Sport - Rugby School
Sport - Rugby School
Sport - Rugby School
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Drama & Music<br />
2009/10<br />
Drama<br />
&Music<br />
Arnold Singers<br />
Members of the Arnold Singers, <strong>Rugby</strong> <strong>School</strong>’s chamber choir,<br />
are used to being worked hard by their conductor, the school’s<br />
Director of Music, Richard Dunster-Sigtermans. Possibly Advent<br />
Sunday 2009 will be remembered as one of their busiest days,<br />
packing in two excellent performances and two excellent<br />
meals.<br />
The first official performance of the day was scheduled to be at<br />
Blenheim Palace, although the choir did give a sneak preview<br />
to the Holmes family (Cindy Holmes is one of the <strong>School</strong>’s<br />
governors and mother to two boys in the <strong>School</strong>), who warmly<br />
welcomed the choir, director and accompanist to their beautiful<br />
home for lunch, effortlessly (it seemed) providing enough food<br />
to feed an entire boys’ boarding house!<br />
The afternoon performances at Blenheim Palace went down a<br />
treat with the audience of Palace visitors, and the odd <strong>Rugby</strong><br />
parent or two. The Arnies, as they are affectionately known,<br />
performed a selection of traditional and modern Christmas<br />
carols, including one of the two pieces which secured the <strong>Rugby</strong><br />
<strong>School</strong> Upper Chapel Choir its place in the final of BBC Songs of<br />
Praise <strong>School</strong> Choir of the Year Competition. Immediately after<br />
the two recitals at Blenheim the choir had to rush back to <strong>School</strong><br />
to prepare for the next event – there wasn’t even a chance to<br />
sightsee, let alone buy a souvenir!<br />
It is not every day that a school choir is invited to perform with<br />
such a renowned and superbly gifted saxophonist as Christian<br />
Forshaw. However, this was the second time that Christian had<br />
worked with <strong>Rugby</strong> <strong>School</strong> musicians (the previous occasion<br />
was in 2007), and it proved to be a wonderful experience for<br />
the choir to rehearse and perform with an international player<br />
of Christian’s calibre. The Chapel was a perfect venue for the<br />
concert and the blend of saxophone, percussion, soprano solo,<br />
organ and the Arnies inspired the audience to give a standing<br />
ovation. For me the performance of the night was undoubtedly<br />
Forshaw’s Nunc Dimittis, a powerful piece of music that truly<br />
makes one’s spine tingle.<br />
Howard Goodall<br />
Transformation was the theme of this year’s Arnold Foundation<br />
lecturer, composer Howard Goodall, as he expertly deciphered<br />
‘The Stravinsky Code: Music’s Untapped Power’. Supremely,<br />
he said, music promotes self-esteem, team work and social<br />
cohesion, whilst giving enormous pleasure. <strong>Sport</strong> might achieve<br />
some of these goals but here ‘there are no losers’. Music is ‘the<br />
only thing that really changes you’, that offers ‘an alternative<br />
timescale’ and ‘puts the brain into a different place’. He has<br />
witnessed its transformative power himself. There was the Iraqi<br />
child, traumatised into voluntary mutism, who had recovered<br />
her speech through singing. There was the gypsy wedding in<br />
Romania which this ‘comfortable Londoner’ had found rather<br />
threatening until the sound of an accordion suddenly put a<br />
smile on every face. Music education is vital to ‘create a virtuous<br />
life’ and singing in particular is a ‘birthright’, as important as<br />
literacy and numeracy, not least because ‘music makes the brain<br />
grow faster’. In children, music is a ‘magic’ that transforms their<br />
lives.<br />
JCS<br />
How do you finish off a day like that Chili, of course! Straight<br />
after the concert all of the singers, plus Christian and company,<br />
descended on the Dunster-Sigterman’s abode for the now<br />
traditional Advent fare of an RDS (in)famous chili con carne. On<br />
behalf of the Arnold Singers, I would like to extend thanks to<br />
Christian Forshaw and the Sanctuary Ensemble; Antonia Keeney<br />
and her colleagues at Blenheim Palace; the Holmes family; and<br />
most importantly, Mr Dunster-Sigterman and Mr Colley: the<br />
day would not have been as successful as it was without their<br />
help, support and input.<br />
Abi Barber<br />
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