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Drama & Music<br />

2009/10<br />

Drama<br />

&Music<br />

Arnold Singers<br />

Members of the Arnold Singers, <strong>Rugby</strong> <strong>School</strong>’s chamber choir,<br />

are used to being worked hard by their conductor, the school’s<br />

Director of Music, Richard Dunster-Sigtermans. Possibly Advent<br />

Sunday 2009 will be remembered as one of their busiest days,<br />

packing in two excellent performances and two excellent<br />

meals.<br />

The first official performance of the day was scheduled to be at<br />

Blenheim Palace, although the choir did give a sneak preview<br />

to the Holmes family (Cindy Holmes is one of the <strong>School</strong>’s<br />

governors and mother to two boys in the <strong>School</strong>), who warmly<br />

welcomed the choir, director and accompanist to their beautiful<br />

home for lunch, effortlessly (it seemed) providing enough food<br />

to feed an entire boys’ boarding house!<br />

The afternoon performances at Blenheim Palace went down a<br />

treat with the audience of Palace visitors, and the odd <strong>Rugby</strong><br />

parent or two. The Arnies, as they are affectionately known,<br />

performed a selection of traditional and modern Christmas<br />

carols, including one of the two pieces which secured the <strong>Rugby</strong><br />

<strong>School</strong> Upper Chapel Choir its place in the final of BBC Songs of<br />

Praise <strong>School</strong> Choir of the Year Competition. Immediately after<br />

the two recitals at Blenheim the choir had to rush back to <strong>School</strong><br />

to prepare for the next event – there wasn’t even a chance to<br />

sightsee, let alone buy a souvenir!<br />

It is not every day that a school choir is invited to perform with<br />

such a renowned and superbly gifted saxophonist as Christian<br />

Forshaw. However, this was the second time that Christian had<br />

worked with <strong>Rugby</strong> <strong>School</strong> musicians (the previous occasion<br />

was in 2007), and it proved to be a wonderful experience for<br />

the choir to rehearse and perform with an international player<br />

of Christian’s calibre. The Chapel was a perfect venue for the<br />

concert and the blend of saxophone, percussion, soprano solo,<br />

organ and the Arnies inspired the audience to give a standing<br />

ovation. For me the performance of the night was undoubtedly<br />

Forshaw’s Nunc Dimittis, a powerful piece of music that truly<br />

makes one’s spine tingle.<br />

Howard Goodall<br />

Transformation was the theme of this year’s Arnold Foundation<br />

lecturer, composer Howard Goodall, as he expertly deciphered<br />

‘The Stravinsky Code: Music’s Untapped Power’. Supremely,<br />

he said, music promotes self-esteem, team work and social<br />

cohesion, whilst giving enormous pleasure. <strong>Sport</strong> might achieve<br />

some of these goals but here ‘there are no losers’. Music is ‘the<br />

only thing that really changes you’, that offers ‘an alternative<br />

timescale’ and ‘puts the brain into a different place’. He has<br />

witnessed its transformative power himself. There was the Iraqi<br />

child, traumatised into voluntary mutism, who had recovered<br />

her speech through singing. There was the gypsy wedding in<br />

Romania which this ‘comfortable Londoner’ had found rather<br />

threatening until the sound of an accordion suddenly put a<br />

smile on every face. Music education is vital to ‘create a virtuous<br />

life’ and singing in particular is a ‘birthright’, as important as<br />

literacy and numeracy, not least because ‘music makes the brain<br />

grow faster’. In children, music is a ‘magic’ that transforms their<br />

lives.<br />

JCS<br />

How do you finish off a day like that Chili, of course! Straight<br />

after the concert all of the singers, plus Christian and company,<br />

descended on the Dunster-Sigterman’s abode for the now<br />

traditional Advent fare of an RDS (in)famous chili con carne. On<br />

behalf of the Arnold Singers, I would like to extend thanks to<br />

Christian Forshaw and the Sanctuary Ensemble; Antonia Keeney<br />

and her colleagues at Blenheim Palace; the Holmes family; and<br />

most importantly, Mr Dunster-Sigterman and Mr Colley: the<br />

day would not have been as successful as it was without their<br />

help, support and input.<br />

Abi Barber<br />

44

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