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design for<br />

our future<br />

selves<br />

>competition<br />

2001<br />

the helen<br />

hamlyn<br />

research<br />

centre


design-f<br />

or=our,fu<br />

tur,<br />

,design<br />

,,our,<br />

future<br />

,selves<br />

contents<br />

>age projects 2<br />

>work projects 18<br />

>mobility projects 30<br />

>care projects 48<br />

>locations 60<br />

>judges 62


challenge<br />

This publication <strong>in</strong>troduces the shortlisted<br />

projects <strong>in</strong> the Design for our Future Selves<br />

competition 2001, organised by the <strong>Helen</strong><br />

<strong>Hamlyn</strong> Research <strong>Centre</strong> at the <strong>Royal</strong> College<br />

of Art.<br />

The competition challenges graduat<strong>in</strong>g RCA<br />

MA students to embrace socially <strong>in</strong>clusive<br />

design and <strong>in</strong>volve users <strong>in</strong> their projects.<br />

It offers £5,000 <strong>in</strong> prize money and every<br />

short-listed entrant also receives £75 towards<br />

development costs from the <strong>Centre</strong>.<br />

Students were given four briefs to choose<br />

from - two address<strong>in</strong>g the socially <strong>in</strong>visible<br />

groups of older people and young disabled<br />

people, and two <strong>in</strong>vestigat<strong>in</strong>g the challenges<br />

of work-life balance and urban mobility.<br />

The concepts and prototypes they have<br />

generated demonstrate how <strong>in</strong>clusive design<br />

can improve quality of life for all at a time of<br />

rapid social change.


age<br />

the brief: Innovation <strong>in</strong> the design of<br />

a product, image, system, service or<br />

environment which takes <strong>in</strong>to account<br />

the lifestyles, needs and aspirations of<br />

older people


Rob<strong>in</strong> Blanchard/Architecture & Interiors 4<br />

>relationshipp<strong>in</strong>g<br />

Mike Bond & Mart<strong>in</strong> Coyne/Communication Art & Design 5<br />

>shift<strong>in</strong>g the focus<br />

David Day/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 6<br />

> storable cook<strong>in</strong>g hobs<br />

Richard Hartshorn/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 7<br />

>sp<strong>in</strong>-juice extractor<br />

Anna Hiltunen/Design Products 8<br />

> chatter<br />

George Liarikos/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 9<br />

>obedient shopp<strong>in</strong>g trolley<br />

Benjam<strong>in</strong> Peace/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 10<br />

>breeze<br />

Philip Phelan/Computer Related Design 11<br />

>textbox<br />

Victoria Rob<strong>in</strong>son/Architecture & Interiors 12<br />

> station campus<br />

Renn Scott/Computer Related Design 13<br />

>+/- pulse<br />

Jo Taylor/Communication Art & Design 14<br />

>happy birthday<br />

Sebastien Tran D<strong>in</strong>h/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 15<br />

>door <strong>in</strong>dicator<br />

Christopher Wattam/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 16<br />

>freelock emergency access doorlock<br />

3


Rob<strong>in</strong> Blanchard/Architecture & Interiors<br />

> relationshipp<strong>in</strong>g<br />

The paradox that senior citizens face is that as physical<br />

capabilities dim<strong>in</strong>ish, new networks that are aimed at br<strong>in</strong>g<strong>in</strong>g<br />

people together rema<strong>in</strong> largely <strong>in</strong>accessible. Geriatric<br />

ghettois<strong>in</strong>g is often seen as a solution. This architectural<br />

study proposes the <strong>in</strong>troduction of concentrated local space<br />

act<strong>in</strong>g as the <strong>in</strong>terface between pensioner and city, allow<strong>in</strong>g<br />

older people the choice to rema<strong>in</strong> as participat<strong>in</strong>g members<br />

of their communities for longer. Segregation is parallel to<br />

imprisonment whereas demographic diversity creates a<br />

group of dependables rather than dependants. The result<strong>in</strong>g<br />

shared community provides a sense of belong<strong>in</strong>g, self-worth,<br />

and enjoyment for both older and younger members.<br />

4


Mike Bond & Mart<strong>in</strong> Coyne/<br />

Communication Art & Design<br />

> shift<strong>in</strong>g the focus<br />

When people enter a museum they will be stepp<strong>in</strong>g out of<br />

one environment <strong>in</strong>to another. If their frame of m<strong>in</strong>d is not<br />

entirely synchronised with this change, it could lead to a<br />

mis<strong>in</strong>terpretation of what they are see<strong>in</strong>g. Does com<strong>in</strong>g <strong>in</strong><br />

off the high street mean that people cont<strong>in</strong>ue to ‘w<strong>in</strong>dow<br />

shop’ Shift<strong>in</strong>g the Focus is a pr<strong>in</strong>ted communication aimed<br />

at museum curator and visitor alike. Its objective: to show<br />

that regardless of age, the preparation of a visitor’s m<strong>in</strong>dset<br />

can help to ensure that they fully benefit from their museum<br />

experience. Us<strong>in</strong>g an archaeological case-study, it portrays<br />

the relationship between artefacts rather than isolated,<br />

excavated objects.<br />

5


David Day/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> storable cook<strong>in</strong>g hobs<br />

Two storable cook<strong>in</strong>g hobs that can be hung on a utensil<br />

rail, with the option of be<strong>in</strong>g used either <strong>in</strong>dependently or<br />

together. When the hobs are to be used they can be lifted<br />

from the rail and placed onto any flat surface. The hobs are<br />

ma<strong>in</strong>s powered us<strong>in</strong>g a cordless kettle-style power base that<br />

can also be stored <strong>in</strong> a similar fashion. Be<strong>in</strong>g light <strong>in</strong> weight,<br />

of robust build quality and easy to clean, the design provides<br />

a practical space sav<strong>in</strong>g and lyrical alternative to the traditional<br />

hob. The hobs are aimed at a wide user range, but have been<br />

developed with the specific needs of older people <strong>in</strong> m<strong>in</strong>d.<br />

6


Richard Hartshorn/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> sp<strong>in</strong>-juice extractor<br />

At present, juice extractors are arduous to assemble and<br />

fiddly to clean. For a person with limited dexterity or arthritis,<br />

the whole process can become extremely pa<strong>in</strong>ful, outweigh<strong>in</strong>g<br />

the many health benefits of the fresh, vitam<strong>in</strong>-rich dr<strong>in</strong>ks<br />

a juice extractor provides. Sp<strong>in</strong> is an exploration <strong>in</strong>to the<br />

design of a juice extractor that is easy to clean and use.<br />

A removable filter bag takes away the spent pulp and the<br />

rema<strong>in</strong><strong>in</strong>g juice residue can then be r<strong>in</strong>sed away with water<br />

that is spun round by the rotation of the juicer. The solution<br />

is better for anyone who has ever shied away from juicers<br />

due to the ‘mess’ factor.<br />

7


Anna Hiltunen/Design Products<br />

> chatter<br />

A table that reacts to sound with a visual display of lights<br />

on its surface. By network<strong>in</strong>g the table to the various<br />

appliances <strong>in</strong> the house, different areas of the table light<br />

up each time the phone r<strong>in</strong>gs, doorbell r<strong>in</strong>gs, or any alarm<br />

such as the microwave timer goes off. As well as its use<br />

as ord<strong>in</strong>ary furniture, the table provides visual reassurance<br />

of an aural landscape assist<strong>in</strong>g the hear<strong>in</strong>g faculties of<br />

older users. The responsive and playful nature of the<br />

table <strong>in</strong>creases enjoyment of the domestic environment<br />

and ma<strong>in</strong>ta<strong>in</strong>s <strong>in</strong>dependence - no more stra<strong>in</strong><strong>in</strong>g to hear<br />

the doorbell or the phone.<br />

8


George Liarikos/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> obedient shopp<strong>in</strong>g trolley<br />

A shopp<strong>in</strong>g trolley that promises to be easy to steer and<br />

reduce time spent <strong>in</strong> the checkout queue. The new and<br />

potentially patentable steer<strong>in</strong>g system offers better control<br />

and easier steer<strong>in</strong>g particularly when heavily loaded, reliev<strong>in</strong>g<br />

the user of the dangers of backstra<strong>in</strong> or limb twist<strong>in</strong>g<br />

whilst battl<strong>in</strong>g though the twists and turns of the car park.<br />

The burden of hav<strong>in</strong>g to unload and reload the merchandise<br />

at checkout is removed through use of standard technology.<br />

Although of obvious benefit to a wide range of people, the<br />

manoeuvrability and convenience of the design has specific<br />

application to older people.<br />

9


Benjam<strong>in</strong> Peace/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> breeze<br />

A real alternative to the dated tumble dryer, the second<br />

biggest consumer of electricity <strong>in</strong> the home. The Breeze<br />

design folds up <strong>in</strong>to a compact package with laundry still<br />

attached, and can then be moved around the home and<br />

garden at will, allow<strong>in</strong>g for different fabric needs and<br />

sudden changes <strong>in</strong> the weather. The product elim<strong>in</strong>ates<br />

awkward rungs, and allows for full-length dry<strong>in</strong>g of longer<br />

items, <strong>in</strong>clud<strong>in</strong>g sheets. It <strong>in</strong>cludes an <strong>in</strong>novative built-<strong>in</strong><br />

attachment system and a ra<strong>in</strong> detector. Its versatility and<br />

simplicity means it can satisfy the needs of most users,<br />

especially those of older people, with its light weight and<br />

ease of operation.<br />

10


Philip Phelan/Computer Related Design<br />

> textbox<br />

A service that aims to bridge gaps between old and young<br />

through <strong>in</strong>creas<strong>in</strong>g technological <strong>in</strong>clusivity. Older people<br />

have been left out of the text<strong>in</strong>g craze that has swept the<br />

younger generation. This project proposes a simple device<br />

that ports the functionality of the mobile phone <strong>in</strong>to the<br />

television. The device is particularly geared towards text<strong>in</strong>g,<br />

an area that is of particular relevance to the young and <strong>in</strong><br />

which older generations should be able to participate. Calls<br />

are routed to the house phone and text messages are routed<br />

to a channel on the TV. Different channels can be allocated<br />

to different friends, and texts can be stored on channels.<br />

11


Victoria Rob<strong>in</strong>son/Architecture & Interiors<br />

> station campus<br />

12<br />

Large communities of older people live ghettoised lives <strong>in</strong><br />

a media-driven city that caters for a population that never<br />

seems to exceed the age of 54. This project aims to achieve<br />

social <strong>in</strong>clusiveness for third age users <strong>in</strong> the public sphere<br />

by overlapp<strong>in</strong>g the activities of the University of the Third<br />

Age (U3A) with the functionality and physical space of<br />

Liverpool Street Station. The concourse of the station<br />

becomes the campus ground for learn<strong>in</strong>g, education and<br />

sociability; a performance space for members‚ lessons and<br />

activities. Interrelationships form between the commuters and<br />

U3A members, enrich<strong>in</strong>g the lives of both and encourag<strong>in</strong>g<br />

dialogue and meet<strong>in</strong>gs between the two groups.


Renn Scott/Computer Related Design<br />

> +/- pulse<br />

+/- pulse bracelets are wearable health monitors based on<br />

pulse diagnosis, a part of traditional Ch<strong>in</strong>ese medic<strong>in</strong>e which<br />

says that the state of health of a body can be determ<strong>in</strong>ed<br />

by feel<strong>in</strong>g the pulse. Most older people are concerned but<br />

not obsessed with their health. The bracelet allows them<br />

to monitor themselves as little or as much as they desire<br />

whilst wear<strong>in</strong>g the device. Current aesthetics of wearable<br />

health monitors focus on technology. The Pulse Diagnosis<br />

bracelet explores the creation of wearable alternatives that<br />

are based purely on personal choice and mood. The device<br />

is discreet and can be perceived as an item someone would<br />

commonly wear.<br />

13


Jo Taylor/Communication Art & Design<br />

>happy birthday<br />

When does someone beg<strong>in</strong> to feel old Is there an age<br />

beyond which we are old or is this feel<strong>in</strong>g governed by<br />

other criteria Is it an <strong>in</strong>dividual response or a group<br />

reaction This study <strong>in</strong>to the perception of age<strong>in</strong>g looks<br />

at the idea of age and at the times at which age is felt.<br />

Through text and image, the work exam<strong>in</strong>es the fact that<br />

age<strong>in</strong>g is a natural process we are all exposed to, and that<br />

every one of us feels old sometimes. The project aims to<br />

bridge generation gaps, so older people are not seen as<br />

a separate group, and younger people are prompted to<br />

th<strong>in</strong>k about age<strong>in</strong>g and ageism.<br />

14


Sebastien Tran D<strong>in</strong>h/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> door <strong>in</strong>dicator<br />

A simple device <strong>in</strong>tegrated <strong>in</strong>to the door handle, which<br />

<strong>in</strong>dicates whether a room is occupied or not. From the <strong>in</strong>side<br />

of the room, push<strong>in</strong>g the button activates a colour signal that<br />

is also visible outside and stops the rotation of the handle.<br />

From the outside, the colour is red when occupied, but the<br />

lock can be opened by push<strong>in</strong>g a button to de-activate the<br />

lock<strong>in</strong>g system. The door is therefore never completely locked<br />

but relies on visual cod<strong>in</strong>g to <strong>in</strong>dicate use. Special application<br />

is <strong>in</strong> the domestic area where older people and children can<br />

be reached <strong>in</strong> the case of an emergency.<br />

15


Christopher Wattam/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> freelock emergency access<br />

doorlock<br />

80 per cent of fatal accidents <strong>in</strong> the home <strong>in</strong>volve people<br />

over 65 and nearly half of these are falls. Freelock acts<br />

as a normal bolt ensur<strong>in</strong>g privacy, but <strong>in</strong> the case of an<br />

emergency, such as a fall <strong>in</strong> the bathroom, access is quickly<br />

ga<strong>in</strong>ed by a carer or relative, by means of a resettable snap<br />

fitt<strong>in</strong>g mechanism. The force required has been calculated<br />

to prevent accidental open<strong>in</strong>g whilst allow<strong>in</strong>g the door to<br />

be forced without any damage to the door or the frame.<br />

The everyday operation of the bolt takes the needs of older<br />

users <strong>in</strong>to account whilst appeal<strong>in</strong>g through its shape and<br />

action to a wide audience.<br />

16


work<br />

the brief: <strong>in</strong>novation <strong>in</strong> the design of a product,<br />

image, system, service or environment which<br />

encourages a healthier work-life balance by<br />

support<strong>in</strong>g new ways of work<strong>in</strong>g<br />

18


Samson Adjei/Architecture & Interiors 20<br />

>the embassy - embassy<br />

Noel Batt/Ceramics & Glass 21<br />

>switch table<br />

Greg Epps/Architecture & Interiors 22<br />

> urban ranger<br />

Afroditi Krassa/Design Products 23<br />

> the spare match<br />

Richard Macara/Architecture & Interiors 24<br />

> pervasive loung<strong>in</strong>g<br />

Priya Prakash/Computer Related Design 25<br />

>showeraoke<br />

Benson Saw/Design Products 26<br />

>1+1=3<br />

Flávia Silva/Design Products 27<br />

>cor<strong>in</strong>ga chair<br />

Mary Wagstaff/Ceramics & Glass 28<br />

> <strong>in</strong> or out<br />

Nicholas Williamson/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 29<br />

>bed-desk desk<br />

19


Samson Adjei/Architecture & Interiors<br />

> the embassy - embassy<br />

This project converts a build<strong>in</strong>g above London’s Chancery<br />

Lane - an area with little hous<strong>in</strong>g and a large number of<br />

commuters - <strong>in</strong>to a relax<strong>in</strong>g thirdspace between work and<br />

home. Through re<strong>in</strong>terpret<strong>in</strong>g the roofscape as a new<br />

landscape on which to provide alternative facilities for local<br />

workers, public <strong>in</strong>teraction is re<strong>in</strong>vigorated with the aid of<br />

active debat<strong>in</strong>g halls known as ‘rooforums’. Special napp<strong>in</strong>g<br />

dorms are also provided to serve those who require a<br />

rest before embark<strong>in</strong>g on the journey home. The scheme<br />

<strong>in</strong>corporates site walks around Chancery Lane, reflect<strong>in</strong>g the<br />

idea of allow<strong>in</strong>g the locality to work beyond its 9am-to-5pm<br />

weekday lifecycle.<br />

20


Noel Batt/Ceramics & Glass<br />

> switch table<br />

Furniture that transforms from a desk to a d<strong>in</strong><strong>in</strong>g table<br />

at the flick of a switch. The primary use of the table is for<br />

homeworkers who have the restriction of liv<strong>in</strong>g and work<strong>in</strong>g<br />

<strong>in</strong> the same space. The table has two levels, the top one<br />

made of glass and the bottom one made of wood. The<br />

glass has a sandwich of liquid crystal sheet that is naturally<br />

translucent but will become transparent when an electric<br />

current passes through. After work<strong>in</strong>g dur<strong>in</strong>g the day, all<br />

the work can be put on the lower wooden shelf and hidden<br />

away by the glass top <strong>in</strong> its translucent state until the<br />

follow<strong>in</strong>g day.<br />

21


Greg Epps/Architecture & Interiors<br />

> urban ranger<br />

22<br />

An architectural scheme <strong>in</strong> which Hackney Town Hall is<br />

re<strong>in</strong>vented as a new Town Square. This is populated by<br />

Hackney Council employees who host a series of events<br />

for external participants with<strong>in</strong> personalised spaces. This<br />

exchange <strong>in</strong>troduces new skills to Hackney Council while<br />

open<strong>in</strong>g its resources to the public. The new Town Square<br />

is a cont<strong>in</strong>uous landscape punctuated with the ma<strong>in</strong> public<br />

volumes accommodat<strong>in</strong>g meet<strong>in</strong>gs and events. These<br />

volumes form courtyards surrounded by an <strong>in</strong>formal<br />

mix of council offices, new public and private <strong>in</strong>itiatives<br />

and enterprises, as well as part-time voluntary sector<br />

accommodation. Opportunity is created for crossfertilisation<br />

between these traditionally separate sectors.


Afroditi Krassa/Design Products<br />

> the spare match<br />

This project proposes a campaign for homeless people that<br />

gives them an <strong>in</strong>come while rais<strong>in</strong>g political awareness about<br />

homelessness. Its symbol is a matchbox, <strong>in</strong>spired by the fairy<br />

tale of ‘The Little Match Girl’. Spare matchboxes will be<br />

sold by homeless people. Every matchbox is pre-stamped<br />

and pre-addressed to the Prime M<strong>in</strong>ister. The purchaser<br />

signs the matchtray, which conta<strong>in</strong>s a message about social<br />

<strong>in</strong>clusion and the needs of the homeless to the Prime M<strong>in</strong>ister,<br />

and posts it straight to 10 Down<strong>in</strong>g Street. The project<br />

is endorsed by Shelter. The first 5,000 matchboxes will be on<br />

sale dur<strong>in</strong>g the RCA Show 2001.<br />

23


Richard Macara/Architecture & Interiors<br />

>pervasive loung<strong>in</strong>g<br />

24<br />

By 2010, 50 per cent of population will be s<strong>in</strong>gle, as most<br />

work<strong>in</strong>g people have little or no time to meet other people<br />

and form relationships despite the surge <strong>in</strong> communication<br />

technology. This project softens up public spaces by creat<strong>in</strong>g<br />

virtual dat<strong>in</strong>g agencies centred around physical locations<br />

<strong>in</strong> the city. The service is accessed by plugg<strong>in</strong>g your 3G<br />

mobile device <strong>in</strong>to the furniture, it could be <strong>in</strong> a tra<strong>in</strong> station<br />

or public square. Your personal profile is entered <strong>in</strong>to the<br />

system, and rema<strong>in</strong>s there for the work<strong>in</strong>g day. Dur<strong>in</strong>g that<br />

time it is matched with suitable people who share the same<br />

public space, and is communicated back to you, giv<strong>in</strong>g the<br />

chance for further communication and contact.


Priya Prakash/Computer Related Design<br />

>showeraoke<br />

At a time when people are work<strong>in</strong>g longer and harder,<br />

Showeraoke aims to make each morn<strong>in</strong>g or even<strong>in</strong>g shower<br />

a relax<strong>in</strong>g, enterta<strong>in</strong><strong>in</strong>g and even <strong>in</strong>vigorat<strong>in</strong>g experience.<br />

Us<strong>in</strong>g the showerhead as a mike and the shower curta<strong>in</strong><br />

as a display, you s<strong>in</strong>g along, karaoke style, with previously<br />

downloaded MP3 song files from the Showeraoke website.<br />

Endlessly customisable, you can give your rubber duck a<br />

range of voices, record your performance or listen to your<br />

favourite radio station <strong>in</strong> the shower. The result makes an<br />

everyday task like shower<strong>in</strong>g <strong>in</strong>to a fun activity that allows<br />

you to de-stress from work.<br />

25


Benson Saw/Design Products<br />

>1+1=3<br />

Aimed at people who work at home or <strong>in</strong> small offices, this<br />

shelv<strong>in</strong>g system demonstrates how two shelves can create<br />

three separate spaces. The shelves ‘<strong>in</strong>tersect’ to create the<br />

third space between them. Each shelf is made of alum<strong>in</strong>ium<br />

sheet, punched and formed to create the frame of the shelf.<br />

An <strong>in</strong>jected-moulded t<strong>in</strong>ted acrylic is <strong>in</strong>serted <strong>in</strong> the middle<br />

of the frame to support the construction. This system has<br />

the potential for users to further organise their th<strong>in</strong>gs<br />

through numerous and customisable spaces. It is as flexible<br />

as a books and files organiser as well as a free-stand<strong>in</strong>g<br />

‘wall’. The project is based on observation <strong>in</strong> Habitat’s office.<br />

26


Flávia Silva/Design Products<br />

> cor<strong>in</strong>ga chair<br />

Cor<strong>in</strong>ga is a two-height chair for work<strong>in</strong>g, read<strong>in</strong>g and<br />

relax<strong>in</strong>g that is multifunctional and playful. It aims to save<br />

space <strong>in</strong> the domestic environment by comb<strong>in</strong><strong>in</strong>g <strong>in</strong> a s<strong>in</strong>gle<br />

form the functions of an easy chair with a desk chair.<br />

Due to the shape of the arms, there is no need for any<br />

mechanism to transform this piece of furniture. The user<br />

turns the upright chair <strong>in</strong>to an easy chair by simply rock<strong>in</strong>g<br />

the piece on its arms. Aimed at people liv<strong>in</strong>g and work<strong>in</strong>g <strong>in</strong><br />

small spaces, <strong>in</strong>clud<strong>in</strong>g those <strong>in</strong> student accommodation.<br />

27


Mary Wagstaff/Ceramics & Glass<br />

> <strong>in</strong> or out<br />

A complete range of household products and clothes,<br />

designed to be made by prisoners <strong>in</strong> prison factories. The<br />

merchandise has a dual purpose: to be used <strong>in</strong>ternally with<strong>in</strong><br />

the Prison Service and to be branded, packaged and sold to<br />

the public creat<strong>in</strong>g revenue that can be re<strong>in</strong>vested <strong>in</strong> prisons.<br />

An active concern is the <strong>in</strong>creased self-worth and confidence<br />

of the prison <strong>in</strong>mates through work<strong>in</strong>g on the production<br />

of a high profile, high quality brand of products. This will<br />

have a direct and beneficial effect on their present work<strong>in</strong>g<br />

lives and future work prospects when released. The range<br />

<strong>in</strong>cludes tableware, tables, chairs and clothes, all with strong<br />

brand<strong>in</strong>g that is honest about the orig<strong>in</strong>s of the products.<br />

28


Nicholas Williamson/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

>bed-desk<br />

Based on research <strong>in</strong>to chang<strong>in</strong>g work<strong>in</strong>g and liv<strong>in</strong>g patterns,<br />

this project aims to comb<strong>in</strong>e the functionality of a bed and<br />

a desk. The bed and desk both pivot from a s<strong>in</strong>gle po<strong>in</strong>t.<br />

They are l<strong>in</strong>ked so when the bed is lifted, so too is the<br />

desk. The desk rema<strong>in</strong>s horizontal as it is raised, allow<strong>in</strong>g<br />

items to be left on the desk top. Potential users <strong>in</strong>clude<br />

people with limited space <strong>in</strong> bedsits or student accommodation,<br />

people who have a spare room that they want<br />

to be both an office and a guest bedroom, and homeworkers<br />

who want a division between work and leisure time.<br />

29


mobility<br />

the brief: <strong>in</strong>novation <strong>in</strong> the design of<br />

a product, image, system, service or<br />

environment which encourages a healthier<br />

work-life balance by support<strong>in</strong>g new<br />

ways of work<strong>in</strong>g<br />

30


James Auger/Design Products 32<br />

>social tele-presence<br />

Christian Brandt/Vehicle Design 33<br />

> chameleon concept<br />

Harry Dobbs/Architecture & Interiors 34<br />

> underground library<br />

Pierre-Olivier Garcia/Vehicle Design 35<br />

>cubic: the mov<strong>in</strong>g architecture<br />

Thomas Hulbert/Design Products 36<br />

> connected city<br />

Camilla Ingman/Ceramics & Glass 37<br />

>travel aid pack<br />

Nicholas J<strong>in</strong>k<strong>in</strong>son & Nicholas Paterson/<br />

Design Products 38<br />

>wearable hanger<br />

Roma<strong>in</strong> Lawson/Vehicle Design 39<br />

>ciconia<br />

Marie Lenclos/Communication Art & Design 40<br />

> and those less able to stand<br />

Lola Llorca/Design Products 41<br />

>clothery bottle for the city<br />

Cristian Norl<strong>in</strong>/Computer Related Design 42<br />

>travelwatch<br />

Jochen Paesen/Vehicle Design 43<br />

>SW7>><br />

Christiane Posch/Design Products 44<br />

>gestural <strong>in</strong>terfaces<br />

Michael Saunders/Design Products 45<br />

>a car for the city<br />

Indri Tulusan/Design Products 46<br />

>olu<br />

31


James Auger/Design Products<br />

> social tele-presence<br />

Current use of tele-presence is restricted to large-budget<br />

scientific or military operations, usually through a remotely<br />

operated camera and microphone set-up. This project is a<br />

social exploration that aims to br<strong>in</strong>g tele-presence <strong>in</strong>to the<br />

social context of the urban environment. Cameras can be<br />

fixed to vehicles, people or guide dogs allow<strong>in</strong>g experience<br />

of another lifestyle, culture or situation from the home. At<br />

a time when movement through the city is as restricted as<br />

ever, social tele-presence allows monitor<strong>in</strong>g and presence <strong>in</strong><br />

a situation without ever hav<strong>in</strong>g to make the journey there.<br />

32


Christian Brandt/Vehicle Design<br />

> chameleon concept<br />

The Chameleon concept is a small, <strong>in</strong>expensive, <strong>in</strong>dividual<br />

city car that can change appearance through <strong>in</strong>terchangeable<br />

coloured and translucent body panels. The car targets<br />

a range of user groups from first time buyers and young<br />

families to pensioners and city dwellers, allow<strong>in</strong>g each to<br />

customise the car to their <strong>in</strong>dividual tastes. The versatility<br />

of the vehicle ensures that the requirements of these<br />

different groups are catered for. The car is designed to the<br />

latest str<strong>in</strong>gent legislation govern<strong>in</strong>g Japanese city cars<br />

and its design is <strong>in</strong>spired by strik<strong>in</strong>g contrasts and strong<br />

culture <strong>in</strong> modern Japanese cities.<br />

33


Harry Dobbs/Architecture & Interiors<br />

> underground library<br />

34<br />

An architectural study that builds on the contrast between<br />

the transient and dislocated world of the London Underground<br />

and the solid psychological world built from our<br />

own imag<strong>in</strong>ations and fuelled by the media we read as we<br />

sit on the Tube. The Underground Library draws the two<br />

together <strong>in</strong> the physical space of the station.Commuters<br />

share reviews of the same book, meet<strong>in</strong>g and exchang<strong>in</strong>g<br />

literary views and thoughts <strong>in</strong> a virtual world as they move<br />

through the system. Engag<strong>in</strong>g with one another under<br />

the protection of ‘virtual distance’, there is the potential<br />

for different levels of <strong>in</strong>timacy to arise with<strong>in</strong> this urban<br />

public space.


Pierre-Olivier Garcia/Vehicle Design<br />

> cubic: the mov<strong>in</strong>g architecture<br />

This project proposes a rental transport service available<br />

from travel and bus<strong>in</strong>ess centres <strong>in</strong> the world’s major<br />

cities, where an artistic and historic context is important.<br />

The vehicle can be used as anyth<strong>in</strong>g from mobile office<br />

to an <strong>in</strong>teractive tourist taxi and a wheelchair-accessible<br />

runabout. Designed to give the user a perception of<br />

space and relaxation, it drives with a rudder, allow<strong>in</strong>g<br />

one-handed park<strong>in</strong>g manoeuvres, whilst conta<strong>in</strong><strong>in</strong>g current<br />

GPS, <strong>in</strong>ternet and voice-activated technologies. Exploration<br />

of various urban scenarios results <strong>in</strong> the possibility to<br />

connect the vehicle with other Cubic pods to move <strong>in</strong> a<br />

convoy or to plug-<strong>in</strong> to build<strong>in</strong>gs to create ‘lifts-park<strong>in</strong>g’.<br />

35


Thomas Hulbert/Design Products<br />

> connected city<br />

This project seeks to digitally enhance transitory spaces<br />

scattered throughout the city to provide greater access<br />

and participation. People can ‘connect’ wirelessly <strong>in</strong> public<br />

places, us<strong>in</strong>g their mobile phones and current technology,<br />

creat<strong>in</strong>g virtual communities. Applications range from the<br />

recreational, such as multi-player computer games between<br />

networked bus shelters, to the <strong>in</strong><strong>format</strong>ive - <strong>in</strong>teractive maps<br />

or transport guides to aid mobility and wayf<strong>in</strong>d<strong>in</strong>g with<strong>in</strong><br />

the city. Scenarios even merge the two - buses can become<br />

sprites <strong>in</strong> the game be<strong>in</strong>g played. Inspiration comes from<br />

observ<strong>in</strong>g the number of people with mobile phones and<br />

the <strong>in</strong>sular attitude of the average commuter.<br />

36


Camilla Ingman/Ceramics & Glass<br />

> travel aid pack<br />

A travel and <strong>in</strong><strong>format</strong>ion pack that aims to combat the<br />

headl<strong>in</strong>e phenomenon of ‘economy-class syndrome’, or<br />

deep ve<strong>in</strong> thrombosis (DVT). The pack is given out by the<br />

airl<strong>in</strong>e as standard on those flights where passengers are<br />

at most risk, or to those passengers identified as hav<strong>in</strong>g<br />

<strong>in</strong>creased risk, <strong>in</strong>clud<strong>in</strong>g people over 40, expectant mothers<br />

and people recover<strong>in</strong>g from surgery. The travel aid pack<br />

is a contemporary capsule conta<strong>in</strong><strong>in</strong>g appropriate medic<strong>in</strong>e,<br />

m<strong>in</strong>eral water, travel stock<strong>in</strong>gs, written massage <strong>in</strong>structions,<br />

<strong>in</strong><strong>format</strong>ion about the condition and counter measures<br />

that can be taken when on the plane. It aims to reassure<br />

travellers of all ages and abilities.<br />

37


Nicholas J<strong>in</strong>k<strong>in</strong>son & Nicholas Paterson/<br />

Design Products<br />

> wearable hanger<br />

38<br />

A wearable hanger, either retro-fitted or <strong>in</strong>tegrated as part<br />

of the garment at manufacture. It allows the jacket to hang<br />

correctly almost anywhere – from chair backs to car hooks -<br />

preserv<strong>in</strong>g its shape and offer<strong>in</strong>g a structurally and visually<br />

superior alternative to present solutions. A fundamentally<br />

simple design us<strong>in</strong>g plastic technology, it comb<strong>in</strong>es flexibility<br />

when wear<strong>in</strong>g with rigidity when hang<strong>in</strong>g. Particular <strong>in</strong>spiration<br />

has come from look<strong>in</strong>g at where coats are placed<br />

dur<strong>in</strong>g the day by those constantly on the move <strong>in</strong> an urban<br />

environment, and the fact that detailed design thought is<br />

not given to what happens to a garment when it is not<br />

be<strong>in</strong>g worn.


Roma<strong>in</strong> Lawson/Vehicle Design<br />

> ciconia<br />

A s<strong>in</strong>gle seater, low speed airplane that is derived from<br />

a glider, <strong>in</strong>clud<strong>in</strong>g features such as quiet operation and<br />

respect for the environment. The design is light and airy<br />

allow<strong>in</strong>g the user to fly with a sense of freedom and mobility.<br />

It aims to <strong>in</strong>vite urban dwellers to view the wide open<br />

spaces of the French countryside, open<strong>in</strong>g up hidden areas<br />

of culture and heritage as well as creat<strong>in</strong>g an appreciation<br />

for the environment. Ciconia is the Lat<strong>in</strong> word for ‘stork’, a<br />

bird considered to be a lucky charm <strong>in</strong> France. The design is<br />

also <strong>in</strong>spired by the dist<strong>in</strong>ctive characteristics of the stork.<br />

39


Marie Lenclos/Communication Art & Design<br />

> and those less able to stand<br />

40<br />

An <strong>in</strong>-depth study result<strong>in</strong>g <strong>in</strong> a short colour film describ<strong>in</strong>g<br />

the feel<strong>in</strong>gs and challenges experienced by parents who<br />

have a daily struggle tak<strong>in</strong>g their children on public transport<br />

<strong>in</strong> London. The project aims to create a sense of community<br />

amongst these parents, through empathy with the experiences<br />

be<strong>in</strong>g recounted on film. It offers an <strong>in</strong>sight <strong>in</strong>to this<br />

socially <strong>in</strong>visible area to the people who make important<br />

transport decisions, as well as the general public. When<br />

shown on television or <strong>in</strong> support groups and community<br />

centres, the film enables discussions and exchanges to<br />

develop between <strong>in</strong>dividuals, allow<strong>in</strong>g parents and carers to<br />

discover new feel<strong>in</strong>gs of confidence, self-respect and hope.


Lola Llorca/Design Products<br />

> clothery bottle for the city<br />

A cloth water bottle for the city environment that comb<strong>in</strong>es<br />

the modern habit of the urban traveller to carry a plastic<br />

bottle of water around with the ancient tradition of the<br />

leather w<strong>in</strong>e bag. It is a flexible and soft conta<strong>in</strong>er that can<br />

be carried <strong>in</strong> the pocket even when full of water. Inspired by<br />

the shape of the Spanish w<strong>in</strong>e bag, Clothery uses modern<br />

materials and construction techniques to self-seal. As the<br />

conta<strong>in</strong>er can mould itself around the body, it is more comfortable<br />

to carry than a bottle and can become an essential<br />

personal item for those on the move. The environmental<br />

benefits <strong>in</strong> sav<strong>in</strong>g on plastic are potentially large.<br />

41


Cristian Norl<strong>in</strong>/Computer Related Design<br />

> travelwatch<br />

42<br />

Travelwatch is a mobile phone-based personalised travel<br />

<strong>in</strong><strong>format</strong>ion service for commuters us<strong>in</strong>g tube, tra<strong>in</strong> and<br />

bus networks. Each user creates their own travel profile<br />

<strong>in</strong>corporat<strong>in</strong>g their ma<strong>in</strong> journeys. Us<strong>in</strong>g today’s technology,<br />

up-to-date <strong>in</strong><strong>format</strong>ion is streamed to the phone allow<strong>in</strong>g<br />

journeys to be planned and replanned whilst on the move.<br />

The <strong>in</strong><strong>format</strong>ion is delivered <strong>in</strong> a simple graphical <strong>format</strong><br />

allow<strong>in</strong>g display of details, such as the space available on<br />

the next tra<strong>in</strong>. The system is customisable to both user and<br />

phone, and has a wide application for anyone attempt<strong>in</strong>g<br />

to navigate through an urban travel network, susceptible<br />

to delays and changes, at a moment’s notice.


Jochen Paesen/Vehicle Design<br />

> SW7>><br />

A transport scenario projected for 2007 when <strong>in</strong>vestment<br />

has considerably improved London’s public transport,<br />

creat<strong>in</strong>g a more attractive alternative to the car. Many<br />

streets have become pedestrianised with access restricted<br />

to cycles, delivery vehicles and the SW7 taxi. The taxi is<br />

used as a ‘door to door’ service for two people plus a driver,<br />

becom<strong>in</strong>g a cocoon to transport children to school, or act<strong>in</strong>g<br />

as a mobile office between meet<strong>in</strong>gs. Further uses envisage<br />

tourist applications and special privileged use for people<br />

with disabilities. The taxi is an extension of public transport,<br />

us<strong>in</strong>g a pass and po<strong>in</strong>t scheme to measure its usage and<br />

<strong>in</strong>tegrate it with exist<strong>in</strong>g travelcard schemes.<br />

43


Christiane Posch/Design Products<br />

> gestural <strong>in</strong>terfaces<br />

44<br />

Digital <strong>in</strong><strong>format</strong>ion on our credit cards, PDAs, mobile phones<br />

and CD-players forms <strong>in</strong>visible layers of <strong>in</strong><strong>format</strong>ion about<br />

us. Us<strong>in</strong>g these ‘data auras’, wireless networks can be<br />

created between people whose common ground is that<br />

they are <strong>in</strong> the same physical space, rather than group<strong>in</strong>g<br />

by age, gender or ability. As well as draw<strong>in</strong>g on the new<br />

technologies of Bluetooth TM and fourth generation mobile<br />

phones, the more fundamental language of ‘gestures’ is<br />

used as part of the <strong>in</strong>terfac<strong>in</strong>g. This service can be used<br />

to share any type of data such as music files, l<strong>in</strong>k people<br />

of the same <strong>in</strong>terests, or just share a ‘digital flower’ with<br />

the person walk<strong>in</strong>g past.


Michael Saunders/Design Products<br />

> a car for the city<br />

A car designed specifically for the crowded city environment,<br />

with the unique approach of design<strong>in</strong>g the vehicle from the<br />

po<strong>in</strong>t of view of the pedestrian rather than the motorist.<br />

Specific attention has been paid to the short shopp<strong>in</strong>g trip<br />

– it has a detachable boot that serves as a shopp<strong>in</strong>g trolley<br />

giv<strong>in</strong>g the user an easier task of transport<strong>in</strong>g heavy goods.<br />

It also transforms from a horizontal position for driv<strong>in</strong>g to a<br />

vertical position when parked, so reduc<strong>in</strong>g the space needed<br />

and aid<strong>in</strong>g access to and from the vehicle. The project arises<br />

from observational studies of traffic flow and car usage when<br />

shopp<strong>in</strong>g.<br />

45


Indri Tulusan/Design Products<br />

46<br />

An <strong>in</strong>vestigation <strong>in</strong>to how the digital <strong>in</strong><strong>format</strong>ion landscape<br />

can def<strong>in</strong>e personal <strong>in</strong>terests with emotional and poetic<br />

qualities, rather than provid<strong>in</strong>g purely hard <strong>in</strong><strong>format</strong>ion.<br />

This is done by merg<strong>in</strong>g virtual and real space through<br />

a system that uses local networks of people (lost object<br />

spotters), a shared space (local neighbourhood) and current<br />

phone and web-based technologies to reveal the history<br />

beh<strong>in</strong>d the vast number of lost objects <strong>in</strong> the urban environment.<br />

Abandoned consumer goods are not only recycled<br />

effectively, but the street becomes clearer and easier to<br />

navigate. The lives of those around us – someth<strong>in</strong>g we<br />

are largely unaware of – becomes part of the narrative.


care<br />

the brief: <strong>in</strong>novation <strong>in</strong> the design of<br />

a product, image, system, service or<br />

environment which responds to the<br />

lifestyles, needs and aspirations of<br />

young disabled people<br />

48


Georg<strong>in</strong>a Bartlett/Fashion & Textiles 50<br />

>cloth<strong>in</strong>g project<br />

Cajsa Flensburg/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 51<br />

>jewellery pill box<br />

Nicholas Foster/Design Products 52<br />

> pianoforte<br />

Edward Goodw<strong>in</strong>/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 53<br />

>craft & medical scalpels<br />

Kather<strong>in</strong>e Gough/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 54<br />

> breathe: asthma medication packag<strong>in</strong>g<br />

Andrew McCulloch/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 55<br />

>social climb<strong>in</strong>g<br />

Guy Rob<strong>in</strong>son/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 56<br />

>life supports<br />

Kelly Sant/Design Products 57<br />

>xplore the floor<br />

William Welch/Goldsmith<strong>in</strong>g, Silversmith<strong>in</strong>g,<br />

Metalwork and Jewellery 58<br />

> adaptable cutlery<br />

Ben Wilson/Design Products 59<br />

>hand driven trike<br />

49


Georg<strong>in</strong>a Bartlett/Fashion & Textiles<br />

> cloth<strong>in</strong>g project<br />

A range of cloth<strong>in</strong>g that <strong>in</strong>corporates style and desirability<br />

with ease of wear. It utilises a new knitt<strong>in</strong>g technique that<br />

allows almost any fabric to be woven, to allow stretch<strong>in</strong>g<br />

to fit any body shape. Comb<strong>in</strong>ed with <strong>in</strong>novative ideas for<br />

fasten<strong>in</strong>g and pattern cutt<strong>in</strong>g, the range is ideally suited to<br />

wheelchair users or young people with limited dexterity. The<br />

range <strong>in</strong>cludes able bodied people, form<strong>in</strong>g a l<strong>in</strong>k between<br />

<strong>in</strong>dividuals regardless capability. The project redresses the<br />

balance by boldly design<strong>in</strong>g for a socially <strong>in</strong>visible group<br />

outside ma<strong>in</strong>stream fashion.<br />

50


Cajsa Flensburg/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> jewellery pill box<br />

Why shouldn’t a functional pill conta<strong>in</strong>er be a decorative<br />

item worn as part of a necklace or attached to a key<br />

r<strong>in</strong>g The design of this functional yet aesthetic accessory<br />

transforms a pill or lozenge <strong>in</strong>to an <strong>in</strong>tegral design feature.<br />

Easy to open and close, it is <strong>in</strong>tended for one day’s supply<br />

only of pills. In this way, the phial acts a natural rem<strong>in</strong>der<br />

to its user of how many have been taken. In an emergency<br />

too, the transparency of the pillbox sends a visual signal<br />

to paramedics of the user’s medical condition, that can be<br />

<strong>in</strong>scribed on the base.<br />

51


Nicholas Foster/Design Products<br />

> pianoforte<br />

Pianoforte is a speaker system whose method of volume<br />

control requires less dexterity than the usual rotary knobs<br />

or digital up/down buttons. Volume is <strong>in</strong>creased by open<strong>in</strong>g<br />

the door cover<strong>in</strong>g the cone and decreased by clos<strong>in</strong>g it.<br />

Each action triggers a resistance change <strong>in</strong> the h<strong>in</strong>ge, which<br />

alters the volume <strong>in</strong> the speaker cone. Both actions serve as<br />

visible metaphors that help children with learn<strong>in</strong>g disabilities<br />

understand the concepts of volume control and make the<br />

product suitable for use <strong>in</strong> multi-sensory (snoezl<strong>in</strong>) rooms.<br />

People with motor disabilities, atheosis, or reduced grip<br />

strength will benefit from the greater ease of use.<br />

52


Edward Goodw<strong>in</strong>/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> craft and medical scalpels<br />

Scalpels are used by surgeons, craftsmen, modelmakers,<br />

pattern cutters, leather workers, light<strong>in</strong>g manufacturers<br />

and furniture makers - the list goes on. This two-part project<br />

for a disposable surgical scalpel and its reusable metal<br />

equivalent elim<strong>in</strong>ates some of the problems relat<strong>in</strong>g to<br />

current designs. The safety issues of apply<strong>in</strong>g, remov<strong>in</strong>g<br />

and stor<strong>in</strong>g blades for metal scalpels have been resolved.<br />

By <strong>in</strong>tegrat<strong>in</strong>g blade dispens<strong>in</strong>g and storage <strong>in</strong>to the handle,<br />

the user can locate and apply them quickly and avoid <strong>in</strong>jury.<br />

The design of the standard disposable scalpel, modelled as<br />

it is on its metal equivalent, has also been rethought and the<br />

manufactur<strong>in</strong>g process optimised.<br />

53


Kather<strong>in</strong>e Gough/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

>breathe: asthma medication<br />

packag<strong>in</strong>g<br />

Two products that reduce the stigma of tak<strong>in</strong>g asthma<br />

medication <strong>in</strong> public, aimed at the image-conscious school<br />

age market. Breathe is a compact accessory that holds the<br />

standard medication canister and fits neatly <strong>in</strong>to pockets<br />

or bags. Intuitively self-seal<strong>in</strong>g, it can be opened <strong>in</strong> seconds<br />

for use when needed, and when closed prevents dust and<br />

fluff <strong>in</strong>gression. Breezy is a bag that holds any make of<br />

<strong>in</strong>halers and spacer, allow<strong>in</strong>g children to carry their own<br />

medication thus promot<strong>in</strong>g responsibility and encourag<strong>in</strong>g<br />

self medication. Both are designed to have a ‘cool’ image<br />

for young people and school children alike.<br />

54


Andrew McCulloch/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> social climb<strong>in</strong>g<br />

Wheelchair design has changed radically over the past 20<br />

years but the push rim method of <strong>in</strong>dependent propulsion<br />

that depends on grip and arm strength has rema<strong>in</strong>ed the<br />

same. This project aims to optimise push rim propulsion<br />

for <strong>in</strong>dependent manual wheelchair users and allow disabled<br />

users who have been prevented thus far to experience the<br />

joy of unassisted movement. The driv<strong>in</strong>g and brak<strong>in</strong>g<br />

system is based on mounta<strong>in</strong> bike disc brake technology.<br />

It provides the user with a more comfortable and ergonomic<br />

driv<strong>in</strong>g action, a progressive brak<strong>in</strong>g system, and an<br />

opportunity to gear their drive to suit the environment.<br />

55


Guy Rob<strong>in</strong>son/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />

> life supports<br />

56<br />

Crutches are designed to support <strong>in</strong>dependent mobility but<br />

their traditional design can cause jo<strong>in</strong>t, shoulder, nerve and<br />

lower back problems to long term users. The aesthetic<br />

styl<strong>in</strong>g of this radical redesign of the standard crutch places<br />

it firmly with<strong>in</strong> contemporary sports culture and removes its<br />

stigma as a medical prosthesis. Current sports technology<br />

has been <strong>in</strong>corporated to improve usability - the handle is<br />

designed to shift pressure from the centre of the hand;<br />

elastometric suspension at the tip reduces shock load<strong>in</strong>g<br />

while the curved stem and suspended woven mesh <strong>in</strong>terface<br />

along the forearm redistributes pressure and avoids damage<br />

to the ulna nerve.


Kelly Sant/Design Products<br />

> xplore the floor<br />

For young disabled children who are floorbound, the<br />

restricted nature of their play environment can limit their<br />

ability to experience the world holistically. By creat<strong>in</strong>g<br />

opportunities for <strong>in</strong>dependent movement and selfdeterm<strong>in</strong>ation,<br />

Xplore the Floor stimulates sensory<br />

curiosity lead<strong>in</strong>g to the development of natural exercise<br />

rout<strong>in</strong>es.The two products have been designed to be<br />

used separately or as a part of an <strong>in</strong>tegrated, modular play<br />

landscape - the tactile mat can be used as a massage surface<br />

while a collection of illum<strong>in</strong>at<strong>in</strong>g rubber wall-mounted hand<br />

grips extends the play space and provides physical support.<br />

57


William Welch/<br />

Goldsmith<strong>in</strong>g, Silversmith<strong>in</strong>g, Metalwork & Jewellery<br />

> adaptable cutlery<br />

This range of adaptable cutlery is designed for people with<br />

poor grip or restricted hand movement. Its ma<strong>in</strong>stream<br />

design aesthetic, however, <strong>in</strong>tegrates the user with their<br />

d<strong>in</strong><strong>in</strong>g companions and makes it an attractive choice for<br />

people of all abilities. The oversized handle is filled with<br />

a smart material that is responsive to human touch and<br />

moulds itself to <strong>in</strong>dividual user needs while the head bends<br />

sideways to optimize hand/mouth coord<strong>in</strong>ation. A looped<br />

strap fits over the hand and slots <strong>in</strong>to the suction pad at<br />

the base of the handle.<br />

58


Ben Wilson/Design Products<br />

> hand driven trike<br />

This hand-powered trike was designed for an active eightyear<br />

old end user with lower body paralysis and a desire<br />

for a mach<strong>in</strong>e styled like the bikes of his able-bodied friends.<br />

The overall concept, however, is for riders of all ages and<br />

abilities <strong>in</strong>clud<strong>in</strong>g those who prefer hand propulsion to us<strong>in</strong>g<br />

their feet. A unique mechanism <strong>in</strong> the saddle area allows<br />

the rider to corner and steer the vehicle by calibrat<strong>in</strong>g the<br />

distribution of their upper body weight. Ready-made high<br />

tech components and ‘street cred’ styl<strong>in</strong>g ensure the trike’s<br />

place <strong>in</strong> ma<strong>in</strong>stream bike design.<br />

59


location<br />

ground level<br />

fashion &<br />

textiles<br />

60<br />

architecture<br />

&<br />

<strong>in</strong>teriors<br />

design<br />

products<br />

kens<strong>in</strong>gton<br />

gore<br />

helen<br />

hamlyn<br />

research<br />

centre<br />

college<br />

shop<br />

communication art<br />

& design<br />

conservation &<br />

history<br />

of art<br />

ma<strong>in</strong> entrance<br />

(next to royal albert hall)


location<br />

lower level<br />

wheelchair<br />

access<br />

canteen<br />

access<br />

canteen<br />

61<br />

<strong>in</strong>dustrial<br />

design<br />

eng<strong>in</strong>eer<strong>in</strong>g<br />

kens<strong>in</strong>gton<br />

gore<br />

animation<br />

computer<br />

related<br />

design<br />

vehicle<br />

design<br />

computer<br />

related design<br />

vehicle<br />

design


judges<br />

62<br />

> Age Panel<br />

Roger Coleman (Chair)<br />

Co-Director, <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />

Marion Bieber<br />

University of the Third Age<br />

Rob<strong>in</strong> Levien<br />

Studio Levien<br />

Colette Nicolle<br />

HUSAT Research Institute, School of Ergonomics<br />

and Human Factors, Loughborough University<br />

Matthew White<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2001<br />

> Work Panel<br />

Jeremy Myerson (Chair)<br />

Co-Director, <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />

Terry Gunnery<br />

DEGW<br />

Tom Lloyd<br />

Pearson Lloyd<br />

Ian Johnston<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2000<br />

Kirsteen Mackay<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2000


judges<br />

> Mobility Panel<br />

John Bound (Chair)<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />

Prof Alastair Macdonald<br />

Glasgow School of Art<br />

Mike Boyle<br />

Transport Consultant<br />

Paul Priestman<br />

Priestman Goode Associates<br />

<strong>Helen</strong> Jones<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2001<br />

63<br />

> Mobility Panel<br />

Julia Cassim (Chair)<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />

David Constant<strong>in</strong>e<br />

Motivation<br />

Adrian Berry<br />

Factory Design<br />

Stuart Monroe<br />

Healthcare Consultant<br />

Dan Plant<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2000


thanks<br />

The <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong> would like<br />

to thank the follow<strong>in</strong>g people and organisations<br />

who have contributed to the Design for our<br />

Future Selves competition 2001:<br />

64<br />

> User Groups:<br />

University of the Third Age, OpenAge<br />

Project, and East Chelsea Community<br />

Contact Organisation (ECCCO)<br />

> Expert Advisers:<br />

Chitra Aloysius, Mike Ayres, Nigel Chapman,<br />

Nick Dormon, Laurence Gunzi, Sylvia Katz,<br />

Ian Lilley, Santa Raymond, Niall Tarrell,<br />

Gav<strong>in</strong> Turner, John Wagstaff, Andrew Walker<br />

and Paul Warner<br />

> The judg<strong>in</strong>g panels<br />

> Staff and students of the <strong>Royal</strong> College<br />

of Art<br />

> Margaret Durkan for design and graphics<br />

> F<strong>in</strong>ally, our special thanks go to <strong>Helen</strong><br />

<strong>Hamlyn</strong> and the <strong>Helen</strong> <strong>Hamlyn</strong> Foundation<br />

for their generous support.<br />

Rama Gheerawo<br />

Competition Co-ord<strong>in</strong>ator, <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong>


design-f<br />

or=our,fu<br />

tur,<br />

,design<br />

,,our,<br />

future<br />

,selves<br />

>design for<br />

our future<br />

selves


design-f<br />

or=our,fu<br />

tur,<br />

,design<br />

,,our,<br />

future<br />

,selves<br />

The <strong>Helen</strong> <strong>Hamlyn</strong><br />

Research <strong>Centre</strong><br />

<strong>Royal</strong> College of Art<br />

Kens<strong>in</strong>gton Gore<br />

London SW7 2EU<br />

T 0207 590 4242<br />

F 0207 590 4244<br />

hhrc@rca.ac.uk<br />

www.hhrc.rca.ac.uk

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