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PM 512 INTRODUCTION TO CHRISTIAN WORSHIP ASHLAND ...

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4. Discuss the various means by which Christians have expressed<br />

worship throughout history.<br />

5. Articulate the beginnings of a theology of worship that includes a<br />

consideration of the ways in which worship contributes to the<br />

formation of authentic community.<br />

6. Analyze the strengths and limitations of his/her own liturgical tradition.<br />

B. Apply cultural exegesis to one’s life and ministry.<br />

7. Express an awareness of and appreciation for worship beyond her/his<br />

particular tradition and culture.<br />

C. Practice a broad range of appropriate ministry skills.<br />

8. Demonstrate an emerging ability to design and lead a purposeful<br />

worship service.<br />

IV. Teaching Strategies for Student Learning<br />

This class will include a combination of lectures, class discussions, small group<br />

discussions, and group projects.<br />

V. Course Requirements<br />

A. Textbooks<br />

Constance Cherry, The Woship Archtect. Baker Academic, 2010. ISBN:<br />

080103874X<br />

Pedrito U. Maynard-Reid, Diverse Worship: African-American, Caribbean, &<br />

Hispanic Perspectives, Downers Grove: InterVarsity Press, 2000. ISBN:<br />

0830815791.<br />

Rory Noland, The Heart of the Artist: A Character Building Guide for You and<br />

Your Ministry Team, Grand Rapids: Zondervan Publishing, 1999.<br />

ISBN: 0310224713<br />

Robert E. Webber, Ancient-Future Worship: Proclaiming and Enacting God's<br />

Narrative. Baker, 2008. ISBN: 0801066247<br />

B. Attendance<br />

According to the student handbook, attendance at all class sessions is expected<br />

unless the professor has been notified in advance. A student missing the<br />

equivalent of 1.5 hours of lecture will have additional work to complete. Any<br />

student missing the equivalent of six class hours (any combination of lecture and

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