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Seeing the Stage Through Our Eyes - Walnut Street Theatre

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Emily Falcone<br />

You can tell a lot about a person by <strong>the</strong> way <strong>the</strong>y look, and that is usually intended.<br />

In The <strong>Walnut</strong> <strong>Street</strong> <strong>Theatre</strong>’s production of “Aspects of Love“ that is clearly represented in<br />

<strong>the</strong>ir costuming, hair, and make up. Each character’s appearance is a clear vision of <strong>the</strong>m as<br />

a character. This holds true for most performances of anything, you have a dark, evil<br />

character so <strong>the</strong>y are dressed in dark colors and often masks. Someone who is sweet and<br />

innocent will usually be dressed in white fluid clothing. So a young woman, like <strong>the</strong><br />

character Jenny in Aspects of Love, would be dressed modestly in light colors and floral<br />

prints, because is a young innocent girl.<br />

More examples of this are found in each character of <strong>the</strong> show. Rose is dressed often<br />

in floral prints, representing her name, and also possibly her blooming as a person and an<br />

actress. In this production she has fiery red hair and light skin, something that while<br />

innocent, can also be passionate and energetic. Rose exudes all of <strong>the</strong>se qualities through<br />

<strong>the</strong> progression of <strong>the</strong> show, going from a young unknown actress with only a few fans, to a<br />

woman of great acknowledgement and emotion. George is dressed entirely in white<br />

throughout <strong>the</strong> entire show. This could be because of his free and optimistic ways. He goes<br />

with <strong>the</strong> world as it does, lives to enjoy, loves freely, and has a strong sense of general calm.<br />

Which may be, when that is disturbed he must die, because he cannot handle that turmoil.<br />

It is not only this show that has <strong>the</strong>se physical statements of character. It is also<br />

found in o<strong>the</strong>r Andrew Lloyd Webber shows show you may see. Examples of this can be<br />

found in Phantom of <strong>the</strong> Opera.<br />

In Phantom of <strong>the</strong> Opera, Christine is dressed in white and <strong>the</strong> phantom in black,<br />

until <strong>the</strong> end, when she is slightly corrupt, and dressed in red and black, with her face<br />

hidden, as <strong>the</strong> phantom’s is masked. It can be as complex as, as <strong>the</strong> character develops <strong>the</strong><br />

costumes and make up change with <strong>the</strong>m, it can be as pervasive as to who <strong>the</strong>y are at <strong>the</strong><br />

core. This is shown very clearly in Aspects of Love, look around and you should be able to<br />

find it anywhere.<br />

Emily Falcone, Senior at Spring‐Ford High School

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