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Sculpture 1 Rubric - Faculty Development - Academy of Art University

Sculpture 1 Rubric - Faculty Development - Academy of Art University

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<strong>Sculpture</strong> 1 <strong>Rubric</strong><br />

Notice that this rubric includes symbols as visual memory tools that can help students remember the key criteria<br />

for the assignment. Notice also that according to this rubric students who meet the basic terms <strong>of</strong> the assignment by<br />

following directions receive a C.<br />

3-Dimensional Form<br />

How is your eye drawn through the piece How well has the<br />

artist used 3-D form and composition Look from back to front,<br />

front to back, top to bottom, bottom to top. Are there: Clean<br />

edges to form Innovative composition Is vertical / horizontal /<br />

diagonal composition considered Is there a strong, clear<br />

silhouette or negative space Is there varied tonal range from<br />

black to white<br />

Craft / Technique<br />

How carefully did the artist make this work Does it appear<br />

finished Did they pay attention to fine details throughout Did<br />

they use a variety <strong>of</strong> tools or techniques (How) Is there supurb,<br />

careful workmanship Is there “authority” (sureness) in the form<br />

(Why) Is there consistency, clarity Were they fully engaged in<br />

the task (How / Why)<br />

Contrast<br />

Effective artwork uses contrasting elements: large/small,<br />

rough/smooth, male/female, inner/outer, long/short, living/dead,<br />

real/unreal, etc. What did the artist choose Is there clear use <strong>of</strong><br />

that contrast Can you easily find opposites such as: rough vs.<br />

smooth, hard vs. s<strong>of</strong>t, open vs. closed, inside vs. outside, large<br />

vs. small, real vs. unreal, anatomic vs. stylized, absent vs.<br />

present, hidden vs. revealed, clear vs. enigmatic<br />

Intention/Expression<br />

Is there an unexpected or unique solution Is the <strong>Art</strong>ist’s voice<br />

powerfully presented (How / Why) Is the concept strong and<br />

clear Do the forms and marks fully capture the essence <strong>of</strong> the<br />

idea Are the forms supporting the expressive concept (How /<br />

Where / Why)<br />

© 2009, <strong>Academy</strong> <strong>of</strong> <strong>Art</strong> <strong>University</strong>. <strong>Faculty</strong> <strong>Development</strong>: http://faculty.academyart.edu. 415.618.3855


<strong>Rubric</strong> A=Superb, rare work B=Above average C=Expected D=Below average Fail<br />

Worse than<br />

“D”<br />

Worse than<br />

“D”<br />

Worse than<br />

“D”<br />

Worse than<br />

“D”<br />

<strong>Sculpture</strong> 1 Written <strong>Rubric</strong><br />

Three-dimensional View Complete attention to 3-D view.<br />

Innovative composition. Back vw=<br />

front, vw=top, vw=bottom vw. Vert/horiz/<br />

diag composition considered. Excellent<br />

silhouette/negative space.<br />

Follows directions.<br />

Completes task.<br />

Inadequate 3-D<br />

composition - not<br />

paying attention to<br />

different views. Not<br />

fully embracing the<br />

“round”.<br />

Worse than<br />

“D”<br />

Technique/Craft Superb, careful workmanship throughout.<br />

Authoritative attention to detail,<br />

clarity. Consistency. Utilizing all skills,<br />

abilities available. Fully engaged in task.<br />

Well rendered, strong, clear form. Tonal<br />

range - black to white.<br />

Intention/Expression Clear concept. All forms support expressive<br />

concept. Forms & marks fully<br />

capture essence <strong>of</strong> idea. Unexpected or<br />

unique solution. <strong>Art</strong>ist’s voice powerfully<br />

presented.<br />

Contrasting Elements Clear use <strong>of</strong> contrast; Using opposites<br />

as texture/smooth, hard/s<strong>of</strong>t, male/<br />

female, open/closed, inside/outside,<br />

large/small, living/dead, real/unreal,<br />

anatomic/stylized, absent/present,<br />

hidden/revealed, clear/enigmatic, etc.<br />

Follows directions.<br />

Completes task.<br />

Follows directions.<br />

Completes task.<br />

Follows directions.<br />

Completes task.<br />

Muddy (s<strong>of</strong>t, sloppy)<br />

form, unclear, not<br />

carefully worked.<br />

Uninspired concept.<br />

Forms not supporting<br />

overall intention.<br />

Timid execution.<br />

Poor/unoriginal use<br />

<strong>of</strong> contrast<br />

Attendance/<br />

Participation<br />

Homework/<br />

Research/<br />

Preparation/<br />

Comes to class on time, every day, ready<br />

to work. Comes back promptly from<br />

breaks. Participates with positive energy<br />

& ideas.<br />

Excels in all home work thoroughly.<br />

Excels in following directions.<br />

Follows directions.<br />

Completes task.<br />

Often late,<br />

unprepared<br />

Poor, lackluster,<br />

or no attempts at<br />

homework<br />

© 2009, <strong>Academy</strong> <strong>of</strong> <strong>Art</strong> <strong>University</strong>. <strong>Faculty</strong> <strong>Development</strong>: http://faculty.academyart.edu. 415.618.3855

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