Sport - Rugby School
Sport - Rugby School
Sport - Rugby School
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Drama & Music<br />
2009/10<br />
Drama<br />
&Music<br />
Kilbracken House Play<br />
I was promised a trio of sketches – but ‘sketches’ was an<br />
inadequate word for the three playlets that made up All In The<br />
Timing, Kilbracken’s contribution to the house play season. The<br />
work of American writer David Ives, this was comedy of the<br />
highest order.<br />
In Words, Words, Words, Daniil Tarankov, Louis Bowers and James<br />
Thorn were three monkeys sitting at typewriters. Would they<br />
ever write Hamlet They were desperate to do so, for then they<br />
could return to the jungle, but their captors refused to help<br />
them. They considered taking revenge upon the man who<br />
stood between them and their rightful heritage, but they were<br />
racked with indecision…<br />
Chris Palmer and Finlo Clarkson presented Sure Thing, the<br />
disjointed tale of two strangers meeting in a restaurant. The<br />
regular ringing of a bell caused time to leap backwards by a<br />
few seconds, allowing the characters to have a second, third<br />
or fourth attempt at their conversation. A number of parallel<br />
universes were presented…<br />
Finally, in The Philadelphia Matt Tabor, Jonnie Martin and Barny<br />
Elmhirst fell into a world of opposites. The only way out is to ask<br />
for the thing you don’t want, and, if you want to summon the<br />
waitress, be very rude indeed.<br />
All three pieces demanded a high level of technical skill from<br />
the actors, whose performances exceeded the standards we<br />
have come to expect from a house play. All credit, therefore, to<br />
director James Kitchin, who got the very best out of his players<br />
and gave us an evening to remember.<br />
RMH<br />
Michell House Comedy Drama<br />
Southfield House Play<br />
The boys of Michell House presented a programme of sketches<br />
by Stephen Fry and Hugh Laurie, all written for double-acts.<br />
These were almost universally at the risqué end of the taste<br />
scale but they were much appreciated by a good gathering<br />
of parents, pupils and staff. The most striking feature of the<br />
production was that the cast numbered 37 actors, a pleasing<br />
cross-section of the house. Particular highlights were provided<br />
by Joe Colchester and Thomas Schafranek in effective deadpan<br />
style, while Mr Beavan was type-cast as an eccentric Test Match<br />
Special commentator in the vein of Brian Johnston. Jan Westad<br />
seemed absolutely tailor-made for the role of Richard Whiteley<br />
in a spoof Countdown sketch. Carlos Pang was a terrifyingly<br />
clinical surgeon from the viewpoint of his poor patient, Ken<br />
Kashiwagi. Harry Hopson and Henry Wilson-Holt played a pair<br />
of insane yet plausible psychiatrists; Henry also played a crucial<br />
role in directing the F Block contributions. Important production<br />
assistance also came from David MacColl, Jamie Dujardin and<br />
Jamie Couchman.<br />
The event was rounded off splendidly by another well-received<br />
double act, curry and rice.<br />
TJD<br />
The audience which filled OBS for Southfield’s house play was<br />
this year treated to a spectacular performance of the classic tale<br />
Cinderella, the likes of which has never before been seen. The<br />
play, directed by Louise Fletcher, was an astounding success.<br />
The fantastic script, adapted and improvised by Southfield<br />
girls, included a range of hilarious characters. Perhaps the most<br />
memorable of these were the ugly stepsisters, true to form in<br />
Burberry and bling. The costumes on the whole were truly<br />
great to behold, and I am sure they will doubtlessly inspire<br />
further generations to bring fairy tales into the 21st century.<br />
Mr Fletcher, Mrs Scanlon and Theo Matthews all took part in<br />
cameo roles, whilst Mrs Phillips was once again burdened with<br />
the job of backstage direction, as well as creating the marvellous<br />
backdrop. A note of thanks should also be made to everyone<br />
who helped to make the night a success, and for all the time<br />
and effort put into costumes, props and the lighting. Audience<br />
participation as well as house participation was at an all time<br />
high, and the whole play was very well received. If ever one<br />
should wonder how best to bring together funny characters,<br />
a love story about overcoming adversity and truly shocking<br />
costumes, they must undoubtedly come to the conclusion that<br />
‘The play’s the thing’.<br />
Angharad Maclellan<br />
Stanley House Play<br />
During the weeks leading up to the Stanley house play, the girls<br />
involved spent many evenings devoting themselves to endless<br />
rehearsals. The play could not have come together without the<br />
help of a few important people: Liddy Conway, who made a<br />
great choice of play, assigned the characters and planned<br />
38