<br />

In Honor of<br />

EVELYN COX<br />

By<br />

Dr. and Mrs. Richard Strub<br />

PRC PROGRAMS<br />

Operation Comeback<br />

Rebuilding Together<br />

Ethnic Heritage <strong>Preservation</strong><br />

Historic <strong>Preservation</strong> Education<br />

Façade Easements<br />

✁<br />

❑ YES, I want to be a PRC member!<br />

❑ YES, I want to volunteer.<br />

________________________________________________________________<br />

Name<br />

________________________________________________________________<br />

Address<br />

________________________________________________________________<br />

City, State, Zip<br />

________________________________________________________________<br />

Phone<br />

________________________________________________________________<br />

e-mail<br />

Payment Method: ❑ Check ❑ MasterCard ❑ Visa ❑ AMEX<br />

________________________________________________________________<br />

Card #<br />

Exp. Date<br />

MEMBERSHIP CATEGORIES:<br />

General<br />

❑ $30 Friend (first time members, students, seniors & neighborhood groups)<br />

❑ $40 Individual (discounts for one)<br />

❑ $60 Dual (discounts for two)<br />

❑ $100 Household (discounts for four)<br />

Heritage Club<br />

❑ $250<br />

❑ $350<br />

❑ $500<br />

❑ $1000<br />

PRC EVENTS<br />

Holiday Home Tour<br />

Julia Jump<br />

Stained Glass Art in Sacred Places Tour<br />

Heritage Club Luncheon and Reception<br />

Shotgun House Month<br />

Great Neighborhood Sellabration<br />

Ladies In Red Gala<br />

Lecture series and workshops<br />

MEMBERSHIP FORM<br />

Preserver (discounts for four, plus special invitations and listing in<br />

<strong>Preservation</strong> in Print)<br />

Restorer (same as above, plus one free Holiday Home Tour ticket*)<br />

Conservator (same as above, plus one free Heritage Club Luncheon ticket*)<br />

Landmark (same as above, plus one free Julia Jump ticket*)<br />

*Please request at least two weeks prior to event.<br />

Enclose payment information and mail to:<br />

<strong>Preservation</strong> <strong>Resource</strong> <strong>Center</strong><br />

923 Tchoupitoulas Street, New Orleans, LA 70130<br />

Of the total amount of your dues, $15.00 is for your subsciption to <strong>Preservation</strong> in Print. Minimum dues<br />

are $30. The portion of your payment that exceeds $15.00 is tax-deductible to the fullest extent of the law.<br />

An integral part of the PRC mission is<br />

to reach out and educate the community<br />

about historic preservation.<br />

Operation Comeback (OC) has staged<br />

hundreds of workshops since 1988,<br />

but certainly among its most popular<br />

are the monthly Renovators’ Happy<br />

Hours at homes in progress with the<br />

owners, architects, contractors, OC<br />

staff and other specialists there to<br />

answer questions from the 50 to 100<br />

people who attend. The crowd at the<br />

March Happy Hour in Melissa Gibbs’s<br />

French Quarter renovation project<br />

poured into Dumaine Street.<br />

CALENDAR OF EVENTS<br />

All events at the PRC unless otherwise noted.<br />

For more information, call 504-581-7032 or log onto www.prcno.org<br />

APR 18<br />

Richard Moe, president of the<br />

National Trust for Historic<br />

<strong>Preservation</strong>, will be the keynote<br />

speaker at the PRC Annual Meeting<br />

May 10, 5:30 p.m., at St. Charles<br />

Presbyterian Church. The Trust was on<br />

the ground in New Orleans immediately<br />

after Hurricane Katrina and has<br />

remained committed with personnel,<br />

leadership, professional volunteers<br />

and funding ever since. “As long as it<br />

takes,” Moe has said. (Photo courtesy<br />

of the National Trust.)<br />

RENOVATORS’ HAPPY HOUR: FAUBOURG DELACHAISE<br />

Operation Comeback showcases the renovation of an Uptown<br />

bracketed double shotgun at the April Renovators’ Happy Hour<br />

event in Faubourg Delachaise. Owner Mehmet Ergelen has<br />

fashioned an L-shaped floor plan that features a one-bedroom<br />

apartment on one side of the house and master suite and loft on<br />

the other. Tour the house from 5:30 - 6 p.m., hear from the<br />

owner and Operation Comeback staff, view before and after<br />

floor plans and photos, and enjoy refreshments (including wine).<br />

5:30 p.m., 732-34 Delachaise Street, $5/person,<br />

Bonnette@prcno.orgor (505) 636-3047.<br />

WEEK OF COTTAGE LIVING IDEA HOUSE Watch the vacant lot at 4505<br />

Camp Street as the Cottage Living Idea Home begins to spring<br />

to life! Sometime during the week of April 23, the house will<br />

arrive on trucks from the modular home assembly facility of<br />

Haven Homes in Georgia. Over the following six weeks, contractor<br />

G&H Restorations will build porches, lay floors and<br />

tiles, and install cabinets and paint. By June 1, the house will be<br />

ready for designers Holden & Dupuy to trim the house out with<br />

furnishings and accessories. For more information, call David<br />

Fields at (504) 636-3070 or email him atdfields@prcno.org.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 27<br />

Thank you to our Major Donors<br />

Annual Major Donor membership support includes gifts to PRC programs, general operations, fundraising events, the<br />

Operation Comeback Revolving Fund and the Homeowner Assistance and Neighborhood Recovery Fund.<br />

Roger C. Altman<br />

Auditorium Theater of Roosevelt University<br />

Booth-Bricker Fund<br />

Joe W. and Dorothy Dorsett Brown<br />

Foundation<br />

City of New Orleans – Neighborhood 1<br />

Credit Suisse (USA), Inc.<br />

Fannie Mae Foundation<br />

The Helis Foundation<br />

Home and Garden Television<br />

Local Initiatives Support Corporation<br />

Tony Margherita Management/WILCO<br />

American Express Company<br />

Mr. R.W. Boebel<br />

CHASE<br />

Clein/Lemann Esperanza Fund<br />

Continental Underwriters - Mr. and Mrs. H.<br />

Elder Brown, Jr.<br />

Goldring Family Foundation<br />

Bacco’s<br />

Brand Scaffolding, Inc.<br />

Edgar A. Bright<br />

ChevronTexaco<br />

Dash Lumber<br />

Mr. and Mrs. H.M. Favrot, Jr.*<br />

FL Advisors, LLC/ Mr. Hank Lauricella, Jr.<br />

Friend and Company<br />

Kelly and Elizabeth Gibson<br />

Graham Foundation for Advanced Studies<br />

in the Fine Arts<br />

The Gumbo Foundation<br />

Gustaf Westfeldt McIlhenny<br />

Family Foundation*<br />

Hibernia National Bank<br />

Italianate<br />

Greek Revival<br />

www.prcno.org<br />

Landmark<br />

$25,000 and above $1,000 - $2,499<br />

$15,000 - $24,999<br />

Romanesque Revival<br />

A Friend of PRC<br />

Adams & Reese, LLP<br />

Dr. and Mrs. Luis Balart*<br />

BellSouth<br />

Bisso Towboat Co., Inc.<br />

Mr. Michael Burke<br />

Mark M. Cassidy, M.D.*<br />

The Coastal Bank<br />

Colorado <strong>Preservation</strong>, Inc.<br />

Eugenie and Joseph Jones Family<br />

Foundation<br />

The Finance Authority of New Orleans<br />

Mrs. Stephanie Haynes<br />

Historic Boston, Inc.<br />

Iberia Bank<br />

Mr. and Mrs. Walter Isaacson<br />

Samuel H. Kress Foundation<br />

Steve Kroft<br />

Latter and Blum, Inc./Realtors<br />

Mr. and Mrs. Michael Lewis<br />

AmSouth Bank<br />

The Aspen Institute<br />

Azby Fund<br />

Baptist Community Ministries<br />

Bayou Tree Service<br />

Cahn Family Foundation*<br />

Comic Relief, Inc.<br />

Corporate Housing Providers Assn.<br />

Countrywide Home Loans<br />

Deutsch, Kerrigan and Stiles, LLP<br />

Mr. and Mrs. D. Blair Favrot*<br />

Mr. and Mrs. Thomas B. Favrot*<br />

GPOA Foundation<br />

Mr. and Mrs. George Griswold II*<br />

Il Trullo Restaurant<br />

The Jackson Assembly<br />

$10,000 - $14,999<br />

Steamboat Gothic<br />

$5,000 - $9,999<br />

Queen Anne<br />

$2,500 - $4,999<br />

Mignon Faget Ltd.<br />

National Trust for Historic <strong>Preservation</strong><br />

Ogden Museum of Southern Art<br />

People of Saudi Arabia<br />

Reader’s Digest Foundation<br />

Rebuilding Together, Inc.<br />

Saks Fifth Avenue<br />

Shell Exploration & Production Company<br />

The Reily Foundation<br />

The Ryder Family Fund<br />

The New Orleans Saints<br />

Zemurray Foundation<br />

Mrs. John D. Guthrie*<br />

Historic Charleston Foundation<br />

The Home Depot<br />

Mrs. Lois H. Lazaro<br />

Parkside Foundation - Ms. Nancy Lemann<br />

Proctor and Gamble Fund<br />

Shields Mott Lund LLP<br />

International Medical Corps<br />

Junior League of Orange County CA, Inc.<br />

Mr. Kevin M. Kelly*<br />

Memorial Medical <strong>Center</strong><br />

Jerome S. and Grace H. Murray<br />

Foundation<br />

Mr. Jonathan Newhouse<br />

Kathleen and Randy Opotowsky*<br />

Mary E. Peters and Robert W. Polchow<br />

Foundation<br />

Sage Hospitality<br />

Wayne Troyer Architect, LLC<br />

Wells Fargo Home Mortgage<br />

Whitney National Bank<br />

Philip Woollam<br />

Los Angeles Conservancy<br />

LSU Alumni Association- San Diego<br />

McDermott International<br />

Dr. Dwight L. McKenna<br />

Ann Nichols*<br />

NOHMA Development Corporation<br />

Michelle H. Oakes<br />

The Oxford Hotel<br />

Angèle M. Parlange<br />

Phelps Dunbar, LLP<br />

The <strong>Preservation</strong> Society of Charleston<br />

Mr. and Mrs. Benjamin M. Rosen<br />

Sherwin Williams<br />

Mrs. William A. Slatten*<br />

Sotheby’s International Realty<br />

Sprint/Nextel<br />

State Farm Mutual Insurance Co.<br />

Waldemar S. Nelson & Co., Inc.*<br />

Windsor Court Hotel<br />

Mary Freeman Wisdom Foundation*<br />

Junior League of New Orleans<br />

Christel and Keene Kelley*<br />

Mr. Kristopher B. King<br />

Liberty Mutual Insurance<br />

Prudential Gardner Realtors<br />

Regions Bank<br />

Mr. and Mrs. Charles S. Reily*<br />

Robinson Lumber Co.<br />

Susan Thomson-Rutland*<br />

Mr. Thomas J. Schwartz<br />

Mr. and Mrs. Geoffrey P. Snodgrass*<br />

Patricia Strachan<br />

Target Foundation<br />

Hollie Vest<br />

Mr. George Q. Whitney*<br />

Mr. and Mrs. Linton L. Young*<br />

A Friend of PRC<br />

Dr. and Mrs. Kenneth N. Adatto*<br />

Coleman E. Adler & Sons<br />

Mrs. Jack R. Aron*<br />

ASA Architects, PA<br />

Mr. and Mrs. John S. Bakalar<br />

Ellen and Mac Ball *<br />

Dorothy Ball<br />

Mr. and Mrs. Benjamin Benton*<br />

Betty Bird and Associates, LLC<br />

Mr. Joseph B. Bonhage, Jr.*<br />

Mr. and Mrs. John G.B. Boyd*<br />

Jean Bragg*<br />

Susan and Ralph Brennan*<br />

Mr. and Mrs. Adolph Bynum, Sr.*<br />

Bynum’s Pharmacy<br />

Mr. and Mrs. William K. Christovich*<br />

Churchill Downs Horseracing Co., LLC<br />

CII Carbon, LLC<br />

Mr. Ernesto Caldeira*<br />

Mr. and Mrs. John F. Carrere/<br />

The Meadows Foundation*<br />

<strong>Center</strong> for <strong>Preservation</strong> Initiatives<br />

Mr. and Mrs. W.F. Chappell III *<br />

Mr. and Mrs. Edgar L. Chase III*<br />

CityBusiness<br />

Coca-Cola Foundation<br />

Kay and John Colbert<br />

Mr. and Mrs. Daniel O. Conwill IV<br />

Mrs. Kyser Cox*<br />

Mr. and Mrs. Valeton J. Dansereau*<br />

Mary and Arthur Q. Davis*<br />

Gene Daymude<br />

Mr. Jules C. De la Vergne*<br />

Mr. and Mrs. Gerald A. Derks*<br />

Collins C. Diboll Private Foundation<br />

Dr. and Mrs. J.O. Edmunds, Jr.*<br />

Entergy Corporation<br />

Eskew+Dumez+Ripple<br />

Faultless Starch/Bon Ami Co.<br />

Fenner French Foundation<br />

First Bank and Trust<br />

Gaiennie Lumber<br />

Margaret B. Gehbauer<br />

Mr. and Mrs. G. Anthony Gelderman, III*<br />

Gottsegen Orthodontics<br />

Mr. and Mrs. John J. Graham*<br />

Melissa and John D. Gray<br />

JoAnn and Harry Greenberg Fund *<br />

A Friend of PRC<br />

Accounts Receivable Management<br />

Mr. and Mrs. Robert P. Adams<br />

Dr. and Mrs. Carl Adatto<br />

Mr. Lee R. Adler<br />

Dr. Tamer Acikalin<br />

Mr. and Mrs. Wayne F. Amedee<br />

Jimi K. Andersen<br />

Barriere Construction Co., LLC<br />

Mr. and Mrs. Beauregard L. Bassich<br />

Janet and Jim Bean<br />

Mr. and Mrs. Amos T. Beason<br />

Ms. Jill Newman Benoit<br />

Mr. Andrew Bevolo<br />

Elizabeth M. Boggess<br />

Ms. Deborah Bortner<br />

Ms. Ann E. Breen<br />

Mrs. Virginia M. Brooks<br />

Mr. J.F. Bryan IV<br />

Mr. David L. Campbell<br />

Ms. Alison R. Caponetto<br />

Mr. and Mrs. Gary L. Carnathan<br />

Mr. and Mrs. Tony Carter<br />

Mr. and Mrs. Leonhard E. Casey<br />

Chin Music Press, Inc.<br />

Mr. William K. Christovich<br />

Dr. Carolyn M. Clawson<br />

Mr. and Mrs. Walter D. Cockerham<br />

Mr. Richard C. Colton Jr.<br />

Coughlin-Saunders Foundation<br />

Mr. Robert E. Coulter<br />

Ms. Kaye N. Courington and<br />

Mr. Lance R. Rydberg<br />

Mr. Courtney C. Crouch, Jr.<br />

Mr. and Mrs. Charles Davis<br />

Dr. and Mrs. Paul M. Davis, Jr.<br />

DC <strong>Preservation</strong> League<br />

Delk & Morrison, Inc.<br />

Mr. and Mrs. R. E. E. deMontluzin III<br />

Mr. Michael Diecidue/Dash Lumber<br />

Mr. and Mrs. John M. Eastman<br />

Marjorie Esman<br />

Mr. Adam Fahnestock<br />

Mr. and Mrs. Conway Farrell<br />

Mr. Stephen R. Favrot<br />

Dr. Ricardo Febry and Ms. Helen Baffes-Febry<br />

Fifth District Savings and Loan Assn.<br />

Mr. and Mrs. Brian C. Fitzpatrick<br />

Mary & Vaughan Fitzpatrick<br />

Joan and Henry Folse<br />

Fowler, Rodriguez and Chalos<br />

Mrs. Rosemarie B. Fowler<br />

Dr. and Mrs. Ronald J. French<br />

Mr. Eric Gabriel<br />

Garden District Book Shop<br />

Mrs. Anne B. Gauthier<br />

Mr. Charles F. Gay, Jr.<br />

Patricia H. Gay<br />

Georgia Institute of Technology<br />

Ms. Julie Goldman<br />

Parker and Virginia Griffith*<br />

Mr. and Mrs. J. Keith Hardie, Jr.*<br />

Historic Pittsford<br />

Mr. Michael Holleran<br />

Mrs. Susan K. Hoskins*<br />

Heidi and Arthur Huguley*<br />

Mr. and Mrs. Alex T. Hunt, Jr.*<br />

Mr. Thomas Jeffris<br />

Kanner & Whiteley, L.L.C.*<br />

Mrs. Mary Liz Keevers<br />

Ms. Anne Zoller Kieffer<br />

KFK Group<br />

Eugenia & Albert Lamar Fund<br />

Mr. H. Merritt Lane, Jr.<br />

Mr. and Mrs. Dennis P. Lauscha*<br />

Jule Lang Interiors*<br />

Mary Liz Keevers<br />

Linda and Gordon Kolb<br />

Mr. and Mrs. Lawrence Kurzius*<br />

Mr. and Mrs. E. Theodore Laborde*<br />

Eugenia and Albert Lamar Fund*<br />

Mr. Henry Lambert and Carey Bond -<br />

Lambert and Bond*<br />

Dr. R. Dale LeBlanc and Mr. Hal Williamson*<br />

Mr. and Mrs. William R. Legier<br />

Mrs. J. M. Lapeyre*<br />

Mr. Paul J. Leaman, Jr.*<br />

John and Donna Lee*<br />

Mrs. Carolyn Leftwich*<br />

Mr. and Mrs. J. Thomas Lewis*<br />

Liberty Bank and Trust Company<br />

Mrs. Paula Maher*<br />

Marrero Land and Improvement<br />

Association, Ltd.*<br />

Miami Corporation*<br />

Mr. Jerry Mayo<br />

Mr. and Mrs. John M. McCollam*<br />

Ms. Michelle McFaull<br />

McGraw-Hill Companies<br />

Bob and Beth Mazur*<br />

Mr. and Mrs. Clarkson P. Moseley*<br />

Mr. Stephen B. Murray, Jr.<br />

National Assoc of Local Housing and<br />

Finance Agency<br />

Dorothy Duval Nelson*<br />

New York Landmarks Conservancy<br />

Mr. Saul Opotowsky*<br />

Mr. and Mrs. J. Marshall Page III<br />

Mr. Brandon G. Parlange<br />

Conservator<br />

$500 - $999<br />

The Green Project<br />

George G. Griswold<br />

Mr. and Mrs. James O. Gundlach<br />

Jeff and Barbara Griffin<br />

David Greenberg<br />

J.W. Groome<br />

Mr. and Mrs. H.H. Hanks<br />

Mrs. Joseph Haspel, Jr.<br />

Dr. and Mrs. Robert B. Haspel<br />

Mr. and Mrs. Robert C. Hassinger<br />

Mr. and Mrs. Frank B. Hayne<br />

Alison K. Hoagland<br />

Marilee and Andrew Hovet<br />

Ms. Leslie Jacobs<br />

LaPorte Sehrt Romig Hand, CPAs<br />

J.B. Levert Foundation<br />

Ms. Sandra Jaffe<br />

Mr. James B. Jeffrey<br />

Mr. Thomas Jeffries<br />

Mr. Mark E. Juedeman<br />

Mr. and Mrs. Sanford B. Kaynor<br />

Charles Kenney<br />

Gretchen and Dan Kenney<br />

Mrs. Beverly R. Lamb<br />

Mimi and John LeBourgeois<br />

Thomas B. Lemann<br />

Marjory M. Lyman<br />

Legier and Materne, APAC<br />

Louisiana Endowment for the Humanities<br />

Mrs. Stephen Douglas McAvoy<br />

Ms. Elizabeth R. McCall<br />

Drs. Sam and Katherine McClugage<br />

Mr. and Mrs. William McCollam<br />

Mr. and Mrs. Gerald D. McInvale<br />

Dr. Jimmy L. Mains and Dr. Dian Sanders<br />

Mr. Michael Marienthal<br />

Mr. John F. Marshall<br />

Mrs. Chase R. Martin<br />

Martin Wine Cellar<br />

Ann and Frank Masson<br />

Mr. Dan A. Mayer<br />

Mr. and Mrs. Saul A. Mintz<br />

Mr. and Mrs. Robert Mirsberger<br />

Mr. Richard Moe<br />

Leroy and Ruby Molaison<br />

Richard C. Nesbitt<br />

Mr. and Mrs. William R. Newton<br />

Ms. Julie Nusloch<br />

Mr. Eric Overmyer & Ms. Ellen McElduff<br />

Mr. and Mrs. Richard O’Krepki<br />

Platt Byard Dovell White Architects, LLP<br />

Mr. Ed Oneto- Finance Power<br />

Mr. and Mrs. Eliot Orton<br />

The Owen Family - Ms. Martha Owen<br />

Mr. and Mrs. Robert L. Perez<br />

Mr. and Mrs. O. Miles Pollard Jr.<br />

Mrs. Sylvia Todd Porteous<br />

Ms. Carrie Portis<br />

The Prudential Foundation<br />

Dr. and Mrs. John Quinn<br />

Patrick F. Taylor Foundation<br />

Tia Nolan and Jim Roddy *<br />

Office of Safety and Permits<br />

Mr. and Mrs. Percy Pierre*<br />

<strong>Preservation</strong> and Conservation Association<br />

Mr. John Reed and Ms. Jon Kemp*<br />

Reich & Tang Asset Management, LLC<br />

Mr. and Mrs. Boatner Reily III *<br />

Deaun Lewis Reilly<br />

Reily Foods, Inc.<br />

Pat Curtis and Bill Bryan -<br />

Remax New Orleans Properties<br />

Renew New Orleans Foundation<br />

Mrs. Bryce W. Reveley<br />

Mr. and Mrs. George Reynolds*<br />

Mr. and Mrs. Peter Ricchiuti*<br />

Mr. and Mrs. R. Randolph Richmond, Jr.*<br />

Mr. and Mrs. André J. Robert*<br />

Mr. James A. Robinson<br />

Rosenthal and Jacobs Foundation Fund*<br />

Melanie M. Roth<br />

Mr. Barry W. Rovner<br />

Rye Presbyterian Church<br />

Mr. and Mrs. Lloyd N. Shields*<br />

Mr. and Mrs. Simon Shlenker III*<br />

Mrs. Nancy Fant Smith*<br />

Society for the <strong>Preservation</strong> of<br />

Maryland Antiquities<br />

St. Charles Avenue Presbyterian<br />

Steeg Law Firm<br />

Stempel Bennett Claman & Hochberg, P.C.<br />

Mrs. Saul Stone<br />

Mrs. Harold H. Stream*<br />

Dr. and Mrs. Richard l. Strub*<br />

Swarthmore Community <strong>Center</strong><br />

Tozer Family Fund<br />

Mr. John G. Turner and Mr. Jerry Fischer*<br />

URS Corporation<br />

Mr. and Mrs. George G. Villere*<br />

Louis Vuitton Opening<br />

Waggonner and Ball Architects<br />

Mr. and Mrs. R. Preston Wailes*<br />

Ambassador and Mrs. John G. Weinmann<br />

Ms. Eleanor Westfeldt<br />

Wheless Foundation*<br />

Frank and Conlee Whiteley*<br />

Elizabeth G. Winters<br />

Mr. and Mrs. George V. Young*<br />

Mr. Michael P. Quinn<br />

Mr. Robert Ratcliffe<br />

Mr. and Mrs. Edgar Rea III<br />

Mr. Frank Relle, Jr.<br />

Restore Media, LLC<br />

Mr. Mark A. Ricard<br />

Mrs. Francoise B. Richardson<br />

Mr. Richard N. Rigby<br />

Anne I. Robinson<br />

Charles W. Robinson<br />

Loye C. Ruckman<br />

Heath Rushing<br />

Elizabeth L. Ryan<br />

Mr. H. Paul St. Martin<br />

The San Francisco Foundation<br />

Elizabeth Schafer<br />

Ms. Nancy Schamu<br />

Dr. Milton Seiler, Jr.<br />

Mr. John Shelton<br />

I.W. Sizeler<br />

Mrs. Evald L. Skau<br />

Mr. and Mrs. Jurg K. Siegenthaler<br />

Silocaf of New Orleans, Inc.<br />

Jane and Billy Sizeler<br />

Sizeler Architects<br />

Mr. and Mrs. Lynes R. Sloss<br />

Mr. David A. Smith<br />

Mr. and Mrs. Bruce L. Soltis<br />

Mr. and Mrs. Moise S. Steeg, Jr.<br />

Mr. and Mrs. Robert B. Stobaugh<br />

H. Paul St. Martin<br />

Mr. and Mrs. Wendel Stout<br />

Mrs. Harold H. Stream<br />

Dr. and Mrs. Roger L. Stroud<br />

Jenny and Erik Sundell<br />

Mr. Tom Gault and Ms. Mary Lee Sweat<br />

Mr. Charles M. Sullivan<br />

Terra Venture Realty, Inc.<br />

Elizabeth and Chris Thompson<br />

Dr. William E. Tiemann<br />

Michael W. Tierney<br />

Jill Feldman and Sean Titone<br />

Mr. John C. Trebellas<br />

UPS Foundation<br />

Mr. Michael Valentino<br />

Mrs. W.M. Vaughey<br />

Mr. and Mrs. David Wagstaff III<br />

Mr. Timothy R. Walch<br />

Adele G. Wallace<br />

Wallick Construction and Restoration, Inc.<br />

Washington Mutual Foundation<br />

Waters Parkerson and Co., Inc.<br />

Ms. Scottie L. Webster<br />

Mr. and Mrs. Farrel A. Weil<br />

Bitsie Werlein and Grover Mouton<br />

Mr. and Mrs. John C. Williams<br />

Ms. Grace M. Williamson<br />

Ms. Patricia Woodbridge<br />

* Indicates a member of President's Circle


28 APRIL 2007 PRESERVATION IN PRINT<br />

NEW ORLEANS<br />

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– Esquire Magazine<br />

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available for private parties<br />

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524-9752<br />

www.napoleonhouse.com<br />

Simply put...Bevolo, since 1945<br />

Call for a brochure (504) 522-9485<br />

521 Conti St., New Orleans www.bevolo.com<br />

Specializing in Antique Jewelry,<br />

Formal and Provincial Antique Furniture<br />

ROYAL ANTIQUES, LTD<br />

309 Royal Street<br />

504-524-7033 • royalantiques@bellsouth.net<br />

AMERICA’S PREMIER<br />

ARTS AND ANTIQUES<br />

MARKETPLACE<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 29<br />

Developers and<br />

Residents Grapple<br />

Over Future of Bywater<br />

by Sue Hobbs, News Editor<br />

Icinola development planned at intersection of Bartholomew and Burgundy<br />

streets.<br />

When developers last fall proposed plans to<br />

insert three new building projects into Bywater,<br />

residents and the Bywater Neighborhood<br />

Association questioned whether the intended<br />

changes would fit in as positive additions to<br />

what already exists.<br />

H<br />

istoric Bywater has attracted an<br />

infusion of new investment and<br />

population in the past couple of<br />

decades, and since Bywater (which<br />

remained mostly dry during Hurricane<br />

Katrina) contains several large areas<br />

zoned light industrial, it also has attracted<br />

developers of mixed residential and<br />

commercial building projects.<br />

Context matters to Bywater residents,<br />

who are fiercely protective of the<br />

historic character of their neighborhood.<br />

They live in Bywater because<br />

they love its people-oriented culture<br />

and its blocks of 19th century single and<br />

double shotgun houses.<br />

Architects and city planners typically<br />

look to the context of existing neighborhoods<br />

to determine the appropriateness<br />

of new buildings. Context can be<br />

defined in a range of ways, however, and<br />

those different viewpoints have been at<br />

the heart of why some neighbors are<br />

pleased with the proposals for Bywater<br />

and some are not.<br />

For some, contextualism means new<br />

structures that aim to appear historic.<br />

Another approach to contextualism is<br />

to make the structure as different as possible<br />

for a contrasting juxtaposition.<br />

Others believe that new structures<br />

should be sensitive to historic structures<br />

through compatible size, scale, color,<br />

material and character.<br />

The three Bywater development<br />

projects – the National Rice Mill,<br />

Bywater Art Lofts and Icinola -- proposed<br />

in late 2006 now have reached<br />

various stages of the approval process.<br />

The Rice Mill and Art Lofts developments<br />

would adapt existing industrial<br />

structures with new interior construction<br />

and maintain the same building<br />

heights. The Icinola (pronounced eesee-nola)<br />

development proposes a mix<br />

of adaptive and new construction that<br />

some Bywater residents have welcomed,<br />

while the height, scale and modernist<br />

building designs have caused other<br />

neighbors to shudder.<br />

RICE MILL DEVELOPMENT<br />

NEARS APPROVAL<br />

National Rice Mill, developed by<br />

Sean Cummings, has received approval<br />

from the Bywater Neighborhood<br />

Association and the Historic District<br />

Landmarks Commission. Only the New<br />

Orleans City Council approval remains<br />

pending before the plans can go forward<br />

to reuse the abandoned industrial building<br />

for 60 residential units, 20,000<br />

square feet of ground floor commercial<br />

space and 105 parking spaces at<br />

Chartres and Montegut streets.<br />

Architect Wayne Troyer has distributed<br />

the existing 78 foot, 4 inch building<br />

height over five floors. The 133,500<br />

square foot space would feature a swimming<br />

pool on the ground level, nine<br />

penthouses, communal landscaped terraces,<br />

off-street parking for cars and<br />

bicycles, and an open-air public landscaped<br />

courtyard.<br />

A smokestack, shown in archival<br />

photographs to have once existed in the<br />

building, would be replicated to ventilate<br />

the courtyard. The chimney also<br />

would enclose wind turbines to generate<br />

electricity.<br />

Rice Mill apartments would be<br />

offered as rental units for the first five<br />

years.<br />

Construction is expected to take<br />

three years.<br />

ART LOFTS FOR ARTISTS<br />

Developers of Bywater Art Lofts on<br />

the site of a blighted former garment<br />

factory on the block bordered by<br />

Dauphine, Independence, Pauline and<br />

Burgundy streets initially presented<br />

plans for a mixed construction modern<br />

industrial design for 54 residential rental<br />

units, but in response to objections from<br />

Bywater residents, the architects went<br />

back to the drawing board. The new<br />

plan unveiled at a meeting for neighbors<br />

is only for renovation of the abandoned<br />

buildings into 37 apartments within the<br />

existing structures. The original plans<br />

calling for a 40-foot height also have<br />

been altered to the existing buildings’<br />

height of 22 feet, 8 inches. The 54,328<br />

square foot area of the original design is<br />

now reduced to 35,584 square feet. The<br />

Bywater Neighborhood Association has<br />

given its support to the new plan, and<br />

the city council approved zoning for<br />

conditional use on the property. With<br />

the change to no new construction for<br />

the project, developer Historic<br />

Restoration Inc. is seeking a 20 percent<br />

state tax credit for saving historic buildings.<br />

A neighbor whose home abuts the<br />

property thanked architect Gary<br />

Meadows of HCI Architecture Inc. for<br />

the lowered building elevation. “Now I<br />

will still be able to see the sunrise from<br />

my back porch,” he said.<br />

“Historic proportion is extremely<br />

important to us in the neighborhood,”<br />

said Beth Butler, a neighbor who is with<br />

ACORN. “The overwhelming feeling is<br />

people are very happy the numbers<br />

came down.” Other Bywater residents at<br />

the meeting expressed complete satisfaction<br />

with the changes. “We have been<br />

in opposition before. I’m really<br />

impressed with what you’ve done,” a<br />

meeting attendee told the developer.<br />

Neighbors also had been outspoken<br />

with their concerns about parking<br />

because the development would add residential<br />

density to the neighborhood.<br />

The design includes 47 off-street parking<br />

spaces plus scooter and bicycle storage<br />

space, while another 30 curbside<br />

spaces are available around the building.<br />

The Art Lofts name reflects who the<br />

residents would be. To qualify for residency,<br />

applicants must provide evidence<br />

that they are artists. Artisans; sculptors;<br />

craftspeople; writers; graphic designers;<br />

computer artists; people in dance, theatre,<br />

movement, textile and fiber arts<br />

and others would qualify, although none<br />

of the residents’ art would be judged.<br />

The interior would incorporate a glassenclosed<br />

courtyard space for artists’<br />

exhibitions. However, artists’ maximum<br />

annual income must not exceed $22,000<br />

for one person or $31,000 for four people.<br />

Artists would not be prohibited<br />

from income increases above those limits<br />

during their residency at Art Lofts.<br />

Seven two-bedroom units would rent for<br />

$594 per month, and 30 one-bedroom<br />

units would rent for $492 per month.<br />

The units are targeted for occupancy by<br />

December 2008.<br />

ICINOLA ON FOUR BLOCKS<br />

The Icinola mixed construction of<br />

residential condominium and commer-<br />

continued on page 30<br />

www.prcno.org


30 APRIL 2007 PRESERVATION IN PRINT<br />

continued from page 29<br />

cial space on four blocks at the intersection<br />

of Burgundy and Bartholomew<br />

streets has been more controversial and<br />

harder for some neighbors to accept,<br />

despite extensive redesign in response to<br />

concerns of the Architectural Review<br />

Committee (ARC) of the Historic<br />

District Landmarks Commission<br />

(HDLC) and some Bywater residents.<br />

The Bywater Neighborhood<br />

Association’s response to the development<br />

plans has been more tempered<br />

than that of individual neighbors, whose<br />

strong opinions have ranged from support<br />

for the juxtaposition of the initial<br />

Icinola modern industrial design with<br />

Bywater’s 19th century shotgun houses,<br />

to requests for designs related more to<br />

traditional New Orleans’ features such<br />

as balconies, galleries, and shutters, to<br />

outright resistance.<br />

The developers have held four charrettes<br />

to update neighbors and seek input.<br />

Their presentations to Bywater residents<br />

are part of the process that could make or<br />

break the project. If the residents don’t<br />

want it, their influence could lead council<br />

members to vote against the project.<br />

ARC has given its support to the revisions,<br />

and Icinola will be on the commission’s<br />

April agenda. Many neighbors are<br />

satisfied by the architect’s adjustments,<br />

but others still are not convinced that<br />

the project suits Bywater.<br />

Icinola plans call for some 230,000<br />

square feet of building space. In addition<br />

to 106 residential units, the plans<br />

reserve the ground floor in each of the<br />

four buildings for commercial purposes.<br />

About 45,000 square feet of space is<br />

intended for neighborhood-oriented<br />

businesses encased in glass such as an<br />

8,500 square foot grocery store, a coffee<br />

house, restaurants, dry cleaning drop off,<br />

fitness center, small professional offices,<br />

a newsstand, music store, art gallery and<br />

a small hardware store. Two community<br />

spaces would be available for small<br />

meetings and presentations.<br />

The nearly three-acre area of the<br />

planned Icinola project is surrounded by<br />

residences. The development would<br />

incorporate some existing structures on<br />

the site, including the Frey Meatpacking<br />

plant, and remove a transformer and<br />

electrical supply structure, the Social<br />

Security Administration building and a<br />

small concrete shed. Two historic shotgun<br />

houses would be relocated elsewhere<br />

in Bywater.<br />

The developers are seeking a Mixed<br />

Use Planned Community overlay to the<br />

current Light Industrial zoning designation.<br />

That change would remove the<br />

possibility of light industrial uses for the<br />

properties and enable the developers to<br />

add housing.<br />

In a meeting March 6 with ARC,<br />

architect Wayne Troyer presented<br />

Bywater Art Lofts would create 37 apartments within former garment factory.<br />

changes to the previous design meant to<br />

address neighborhood concerns about<br />

density, height, and style, while still<br />

meeting objectives for energy and planning.<br />

ARC and Bywater residents had<br />

deemed the original designs too modern,<br />

too tall, too cold, too massive and too<br />

aggressive, with design elements in contrast<br />

to the neighborhood. Concerned<br />

comments expressed a need to see more<br />

familiar forms such as galleries, balconies,<br />

shutters, and landscaping.<br />

Troyer acknowledged that the first<br />

designs were “unabashedly modern.”<br />

The new designs attempt to blend in<br />

more harmoniously with the neighborhood.<br />

In the changes, the architect has<br />

sought to make the designs more compatible<br />

by aiming for a sympathetic relationship<br />

to existing residential buildings<br />

while incorporating 21st century elements<br />

and contemporary building techniques.<br />

Some of the changes were to<br />

step back heights from the street and<br />

from adjacent homes. The four buildings<br />

appear to be a series of many buildings.<br />

Developers Shea Embry and Cam<br />

Mangham say that Icinola would supply<br />

much-needed services and environmentally<br />

responsible housing. Residences in<br />

the Frey building are slated for the 55-<br />

and-older age group. The plan calls for<br />

201 parking spaces on two floors in an<br />

area not visible from the street.<br />

Residents would park on the second<br />

floor, and the first floor would contain<br />

commercial parking. When the commercial<br />

operations are closed at night,<br />

residents could use the additional parking<br />

spaces. Having commercial activity<br />

on the ground floor is expected to help<br />

lower the crime rate by adding more<br />

vibrant street activity, Troyer said.<br />

Architect and Tulane professor John<br />

Klingman was the most outspoken ARC<br />

member at the March 6 meeting. He<br />

said he was most impressed by the way<br />

the buildings mediate in scale between<br />

the larger sections and smaller buildings<br />

in the 19th century context.<br />

Klingman noted that this presentation<br />

was the fourth one presented on<br />

Icinola as the architect has adjusted the<br />

plans. “Obviously the architect’s ears are<br />

open,” he said. “You are using New<br />

Orleans elements in ways that are appropriate.<br />

I’m very comfortable with it.”<br />

Another ARC member deemed the<br />

new designs “refreshing.” His concerns<br />

previously had been how the height and<br />

density affected historic preservation by<br />

casting shadows across the yards of nearby<br />

19th century buildings.<br />

Regardless of the architecture, some<br />

National Rice Mill near the Mississippi River would reuse an abandoned industrial<br />

building to create 60 residential units.<br />

residents believe that the development’s<br />

commercial operations and density<br />

belong on St. Claude Avenue, not in<br />

the center of an historic area of single<br />

and double one- and two-story<br />

dwellings. The development plan for<br />

Bywater, Marigny, St. Roch and Treme<br />

is to focus commerce on St. Claude<br />

Avenue. Some people fear that commercial<br />

enterprises inserted into the middle<br />

of a Bywater residential zone would<br />

compete with businesses on St. Claude.<br />

Moreover, some residents worry that<br />

Bywater’s brick streets could not withstand<br />

the increased volume of service<br />

truck traffic for the planned commercial<br />

operations.<br />

Nevertheless, neighbors are very<br />

interested in the prospect of a grocery<br />

store being offered in conjunction with<br />

the Icinola project, because they say<br />

there are no markets within a sevenmile<br />

drive. Neighbors asked if the developers<br />

had secured a grocery store commitment.<br />

Embry said they are working<br />

to get commitment for a small, moderately<br />

priced grocer.<br />

“We need development and<br />

growth,” acknowledged Blake Vonder<br />

Haar, Bywater resident and president of<br />

the New Orleans Conservation Guild<br />

Inc., “but this is the wrong project in<br />

the wrong space. Density is a major concern<br />

that will change the tenor of the<br />

entire neighborhood.” She also believes<br />

that the plans call for “obscenely high<br />

building heights.”<br />

“The project is akin to putting a<br />

Wal-Mart into Jackson Square,” Vonder<br />

Haar added.<br />

In comments addressed to HDLC,<br />

Bywater resident Meredith Spivey urged<br />

the commission to “treat Bywater just as<br />

you would treat the historic French<br />

Quarter, Warehouse District, and<br />

Faubourg Marigny…. Your decision on<br />

this project may set a very dangerous<br />

precedent for historic preservation in<br />

New Orleans.”<br />

Completion of the first building is<br />

scheduled for February 2009, and the<br />

entire development would be completed<br />

by fall 2009, according to the developers.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 31<br />

A P R I L<br />

in the<br />

CBD Arts District<br />

Specializing in Louisiana<br />

Paintings, Newcomb<br />

College Pottery &<br />

Crafts, George E. Ohr<br />

Pottery<br />

Sunlight and Shadows<br />

Landscape Paintings by<br />

Steve Frederick<br />

April 7 - 30<br />

ART WALK: April 7 6 - 8pm<br />

Monday - Saturday 10am - 5pm<br />

600 Julia Street<br />

504-895-7375 • www.jeanbragg.com<br />

Diego Larquia<br />

“New Orleans Landscapes”<br />

April 7 - May 3<br />

Opening Reception<br />

Sat. April 7 6 - 9 pm<br />

709 CAMP ST. 524-3936<br />

Through April 8, 2007:<br />

The Eclectic Eye:<br />

Selections of Fantasy and Illusion<br />

from the<br />

Frederick R. Weisman<br />

Art Foundation<br />

Gallery Hours: Thu-Sun 11am-4pm<br />

(504) 528-3805<br />

O<br />

art<br />

music<br />

shop<br />

www.ogdenmuseum.org<br />

626 JULIA ST., NEW ORLEANS, LA 70130<br />

The best way to<br />

support local artists is<br />

to buy their work.<br />

(504) 592-0206 • (504) 524-8137<br />

Hours: Mon.-Sat. 12:30-4:30<br />

www.georgeschmidt.com<br />

“Every time<br />

I paint a portrait,<br />

I lose a friend.”<br />

John Singer Sargent<br />

www.prcno.org


32 APRIL 2007 PRESERVATION IN PRINT<br />

SEVENTH ANNUAL<br />

LADIES IN RED GALA<br />

LES AMIS DU JAZZ<br />

LA BOHÈME<br />

by Sarah Bonnette<br />

PRESERVATION<br />

RESOURCE CENTER<br />

CALL FOR<br />

SUBMISSIONS<br />

APRIL 25 DEADLINE – The PRC is seeking<br />

submissions for New Orleans’ Favorite<br />

Shotguns, a competition for photographs to<br />

be shown in an exhibit, opening June 29 at<br />

the PRC. Entries will be judged on the basis<br />

of both photographs and captions, which<br />

should tell the human story behind the picture.<br />

Submit entries to alemann@prcno.org.<br />

For more information, see page 7 or call<br />

(504) 636-3043 or visit www.prcno.org<br />

STAINED GLASS<br />

SYMPOSIUM<br />

APRIL 21 - A special symposium on the<br />

history and conservation of New Orleans<br />

stained glass will take place at Tr i n i t y<br />

Episcopal School on Saturday, April 21,<br />

with illustrated talks by nationally recognized<br />

experts and members of the local<br />

stained glass tour committee. If you have<br />

attended any of the stained glass tours or<br />

have always intended to, this weekend is a<br />

“must.” For more information, see page 12<br />

or call (504) 581-7032.<br />

STAINED GLASS<br />

TOUR<br />

APRIL 22 – PRC hosts its annual springtime<br />

tour of stained glass in New Orleans<br />

from 2-5:00 p.m. The tour will include Our<br />

Lady Star of the Sea, St. John the Baptist,<br />

Touro Synagogue, St. Mary’s Assumption and<br />

a reception at St. Alphonsus. For more information,<br />

see page 13 or call (504) 581-7032.<br />

2007<br />

ANNUAL MEETING<br />

MAY 10 – The <strong>Preservation</strong> <strong>Resource</strong><br />

<strong>Center</strong>’s 33rd Annual Meeting and reception<br />

will be held at St. Charles Presbyterian<br />

Church on Thursday, May 10, 2007, at 5:30<br />

p.m. President of The National Trust for<br />

Historic <strong>Preservation</strong> Richard Moe will be<br />

the keynote speake r. Free for members.<br />

504/581-7032<br />

MAY 18 – This evening benefits the PRC’s<br />

Homeowner Assistance and Neighborhood<br />

Recovery Fund and Jazz House programs.<br />

Held at the historic Board of Trade, this event<br />

features special performances from past honorees<br />

for the patron party and Kermit Ruffins<br />

and the Barbecue Swingers for the gala.<br />

Patron Party 7-8:00 p.m., Gala 8-11:00 p.m.<br />

To purchase tickets or for more information,<br />

visit www.prcno.org or call (504) 581-7032.<br />

SHOTGUN<br />

HOUSE MONTH<br />

JULY – This year’s Shotgun House Month<br />

has been moved to July to coincide with the<br />

grand opening of Cottage Living magazine’s<br />

2007 Idea Home. Shotgun House Month<br />

will feature special events, workshops, and a<br />

self-guided neighborhood tour, as well as the<br />

photo exhibit N ew Orl e a n s ’ Fa v o r i t e<br />

Shotguns. More details will be posted at<br />

www.prcno.org as they become available.<br />

NEW ORLEANS<br />

JAZZ, GIANTS AND JOURNEYS<br />

AND SOUTHERN WRITERS<br />

APRIL TO AUGUST – Two new exhibits<br />

open at the Ogden Museum of Southern Art<br />

for a four-month run – “Jazz, Giants and<br />

Journeys: Photographs by Herman Leonard”<br />

and “Southern Writers: Photographs by<br />

David Spielman.” The Ogden is open from<br />

11 a.m. to 4 p.m. T h u r s d ays through<br />

Sundays, and 6 to 8 p.m. for live music<br />

Thursdays. For more information, call (504)<br />

539-9600 or visit www.ogdenmuseum.org.<br />

TULANE<br />

ARCHITECTURE SERIES<br />

APRIL 16 – Tulane University’s School of<br />

Architecture wraps up its spring 2007 lecture<br />

series focusing on cities and landscapes<br />

with a talk by French architect A m m a r<br />

Eloueini of Ammar Eloueini/AEDS, to be<br />

held at 6 p.m. in Room 201, Richardson<br />

Memorial Building on Tulane’s campus. For<br />

more information, call (504) 865-5389.<br />

REGIONAL MODERNISM<br />

SYMPOSIUM<br />

APRIL 19 – Local architects Steve Dumez,<br />

Wayne Troyer and Victor “Trey” Trehan will<br />

p a rticipate in a symposium focusing on<br />

regional modernism at the Contemporary<br />

Arts <strong>Center</strong>, 900 Camp St. For more information,<br />

call (504) 528-3205.<br />

Send Kiosk information to PRC<br />

Sarah Bonnette<br />

923 Tchoupitoulas St., New Orleans, LA 70130<br />

e-mail: sbonnette@prcno.org • Fax: 504/636-6073<br />

COPY DUE SIX WEEKS BEFORE PUBLICATION<br />

(May 15 for July/August issue)<br />

APRIL 13 – The Historic New Orleans<br />

Collection presents its eighth annual Bill<br />

Russell Lecture, titled “Les Amis du Jazz:<br />

William Russell, Fred Ramsey, Hugues<br />

Panassié, Charles Delaunay and the Revival<br />

of New Orleans Jazz, 1938-1949.” The lecture<br />

will be presented by Bruce Raeburn,<br />

curator of the Hogan Jazz Archives at Tulane<br />

University Libraries Special Collections and<br />

will feature performances by To m<br />

McDermott and Evan Christopher. 7 p.m.,<br />

Williams Research <strong>Center</strong>, 410 Chartres St.<br />

For more information, call (504) 523-4662<br />

or visit www.hnoc.org.<br />

PIANO MUSIC OF<br />

THE 19th CENTURY<br />

APRIL 15 – A program of music by the<br />

late Basile Barés, a man of color who was<br />

born into slavery and went on to become a<br />

highly successful pianist and composer, will<br />

be presented at the Historic New Orleans<br />

Collection’s Williams Research <strong>Center</strong> at 4<br />

p.m. at 410 Chartres St. The music will be<br />

performed by Peter Collins. For more information,<br />

call (504) 523-4662 or visit<br />

www.hnoc.org.<br />

SHOWCASING<br />

BYWATER ARTISTS<br />

APRIL 17 and MAY 1 – Head to the<br />

recently refurbished Alvar Branch Library,<br />

903 Alvar St., for free presentations and discussions<br />

showcasing Bywater’s impressive<br />

community of artists. The series is sponsored<br />

by the Bywater Neighborhood Association,<br />

the New Orleans Public Library and the Arts<br />

Council of New Orleans. Elizabeth Shannon<br />

will be featured April 17, and John Costa<br />

will speak May 1. 7 to 9 p.m.<br />

MEETINGS<br />

CITY COUNCIL, Council Chambers, April 19;<br />

May 3, 17; 11:30 a.m.<br />

BOARD OF ZONING AND ADJUST-<br />

MENTS, Council Chambers, April 9; May<br />

14; 11:30 a.m.<br />

CITY PLANNING COMMISSION, Council<br />

Chambers, April 10, 24; May 8, 22; 1 p.m.<br />

CBD HISTORIC DISTRICT LANDMARKS<br />

COMMISSION, Council Chambers, April<br />

13; May 4; 11 a.m.<br />

HISTORIC DISTRICT LANDMARKS<br />

COMMISSION, Council Chambers, April<br />

20; May 11; 9:30 a.m.<br />

VIEUX CARRÉ COMMISSION, 334 Royal<br />

Street, April 17; May 15; 1:30 p.m.<br />

HOUSING CONSERVATION DIS-<br />

TRICT REVIEW COMMITTEE, City Hall<br />

room 7E07, April 9, 23; May 14, 28;<br />

10:00 a.m.<br />

APRIL 20-22 – The New Orleans Opera<br />

presents Puccini’s magical and timeless story<br />

of passionate young artists living life to the<br />

fullest in the Latin Quarter of Paris during<br />

three shows. 8 p.m. April 20 and 21, and 2:30<br />

p.m. April 22 in McAlister Auditorium on<br />

Tulane University’s campus. For more information<br />

or tickets, call (504) 529-3000 or<br />

visit www.neworleansopera.org.<br />

LOUISIANA<br />

LOUISIANA<br />

PRESERVATION CONFERENCE<br />

MAY 4 AND 5 – The Louisiana Trust for<br />

Historic <strong>Preservation</strong> kicks off National<br />

<strong>Preservation</strong> Month with its annual conference<br />

in Monroe. The event will feature seminars<br />

and education sessions, technical<br />

workshops, motivational speakers and the<br />

Louisiana Trust <strong>Preservation</strong> Awa r d s<br />

Banquet. For more information, call (225)<br />

344-6001 or visit www.louisianatrust.org<br />

BONNE TERRE<br />

GARDEN FAIR<br />

MAY 5 – Garden enthusiasts will want to<br />

travel to Houma for the second annual Bonne<br />

Terre Garden Fair at Southdown Plantation.<br />

The 9 a.m. to 4 p.m. event will feature educational<br />

seminars and demonstrations, a plant<br />

and lawn-and-garden supplies sale, a plant<br />

disease clinic and a soil test station, as well as<br />

a children’s activity area, garden-themed art<br />

and photography show, museum tours, food<br />

and more. Sponsored by the Te rr e b o n n e<br />

Historial & Cultural Society, LaTerre Master<br />

Gardeners and LSU Ag<strong>Center</strong>, admission is<br />

$3 at gate or $2 in advance. Children under<br />

12 are admitted free. For more information,<br />

call Southdown Plantation at (985) 851-0154.<br />

NATIONAL<br />

HISTORIC PRESERVATION<br />

SEMINARS<br />

THROUGH APRIL – The National <strong>Preservation</strong><br />

Institute continues its 2007 series of historic<br />

preservation and cultural resource management<br />

seminars in locations across the country. Topics<br />

range from understanding Section 106 to preparing<br />

historic structures reports. Cost is $425 for the<br />

two days or $175 for students. For more information,<br />

call (703) 765-0100 or visit www.npi.org.<br />

HISTORIC<br />

GARDEN WEEK<br />

APRIL 21-28 – It’s the perfect time of year<br />

for a road trip to see numerous Virginia plantations<br />

and their beautiful gardens open during<br />

the 74th annual Historic Garden Week. The event<br />

will benefit the restoration of historic gardens by the<br />

Garden Club of Virginia. For more information, call<br />

(804) 644-7776 or visit www.VAGardenweek.org.<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 33<br />

Alex Lemann, a recent Harvard graduate, has assumed the newly created position of<br />

<strong>Preservation</strong> in Print deputy editor. His essays appear monthly on this page.<br />

Notes from a newcomer<br />

by Alex Lemann, deputy editor<br />

On a beautiful spring afternoon a few weeks ago, I left the office to hear<br />

a report on the state of tourism in New Orleans. In the findings that were presented<br />

to the attendees, researchers noted that the persistence of certain popular<br />

misconceptions might be preventing people from visiting. In their national<br />

survey these were phrased as true or false statements but were all written to<br />

be misconceptions. One of those statements read, “Historic Districts, such as<br />

the French Quarter, are severely damaged or destroyed by Hurricane<br />

Katrina.” Someone in the audience quietly raised her hand. “Umm, I would<br />

answer yes to that.”<br />

I think she was right. Actually, the idea that a New Orleanian would<br />

consider that statement a misconception was shocking to me. Admittedly, some<br />

confusion stems from the phrase “such as the French Quarter,” because, after<br />

all, it was not flooded, let alone destroyed. Still, the wording implies some<br />

degree of equivalence between Historic Districts (in caps, meaning the official<br />

designation and not some abstract concept) in general and the French Quarter<br />

specifically. The French Quarter certainly is a Historic District, but it does not<br />

represent all Historic Districts in the city. Treating the terms French Quarter and<br />

Historic Districts as equivalent is, apparently, a mistake that even locals make,<br />

and it is wrong.<br />

There are 19 National Register Historic Districts in New Orleans, and<br />

most of them flooded. From Carrollton to Holy Cross to South Lakeview and<br />

Broadmoor, National Register Historic Districts all over the city sustained massive<br />

flooding and damage during Katrina. In fact, only six of the 19 National<br />

Register districts remained completely dry. Historic neighborhoods were not<br />

immune to Katrina.<br />

There is truth in the idea that the oldest parts of the city were built on<br />

higher, drier land, but New Orleans’ historic neighborhoods are not limited to<br />

this so-called “sliver by the river.” The vast majority of our city is historic, and<br />

New Orleans, according to the National Park Service, has more National<br />

Register-eligible buildings than any other city in the country. There is a deeper<br />

misconception at work beyond tourism, though. A lot of people, both here and<br />

elsewhere, seem to think that historic neighborhoods are wealthy neighborhoods,<br />

and that historic preservation is something that only rich people would<br />

care about, and that just isn’t true.<br />

For too many people, the idea of historic districts is limited to the French<br />

Quarter and the Garden District. Since the storm in particular, there seems to<br />

be a desire to contract our mental boundaries of New Orleans’ historic neighborhoods,<br />

to retreat behind the idea that at least none of our historic districts<br />

were “damaged or destroyed.” There is some benefit, of course, in this<br />

approach, because it is inherently optimistic and because it focuses not on<br />

what we lost but on what remains. Unfortunately, the reality is that most of our<br />

historic districts were damaged, if not acutally destroyed. On the other hand,<br />

the storm has forced us to become more aware of other parts of the city. This<br />

is true both for tourists who go on “disaster tours” through flooded neighborhoods<br />

they would never have thought to visit before the storm and for locals<br />

who find themselves poring over maps of levee breaches and flood depths in<br />

areas they rarely entered.<br />

Rather than rushing to corral our awareness of historic neighborhoods<br />

back into the “sliver by the river” in the interest of optimism, we should take<br />

advantage of this broader interest in our city, promoting a greater understanding<br />

of the historic neighborhoods of New Orleans and their significance.<br />

Tourists who visit Tremé, Bywater and Holy Cross might come across some<br />

flooded houses, but they might also see a side of New Orleans they didn’t<br />

expect, one that is no less important than the Garden District or the French<br />

Quarter. Maybe this idea is a “misconception,” but I think people might actually<br />

enjoy it.<br />

Want everyone<br />

to know<br />

your business<br />

Advertise in<br />

<strong>Preservation</strong><br />

in Print<br />

For information call:<br />

Jackie Derks<br />

Advertising Manager<br />

636-3053<br />

CURRENT LISTINGS<br />

379 BELLAIRE $425,000<br />

616 BELLECASTLE $420,000<br />

1922 CADIZ $239,000<br />

3429 JEFFERSON $249,000<br />

610 JOHN CHURCHILL<br />

CHASE $572,000<br />

5420 S. LIBERTY $299,000<br />

6425 MILNE(LOT) $135,000<br />

114 RINGOLD(LOT) $99,000<br />

1523 SONIAT $2,125,000<br />

1020 TERPSICHORE G<br />

$189,000<br />

JEFFERSON PARK CONDO’S<br />

$75,000-$82,200<br />

HOWARD SCHMALZ<br />

& Associates, Real Estate<br />

1518 Magazine St.,<br />

New Orleans, LA 70130<br />

(504) 581-2804<br />

ALGIERS POINT COTTAGE<br />

Bungalow style shotgun double renovated to a 3 br 2<br />

bath single. Great brick porch columns. Large open<br />

living dining area opening to the kitchen. Two bedrooms<br />

share a bath while the third bedroom has a private<br />

bath with a spa tub (also his & hers closets). The<br />

ceilings are high. The floors are wood in the entertaining<br />

areas & carpeted in the bedrooms. There is a<br />

large attached storage room that could be finished to<br />

ad even more space. The back yard is big enough for<br />

pool, kids, or dogs. The price has just been reduced.<br />

Call Josie 561-8690 or Bert 296-9669 to view.<br />

2524 NASHVILLE AVENUE<br />

Fabulous renovation featuring spacious den opening<br />

to large deck to rear yard, black granit counters,<br />

Master bedroom suite 19'X15' bedroom with spa<br />

tub, wood buring fireplace. Great Uptown Location.<br />

Call Howard: 504-621-5564<br />

www.prcno.org


34 APRIL 2007 PRESERVATION IN PRINT<br />

FRENCH QUARTER<br />

NEW! 510 ESPLANADE<br />

Creole Townhouse w/4 floors<br />

main house w/2 story wing.<br />

Terrific. $1,200,000<br />

924 ORLEANS<br />

Could be 6 condos or super<br />

single. Ready to go. 4700 sf<br />

$1,295,000<br />

525 MADISON<br />

Just off Jackson Square. A<br />

complex w/garden & pool &<br />

pkg. Price upon request.<br />

SALE PENDING1200 ROYAL<br />

Lg crtyd w/pkg fabulous main<br />

house & 3 story dep $1,695,000<br />

NEW! 505 ROYAL<br />

Stunning classic townhouse<br />

w/commercial. $3,750,000<br />

933 BURGUNDY<br />

Award winning 3 story Creole<br />

Town House w/dep. $995,000<br />

CONTRACTOR’S SPECIAL<br />

1026 Conti. Famous Norma<br />

Wallace house 6000 sf. 7 units.<br />

Pkg. Several cars $865,000<br />

823 BURGUNDY<br />

Second flr condominium 2BR<br />

nice bldg & assoc. $399,000<br />

835 URSULINES<br />

Victorian w/open floor plan<br />

udated/garden $749,000<br />

1228 ROYAL #6<br />

Efficiency condo, pool, 500sf +<br />

lofts. Location! w&d $215,000<br />

831 ST. LOUIS I<br />

Top 2 flrs/stunning gallery<br />

views/pkg/2BR 3BA. $695,000<br />

1005 BARRACKS<br />

Brand new elegant condominium<br />

complex workmanship. 8 units<br />

$199,000 and up<br />

NEW PRICE! 837 MARIGNY<br />

The cutest & most affordable 1B/1B<br />

cottage. Courtyard. $179,000<br />

NEW ORLEANS<br />

45 Newcomb Blvd<br />

NEW! 45 NEWCOMB BLVD.<br />

Exclusive enclave-stylish Mediterranean<br />

w/5410 sf 4BR/3BA 2<br />

car garage $895,000<br />

NEW! GUEST HOUSE<br />

1118 Ursulines, 14 rooms, turn<br />

key, with parking. $1,395,000<br />

807-09 MARIGNY<br />

Double w/rental good income<br />

$199,900<br />

1223 URSULINES<br />

Tremé Victorian side hall<br />

cottage. Garden. $239,000<br />

2275 BAYOU ROAD<br />

Landmark Inn & Indigo Rest.<br />

Turn key. 2+ acres. $3,650,000<br />

4336 RAYNE<br />

Gentilly flooded/ gutted and<br />

ready to go. 1400 sf 68x124 lot.<br />

$65,000<br />

3620 CANAL<br />

A Classic Villa Landmark, Now<br />

a B&B. 7 BR 61/2 BA All 2nd &<br />

3rd floor levels. Pkg & gardens<br />

$995,000<br />

1314 URSULINES<br />

Two apts/was a 5 room deep<br />

single $275,000<br />

729 KERLEREC<br />

Raised Vict in mint condition. Pkg.<br />

3000 sq ft 3 BR 2-1/2 BA $695,000<br />

7726 JEANNETTE<br />

Totally redone/great style light/<br />

space/fenced. $775,000<br />

Ernesto Caldeira<br />

601.888.7151<br />

www.ernestocaldeira.com<br />

NEW ORLEANS<br />

5513-15 TCHOUPITOULAS<br />

All brand new…Victorian double<br />

large owners income $472,000<br />

170 WALNUT 5F<br />

Stylish high rise living on the<br />

river w/pool & pkg $899,000<br />

WOODVILLE, MS<br />

512 SLIGO<br />

Solid 3BR Craftsman w/pool<br />

Lg. lot good condition $230,000<br />

424 MAIN STREET<br />

Great Federal mantels, pkg<br />

5000 sf B&B $199,000<br />

KENILWOOD FARM<br />

Two houses on 212 acres<br />

w/pond half mile from<br />

Woodville Hwy. 24. $895,000<br />

LOUISIANA PROPERTIES<br />

IN FELICIANAS/ROSENEATH<br />

A dazzler of an 1832 country<br />

home in Jackson. $1,500,000<br />

CHRETIEN POINT PLANTATION<br />

Landmark 1831 house on 12<br />

acres nr. Layfayette. $1,650,000<br />

5929 HIGHWAY 39<br />

18 acres & a new two story<br />

galleried house $989,000<br />

NEW PRICE! LOYD HALL PLANTATION<br />

Two homes and outbuildings on 12<br />

acres nr. Alexandria. $1,250,000<br />

CREOLE COTTAGE IN CONVENT<br />

Fabulous early house on River<br />

Rd. Needs completion. 14<br />

acres $225,000.<br />

SANDBAR PLANTATION<br />

Across the river from BR.<br />

Great 1837 house & interior.<br />

3 acres. $895,000<br />

MARY PLANTATION 1820<br />

Classic columns all around,<br />

upper galleries, at levee, 30 minutes<br />

down river, 7 acres.<br />

$1,200,000<br />

POPLARVILLE<br />

321 GO GO ROAD<br />

Exciting 3 BR Lambert/Bond house<br />

w/77 acres on river. $585,000<br />

NATCHEZ<br />

NEW! RAVENNASIDE<br />

Stunning Colonial Revival<br />

9627 sf furnished w/elegant<br />

antiques $1,995,000<br />

NEW! VICTORIA INN<br />

In Lafitte on the water, 14 guest<br />

rms, 6 acres lush gardens, 3<br />

structures, pool, pkg, restaurants,<br />

events income! $1,600,000<br />

WILKINSON COUNTY, MS<br />

CROSBY SCHOOL BLDG.<br />

Exciting possibilities 10,000 sf<br />

solid bldg & 1 acre lot $125,000<br />

663 E. JOSEPH<br />

Post-war 4BR on 18 acres<br />

w/bldgs in Centreville $289,000<br />

504.944.3605 www.sothebysrealty.com<br />

Inspired by the past…<br />

Ravennaside<br />

Ravennaside<br />

DOWN THE BAYOU!<br />

David Abner Smith<br />

504.495.2387<br />

www.davidabnersmith.com<br />

Victoria Inn<br />

301 Decatur Street<br />

Prime Fr Qtr, rare “coveted” corner loc.<br />

zoning allows live ent., was rest w/mezz on<br />

1st flr. 2nd flr could be residential, 3rd flr<br />

presently config as offices. Possible owner<br />

finance. SQFT does not inc approx. 2k sqft<br />

attic. Owners in process of completing<br />

extensive masonry maintenance and painting<br />

of exterior. Beautiful light filled loft style<br />

spaces, within 4 blcks of 12 hotels, riverfront<br />

activities, casino, Jackson Sq. etc.<br />

828 Royal Street, New Orleans, LA 70116<br />

Direct: 504-388-3023 • Office: 504-524-5839 • Fax: 504-301-2274<br />

www.JudyFisher.net<br />

MASTER OF PRESERVATION STUDIES<br />

The Tulane School of Architecture now offers a one year graduate program<br />

in preservation studies. Contact the Director of Graduate Admissions for<br />

more information.<br />

Tula n e<br />

School of Architecture New Orleans, Louisiana 70118 504/865-5389<br />

Created for today. Fabulous project now under<br />

construction on St. Charles Ave. Architectural details, wood floors,<br />

parking, pool, exercise. Live the Good Life with gardens & roof top<br />

patios in a historic district. From $465,000<br />

Everyone has different<br />

ideas about location.<br />

Unless it’s St. Charles<br />

Avenue at the Park.<br />

Twelve Opportunities<br />

To Make It Yours.<br />

$199,000 - $439,000<br />

8338 GREEN ST., FRIBURG - $225,000<br />

New construction, corner lot. 3 bedrooms, 2 full baths.<br />

Kitchen w/stain. appliances. Wood flrs in living room,<br />

dining room & kitchen. Modular construction. Sold “as<br />

is.” Replica of old New Orleans cottage. Approx. 1,488<br />

sq. ft.<br />

813 OPELOUSAS AVE., ALGIERS PT. - $425,000<br />

Dbl. w/3,227 sq. ft living area. Beautiful victorian<br />

bracket, camelback on oak-lined avenue. Hi-end<br />

renovation. Fabulous millwork, high ceilings,<br />

kitchens & baths updated. Spacious backyard with<br />

rear shed. Termite contract.<br />

Isabel Reynolds<br />

451-0903<br />

8001 Maple Street<br />

New Orleans, LA<br />

504-866-7733<br />

Hopper<br />

451-0903<br />

Pat Curtis<br />

Owner/Agent<br />

862-5414<br />

New Orleans Properties<br />

EQUAL HOUSING<br />

OPPORTUNITY<br />

LATTER<br />

Stephanie Benson<br />

ABR,CRS,HHS,GRI<br />

(504) 650-3735 Cell<br />

(504) 361-0920 Home<br />

(504) 362-1823 Office<br />

sbenson@latterblum.com<br />

www.stephaniebenson.com<br />

BLUM<br />

INC/REALTORS®<br />

Since 1916<br />

www.prcno.org


PRESERVATION IN PRINT APRIL 2007 35<br />

Office: 866-2785 • Cell: 236-6834<br />

e-mail: info@lettyr.com<br />

1 3 2 2 Seventh. . .$5 8 5 ,0 0 0<br />

Beautiful, renovated camelback in<br />

the heart of the Garden District.<br />

Built in 1885, this lovely home has<br />

12 foot ceilings, wide pine floors,<br />

pocket doors, working fireplaces, and<br />

3 floor-to-ceiling windows<br />

overlooking tree-lined<br />

Seventh St. 3273 square feet,<br />

3 bedrooms, 4 baths, downstairs<br />

master suite, charming<br />

rear porch and patio.<br />

Letty Rosenfeld<br />

GRI, CRS<br />

R A R E 1 8 2 0 ’ s<br />

French QuarterCompound<br />

C<br />

1331 DECATUR STREET<br />

ompletely renovated<br />

commercial property. Harry<br />

Anderson’s Oswalds Club. Hot<br />

Quarter location – facing<br />

Decatur St and Esplanade Ave<br />

and steps from the jazz clubs of<br />

Frenchmen St. Five renovated<br />

apartmentsup – ready to rent or<br />

condo conversion. Wrap around<br />

balcony, exposed brick and<br />

beams, great detail.<br />

Approx - 8238 Sq. Ft.<br />

For more information please contact:<br />

MICHAEL WILKINSON 504-491-0484<br />

wilkinson66@hotmail.com<br />

French Quarter Realty 504-949-5400 • www.fqr.com<br />

730 & 734 ST. PHILIP STREET. These important masonry<br />

Creole townhouses are in a prime location - boasting 14 ft. ceilings,<br />

voluminous rooms (25 ft x 35 ft), approx. 5,850 sqft, ready for<br />

restoration, new slate roofs on all buildings with copper flashing<br />

and downspouts, 4 new dormers with copper roofs that offer spectacular<br />

views of the New Orleans skyline; courtyard, endless possibilities!<br />

Only $975K or $598K.<br />

The Francher-Perrin Team<br />

Prudential Gardner, Realtors<br />

L. Bryan Francher Owner/Agent<br />

504-251-6400 • 504-891-6400 Office<br />

www.NewOrleansHomes.prugardner.com<br />

WATERFRONT, EQUESTRIAN & ESTATE PROPERTY<br />

EXQUISITE COUNTRY ESTATE. Gorgeous<br />

Southern style home with wrap-around porches,<br />

heated in-ground pool, barn, 2 fireplaces,<br />

heart of pine floors, old cypress and pine<br />

doors, 12 foot ceiling with triple crown molding,<br />

gourmet kitchen with granite countertops,<br />

custom flush mounted cabinets, loaded with<br />

amenities situated on 53 acres beautiful park<br />

like grounds with over 50 live oaks with barn<br />

with a small apt. Call Jennifer Rice for a private<br />

showing 985-966-1321.<br />

JENNIFER RICE<br />

Super Star Status<br />

Multi-Million<br />

Dollar Producer<br />

1321 W. Causeway Approach<br />

Mandeville, LA 70471<br />

985-626-5687<br />

(985) 966-1321<br />

(985) 966-1320<br />

www.jenniferrice.net<br />

FOR A PRIVATE SHOWING CALL<br />

Brooke Arthurs<br />

Direct: 259-8311 • Office: 866-2785<br />

Fax: 865-1574<br />

1309 State Street<br />

$895,000<br />

Wonderful large Victorian, double parlors –<br />

one is a library, huge dining room, cooks<br />

kitchen, breakfast area overlooks rear yard,<br />

big den, master suite with sit room, 4 other<br />

nice bedrooms. This is a large<br />

house with many fine features.<br />

Elevator in property can be<br />

made functional. Great location!<br />

Brooke Arthurs 259-8311<br />

LATTER<br />

Since 1916<br />

BLUM<br />

INC/REALTORS®<br />

www.prcno.org


Mon. - Sat. 8am - 7pm • Sun. 9am - 6pm (Metairie Store only)<br />

Non-Profit Org.<br />

U.S. Postage<br />

PAID<br />

New Orleans, LA<br />

Permit No. 1001<br />

923 Tchoupitoulas Street<br />

New Orleans, LA 70130<br />

Printed on Recycled Paper

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