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THE NEW HUNGARIAN VOICE WINTER 2006 (Read-Only)

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Attila Tóth<br />

<strong>HUNGARIAN</strong> RIKISHI<br />

“Around 2000 years ago the population of a young Japanese nation were said to have witnessed a sumo bout. That bout,<br />

apparently between two local deities is believed to be Japan's first leadership battle with the winner - a god named Takemikazuchi -<br />

laying claim to the archipelago of over 4000 islands and in the process, as legend has it, founding the Japanese imperial line. At the<br />

same time laying the foundations for the sport we know today as sumo (or, Ozumo to give it its proper Japanese term when referring<br />

to the professional game), little would any of the gods or spectators present way back when, expect that a young foreigner from<br />

Hungary would be entering their deified pastime in the millennia ahead.”<br />

Mark Buckton, Editor-in-Chief*<br />

Sumo Fan Magazine www.sumofanmag.com<br />

We North Americans have a hard time with things like sumo<br />

wrestling. Maybe it’s because the players don’t look much like<br />

Calvin Klein underwear models and there are no Nike logos on<br />

their waist-belts. You might even be asking yourself “What is<br />

he doing writing about sumo wrestling in a Hungarian cultural<br />

publication anyway”<br />

Many years ago, one of the local TV stations used to televise<br />

Japanese sumo bouts in the wee hours of the morning, and being<br />

somewhat of a night-owl, I found myself glued to the set,<br />

mesmerized by the bizarre martial and ethereal spectacle. I was<br />

surprised at myself at first, as it was very foreign to me, but I<br />

soon realized that the attraction was very similar to my interests<br />

in my Hungarian cultural heritage. The most obvious point, of<br />

course, is the main focus – conflict.<br />

Secondarily, it’s a cultural phenomenon that is highly misunderstood<br />

– few people in my neck-of-the-woods have taken the<br />

time to understand its ancient complexities, much the same as<br />

the public’s ‘dracula-gypsy-goulash-soup’ misconceptions about<br />

Hungary. Perhaps I felt empathy for those two men, battling it<br />

out in an ancient ring, ignoring the oblivious world around them<br />

for little reward – and was strengthened by their resolve to keep<br />

alive an anachronistic yet infinitely valuable form of expression.<br />

Sumo wrestling is a traditional Japanese contest of strength<br />

and skill. Although it looks simple enough at first glance, it is a<br />

complex matrix of subtle and practiced moves and traditional<br />

and ancient values. It is not the kind of sport we see here in the<br />

form of pro wrestling – it’s much more than that.<br />

Attila Tóth (now known by the fighting name of Masutoo),<br />

born and raised in Szolnok, started out early as a sumo wrestler<br />

– that’s not a surprise, as his dad coaches an amateur team in<br />

Hungary. He’s “…a mild mannered young man with several<br />

years of junior wrestling experience under his belt…” and was<br />

spotted while competing in the 5th World Junior Sumo Championships<br />

in Osaka, Japan, where he secured second place in the<br />

open weight competition.<br />

The 127kg 19 year-old lives in the newest sumo ‘stable’ or<br />

beya, headed by a successful former wrestler who left another<br />

old and respected one known as Kasugano Beya. Being a<br />

Hungarian sumo wrestler, or rikishi is a feat in itself, Attila is<br />

one of the last foreigners to enter the sport since a cap was put in<br />

place on non-Japanese competitors.<br />

This baby-faced bruiser has traded csirke paprikás for<br />

6

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