CHERNOBYL DIARIES Production Notes - Visual Hollywood
CHERNOBYL DIARIES Production Notes - Visual Hollywood
CHERNOBYL DIARIES Production Notes - Visual Hollywood
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>CHERNOBYL</strong> <strong>DIARIES</strong> (2012)<br />
PRODUCTION NOTES<br />
Cohen was a partner of Frankfurt Kurnit Klein & Selz, P.C. and Epstein, Levinsohn, Bodine,<br />
Hurwitz & Weinstein, LLP, two pre-eminent entertainment law firms based in New York.<br />
During her 13 years in private practice, Cohen represented the specialty divisions of several<br />
studios as well as independent film producers, production companies, film funds, and individual<br />
financiers, with credits on over 80 films. Cohen received her JD as a Harlan Fiske Stone Scholar<br />
from Columbia University of Law.<br />
MORTEN SØBORG (Director of Photography) has worked as a cinematographer for more than<br />
25 year on more than 50 feature films, documentaries and shorts. He is a favorite of director<br />
Nicolas Winding Refn, having worked with him on the films "Pusher" and its two sequels, "I'm<br />
the Angel of Death" and "With Blood on My Hands," on "Bleeder," and, most recently, on<br />
"Valhalla Rising."<br />
Søborg has also had a long working relationship with director Susanne Bier. The two most<br />
recently worked together on the upcoming "All You Need Is Love," and he has lensed her films<br />
"Once in a Lifetime," "Open Hearts," "Brothers," "After the Wedding" and "In a Better World,"<br />
and served as camera operator on "Things We Lost in the Fire." He has worked twice with<br />
director Nils Grabol, as camera operator on "Det Store Flip" and cinematographer on "The Gift,"<br />
and twice with Jonas Elmer, serving as first assistant camera on his "Let's Get Lost" and DP on<br />
"Monas Verden."<br />
His upcoming films include "The Twitchers" and "Operation Zucker," and his other credits as<br />
director of photography include "In China They Eat Dogs," "The Lady of Hamre," "Nimor<br />
Mishaps," "Rule No. 1," "Let's Play House," "Niceland (Population 1.000.002)," "How to Get<br />
Rid of Others," "The Killing Gene," "What No One Knows" and, most recently, "Sønner av<br />
Norge." Søborg has been honored with seven nominations for Denmarks' Robert Award and in<br />
2005 received the Bodil Award for his work in cinematography.<br />
ALEKSANDAR DENIC (<strong>Production</strong> Designer) began his career nearly 25 years ago, and his<br />
work on the big and small screens has been honored across the globe. His designs were most<br />
recently seen in the action comedy feature "Cat Run," from director John Stockwell, and in Ana<br />
Marija Rosi's crime drama "Some Other Stories."<br />
Denic's other feature film credits include "Boomerang," from Dragan Marinkovic, as well as the<br />
director's "Byzantium Blue," for which Denic earned the Golden Knight Award for production<br />
design from the International Festival of Slavic Film in Russia, the Best <strong>Production</strong> Design<br />
Award from the Montenegro Summer Film Festival, and the Crystal Prism—Yugoslavia's<br />
version of the Oscars®—for Best <strong>Production</strong> Design; Emir Kusturica's "Super 8 Stories" and<br />
"Underground," the latter for which he served as set decorator; "Srdjan Dragojevic's "The<br />
Wounds," for which Denic again received a Best <strong>Production</strong> Design Award from the<br />
Montenegro Summer Film Festival, and "We Are Not Angels," which garnered him the Annual<br />
Award of the Artist Assocation of Serbia's Best <strong>Production</strong> Design; "Zone of the Dead"; "Die<br />
rote Zora"; "Agi I Ema"; "Guca!"; "Falling in Paradise"; "Deathwatch"; "A Tempest in the Glass<br />
of Water"; "Once Upon a Time"; and "A Film with No Name."<br />
© 2012 Warner Bros. Pictures 16