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Before the Ruin is a little more stripped down than<br />
My Secret is my Silence, though is not in any way<br />
under-produced. Many of the songs are led by<br />
the sound of Drever’s acoustic guitar, and much<br />
of the album is quite gentle, the kind of music<br />
that you could curl up to. Largely missing, save<br />
for the title track, is the electric guitar, That, in<br />
itself, creates for a slightly more pure folk record,<br />
if such a thing exists. The stripped down sound<br />
allows for Woomble’s lyrics to penetrate and<br />
become a prime focus. The blending of Woomble<br />
and Drever’s earthly rich vocals are a joy to hear<br />
and the harmonies are simple, but pitch-perfect.<br />
Though the focus of the album is on the new<br />
trio, it does feature help from an unusual band<br />
of collaborators ranging from Cappercaillie<br />
keyboardist, Donald Shaw, Heidi Talbot (vocals),<br />
Teenage Fanclub members, <strong>No</strong>rman Blake<br />
(vocals) and Francis MacDonald (drums / vocals)<br />
and Radiohead’s drummer, Phil Selway, and<br />
also Andy Cutting and Michael McGoldrick on<br />
accordion and utes/whistles. This makes the<br />
album sound more like the work of a group, rather<br />
than a trio, and this helps to create a wonderfully<br />
rich sound,that otherwise would have been lost.<br />
3 years ago it would seem that some would<br />
have found the rock star in Roddy to be an<br />
unwelcome intrusion in the folk world but all that<br />
is now forgotten. Roddy has effortlessly made the<br />
transformation and not many artistes can claim<br />
to achieve equal fortune in two distinctively<br />
different musical genres, as he has done. Also<br />
impressive is how the Idlewild rock fan base [and<br />
that is huge!] have embraced Roddy’s solo career<br />
wholeheartedly, newly seduced by the sounds<br />
of folk music, a genre that many of them may<br />
have previously assumed to be quite alienating<br />
to them.<br />
As for the future, it seems another folk supertrio<br />
may have been born and, this collaboration<br />
hopefully will not merely be a ash in the pan.<br />
Certainly, with a tour already in progress, and<br />
another scheduled for early next year, it would<br />
seem that they mean business.<br />
Martyn Cornelius<br />
For more information see their website<br />
www.drevermccuskerwoomble.com<br />
FOOTLOOSE<br />
BARN DANCE BAND<br />
FOUR PIECE BAND<br />
OWN CALLER<br />
Mike & Shelagh 01647 433464<br />
Trevor 01769 520595<br />
SAILORS, DAUGHTERS , LADS AND<br />
LOVERS<br />
PAL CD003<br />
Michelle Holding & J.P. Slidewell<br />
Although I don’t think JP Slidewell has appeared<br />
at any of the <strong>Devon</strong> folk clubs or festivals, I’ve<br />
given a favourable review to a previous solo<br />
album in What’s Afoot. This new CD offers a<br />
promising new dimension, however, with a duo<br />
whose talents complement each other very well,<br />
and who deserve recognition in the South-West<br />
far from their native Lancashire.<br />
The album’s title is taken from four of the songs.<br />
Opening with Dark Eyed Sailor, JP provides an<br />
attractive guitar accompaiment to Michelle’s<br />
measured, unaffected singing of this traditional<br />
song. Annan Water, The Female Drummer, and<br />
her own composition, Song for James, also<br />
demonstrate the clear quality of her voice. JP<br />
has a powerful delivery well suited to ballads like<br />
the Reed Cutter’s Daughter and Little Musgrave,<br />
though a gentler side can be seen in Ewan<br />
McCall’s Trafford Road Ballad. Their publicity<br />
yer mentions sweet harmonies, and though<br />
there are some examples of the duo singing in<br />
harmony, the emphasis on this album is on solo<br />
voice, occasionally unaccompanied but usually<br />
with well thought out guitar backing.<br />
If the performance on the CD is anything to go<br />
by, I’d look forward to seeing them in a live<br />
performance. Certainly a duo to look out for.<br />
Colin Andrews<br />
Further details : holdingslidewell@hotmail.com<br />
phone 07984 743294, or Palatine Music 01617<br />
935441<br />
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