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Section 3 – Opening a performance review - CIPD

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OPENING A PERFORMANCE REVIEW DISCUSSION – HANDOUT 3.1<br />

<strong>Section</strong> 3 – <strong>Opening</strong> a<br />

<strong>performance</strong> <strong>review</strong><br />

Overview<br />

How we open a discussion of any sort has a huge effect on the way the discussion is perceived by<br />

the other party. This is doubly true in <strong>performance</strong> <strong>review</strong>s as there can be tremendous scope for<br />

disagreement and emotions can be sensitive. If a <strong>performance</strong> <strong>review</strong> discussion is to be<br />

beneficial, therefore, it needs to begin in the best way.<br />

Key learning points<br />

• Performance <strong>review</strong>s are important. To get the most out of them we have to open them in the<br />

most appropriate way because the way we open a conversation tells the other person what kind<br />

of conversation it’s going to be. As <strong>performance</strong> <strong>review</strong>s tend to be most productive when they<br />

are open, forward-looking, businesslike discussions between two focused participants, it makes<br />

sense to begin that way.<br />

• Sometimes, a Reviewer may need to invest a little time helping a Reviewee relax – but waffling<br />

on about something irrelevant will probably only raise suspicion. Similarly, a monologue in<br />

which the Reviewee is a passive recipient of a verbal tsunami will not get the discussion off to a<br />

good start. However, it is possible to go to another equally unproductive extreme, described in<br />

the following point.<br />

• While it’s a good idea to involve Reviewees in the discussion as quickly as possible, some<br />

Reviewees are unsure of their role in the discussion and can respond by appearing reluctant to<br />

participate. Trying to involve them too soon before the discussion has any reassuring structure<br />

can also be counter-productive. They’re not sure what to say so they do what most of us do in<br />

such a situation and don’t say much. It can require a lot of skill to overcome a tricky start and<br />

get the discussion moving again.<br />

• The best way is to treat a <strong>performance</strong> <strong>review</strong> as you would any other work discussion –<br />

prepare, ensure that the other participant is prepared, agree an outcome and structure, and<br />

then begin. If you make agreeing the outcome and structure a joint process and modify your<br />

approach according to individual situations, your <strong>performance</strong> <strong>review</strong>s should get off to a<br />

productive start.<br />

How this section will help<br />

you<br />

This section illustrates a range of ways of opening a <strong>performance</strong> <strong>review</strong> discussion and the<br />

effects of each. It contains five different approaches:


OPENING A PERFORMANCE REVIEW DISCUSSION – HANDOUT 3.1<br />

• The Reviewer’s attempt to relax the Reviewee with casual conversation achieves the opposite.<br />

• The Reviewer’s precise planning comes across as a monologue that puts the Reviewee on the<br />

receiving end of the discussion.<br />

• The Reviewer tries to involve the Reviewee but, for this Reviewee, too quickly and without<br />

structure.<br />

• The Reviewer tries to involve the Reviewee too quickly but, seeing the response, uses more<br />

specific, easier-to-answer questions that get the Reviewee involved and the discussion moving.<br />

• The Reviewer’s opening is brief, structured and relaxed but businesslike. As such, it not only<br />

involves the Reviewee but signals that the Reviewee is an equal party to the discussion.<br />

In addition to the DVD scenes there are two resources to help you:<br />

• Handout 3.1 – DVD observation, which people can use to record their observations of openings<br />

illustrated in the scenes and the effects thereof and pull together key learning points.<br />

• Handout 3.2 – quick tips, summarising practical points relating to opening <strong>performance</strong> <strong>review</strong><br />

discussions.<br />

Note<br />

The DVD illustrates the effects of different ways of opening a <strong>performance</strong> <strong>review</strong> discussion but<br />

not of how to close one – yet the close is also important. We have not included ‘closing’<br />

illustrations because, while the initial part of an opening can be reasonably generic, the close is<br />

only effective if it summarises an individual discussion – so that summary cannot be generic: it has<br />

to be specific. You may find it useful, however, to make the following points:<br />

• How Reviewers close a <strong>performance</strong> <strong>review</strong> discussion is important.<br />

• The close is more effective when a Reviewer asks the Reviewee to summarise because a) it is<br />

the Reviewer’s last chance to check the Reviewee’s understanding, which can only be done if<br />

Reviewees summarise, and b) the act of summarising increases the Reviewee’s commitment to<br />

actions.<br />

• The close is also more effective when Reviewers encourage the Reviewees to summarise<br />

actions they will take rather than assessments and comments. Actions might include what the<br />

Reviewee will do to improve their <strong>performance</strong> further, to contribute to the team and to develop<br />

themselves. You will see an example of this in <strong>Section</strong> 5 – When discussions go wrong.


OPENING A PERFORMANCE REVIEW DISCUSSION – HANDOUT 3.1<br />

Handout 3.1<br />

<strong>Opening</strong> a <strong>performance</strong><br />

<strong>review</strong> discussion – DVD<br />

observation<br />

Record your observations about each of the five illustrations of opening a<br />

<strong>performance</strong> <strong>review</strong>.<br />

<strong>Opening</strong><br />

Your observations<br />

<strong>Opening</strong> 1<br />

<strong>Opening</strong> 2<br />

<strong>Opening</strong> 3<br />

<strong>Opening</strong> 4


<strong>Opening</strong> 5<br />

OPENING A PERFORMANCE REVIEW DISCUSSION – HANDOUT 3.1


OPENING A PERFORMANCE REVIEW DISCUSSION – HANDOUT 3.1<br />

Handout 3.2<br />

<strong>Opening</strong> a <strong>performance</strong> <strong>review</strong><br />

discussion – quick tips<br />

Here are six keys to help you get a <strong>performance</strong> <strong>review</strong> discussion off to a good<br />

start.<br />

Start on time. Being punctual is your way of saying that the Reviewee and their<br />

<strong>performance</strong> are priority matters to you; being unpunctual says the opposite.<br />

Make the immediate visual impact positive. First impressions count, so look<br />

welcoming and ready.<br />

Pay special attention to the way you open the discussion. The opening ‘sets<br />

the scene’ so:<br />

• Confirm the purpose of the discussion.<br />

• Outline the ‘agenda’ and the goal.<br />

• Check that the Reviewee has prepared.<br />

• Check that the Reviewee feels OK.<br />

• Be brief.<br />

Make the discussion relaxed but businesslike and participative. Performance<br />

only develops when Reviewees allow it to develop, so you need their<br />

‘buy-in’. You have a better chance of gaining that commitment when you:<br />

• Involve them throughout the discussion.<br />

• Are ‘straight’ with your feedback.<br />

• Listen actively to their feedback about you.<br />

• Focus on solutions.


OPENING A PERFORMANCE REVIEW DISCUSSION – HANDOUT 3.1<br />

Prepare for any ‘tricky’ bits. Frank discussions about real issues sometimes<br />

touch nerves. It’s your job as Reviewer to keep the discussion on track, so:<br />

• Be empathetic in your preparation.<br />

• Be tactful but descriptive in your feedback; use real examples.<br />

• Don’t ‘rise to the bait’.<br />

• Rehearse mentally.<br />

Ensure that the Reviewee ‘owns’ the outcome of the discussion. Performance<br />

<strong>review</strong>s are about action, and action needs the Reviewee’s commitment,<br />

so:<br />

• Avoid over-prescription.<br />

• Focus on solutions and significant issues.<br />

• Ask the Reviewee to summarise and confirm actions.

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