Sculpture 1 Rubric - Faculty Development - Academy of Art University
Sculpture 1 Rubric - Faculty Development - Academy of Art University
Sculpture 1 Rubric - Faculty Development - Academy of Art University
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<strong>Sculpture</strong> 1 <strong>Rubric</strong><br />
Notice that this rubric includes symbols as visual memory tools that can help students remember the key criteria<br />
for the assignment. Notice also that according to this rubric students who meet the basic terms <strong>of</strong> the assignment by<br />
following directions receive a C.<br />
3-Dimensional Form<br />
How is your eye drawn through the piece How well has the<br />
artist used 3-D form and composition Look from back to front,<br />
front to back, top to bottom, bottom to top. Are there: Clean<br />
edges to form Innovative composition Is vertical / horizontal /<br />
diagonal composition considered Is there a strong, clear<br />
silhouette or negative space Is there varied tonal range from<br />
black to white<br />
Craft / Technique<br />
How carefully did the artist make this work Does it appear<br />
finished Did they pay attention to fine details throughout Did<br />
they use a variety <strong>of</strong> tools or techniques (How) Is there supurb,<br />
careful workmanship Is there “authority” (sureness) in the form<br />
(Why) Is there consistency, clarity Were they fully engaged in<br />
the task (How / Why)<br />
Contrast<br />
Effective artwork uses contrasting elements: large/small,<br />
rough/smooth, male/female, inner/outer, long/short, living/dead,<br />
real/unreal, etc. What did the artist choose Is there clear use <strong>of</strong><br />
that contrast Can you easily find opposites such as: rough vs.<br />
smooth, hard vs. s<strong>of</strong>t, open vs. closed, inside vs. outside, large<br />
vs. small, real vs. unreal, anatomic vs. stylized, absent vs.<br />
present, hidden vs. revealed, clear vs. enigmatic<br />
Intention/Expression<br />
Is there an unexpected or unique solution Is the <strong>Art</strong>ist’s voice<br />
powerfully presented (How / Why) Is the concept strong and<br />
clear Do the forms and marks fully capture the essence <strong>of</strong> the<br />
idea Are the forms supporting the expressive concept (How /<br />
Where / Why)<br />
© 2009, <strong>Academy</strong> <strong>of</strong> <strong>Art</strong> <strong>University</strong>. <strong>Faculty</strong> <strong>Development</strong>: http://faculty.academyart.edu. 415.618.3855
<strong>Rubric</strong> A=Superb, rare work B=Above average C=Expected D=Below average Fail<br />
Worse than<br />
“D”<br />
Worse than<br />
“D”<br />
Worse than<br />
“D”<br />
Worse than<br />
“D”<br />
<strong>Sculpture</strong> 1 Written <strong>Rubric</strong><br />
Three-dimensional View Complete attention to 3-D view.<br />
Innovative composition. Back vw=<br />
front, vw=top, vw=bottom vw. Vert/horiz/<br />
diag composition considered. Excellent<br />
silhouette/negative space.<br />
Follows directions.<br />
Completes task.<br />
Inadequate 3-D<br />
composition - not<br />
paying attention to<br />
different views. Not<br />
fully embracing the<br />
“round”.<br />
Worse than<br />
“D”<br />
Technique/Craft Superb, careful workmanship throughout.<br />
Authoritative attention to detail,<br />
clarity. Consistency. Utilizing all skills,<br />
abilities available. Fully engaged in task.<br />
Well rendered, strong, clear form. Tonal<br />
range - black to white.<br />
Intention/Expression Clear concept. All forms support expressive<br />
concept. Forms & marks fully<br />
capture essence <strong>of</strong> idea. Unexpected or<br />
unique solution. <strong>Art</strong>ist’s voice powerfully<br />
presented.<br />
Contrasting Elements Clear use <strong>of</strong> contrast; Using opposites<br />
as texture/smooth, hard/s<strong>of</strong>t, male/<br />
female, open/closed, inside/outside,<br />
large/small, living/dead, real/unreal,<br />
anatomic/stylized, absent/present,<br />
hidden/revealed, clear/enigmatic, etc.<br />
Follows directions.<br />
Completes task.<br />
Follows directions.<br />
Completes task.<br />
Follows directions.<br />
Completes task.<br />
Muddy (s<strong>of</strong>t, sloppy)<br />
form, unclear, not<br />
carefully worked.<br />
Uninspired concept.<br />
Forms not supporting<br />
overall intention.<br />
Timid execution.<br />
Poor/unoriginal use<br />
<strong>of</strong> contrast<br />
Attendance/<br />
Participation<br />
Homework/<br />
Research/<br />
Preparation/<br />
Comes to class on time, every day, ready<br />
to work. Comes back promptly from<br />
breaks. Participates with positive energy<br />
& ideas.<br />
Excels in all home work thoroughly.<br />
Excels in following directions.<br />
Follows directions.<br />
Completes task.<br />
Often late,<br />
unprepared<br />
Poor, lackluster,<br />
or no attempts at<br />
homework<br />
© 2009, <strong>Academy</strong> <strong>of</strong> <strong>Art</strong> <strong>University</strong>. <strong>Faculty</strong> <strong>Development</strong>: http://faculty.academyart.edu. 415.618.3855