20.01.2015 Views

50p No. 88 Winter 2008/2009 - Devon Folk

50p No. 88 Winter 2008/2009 - Devon Folk

50p No. 88 Winter 2008/2009 - Devon Folk

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Before the Ruin is a little more stripped down than<br />

My Secret is my Silence, though is not in any way<br />

under-produced. Many of the songs are led by<br />

the sound of Drever’s acoustic guitar, and much<br />

of the album is quite gentle, the kind of music<br />

that you could curl up to. Largely missing, save<br />

for the title track, is the electric guitar, That, in<br />

itself, creates for a slightly more pure folk record,<br />

if such a thing exists. The stripped down sound<br />

allows for Woomble’s lyrics to penetrate and<br />

become a prime focus. The blending of Woomble<br />

and Drever’s earthly rich vocals are a joy to hear<br />

and the harmonies are simple, but pitch-perfect.<br />

Though the focus of the album is on the new<br />

trio, it does feature help from an unusual band<br />

of collaborators ranging from Cappercaillie<br />

keyboardist, Donald Shaw, Heidi Talbot (vocals),<br />

Teenage Fanclub members, <strong>No</strong>rman Blake<br />

(vocals) and Francis MacDonald (drums / vocals)<br />

and Radiohead’s drummer, Phil Selway, and<br />

also Andy Cutting and Michael McGoldrick on<br />

accordion and utes/whistles. This makes the<br />

album sound more like the work of a group, rather<br />

than a trio, and this helps to create a wonderfully<br />

rich sound,that otherwise would have been lost.<br />

3 years ago it would seem that some would<br />

have found the rock star in Roddy to be an<br />

unwelcome intrusion in the folk world but all that<br />

is now forgotten. Roddy has effortlessly made the<br />

transformation and not many artistes can claim<br />

to achieve equal fortune in two distinctively<br />

different musical genres, as he has done. Also<br />

impressive is how the Idlewild rock fan base [and<br />

that is huge!] have embraced Roddy’s solo career<br />

wholeheartedly, newly seduced by the sounds<br />

of folk music, a genre that many of them may<br />

have previously assumed to be quite alienating<br />

to them.<br />

As for the future, it seems another folk supertrio<br />

may have been born and, this collaboration<br />

hopefully will not merely be a ash in the pan.<br />

Certainly, with a tour already in progress, and<br />

another scheduled for early next year, it would<br />

seem that they mean business.<br />

Martyn Cornelius<br />

For more information see their website<br />

www.drevermccuskerwoomble.com<br />

FOOTLOOSE<br />

BARN DANCE BAND<br />

FOUR PIECE BAND<br />

OWN CALLER<br />

Mike & Shelagh 01647 433464<br />

Trevor 01769 520595<br />

SAILORS, DAUGHTERS , LADS AND<br />

LOVERS<br />

PAL CD003<br />

Michelle Holding & J.P. Slidewell<br />

Although I don’t think JP Slidewell has appeared<br />

at any of the <strong>Devon</strong> folk clubs or festivals, I’ve<br />

given a favourable review to a previous solo<br />

album in What’s Afoot. This new CD offers a<br />

promising new dimension, however, with a duo<br />

whose talents complement each other very well,<br />

and who deserve recognition in the South-West<br />

far from their native Lancashire.<br />

The album’s title is taken from four of the songs.<br />

Opening with Dark Eyed Sailor, JP provides an<br />

attractive guitar accompaiment to Michelle’s<br />

measured, unaffected singing of this traditional<br />

song. Annan Water, The Female Drummer, and<br />

her own composition, Song for James, also<br />

demonstrate the clear quality of her voice. JP<br />

has a powerful delivery well suited to ballads like<br />

the Reed Cutter’s Daughter and Little Musgrave,<br />

though a gentler side can be seen in Ewan<br />

McCall’s Trafford Road Ballad. Their publicity<br />

yer mentions sweet harmonies, and though<br />

there are some examples of the duo singing in<br />

harmony, the emphasis on this album is on solo<br />

voice, occasionally unaccompanied but usually<br />

with well thought out guitar backing.<br />

If the performance on the CD is anything to go<br />

by, I’d look forward to seeing them in a live<br />

performance. Certainly a duo to look out for.<br />

Colin Andrews<br />

Further details : holdingslidewell@hotmail.com<br />

phone 07984 743294, or Palatine Music 01617<br />

935441<br />

45

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!