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Barking Mad<br />
The Serious, Silly and Surreal verses of Les<br />
Barker performed by Jeanette Nicholls and<br />
Friends at the Theatre Royal, Plymouth on<br />
Saturday, 6th September <strong>2008</strong><br />
This was an unusual event, in that none of the<br />
participants, apart from the producer and compiler<br />
Jeanette Nicholls, knew anything of Les Barker or<br />
his work before she proposed the show, and nor, I<br />
suspect did any of the audience. I wondered, with<br />
some trepidation, what it would be like to hear the<br />
inimitable words spoken by anyone but the man<br />
himself, and by non-folkies at that. Well, my fears<br />
were unfounded.<br />
Jeanette was a stalwart of our early Plymouth <strong>Folk</strong><br />
Song Clubs, and of the West of England <strong>Folk</strong><br />
Centre in the 1960s, but her rst taste of Les was<br />
last year at “Celebrating Cyril” in London. She<br />
immediately became an admirer, and has since<br />
caught most of his West Country appearances. As<br />
Chairman of the theatre support group (TRAC)<br />
she produces an annual fundraising show<br />
comprising parodies of Shakespeare’s works, but<br />
this year she decided to give the Barker œuvre<br />
an airing. She introduced each item and read<br />
a couple of poems herself, but her friends Bill<br />
Stone - a former professional actor who is now<br />
drama critic at the Plymouth Evening Herald,<br />
Edward Murch - a published poet and playwright,<br />
Dorothy Pailthorpe and Tony Morrell - long<br />
time actors with local drama groups, were the<br />
main participants, reading some of the items to<br />
specially composed backing tracks by John Fiske.<br />
Fortunately, they didn’t attempt to replicate<br />
Les’s accent, but spoke in straightforward nondeclamatory<br />
RP, with just some necessary touches<br />
of vowel changes to accommodate rhymes. It<br />
was obvious that all of them had acquired an<br />
appreciation of the writer’s skill with words, and<br />
of his unique sense of humour, with its touches of<br />
pathos and underlying seriousness.<br />
The show got off to a good start with the audience,<br />
which consisted mainly of TRAC members, joining<br />
in the chorus of Earwigo like a seasoned football<br />
crowd. Many old favourites followed including<br />
Please Don’t kill the Krill, Have You Got Any<br />
news Of The Iceberg, Spot Of The Antarctic and<br />
Cosmo The Fairly Accurate Knife Thrower. There<br />
were sections on ‘Unrequited Love’ (Reg The<br />
Lonely Glow-worm was particularly poignant),<br />
‘Food’ and ‘Senior Moments’. It didn’t take the<br />
audience long to realise that there were lots of<br />
bits they could join in with, and the atmosphere<br />
soon became as relaxed as we are used to at folk<br />
concerts.<br />
The only item which was actually sung was the<br />
closing one - Will The Turtle Be Unbroken-<br />
for which the cast donned black Stetsons and<br />
American accents. <strong>No</strong>thing could follow that,<br />
except (I hope) another Barker selection next<br />
year<br />
LATE EXTRA<br />
Rosemary Tawney<br />
Otterfest have booked Strawhead for a concert<br />
at the Bridge inn, Topsham on Thursday,<br />
16th April, <strong>2009</strong>. Tickets are available from<br />
Martin & Jan on 01404 41182. Numbers are<br />
limited, so book early !<br />
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