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STUDENT RESEaRch SympoSiUm 2010 - Graduate and Research ...

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186<br />

AbstrActs<br />

increasing emphasis on physical attractiveness as the core value<br />

of a woman. The boundaries that surround <strong>and</strong> encompass what<br />

is considered beautiful in our society have been molded by an<br />

internalized system of oppression that is dictated by patriarchal<br />

dem<strong>and</strong>s. These dominant discourses are manifested through<br />

repetitive positive reinforcement of confining ideals expressed<br />

in popular culture, giving birth to a whole new era of extremely<br />

narrow st<strong>and</strong>ards. Television shows, movies, advertisements,<br />

commercials, magazines, <strong>and</strong> other media encourage socially<br />

constricted interpretations of beauty, <strong>and</strong> massive business<br />

ventures are centered at making a profit by stabilizing these<br />

paradigms. This paper explores how women are affected in these<br />

regards, <strong>and</strong> how defiance <strong>and</strong> compliance with these structures<br />

impacts mainstream culture. An increasing amount of women are<br />

resorting to body modification as an outlet geared toward striking<br />

control over their social roles. The majority of body modification<br />

practices actually contribute to the demolition of personal agency,<br />

encouraging women’s conformity to idealized projections of femininity<br />

<strong>and</strong>, as a result, devaluing their individual worth.<br />

#418 10:45<br />

Let’s Go Home<br />

Jenny Woudenberg, Women’s Studies (U)<br />

Doreen Mattingly, Women’s Studies<br />

This project seeks to help one widow at a time leave the IDP camp<br />

<strong>and</strong> return to her homel<strong>and</strong> so she may be able to finish her life<br />

with dignity. Since there is now peace <strong>and</strong> people are allowed to<br />

return to their homel<strong>and</strong>s, most of the NGOs are leaving the IDP<br />

camps, which has left the most vulnerable widows still str<strong>and</strong>ed.<br />

Because these women have lost their sons <strong>and</strong> husb<strong>and</strong>s due<br />

to the conflict, society has ignored their cries for help. This is an<br />

atrocity. Their cries must be heard because every human has the<br />

right to proper shelter. This project is benefiting all of society. It<br />

has most importantly helped the most vulnerable return to their<br />

homes. This project has also empowered the community to be<br />

self-reliant - not NGO dependant – <strong>and</strong> is reinstating the Acholi<br />

culture of community that was lost during the war. We all see<br />

millions of dollars being poured into fancy NGO cars, offices, <strong>and</strong><br />

staff, so why not use a little of that money to help real beneficiaries’<br />

human interests at the grassroots level? Currently a few<br />

members of this project are collecting data for the Parliamentary<br />

Performance Scorecard to asses the work of the elected Members<br />

of Parliament at constituencies in the districts of Kitgum, Pader<br />

<strong>and</strong> Abim as assigned by Africa Leadership Institute (AFLI).<br />

<strong>STUDENT</strong> RESEARCH SYMPOSIUM <strong>2010</strong><br />

#419 11:00<br />

Sexualized Violence <strong>and</strong> Economic Exploitation: Rape as a<br />

Strategic Weapon of War in the Democratic Republic of the<br />

Congo<br />

Moriah Meeks, Women’s Studies (M)<br />

Dr. Elizabeth Colwill, Women’s Studies<br />

A long history of economic exploitation, coupled with the internal<br />

struggles over resources amongst various ethnic groups, has created<br />

an increasingly militarized society in central Africa, specifically<br />

in the Democratic Republic of the Congo. These factors all<br />

contributed to the outbreak of multiple wars in this region from<br />

1996 to the present. One strategy employed by all parties during<br />

these wars is the endemic rape of women <strong>and</strong> girls, estimated in<br />

February 2009 as anywhere from 200,000 to 500,000 women<br />

<strong>and</strong> girls. This paper draws upon women’s <strong>and</strong> grassroots<br />

organizations’ websites, a 2007 documentary, as well as the<br />

transcript of a 2008 Senate Subcommittee hearing on rape as a<br />

weapon of war to address both the causes <strong>and</strong> consequences of<br />

this epidemic of sexual violence. It finds that the widespread rape<br />

of women <strong>and</strong> girls is used as a form of genocide, as a way for<br />

an individual soldier or a group to gain power over an enemy, <strong>and</strong><br />

as a strategy for fostering instability in the region. Consequences<br />

include increasing rates of sterility <strong>and</strong> AIDS, infanticide <strong>and</strong><br />

ab<strong>and</strong>onment of children born of rape, a decrease in food production,<br />

<strong>and</strong> the breakdown of family ties.<br />

#420 11:15<br />

Feminist Zine Making as a Tool for the Production of<br />

Feminist Knowledge, the Dissemination of Feminist<br />

Knowledge, <strong>and</strong> the Creation of a Transnational Feminist<br />

Community.<br />

Jessica Spain, Women’s Studies (M)<br />

Elizabeth Colwill, Women’s Studies<br />

The activism of today’s young feminists is often held in comparison<br />

to the tactics utilized by their foremothers who organized to<br />

resist oppression in the 1960s <strong>and</strong> ‘70s. The strategies of these<br />

women, while perhaps less radical than those employed by second<br />

wave feminists, do not, however, result in more limited social<br />

transformation. The global activism of the “third wave,” through<br />

its communicative vehicle of choice, the feminist zine, has unique<br />

potential for recruiting members to a transnational movement<br />

toward social equality. Feminist zines—do-it-yourself minimagazines<br />

that combine elements of personal journals, newsletters,<br />

<strong>and</strong> collages—have become increasingly popular due to<br />

the accessibility of Xerox machines <strong>and</strong> cheap copies (Bates

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