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Drama & Music<br />

2009/10<br />

Drama<br />

&Music<br />

Kilbracken House Play<br />

I was promised a trio of sketches – but ‘sketches’ was an<br />

inadequate word for the three playlets that made up All In The<br />

Timing, Kilbracken’s contribution to the house play season. The<br />

work of American writer David Ives, this was comedy of the<br />

highest order.<br />

In Words, Words, Words, Daniil Tarankov, Louis Bowers and James<br />

Thorn were three monkeys sitting at typewriters. Would they<br />

ever write Hamlet They were desperate to do so, for then they<br />

could return to the jungle, but their captors refused to help<br />

them. They considered taking revenge upon the man who<br />

stood between them and their rightful heritage, but they were<br />

racked with indecision…<br />

Chris Palmer and Finlo Clarkson presented Sure Thing, the<br />

disjointed tale of two strangers meeting in a restaurant. The<br />

regular ringing of a bell caused time to leap backwards by a<br />

few seconds, allowing the characters to have a second, third<br />

or fourth attempt at their conversation. A number of parallel<br />

universes were presented…<br />

Finally, in The Philadelphia Matt Tabor, Jonnie Martin and Barny<br />

Elmhirst fell into a world of opposites. The only way out is to ask<br />

for the thing you don’t want, and, if you want to summon the<br />

waitress, be very rude indeed.<br />

All three pieces demanded a high level of technical skill from<br />

the actors, whose performances exceeded the standards we<br />

have come to expect from a house play. All credit, therefore, to<br />

director James Kitchin, who got the very best out of his players<br />

and gave us an evening to remember.<br />

RMH<br />

Michell House Comedy Drama<br />

Southfield House Play<br />

The boys of Michell House presented a programme of sketches<br />

by Stephen Fry and Hugh Laurie, all written for double-acts.<br />

These were almost universally at the risqué end of the taste<br />

scale but they were much appreciated by a good gathering<br />

of parents, pupils and staff. The most striking feature of the<br />

production was that the cast numbered 37 actors, a pleasing<br />

cross-section of the house. Particular highlights were provided<br />

by Joe Colchester and Thomas Schafranek in effective deadpan<br />

style, while Mr Beavan was type-cast as an eccentric Test Match<br />

Special commentator in the vein of Brian Johnston. Jan Westad<br />

seemed absolutely tailor-made for the role of Richard Whiteley<br />

in a spoof Countdown sketch. Carlos Pang was a terrifyingly<br />

clinical surgeon from the viewpoint of his poor patient, Ken<br />

Kashiwagi. Harry Hopson and Henry Wilson-Holt played a pair<br />

of insane yet plausible psychiatrists; Henry also played a crucial<br />

role in directing the F Block contributions. Important production<br />

assistance also came from David MacColl, Jamie Dujardin and<br />

Jamie Couchman.<br />

The event was rounded off splendidly by another well-received<br />

double act, curry and rice.<br />

TJD<br />

The audience which filled OBS for Southfield’s house play was<br />

this year treated to a spectacular performance of the classic tale<br />

Cinderella, the likes of which has never before been seen. The<br />

play, directed by Louise Fletcher, was an astounding success.<br />

The fantastic script, adapted and improvised by Southfield<br />

girls, included a range of hilarious characters. Perhaps the most<br />

memorable of these were the ugly stepsisters, true to form in<br />

Burberry and bling. The costumes on the whole were truly<br />

great to behold, and I am sure they will doubtlessly inspire<br />

further generations to bring fairy tales into the 21st century.<br />

Mr Fletcher, Mrs Scanlon and Theo Matthews all took part in<br />

cameo roles, whilst Mrs Phillips was once again burdened with<br />

the job of backstage direction, as well as creating the marvellous<br />

backdrop. A note of thanks should also be made to everyone<br />

who helped to make the night a success, and for all the time<br />

and effort put into costumes, props and the lighting. Audience<br />

participation as well as house participation was at an all time<br />

high, and the whole play was very well received. If ever one<br />

should wonder how best to bring together funny characters,<br />

a love story about overcoming adversity and truly shocking<br />

costumes, they must undoubtedly come to the conclusion that<br />

‘The play’s the thing’.<br />

Angharad Maclellan<br />

Stanley House Play<br />

During the weeks leading up to the Stanley house play, the girls<br />

involved spent many evenings devoting themselves to endless<br />

rehearsals. The play could not have come together without the<br />

help of a few important people: Liddy Conway, who made a<br />

great choice of play, assigned the characters and planned<br />

38

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