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design for<br />
our future<br />
selves<br />
>competition<br />
2001<br />
the helen<br />
hamlyn<br />
research<br />
centre
design-f<br />
or=our,fu<br />
tur,<br />
,design<br />
,,our,<br />
future<br />
,selves<br />
contents<br />
>age projects 2<br />
>work projects 18<br />
>mobility projects 30<br />
>care projects 48<br />
>locations 60<br />
>judges 62
challenge<br />
This publication <strong>in</strong>troduces the shortlisted<br />
projects <strong>in</strong> the Design for our Future Selves<br />
competition 2001, organised by the <strong>Helen</strong><br />
<strong>Hamlyn</strong> Research <strong>Centre</strong> at the <strong>Royal</strong> College<br />
of Art.<br />
The competition challenges graduat<strong>in</strong>g RCA<br />
MA students to embrace socially <strong>in</strong>clusive<br />
design and <strong>in</strong>volve users <strong>in</strong> their projects.<br />
It offers £5,000 <strong>in</strong> prize money and every<br />
short-listed entrant also receives £75 towards<br />
development costs from the <strong>Centre</strong>.<br />
Students were given four briefs to choose<br />
from - two address<strong>in</strong>g the socially <strong>in</strong>visible<br />
groups of older people and young disabled<br />
people, and two <strong>in</strong>vestigat<strong>in</strong>g the challenges<br />
of work-life balance and urban mobility.<br />
The concepts and prototypes they have<br />
generated demonstrate how <strong>in</strong>clusive design<br />
can improve quality of life for all at a time of<br />
rapid social change.
age<br />
the brief: Innovation <strong>in</strong> the design of<br />
a product, image, system, service or<br />
environment which takes <strong>in</strong>to account<br />
the lifestyles, needs and aspirations of<br />
older people
Rob<strong>in</strong> Blanchard/Architecture & Interiors 4<br />
>relationshipp<strong>in</strong>g<br />
Mike Bond & Mart<strong>in</strong> Coyne/Communication Art & Design 5<br />
>shift<strong>in</strong>g the focus<br />
David Day/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 6<br />
> storable cook<strong>in</strong>g hobs<br />
Richard Hartshorn/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 7<br />
>sp<strong>in</strong>-juice extractor<br />
Anna Hiltunen/Design Products 8<br />
> chatter<br />
George Liarikos/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 9<br />
>obedient shopp<strong>in</strong>g trolley<br />
Benjam<strong>in</strong> Peace/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 10<br />
>breeze<br />
Philip Phelan/Computer Related Design 11<br />
>textbox<br />
Victoria Rob<strong>in</strong>son/Architecture & Interiors 12<br />
> station campus<br />
Renn Scott/Computer Related Design 13<br />
>+/- pulse<br />
Jo Taylor/Communication Art & Design 14<br />
>happy birthday<br />
Sebastien Tran D<strong>in</strong>h/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 15<br />
>door <strong>in</strong>dicator<br />
Christopher Wattam/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 16<br />
>freelock emergency access doorlock<br />
3
Rob<strong>in</strong> Blanchard/Architecture & Interiors<br />
> relationshipp<strong>in</strong>g<br />
The paradox that senior citizens face is that as physical<br />
capabilities dim<strong>in</strong>ish, new networks that are aimed at br<strong>in</strong>g<strong>in</strong>g<br />
people together rema<strong>in</strong> largely <strong>in</strong>accessible. Geriatric<br />
ghettois<strong>in</strong>g is often seen as a solution. This architectural<br />
study proposes the <strong>in</strong>troduction of concentrated local space<br />
act<strong>in</strong>g as the <strong>in</strong>terface between pensioner and city, allow<strong>in</strong>g<br />
older people the choice to rema<strong>in</strong> as participat<strong>in</strong>g members<br />
of their communities for longer. Segregation is parallel to<br />
imprisonment whereas demographic diversity creates a<br />
group of dependables rather than dependants. The result<strong>in</strong>g<br />
shared community provides a sense of belong<strong>in</strong>g, self-worth,<br />
and enjoyment for both older and younger members.<br />
4
Mike Bond & Mart<strong>in</strong> Coyne/<br />
Communication Art & Design<br />
> shift<strong>in</strong>g the focus<br />
When people enter a museum they will be stepp<strong>in</strong>g out of<br />
one environment <strong>in</strong>to another. If their frame of m<strong>in</strong>d is not<br />
entirely synchronised with this change, it could lead to a<br />
mis<strong>in</strong>terpretation of what they are see<strong>in</strong>g. Does com<strong>in</strong>g <strong>in</strong><br />
off the high street mean that people cont<strong>in</strong>ue to ‘w<strong>in</strong>dow<br />
shop’ Shift<strong>in</strong>g the Focus is a pr<strong>in</strong>ted communication aimed<br />
at museum curator and visitor alike. Its objective: to show<br />
that regardless of age, the preparation of a visitor’s m<strong>in</strong>dset<br />
can help to ensure that they fully benefit from their museum<br />
experience. Us<strong>in</strong>g an archaeological case-study, it portrays<br />
the relationship between artefacts rather than isolated,<br />
excavated objects.<br />
5
David Day/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> storable cook<strong>in</strong>g hobs<br />
Two storable cook<strong>in</strong>g hobs that can be hung on a utensil<br />
rail, with the option of be<strong>in</strong>g used either <strong>in</strong>dependently or<br />
together. When the hobs are to be used they can be lifted<br />
from the rail and placed onto any flat surface. The hobs are<br />
ma<strong>in</strong>s powered us<strong>in</strong>g a cordless kettle-style power base that<br />
can also be stored <strong>in</strong> a similar fashion. Be<strong>in</strong>g light <strong>in</strong> weight,<br />
of robust build quality and easy to clean, the design provides<br />
a practical space sav<strong>in</strong>g and lyrical alternative to the traditional<br />
hob. The hobs are aimed at a wide user range, but have been<br />
developed with the specific needs of older people <strong>in</strong> m<strong>in</strong>d.<br />
6
Richard Hartshorn/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> sp<strong>in</strong>-juice extractor<br />
At present, juice extractors are arduous to assemble and<br />
fiddly to clean. For a person with limited dexterity or arthritis,<br />
the whole process can become extremely pa<strong>in</strong>ful, outweigh<strong>in</strong>g<br />
the many health benefits of the fresh, vitam<strong>in</strong>-rich dr<strong>in</strong>ks<br />
a juice extractor provides. Sp<strong>in</strong> is an exploration <strong>in</strong>to the<br />
design of a juice extractor that is easy to clean and use.<br />
A removable filter bag takes away the spent pulp and the<br />
rema<strong>in</strong><strong>in</strong>g juice residue can then be r<strong>in</strong>sed away with water<br />
that is spun round by the rotation of the juicer. The solution<br />
is better for anyone who has ever shied away from juicers<br />
due to the ‘mess’ factor.<br />
7
Anna Hiltunen/Design Products<br />
> chatter<br />
A table that reacts to sound with a visual display of lights<br />
on its surface. By network<strong>in</strong>g the table to the various<br />
appliances <strong>in</strong> the house, different areas of the table light<br />
up each time the phone r<strong>in</strong>gs, doorbell r<strong>in</strong>gs, or any alarm<br />
such as the microwave timer goes off. As well as its use<br />
as ord<strong>in</strong>ary furniture, the table provides visual reassurance<br />
of an aural landscape assist<strong>in</strong>g the hear<strong>in</strong>g faculties of<br />
older users. The responsive and playful nature of the<br />
table <strong>in</strong>creases enjoyment of the domestic environment<br />
and ma<strong>in</strong>ta<strong>in</strong>s <strong>in</strong>dependence - no more stra<strong>in</strong><strong>in</strong>g to hear<br />
the doorbell or the phone.<br />
8
George Liarikos/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> obedient shopp<strong>in</strong>g trolley<br />
A shopp<strong>in</strong>g trolley that promises to be easy to steer and<br />
reduce time spent <strong>in</strong> the checkout queue. The new and<br />
potentially patentable steer<strong>in</strong>g system offers better control<br />
and easier steer<strong>in</strong>g particularly when heavily loaded, reliev<strong>in</strong>g<br />
the user of the dangers of backstra<strong>in</strong> or limb twist<strong>in</strong>g<br />
whilst battl<strong>in</strong>g though the twists and turns of the car park.<br />
The burden of hav<strong>in</strong>g to unload and reload the merchandise<br />
at checkout is removed through use of standard technology.<br />
Although of obvious benefit to a wide range of people, the<br />
manoeuvrability and convenience of the design has specific<br />
application to older people.<br />
9
Benjam<strong>in</strong> Peace/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> breeze<br />
A real alternative to the dated tumble dryer, the second<br />
biggest consumer of electricity <strong>in</strong> the home. The Breeze<br />
design folds up <strong>in</strong>to a compact package with laundry still<br />
attached, and can then be moved around the home and<br />
garden at will, allow<strong>in</strong>g for different fabric needs and<br />
sudden changes <strong>in</strong> the weather. The product elim<strong>in</strong>ates<br />
awkward rungs, and allows for full-length dry<strong>in</strong>g of longer<br />
items, <strong>in</strong>clud<strong>in</strong>g sheets. It <strong>in</strong>cludes an <strong>in</strong>novative built-<strong>in</strong><br />
attachment system and a ra<strong>in</strong> detector. Its versatility and<br />
simplicity means it can satisfy the needs of most users,<br />
especially those of older people, with its light weight and<br />
ease of operation.<br />
10
Philip Phelan/Computer Related Design<br />
> textbox<br />
A service that aims to bridge gaps between old and young<br />
through <strong>in</strong>creas<strong>in</strong>g technological <strong>in</strong>clusivity. Older people<br />
have been left out of the text<strong>in</strong>g craze that has swept the<br />
younger generation. This project proposes a simple device<br />
that ports the functionality of the mobile phone <strong>in</strong>to the<br />
television. The device is particularly geared towards text<strong>in</strong>g,<br />
an area that is of particular relevance to the young and <strong>in</strong><br />
which older generations should be able to participate. Calls<br />
are routed to the house phone and text messages are routed<br />
to a channel on the TV. Different channels can be allocated<br />
to different friends, and texts can be stored on channels.<br />
11
Victoria Rob<strong>in</strong>son/Architecture & Interiors<br />
> station campus<br />
12<br />
Large communities of older people live ghettoised lives <strong>in</strong><br />
a media-driven city that caters for a population that never<br />
seems to exceed the age of 54. This project aims to achieve<br />
social <strong>in</strong>clusiveness for third age users <strong>in</strong> the public sphere<br />
by overlapp<strong>in</strong>g the activities of the University of the Third<br />
Age (U3A) with the functionality and physical space of<br />
Liverpool Street Station. The concourse of the station<br />
becomes the campus ground for learn<strong>in</strong>g, education and<br />
sociability; a performance space for members‚ lessons and<br />
activities. Interrelationships form between the commuters and<br />
U3A members, enrich<strong>in</strong>g the lives of both and encourag<strong>in</strong>g<br />
dialogue and meet<strong>in</strong>gs between the two groups.
Renn Scott/Computer Related Design<br />
> +/- pulse<br />
+/- pulse bracelets are wearable health monitors based on<br />
pulse diagnosis, a part of traditional Ch<strong>in</strong>ese medic<strong>in</strong>e which<br />
says that the state of health of a body can be determ<strong>in</strong>ed<br />
by feel<strong>in</strong>g the pulse. Most older people are concerned but<br />
not obsessed with their health. The bracelet allows them<br />
to monitor themselves as little or as much as they desire<br />
whilst wear<strong>in</strong>g the device. Current aesthetics of wearable<br />
health monitors focus on technology. The Pulse Diagnosis<br />
bracelet explores the creation of wearable alternatives that<br />
are based purely on personal choice and mood. The device<br />
is discreet and can be perceived as an item someone would<br />
commonly wear.<br />
13
Jo Taylor/Communication Art & Design<br />
>happy birthday<br />
When does someone beg<strong>in</strong> to feel old Is there an age<br />
beyond which we are old or is this feel<strong>in</strong>g governed by<br />
other criteria Is it an <strong>in</strong>dividual response or a group<br />
reaction This study <strong>in</strong>to the perception of age<strong>in</strong>g looks<br />
at the idea of age and at the times at which age is felt.<br />
Through text and image, the work exam<strong>in</strong>es the fact that<br />
age<strong>in</strong>g is a natural process we are all exposed to, and that<br />
every one of us feels old sometimes. The project aims to<br />
bridge generation gaps, so older people are not seen as<br />
a separate group, and younger people are prompted to<br />
th<strong>in</strong>k about age<strong>in</strong>g and ageism.<br />
14
Sebastien Tran D<strong>in</strong>h/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> door <strong>in</strong>dicator<br />
A simple device <strong>in</strong>tegrated <strong>in</strong>to the door handle, which<br />
<strong>in</strong>dicates whether a room is occupied or not. From the <strong>in</strong>side<br />
of the room, push<strong>in</strong>g the button activates a colour signal that<br />
is also visible outside and stops the rotation of the handle.<br />
From the outside, the colour is red when occupied, but the<br />
lock can be opened by push<strong>in</strong>g a button to de-activate the<br />
lock<strong>in</strong>g system. The door is therefore never completely locked<br />
but relies on visual cod<strong>in</strong>g to <strong>in</strong>dicate use. Special application<br />
is <strong>in</strong> the domestic area where older people and children can<br />
be reached <strong>in</strong> the case of an emergency.<br />
15
Christopher Wattam/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> freelock emergency access<br />
doorlock<br />
80 per cent of fatal accidents <strong>in</strong> the home <strong>in</strong>volve people<br />
over 65 and nearly half of these are falls. Freelock acts<br />
as a normal bolt ensur<strong>in</strong>g privacy, but <strong>in</strong> the case of an<br />
emergency, such as a fall <strong>in</strong> the bathroom, access is quickly<br />
ga<strong>in</strong>ed by a carer or relative, by means of a resettable snap<br />
fitt<strong>in</strong>g mechanism. The force required has been calculated<br />
to prevent accidental open<strong>in</strong>g whilst allow<strong>in</strong>g the door to<br />
be forced without any damage to the door or the frame.<br />
The everyday operation of the bolt takes the needs of older<br />
users <strong>in</strong>to account whilst appeal<strong>in</strong>g through its shape and<br />
action to a wide audience.<br />
16
work<br />
the brief: <strong>in</strong>novation <strong>in</strong> the design of a product,<br />
image, system, service or environment which<br />
encourages a healthier work-life balance by<br />
support<strong>in</strong>g new ways of work<strong>in</strong>g<br />
18
Samson Adjei/Architecture & Interiors 20<br />
>the embassy - embassy<br />
Noel Batt/Ceramics & Glass 21<br />
>switch table<br />
Greg Epps/Architecture & Interiors 22<br />
> urban ranger<br />
Afroditi Krassa/Design Products 23<br />
> the spare match<br />
Richard Macara/Architecture & Interiors 24<br />
> pervasive loung<strong>in</strong>g<br />
Priya Prakash/Computer Related Design 25<br />
>showeraoke<br />
Benson Saw/Design Products 26<br />
>1+1=3<br />
Flávia Silva/Design Products 27<br />
>cor<strong>in</strong>ga chair<br />
Mary Wagstaff/Ceramics & Glass 28<br />
> <strong>in</strong> or out<br />
Nicholas Williamson/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 29<br />
>bed-desk desk<br />
19
Samson Adjei/Architecture & Interiors<br />
> the embassy - embassy<br />
This project converts a build<strong>in</strong>g above London’s Chancery<br />
Lane - an area with little hous<strong>in</strong>g and a large number of<br />
commuters - <strong>in</strong>to a relax<strong>in</strong>g thirdspace between work and<br />
home. Through re<strong>in</strong>terpret<strong>in</strong>g the roofscape as a new<br />
landscape on which to provide alternative facilities for local<br />
workers, public <strong>in</strong>teraction is re<strong>in</strong>vigorated with the aid of<br />
active debat<strong>in</strong>g halls known as ‘rooforums’. Special napp<strong>in</strong>g<br />
dorms are also provided to serve those who require a<br />
rest before embark<strong>in</strong>g on the journey home. The scheme<br />
<strong>in</strong>corporates site walks around Chancery Lane, reflect<strong>in</strong>g the<br />
idea of allow<strong>in</strong>g the locality to work beyond its 9am-to-5pm<br />
weekday lifecycle.<br />
20
Noel Batt/Ceramics & Glass<br />
> switch table<br />
Furniture that transforms from a desk to a d<strong>in</strong><strong>in</strong>g table<br />
at the flick of a switch. The primary use of the table is for<br />
homeworkers who have the restriction of liv<strong>in</strong>g and work<strong>in</strong>g<br />
<strong>in</strong> the same space. The table has two levels, the top one<br />
made of glass and the bottom one made of wood. The<br />
glass has a sandwich of liquid crystal sheet that is naturally<br />
translucent but will become transparent when an electric<br />
current passes through. After work<strong>in</strong>g dur<strong>in</strong>g the day, all<br />
the work can be put on the lower wooden shelf and hidden<br />
away by the glass top <strong>in</strong> its translucent state until the<br />
follow<strong>in</strong>g day.<br />
21
Greg Epps/Architecture & Interiors<br />
> urban ranger<br />
22<br />
An architectural scheme <strong>in</strong> which Hackney Town Hall is<br />
re<strong>in</strong>vented as a new Town Square. This is populated by<br />
Hackney Council employees who host a series of events<br />
for external participants with<strong>in</strong> personalised spaces. This<br />
exchange <strong>in</strong>troduces new skills to Hackney Council while<br />
open<strong>in</strong>g its resources to the public. The new Town Square<br />
is a cont<strong>in</strong>uous landscape punctuated with the ma<strong>in</strong> public<br />
volumes accommodat<strong>in</strong>g meet<strong>in</strong>gs and events. These<br />
volumes form courtyards surrounded by an <strong>in</strong>formal<br />
mix of council offices, new public and private <strong>in</strong>itiatives<br />
and enterprises, as well as part-time voluntary sector<br />
accommodation. Opportunity is created for crossfertilisation<br />
between these traditionally separate sectors.
Afroditi Krassa/Design Products<br />
> the spare match<br />
This project proposes a campaign for homeless people that<br />
gives them an <strong>in</strong>come while rais<strong>in</strong>g political awareness about<br />
homelessness. Its symbol is a matchbox, <strong>in</strong>spired by the fairy<br />
tale of ‘The Little Match Girl’. Spare matchboxes will be<br />
sold by homeless people. Every matchbox is pre-stamped<br />
and pre-addressed to the Prime M<strong>in</strong>ister. The purchaser<br />
signs the matchtray, which conta<strong>in</strong>s a message about social<br />
<strong>in</strong>clusion and the needs of the homeless to the Prime M<strong>in</strong>ister,<br />
and posts it straight to 10 Down<strong>in</strong>g Street. The project<br />
is endorsed by Shelter. The first 5,000 matchboxes will be on<br />
sale dur<strong>in</strong>g the RCA Show 2001.<br />
23
Richard Macara/Architecture & Interiors<br />
>pervasive loung<strong>in</strong>g<br />
24<br />
By 2010, 50 per cent of population will be s<strong>in</strong>gle, as most<br />
work<strong>in</strong>g people have little or no time to meet other people<br />
and form relationships despite the surge <strong>in</strong> communication<br />
technology. This project softens up public spaces by creat<strong>in</strong>g<br />
virtual dat<strong>in</strong>g agencies centred around physical locations<br />
<strong>in</strong> the city. The service is accessed by plugg<strong>in</strong>g your 3G<br />
mobile device <strong>in</strong>to the furniture, it could be <strong>in</strong> a tra<strong>in</strong> station<br />
or public square. Your personal profile is entered <strong>in</strong>to the<br />
system, and rema<strong>in</strong>s there for the work<strong>in</strong>g day. Dur<strong>in</strong>g that<br />
time it is matched with suitable people who share the same<br />
public space, and is communicated back to you, giv<strong>in</strong>g the<br />
chance for further communication and contact.
Priya Prakash/Computer Related Design<br />
>showeraoke<br />
At a time when people are work<strong>in</strong>g longer and harder,<br />
Showeraoke aims to make each morn<strong>in</strong>g or even<strong>in</strong>g shower<br />
a relax<strong>in</strong>g, enterta<strong>in</strong><strong>in</strong>g and even <strong>in</strong>vigorat<strong>in</strong>g experience.<br />
Us<strong>in</strong>g the showerhead as a mike and the shower curta<strong>in</strong><br />
as a display, you s<strong>in</strong>g along, karaoke style, with previously<br />
downloaded MP3 song files from the Showeraoke website.<br />
Endlessly customisable, you can give your rubber duck a<br />
range of voices, record your performance or listen to your<br />
favourite radio station <strong>in</strong> the shower. The result makes an<br />
everyday task like shower<strong>in</strong>g <strong>in</strong>to a fun activity that allows<br />
you to de-stress from work.<br />
25
Benson Saw/Design Products<br />
>1+1=3<br />
Aimed at people who work at home or <strong>in</strong> small offices, this<br />
shelv<strong>in</strong>g system demonstrates how two shelves can create<br />
three separate spaces. The shelves ‘<strong>in</strong>tersect’ to create the<br />
third space between them. Each shelf is made of alum<strong>in</strong>ium<br />
sheet, punched and formed to create the frame of the shelf.<br />
An <strong>in</strong>jected-moulded t<strong>in</strong>ted acrylic is <strong>in</strong>serted <strong>in</strong> the middle<br />
of the frame to support the construction. This system has<br />
the potential for users to further organise their th<strong>in</strong>gs<br />
through numerous and customisable spaces. It is as flexible<br />
as a books and files organiser as well as a free-stand<strong>in</strong>g<br />
‘wall’. The project is based on observation <strong>in</strong> Habitat’s office.<br />
26
Flávia Silva/Design Products<br />
> cor<strong>in</strong>ga chair<br />
Cor<strong>in</strong>ga is a two-height chair for work<strong>in</strong>g, read<strong>in</strong>g and<br />
relax<strong>in</strong>g that is multifunctional and playful. It aims to save<br />
space <strong>in</strong> the domestic environment by comb<strong>in</strong><strong>in</strong>g <strong>in</strong> a s<strong>in</strong>gle<br />
form the functions of an easy chair with a desk chair.<br />
Due to the shape of the arms, there is no need for any<br />
mechanism to transform this piece of furniture. The user<br />
turns the upright chair <strong>in</strong>to an easy chair by simply rock<strong>in</strong>g<br />
the piece on its arms. Aimed at people liv<strong>in</strong>g and work<strong>in</strong>g <strong>in</strong><br />
small spaces, <strong>in</strong>clud<strong>in</strong>g those <strong>in</strong> student accommodation.<br />
27
Mary Wagstaff/Ceramics & Glass<br />
> <strong>in</strong> or out<br />
A complete range of household products and clothes,<br />
designed to be made by prisoners <strong>in</strong> prison factories. The<br />
merchandise has a dual purpose: to be used <strong>in</strong>ternally with<strong>in</strong><br />
the Prison Service and to be branded, packaged and sold to<br />
the public creat<strong>in</strong>g revenue that can be re<strong>in</strong>vested <strong>in</strong> prisons.<br />
An active concern is the <strong>in</strong>creased self-worth and confidence<br />
of the prison <strong>in</strong>mates through work<strong>in</strong>g on the production<br />
of a high profile, high quality brand of products. This will<br />
have a direct and beneficial effect on their present work<strong>in</strong>g<br />
lives and future work prospects when released. The range<br />
<strong>in</strong>cludes tableware, tables, chairs and clothes, all with strong<br />
brand<strong>in</strong>g that is honest about the orig<strong>in</strong>s of the products.<br />
28
Nicholas Williamson/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
>bed-desk<br />
Based on research <strong>in</strong>to chang<strong>in</strong>g work<strong>in</strong>g and liv<strong>in</strong>g patterns,<br />
this project aims to comb<strong>in</strong>e the functionality of a bed and<br />
a desk. The bed and desk both pivot from a s<strong>in</strong>gle po<strong>in</strong>t.<br />
They are l<strong>in</strong>ked so when the bed is lifted, so too is the<br />
desk. The desk rema<strong>in</strong>s horizontal as it is raised, allow<strong>in</strong>g<br />
items to be left on the desk top. Potential users <strong>in</strong>clude<br />
people with limited space <strong>in</strong> bedsits or student accommodation,<br />
people who have a spare room that they want<br />
to be both an office and a guest bedroom, and homeworkers<br />
who want a division between work and leisure time.<br />
29
mobility<br />
the brief: <strong>in</strong>novation <strong>in</strong> the design of<br />
a product, image, system, service or<br />
environment which encourages a healthier<br />
work-life balance by support<strong>in</strong>g new<br />
ways of work<strong>in</strong>g<br />
30
James Auger/Design Products 32<br />
>social tele-presence<br />
Christian Brandt/Vehicle Design 33<br />
> chameleon concept<br />
Harry Dobbs/Architecture & Interiors 34<br />
> underground library<br />
Pierre-Olivier Garcia/Vehicle Design 35<br />
>cubic: the mov<strong>in</strong>g architecture<br />
Thomas Hulbert/Design Products 36<br />
> connected city<br />
Camilla Ingman/Ceramics & Glass 37<br />
>travel aid pack<br />
Nicholas J<strong>in</strong>k<strong>in</strong>son & Nicholas Paterson/<br />
Design Products 38<br />
>wearable hanger<br />
Roma<strong>in</strong> Lawson/Vehicle Design 39<br />
>ciconia<br />
Marie Lenclos/Communication Art & Design 40<br />
> and those less able to stand<br />
Lola Llorca/Design Products 41<br />
>clothery bottle for the city<br />
Cristian Norl<strong>in</strong>/Computer Related Design 42<br />
>travelwatch<br />
Jochen Paesen/Vehicle Design 43<br />
>SW7>><br />
Christiane Posch/Design Products 44<br />
>gestural <strong>in</strong>terfaces<br />
Michael Saunders/Design Products 45<br />
>a car for the city<br />
Indri Tulusan/Design Products 46<br />
>olu<br />
31
James Auger/Design Products<br />
> social tele-presence<br />
Current use of tele-presence is restricted to large-budget<br />
scientific or military operations, usually through a remotely<br />
operated camera and microphone set-up. This project is a<br />
social exploration that aims to br<strong>in</strong>g tele-presence <strong>in</strong>to the<br />
social context of the urban environment. Cameras can be<br />
fixed to vehicles, people or guide dogs allow<strong>in</strong>g experience<br />
of another lifestyle, culture or situation from the home. At<br />
a time when movement through the city is as restricted as<br />
ever, social tele-presence allows monitor<strong>in</strong>g and presence <strong>in</strong><br />
a situation without ever hav<strong>in</strong>g to make the journey there.<br />
32
Christian Brandt/Vehicle Design<br />
> chameleon concept<br />
The Chameleon concept is a small, <strong>in</strong>expensive, <strong>in</strong>dividual<br />
city car that can change appearance through <strong>in</strong>terchangeable<br />
coloured and translucent body panels. The car targets<br />
a range of user groups from first time buyers and young<br />
families to pensioners and city dwellers, allow<strong>in</strong>g each to<br />
customise the car to their <strong>in</strong>dividual tastes. The versatility<br />
of the vehicle ensures that the requirements of these<br />
different groups are catered for. The car is designed to the<br />
latest str<strong>in</strong>gent legislation govern<strong>in</strong>g Japanese city cars<br />
and its design is <strong>in</strong>spired by strik<strong>in</strong>g contrasts and strong<br />
culture <strong>in</strong> modern Japanese cities.<br />
33
Harry Dobbs/Architecture & Interiors<br />
> underground library<br />
34<br />
An architectural study that builds on the contrast between<br />
the transient and dislocated world of the London Underground<br />
and the solid psychological world built from our<br />
own imag<strong>in</strong>ations and fuelled by the media we read as we<br />
sit on the Tube. The Underground Library draws the two<br />
together <strong>in</strong> the physical space of the station.Commuters<br />
share reviews of the same book, meet<strong>in</strong>g and exchang<strong>in</strong>g<br />
literary views and thoughts <strong>in</strong> a virtual world as they move<br />
through the system. Engag<strong>in</strong>g with one another under<br />
the protection of ‘virtual distance’, there is the potential<br />
for different levels of <strong>in</strong>timacy to arise with<strong>in</strong> this urban<br />
public space.
Pierre-Olivier Garcia/Vehicle Design<br />
> cubic: the mov<strong>in</strong>g architecture<br />
This project proposes a rental transport service available<br />
from travel and bus<strong>in</strong>ess centres <strong>in</strong> the world’s major<br />
cities, where an artistic and historic context is important.<br />
The vehicle can be used as anyth<strong>in</strong>g from mobile office<br />
to an <strong>in</strong>teractive tourist taxi and a wheelchair-accessible<br />
runabout. Designed to give the user a perception of<br />
space and relaxation, it drives with a rudder, allow<strong>in</strong>g<br />
one-handed park<strong>in</strong>g manoeuvres, whilst conta<strong>in</strong><strong>in</strong>g current<br />
GPS, <strong>in</strong>ternet and voice-activated technologies. Exploration<br />
of various urban scenarios results <strong>in</strong> the possibility to<br />
connect the vehicle with other Cubic pods to move <strong>in</strong> a<br />
convoy or to plug-<strong>in</strong> to build<strong>in</strong>gs to create ‘lifts-park<strong>in</strong>g’.<br />
35
Thomas Hulbert/Design Products<br />
> connected city<br />
This project seeks to digitally enhance transitory spaces<br />
scattered throughout the city to provide greater access<br />
and participation. People can ‘connect’ wirelessly <strong>in</strong> public<br />
places, us<strong>in</strong>g their mobile phones and current technology,<br />
creat<strong>in</strong>g virtual communities. Applications range from the<br />
recreational, such as multi-player computer games between<br />
networked bus shelters, to the <strong>in</strong><strong>format</strong>ive - <strong>in</strong>teractive maps<br />
or transport guides to aid mobility and wayf<strong>in</strong>d<strong>in</strong>g with<strong>in</strong><br />
the city. Scenarios even merge the two - buses can become<br />
sprites <strong>in</strong> the game be<strong>in</strong>g played. Inspiration comes from<br />
observ<strong>in</strong>g the number of people with mobile phones and<br />
the <strong>in</strong>sular attitude of the average commuter.<br />
36
Camilla Ingman/Ceramics & Glass<br />
> travel aid pack<br />
A travel and <strong>in</strong><strong>format</strong>ion pack that aims to combat the<br />
headl<strong>in</strong>e phenomenon of ‘economy-class syndrome’, or<br />
deep ve<strong>in</strong> thrombosis (DVT). The pack is given out by the<br />
airl<strong>in</strong>e as standard on those flights where passengers are<br />
at most risk, or to those passengers identified as hav<strong>in</strong>g<br />
<strong>in</strong>creased risk, <strong>in</strong>clud<strong>in</strong>g people over 40, expectant mothers<br />
and people recover<strong>in</strong>g from surgery. The travel aid pack<br />
is a contemporary capsule conta<strong>in</strong><strong>in</strong>g appropriate medic<strong>in</strong>e,<br />
m<strong>in</strong>eral water, travel stock<strong>in</strong>gs, written massage <strong>in</strong>structions,<br />
<strong>in</strong><strong>format</strong>ion about the condition and counter measures<br />
that can be taken when on the plane. It aims to reassure<br />
travellers of all ages and abilities.<br />
37
Nicholas J<strong>in</strong>k<strong>in</strong>son & Nicholas Paterson/<br />
Design Products<br />
> wearable hanger<br />
38<br />
A wearable hanger, either retro-fitted or <strong>in</strong>tegrated as part<br />
of the garment at manufacture. It allows the jacket to hang<br />
correctly almost anywhere – from chair backs to car hooks -<br />
preserv<strong>in</strong>g its shape and offer<strong>in</strong>g a structurally and visually<br />
superior alternative to present solutions. A fundamentally<br />
simple design us<strong>in</strong>g plastic technology, it comb<strong>in</strong>es flexibility<br />
when wear<strong>in</strong>g with rigidity when hang<strong>in</strong>g. Particular <strong>in</strong>spiration<br />
has come from look<strong>in</strong>g at where coats are placed<br />
dur<strong>in</strong>g the day by those constantly on the move <strong>in</strong> an urban<br />
environment, and the fact that detailed design thought is<br />
not given to what happens to a garment when it is not<br />
be<strong>in</strong>g worn.
Roma<strong>in</strong> Lawson/Vehicle Design<br />
> ciconia<br />
A s<strong>in</strong>gle seater, low speed airplane that is derived from<br />
a glider, <strong>in</strong>clud<strong>in</strong>g features such as quiet operation and<br />
respect for the environment. The design is light and airy<br />
allow<strong>in</strong>g the user to fly with a sense of freedom and mobility.<br />
It aims to <strong>in</strong>vite urban dwellers to view the wide open<br />
spaces of the French countryside, open<strong>in</strong>g up hidden areas<br />
of culture and heritage as well as creat<strong>in</strong>g an appreciation<br />
for the environment. Ciconia is the Lat<strong>in</strong> word for ‘stork’, a<br />
bird considered to be a lucky charm <strong>in</strong> France. The design is<br />
also <strong>in</strong>spired by the dist<strong>in</strong>ctive characteristics of the stork.<br />
39
Marie Lenclos/Communication Art & Design<br />
> and those less able to stand<br />
40<br />
An <strong>in</strong>-depth study result<strong>in</strong>g <strong>in</strong> a short colour film describ<strong>in</strong>g<br />
the feel<strong>in</strong>gs and challenges experienced by parents who<br />
have a daily struggle tak<strong>in</strong>g their children on public transport<br />
<strong>in</strong> London. The project aims to create a sense of community<br />
amongst these parents, through empathy with the experiences<br />
be<strong>in</strong>g recounted on film. It offers an <strong>in</strong>sight <strong>in</strong>to this<br />
socially <strong>in</strong>visible area to the people who make important<br />
transport decisions, as well as the general public. When<br />
shown on television or <strong>in</strong> support groups and community<br />
centres, the film enables discussions and exchanges to<br />
develop between <strong>in</strong>dividuals, allow<strong>in</strong>g parents and carers to<br />
discover new feel<strong>in</strong>gs of confidence, self-respect and hope.
Lola Llorca/Design Products<br />
> clothery bottle for the city<br />
A cloth water bottle for the city environment that comb<strong>in</strong>es<br />
the modern habit of the urban traveller to carry a plastic<br />
bottle of water around with the ancient tradition of the<br />
leather w<strong>in</strong>e bag. It is a flexible and soft conta<strong>in</strong>er that can<br />
be carried <strong>in</strong> the pocket even when full of water. Inspired by<br />
the shape of the Spanish w<strong>in</strong>e bag, Clothery uses modern<br />
materials and construction techniques to self-seal. As the<br />
conta<strong>in</strong>er can mould itself around the body, it is more comfortable<br />
to carry than a bottle and can become an essential<br />
personal item for those on the move. The environmental<br />
benefits <strong>in</strong> sav<strong>in</strong>g on plastic are potentially large.<br />
41
Cristian Norl<strong>in</strong>/Computer Related Design<br />
> travelwatch<br />
42<br />
Travelwatch is a mobile phone-based personalised travel<br />
<strong>in</strong><strong>format</strong>ion service for commuters us<strong>in</strong>g tube, tra<strong>in</strong> and<br />
bus networks. Each user creates their own travel profile<br />
<strong>in</strong>corporat<strong>in</strong>g their ma<strong>in</strong> journeys. Us<strong>in</strong>g today’s technology,<br />
up-to-date <strong>in</strong><strong>format</strong>ion is streamed to the phone allow<strong>in</strong>g<br />
journeys to be planned and replanned whilst on the move.<br />
The <strong>in</strong><strong>format</strong>ion is delivered <strong>in</strong> a simple graphical <strong>format</strong><br />
allow<strong>in</strong>g display of details, such as the space available on<br />
the next tra<strong>in</strong>. The system is customisable to both user and<br />
phone, and has a wide application for anyone attempt<strong>in</strong>g<br />
to navigate through an urban travel network, susceptible<br />
to delays and changes, at a moment’s notice.
Jochen Paesen/Vehicle Design<br />
> SW7>><br />
A transport scenario projected for 2007 when <strong>in</strong>vestment<br />
has considerably improved London’s public transport,<br />
creat<strong>in</strong>g a more attractive alternative to the car. Many<br />
streets have become pedestrianised with access restricted<br />
to cycles, delivery vehicles and the SW7 taxi. The taxi is<br />
used as a ‘door to door’ service for two people plus a driver,<br />
becom<strong>in</strong>g a cocoon to transport children to school, or act<strong>in</strong>g<br />
as a mobile office between meet<strong>in</strong>gs. Further uses envisage<br />
tourist applications and special privileged use for people<br />
with disabilities. The taxi is an extension of public transport,<br />
us<strong>in</strong>g a pass and po<strong>in</strong>t scheme to measure its usage and<br />
<strong>in</strong>tegrate it with exist<strong>in</strong>g travelcard schemes.<br />
43
Christiane Posch/Design Products<br />
> gestural <strong>in</strong>terfaces<br />
44<br />
Digital <strong>in</strong><strong>format</strong>ion on our credit cards, PDAs, mobile phones<br />
and CD-players forms <strong>in</strong>visible layers of <strong>in</strong><strong>format</strong>ion about<br />
us. Us<strong>in</strong>g these ‘data auras’, wireless networks can be<br />
created between people whose common ground is that<br />
they are <strong>in</strong> the same physical space, rather than group<strong>in</strong>g<br />
by age, gender or ability. As well as draw<strong>in</strong>g on the new<br />
technologies of Bluetooth TM and fourth generation mobile<br />
phones, the more fundamental language of ‘gestures’ is<br />
used as part of the <strong>in</strong>terfac<strong>in</strong>g. This service can be used<br />
to share any type of data such as music files, l<strong>in</strong>k people<br />
of the same <strong>in</strong>terests, or just share a ‘digital flower’ with<br />
the person walk<strong>in</strong>g past.
Michael Saunders/Design Products<br />
> a car for the city<br />
A car designed specifically for the crowded city environment,<br />
with the unique approach of design<strong>in</strong>g the vehicle from the<br />
po<strong>in</strong>t of view of the pedestrian rather than the motorist.<br />
Specific attention has been paid to the short shopp<strong>in</strong>g trip<br />
– it has a detachable boot that serves as a shopp<strong>in</strong>g trolley<br />
giv<strong>in</strong>g the user an easier task of transport<strong>in</strong>g heavy goods.<br />
It also transforms from a horizontal position for driv<strong>in</strong>g to a<br />
vertical position when parked, so reduc<strong>in</strong>g the space needed<br />
and aid<strong>in</strong>g access to and from the vehicle. The project arises<br />
from observational studies of traffic flow and car usage when<br />
shopp<strong>in</strong>g.<br />
45
Indri Tulusan/Design Products<br />
46<br />
An <strong>in</strong>vestigation <strong>in</strong>to how the digital <strong>in</strong><strong>format</strong>ion landscape<br />
can def<strong>in</strong>e personal <strong>in</strong>terests with emotional and poetic<br />
qualities, rather than provid<strong>in</strong>g purely hard <strong>in</strong><strong>format</strong>ion.<br />
This is done by merg<strong>in</strong>g virtual and real space through<br />
a system that uses local networks of people (lost object<br />
spotters), a shared space (local neighbourhood) and current<br />
phone and web-based technologies to reveal the history<br />
beh<strong>in</strong>d the vast number of lost objects <strong>in</strong> the urban environment.<br />
Abandoned consumer goods are not only recycled<br />
effectively, but the street becomes clearer and easier to<br />
navigate. The lives of those around us – someth<strong>in</strong>g we<br />
are largely unaware of – becomes part of the narrative.
care<br />
the brief: <strong>in</strong>novation <strong>in</strong> the design of<br />
a product, image, system, service or<br />
environment which responds to the<br />
lifestyles, needs and aspirations of<br />
young disabled people<br />
48
Georg<strong>in</strong>a Bartlett/Fashion & Textiles 50<br />
>cloth<strong>in</strong>g project<br />
Cajsa Flensburg/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 51<br />
>jewellery pill box<br />
Nicholas Foster/Design Products 52<br />
> pianoforte<br />
Edward Goodw<strong>in</strong>/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 53<br />
>craft & medical scalpels<br />
Kather<strong>in</strong>e Gough/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 54<br />
> breathe: asthma medication packag<strong>in</strong>g<br />
Andrew McCulloch/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 55<br />
>social climb<strong>in</strong>g<br />
Guy Rob<strong>in</strong>son/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g 56<br />
>life supports<br />
Kelly Sant/Design Products 57<br />
>xplore the floor<br />
William Welch/Goldsmith<strong>in</strong>g, Silversmith<strong>in</strong>g,<br />
Metalwork and Jewellery 58<br />
> adaptable cutlery<br />
Ben Wilson/Design Products 59<br />
>hand driven trike<br />
49
Georg<strong>in</strong>a Bartlett/Fashion & Textiles<br />
> cloth<strong>in</strong>g project<br />
A range of cloth<strong>in</strong>g that <strong>in</strong>corporates style and desirability<br />
with ease of wear. It utilises a new knitt<strong>in</strong>g technique that<br />
allows almost any fabric to be woven, to allow stretch<strong>in</strong>g<br />
to fit any body shape. Comb<strong>in</strong>ed with <strong>in</strong>novative ideas for<br />
fasten<strong>in</strong>g and pattern cutt<strong>in</strong>g, the range is ideally suited to<br />
wheelchair users or young people with limited dexterity. The<br />
range <strong>in</strong>cludes able bodied people, form<strong>in</strong>g a l<strong>in</strong>k between<br />
<strong>in</strong>dividuals regardless capability. The project redresses the<br />
balance by boldly design<strong>in</strong>g for a socially <strong>in</strong>visible group<br />
outside ma<strong>in</strong>stream fashion.<br />
50
Cajsa Flensburg/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> jewellery pill box<br />
Why shouldn’t a functional pill conta<strong>in</strong>er be a decorative<br />
item worn as part of a necklace or attached to a key<br />
r<strong>in</strong>g The design of this functional yet aesthetic accessory<br />
transforms a pill or lozenge <strong>in</strong>to an <strong>in</strong>tegral design feature.<br />
Easy to open and close, it is <strong>in</strong>tended for one day’s supply<br />
only of pills. In this way, the phial acts a natural rem<strong>in</strong>der<br />
to its user of how many have been taken. In an emergency<br />
too, the transparency of the pillbox sends a visual signal<br />
to paramedics of the user’s medical condition, that can be<br />
<strong>in</strong>scribed on the base.<br />
51
Nicholas Foster/Design Products<br />
> pianoforte<br />
Pianoforte is a speaker system whose method of volume<br />
control requires less dexterity than the usual rotary knobs<br />
or digital up/down buttons. Volume is <strong>in</strong>creased by open<strong>in</strong>g<br />
the door cover<strong>in</strong>g the cone and decreased by clos<strong>in</strong>g it.<br />
Each action triggers a resistance change <strong>in</strong> the h<strong>in</strong>ge, which<br />
alters the volume <strong>in</strong> the speaker cone. Both actions serve as<br />
visible metaphors that help children with learn<strong>in</strong>g disabilities<br />
understand the concepts of volume control and make the<br />
product suitable for use <strong>in</strong> multi-sensory (snoezl<strong>in</strong>) rooms.<br />
People with motor disabilities, atheosis, or reduced grip<br />
strength will benefit from the greater ease of use.<br />
52
Edward Goodw<strong>in</strong>/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> craft and medical scalpels<br />
Scalpels are used by surgeons, craftsmen, modelmakers,<br />
pattern cutters, leather workers, light<strong>in</strong>g manufacturers<br />
and furniture makers - the list goes on. This two-part project<br />
for a disposable surgical scalpel and its reusable metal<br />
equivalent elim<strong>in</strong>ates some of the problems relat<strong>in</strong>g to<br />
current designs. The safety issues of apply<strong>in</strong>g, remov<strong>in</strong>g<br />
and stor<strong>in</strong>g blades for metal scalpels have been resolved.<br />
By <strong>in</strong>tegrat<strong>in</strong>g blade dispens<strong>in</strong>g and storage <strong>in</strong>to the handle,<br />
the user can locate and apply them quickly and avoid <strong>in</strong>jury.<br />
The design of the standard disposable scalpel, modelled as<br />
it is on its metal equivalent, has also been rethought and the<br />
manufactur<strong>in</strong>g process optimised.<br />
53
Kather<strong>in</strong>e Gough/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
>breathe: asthma medication<br />
packag<strong>in</strong>g<br />
Two products that reduce the stigma of tak<strong>in</strong>g asthma<br />
medication <strong>in</strong> public, aimed at the image-conscious school<br />
age market. Breathe is a compact accessory that holds the<br />
standard medication canister and fits neatly <strong>in</strong>to pockets<br />
or bags. Intuitively self-seal<strong>in</strong>g, it can be opened <strong>in</strong> seconds<br />
for use when needed, and when closed prevents dust and<br />
fluff <strong>in</strong>gression. Breezy is a bag that holds any make of<br />
<strong>in</strong>halers and spacer, allow<strong>in</strong>g children to carry their own<br />
medication thus promot<strong>in</strong>g responsibility and encourag<strong>in</strong>g<br />
self medication. Both are designed to have a ‘cool’ image<br />
for young people and school children alike.<br />
54
Andrew McCulloch/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> social climb<strong>in</strong>g<br />
Wheelchair design has changed radically over the past 20<br />
years but the push rim method of <strong>in</strong>dependent propulsion<br />
that depends on grip and arm strength has rema<strong>in</strong>ed the<br />
same. This project aims to optimise push rim propulsion<br />
for <strong>in</strong>dependent manual wheelchair users and allow disabled<br />
users who have been prevented thus far to experience the<br />
joy of unassisted movement. The driv<strong>in</strong>g and brak<strong>in</strong>g<br />
system is based on mounta<strong>in</strong> bike disc brake technology.<br />
It provides the user with a more comfortable and ergonomic<br />
driv<strong>in</strong>g action, a progressive brak<strong>in</strong>g system, and an<br />
opportunity to gear their drive to suit the environment.<br />
55
Guy Rob<strong>in</strong>son/Industrial Design Eng<strong>in</strong>eer<strong>in</strong>g<br />
> life supports<br />
56<br />
Crutches are designed to support <strong>in</strong>dependent mobility but<br />
their traditional design can cause jo<strong>in</strong>t, shoulder, nerve and<br />
lower back problems to long term users. The aesthetic<br />
styl<strong>in</strong>g of this radical redesign of the standard crutch places<br />
it firmly with<strong>in</strong> contemporary sports culture and removes its<br />
stigma as a medical prosthesis. Current sports technology<br />
has been <strong>in</strong>corporated to improve usability - the handle is<br />
designed to shift pressure from the centre of the hand;<br />
elastometric suspension at the tip reduces shock load<strong>in</strong>g<br />
while the curved stem and suspended woven mesh <strong>in</strong>terface<br />
along the forearm redistributes pressure and avoids damage<br />
to the ulna nerve.
Kelly Sant/Design Products<br />
> xplore the floor<br />
For young disabled children who are floorbound, the<br />
restricted nature of their play environment can limit their<br />
ability to experience the world holistically. By creat<strong>in</strong>g<br />
opportunities for <strong>in</strong>dependent movement and selfdeterm<strong>in</strong>ation,<br />
Xplore the Floor stimulates sensory<br />
curiosity lead<strong>in</strong>g to the development of natural exercise<br />
rout<strong>in</strong>es.The two products have been designed to be<br />
used separately or as a part of an <strong>in</strong>tegrated, modular play<br />
landscape - the tactile mat can be used as a massage surface<br />
while a collection of illum<strong>in</strong>at<strong>in</strong>g rubber wall-mounted hand<br />
grips extends the play space and provides physical support.<br />
57
William Welch/<br />
Goldsmith<strong>in</strong>g, Silversmith<strong>in</strong>g, Metalwork & Jewellery<br />
> adaptable cutlery<br />
This range of adaptable cutlery is designed for people with<br />
poor grip or restricted hand movement. Its ma<strong>in</strong>stream<br />
design aesthetic, however, <strong>in</strong>tegrates the user with their<br />
d<strong>in</strong><strong>in</strong>g companions and makes it an attractive choice for<br />
people of all abilities. The oversized handle is filled with<br />
a smart material that is responsive to human touch and<br />
moulds itself to <strong>in</strong>dividual user needs while the head bends<br />
sideways to optimize hand/mouth coord<strong>in</strong>ation. A looped<br />
strap fits over the hand and slots <strong>in</strong>to the suction pad at<br />
the base of the handle.<br />
58
Ben Wilson/Design Products<br />
> hand driven trike<br />
This hand-powered trike was designed for an active eightyear<br />
old end user with lower body paralysis and a desire<br />
for a mach<strong>in</strong>e styled like the bikes of his able-bodied friends.<br />
The overall concept, however, is for riders of all ages and<br />
abilities <strong>in</strong>clud<strong>in</strong>g those who prefer hand propulsion to us<strong>in</strong>g<br />
their feet. A unique mechanism <strong>in</strong> the saddle area allows<br />
the rider to corner and steer the vehicle by calibrat<strong>in</strong>g the<br />
distribution of their upper body weight. Ready-made high<br />
tech components and ‘street cred’ styl<strong>in</strong>g ensure the trike’s<br />
place <strong>in</strong> ma<strong>in</strong>stream bike design.<br />
59
location<br />
ground level<br />
fashion &<br />
textiles<br />
60<br />
architecture<br />
&<br />
<strong>in</strong>teriors<br />
design<br />
products<br />
kens<strong>in</strong>gton<br />
gore<br />
helen<br />
hamlyn<br />
research<br />
centre<br />
college<br />
shop<br />
communication art<br />
& design<br />
conservation &<br />
history<br />
of art<br />
ma<strong>in</strong> entrance<br />
(next to royal albert hall)
location<br />
lower level<br />
wheelchair<br />
access<br />
canteen<br />
access<br />
canteen<br />
61<br />
<strong>in</strong>dustrial<br />
design<br />
eng<strong>in</strong>eer<strong>in</strong>g<br />
kens<strong>in</strong>gton<br />
gore<br />
animation<br />
computer<br />
related<br />
design<br />
vehicle<br />
design<br />
computer<br />
related design<br />
vehicle<br />
design
judges<br />
62<br />
> Age Panel<br />
Roger Coleman (Chair)<br />
Co-Director, <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />
Marion Bieber<br />
University of the Third Age<br />
Rob<strong>in</strong> Levien<br />
Studio Levien<br />
Colette Nicolle<br />
HUSAT Research Institute, School of Ergonomics<br />
and Human Factors, Loughborough University<br />
Matthew White<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2001<br />
> Work Panel<br />
Jeremy Myerson (Chair)<br />
Co-Director, <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />
Terry Gunnery<br />
DEGW<br />
Tom Lloyd<br />
Pearson Lloyd<br />
Ian Johnston<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2000<br />
Kirsteen Mackay<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2000
judges<br />
> Mobility Panel<br />
John Bound (Chair)<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />
Prof Alastair Macdonald<br />
Glasgow School of Art<br />
Mike Boyle<br />
Transport Consultant<br />
Paul Priestman<br />
Priestman Goode Associates<br />
<strong>Helen</strong> Jones<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2001<br />
63<br />
> Mobility Panel<br />
Julia Cassim (Chair)<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong><br />
David Constant<strong>in</strong>e<br />
Motivation<br />
Adrian Berry<br />
Factory Design<br />
Stuart Monroe<br />
Healthcare Consultant<br />
Dan Plant<br />
<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate 2000
thanks<br />
The <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong> would like<br />
to thank the follow<strong>in</strong>g people and organisations<br />
who have contributed to the Design for our<br />
Future Selves competition 2001:<br />
64<br />
> User Groups:<br />
University of the Third Age, OpenAge<br />
Project, and East Chelsea Community<br />
Contact Organisation (ECCCO)<br />
> Expert Advisers:<br />
Chitra Aloysius, Mike Ayres, Nigel Chapman,<br />
Nick Dormon, Laurence Gunzi, Sylvia Katz,<br />
Ian Lilley, Santa Raymond, Niall Tarrell,<br />
Gav<strong>in</strong> Turner, John Wagstaff, Andrew Walker<br />
and Paul Warner<br />
> The judg<strong>in</strong>g panels<br />
> Staff and students of the <strong>Royal</strong> College<br />
of Art<br />
> Margaret Durkan for design and graphics<br />
> F<strong>in</strong>ally, our special thanks go to <strong>Helen</strong><br />
<strong>Hamlyn</strong> and the <strong>Helen</strong> <strong>Hamlyn</strong> Foundation<br />
for their generous support.<br />
Rama Gheerawo<br />
Competition Co-ord<strong>in</strong>ator, <strong>Helen</strong> <strong>Hamlyn</strong> Research <strong>Centre</strong>
design-f<br />
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design-f<br />
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The <strong>Helen</strong> <strong>Hamlyn</strong><br />
Research <strong>Centre</strong><br />
<strong>Royal</strong> College of Art<br />
Kens<strong>in</strong>gton Gore<br />
London SW7 2EU<br />
T 0207 590 4242<br />
F 0207 590 4244<br />
hhrc@rca.ac.uk<br />
www.hhrc.rca.ac.uk